Misplaced Pages

Doctor Who Magazine

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Science fiction first appeared in television programming in the late 1930s, during what is called the Golden Age of Science Fiction . Special effects and other production techniques allow creators to present a living visual image of an imaginary world not limited by the constraints of reality.

#558441

158-627: Doctor Who Magazine (abbreviated as DWM ) is a magazine devoted to the British science fiction television series Doctor Who . Launched in 1979 as Doctor Who Weekly , the magazine became a monthly publication the following year. In 1990 it switched to a four-weekly schedule, publishing 13 issues a year, along with triannual deluxe Special Editions (2002–) and Bookazines (2013–). Regular issues include interviews, behind-the-scenes articles on television episodes and Doctor Who in other media, as well as producing its own comic strip. Its founding editor

316-586: A Time Lord (deleted scenes in Remembrance of the Daleks and Survival also refer to this). Remembrance has the Doctor use "we" when referring to early Gallifreyan time travel experiments. Ace also became the focus of a dedicated character arc that was seeded from her introduction onwards and prominently played out during Season 26 . With the cancellation of the series, these developments were never fully played out in

474-512: A Clue ) and a true or false quiz "The Six Faces of Delusion". Prior to this, the slot was taken up by a page called "Who on Earth is...", featuring a short interview with someone previously (or currently) involved in Doctor Who (say, a member of the cast). A single-page 'opinion' column has often been part of the magazine's mix – past columns have included "Fluid Links" by Matt Jones , "The Life and Times of Jackie Jenkins" by 'Jackie Jenkins', "It's

632-990: A Fourth Doctor story featuring the First, Second, and Third Doctors; this was eventually published in Doctor Who issue 18). All these strip reprints were colourised for the first time; as were supporting secondary Doctorless strips also taken from DWM (or, on limited occasions, DWM Specials). Both Marvel Premiere: Doctor Who and Doctor Who had regular features and special articles. The list below covers all comic strip colourised reprints and notable special articles: Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Comic strip (colourised reprints): Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Articles: Comic strip (colourised reprints): Science fiction television The need to portray imaginary settings or characters with properties and abilities beyond

790-609: A black umbrella with a cherry question mark-shaped handle. As with the three other Doctors costumed during the John Nathan-Turner era, the above-mentioned question marks on the Doctor's pullover and his umbrella handle continued the cherry-question-marked clothing motif that was introduced in the Fourth Doctor 's final season and ended before the Seventh Doctor's regeneration. Although a seemingly casual outfit that reflected

948-574: A considerable achievement in its own right." Many acclaimed the series finding a fresh style and abandoning its obsession with its existing continuity and returning foes. Mainstream reviews at the time tended to be positive: Minette Marrin, television critic for the Daily Telegraph , responded favourably to McCoy's debut, Time and the Rani : "The new script is self-consciously whimsical, almost self-parodying: perhaps this odd little genre, like all art forms,

1106-586: A cross over with " Star Trek: The Next Generation / Doctor Who : Assimilation2". IDW ceded their license to Titan in 2014, who have since created a complex number of parallel Doctor Who series for both nu- Who and classic Doctors. Titan have collected the IDW and Titan comics into various format collectors editions, scaling back production since the beginning of the Thirteenth Doctor era. The publication also features parody cartoons, most notably "Doctor Who?",

1264-528: A female superhero, wears traditional folkloric clothes and tries to save traditional elements of Dutch society against the factory owners. Italian TV shows include A come Andromeda (1972) which was a remake of 1962 BBC serial, A for Andromeda (from the novels of Hoyle and Elliott), Geminus (1968), Il segno del comando (1971), Gamma (1974) and La traccia verde (1975). French series are Highlander: The Series , French science-fiction/fantasy television series (both co-produced with Canada) and

1422-469: A fondness for idiosyncratic speeches that occasionally referred to literature, ordinary places and even food and drink amidst the weightier concerns on his mind. He was empathetic to his friends (and even his enemies, such as Helen A) and somewhat melancholic at times (such as during Mel's departure and before his decision to eradicate the Daleks) but now placed greater burdens upon himself in the name of protecting

1580-449: A group of Dutch space explorers and their adventures, De duivelsgrot (The devil's cave), broadcast from 1963 to 1964, about a scientist who finds the map of a cave that leads to the center of the Earth and Treinreis naar de Toekomst (Train journey to the future) about two young children who are taken to the future by robots who try to recreate humanity, but are unable to give the cloned humans

1738-454: A group of politically motivated people and it seemed the right thing to do. At the time Doctor Who used satire to put political messages out there in the way they used to do in places like Czechoslovakia. Our feeling was that Margaret Thatcher was far more terrifying than any monster the Doctor had encountered. Those who wanted to see the messages saw them; others, including one producer, didn't." One story mentioned as having an anti-Thatcher theme

SECTION 10

#1732844574559

1896-436: A humorous look at the series by Tim Quinn and Dicky Howett. This was principally a three-panel comic strip , though occasionally page-long parodies were featured. Also, between 1989 and 1992 "The Comic Assassins" was a series of parody strips by Steve Noble and Kev F. Sutherland . "Doctor Who?"'s spiritual successor was the single-panel strip "Doctor Whoah!" by 'Baxter'. Embedded into the 'Galaxy Forum' letters page, it lampooned

2054-626: A man who becomes trapped in a telephone booth, while passersby seem unable to help him, won the 1973 International Emmy Award for Fiction. The series Plutón B.R.B. Nero (2008) was a brutal SF comedy by Álex de la Iglesia , in the line of The Hitchhiker's Guide to the Galaxy , Red Dwarf , or Doctor Who , with 26 episodes of 35 minutes. Other series of the 2010s were Los protegidos (2010-2012), El barco (2011-2013), and El internado (2007-2010), all three inspired by North American productions, with minor SF elements. The latest success

2212-400: A matching handkerchief in the left pocket, a fob watch chained to the left lapel, a plain white shirt, a scarlet paisley tie, a yellow-brown fair isle-themed pullover adorned with cherry question marks and turquoise zigzag patterns, sand-beige tweed plaid trousers, beige brogued spectator shoes , an ivory colonial-styled Panama cap with a scarlet paisley hatband, an upturned brim and

2370-566: A mature magazine, expanding to explore behind-the-scenes aspects of the series and developing the comic strip. Due to its longevity, it is seen as a source of 'official' and exclusive information, sharing a close relationship with the television production team and the BBC. Officially licensed by the BBC , the magazine began life as Doctor Who Weekly in 1979, published by the UK arm of Marvel Comics . The first issue

2528-515: A minor – page-count-wise – exception for two pages of "The Tides of Time" [July 1982: issue 66]). The main strip, beginning in 1979 with the Fourth Doctor story "The Iron Legion" (17 October – 5 December [issues 1–8]), began being issued in colour as of issue 300 in 2001 with the Eighth Doctor story "Ophidius" (February–May [issues 300–303]). However, as early as December 1980 colourised reprints of

2686-486: A more mature magazine, getting rid of secondary and tertiary comic strips for regular features and articles going behind the scenes of the show. During 1995 Panini bought out Marvel UK, and thus took control of DWM . The incumbent editor Gary Russell – who would go on to produce the Big Finish Productions Doctor Who audios dramas from their inception, and to work for BBC Wales as a Script Editor on

2844-411: A new source of income for actors, who began to charge money for autographs that they had previously been doing for free. This became significant enough that lesser-known actors would come to conventions without requesting any appearance fee, simply to be allowed to sell their own autographs (commonly on publicity photos). Today most events with actor appearances are organized by commercial promoters, though

