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96-439: " Disco Duck " is a satirical disco novelty song performed by Rick Dees and His Cast of Idiots. At the time, Dees was a Memphis disc jockey. It became a number-one hit on the Billboard Hot 100 for one week in October 1976 (and ranked #97 out of the 100 most popular songs of the year according to Billboard magazine). It also made the top 20 on the Billboard Hot Soul Singles chart, peaking at number 15. "Disco Duck"

192-417: A far more obviously extreme and unrealistic tale, involving interplanetary exploration, war among alien life forms, and life inside a 200 mile long whale back in the terrestrial ocean, all intended to make obvious the fallacies of books like Indica and The Odyssey . Medieval Arabic poetry included the satiric genre hija . Satire was introduced into Arabic prose literature by the author Al-Jahiz in

288-595: A friend for a book to understand Athenian society, referred him to the plays of Aristophanes . Historically, satire has satisfied the popular need to debunk and ridicule the leading figures in politics, economy, religion and other prominent realms of power . Satire confronts public discourse and the collective imaginary , playing as a public opinion counterweight to power (be it political, economic, religious, symbolic, or otherwise), by challenging leaders and authorities. For instance, it forces administrations to clarify, amend or establish their policies. Satire's job

384-560: A group of students were learning to dance disco-style. It was also featured in a deleted scene added to the PG-rated version. As it stands, Dees could have made an even more substantial amount of money from the song. According to Dees, his manager at the time made the extremely unwise decision to deny use of the song on the film's soundtrack album because of fears that it would compete with sales of Dees's own record. The Saturday Night Fever soundtrack has sold over 40 million copies worldwide, and

480-850: A means of expression and an outlet for common people to express their anger against authoritarian entities. A popular custom in Northern India of "Bura na mano Holi hai" continues, in which comedians on the stage mock local people of importance (who are usually brought in as special guests). Genre Critical discussion of genre perhaps began with a classification system for ancient Greek literature , as set out in Aristotle's Poetics . For Aristotle, poetry ( odes , epics , etc.), prose , and performance each had specific features that supported appropriate content of each genre. Speech patterns for comedy would not be appropriate for tragedy, for example, and even actors were restricted to their genre under

576-560: A noun enters the domain of metaphor, as one modern scholar has pointed out, it clamours for extension; and satura (which had had no verbal, adverbial, or adjectival forms) was immediately broadened by appropriation from the Greek word for "satyr" (satyros) and its derivatives. The odd result is that the English "satire" comes from the Latin satura; but "satirize", "satiric", etc., are of Greek origin. By about

672-632: A number of subgenres, for example by setting or subject, or a distinctive national style, for example in the Indian Bollywood musical. A music genre is a conventional category that identifies pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style , although in practice these terms are sometimes used interchangeably. There are numerous genres in Western classical music and popular music , as well as musical theatre and

768-411: A particular culture or community. The work of Georg Lukács also touches on the nature of literary genres , appearing separately but around the same time (1920s–1930s) as Bakhtin. Norman Fairclough has a similar concept of genre that emphasizes the social context of the text: Genres are "different ways of (inter)acting discoursally" (Fairclough, 2003: 26). A text's genre may be determined by its: In

864-621: A prominent role in Indian and Hindi literature , and is counted as one of the " ras " of literature in ancient books. With the commencement of printing of books in local language in the nineteenth century and especially after India's freedom, this grew. Many of the works of Tulsi Das , Kabir , Munshi Premchand , village minstrels, Hari katha singers, poets, Dalit singers and current day stand up Indian comedians incorporate satire, usually ridiculing authoritarians, fundamentalists and incompetent people in power. In India, it has usually been used as

960-481: A story, or allegorical personifications. They usually deal with subjects drawn from "everyday life". These are distinguished from staffage : incidental figures in what is primarily a landscape or architectural painting. "Genre" is also be used to refer to specialized types of art such as still-life , landscapes, marine paintings and animal paintings, or groups of artworks with other particular features in terms of subject-matter, style or iconography . The concept of

1056-531: A structured classification system of genre, as opposed to a more contemporary rhetorical model of genre. The basic genres of film can be regarded as drama, in the feature film and most cartoons , and documentary . Most dramatic feature films, especially from Hollywood fall fairly comfortably into one of a long list of film genres such as the Western , war film , horror film , romantic comedy film , musical , crime film , and many others. Many of these genres have

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1152-510: A viable mode. He then uses two additional criteria to distinguish the system. The first of the criteria is the object to be imitated, whether superior or inferior. The second criterion is the medium of presentation: words, gestures, or verse. Essentially, the three categories of mode , object , and medium can be visualized along an XYZ axis. Excluding the criteria of medium, Aristotle's system distinguished four types of classical genres: tragedy , epic , comedy , and parody . Genette explained

