The Hindu calendar is based on a geocentric model of the Solar System . A geocentric model describes the Solar System as seen by an observer on the surface of the Earth.
126-410: The Hindu calendar is lunisolar but most festival dates are specified using the lunar portion of the calendar. A lunar day is uniquely identified by three calendar elements: māsa (lunar month), pakṣa (lunar fortnight) and tithi (lunar day). Furthermore, when specifying the masa, one of two traditions are applicable, viz. amānta / pūrṇimānta . If a festival falls in the waning phase of
252-536: A Rigvedic deity with fearsome powers, was the god of the roaring storm . He is usually portrayed in accordance with the element he represents as a fierce, destructive deity. In RV 2.33, he is described as the "Father of the Rudras ", a group of storm gods. Flood notes that Rudra is an ambiguous god, peripheral in the Vedic pantheon, possibly indicating non-Vedic origins. Nevertheless, both Rudra and Shiva are akin to Wodan ,
378-540: A kṛṣṇa pakṣa is called amāvāsya (new moon) and the fifteenth tithi of a śukla pakṣa is called pūrṇimā (full moon). The saura māna ( Sanskrit : सौर मान ) of the Hindu calendar is defined by the movement of the Earth around the Sun. It contains sidereal ( Sanskrit : निरयन; nirayana ) and tropical ( Sanskrit : सायन; sāyana ) elements. A saura māna varṣa or sidereal year
504-505: A new moon to a full moon and vice versa. The waxing phase of the moon is known as the bright side ( Sanskrit : शुक्ल पक्ष , romanized : śukla pakṣa ) and the waning phase is known as the dark side ( Sanskrit : कृष्ण पक्ष , romanized : kṛṣṇa pakṣa ). During a pakṣa , the Moon advances 180° with respect to the Earth-Sun axis. A cāndramāsa ( Sanskrit : चन्द्रमास )
630-402: A tithi is the time taken for the Moon's elongation (on the ecliptic plane ) to increase by 12°. A tithi is one fifteenth of a pakṣa and one thirtieth of a cāndramāsa . A tithi corresponds to the concept of a lunar day. Tithi have Sanskrit numbers according by their position in the pakṣa , i.e. prathama (first), dvitīya (second) etc. The fifteenth, that is, the last tithi of
756-590: A German Indologist and professor of philosophy, describes the self-realized man as who "feels himself only as the one divine essence that lives in all", who feels identity of his and everyone's consciousness with Shiva (highest Atman), who has found this highest Atman within, in the depths of his heart. Rudra's evolution from a minor Vedic deity to a supreme being is first evidenced in the Shvetashvatara Upanishad (400–200 BCE), according to Gavin Flood, presenting
882-417: A common trend amongst youngsters and even those who are older to go pandal -hopping and enjoy the celebrations. Astronomical basis of the Hindu calendar The Hindu calendar defines nine measures of time ( Sanskrit : मान IAST : māna ): Of these, only the last four are in active use and are explained here. The candra māna ( Sanskrit : चन्द्र मान ) of the Hindu calendar is defined based on
1008-448: A couple of his specialties of this figure does not match with Rudra. Writing in 1997, Srinivasan interprets what John Marshall interpreted as facial as not human but more bovine, possibly a divine buffalo-man. The interpretation of the seal continues to be disputed. McEvilley , for example, states that it is not possible to "account for this posture outside the yogic account". Asko Parpola states that other archaeological finds such as
1134-585: A diverse group of people celebrating this festival in their unique way while on tradition. In West Bengal, Odisha, Assam, Jharkhand and Tripura, Durga Puja is also called Akalbodhan (literally, "untimely awakening of Durga"), Sharadiya pujo or puja ("autumnal worship"), Sharodotsab ("festival of autumn"), Maha pujo ("grand puja"), Maayer pujo ("worship of the Mother"), Durga pujo , or merely Puja(In Odisha, Bihar) or Pujo . In Bangladesh, Durga Puja has historically been celebrated as Bhagabati puja . Maa Durga
1260-640: A fusing of the two deities. Agni is said to be a bull, and Shiva possesses a bull as his vehicle, Nandi . The horns of Agni , who is sometimes characterized as a bull, are mentioned. In medieval sculpture, both Agni and the form of Shiva known as Bhairava have flaming hair as a special feature. According to Wendy Doniger , the Saivite fertility myths and some of the phallic characteristics of Shiva are inherited from Indra . Doniger gives several reasons for her hypothesis. Both are associated with mountains, rivers, male fertility, fierceness, fearlessness, warfare,
1386-441: A ghaṭikā, or just under 24 seconds. A prāṇa ( Sanskrit : प्राण ) or asu ( Sanskrit : असु ) is one sixth of a vighaṭikā, or just under four seconds. Sāvana māna ( Sanskrit : सावन मान ) of the Hindu calendar defines civil time . A dina ( Sanskrit : दिन ) is the time between two succeeding sunrises. dina corresponds to the concept of a solar day . The length of a dina varies with daytime length . Apart from
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#17328527097621512-434: A householder with his wife Parvati and his two children, Ganesha and Kartikeya . In his fierce aspects, he is often depicted slaying demons. Shiva is also known as Adiyogi (the first Yogi ), regarded as the patron god of yoga , meditation and the arts. The iconographical attributes of Shiva are the serpent king Vasuki around his neck, the adorning crescent moon, the holy river Ganga flowing from his matted hair,
1638-475: A manner similar to Shiva Nataraja. The similarities in the dance iconography suggests that there may be a link between ancient Indra and Shiva. A few texts such as Atharvashiras Upanishad mention Rudra , and assert all gods are Rudra, everyone and everything is Rudra, and Rudra is the principle found in all things, their highest goal, the innermost essence of all reality that is visible or invisible. The Kaivalya Upanishad similarly, states Paul Deussen –
1764-635: A part of ritual. In contrast, the esoteric tradition within Kashmir Shaivism has featured the Krama and Trika sub-traditions. The Krama sub-tradition focussed on esoteric rituals around Shiva-Kali pair. The Trika sub-tradition developed a theology of triads involving Shiva, combined it with an ascetic lifestyle focusing on personal Shiva in the pursuit of monistic self-liberation. The Vaishnava (Vishnu-oriented) literature acknowledges and discusses Shiva. Like Shaiva literature that presents Shiva as supreme,
1890-497: A private home-based festival. The rituals before the puja begins include the following: Durga Puja is a ten-day event. The festival begins with Mahalaya, a day on which Hindus perform tarpaṇa by offering water and food to their dead ancestors. The day also marks the advent of Durga from her marital home in Kailash. The festival starts at twilight with prayers to Saraswati. She is believed to be another aspect of goddess Durga, and who
2016-505: A proto-Shiva would "go too far". The Vedic beliefs and practices of the pre-classical era were closely related to the hypothesised Proto-Indo-European religion , and the pre-Islamic Indo-Iranian religion. The similarities between the iconography and theologies of Shiva with Greek and European deities have led to proposals for an Indo-European link for Shiva, or lateral exchanges with ancient central Asian cultures. His contrasting aspects such as being terrifying or blissful depending on