3002-464: A number of fan-run conventions still exist, such as Toronto Trek and Shore Leave . The 1985 series Robotech is most often credited as the catalyst for the Western interest in anime. The series inspired a few fanzines such as Protoculture Addicts and Animag both of which in turn promoted interest in the wide world of anime in general. Anime's first notable appearance at SF or comic book conventions

3160-428: A number of smaller fiction/fantasy television series, including Tang in 1971, about a secret organization that attempts to control the world with a new super weapon, "Les atomistes" and 1970 miniseries "La brigade des maléfices". Another French-produced science fiction series was the new age animated series Il était une fois... l'espace (English: Once upon a time...space ). Anime-influenced animation includes

3318-508: A one-pager in TV Century 21 as "The Daleks" (1965–1967). This tertiary Dalek strip ended in September 1982 (issue 68) after completing about half of the original run. Since 1982, other strips have appeared again from time to time. For instance, in the 1990s a Cyberman one-pager strip was featured on the inside cover (3 August 1994 – 8 May 1996 [issues 215–238]). Titled "The Cybermen", the series

SECTION 20

#1732844574559

3476-563: A recent episode, DVD release of stories or other such event by showing alternative, exaggerated and expanded versions of Doctor Who scenes. For example, after the broadcast of " Partners in Crime " (2008), the strip portrayed the Doctor's arrival on the 'Planet of the Hats', referred to in the episode. The strip was known for its characters who are depicted as having no pupils in their eyes. Since 2014, "Doctor Whoah!" has been replaced by "The Daft Dimension",

3634-627: A result, the physical appearance and personality of the Doctor changes. Preceded in regeneration by the Sixth Doctor ( Colin Baker ), he is followed by the Eighth Doctor ( Paul McGann ). McCoy portrays the Seventh Doctor as a whimsical, thoughtful character who quickly becomes more layered, secretive, and manipulative . His first companion was Melanie Bush ( Bonnie Langford ), a computer programmer who had travelled with his previous incarnation , and who

3792-642: A science fiction television series based upon Zoran Živković's story, winner of a World Fantasy Award . Návštěvníci (The Visitors) was a Czechoslovak (and Federal German, Swiss and French) TV series produced in 1981 to 1983. The family show aired in a larger number of European countries. For a list of notable science fiction series and programs on television, see: List of science fiction television programs . People who have influenced science fiction on television include: [REDACTED] Media related to Science fiction television programmes at Wikimedia Commons Seventh Doctor The Seventh Doctor

3950-407: A sense, virtually all animated series allow characters and objects to perform in unrealistic ways, so they are almost all considered to fit within the broadest category of speculative fiction (in the context of awards, criticism, marketing, etc.) The artistic affinity of animation to comic books has led to a large amount of superhero -themed animation, much of this adapted from comics series, while

4108-400: A series of French-Japanese cartoons / anime , including such titles as Ulysses 31 (1981), The Mysterious Cities of Gold (1982), and Ōban Star-Racers (2006). The first Spanish SF series was Diego Valor , a 22 episode TV adaption of a radio show hero of the same name based on Dan Dare , aired weekly between 1958 and 1959. Nothing was survived of this series, not a single still; it

4266-573: A similarly sized strip in three panels by Lew Stringer . DWM has also published illustrated short stories in its magazine and parallel publications, most cohesively during the Marvel years. Beginning in Doctor Who Weekly on 9 April 1980 (issue 26), a sequence of these short stories ran for eight issues, returning is shorts burst for a number of issues every few years up until 1996. Occasional illustrated short stories have appeared since then, including

4424-456: A soul. All three of these television series were aimed mostly at children. Later television series were Professor Vreemdeling (1977) about a strange professor who wants to make plants speak and Zeeuws Meisje  [ nl ] (1997) a nationalistic post-apocalyptic series where the Netherlands has been built full of housing and the highways are filled with traffic jams. The protagonist,

4582-412: A tighter grip on his secrets – from his plans to his very identity – he also presented more serious, contemplative, secretive, wistful, and manipulative sides with undercurrents of mischief and authority (constantly giving the impression that there was more to him than met the eye). As something of a showman, the Doctor would sometimes act like a buffoon, usually preferring to manipulate events from behind

4740-464: A time as "After Image", "Off the Shelf", and "Shelf Life"); the "Time Team", which involves four fans watching every Doctor Who story in order from the beginning; and, since production restarted on the series in 2004, a regular column "Production Notes" by the show's executive producer. From 2004 to 2009 the column was written by Russell T Davies , and from January 2010 to July 2017, Steven Moffat took over

4898-401: A time that has not yet happened then the possibilities are, literally, endless." By the end of the twenty-fifth season, The Scotsman remarked of The Greatest Show in the Galaxy , " Who has gone imaginative and very stylish and there is a lot of galactic go in the old police box yet." The Independent called Ghost Light the best Doctor Who story of the decade. Paul Cornell ,

Doctor Who Magazine - Misplaced Pages Continue

5056-462: A wide array of software. Models have been an essential tool in science fiction television since the beginning, when Buck Rogers took flight in spark-scattering spaceships wheeling across a matte backdrop sky. The original Star Trek required a staggering array of models; the USS Enterprise had to be built in several different scales for different needs. Models fell out of use in filming in

5214-749: A writer for the New Adventures range of novels and the BBC Wales series, named the eras of Peter Davison and McCoy his two favourites in Doctor Who Magazine , saying of the latter: "Sylvester, from about Delta and the Bannermen , being beautiful and shy and sweet and kind again really dragged me back into Doctor Who and I loved the fact that somebody was taking the Doctor back into a different direction. So those are my two defining eras really, Davison and Sylvester." Seasons 25 and 26 were regarded as two of

5372-520: A year). DWM is now published by Panini Comics , which purchased the title along with the rest of the Marvel UK catalogue in 1995. In 2006, however, it lost its exclusivity when BBC Worldwide launched its own comic, Doctor Who Adventures , aimed at a younger audience. DWM's 400th issue was published in September 2008, and the publication celebrated its 30th anniversary in October 2009. In April 2010, it

5530-413: A young woman that the Sixth Doctor failed to save, who was particularly close to his then-companion Evelyn Smythe); his attempts to reform Elizabeth Klein, a Nazi officer from an alternate timeline, and his later interaction with her other self from this reality; and the return of Mel as she travels with him and Ace. Sylvester McCoy reprised the role of the Seventh Doctor in 2021 for a trailer promoting

5688-490: A younger demographic than the DWM readership. Initially published every fortnight, from 2008 it went weekly, returning to fortnightly in May 2013, then monthly in 2014. In April 2015, the title was purchased by Panini, the publishers of DWM , who rebooted the publication beginning again with issue 1, changing it to bi-monthly in late 2016. On 19 June 2017, Panini confirmed that publication of

5846-499: Is El ministerio del tiempo ( The ministry of time ), premiered on February 24, 2015 on TVE 's main channel La 1 . The series follows the exploits of a patrol of the fictional Ministry of Time, which deals with incidents caused by time travel. It has garnered several national prizes in 2015, like the Ondas Prize , and has a thick following on-line, called los ministéricos . Serbia produced The Collector ( Sakupljač ),

6004-458: Is an incarnation of the Doctor , the protagonist of the British science fiction television series Doctor Who . He is portrayed by Scottish actor Sylvester McCoy . Within the series' narrative, the Doctor is a centuries-old alien Time Lord from the planet Gallifrey who travels in time and space in the TARDIS , frequently with companions . At the end of life, the Doctor regenerates ; as

6162-501: Is based. The strip appeared almost every week: first in TV Comic , then in Countdown and TV Action before returning to TV Comic . All these titles were produced by a company called Polystyle Publications (formally TV Publications), which held the rights to publish a Doctor Who comic [strip] until May 1979 when the last instalment of the strip appeared [...] Once relinquished by Polystyle,