1248-415: Is an apotropaic rite in which the sin-eater (also called filth-eater), by ingesting the food provided, takes "upon himself the sins of the departed". Satire about death overlaps with black humor and gallows humor . Another classification by topics is the distinction between political satire, religious satire and satire of manners. Political satire is sometimes called topical satire, satire of manners

1344-592: Is an enclave in which satire can be introduced into mass media , challenging mainstream discourse. Comedy roasts , mock festivals, and stand-up comedians in nightclubs and concerts are the modern forms of ancient satiric rituals. One of the earliest examples of what might be called satire, The Satire of the Trades , is in Egyptian writing from the beginning of the 2nd millennium BC. The text's apparent readers are students, tired of studying. It argues that their lot as scribes

1440-505: Is common in modern society. A Horatian satirist's goal is to heal the situation with smiles, rather than by anger. Horatian satire is a gentle reminder to take life less seriously and evokes a wry smile. Juvenalian satire, named for the writings of the Roman satirist Juvenal (late first century – early second century AD), is more contemptuous and abrasive than the Horatian. Juvenal disagreed with

1536-515: Is found in many artistic forms of expression, including internet memes, literature, plays, commentary, music , film and television shows, and media such as lyrics. The word satire comes from the Latin word satur and the subsequent phrase lanx satura . Satur meant "full", but the juxtaposition with lanx shifted the meaning to "miscellany or medley": the expression lanx satura literally means "a full dish of various kinds of fruits". The use of

1632-446: Is further subdivided into epic , lyric , and drama . The divisions are recognized as being set by Aristotle and Plato ; however, they were not the only ones. Many genre theorists added to these accepted forms of poetry . The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle . Gérard Genette explains his interpretation of the history of genre in "The Architext". He described Plato as

1728-521: Is met or not. Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites. Inversely, audiences may call out for change in an antecedent genre and create an entirely new genre. The term may be used in categorizing web pages , like "news page" and "fan page", with both very different layout, audience, and intention (Rosso, 2008). Some search engines like Vivísimo try to group found web pages into automated categories in an attempt to show various genres

1824-575: Is not an essential component of satire; in fact, there are types of satire that are not meant to be "funny" at all. Conversely, not all humour, even on such topics as politics, religion or art is necessarily "satirical", even when it uses the satirical tools of irony, parody, and burlesque . Even light-hearted satire has a serious "after-taste": the organizers of the Ig Nobel Prize describe this as "first make people laugh, and then make them think". Satire and irony in some cases have been regarded as

1920-406: Is not only useful, but far superior to that of the ordinary man. Scholars such as Helck think that the context was meant to be serious. The Papyrus Anastasi I (late 2nd millennium BC) contains a satirical letter which first praises the virtues of its recipient, but then mocks the reader's meagre knowledge and achievements. The Greeks had no word for what later would be called "satire", although

2016-407: Is often applied, sometimes rather loosely, to other media with an artistic element, such as video game genres . Genre, and numerous minutely divided subgenres, affect popular culture very significantly, not least as they are used to classify it for publicity purposes. The vastly increased output of popular culture in the age of electronic media encourages dividing cultural products by genre to simplify

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2112-453: Is often pessimistic, characterized by the use of irony, sarcasm, moral indignation and personal invective, with less emphasis on humor. Strongly polarized political satire can often be classified as Juvenalian. A Juvenal satirist's goal is generally to provoke some sort of political or societal change because he sees his opponent or object as evil or harmful. A Juvenal satirist mocks "societal structure, power, and civilization" by exaggerating

2208-460: Is sometimes called satire of everyday life, and religious satire is sometimes called philosophical satire. Comedy of manners , sometimes also called satire of manners, criticizes mode of life of common people; political satire aims at behavior, manners of politicians, and vices of political systems. Historically, comedy of manners, which first appeared in British theater in 1620, has uncritically accepted

2304-427: Is strong irony or sarcasm —"in satire, irony is militant ", according to literary critic Northrop Frye — but parody , burlesque , exaggeration , juxtaposition , comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire

2400-552: Is the reactionary side of the comic ; it limits itself to a shallow parody of physical appearance. The side-effect of teasing is that it humanizes and draws sympathy for the powerful individual towards which it is directed. Satire instead uses the comic to go against power and its oppressions, has a subversive character, and a moral dimension which draws judgement against its targets. Fo formulated an operational criterion to tell real satire from sfottò , saying that real satire arouses an outraged and violent reaction, and that