2142-490: A remembrance of subtle forms of her. On the seventh day ( Saptami ), eighth ( Ashtami ) and ninth ( Navami ) days, the goddess along with Lakshmi , Saraswati , Ganesha , and Kartikeya are revered and these days mark the main days of worship with recitation of scriptures, puja, legends of Durga in Devi Mahatmya , social visits to elaborately decorated and illuminated pandals (temporary structures meant for hosting
2268-755: A single major deity. Shiva is a pan-Hindu deity, revered widely by Hindus in India , Nepal , Bangladesh , Sri Lanka and Indonesia (especially in Java and Bali ). Saiddhantika Non - Saiddhantika According to the Monier-Williams Sanskrit dictionary, the word " śiva " ( Devanagari : शिव , also transliterated as shiva ) means "auspicious, propitious, gracious, benign, kind, benevolent, friendly". The root words of śiva in folk etymology are śī which means "in whom all things lie, pervasiveness" and va which means "embodiment of grace". The word Shiva
2394-476: A socio-cultural event, while maintaining the roots of religious worship. The puja rituals involve mantras (words manifesting spiritual transformation), shlokas (holy verses), chants and arati , and offerings. The worship begins with a reading of the Sanskrit Devī Mahātmya from the sixth-century Mārkaṇḍeya Purāṇa. The shlokas and mantras praise the divinity of the goddess; according to
2520-410: A sāvana dina Above that a nakṣatra dina is divided into ghaṭikā (of 24 modern minutes each) and vighaṭikā (of 24 modern seconds each). These same units are used to subdivide a savana dina using sunrise as the starting point, i.e. the first 24 minutes after sunrise constitute the first ghaṭikā, the next 24 minutes the second ghaṭikā and so on. pitṛpakṣa pitṛpakṣa ( Sanskrit : पितृपक्ष )
2646-658: A theme, which has rose to prominence in recent years. Such themes have included sex work, celebration of humanity, marginalization of queer persons and transgender persons , folk culture, celebration of cinema, womanhood, pro-environment themes, while others have chosen metaphorical themes such as celebration of maati (literally, soil or ash) and "finding one's own light". Pandals have also been replicated on existing temples, structures, and monuments and yet others have been made of elements such as metal scraps, nails, and turmeric among others. Durga Puja pandals have also been centered around themes to acknowledge political events such as
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#17328527097622772-479: A warrior goddess, celebrated by the king and his armed forces, and the description mirrors attributes of Durga Puja. According to some scholars, the worship of the fierce warrior goddess Durga, and her darker and more violent manifestation Kali , became popular in the Bengal region during and after the medieval era, marked by Muslim invasions and conquests. The significance of Durga and other goddesses in Hindu culture
2898-839: Is a pakṣa during which the Sun crosses the equator and transitions overhead the southern hemisphere, i.e. the autumnal equinox occurs within pitṛpakṣa. bhādrapada māsa kṛṣṇa pakṣa is identified with pitṛpakṣa. This identification is not always correct. For instance, in the Gregorian year 2020, bhādrapada māsa kṛṣṇa pakṣa ended with the new moon on 17 September while autumnal equinox occurred five days later, on 22 September. Shiva Shiva ( / ˈ ʃ ɪ v ə / ; Sanskrit : शिव , lit. 'The Auspicious One', IAST : Śiva [ɕɪʋɐ] ), also known as Mahadeva ( / m ə ˈ h ɑː ˈ d eɪ v ə / ; Sanskrit : महादेव: , lit. 'The Great God', IAST : Mahādevaḥ , [mɐɦaːd̪eːʋɐh ) or Hara ,
3024-582: Is a patron deity of farming and herding castes . The foremost center of worship of Khandoba in Maharashtra is in Jejuri . Khandoba has been assimilated as a form of Shiva himself, in which case he is worshipped in the form of a lingam. Khandoba's varied associations also include an identification with Surya and Karttikeya . Myths about Shiva that were "roughly contemporary with early Christianity " existed that portrayed Shiva with many differences than how he
3150-437: Is also possible that an entire tithi elapses between two sunrises, i.e. the Moon traverses a 12° arc in between two sunrises (it enters the arc after one sunrise and exits the arc before the next sunrise). In this such a case, neither sāvana dina will be associated with this tithi, i.e. this tithi will be skipped over in the calendar. Such a tithi is referred to as a kṣaya ( Sanskrit : क्षय ) (lost) tithi . Subdivisions of
3276-502: Is an ancient goddess of Hinduism according to available archeological and textual evidence. However, the origins of Durga Puja are unclear and undocumented. The name Durga, and related terms, appear in Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda A deity named Durgi appears in section 10.1.7 of
3402-404: Is believed to commemorate Durga's visit to her natal home with her beloved children. The festival is preceded by Mahalaya , which is believed to mark the start of Durga's journey to her natal home. Primary celebrations begin on the sixth day ( Shasthi ), on which the goddess is welcomed with rituals. The festival ends on the tenth day ( Vijaya Dashami ), when devotees embark on a procession carrying
3528-445: Is considered to be dvādaśī tithi. adhika tithi and kṣaya tithi It is possible that two consecutive sunrises may have the same tithi, i.e. the Moon continues to remain within the same 12° arc across two consecutive sunrises. In such a case, two consecutive sāvana dina will be associated with the same tithi. The tithi associated with the second sāvana dina is referred to as a adhika ( Sanskrit : अधिक ) (additional) tithi . It
3654-836: Is everything and everywhere. Shiva is the primal Self, the pure consciousness and Absolute Reality in the Shaiva traditions. Shiva is also Part of 'Om' (ॐ) as a 'U' (उ). The Shaivism theology is broadly grouped into two: the popular theology influenced by Shiva-Rudra in the Vedas, Epics and the Puranas; and the esoteric theology influenced by the Shiva and Shakti-related Tantra texts. The Vedic-Brahmanic Shiva theology includes both monist ( Advaita ) and devotional traditions ( Dvaita ), such as Tamil Shaiva Siddhanta and Lingayatism . Shiva temples feature items such as linga, Shiva-Parvati iconography, bull Nandi within
3780-462: Is kind and tranquil (Shiva). The term Shiva also appears simply as an epithet, that means "kind, auspicious", one of the adjectives used to describe many different Vedic deities. While fierce ruthless natural phenomenon and storm-related Rudra is feared in the hymns of the Rigveda, the beneficial rains he brings are welcomed as Shiva aspect of him. This healing, nurturing, life-enabling aspect emerges in