6320-459: Is currently written predominantly by Graham Kibble-White , former editor Gary Gillatt, Paul Kirkley, Martin Ruddock and Matt Michael. Previous reviewers include Vanessa Bishop , Craig Hinton (died in 2006), and Gary Russell , who subsequently became the magazine's editor. During the Marvel years (1979–1995), Doctor Who Magazine produced three types of "Deluxe edition" series issued in parallel to

6478-529: Is later seen in John Smith 's A Journal of Impossible Things in the new series 2007 episode " Human Nature ". Brief archive clips of the Seventh Doctor appeared as holographic representations in " The Next Doctor " (2008), " The Eleventh Hour " (2010), the 50th anniversary special " The Day of the Doctor " (2013) and " Twice Upon a Time " (2017), and as flashbacks in " The Name of the Doctor " (2013). The aged Seventh Doctor also appeared in two forms in " The Power of

Doctor Who Magazine - Misplaced Pages Continue

6636-438: Is not known if the show was even recorded or just a live broadcast. The 60s were dominated by Chicho Ibáñez Serrador and Narciso Ibáñez Menta , who adapted SF works from Golden Age authors and others to a series titled Mañana puede ser verdad . Only 11 episodes were filmed. The 70s saw three important television films, Los pajaritos (1974), La Gioconda está triste (1977), and La cabina (1972), this last one, about

6794-470: Is noted for the cancellation of Doctor Who after 26 years. It is also noted for the Virgin New Adventures , a range of original novels published from 1992 to 1997, taking the series beyond the television serials. The Seventh Doctor's final appearance on television was in the 1996 Doctor Who television movie , where he regenerated into the Eighth Doctor , played by Paul McGann . A sketch of him

6952-524: Is pushing in its late maturity against its own boundaries." Alan Coren , writing for the Mail on Sunday in November 1988, wrote of Silver Nemesis : "Not only is the Doctor a modern mega-Merlin ... but the scrapes into which he gets himself are the scrapes of the imminent now. They could just happen, and the fringe of believability is where magic is most potent. If you can bend relativity and set once-upon-a-time in

7110-479: Is soon succeeded by troubled teenager and explosives expert Ace ( Sophie Aldred ), who becomes his protégée . The Seventh Doctor first appeared on television in 1987. After the programme was cancelled at the end of 1989, his adventures continued in novels until the late 1990s though he did make televised appearances in “ Search Out Space ” in 1990 and Dimensions in Time in 1993. The Seventh Doctor made an appearance at

7268-749: The Annual and Storybooks (2006–2010), and two sets of reprints of the Ninth Doctor strips (2006) and some of the Tenth Doctor strips (2008) in the relaunched and rebranded Special Editions (2002–present). Returning to the origins of the DWM main strip, Panini licensed IDW , an American comic book company, for new digitalised colour reprints of Fourth, Fifth, Sixth, and Seventh Doctor stories. Beginning in January 2008 and running into 2013, IDW printed its Doctor Who Classics monthly comic book series, going on to collect

7426-508: The Asgard characters are puppets in scenes where they are sitting, standing, or lying down. In Mystery Science Theater 3000 , the characters of Crow T. Robot and Tom Servo , two of the show's main (and most iconic) characters, are puppets constructed from random household items. As animation is completely free of the constraints of gravity, momentum, and physical reality, it is an ideal technique for science fiction and fantasy on television. In

7584-513: The Australian Broadcasting Corporation . Later series made in the 1960s included The Interpretaris (1966) Vega 4 (1967), and Phoenix Five (1970). The country's best known Science Fiction series was Farscape ; an American co-production, it ran from 1999 to 2003. A significant proportion of Australian produced Science Fiction programmes are made for the teens/young Adults market, including The Girl from Tomorrow ,

7742-457: The Doctor since its first issue in October 1979. The DWM strip thus took over from what has become known as the 'Polystyle era' (1964–1979) of Doctor Who comic strips. Paul Scoones, an historian of the Doctor Who comic strip, writes: 'First launched in the pages of TV Comic in November 1964, the comic strip version of Doctor Who is just one year younger than the television series on which it

7900-469: The Doctor Who spin-offs The Sarah Jane Adventures and Torchwood – was 'asked to leave'. The editorship was taken over by recently hired comic strip editor, Gary Gillatt. Gillatt edited the magazine for the next five years, except for issue 255 in 1997 which was guest-edited by one of the stars of the Doctor Who TV show Sophie Aldred (who had portrayed the Seventh Doctor's companion Ace during

8058-675: The Fifth Doctor , two featuring the Sixth Doctor , five with the adventures of the Seventh Doctor , four focusing on the Eighth Doctor , one with the adventures of the Ninth Doctor , three featuring the Tenth Doctor , four collecting the adventures of the Eleventh Doctor and four with the adventures of the Twelfth Doctor . Panini also published a one-shot magazine-format reprinting of the complete Ninth Doctor strips in 2006 and most of

SECTION 50

#1732844574559

8216-560: The Ninth Doctor . Although work was done on this storyline, then editor Clayton Hickman and writer Scott Gray eventually turned down the offer as they felt they couldn't do such an important event justice under the constraints imposed by the TV series' continuity. In October 2018 (issue 531), the main comic strip began featuring the Thirteenth Doctor in "The Warmonger". As well as a main strip, DWM has also featured other comics strips over

8374-457: The Season 24 blu-ray release alongside Bonnie Langford as Mel . McCoy's first season as the Doctor, Season 24, received poor reviews at the time from a faction of the series' fans, though this was a consequence of the bitterness and division in the fan culture about the series' treatment by the BBC since the 1985 hiatus and McCoy's predecessor, Colin Baker , being unfairly dismissed. Furthermore,

8532-717: The Super Robots such as Mitsuteru Yokoyama 's Tetsujin 28-go ( Gigantor ) and Go Nagai 's Mazinger Z , and the Real Robots such as Yoshiyuki Tomino 's Gundam series and Shōji Kawamori 's Macross series. Other primary aspects of Japanese science fiction television are the superhero tokusatsu (a term literally meaning special effects ) series, pioneered by programs such as Moonlight Mask and Planet Prince . The suitmation technique has been used in long running franchises include Eiji Tsuburaya 's Ultra Series , Shotaro Ishinomori 's Kamen Rider Series , and

8690-610: The Super Sentai Series. In addition, several dramas utilize science fiction elements as framing devices, but are not labeled as "tokusatsu" as they do not utilize actors in full body suits and other special effects. Among the notable German language productions are: Danish television broadcast the children's TV-series Crash in 1984 about a boy who finds out that his room is a space ship. Early Dutch television series were Morgen gebeurt het  [ nl ] (Tomorrow it will happen), broadcast from 1957 to 1959, about

8848-599: The TV movie the Doctor's costume changed again, with a return to a lighter jacket, now a light brown tweed. Gone were the question mark pullover, paisley tie and question mark umbrella, replaced by a scarlet brocade waistcoat and a brown/black zig zag pattern tie; joined by a maroon scarf. However, the Doctor retained his Panama hat. The Doctor enjoyed using his hat, umbrella and the TARDIS key, amongst other items, as physical props, usually as showy affectations or to command attention, while

9006-448: The Tenth Doctor and Martha Jones strips in 2008. DWM issue 426 reported that the series had been postponed; it eventually resumed with the publication of "The Crimson Hand" in May 2012. In November 2020, Panini published The Daleks , a new compilation of the Dalek comic strips originally published on the back pages of early issues of 1960s comic TV Century 21 . Unlike previous reprints,