2496-574: Is the first to define this concept of Yuyan. During the Qin and Han dynasty, however, the concept of yuyan mostly died out through their heavy persecution of dissent and literary circles, especially by Qin Shi Huang and Han Wudi . The first Roman to discuss satire critically was Quintilian , who invented the term to describe the writings of Gaius Lucilius . The two most prominent and influential ancient Roman satirists are Horace and Juvenal , who wrote during

2592-517: Is the second best-selling soundtrack of all time. Irwin the Disco Duck , also called Irwin the Dynamic Duck, a fictional character who was featured on a series of children's records from Peter Pan Records , was inspired by this record. Shipments figures based on certification alone. Satire Satire is a genre of the visual , literary , and performing arts , usually in

2688-405: Is to expose problems and contradictions, and it is not obligated to solve them. Karl Kraus set in the history of satire a prominent example of a satirist role as confronting public discourse. For its nature and social role, satire has enjoyed in many societies a special freedom license to mock prominent individuals and institutions. The satiric impulse, and its ritualized expressions, carry out

2784-612: The Early Middle Ages , examples of satire were the songs by Goliards or vagants now best known as an anthology called Carmina Burana and made famous as texts of a composition by the 20th-century composer Carl Orff . Satirical poetry is believed to have been popular, although little has survived. With the advent of the High Middle Ages and the birth of modern vernacular literature in the 12th century, it began to be used again, most notably by Chaucer . The disrespectful manner

2880-511: The Renaissance period. According to Green, "Beethoven's Op. 61 and Mendelssohn's Op. 64 are identical in genre – both are violin concertos – but different in form. However, Mozart's Rondo for Piano, K. 511 , and the Agnus Dei from his Mass, K. 317 are quite different in genre but happen to be similar in form." Some, like Peter van der Merwe , treat the terms genre and style as

2976-681: The Renaissance were Giovanni Boccaccio and François Rabelais . Other examples of Renaissance satire include Till Eulenspiegel , Reynard the Fox , Sebastian Brant 's Narrenschiff (1494), Erasmus 's Moriae Encomium (1509), Thomas More 's Utopia (1516), and Carajicomedia (1519). The Elizabethan (i.e. 16th-century English) writers thought of satire as related to the notoriously rude, coarse and sharp satyr play. Elizabethan "satire" (typically in pamphlet form) therefore contains more straightforward abuse than subtle irony. The French Huguenot Isaac Casaubon pointed out in 1605 that satire in

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3072-556: The Resaleh-ye Delgosha , as well as Akhlaq al-Ashraf ("Ethics of the Aristocracy") and the famous humorous fable Masnavi Mush-O-Gorbeh (Mouse and Cat), which was a political satire. His non-satirical serious classical verses have also been regarded as very well written, in league with the other great works of Persian literature . Between 1905 and 1911, Bibi Khatoon Astarabadi and other Iranian writers wrote notable satires. In

3168-663: The Sharia " and later Arabic poets in turn using the term "Farazdaq-like" as a form of political satire. The terms " comedy " and "satire" became synonymous after Aristotle 's Poetics was translated into Arabic in the medieval Islamic world , where it was elaborated upon by Islamic philosophers and writers, such as Abu Bischr, his pupil Al-Farabi , Avicenna , and Averroes . Due to cultural differences, they disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply

3264-527: The " hierarchy of genres " was a powerful one in artistic theory, especially between the 17th and 19th centuries. It was strongest in France, where it was associated with the Académie française which held a central role in academic art . The genres, which were mainly applied to painting, in hierarchical order are: The hierarchy was based on a distinction between art that made an intellectual effort to "render visible

3360-624: The "art of reprehension", and made no reference to light and cheerful events, or troubled beginnings and happy endings, associated with classical Greek comedy. After the Latin translations of the 12th century , the term "comedy" thus gained a new semantic meaning in Medieval literature . Ubayd Zakani introduced satire in Persian literature during the 14th century. His work is noted for its satire and obscene verses, often political or bawdy, and often cited in debates involving homosexual practices. He wrote

3456-461: The 4th century AD the writer of satires came to be known as satyricus; St. Jerome, for example, was called by one of his enemies 'a satirist in prose' ('satyricus scriptor in prosa'). Subsequent orthographic modifications obscured the Latin origin of the word satire: satura becomes satyra, and in England, by the 16th century, it was written 'satyre.' The word satire derives from satura , and its origin

3552-450: The 9th century. While dealing with serious topics in what are now known as anthropology , sociology and psychology , he introduced a satirical approach, "based on the premise that, however serious the subject under review, it could be made more interesting and thus achieve greater effect, if only one leavened the lump of solemnity by the insertion of a few amusing anecdotes or by the throwing out of some witty or paradoxical observations. He