3906-452: Is known as a saṅkramaṇa ( Sanskrit : सङ्क्रमण ) or saṅkrānti ( Sanskrit : सङ्क्रान्ति ). These time periods are defined based on the solstices ( Sanskrit : अयन; IAST : ayana ) and equinoxes ( Sanskrit : विषुवत्; IAST : viṣuvat ). The time taken by the Sun to move from the winter solstice to the summer solstice is known as northward movement ( Sanskrit : उत्तरायण , romanized : uttarāyaṇa ) and time taken by
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4032-1004: Is known as the Goddess of Power (feminine) which represents triumph of Goodness over evil. Durga Puja is also referred to by the names of related Shakta Hindu festivals such as Navaratri , celebrated on the same days elsewhere in India; such as in Odisha, Bihar, Jharkhand, Gujarat, Uttar Pradesh, Punjab, Kerala, and Maharashtra, Kullu Dussehra , celebrated in Kullu Valley , Himachal Pradesh; Mysore Dussehra celebrated in Mysore , Karnataka; Bommai Golu , celebrated in Tamil Nadu ; Bommala Koluvu , celebrated in Andhra Pradesh; and Bathukamma , celebrated in Telangana . Durga
4158-531: Is known today is an amalgamation of various older deities into a single figure, due to the process of Sanskritization and the emergence of the Hindu synthesis in post-Vedic times. How the persona of Shiva converged as a composite deity is not well documented, a challenge to trace and has attracted much speculation. According to Vijay Nath: Vishnu and Siva [...] began to absorb countless local cults and deities within their folds. The latter were either taken to represent
4284-423: Is made up of 12 consecutive candramāsa . These twelve candramāsa are designated by unique names caitra , vaiśākha , etc. In some instances an additional candramāsa , known as an adhikamāsa , is added to synchronise the candra māna varṣa with the solar year or saura māna varṣa . A tithi ( Sanskrit : तिथि ) is the time taken by the Moon to advance 12° with respect to the Earth-Sun axis. In other words
4410-471: Is not affected by three Guṇas of Prakṛti (Sattva, Rajas, and Tamas)". Shiva is known by many names such as Viswanatha (lord of the universe), Mahadeva, Mahandeo, Mahasu, Mahesha, Maheshvara, Shankara, Shambhu, Rudra, Hara, Trilochana, Devendra (chief of the gods), Neelakanta, Subhankara, Trilokinatha (lord of the three realms), and Ghrneshwar (lord of compassion). The highest reverence for Shiva in Shaivism
4536-453: Is not clear from the seal that the figure has three faces, is seated in a yoga posture, or even that the shape is intended to represent a human figure. He characterizes these views as "speculative", but adds that it is nevertheless possible that there are echoes of Shaiva iconographic themes, such as half-moon shapes resembling the horns of a bull . John Keay writes that "he may indeed be an early manifestation of Lord Shiva as Pashu-pati", but
4662-723: Is one of the principal deities of Hinduism . He is the Supreme Being in Shaivism , one of the major traditions within Hinduism. Shiva is known as The Destroyer within the Trimurti , the Hindu trinity which also includes Brahma and Vishnu . In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition,
4788-522: Is one of the four major sects of Hinduism , the others being Vaishnavism , Shaktism and the Smarta Tradition . Followers of Shaivism, called "Shaivas", revere Shiva as the Supreme Being. Shaivas believe that Shiva is All and in all, the creator, preserver, destroyer, revealer and concealer of all that is. He is not only the creator in Shaivism, but he is also the creation that results from him, he
4914-640: Is reflected in his epithets Mahādeva ("Great god"; mahā "Great" and deva "god"), Maheśvara ("Great Lord"; mahā "great" and īśvara "lord"), and Parameśvara ("Supreme Lord"). Sahasranama are medieval Indian texts that list a thousand names derived from aspects and epithets of a deity. There are at least eight different versions of the Shiva Sahasranama , devotional hymns ( stotras ) listing many names of Shiva. The version appearing in Book 13 ( Anuśāsanaparvan ) of
5040-477: Is shorter than the saura māna varṣa by about eleven sāvana dina. As a result, unless explicitly synchronised, these two parts of the calendar will diverge over time, as the cāndra māna varṣa will keep "falling behind" the saura māna varṣa. In order to synchronise these two parts of the calendar, an additional cāndramāsa is introduced into some cāndra māna varṣa. Such a cāndramāsa is referred to as adhikamāsa ( Sanskrit : अधिकमास ) . A adhikamāsa takes its name from
5166-448: Is stated to have increased after Islamic armies conquered regions of the Indian subcontinent . According to yet other scholars, the marginalization of Bengali Hindus during the medieval era led to a reassertion of Hindu identity and an emphasis on Durga Puja as a social festival, publicly celebrating the warrior goddess.From the medieval era up to present-day, Durga Puja has been celebrated as
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5292-525: Is the "creator, reproducer and dissolver". Sharma presents another etymology with the Sanskrit root śarv - , which means "to injure" or "to kill", interpreting the name to connote "one who can kill the forces of darkness". The Sanskrit word śaiva means "relating to the god Shiva", and this term is the Sanskrit name both for one of the principal sects of Hinduism and for a member of that sect. It
5418-532: Is the external and internal activity of all existence, in everything and everywhere. This is typically also the day on which the eyes of the deities on the representative clay sculpture-idols are painted, bringing them to a lifelike appearance. The day also marks prayers to Ganesha and visit to pandal s and temples. Day two to five mark the remembrance of the goddess and her manifestations, such as Kumari (goddess of fertility), Mai (mother), Ajima (grandmother), Lakshmi (goddess of wealth) and in some regions as
5544-411: Is the time taken by the Sun to orbit the Earth once and return to the starting point with respect to the fixed stars. The starting point is taken to be the position of the Sun when it is in opposition to Spica ( Sanskrit : चित्रा , romanized : citrā ). . A rāśi ( Sanskrit : राशि ) is a 30° arc of the orbit of the Sun around the Earth (i.e an arc of the ecliptic ). Starting in
5670-436: Is the time taken by the moon to move from a new moon to the next new moon (as per the amānta [ Sanskrit : अमान्त ] tradition ) or a full moon to the next full moon (as per the pūrṇimānta [ Sanskrit : पूर्णिमान्त ] tradition). In other words a cāndramāsa is the synodic period of the Moon, or two pakṣas . During a cāndramāsa , the Moon advances 360° with respect to the Earth-Sun axis. A candra māna varṣa or lunar year
5796-409: Is then associated with the entire sāvana dina. To illustrate: consider the Gregorian date 18th Sep 2021 . Instead of referring to it as "2nd dina of kanyā masa" Hindus will refer to it as " bhādrapada māsa, śukla pakṣa, dvitiyā tithi", which is the tithi prevailing at sunrise on that sāvana dina. Even though the Moon moves into the trayodaśī arc soon after sunrise (at 6:54AM), that entire sāvana dina
5922-406: Is thought of now, and these mythical portrayals of Shiva were incorporated into later versions of him. For instance, he and the other gods , from the highest gods to the least powerful gods, were thought of as somewhat human in nature, creating emotions they had limited control over and having the ability to get in touch with their inner natures through asceticism like humans. In that era, Shiva