9164-505: The Virgin New Adventures . The Seventh Doctor was the subject of 60 of these between 1991 and 1997. The Virgin novels pit the Seventh Doctor against the powerful Timewyrm , a complex plan to change history by his old enemy the Monk , facing the renegade time traveler Kadiatu Lethbridge-Stewart , a mysterious psychic brotherhood and their role in Earth's history, and culminates in a return to his family home on Gallifrey that reveals details about how

9322-580: The 1950s". Doctor Who , which launched in 1963 and ran until 1989, then was revived in 2005, was listed in the Guinness World Records in 2006 as the longest-running science fiction television show in the world and as the "most successful" science fiction series of all time. Other cult British series in the science fiction genre include The Tomorrow People , Space: 1999 , Blake's 7 , Star Cops and Red Dwarf . Science fiction in Canada

9480-453: The 1970s. No other show attracted a large organized following until the 1990s, when Babylon 5 attracted both Star Trek fans and a large number of literary SF fans who previously had not been involved in media fandom. Other series began to attract a growing number of followers. The British series, Doctor Who , has similarly attracted a devoted following. In the late 1990s, a market for celebrity autographs emerged on eBay , which created

9638-472: The 1990s as CGI became more affordable and practical, but even today, designers sometimes construct scale models which are then digitized for use in animation software. Models of characters are puppets . Gerry Anderson created a series of shows using puppets living in a universe of models and miniature sets, notably Thunderbirds . ALF depicted an alien living in a family, while Farscape included two puppets as regular characters. In Stargate SG-1 ,

SECTION 60

#1732844574559

9796-526: The 1993 charity special Dimensions in Time . A picture of the Seventh Doctor appears briefly in the Tenth Doctor story " Human Nature " (2007), in John Smith's A Journal of Impossible Things , and visions of him appear briefly in " The Next Doctor " (2008), " The Eleventh Hour " (2010), " Nightmare in Silver " and " The Name of the Doctor " (both 2013). He also appeared in the 50th anniversary special " The Day of

9954-418: The BBC choosing to schedule the series opposite Coronation Street throughout McCoy's tenure gave the impression that the corporation had "lost interest in Doctor Who [and] deliberately scheduled it in a slot where it was almost bound to fail to attract a significant audience, with a view to cancelling it at the first opportunity. In this context, the fact that the series survived as long as it did represents

10112-502: The Daleks , where he taunts the seemingly last Dalek in existence until it self-destructs, or in Ghost Light , where he defeats the dangerously unstable Light by ramming home the folly of trying to prevent evolution (he employs variations of this 'talk to death' tactic in Dragonfire , Silver Nemesis and The Curse of Fenric , although primarily to manipulate opponents to guarantee

10270-457: The Doctor " (2013) helping his past and future incarnations save Gallifrey from the Time War, and an image of an aged Seventh Doctor appeared in a transitional quasi-afterlife to the Thirteenth Doctor as well as being mimicked in an AI hologram programmed by the Doctor herself in " The Power of the Doctor " (2022). Following the end of the TV series, the adventures of Doctor Who were continued in

10428-447: The Doctor " (2022). When the TARDIS was attacked by the Rani , the Sixth Doctor was injured and forced to regenerate. After a brief period of post-regenerative confusion and amnesia (chemically induced by the Rani), the Seventh Doctor thwarted the Rani's plans, and rejoined his companion Mel for whimsical adventures in an odd tower block and a Welsh holiday camp in the 1950s . On

10586-512: The Doctor appeared as a guest character in the first Death's Head series (1989; rejigged and reprinted as "Incomplete Death's Head" in 1993). Spin-off strips and reprints have become much more limited and much more focused during the Panini Years (1995–present). There was a short-lived original Eighth Doctor strip for the Radio Times (1996–1997), some original Ninth and Tenth Doctor strips in

10744-548: The Doctor appearing in other original Marvel strips (all of which dovetail with the main DWM strip). Finally, other publishers have reprinted DWM strips under licence. The first series of reprints of DWM comic strips began in late 1980, only a year or so after the original publication in 1979. These reprints were for the American market, and consisted of four issues in the Marvel Premiere series. The Marvel Premiere series

10902-485: The Doctor left Gallifrey in the first place. These novels also introduce original companions Professor Bernice Summerfield (who proves so popular that she acquires her own spin-off series), Roslyn Forrester, and Chris Cwej. His adventures also appeared in the BBC Past Doctor Adventures novels. Some of these are stand-alone stories, but authors Robert Perry and Mike Tucker created a miniseries that explores

11060-456: The Doctor were not shown on television. Near the end of his incarnation, the Seventh Doctor was given the responsibility of transporting the remains of his former enemy the Master from Skaro to Gallifrey . This proved to be a huge mistake; despite having a limited physical form, the Master was able to take control of the Doctor's TARDIS and cause it to land in 1999 San Francisco, where the Doctor

11218-537: The Doctor's discovery that Ace is destined to die in her immediate future and the Doctor's attempts to prevent it (as well as a confrontation with his foe the Valeyard ), setting up a complex confrontation with the twisted psychopath George Limb as Limb abuses time-travel to avoid his fate of becoming a Cyberman. The Seventh Doctor has featured in dozens of audio dramas . Storylines in these audios include his travels with Ace and nurse Thomas Hector 'Hex' Schofield (the son of

11376-474: The Doctor's incarnations, beginning as someone bumbling (to the extent of putting himself in danger but not at the cost of his overall great intelligence and benevolent intentions) and progressing into a driven, dark gamemaster whose plans to defeat his adversaries, both old and new, would play out across space and time. He generally displayed an affable, curious, knowledgeable, easygoing, excitable, and charming air. However, as he began to choose his battles and keep

11534-468: The Doctor's origins. It was reworked to become Ghost Light instead. According to McCoy and Cartmel, a number of Seventh Doctor stories were intended to satirise or protest the rule of then Prime Minister Margaret Thatcher . McCoy told the Sunday Times in 2010, "The idea of bringing politics into Doctor Who was deliberate, but we had to do it very quietly and certainly didn't shout about it...We were

11692-470: The End... But" by 'The Watcher', "You Are Not Alone" by Jonathan Morris (as 'Neil Harris') and "Relative Dimensions" by author (and former "Time Team" member) Jacqueline Rayner . The format has changed over the years, but the news, letters, reviews, and comic strip have all been present consistently since the early 1980s. The magazine also features interviews with the cast and crew of the television show (including

11850-853: The Fourth Doctor strips and four of the six strips of the Fifth Doctor era, as well as 24 of the 27 DWM secondary strip stories originally published between 1979 and 1982. Reprints of the original DWM strips have also appeared in their original black and white as well as colourised in a dizzying number of formats, especially during the Marvel years (1979–1995). These Marvel UK (or Marvel licensed) parallel publications were: Doctor Who Magazine Specials (1980–1996); Doctor Who Magazine Graphic Novels (1989–1993); Doctor Who Classic Comics (1992–1994) and Doctor Who Yearbooks (1992–1996). Many of these publications also printed original strips as well. Another original Doctor Who strip also appeared in The Incredible Hulk Presents comic series (1989), and

12008-430: The Galaxy shows him to be a capable entertainer, performing a variety of well known magic tricks. In Ghost Light , he reveals his pet peeves to be burnt toast, bus stations, unrequited love, tyranny, and cruelty. The Doctor's outfit in this incarnation was calmer than his previous attire, but as idiosyncratic as any other. It consisted of an ivory safari jacket with a crimson paisley scarf worn under its lapels and

12166-408: The Seventh Doctor era began with a light-hearted approach, with stories like Delta and the Bannermen clearly aimed at a younger audience. However, in the final two seasons with Andrew Cartmel as script editor, the stories soon explored the true nature of the Doctor, hinting at dark secrets in his past. In Silver Nemesis , Lady Peinforte hints she knows the Doctor's secret of being more than just

