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Deathray

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Deathray (1998–2007) was a band from Sacramento , California , formed by former Cake members Greg Brown and Victor Damiani , and Dana Gumbiner, a musician formerly of the Sacramento indie band Little Guilt Shrine.

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45-450: After leaving Cake, Brown and bassist Victor Damiani met up with Gumbiner, who was playing solo shows under a variety of names, most notably The Micronauts. The three recruited multi-talented rock and jazz drummer James Neil and keyboardist Max Hart to form Deathray. After selling over 3,000 copies of their EP , Deathray was signed to Capricorn Records . Their self-titled debut album was produced by Eric Valentine and released in 2000. While

90-476: A mini album ( Korean :  미니앨범 ) is a promotional term for a release that having less budget, synonym of extended play . A release that having expensive budget (excluding music video production cost) is called "full album", synonym of studio album . Actual mini-LP is also called a full album, although only having 6-7 tracks. For example, Face by Jimin . This is also applied to Japanese releases by South Korea artists. In some cases, artists have used

135-637: A New World LP on an EP that was marked "Part 1". A second EP was planned, but never appeared; only the sleeve was printed. The first double EP released in Britain was the Beatles ' Magical Mystery Tour film soundtrack. Released in December 1967 on EMI's Parlophone label, it contained six songs spread over two 7-inch discs and was packaged with a lavish color booklet. In the United States and some other countries,

180-405: A double EP could usually be more economically and sensibly recorded on a single vinyl LP . In the 1950s, Capitol Records had released a number of double EPs by its more popular artists, including Les Paul . The pair of double EPs (EBF 1–577, sides 1 to 8) were described on the original covers as "parts ... of a four-part album". In 1960, Joe Meek released four tracks from his planned I Hear

225-528: A further album in this format, 1985's " Drinking Gasoline ", on the Virgin Records label. Double EPs can also contain the work of multiple artists split across different sides, akin to split albums . An example of this is the Dunedin Double EP, which contains tracks by four different bands. Using a double EP in this instance allowed each band to have its tracks occupying a different side. In addition,

270-401: A pair of 7-inch discs recorded at 45 or 33 1 ⁄ 3 rpm , or two 12-inch discs recorded at 45 rpm. The format is useful when an album's worth of material is being pressed by a small plant geared for the production of singles rather than albums and may have novelty value which can be turned to advantage for publicity purposes. Double EPs are rare, since the amount of material record-able on

315-480: A single song, instead resembling a mini album. EPs of original material regained popularity in the punk rock era, when they were commonly used for the release of new material, e.g. Buzzcocks ' Spiral Scratch EP. Ricardo Baca of The Denver Post said in 2010, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." Contemporary EPs generally contain up to eight tracks. In

360-518: A slightly longer running length. A mini-LP is not to be confused with the Japanese CDs issued in a " mini LP sleeve " or "paper jacket". Its running time is shorter than the typical album but longer than a single album . It is sometimes synonymous with extended play, especially in East Asia music market. However, some music distributors may classify mini albums with 7 or more songs as an album. In

405-616: A small indie label run by the band's designer, Keara Fallon, and Deathray bassist, Victor Damiani, which they started when Capricorn Records collapsed. The genre is usually thought of as pop or post-punk . It has received generous college and radio airplay, making the charts in college radio. Drummer Michael Urbano guest appeared on the recording of the album. The Warhol-esque design was by label partner and band supporter, Keara Fallon. Deathray self-released their second album in 2005. Eric Valentine returned as producer. Todd Roper appeared on drums. Again, despite garnering critical acclaim, there

450-686: A specific type of 45 rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm long play (LP), but as of 2024 , also applies to mid-length CDs and downloads as well. EPs are considered "less expensive and time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop , they are usually referred to as mini-albums . EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records , were vertically cut 78 rpm discs known as "2-in-1" records. These had finer grooves than usual, like Edison Disc Records . By 1949, when