6048-582: Is used as an adjective in the Rig Veda ( c. 1700–1100 BCE ), as an epithet for several Rigvedic deities , including Rudra . The term Shiva also connotes "liberation, final emancipation" and "the auspicious one"; this adjectival usage is addressed to many deities in Vedic literature. The term evolved from the Vedic Rudra-Shiva to the noun Shiva in the Epics and the Puranas, as an auspicious deity who
6174-620: Is used as an adjective to characterize certain beliefs and practices, such as Shaivism. Some authors associate the name with the Tamil word śivappu meaning "red", noting that Shiva is linked to the Sun ( śivan , "the Red one", in Tamil) and that Rudra is also called Babhru (brown, or red) in the Rigveda. The Vishnu sahasranama interprets Shiva to have multiple meanings: "The Pure One", and "the One who
6300-665: The Mahabharata provides one such list. Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa . The Shri Rudram Chamakam , also known as the Śatarudriya , is a devotional hymn to Shiva hailing him by many names. The Shiva-related tradition is a major part of Hinduism, found all over the Indian subcontinent , such as India, Nepal , Sri Lanka , and Southeast Asia , such as Bali, Indonesia . Shiva has pre-Vedic tribal roots, having "his origins in primitive tribes, signs and symbols." The figure of Shiva as he
6426-542: The Nirukta , an important early text on etymology, which says, "Agni is also called Rudra." The interconnections between the two deities are complex, and according to Stella Kramrisch: The fire myth of Rudra-Śiva plays on the whole gamut of fire, valuing all its potentialities and phases, from conflagration to illumination. In the Śatarudrīya , some epithets of Rudra, such as Sasipañjara ("Of golden red hue as of flame") and Tivaṣīmati ("Flaming bright"), suggest
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#17328527097626552-512: The Saptamatrikas (seven mothers) or Navadurga (nine aspects of Durga). On the sixth day major festivities and social celebrations start. The first nine days overlap with Navaratri festivities in other traditions of Hinduism.The specific practices vary by region. The next significant day of the festival is the sixth day ( Shashthi ), on which devotees welcomes the goddess and festive celebrations are inaugurated. Rituals typically performed on
6678-609: The 2019 Balakot airstrike and to protest against the National Register of Citizens of India . The budget required for such theme-based pujas is significantly higher than traditional pujas. For such theme-based pujas, the preparations and the building of pandals are a significant arts-related economic activity, often attracting major sponsors. Such commercialized pujas attract crowds of visitors. The growth of competitiveness in theme-based pandals has escalated costs and scale of Durga Puja in eastern states of India. Some segments of
6804-503: The Bactria–Margiana Culture . According to Anthony, Many of the qualities of Indo-Iranian god of might/victory, Verethraghna , were transferred to the adopted god Indra, who became the central deity of the developing Old Indic culture. Indra was the subject of 250 hymns, a quarter of the Rig Veda . He was associated more than any other deity with Soma , a stimulant drug (perhaps derived from Ephedra ) probably borrowed from
6930-458: The Linga Purana , present the various aspects of Shiva, mythologies, cosmology and pilgrimage ( Tirtha ) associated with him. The Shiva-related Tantra literature, composed between the 8th and 11th centuries, are regarded in devotional dualistic Shaivism as Sruti . Dualistic Shaiva Agamas which consider Self within each living being and Shiva as two separate realities (dualism, dvaita ), are
7056-730: The Mrinmoyee Maa er pujo , which dates back to 994 AD. This makes it the oldest Durga Puja in the entire Bengal region, encompassing present-day Bangladesh, Odisha, and Tripura. Durga Puja is a widely celebrated festival in the Indian states of West Bengal, Bihar, Jharkhand, Uttar Pradesh (eastern parts), Assam, and Odisha. It is celebrated over a five-day period. Streets are decked up with festive lights, loudspeakers play festive songs as well as recitation of hymns and chants by priests, and pandal s are erected by communities. The roads become overcrowded with revellers, devotees, and pandal -hoppers visiting
7182-537: The Taittiriya Aranyaka . While the Vedic literature uses the word Durga , the description therein lacks legendary details about her or about Durga Puja that is found in later Hindu literature. A key text associated with Durga Puja is Devi Mahatmya , which is recited during the festival. Durga was likely well established by the time this Hindu text was composed, the date of which scholars estimate as between 400 and 600 CE. The Devi Mahatmya scripture describes
7308-415: The shlokas , Durga is omnipresent as the embodiment of power, nourishment, memory, forbearance, faith, forgiveness, intellect, wealth, emotions, desires, beauty, satisfaction, righteousness, fulfillment and peace. Durga Puja as a harvest festival Om you are rice [wheat...], Om you are life, you are the life of the gods, you are our life, your are our internal life, you are long life, you give life, Om
7434-487: The third eye on his forehead (the eye that turns everything in front of it into ashes when opened), the trishula or trident as his weapon, and the damaru . He is usually worshiped in the aniconic form of lingam . Shiva has pre-Vedic roots, and the figure of Shiva evolved as an amalgamation of various older non-Vedic and Vedic deities, including the Rigvedic storm god Rudra who may also have non-Vedic origins, into
7560-441: The "social outcasts" such as brothels). The clay base is combined with straw, kneaded, and then molded into a cast made from hay and bamboo. This is layered to a fine final shape, cleaned, painted, and polished. A layer of a fiber called jute , mixed in with clay, is also attached to the top to prevent the statue from cracking in the months ahead. The heads of the statues are more complex and are usually made separately. The limbs of
7686-457: The 16th-century. The prominence of Durga Puja increased during the British Raj in the provinces of Bengal, Odisha, Bihar, Jharkhand, eastern Uttar Pradesh and Assam. However, in modern times, the importance of Durga Puja is more as a social and cultural festival than a religious one, wherever it is observed. Over the years, Durga Puja has morphed into an inseparable part of Indian culture with
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#17328527097627812-512: The 1st millennium CE and through the 13th century, particularly in Kashmir and Tamil Shaiva traditions. Shaivism gained immense popularity in Tamilakam as early as the 7th century CE, with poets such as Appar and Sambandar composing rich poetry that is replete with present features associated with the deity, such as his tandava dance, the mulavam (dumru), the aspect of holding fire, and restraining