12324-402: The Seventh Doctor's initially easy and whimsical manner, it took on a new light when he became more scheming and prepared in his missions – to reflect the emergence of his personality's more mysterious and darker aspects, his jacket, hatband, handkerchief, scarf and tie became more muted and darker in colour, now in shades of burgundy and brown. In the New Adventures novels, images of the Doctor on

12482-472: The Seventh the only Doctor under Nathan-Turner's tenure to greatly alter his costume; the changes to the outfits worn by his three previous selves during this production period tended to be more subtle and less noteworthy. The Seventh's own attire was repeatedly revised during his first season, initially including a crimson/black tartan scarf and burgundy braces, along with the whangee bamboo -handle umbrella. In

12640-436: The TARDIS , he reunited with an older Ace and discussed their adventures. They also discussed the meeting with Fenric and both apologised to each other falling out. He also told her she had to leave to become who she is. In Time and the Rani (1987), the Seventh Doctor gives his age soon after his regeneration as "exactly" 953 years, indicating that some two centuries of subjective time has passed since his fourth incarnation

12798-448: The basic concept of a series, influencing all the artistic choices. By the late 1990s, improved technology and more training and cross-training within the industry made all of these techniques easier to use, so that directors of individual episodes could make decisions to use one or more methods, so such artistic choices no longer needed to be baked into the series concept. Special effects (or "SPFX") have been an essential tool throughout

12956-482: The beginning of the magazine; the letters page "Galaxy Forum" which – as well as containing the "Daft Dimension" strip – features other small sub-sections, such as "Ask DWM!" (where readers' questions about the show are answered), "On This Month" (which looks at an old issue on the anniversary of its publication) and "WhoTube" (which highlights "Doctor Who"-themed videos which can be viewed online); reviews of television episodes and merchandise (in "The DWM Review", known for

13114-633: The best seasons in the series' run, with Remembrance of the Daleks , The Greatest Show in the Galaxy , Ghost Light , The Curse of Fenric , and Survival particularly commended. Lance Parkin wrote in 2003, "Very few Doctor Who fans needed Sounds magazine to tell us Remembrance of the Daleks was the best Doctor Who story in a long, long time ... It reminded people just how good Doctor Who had been, and just how good it could be again." In 1990, readers of Doctor Who Magazine voted McCoy's Doctor "Best Doctor", over perennial favourite Tom Baker . A 1998 35th anniversary poll ranked Remembrance of

13272-484: The bigger picture, he would sometimes overlook the finer details and his planning (both prepared and improvised) would sometimes have fatal results and consequences. When he acted to end threats, it was usually a ruthless, destructive and final manoeuvre. He was also not above hiding the truth from his friends and allies and using them to complete his schemes and gambits. His tendency to reveal only select information to his companion Ace – as well as anyone else around them –

13430-546: The bureau's batch of Consumer Magazines figures that were released on 17 February 2022. Each issue of DWM contains a main comic strip (occasionally with secondary and tertiary strips or illustrated short stories), regular features (such as a letters page, previews and reviews of TV episodes, books and audios, and updates from the transmedia world of Doctor Who ), and special articles (sometimes one-offs, sometimes in serial form, including interviews, analyses, and making-ofs). DWM has featured an ongoing main comic strip starring

13588-442: The colourised strips into various trade paperbacks and omnibus editions. Notable writers and artists who have worked on the DWM comic strips, in all its myriad forms include John Wagner , Pat Mills , Alan Moore , Grant Morrison , Dave Gibbons , Mike McMahon , John Ridgway and Ian Edginton . Supporting characters created by such writers for DWM have even crossed over from the comic to other spin-off media include Frobisher,

13746-474: The covers usually omitted the pullover and eventually depicted him in a cream single breasted suit. On a DVD featurette ("Light in Dark Places") for Ghost Light , when drawing attention to the stylistic choice of performing in most of the serial without his hat and umbrella, Sylvester McCoy expresses some disdain for the garment, feeling it detracts somewhat from the mood of the story. The changes in colours make

13904-510: The destruction of their home planet, Skaro . Soon afterwards, the Doctor used a similar tactic and another Time Lord relic to destroy a Cyberman fleet. He engineered the fall of the oppressive government of a future human colony in a single night and encountered the Gods of Ragnarok at a circus on the planet Segonax, whom he had apparently fought throughout time. Later, he was reunited with his old friend, Brigadier Lethbridge-Stewart while battling

14062-529: The development of the Massive software application permits producers to include hordes of non-human characters to storm a city or space station. The robotic Cylons in the new version of Battlestar Galactica are usually animated characters, while the Asgard in Stargate SG-1 are animated when they are shown walking around or more than one is on screen at once. In general, science fiction series are subject to

14220-568: The distant future. Growing more secretive and driven from this point on, the Doctor took Ace under his wing and began teaching her about the universe, all the while keeping an eye out for Fenric's plot. The Doctor began taking a more scheming and proactive approach to defeating evil, using the Gallifreyan stellar manipulator named the Hand of Omega as part of an elaborate trap for the Daleks which resulted in

14378-522: The domestic television market, most Canadian productions involve partnerships with production studios based in the United States and Europe. However, in recent years, new partnership arrangements are allowing Canadian investors a growing share of control of projects produced in Canada and elsewhere. Australia's first locally produced Science Fiction series was The Stranger (1964–65) produced and screened by

14536-546: The earliest forms of media fandom was Star Trek fandom . Fans of the series became known to each other through the science fiction fandom . In 1968, NBC decided to cancel Star Trek . Bjo Trimble wrote letters to contacts in the National Fantasy Fan Foundation, asking people to organize their local friends to write to the network to demand the show remain on the air. Network executives were overwhelmed by an unprecedented wave of correspondence, and they kept

14694-548: The early Fourth Doctor main strip and secondary strips appeared in Marvel USA publications: Marvel Premiere : Doctor Who (every two months between December 1980 and June 1981 [issues 57–60]) successfully trialled the concept for an American audience to determine if it would attract enough readers; a Doctor Who comic series being launched in 1984. The series came to an end with issue 23 in August 1986, having colourised and reprinted all

14852-451: The easiness of the kill versus the enormity of ending a life), although he also proved capable of rendering a man unconscious with a touch ( Battlefield , Survival ). In keeping with his established habits, he would use gadgetry of his own invention when the situation called for it, but never as his final gambit. Instead, he almost always managed to talk his enemies into submission, often into suicide – perhaps most memorably in Remembrance of

15010-399: The editorship to Marcus Hearn in 2017. Hearn announced his departure as editor in issue 594 in 2023, and he was succeeded by Jason Quinn. The October 2017 issue of Doctor Who Magazine featured a hidden profane message in a column written by an anonymous writer under the pseudonym 'The Watcher'. Soon after the message's discovery, the column was amended in the digital version of the issue. It

15168-451: The first decade of the 21st century, changes in provincial tax legislation prompted many production companies to move from Toronto to Vancouver . Recent popular series produced in Vancouver include The Dead Zone , Smallville , Andromeda , Stargate Atlantis , Stargate Universe , The 4400 , Sanctuary and the reimagined Battlestar Galactica . Because of the small size of

15326-633: The forces of an alternate dimension on Earth. The Seventh Doctor's manipulations were not reserved for his rivals. With the goal of helping Ace confront her past, he took her to a Victorian house in her home town of Perivale in 1883 which she had burned down in 1983. Eventually, the Doctor confronted and defeated Fenric at a British naval base during World War II , revealing Fenric's part in Ace's history. The Doctor continued to act as Ace's mentor, returning her to Perivale; however, she chose to continue travelling with him. The circumstances of her parting from