3648-420: The Roman fashion was something altogether more civilised. Casaubon discovered and published Quintilian's writing and presented the original meaning of the term (satira, not satyr), and the sense of wittiness (reflecting the "dishfull of fruits") became more important again. Seventeenth-century English satire once again aimed at the "amendment of vices" ( Dryden ). In the 1590s a new wave of verse satire broke with

3744-450: The aim of humanizing his image. Types of satire can also be classified according to the topics it deals with. From the earliest times, at least since the plays of Aristophanes , the primary topics of literary satire have been politics , religion and sex . This is partly because these are the most pressing problems that affect anybody living in a society, and partly because these topics are usually taboo . Among these, politics in

3840-456: The assumption that a type of person could tell one type of story best. Genres proliferate and develop beyond Aristotle's classifications— in response to changes in audiences and creators. Genre has become a dynamic tool to help the public make sense out of unpredictability through artistic expression. Given that art is often a response to a social state, in that people write, paint, sing, dance, and otherwise produce art about what they know about,

3936-416: The broader sense is considered the pre-eminent topic of satire. Satire which targets the clergy is a type of political satire , while religious satire is that which targets religious beliefs . Satire on sex may overlap with blue comedy , off-color humor and dick jokes . Scatology has a long literary association with satire, as it is a classical mode of the grotesque , the grotesque body and

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4032-484: The closely related concept of "genre ecologies". Reiff and Bawarshi define genre analysis as a critical reading of people's patterns of communication in different situations. This tradition has had implications for the teaching of writing in American colleges and universities. Combining rhetorical genre theory with activity theory , David Russell has proposed that standard English composition courses are ill-suited to teach

4128-418: The creator of three imitational, mimetic genres distinguished by mode of imitation rather than content. These three imitational genres include dramatic dialogue, the drama ; pure narrative, the dithyramb ; and a mixture of the two, the epic . Plato excluded lyric poetry as a non-mimetic, imitational mode. Genette further discussed how Aristotle revised Plato's system by first eliminating the pure narrative as

4224-439: The dominant opinions and "philosophical beliefs of ancient Rome and Greece". Rather than writing in harsh or accusing tones, he addressed issues with humor and clever mockery. Horatian satire follows this same pattern of "gently [ridiculing] the absurdities and follies of human beings". It directs wit, exaggeration, and self-deprecating humour toward what it identifies as folly, rather than evil. Horatian satire's sympathetic tone

4320-516: The early days of the Roman Empire . Other important satirists in ancient Latin are Gaius Lucilius and Persius . Satire in their work is much wider than in the modern sense of the word, including fantastic and highly coloured humorous writing with little or no real mocking intent. When Horace criticized Augustus , he used veiled ironic terms. In contrast, Pliny reports that the 6th-century-BC poet Hipponax wrote satirae that were so cruel that

4416-483: The early modern period. The dutch translation Van den vos Reynaerde is considered a major medieval dutch literary work. In the dutch version De Vries argues that the animal characters represent barons who conspired against the Count of Flanders. Direct social commentary via satire returned in the 16th century, when texts such as the works of François Rabelais tackled more serious issues. Two major satirists of Europe in

4512-510: The fashion was brought to an abrupt stop by censorship. Another satiric genre to emerge around this time was the satirical almanac , with François Rabelais 's work Pantagrueline Prognostication (1532), which mocked astrological predictions. The strategies François utilized within this work were employed by later satirical almanacs, such as the Poor Robin series that spanned the 17th to 19th centuries. Satire ( Kataksh or Vyang ) has played

4608-948: The field of rhetoric , genre theorists usually understand genres as types of actions rather than types or forms of texts. On this perspective, texts are channels through which genres are enacted. Carolyn Miller's work has been especially important for this perspective. Drawing on Lloyd Bitzer 's concept of rhetorical situation, Miller reasons that recurring rhetorical problems tend to elicit recurring responses; drawing on Alfred Schütz , she reasons that these recurring responses become "typified" – that is, socially constructed as recognizable types. Miller argues that these "typified rhetorical actions" (p. 151) are properly understood as genres. Building off of Miller, Charles Bazerman and Clay Spinuzzi have argued that genres understood as actions derive their meaning from other genres – that is, other actions. Bazerman therefore proposes that we analyze genres in terms of "genre systems", while Spinuzzi prefers