7938-549: The BMAC religion. His rise to prominence was a peculiar trait of the Old Indic speakers. The texts and artwork of Jainism show Indra as a dancer, although not identical generally resembling the dancing Shiva artwork found in Hinduism, particularly in their respective mudras. For example, in the Jain caves at Ellora , extensive carvings show dancing Indra next to the images of Tirthankaras in
8064-583: The Durga Puja migrated to other regions from Bengal, such as in Varanasi , a city that has historically attracted sponsorship from Hindus from various parts of the Indian subcontinent including Bengal. In contemporary India, Durga Puja is celebrated in various styles and forms. In Bishnupur, West Bengal , Durga Puja holds a unique and significant place. The district boasts the Rajbari Durga Puja , also known as
8190-399: The Earth on its axis. This definition is not used in practice but is required for defining the following smaller units of time. Ā dina is ~4 minutes short of 24 hours. A ghaṭikā ( Sanskrit : घटिका ) or nāḍī ( Sanskrit : नाडी ) is one sixtieth of a nakṣatra dina, or just under 24 minutes. A vighaṭikā ( Sanskrit : विघटिका ) or vināḍī ( Sanskrit : विनाडी ) is one sixtieth of
8316-422: The Earth. Ṛtu corresponds to the concept of a season. The six ṛtu of the year are known as Nākṣatra māna ( Sanskrit : नाक्षत्र मान ) is defined with respect to the fixed stars, so all elements are sidereal in nature. A dina ( Sanskrit : दिन ) is the time taken by the celestial sphere to complete one sidereal rotation around the Earth. In reality, this movement is caused by the diurnal rotation of
8442-568: The Germanic God of rage ("wütte") and the wild hunt . According to Sadasivan, during the development of the Hindu synthesis attributes of the Buddha were transferred by Brahmins to Shiva, who was also linked with Rudra . The Rigveda has 3 out of 1,028 hymns dedicated to Rudra, and he finds occasional mention in other hymns of the same text. Hymn 10.92 of the Rigveda states that deity Rudra has two natures, one wild and cruel (Rudra), another that
8568-419: The Hindu belief that the goddess is "not merely the power inherent in the growth of crops but the power inherent in all vegetation". The festival is a social and public event in the eastern and northeastern states of India, where it dominates religious and socio-cultural life, with temporary pandal s built at community squares, roadside shrines, and temples. The festival is also observed by some Shakta Hindus as
8694-518: The Indian state of West Bengal , Odisha , Tripura , Bihar , Jharkhand , eastern Uttar Pradesh , Assam and by Hindus in Bangladesh . The festival is observed in the Indian calendar in the month of Ashvin , which corresponds to September–October in the Gregorian calendar . Durga Puja is a ten-day festival, of which the last five are of the most significance. The puja is performed in homes and public,
8820-448: The Indian subcontinent. Hinduism accepts flexibility and leaves the set of practices to the choice of the individuals concerned. Different localized rituals may be observed regionally, with these variations accepted across temples, pandals , and within families. The festival is most commonly associated with Bengali Hindus, and with the community having variability and differences in practices. There may exist differences of practice between
8946-449: The Nandi bull, the Indian zebu , in particular, as the vehicle of Rudra and of Shiva, thereby unmistakably linking them as same. Rudra and Agni have a close relationship. The identification between Agni and Rudra in the Vedic literature was an important factor in the process of Rudra's gradual transformation into Rudra-Shiva. The identification of Agni with Rudra is explicitly noted in
9072-415: The Sun to move from the spring equinox ( ecliptic longitude 0°) to the autumnal equinox (ecliptic longitude 180°) is known as devayāna ( Sanskrit : देवयान ). The time taken by the Sun to move from the autumnal equinox to the spring equinox is designated as pitṛyāṇa ( Sanskrit : पितृयाण ). Due to the axial tilt of the Earth, the Sun appears to be in the north celestial sphere during devayāna and
9198-487: The Sun to move from the summer solstice to the winter solstice is called southward movement Sanskrit : दक्षिणायन , romanized : dakṣiṇāyana . Due to the axial tilt of the Earth, the Sun appears to move towards the north from the Tropic of Capricorn to the Tropic of Cancer during uttarāyaṇa , and towards the south from the tropic of Cancer to the tropic of Capricorn during dakṣiṇāyana . The time taken by
9324-595: The Sun with his rays (....) — Hymn to start the Durga Puja, Translator: David Kinsley Durga Puja is, in part, a post-monsoon harvest festival observed on the same days in the Shaktism tradition of Hinduism as those in its other traditions. The practice of including a bundle of nine different plants, called navapatrika , as a symbolism of Durga, is a testament practice to its agricultural importance. The typically selected plants include not only representative important crops, but also non-crops. This probably signifies
9450-574: The Supreme Goddess ( Devi ) is regarded as the energy and creative power ( Shakti ) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Kailasa as well as
9576-660: The Vaishnava literature presents Vishnu as supreme. However, both traditions are pluralistic and revere both Shiva and Vishnu (along with Devi), their texts do not show exclusivism, and Vaishnava texts such as the Bhagavata Purana while praising Krishna as the Ultimate Reality, also present Shiva and Shakti as a personalized form an equivalent to the same Ultimate Reality. The texts of Shaivism tradition similarly praise Vishnu. The Skanda Purana, for example, states: Vishnu
9702-458: The Vedas as Rudra-Shiva, and in post-Vedic literature ultimately as Shiva who combines the destructive and constructive powers, the terrific and the gentle, as the ultimate recycler and rejuvenator of all existence. The Vedic texts do not mention bull or any animal as the transport vehicle ( vahana ) of Rudra or other deities. However, post-Vedic texts such as the Mahabharata and the Puranas state
9828-474: The animal with a single stroke. In the past this ritual was considered a rite of passage into manhood and readiness as a warrior. The Kuldevi (clan deity) among these Rajput communities is a warrior goddess, with local legends tracing reverence for her during Rajput-Muslim wars. Months before the start of Durga Puja, youth members of the community collect funds and donations, engage priests and artisans, buy votive materials and help build pandal s centered around
9954-496: The beginning of the Shaiva tradition focused on the worship of Shiva as evidenced in other literature of this period. Other scholars such as Robert Hume and Doris Srinivasan state that the Shvetashvatara Upanishad presents pluralism, pantheism , or henotheism , rather than being a text just on Shiva theism. Self-realization and Shaiva Upanishads He who sees himself in all beings, And all beings in him, attains