15484-479: The history of science fiction on television: small explosives to simulate the effects of various rayguns , squibs of blood and gruesome prosthetics to simulate the monsters and victims in horror series, and the wire-flying entrances and exits of George Reeves as Superman . The broad term "special effects" includes all the techniques here, but more commonly there are two categories of effects. Visual effects ("VFX") involve photographic or digital manipulation of

15642-457: The hospital's morgue. An aged Seventh Doctor appeared as one of the "Guardians of the Edge" in an afterlife, inside the Doctor's mind in the final Thirteenth Doctor special, to the Thirteenth Doctor as well as being a hologram programmed by the Doctor herself in (" The Power of the Doctor "). He also appeared as a hologram to an older Ace and she forgave him for everything that happened. In Tales of

15800-512: The impossible characters and settings allowed in animation made this a preferred medium for both fantasy and for series aimed at young audiences. Originally, animation was all hand-drawn by artists, though in the 1980s, beginning with Captain Power , computers began to automate the task of creating repeated images; by the 1990s, hand-drawn animation became defunct. In recent years as technology has improved, this has become more common, notably since

15958-534: The late 1980s). In February 2001, the editor at the time Alan Barnes , oversaw the transformation of the comic strip from black and white to full-colour with the first episode of the Eighth Doctor story Ophidius (issue 300). Clayton Hickman became the editor in 2002, launching the deluxe triannual Special Editions of the magazine (which are running to this day) and the Doctor Who Annual, later Storybook, in 1996 (which ceased publication after five years). He

16116-500: The long-running Mr. Squiggle , Halfway Across the Galaxy and Turn Left , Ocean Girl , Crash Zone , Watch This Space and Spellbinder . Other series like Time Trax , Roar , and Space: Above and Beyond were filmed in Australia, but used mostly US crew and actors. Japan has a long history of producing science fiction series for television. Some of the most famous are anime such as Osamu Tezuka 's Astro Boy ,

16274-522: The magazine was to be paused after issue 24. A special one-off edition was released in January 2019. Finally, IDW – who were reprinting early DWM strips in their Doctor Who Classics series – launched a parallel range of ongoing comics featuring the Tenth Doctor in early 2008. Over the next six years, until the end of 2013, there were series and ones-shots featuring the Tenth then Eleventh Doctor, even producing

16432-401: The main publication. These were the semi-regular Specials generally issued twice a year seasonally, and most usually labelled "Summer" and "Winter" (1980–1996); Yearbooks , essentially annuals, issued once a year in advance and for Christmas (1992–1996); and Poster Magazines , a short run of more visually orientated periodicals with single themes (1994–1996). All these series came to an end in

16590-440: The majority of pages in the collection were scanned from the original artwork. DWM' s founding editor was Dez Skinn , who had been headhunted by Stan Lee (the figurehead and creative leader at Marvel) to oversee the revitalisation of the ailing UK division. "[I] had the idea for a Doctor Who title around 1975. . . . I felt it would be a perfect stablemate to my then-current House of Hammer magazine, and could be produced in

16748-413: The majority of science fiction media fandom has been represented by males of all ages and for most of its modern existence, a fairly diverse racial demographic. The most highly publicized demographic for science fiction fans is the male adolescent; roughly the same demographic for American comic books . Female fans, while always present, were far fewer in number and less conspicuously present in fandom. With

16906-437: The many parallel publications in both Marvel and Panini years. In addition, there was also a run of 'Brief Encounters', very short one or two-page illustrated stories that ran from 28 November 1990 (issue 167) through to 6 July 1994 (issue 214) as well as in contemporary "Specials" and "Yearbooks" between 1991 and 1992. Other regular features of the magazine include the news section "Gallifrey Guardian", which has run since nearly

17064-461: The monopoly held by DWM since they had taken over where Polystyle had left off. In 2006, the partwork publishers GE Fabbri acquired the license to produce Doctor Who – Battles in Time , a fortnightly magazine with a trading card game and its own Doctor Who comic strip. The final issue (number 70) was released on 13 May 2009. Around the same time, IMC launched Doctor Who Adventures , its comic strip and features aimed at 6 to 13-year-olds,

17222-530: The old episodes), and reports from the set of the current series, written by Benjamin Cook or Jason Arnopp . The behind-the-scenes stories of all of the 1963–1989 episodes have been documented in Andrew Pixley's "DWM Archive", and detailed analysis of certain significant serials are covered in "The Fact of Fiction", usually written by former DWM editor Alan Barnes , Jonathan Morris or David Bailey. "The DWM Review"

17380-536: The onscreen image, usually done in post-production . Mechanical or physical effects involve props, pyrotechnics, and other physical methods used during principal photography itself. Some effects involved a combination of techniques; a ray gun might require a pyrotechnic during filming, and then an optical glowing line added to the film image in post-production. Stunts are another important category of physical effects. In general, all kinds of special effects must be carefully planned during pre-production . Babylon 5

17538-417: The original strips. In addition, there have also been some original strips issued through these publications. Some series have even reprinted some of the earlier pre- DWM Polystyle Publications Doctor Who comic strips that appeared in TV Comic , which began in 1964 and ended when DWM gained the comic strip licence in 1979. There have also been original Doctor Who strips in other Marvel publications, and

17696-515: The outcome in his favour). This Doctor also displays strange and 'alien' characteristics playing with the perception of his senses, as he smells an apple and listens to cheese in Survival , and listens to an apple briefly in Delta and the Bannermen . He also displayed a talent for hypnosis on various occasions that appeared to be much stronger than in past incarnations ( Battlefield ). The Greatest Show in

17854-475: The page, although other writers and production staff have from time-to-time written the column. Also, on the final page of magazine, there is a section called "Wotcha!" (compiled by 'The Watcher'), a comedy page with such recurring features as, 'A History of Doctor Who in 100 Objects', 'Supporting Artist of the Month', a spoof 'Top Ten', the 'Stockbridge English Dictionary' (a variation on a game from I'm Sorry I Haven't

18012-417: The period when Doctor Who was off-air, in the wake of the Seventh Doctor , the DWM main strip featured stories with all the previous Doctors (1994–1996) but continued with the Eighth Doctor after the broadcast of the TV movie (1996). In 2004, when the series returned to television, showrunner Russell T Davies offered to let DWM write and publish the official regeneration scene from the Eighth Doctor to

18170-481: The planet Svartos, Mel decided to leave the Doctor's company for that of intergalactic rogue Sabalom Glitz . Also at this time, the Doctor was joined by time-stranded teenager Ace . Although he did not mention it at the time, the Doctor soon recognised that an old enemy from a past adventure, the ancient entity known as Fenric , was responsible for the Time Storm which transported Ace from 1980s Perivale to Svartos in

18328-463: The previous year. A tertiary strip, named 'Tales from the TARDIS', ran in Doctor Who Weekly until late April 1980 (issue 29). These re-used adaptations of classic works of literary science fiction previously published in Marvel Classics Comics (USA). In late May 1980 (issue 33), the tertiary strip returned reprinting the "Dalek Chronicles" (aka "Dalek Tapes"), a strip originally published as

18486-553: The publication as 'Doctor Who Weekly' until issue 48. The cover title changed to Doctor Who Monthly with issue 61, and then to The Official Doctor Who Magazine with issue 85 in February 1984. It became The Doctor Who Magazine with issue 99 in April 1985, and simply Doctor Who Magazine with issue 107 in December 1985. The magazine has remained under that title ever since; an exception

