The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on plantations where Black people had been enslaved, before and after emancipation in the Southern United States . Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance performed with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders.
40-517: Dr Brown , Doctor Brown or Doc Brown may refer to: Doc Brown (dancer) , ragtime dancer, famous for "Doc Brown's Cakewalk" Doc Brown (rapper) (Ben Harvey Bailey Smith, born 1977), British rapper, comedian, actor, screenwriter and voiceover artist Emmett Brown , also known as "Doc Brown", a character in the Back to the Future series of films Dr. Brown's ,
80-467: A cakewalk at a barn dance in Ashtabula, Ohio , written by an English woman traveler. This version was more of a procession and less of a dance: "Just before the ball was declared finished a long procession of couples was formed who walked in their very best manner around the room three times before the criticizing eyes of a dozen old people, who selected the best turned-out pair, and gravely presented them with
120-450: A call-and-response format with others outside of the ring. There is extensive first-person testimony from emancipated slaves about the culture and dancing they developed among themselves on the plantations , including the dances that developed into the cakewalk. Louise Jones spoke of "Sech dancin' you never seen before. Slaves would set de flo' in turns, an' do de cakewalk mos' all night." Georgia Baker said that she sang cakewalk songs as
160-423: A child, and was amused that as an adult, she "would be cakewalkin' to de same song." Estella Jones described nighttime parties with elaborate dress, some of which were attended by the slaveowners, who would judge the dancing and award cakes to the winners. James Weldon Johnson , born in 1871, recounted a cakewalk at a ball in his 1912 novel The Autobiography of an Ex-Colored Man . Some secondhand accounts of
200-551: A clever eccentric dancer" and becoming known as the "Cake Walk". It has been suggested that the cakewalk originated in Florida, with the war dances of the Seminole Tribe . Ethel L. Urlin, writing in the book Dancing, Ancient and Modern (1912), described these dances as consisting of "wild and hilarious jumping and gyrating, alternating with slow processions in which the dancers walked solemnly in couples," which he believed grew into
240-461: A fairground ride. The ride consists of two sides, customers walk along one side, around the end and back down the other. Each side has a central bridge mounted on cranks which give it an up and down motion as well as to and fro. On each end of the bridge section is a gangway and sliding platform. The British rides were often given an American name such as "Old Tyme Brooklyn Cakewalk" or "American Cakewalk" or variations thereon. The first cakewalk ride
280-421: A feature sketch at New York's Theater Comique on lower Broadway. Thereafter it was performed in minstrel shows, exclusively by men until the 1890s. In the 1893 production of The Creole Show , which ran from 1889 to 1897, Dora Dean and her husband Charles E. Johnson were a hit with their specialty, a cakewalk danced as partners. Their production had an African-American cast, and featured women dancing, which
320-560: A large plum cake. In July 1898, the musical comedy Clorindy, or The Origin of the Cake Walk opened on Broadway in New York. Will Marion Cook wrote ragtime music for the show. Black dancers mingled with white cast members for the first instance of integration on stage in New York. According to Cook, the show was a resounding success: "My chorus sang like Russians, dancing meanwhile like Negroes, and cakewalking like angels, black angels! When
360-515: A mediocre emulation of white culture, further clouding its true origins as satire of slaveowner aristocracy: "Cakewalkers were made to appear ludicrous." This idea of the cakewalk became so prevalent that for a long time, the "cakewalk clown" was the mainstream view of the dance and black culture as a whole. It is only recently that researchers have begun correcting that perspective to set the record straight. Amiri Baraka in Blues People explained
400-464: A rich cultural life independent of European forms. Thus they felt no need to press the ex-slaves for further explanations of remarks which hinted that such a culture indeed existed. It is also likely that as the cakewalk was appropriated into white culture, it lost much connection to its history because white people wanted to be fully in charge of it. Even if they had once perceived it as a threat, they were able to dismiss that notion "by considering it as