10080-420: The cāndra māna and sāvana māna of the calendar define the concept of a day as tithi and dina respectively. dina are not named and are not used for calendric purposes. The tithi takes precedence instead. Human life is regulated by the rising of the Sun and not by the movement of the Moon through a 12° arc. Hence, the position of the Moon at sunrise is used to determine the tithi prevailing at sunrise. This tithi
10206-441: The earliest seeds of theistic devotion to Rudra-Shiva. Here Rudra-Shiva is identified as the creator of the cosmos and liberator of Selfs from the birth-rebirth cycle. The Svetasvatara Upanishad set the tone for early Shaivite thought, especially in chapter 3 verse 2 where Shiva is equated with Brahman: "Rudra is truly one; for the knowers of Brahman do not admit the existence of a second". The period of 200 BC to 100 AD also marks
10332-400: The early Elamite seals dated to 3000–2750 BCE show similar figures and these have been interpreted as "seated bull" and not a yogi, and the bovine interpretation is likely more accurate. Gregory L. Possehl in 2002, associated it with the water buffalo, and concluded that while it would be appropriate to recognize the figure as a deity, and its posture as one of ritual discipline, regarding it as
10458-583: The event as a "mega-show to share". The origins of this variation are unclear, with some sources suggesting a family in Kolkata reviving such celebration in 1411 CE. While other set of sources suggest that a Bengali landlord, named Kamsanarayan, held a mega-show puja in late 16th-century Bengal. Yet, this festival of Bengal is likely much older with the discovery of 11th and 12th-century Durga Puja manual manuscripts such as Durgotsavaviveka , Durgotsava Prayoga , Vasantaviveka and Kalaviveka . The rituals associated with
10584-533: The figures in a group dance can be interpreted in many different ways. Of several Indus valley seals that show animals, one seal that has attracted attention shows a large central figure, either horned or wearing a horned headdress and possibly ithyphallic , seated in a posture reminiscent of the Lotus position , surrounded by animals. This figure was named by early excavators of Mohenjo-daro as Pashupati (Lord of Animals, Sanskrit paśupati ), an epithet of
10710-563: The form of Vishnu 's eulogy and in Pradyumna 's prayer. The prominent mention of Durga in such epics may have led to her worship. Some versions of the Puranas mention Durga Puja to be a spring festival, while the Devi-Bhagavata Purana and two other Shakta Puranas mentions it to be an autumn festival. The Ramayana manuscripts are also inconsistent. Versions of Ramayana found in
10836-471: The foundational texts for Shaiva Siddhanta . Other Shaiva Agamas teach that these are one reality (monism, advaita ), and that Shiva is the Self, the perfection and truth within each living being. In Shiva related sub-traditions, there are ten dualistic Agama texts, eighteen qualified monism-cum-dualism Agama texts and sixty-four monism Agama texts. Shiva-related literature developed extensively across India in
10962-409: The four māna explained above, the concept of nakṣatra is an important characteristic of the Hindu calendar. This term has multiple meanings: The four māna explained above are used in combination in the Hindu calendar. adhikamāsa As seen above, both the cāndra māna and saura māna of the calendar define a varṣa comprising twelve māsa, but the duration of the varṣa differ; the cāndra māna varṣa
11088-509: The gods are believed to be sleeping during autumn, the awakening rite of the Durga puja is also known as akāla bodhana . Surviving manuscripts from the 14th-century provide guidelines for Durga Puja, while historical records suggest the royalty and wealthy families to be sponsoring major Durga Puja public festivities, since at least the 16th-century. The 11th or 12th-century Jain text Yasatilaka by Somadeva mentions an annual festival dedicated to
11214-499: The highest Brahman , not by any other means. — Kaivalya Upanishad 10 Shaiva devotees and ascetics are mentioned in Patanjali 's Mahābhāṣya (2nd-century BCE) and in the Mahabharata . The earliest iconic artworks of Shiva may be from Gandhara and northwest parts of ancient India. There is some uncertainty as the artwork that has survived is damaged and they show some overlap with meditative Buddha-related artwork, but
11340-423: The later Hindu deities Shiva and Rudra. Sir John Marshall and others suggested that this figure is a prototype of Shiva, with three faces, seated in a " yoga posture" with the knees out and feet joined. Semi-circular shapes on the head were interpreted as two horns. Scholars such as Gavin Flood , John Keay and Doris Meth Srinivasan have expressed doubts about this suggestion. Gavin Flood states that it
11466-617: The latter featuring a temporary stage and structural decorations (known as pandals ). The festival is also marked by scripture recitations, performance arts, revelry, gift-giving, family visits, feasting, and public processions called a melā . Durga Puja is an important festival in the Shaktism tradition of Hinduism . Durga Puja in Kolkata has been inscribed on the intangible cultural heritage list of UNESCO in December 2021. In Cuttack(Odisha) Many Durga Idols are Crafted from Silver. 34 Puja mandaps are decorated with silver tableaus. In Odisha
11592-423: The moon, these two traditions identify the same lunar day as falling in two different (but successive) masa. Durga Puja ( ISO : Durgā Pūjā ), also known as Durgotsava or Shaaradotsava , is an annual festival originating in the Indian subcontinent which reveres and pays homage to the Hindu goddess Durga , and is also celebrated because of Durga's victory over Mahishasura . It is particularly celebrated in
11718-405: The movement of the Moon around the Earth. The new moon ( Sanskrit : अमावास्य , romanized : amāvāsya ) and full moon ( Sanskrit : पूर्णिमा , romanized : pūrṇimā ) are important markers in this calendar. The candra māna of the Hindu calendar defines the following synodic calendar elements: A pakṣa ( Sanskrit : पक्ष ) is the time taken by the Moon to move from
11844-477: The multiple facets of the same god or else were supposed to denote different forms and appellations by which the god came to be known and worshipped. [...] Siva became identified with countless local cults by the sheer suffixing of Isa or Isvara to the name of the local deity, e.g., Bhutesvara, Hatakesvara, Chandesvara." An example of assimilation took place in Maharashtra , where a regional deity named Khandoba
11970-420: The name of the cāndramāsa which follows, viz. adhika āśvina precedes āśvina. Most times every cāndramāsa witnesses a saṅkramaṇa . If a cāndramāsa does not witness a saṅkramaṇa, that cāndramāsa is designated as a adhikamāsa thus resulting in the cāndra māna varṣa "catching up" with the saura māna varṣa. This happens approximately once every two and a half (solar) years. dina and tithi As seen above, both
12096-568: The nature of evil forces symbolised by Mahishasura as shape-shifting, deceptive, and adapting in nature, in form and in strategy to create difficulties and thus achieve their evil ends. Durga calmly understands and counters the evil in order to achieve her solemn goals.Durga, in her various forms, appears as an independent deity in the Indian texts. In the Mahabharata , both Yudhisthira and Arjuna invoke hymns to Durga . She appears in Harivamsa in