18644-558: The publication recorded an average circulation of 35,374 per issue for between January and June 2010. Since then, the average figures per issue have fluctuated, reaching a high of 36,151 for the July–December 2013 period, but generally decreasing since then, with the occasional small rise. The last-known six-month certified average circulation figure per issue was 20,635 for the period between July and December 2018. The magazine's average circulation figure per issue for January to June 2019

18802-484: The reach of current reality obliges producers to make extensive use of specialized techniques of television production. Through most of the 20th century, many of these techniques were expensive and involved a small number of dedicated craft practitioners, while the reusability of props, models, effects, or animation techniques made it easier to keep using them. The combination of high initial cost and lower maintenance cost pushed producers into building these techniques into

18960-425: The reins in 1980. His immediate successor as editor, Paul Neary , was faced with significant falling sales following the premature end of the programme’s 17th season in January 1980. Neary first attempted to target the publication at a younger readership; when this failed to halt falling sales, he instead relaunched the title as a monthly magazine. Subsequent editors gradually realised then surpassed Skinn's vision of

19118-399: The rights were soon snapped up by Marvel UK, who created their own ongoing comic [strip]. This new strip [...] continues to this day'. The main comic strip features the contemporary television Doctor (beginning with the Fourth Doctor who was on TV at the time DWM launched), sometimes with his on-screen companion(s), and sometimes with companion(s) created by the DWM writers. During some of

19276-404: The rising popularity of fanfiction , a large majority of which is categorized as slash fanfiction . Female fans comprise the majority of fanfiction writers. U.S. television science fiction has produced Lost In Space , Star Trek , The Twilight Zone , and The X-Files , among others. British television science fiction began in 1938 when the broadcast medium was in its infancy with

19434-424: The rising popularity of fanzines, female fans became increasingly vocal. Starting in the 2000s (decade), genre series began to offer more prominent female characters. Many series featured women as the main characters with males as supporting characters. True Blood is an example. Also, such shows premises moved away from heroic action-adventure and focused more on characters and their relationships. This has caused

19592-403: The same financial constraints as other television shows. However, high production costs increase the financial risk, while limited audiences further complicate the business case for continuing production. Star Trek was the first television series to cost more than $ 100,000 per episode, while Star Trek: The Next Generation was the first to cost more than $ 1 million per episode. One of

19750-444: The same format, with a mix of comic strips and features, going behind and beyond the TV series." To make the publication work, Skinn needed a comic strip to be at the heart of the publication, and successfully negotiated for the rights to the Doctor Who comics licence with the BBC which had previously been held by Polystyle Publications since late 1964. DWCC Launching in 1979 as a weekly comic strip based publication, Skinn handed over

19908-436: The scenes; much like his second incarnation , he was prepared to play the fool to trick his foes into underestimating him, inevitably leading to their defeat at his hands. He was an adept physical performer and deployed a repertoire of magic tricks, illusions and escape artistry to this effect as part of his plans. Although his more obvious whimsical tendencies disappeared over time (particularly his spoons-playing), he maintained

20066-742: The shape-changing companion of the Sixth and Seventh Doctors who would appear in Big Finish audios; Abslom Daak , the Dalek Killer; the Special Executive , who would later appear in Marvel's Captain Britain ; and the villainous Beep the Meep . During the mid-2000s, in the wake of the successful return of Doctor Who to television, the BBC began offering multiple comic strip publishing licences effectively ending

20224-482: The show on the air. Although the series continued to receive low ratings and was canceled a year later, the enduring popularity of the series resulted in Paramount creating a set of movies, and then a new series Star Trek: The Next Generation , which by the early 1990s had become one of the most popular dramas on American television. Star Trek fans continued to grow in number, and first began organizing conventions in

20382-511: The situation's severity to her when she finally confronted him. In spite of his immense fondness for her, and hers for him, he often frustrated her with his secretive nature as his alien behaviour, the great importance of his objectives (especially his focus on obliterating enemies from his past) and his strong desire to both educate and protect her would lead him to keep even her in the dark and would even subordinate her feelings towards him to succeed in their battles. Their close, almost familial bond

20540-436: The start of the 1996 film before the character regenerated into the Eighth Doctor ( Paul McGann ). In his first season, the Seventh Doctor started out as a comical character, engaging in dundrearyisms ("Time and tide melt the snowman," or when partner Mel is kidnapped, "A bird in the hand keeps the Doctor away"), playing the spoons, and making pratfalls , but later started to develop a darker nature. The Seventh Doctor era

20698-579: The television series, but some of them were revealed in the New Adventures . Marc Platt 's novel Lungbarrow is usually considered to be the conclusion of the "Cartmel Masterplan". In that novel, the Doctor is revealed to be the reincarnation of "the Other ", a shadowy figure and contemporary of Rassilon and Omega from Ancient Gallifrey . Lungbarrow was originally intended for Season 26 , but producer John Nathan-Turner felt that it revealed too much of

20856-447: The time Doctor Who was cancelled and the 1996 television movie . The first was in 1990, in a special crossover episode of the BBC2 educational programme Search Out Science called “Search Out Space”. In this episode, the Doctor acted as a quiz show host, asking questions about astronomy; Ace, K-9 and "Cedric, from the planet Glurk" were the contestants. The Seventh Doctor then appeared in

21014-455: The transmission of a partial adaptation of Karel Čapek 's play R.U.R. . Despite an occasionally chequered history, programmes in the genre have been produced by both the BBC and the largest commercial channel, ITV . Nigel Kneale 's The Quatermass Experiment (1953) and its sequels have been called "one of BBC Television's earliest audience successes" and Kneale became "one of the most influential television and film writers to emerge in

21172-471: The umbrella could also be used to disarm and trip foes ( Paradise Towers , Battlefield , Ghost Light , Survival ). Like most of his previous selves, the Seventh carried any number of random items in his pockets, including technological devices and books ( Dragonfire , Ghost Light ). In a break from his past however, he spoke with a mild Scottish accent with rolled R s, rather than in his past selves' Received Pronunciation speaking patterns. In Season 24 ,

21330-493: The universe. This may have led him to shroud his true intentions in mystery and the use of sleight of hand as befit his fondness for performance, in effect, subverting his more lighthearted qualities to complement and enhance his heroic and darker ones. Given the Seventh Doctor's appearance and stature, he was surprisingly capable of both directly and indirectly taking control of situations involving strangers, using his greater intelligence to assess and direct events. Concerned with

21488-455: The wake of Panini acquiring Marvel, and consequently, Doctor Who Magazine in 1995. In addition, and since its very beginning, DWM comic strips have been reprinted and – on a few occasions had their original release – in many other publications and formats. Reprinting of DWM strips began as early as 1980 in parallel serial publications, and over the years there have been a number of such comic reprints and collections, many of which colourised

21646-471: The years. In its first incarnation as Doctor Who Weekly the main strip was accompanied by a specially commissioned secondary strip exploring stories from across the Whoniverse, and a tertiary strip of reprints from other Marvel publications. The secondary strip continued with the transformation of the magazine into a monthly publication, finally ending in May 1982 (issue 64), albeit becoming more infrequent over

21804-624: Was The Happiness Patrol in which the tyrannical Helen A outlawed unhappiness and remarked "I like your initiative, your enterprise" as her secret police rounded up dissidents. The Doctor persuaded "the drones", who toiled in the factories and mines, to down tools and rise up in revolt, an echo of the miners' strikes and printers' disputes during Thatcher's first two terms in office. Cartmel assembled several "angry young writers" such as Ben Aaronovitch and Rona Munro to produce storylines that they hoped would foment anti-Thatcher dissent. The Seventh Doctor and Ace appeared twice on television between