4704-591: The form of anecdotes that made fun of Soviet political leaders, especially Brezhnev , famous for his narrow-mindedness and love for awards and decorations. Satire is a diverse genre which is complex to classify and define, with a wide range of satiric "modes". Satirical literature can commonly be categorized as either Horatian, Juvenalian, or Menippean . Horatian satire, named for the Roman satirist Horace (65–8 BCE), playfully criticizes some social vice through gentle, mild, and light-hearted humour. Horace (Quintus Horatius Flaccus) wrote Satires to gently ridicule

4800-496: The form of fiction and less frequently non-fiction , in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism , using wit to draw attention to both particular and wider issues in society. A prominent feature of satire

4896-593: The fourth and final type of Greek literature , was excluded by Plato as a non-mimetic mode. Aristotle later revised Plato's system by eliminating the pure narrative as a viable mode and distinguishing by two additional criteria: the object to be imitated, as objects could be either superior or inferior, and the medium of presentation such as words, gestures or verse. Essentially, the three categories of mode, object, and medium dialogue, epic (superior-mixed narrative), comedy (inferior-dramatic dialogue), and parody (inferior-mixed narrative). Genette continues by explaining

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4992-419: The function of resolving social tension. Institutions like the ritual clowns , by giving expression to the antisocial tendencies , represent a safety valve which re-establishes equilibrium and health in the collective imaginary , which are jeopardized by the repressive aspects of society . The state of political satire in a given society reflects the tolerance or intolerance that characterizes it, and

5088-401: The genres prose or poetry , which shows best how loosely genres are defined. Additionally, a genre such as satire might appear in any of the above, not only as a subgenre but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. In popular fiction , which is especially divided by genres, genre fiction is

5184-492: The genres that students will write in other contexts across the university and beyond. Elizabeth Wardle contends that standard composition courses do teach genres, but that these are inauthentic "mutt genres" that are often of little use outside composition courses. Genre is effective as a tool in rhetoric because it allows a speaker to set the context for a rhetorical discussion. Devitt, Reiff, and Bawarshi suggest that rhetorical genres may be assigned based on careful analysis of

5280-573: The integration of lyric poetry into the classical system by replacing the removed pure narrative mode. Lyric poetry , once considered non-mimetic, was deemed to imitate feelings, becoming the third "Architext", a term coined by Gennette, of a new long-enduring tripartite system: lyrical; epical, the mixed narrative; and dramatic, the dialogue. This new system that came to "dominate all the literary theory of German romanticism " (Genette 38) has seen numerous attempts at expansion and revision. Such attempts include Friedrich Schlegel 's triad of subjective form,

5376-598: The larger community the self identifies with. The audience's understanding of the context of reflexive humour is important for its receptivity and success. Satire is found not only in written literary forms. In preliterate cultures it manifests itself in ritual and folk forms, as well as in trickster tales and oral poetry . It appears also in graphic arts, music, sculpture, dance, cartoon strips , and graffiti . Examples are Dada sculptures, Pop Art works, music of Gilbert and Sullivan and Erik Satie , punk and rock music . In modern media culture , stand-up comedy

5472-520: The later integration of lyric poetry into the classical system during the romantic period , replacing the now removed pure narrative mode. Lyric poetry, once considered non-mimetic, was deemed to imitate feelings, becoming the third leg of a new tripartite system: lyrical, epical, and dramatic dialogue. This system, which came to "dominate all the literary theory of German romanticism (and therefore well beyond)…" (38), has seen numerous attempts at expansion or revision. However, more ambitious efforts to expand

5568-496: The lyric; objective form, the dramatic; and subjective-objective form, the epic. However, more ambitious efforts to expand the tripartite system resulted in new taxonomic systems of increasing complexity. Gennette reflected upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to most of those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings

5664-725: The more they try to stop you, the better is the job you are doing. Fo contends that, historically, people in positions of power have welcomed and encouraged good-humoured buffoonery, while modern day people in positions of power have tried to censor, ostracize and repress satire. Teasing ( sfottò ) is an ancient form of simple buffoonery , a form of comedy without satire's subversive edge. Teasing includes light and affectionate parody, good-humoured mockery, simple one-dimensional poking fun, and benign spoofs. Teasing typically consists of an impersonation of someone monkeying around with his exterior attributes, tics , physical blemishes, voice and mannerisms, quirks, way of dressing and walking, and/or

5760-510: The more usual term. In literature , genre has been known as an intangible taxonomy . This taxonomy implies a concept of containment or that an idea will be stable forever. The earliest recorded systems of genre in Western history can be traced back to Plato and Aristotle. Gérard Genette , a French literary theorist and author of The Architext , describes Plato as creating three Imitational genres: dramatic dialogue, pure narrative, and epic (a mixture of dialogue and narrative). Lyric poetry ,