12222-530: The north, west, and south of the Indian subcontinent describe Rama to be remembering Surya (the Hindu sun god) before his battle against Ravana , but the Bengali manuscripts of Ramayana , such as the Krittivasi Ramayana , a 15th-century manuscript by Krttivasa, mention Rama to be worshipping Durga. As per the legend, Rama worshipped Durga in the autumn to have her blessings before defeating Ravana. While he
12348-461: The pandals feature stunning decorations, showcasing traditional and contemporary themes that attract thousands of visitors. Durga Puja which is celebrated as Gosani Yatra in Puri. In this festival of Puri, several big clay idols of Mahisamardini Durga are worshipped every year in the month of Asvina (October). As per Hindu scriptures, the festival marks the victory of goddess Durga in her battle against
12474-597: The pandals on puja days. It often creates chaotic traffic conditions. Shops, eateries, and restaurants stay open all night; fairs are also set up and cultural programmes are held. People form organizing committees, which plan and oversee the pandal during the festivities. Today, Durga Puja has turned into a consumerist social carnival, a major public spectacle and a major arts event riding on the wave of commercialisation, corporate sponsorship, and craze for award-winning. For private domestic pujas, families dedicate an area of their homes, known as thakur dalan , for Durga Puja where
12600-506: The premises, and relief artwork showing aspects of Shiva. The Tantric Shiva ( "शिव ") tradition ignored the mythologies and Puranas related to Shiva, and depending on the sub-school developed a variety of practices. For example, historical records suggest the tantric Kapalikas (literally, the 'skull-men') co-existed with and shared many Vajrayana Buddhist rituals, engaged in esoteric practices that revered Shiva and Shakti wearing skulls, begged with empty skulls, and sometimes used meat as
12726-507: The presence of Shiva's trident and phallic symbolism in this art suggests it was likely Shiva. Numismatics research suggests that numerous coins of the ancient Kushan Empire (30–375 CE) that have survived, were images of a god who is probably Shiva. The Shiva in Kushan coins is referred to as Oesho of unclear etymology and origins, but the simultaneous presence of Indra and Shiva in the Kushan era artwork suggest that they were revered deities by
12852-724: The proud flow of the Ganga upon his braid. The monist Shiva literature posit absolute oneness, that is Shiva is within every man and woman, Shiva is within every living being, Shiva is present everywhere in the world including all non-living being, and there is no spiritual difference between life, matter, man and Shiva. The various dualistic and monist Shiva-related ideas were welcomed in medieval southeast Asia, inspiring numerous Shiva-related temples, artwork and texts in Indonesia, Myanmar, Cambodia, Laos, Vietnam, Thailand and Malaysia, with syncretic integration of local pre-existing theologies. Shaivism
12978-470: The puja an example of a culmination of Vedic-Tantric practices. Historical evidence suggests that the Durga Puja has evolved over time, becoming more elaborate, social, and creative. The festival had earlier been a domestic puja, a form of practice that still remains popular. But it had also come to be celebrated in the sarvajanin (public) form, where communities get together, pool their resources and efforts to set up pandals and illuminations, and celebrate
13104-434: The puja are traditionally made of biodegradable materials such as straw, clay, soil, and wood. In today's times, brighter colored statues have increased in popularity and have diversified the use of non-biodegradable, cheaper or more colorful substitute synthetic raw materials. Environmental activists have raised concerns about the paint used to produce the statue, stating that the heavy metals in these paints pollute rivers when
13230-498: The puja of theme-based Pandals , family pujas (with puja of erstwhile aristocrat families known as bonedi puja), and community pujas (known as barowari pujas) of neighbourhoods or apartments. The rituals of the puja also varies from being Vedic, Puranic, or Tantric, or a combination of these. The Bengali Durga Puja rituals typically combine all three. The non-Bengali Durga Puja rituals tend to be essentially Vedic ( srauta ) in nature but they too incorporate esoteric elements making
13356-438: The puja), among others. The process of the creation of clay sculpture-idols ( pratima or murti ) for the puja, from the collection of clay to the ornamentation is a ceremonial process. Though the festival is observed post-monsoon harvest, the artisans begin making the sculpture-idols months before, during summer. The process begins with prayers to Ganesha and to the perceived divinity in materials such as bamboo frames in which
13482-431: The puja. Durga Puja is also a gift-giving and shopping season for communities celebrating it, with people buying gifts for not only family members but also for close relatives and friends. New clothes are the traditional gift, and people wear them to go out together during Durga Puja. During puja holidays, people may also go to places of tourist attractions while others return home to spend Durga Puja with their family. It's
13608-408: The regions of Bengal, Odisha, Assam, and Nepal. In these regions, festivals are primarily when significant animal sacrifices are observed. The Rajputs of Rajasthan worship their weapons and horses in the related festival of Navaratri, and some historically observed the sacrifice of a goat, a practice that continues in some places. The sacrifice ritual, supervised he the priest, requires slaying of
13734-458: The sculpture-idols are cast. Clay, or alluvial soil, collected from different regions form the base. This choice is a tradition wherein Durga, perceived as the creative energy and material, is believed to be present everywhere and in everything in the universe. In certain traditions in Kolkata, a custom is to include soil samples in the clay mixture for Durga from areas believed to be nishiddho pallis (forbidden territories; territories inhabited by
13860-433: The sculpture-idols for worship is placed and decorated with home-dyed fabric, sola ornamentations, and gold and silver foil decorations. Elaborate rituals like arati are performed and prasad is distributed after being offered to the deities. As a tradition, married daughters visit their parents and celebrate the Durga Puja with them, a symbolism alluding to Durga who is popularly believed to return to her natal home during