440-666: A sensation at the New York Theatre. She is said to have introduced the dance in Paris (France) in 1900 in the Théâtre Marigny after she returned from a tour in the United States. The ambiguous "cake walk" became very popular quickly and Fougère appeared on the 18 October 1903 cover of Paris qui Chante dancing to the song Oh ! ce cake-walk . The lyrics interconnected African and American dance, monkeys and epilepsy – reflecting
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#1732844802395480-407: A simple performance which existed merely for their own pleasure. To coopt the cakewalk, physically seize control of it, was within the power of whites who "owned" the blacks with whom they lived." Brooke Baldwin's 1981 article claims that, failing to successfully turn the cakewalk into a white art form, it instead was heavily degraded by white caricaturists. They spun the narrative of the cakewalk as
520-766: A soft drink Doctor Brown , a song by J. T. Brown and Buster Brown , later covered by Fleetwood Mac on Mr. Wonderful Edwin J. Brown , also known as "Doc Brown", mayor of Seattle from 1922 to 1926 Phil Burgers , a comedian and clown who performs under the name "Doctor Brown" Physicians and people with doctorates called Brown [ edit ] Alan A. Brown (1928–2010), American professor of Economics Ann Brown (1943–1999), educational psychologist David Brown (pharmacology professor) , British professor of Pharmacology David Brown (geneticist) (born 1968), American scientist Dennis Brown (academic) , American professor of Medicine Dorothy Lavinia Brown (1919–2004), first African-American female surgeon from
560-400: A time the contestants enter, clothed regardless of expense in what each considers the perfection of style and taste, and walk down the vacant central space and back again with that multitude of critical eyes on them (...) The negroes have a name for this grave deportment-tournament; a name taken from the prize contended for. They call it a Cake-Walk. It is believed that the satirical nature of
600-504: Is different from Wikidata All article disambiguation pages All disambiguation pages Doc Brown (dancer) William Henry Joseph Cutter Brown (c. 1835 – February 28, 1905), known as Joseph "Doc" Brown was an American dancer and champion cakewalker . Doc Brown was born into slavery in 1835 and died of tuberculosis in February 1905. While it is said one of his local neighbors filmed Brown's Cake Walk performances, any film
640-456: Is one which is particularly popular with them. It is a competition in elegant deportment. They hire a hall and bank the spectators' seats in rising tiers along the two sides, leaving all the middle stretch of the floor free. A cake is provided as a prize for the winner in the competition, and a bench of experts in deportment is appointed to award it. Sometimes there are as many as fifty contestants, male and female, and five hundred spectators. One at
680-415: Is the whole point of minstrel shows." An exhibit at the 1876 Philadelphia Centennial featured Black people singing folk songs and doing an old dance called the "chalk-line walk" in a plantation-like setting. The dance was "done in the original fashion", as described by Fletcher. In 1877, performer-showmen Harrigan and Hart produced "Walking for Dat Cake, An Exquisite Picture of Negro Life and Customs" as
720-561: Is yet to be found. Apart from his well-known dance skills, he was known throughout Kansas City for his politeness and manners, causing him to leave a lasting influence on the local community. He is commemorated in the ragtime tune Doc Brown's Cake Walk by Charles L. Johnson . An 1896 portrait of Doc Brown by the African-American painter M. C. Haywood hangs in Kansas City Museum . This article about someone associated with
760-620: The Charleston , Black Bottom and Lindy Hop . Cakewalk music incorporated polyrhythm , syncopation , and the habanera rhythm into the regular march rhythm . The cakewalk style eventually gave way to the creation of coon songs , which used cakewalk music and stereotypical lyrics to create musical caricatures of African American culture. Titles included "Rastus on Parade", "De Darkey Cavaliers", and "Kullud Koons' Kake Walk". These songs were "infectiously popular", and they allowed for African American musical virtuosity to be well-received at
800-441: The United States and Europe described his kind of dance as "simple, dignified and well-dressed". Most cakewalk music is notated in 4 time signature with two alternate heavy beats per bar, giving it an oompah rhythm. The music was adopted into the works of various composers, including Robert Russell Bennett , John Philip Sousa , Claude Debussy and Louis Moreau Gottschalk . Debussy wrote " Golliwogg 's Cake-walk" as