5856-438: The most effective source to understand a society, the oldest form of social study. They provide the keenest insights into a group's collective psyche , reveal its deepest values and tastes, and the society's structures of power. Some authors have regarded satire as superior to non-comic and non-artistic disciplines like history or anthropology . In a prominent example from ancient Greece , philosopher Plato , when asked by

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5952-841: The music of non-Western cultures. The term is now perhaps over-used to describe relatively small differences in musical style in modern rock music , that also may reflect sociological differences in their audiences. Timothy Laurie suggests that in the context of rock and pop music studies, the "appeal of genre criticism is that it makes narratives out of musical worlds that often seem to lack them". Music can be divided into different genres in several ways. The artistic nature of music means that these classifications are often arbitrary and controversial, and some genres may overlap. There are several academic approaches to genres. In his book Form in Tonal Music , Douglass M. Green lists madrigal , motet , canzona , ricercar , and dance as examples of genres from

6048-410: The offended hanged themselves. In the 2nd century AD, Lucian wrote True History , a book satirizing the clearly unrealistic travelogues/adventures written by Ctesias , Iambulus , and Homer . He states that he was surprised they expected people to believe their lies, and stating that he, like them, has no actual knowledge or experience, but shall now tell lies as if he did. He goes on to describe

6144-671: The opinions of the public figures and institutions of the Republic and actively attacked them through his literature. "He utilized the satirical tools of exaggeration and parody to make his targets appear monstrous and incompetent". Juvenal's satire follows this same pattern of abrasively ridiculing societal structures. Juvenal also, unlike Horace, attacked public officials and governmental organizations through his satires, regarding their opinions as not just wrong, but evil. Following in this tradition, Juvenalian satire addresses perceived social evil through scorn, outrage, and savage ridicule. This form

6240-410: The other. Max Eastman defined the spectrum of satire in terms of "degrees of biting", as ranging from satire proper at the hot-end, and "kidding" at the violet-end; Eastman adopted the term kidding to denote what is just satirical in form, but is not really firing at the target. Nobel laureate satirical playwright Dario Fo pointed out the difference between satire and teasing ( sfottò ). Teasing

6336-477: The phrases he typically repeats. By contrast, teasing never touches on the core issue, never makes a serious criticism judging the target with irony ; it never harms the target's conduct, ideology and position of power; it never undermines the perception of his morality and cultural dimension. Sfottò directed towards a powerful individual makes him appear more human and draws sympathy towards him. Hermann Göring propagated jests and jokes against himself, with

6432-543: The publication of Hall 's Virgidemiarum , six books of verse satires targeting everything from literary fads to corrupt noblemen. Although Donne had already circulated satires in manuscript, Hall's was the first real attempt in English at verse satire on the Juvenalian model. The success of his work combined with a national mood of disillusion in the last years of Elizabeth's reign triggered an avalanche of satire—much of it less conscious of classical models than Hall's — until

6528-696: The room is now doing his dance. "Disco Duck" became a nationwide hit in the United States by September 1976. On the Billboard Hot 100 singles chart, it peaked at number one on October 16, 1976, for one week, held the number-two spot for the following four weeks and remained in the Top 10 for a total of 10 weeks. The single sold over 4 million copies and won a People's Choice Award . For all its success, "Disco Duck" got very little airplay in Memphis, including at WMPS ,

6624-431: The same, saying that genre should be defined as pieces of music that share a certain style or "basic musical language". Others, such as Allan F. Moore, state that genre and style are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres. A music genre or subgenre may be defined by the musical techniques , the styles, the context, and content and spirit of

6720-492: The satiric grotesque. Shit plays a fundamental role in satire because it symbolizes death , the turd being "the ultimate dead object". The satirical comparison of individuals or institutions with human excrement , exposes their "inherent inertness, corruption and dead-likeness". The ritual clowns of clown societies , like among the Pueblo Indians , have ceremonies with filth-eating . In other cultures, sin-eating

6816-614: The search for products by consumers, a trend the Internet has only intensified. In philosophy of language , genre figures prominently in the works of philosopher and literary scholar Mikhail Bakhtin . Bakhtin's basic observations were of "speech genres" (the idea of heteroglossia ), modes of speaking or writing that people learn to mimic, weave together, and manipulate (such as "formal letter" and "grocery list", or "university lecture" and "personal anecdote"). In this sense, genres are socially specified: recognized and defined (often informally) by