13986-732: The shape-shifting Demon , Mahishasura . Thus, the festival epitomizes the victory of good over evil, though it is also in part a harvest festival celebrating the goddess as the motherly power behind all of life and creation. Durga Puja coincides with Navaratri and Dussehra celebrations observed by other traditions of Hinduism. The primary goddess revered during Durga Puja is Durga , but celebrations also include other major deities of Hinduism such as Lakshmi (the goddess of wealth and prosperity), Saraswati (the goddess of knowledge and music), Ganesha (the god of good beginnings), and Kartikeya (the god of war). In Bengali traditions, these deities are considered to be Durga's children, and Durga Puja
14112-583: The situation, are similar to those of the Greek god Dionysus , as are their iconic associations with bull, snakes, anger, bravery, dancing and carefree life. The ancient Greek texts of the time of Alexander the Great call Shiva "Indian Dionysus", or alternatively call Dionysus "god of the Orient" . Similarly, the use of phallic symbol as an icon for Shiva is also found for Irish, Nordic, Greek (Dionysus ) and Roman deities, as
14238-427: The sixth day include: Bodhana : Involves rites to awaken and welcome the goddess to be a guest. The amorphous sight of the goddess is consecrated into a ghata or noggin while the visible sight is consecrated into the murti or idol. These rituals are known as ghatasthapana and pranapratistha respectively. Adhivasa : Anointing ritual wherein symbolic offerings are made to Durga, with each item representing
14364-523: The slaying of Mahishasura and the victory of Durga with a symbolic or actual sacrifice. Most communities prefer symbolic sacrifice, where a statue of the asura is made of flour or equivalent, is immolated and smeared with vermilion, symbolic of the blood that had spilled during the battle. Other substitutes include a vegetable or a sweet dish considered equivalent to the animal. In certain instances, devotees consider animal sacrifice distasteful, and practice alternate means of expressing devotion while respecting
14490-417: The society criticize the billboards, the economic competition, and seek return to basics. The competition takes many forms, such as the height of statue. In 2015, an 88-foot statue of Durga in Kolkata's Deshapriya Park attracted numerous devotees, with some estimates placing visitors at one million. There exists variation in Durga Puja worship practices and rituals, as is the case with other Hindu festivals, in
14616-407: The south celestial sphere during pitṛyāṇa . In Hindu tradition, the north celestial sphere is consecrated to the gods (deva) and the south celestial sphere is consecrated to the ancestors (pitṛ). Devayāna and pitṛyāṇa are not in active calendric use any longer but do form the basis for pitṛpakṣa . A ṛtu ( Sanskrit : ऋतु ) is the time taken by the Sun to move sixty degrees on its orbit around
14742-575: The start of the Kushan Empire. The Shaiva Upanishads are a group of 14 minor Upanishads of Hinduism variously dated from the last centuries of the 1st millennium BCE through the 17th century. These extol Shiva as the metaphysical unchanging reality Brahman and the Atman (Self), and include sections about rites and symbolisms related to Shiva. The Shaiva Puranas , particularly the Shiva Purana and
14868-457: The statues are immersed at the end of the Durga festival. Brighter colors that are also biodegradable and eco-friendly, as well as the traditional natural colors, are typically more expensive compared to the non biodegradable paints. The Indian state of West Bengal has banned the use of hazardous paints, and various state government have started distributing lead-free paints to artisans at no cost to prevent pollution. Shakta Hindu communities mark
14994-472: The statues are mostly shaped from bundles of straws. Then, starting about August, the local artisans hand-paint the sculpture-idols which are later dressed in clothing, are decorated and bejewelled, and displayed at the puja altars. The procedure for and proportions of the sculpture-idols are described in arts-related Sanskrit texts of Hinduism, such as the Vishvakarma Sashtra . The sculpture-idols for
15120-656: The transgression of established mores, the Aum sound, the Supreme Self. In the Rig Veda the term śiva is used to refer to Indra. (2.20.3, 6.45.17, and 8.93.3. ) Indra, like Shiva, is likened to a bull. In the Rig Veda, Rudra is the father of the Maruts , but he is never associated with their warlike exploits as is Indra. Indra himself may have been adopted by the Vedic Aryans from
15246-403: The vicinity of Zeta Piscium ( IAST : revatī), the twelve (i.e. 360° divided by 30°) rāśi are designated meṣa ( Sanskrit : मेष ), vṛṣabha ( Sanskrit : वृषभ ) etc. A sauramāsa ( Sanskrit : सौरमास ) is the time taken by the Sun to traverse a rāśi. Sauramāsa get their names from the corresponding rāśi. sauramāsa corresponds to the concept of a month. The moment in time when the Sun enters a rāśi
15372-403: The views of others in their tradition. In communities performing actual sacrifice, an animal is sacrificed, mainly at temples. In Nepal, West Bengal, Odisha and Assam, animal sacrifices are performed at Shakta temples to commemorate the legend of Durga slaying Mahishasura. This involves slaying of a fowl, pig, goat, or male water-buffalo. Large scale animal sacrifices are rare among Hindus outside
15498-612: The worshipped clay sculpture-idols to a river, or other water bodies, and immerse them, symbolic of her return to the divine cosmos and her marital home with Shiva in Kailash . Regional and community variations in celebration of the festival and rituals observed exist. Durga Puja is an old tradition of Hinduism, though its exact origins are unclear. Surviving manuscripts from the 14th-century provide guidelines for Durga Puja, while historical records suggest that royalty and wealthy families were sponsoring major Durga Puja festivities since at least
15624-468: Was preparing for the worship of the goddess, Durga hid one of the 108 flowers of lotus, very essential for her worship. Having found only 107 of 108 lotuses at the time of the worship, Rama decided to offer one of his eyes in place of that lotus. When he was about to offer his eye, Durga appeared and told him that she had only hidden the flower in order to test his devotion and she was satisfied with it. She blessed Rama and he continued with her worship. Since
15750-424: Was the idea of this aniconic column linking heaven and earth among early Indo-Aryans, states Roger Woodward. Others contest such proposals, and suggest Shiva to have emerged from indigenous pre-Aryan tribal origins. Shiva as we know him today shares many features with the Vedic god Rudra , and both Shiva and Rudra are viewed as the same personality in Hindu scriptures . The two names are used synonymously. Rudra,
15876-576: Was widely viewed as both the god of lust and of asceticism. In one story, he was seduced by a prostitute sent by the other gods, who were jealous of Shiva's ascetic lifestyle he had lived for 1000 years. Prehistoric rock paintings dating to the Mesolithic from Bhimbetka rock shelters have been interpreted by some authors as depictions of Shiva. However, Howard Morphy states that these prehistoric rock paintings of India, when seen in their context, are likely those of hunting party with animals, and that
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