840-480: The art of dance is a stub . You can help Misplaced Pages by expanding it . Cakewalker Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows , where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across
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#1732844802395880-464: The cake walk in his folk ballet The Ragtime Dance , published in 1902. Let me see you do the rag-time dance, Turn left and do the cakewalk prance, Turn the other way and do the slow drag – Now take your lady to the World's Fair And do the rag-time dance. The French music hall singer and dancer Eugénie Fougère was filmed in 1899 in the rag-time cake-walk " Hello, Ma Baby ", with which she made
920-413: The cakewalk describe it as a subtle mockery of the formal, mannered dancing practiced by slaveholding whites. The slaves would dress in handed-down finery and comically exaggerate the poised movements of minuets and waltzes . These accounts describe any slaveowners in attendance as unaware that they were being mocked. One man recalled such a dance that his childhood nanny had described to him: "Sometimes
960-582: The cakewalk led to its being overlooked by archivists. Many of the members of the Federal Writers’ Project of the Works Progress Administration who were tasked with recording information about slave culture assumed that the cakewalk was simply frivolous entertainment. As such, they never asked their interviewees (former slaves) to elaborate on the singing and dancing traditions in which slaves would participate. This runs in opposition to
1000-503: The cakewalk style. The Encyclopedia of Social Dance echoed this, stating that the dance spread from Florida to Georgia, the Carolinas, Virginia, and eventually New York, with the development of Florida into a winter tourist destination in the 1880s. The authors of Jazz Dance: The Story of American Vernacular Dance reported that an informal experiment with African dancers undertaken in the 1950s turned up "no worthy African counterpart" to
1040-495: The cakewalk. The same book noted eyewitness reports of dances from South Africa, Ghana, and Nigeria that bore a resemblance to the cakewalk, with no elaboration. In his book How to Tell a Story and Other Essays originally published in 1897, Mark Twain briefly mentions the cakewalk: Our negroes in America have several ways of entertaining themselves which are not found among the whites anywhere. Among these inventions of theirs
1080-428: The chalk-line walk/cakewalk as a child, but had no information about its origins. In their version, "there was no prancing, just a straight walk on a path made by turns and so forth, along which the dancers made their way with a pail of water on their heads. The couple that was the most erect and spilled the least water or no water at all was the winner." He describes it being "revived with fancy steps by Charlie Johnson,
1120-445: The country. The fluid and graceful steps of the dance may have given rise to the colloquialism that something accomplished with ease is a "cakewalk". The cakewalk was influenced by the ring shout , which survived from the 18th into the 20th century. This dance style was often part of African American slaves' religious ceremonies and involved shuffling the feet counterclockwise in a circle (ring) formation and reciting spirituals in
1160-629: The dance from competition on the basis that it was derogatory to persons of color . A version of the cakewalk seen in vintage film clips from the early 1900s is kept alive in the Lindy Hop community through performances by the Hot Shots and through cakewalk classes held in conjunction with Lindy Hop classes and workshops. Judy Garland and Margaret O'Brien perform a cakewalk in the 1944 MGM musical Meet Me in St. Louis . The original cakewalk dance inspired
1200-416: The final movement of his Children's Corner suite for piano (published 1908), and The Little Nigar , subtitled A Cakewalk , for a piano method in 1909. The Cake Walk dance originated from the two-step, a dance which was itself spawned by the popularity of Sousa's marches. Although it featured more improvisation than the two-step, it was still very formal compared to later African-American dances such as
1240-405: The last note was sounded, the audience stood and cheered for at least ten minutes. This was the finale which Witmark had said no one would listen to. It was pandemonium .... But did that audience take offense at my rags and lack of conducting polish? Not so you could notice it!" "Dusky troopers march & cake walk" was written by Will Hardy and published in 1900. Scott Joplin mentioned