21962-630: Was Dez Skinn , and the longest-serving editor was Tom Spilsbury who served from 2007 to 2017. He was succeeded by Marcus Hearn, who took over from Spilsbury in July 2017. The incumbent editor is Jason Quinn, who took over from Hearn in September 2023. DWM is recognised by Guinness World Records as the longest running TV tie-in magazine, celebrating 40 years of continuous publication on 11 October 2019. The magazine published its 600th issue on 1 February 2024. Originally geared towards children and predominately featuring comic strips, DWM slowly transformed into

22120-533: Was "paid off" in the summer of 2017 to leave the publication. However, in the following issue of Private Eye , a letter from Spilsbury was published, denying these allegations. The magazine joined the Audit Bureau of Circulations in June 2010, giving the average figure per issue for every six months, meaning circulation figures have only been made available officially for six-monthly periods since August of that year, when

22278-464: Was "well devious". In direct contrast to his third incarnation , this Doctor was absolutely opposed to violence of any sort (as demonstrated in stories such as Battlefield , where he stops a battle merely by ordering the warriors to desist) and he was totally against the use of firearms (to the extent of 'talking down' a soldier ordered to execute him in The Happiness Patrol by emphasising

22436-558: Was 17,586, comprising 10,239 paid single copies, 7,213 paid subscriptions and 134 free copies. The average circulation per issue for the 13 editions between January and December 2020 was 16,304, according to data published by the bureau on 11 February 2021. It comprised 8,330 paid single copies, 7,838 paid subscriptions and 136 free copies. The magazine stopped being registered with the Audit Bureau of Circulations at some point after then, meaning no figures for 2021 were published as part of

22594-411: Was announced on 27 January 2012 that Doctor Who Insider had ceased publication after nine issues. Doctor Who Insider returned for a special edition issue on 1 November 2012. Panini has begun to digitally restore and reprint older DWM comics in trade paperback format. Twenty-five volumes have been printed so far: two featuring the comics adventures of the Fourth Doctor , one with the adventures of

22752-483: Was confirmed in issue 420 that Doctor Who Magazine now holds the Guinness World Record for "Longest Running Magazine Based on a Television Series." The magazine reached its 500th issue in May 2016. It reached its 600th issue in February 2024. In April 2011, Panini Comics released a new monthly magazine titled Doctor Who Insider ; although it was made in Britain the magazine was published for North America . It

22910-444: Was considered a testing ground to determine if a character or concept could attract enough readers to justify launching their own series. The four issues were considered a success, and so eventually became a series beginning in 1984, titled simply Doctor Who . Again, these were reprints were from DWM , and began soon after where Marvel Premiere left off (skipping a two part strip, perhaps appropriately titled "Timeslip" [issues 17–18],

23068-413: Was due to be released on 15 August 2019 as part of the bureau's batch of Consumer Magazines figures for that period. However, for the first time since August 2010 no official data was published, after the magazine changed its reporting frequency to annually. The average circulation figure per issue for the 13 editions between January and December 2019, subsequently published by the bureau on 13 February 2020,

23226-588: Was in the form of video showings of popular anime, untranslated and often low quality VHS bootlegs. Starting in the 1990s, anime fans began organizing conventions. These quickly grew to sizes much larger than other science fiction and media conventions in the same communities; many cities now have anime conventions attracting five to ten thousand attendees. Many anime conventions are a hybrid between non-profit and commercial events, with volunteer organizers handling large revenue streams and dealing with commercial suppliers and professional marketing campaigns. For decades,

23384-600: Was later revealed that the writer of the column had been Nicholas Pegg , an occasional writer for the magazine and one of the Dalek operators on the television series. BBC Worldwide had told the Daily Mirror that "The matter was raised with the publisher who have dismissed the writer." Private Eye later reported that editor Tom Spilsbury 's decision to leave the magazine stemmed from "falling-out" with BBC Wales over DWM's coverage of Doctor Who spin-off Class , and that he

23542-479: Was likely what helped Ace in moving past the feelings of betrayal she sometimes felt towards the Doctor, particularly as he genuinely had her best interests at heart. In fact, while he appeared to be an unassuming figure, fond of performing magic tricks and displaying notable showmanship, the Seventh Doctor was actually quite powerful and calculating, for he would use his friends and foes alike as pawns in his elaborate chess game against "evil". As Ace herself put it, he

23700-400: Was made for issue 397 (June 2008) when the cover featured only the words Bad Wolf , following transmission of the Doctor Who episode " Turn Left " on Saturday 21 June. Despite the BBC discontinuing production of Doctor Who in 1989, the magazine continued to be published, providing new adventures in the form of comics. In 1990 the magazine started appearing once every four weeks (13 times

23858-608: Was produced by the CBC as early as the 1950s. In the 1970s, CTV produced The Starlost . In the 1980s, Canadian animation studios including Nelvana , began producing a growing proportion of the world market in animation. In the 1990s, Canada became an important player in live action speculative fiction on television, with dozens of series like Forever Knight , Robocop , and most notably The X-Files and Stargate SG-1 . Many series have been produced for youth and children's markets, including Deepwater Black and MythQuest . In

24016-427: Was released on Thursday 11 October with a cover date of 17 October and priced 12 pence. The magazine moved from weekly to monthly publication with issue 44 in September 1980, becoming Doctor Who – A Marvel Monthly with a cover price of 30 pence – although the tagline was not part of the name, but simply a descriptor which appeared on many of Marvel UK's monthly titles at that point. The indicia continued describing

24174-482: Was revealed to be 756 in The Ribos Operation (1978), and approximately half a century since Revelation of the Daleks (1985) in which the Sixth Doctor stated he was 900 years old. The later revival of the series, however, contradicts earlier episodes by establishing the Ninth Doctor as being 900 years old in " Aliens of London " (2005). The Seventh Doctor has the most profound change in attitude of any of

24332-597: Was set on their home planet of Mondas prior to the events of the television episode The Tenth Planet (1966). The TV Century 21 comic "The Daleks" was also resurrected for a short time in 1997 (12 March-30 July [issues 249–254]), drawn in the same style as the 1960s original and continuing the story from where it had left off by showing the Daleks attacking Earth. Other than this and since then, secondary and tertiary strips have been as rare as hen's teeth, and usually either one or two episodes. The DWM comic strips were all originally printed in black and white (except with

24490-531: Was shot in the middle of a gang shoot-out. He was taken to a hospital, where surgeons removed the bullets but mistook the Doctor's double heartbeat for fibrillation ; their attempt to save his life instead caused the Doctor to "die" with one last shocking scream. He is thus the only Doctor to have died at the (unwitting) hand of one of his own companions. Perhaps due to the anaesthesia, the Doctor did not regenerate immediately after death, unlike all previous occasions; he finally did so several hours later, while lying in

24648-476: Was the first editor since John Freeman (editor) to work on the publication with the show actually in production. Subsequent editor Tom Spilsbury took over in 2007, later launching the deluxe triannual Bookazine (running parallel to the Special Editions, and again still being produced to this day). Spilsbury would stay at the helm for a decade, becoming the longest-serving editor in the process, handing over

24806-401: Was the first series to use computer-generated imagery , or "CGI", for all exterior space scenes, even those with characters in space suits. The technology has made this more practical, so that today models are rarely used. In the 1990s, CGI required expensive processors and customized applications, but by the 2000s (decade), computing power has pushed capabilities down to personal laptops running

24964-463: Was used both in her education and in their adventures, as if he were the only one who should know all the answers and others should come to their own conclusions. At two points he even abused Ace's trust in him, once to develop her as a person and again to keep her alive (on both occasions, freeing her from the evil influences that had haunted her during her life), while on one of these adventures, he showed great difficulty in admitting his foreknowledge of

#558441