6912-429: The search hits might fit. A subgenre is a subordinate within a genre, Two stories being the same genre can still sometimes differ in subgenre. For example, if a fantasy story has darker and more frightening elements of fantasy, it would belong in the subgenre of dark fantasy ; whereas another fantasy story that features magic swords and wizards would belong to the subgenre of sword and sorcery . A microgenre

7008-489: The social code of the upper classes. Comedy in general accepts the rules of the social game, while satire subverts them. Another analysis of satire is the spectrum of his possible tones : wit , ridicule , irony , sarcasm , cynicism , the sardonic and invective . The type of humour that deals with creating laughter at the expense of the person telling the joke is called reflexive humour. Reflexive humour can take place at dual levels of directing humour at self or at

7104-438: The song, but three months to convince anyone to perform it. Combining orchestral disco styles with a Donald Duck –esque voice (actually that of Yakky Doodle ) as the main plot point, the story within "Disco Duck" centers on a man at a dance party who is overcome by the urge to get up and "get down" in a duck-like manner. When the music stops, he sits down, but when he decides to get up and dance again, he finds that everyone in

7200-557: The state of civil liberties and human rights . Under totalitarian regimes any criticism of a political system, and especially satire, is suppressed. A typical example is the Soviet Union where the dissidents , such as Aleksandr Solzhenitsyn and Andrei Sakharov were under strong pressure from the government. While satire of everyday life in the USSR was allowed, the most prominent satirist being Arkady Raikin , political satire existed in

7296-447: The station Dees worked for at the time; Dees was forbidden by station management to play the record on his own show, and rival stations refused to play it for fear of promoting the competition. When Dees merely mentioned the song on his show one morning, WMPS management fired him citing conflict of interest . After a brief mandatory hiatus, Dees was hired on at WMPS' primary competition, WHBQ , who gave him permission to play his song. By

7392-534: The subject matter and consideration of the audience. Genre is related to Ludwig Wittgenstein's theory of Family resemblance in which he describes how genres act like a family tree, where members of a family are related, but not exact copies of one another. This concept of genre originated from the classification systems created by Plato . Plato divided literature into the three classic genres accepted in Ancient Greece : poetry , drama , and prose . Poetry

7488-557: The terms cynicism and parody were used. Modern critics call the Greek playwright Aristophanes one of the best known early satirists: his plays are known for their critical political and societal commentary , particularly for the political satire by which he criticized the powerful Cleon (as in The Knights ). He is also notable for the persecution he underwent. Aristophanes' plays turned upon images of filth and disease. His bawdy style

7584-623: The themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Several music scholars have criticized the priority accorded to genre-based communities and listening practices. For example, Laurie argues that "music genres do not belong to isolated, self-sufficient communities. People constantly move between environments where diverse forms of music are heard, advertised and accessorised with distinctive iconographies, narratives and celebrity identities that also touch on non-musical worlds." The concept of genre

7680-436: The time "Disco Duck" had become a hit, Dees and his "Idiots" started making the rounds of the popular TV music shows to promote the record. On American Bandstand (and similar shows), Dees lip-synched to the recording, alone on stage with puppeteer Rickey Provow animating a duck puppet that he had made. This appearance was never seen in the Memphis area due to then-ABC affiliate WHBQ-TV pre-empting Bandstand for wrestling at

7776-456: The time and for the aforementioned Memphis radio avoidance reasons. But when Dees appeared on The Midnight Special and went on a live tour along the East Coast , he hired a band, backing singers and a commercial artist, Michael Chesney, to perform the duck vocals, and they did everything live. "Disco Duck" made an appearance in the film Saturday Night Fever , in a dance club scene in which

7872-456: The tripartite system resulted in new taxonomic systems of increasing scope and complexity. Genette reflects upon these various systems, comparing them to the original tripartite arrangement: "its structure is somewhat superior to…those that have come after, fundamentally flawed as they are by their inclusive and hierarchical taxonomy, which each time immediately brings the whole game to a standstill and produces an impasse" (74). Taxonomy allows for

7968-947: The universal essence of things" ( imitare in Italian) and that which merely consisted of "mechanical copying of particular appearances" ( ritrarre ). Idealism was privileged over realism in line with Renaissance Neo-Platonist philosophy. A literary genre is a category of literary composition. Genres may be determined by literary technique , tone , content , or even (as in the case of fiction) length. Genre should not be confused with age category, by which literature may be classified as either adult, young adult , or children's . They also must not be confused with format, such as graphic novel or picture book. The distinctions between genres and categories are flexible and loosely defined, often with subgroups. The most general genres in literature are (in loose chronological order) epic , tragedy , comedy , novel , and short story . They can all be in