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1280-720: The racist and colonial attitudes that prevailed at the time. Performances of the "Cake Walk", including a "Comedy Cake Walk" were filmed by the American Mutoscope and Biograph Company in 1903. Prancing steps were the main steps shown in the "Cake Walk" segment, which featured two couples, and a solo dancer. All dancers were African-American. 1903 was the same year that both the cakewalk and ragtime music arrived in Buenos Aires, Argentina, which may have influenced early styles of tango. "Cakewalk King" Charles E. Johnson, who, with his wife Dora Jean, achieved fame cakewalking throughout
1320-418: The researchers' interest in slave spirituals and religious practices, where interviewees were often asked to demonstrate examples from those traditions. As Baldwin argues: The interviewers willingly believed that slaves could express a child-like faith in the white Christian God (whites had not yet guessed at the hidden-revolutionary meanings of spirituals), but they could not conceive of blacks participating in
1360-413: The same term [REDACTED] This disambiguation page lists articles associated with the title Dr Brown . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Dr_Brown&oldid=1234671176 " Category : Disambiguation pages Hidden categories: Short description
1400-430: The same time as the stereotypes portrayed by the music. The American English term "cakewalk" was used as early as 1863 to indicate something that is very easy or effortless, although this metaphor may refer to the carnival game of the same name in referring to the fact that the latter's winners obtain their prize by doing no more than walking around in a circle. Though the dance itself could be physically demanding, it
1440-1479: The southeast United States Edward L. Brown (1805–1876), American physician and politician Emery N. Brown , American anesthesiologist Ernest William Brown (1866–1938), British mathematician George Williams Brown (1894–1963), Canadian historian and editor Gordon Brown (born 1951), former Labour Prime Minister of the United Kingdom Jason Walter Brown (born 1938), American neurologist John Brown (physician, born 1735) (1735–1788), Scottish physician John Brown (essayist) (1715–1766), English author John Brown (physician, born 1810) (1810–1882), Scottish physician and essayist John Ronald Brown (died 2010), famous for sex change surgeries John Seely Brown , organizational studies researcher Joseph Brown (artist) (1918–2009), Australian art collector; see Joseph Brown Collection Michael Brown (historian) (born 1965), Scottish medievalist Michael Glyn Brown (born 1957), former hand surgeon Michael L. Brown (born 1955), radio host, author, professor, theologian Morton Brown (born 1931), American mathematician Murray Brown (economist) , Canadian professor of epidemiology Patrick O. Brown (born 1954), American professor of biochemistry and genomics Russell A. Brown , American physician and computer scientist Thomas Brown (philosopher) (1778–1820), Scottish metaphysician Topics referred to by
1480-426: The strangeness of a slave dance covertly mocking white slaveholders that later was adopted by whites unaware of the mockery: "If the cakewalk is a Negro dance caricaturing certain white customs, what is that dance, when, say, a white theater company attempts to satirize it as a Negro dance? I find the idea of white minstrels in blackface satirizing a dance satirizing themselves a remarkable kind of irony—which, I suppose,
1520-487: The white folks noticed it, but they seemed to like it; I guess they thought we couldn't dance any better." A 1981 article by Brooke Baldwin concludes that the cakewalk was meant "to satirize the competing culture of supposedly 'superior' whites. Slaveholders were able to dismiss its threat in their own minds by considering it as a simple performance which existed for their own pleasure". Entertainer Tom Fletcher, born in 1873, wrote in 1954 that his grandparents told him about
1560-579: Was generally considered a fun, recreational pastime, covertly mocking slaveholder dance parties. The phrase "takes the cake" also comes from this practice, as could "piece of cake". One version of the cakewalk is sometimes taught, performed and included in competitions within the Scottish -inspired Highland dance community, especially in the southern United States. In 2021, the Royal Scottish Official Board of Highland Dancing ruled to remove
1600-568: Was revolutionary for the time. The inclusion of women "made possible all sorts of improvisations in the Walk, and the original was soon changed into a grotesque dance " which became very popular across the country. A Grand Cakewalk was held in Madison Square Garden , the largest commercial venue in New York City, on February 17, 1892. The Illustrated London News carried an 1897 report of
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