8064-414: The use of genre as a tool must be able to adapt to changing meanings. The term genre is much used in the history and criticism of visual art, but in art history has meanings that overlap rather confusingly. Genre painting is a term for paintings where the main subject features human figures to whom no specific identity attaches – in other words, figures are not portraits, characters from

8160-534: The way it is called in Chinese, goes back at least to Confucius , being mentioned in the Book of Odes (Shijing 詩經). It meant "to criticize by means of an ode". In the pre-Qin era it was also common for schools of thought to clarify their views through the use of short explanatory anecdotes, also called yuyan (寓言), translated as "entrusted words". These yuyan usually were brimming with satirical content. The Daoist text Zhuangzi

8256-399: The whole game to a standstill and produces an impasse". Although genres are not always precisely definable, genre considerations are one of the most important factors in determining what a person will see or read. The classification properties of genre can attract or repel potential users depending on the individual's understanding of a genre. Genre creates an expectation in that expectation

8352-432: The word lanx in this phrase, however, is disputed by B.L. Ullman. The word satura as used by Quintilian , however, was used to denote only Roman verse satire, a strict genre that imposed hexameter form, a narrower genre than what would be later intended as satire . Quintilian famously said that satura, that is a satire in hexameter verses, was a literary genre of wholly Roman origin ( satura tota nostra est ). He

8448-461: The words or position of his opponent in order to jeopardize their opponent's reputation and/or power. Jonathan Swift has been established as an author who "borrowed heavily from Juvenal's techniques in [his critique] of contemporary English society". In the history of theatre there has always been a conflict between engagement and disengagement on politics and relevant issue, between satire and grotesque on one side, and jest with teasing on

8544-406: The work Reynard the Fox , written by Willem die Madoc maecte, and its translations were a popular work that satirized the class system at the time. Representing the various classes as certain anthropomorphic animals. As example, the lion in the story represents the nobility, which is portrayed as being weak and without character, but very greedy. Versions of Reynard the Fox were also popular well into

8640-561: Was adopted by Greek dramatist-comedian Menander . His early play Drunkenness contains an attack on the politician Callimedon . The oldest form of satire still in use is the Menippean satire by Menippus of Gadara . His own writings are lost. Examples from his admirers and imitators mix seriousness and mockery in dialogues and present parodies before a background of diatribe . As in the case of Aristophanes plays, menippean satire turned upon images of filth and disease. Satire, or fengci (諷刺)

8736-605: Was an Arabian Nights tale called "Ali with the Large Member". In the 10th century, the writer Tha'alibi recorded satirical poetry written by the Arabic poets As-Salami and Abu Dulaf, with As-Salami praising Abu Dulaf's wide breadth of knowledge and then mocking his ability in all these subjects, and with Abu Dulaf responding back and satirizing As-Salami in return. An example of Arabic political satire included another 10th-century poet Jarir satirizing Farazdaq as "a transgressor of

8832-412: Was aware of and commented on Greek satire, but at the time did not label it as such, although today the origin of satire is considered to be Aristophanes' Old Comedy . The first critic to use the term satire in the modern broader sense was Apuleius . To Quintilian, the satire was a strict literary form, but the term soon escaped from the original narrow definition. Robert Elliott writes: As soon as

8928-453: Was considered "unchristian" and ignored, except for the moral satire , which mocked misbehaviour in Christian terms. Examples are Livre des Manières by Étienne de Fougères  [ fr ] (~1178), and some of Chaucer's Canterbury Tales . Sometimes epic poetry (epos) was mocked, and even feudal society, but there was hardly a general interest in the genre. In the High Middle Ages

9024-419: Was initially released in the south by Estelle Axton 's Fretone label, but it was later released by RSO Records for national and international distribution. The song earned a 1977 People's Choice Award for Favorite New Song. Written by Dees, "Disco Duck" was inspired by a 1960s novelty dance song called " The Duck ", recorded by Jackie Lee ( Earl Lee Nelson ) in 1965. According to Dees, it took one day to write

9120-418: Was not influenced by the Greek mythological figure of the satyr . In the 17th century, philologist Isaac Casaubon was the first to dispute the etymology of satire from satyr, contrary to the belief up to that time. The rules of satire are such that it must do more than make you laugh. No matter how amusing it is, it doesn't count unless you find yourself wincing a little even as you chuckle. Laughter

9216-443: Was well aware that, in treating of new themes in his prose works, he would have to employ a vocabulary of a nature more familiar in hija , satirical poetry." For example, in one of his zoological works, he satirized the preference for longer human penis size , writing: "If the length of the penis were a sign of honor, then the mule would belong to the (honorable tribe of) Quraysh ". Another satirical story based on this preference

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