495-439: A standard 45 rpm phonograph . In the early era, record companies released the entire content of LPs as 45 rpm EPs. These were usually 10-inch (25-cm) LPs (released until the mid-1950s) split onto two 7-inch EPs or 12-inch (30-cm) LPs split onto three 7-inch EPs, either sold separately or together in gatefold covers. This practice became much less common with the advent of triple-speed-available phonographs. Introduced by RCA in

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540-410: A trilogy of three EPs, beginning with She Is Coming , stated: "By delivering a trio of EPs throughout a period of several months, Miley is giving her fans more of what they want, only in smaller doses. When an artist drops an album, they run the risk of it being forgotten in a few weeks, at which point they need to start work on the follow-up, while still promoting and touring their recent effort. Miley

585-478: Is doing her best to game the system by recording an album and delivering it to fans in pieces." However, this release strategy was later scrapped in favor of the conventional album release of Plastic Hearts . Major-label pop musicians who had previously employed such release strategies include Colbie Caillat with her fifth album Gypsy Heart (2014) being released following an EP of the album's first five tracks known as Gypsy Heart: Side A three months prior to

630-427: Is the mini-LP , which was a common album format in the 1980s. These generally contained 20–30 minutes of music and about seven tracks. A double extended play is a name typically given to vinyl records or compact discs released as a set of two discs, each of which would normally qualify as an EP. The name is thus analogous to double album . As vinyl records, the most common format for the double EP, they consist of

675-516: The Billboard 200 in 1984. Independent record labels often released mini-LPs by artists before releasing full-length albums. In 1987, 4AD took this approach with both Pixies Come on Pilgrim debut and the second album by Throwing Muses , The Fat Skier . In 1997, Aphex Twin released the Come to Daddy EP , which he considers to be an album/mini-album rather than an EP. It reached number 37 on

720-615: The Record Mirror also printed EP charts. The popularity of EPs in the US had declined in the early 1960s in favor of LPs. In the UK, Cliff Richard and the Shadows , both individually and collectively, and the Beatles were the most prolific artists issuing EPs in the 1960s, many of them highly successful releases. The Beatles' Twist and Shout outsold most singles for some weeks in 1963. The success of

765-513: The 10-inch Nu-Disk format in the early 1980s (an example being Cheap Trick 's 1980 release Found All the Parts ), but they found it difficult to merchandise, and 12-inch mini-LPs became more common. Notable mini-LPs of the early 1980s included U2 's Under a Blood Red Sky , which reached number 2 on the UK Albums Chart in 1983, and The Honeydrippers ' Volume 1 , which reached number 4 on

810-529: The 1950s. Examples are Elvis Presley's Love Me Tender from 1956 and "Just for You", " Peace in the Valley " and " Jailhouse Rock " from 1957, and the Kinks ' Kinksize Session from 1964. Twelve-inch EPs were similar, but generally had between three and five tracks and a length of over 12 minutes. Like seven-inch EPs, these were given titles. EP releases were also issued in cassette and 10-inch vinyl formats. With

855-511: The 1980s) were introduced in 1970, with tracks selected from an album and packaging resembling the album they were taken from. This mini-LP format also became popular in America in the early 1970s for promotional releases, and also for use in jukeboxes . In 2010, Warner Bros. Records revived the format with their "Six-Pak" offering of six songs on a compact disc. Due to the increased popularity of music downloads and music streaming beginning

900-521: The 45 rpm single and 33 1 ⁄ 3 rpm LP were competing formats, 7-inch 45 rpm singles had a maximum playing time of only about four minutes per side. Partly as an attempt to compete with the LP introduced in 1948 by rival Columbia , RCA Victor introduced "Extended Play" 45s during 1952 . Their narrower grooves, achieved by lowering the cutting levels and sound compression optionally, enabled them to hold up to 7.5 minutes per side—but still be played by

945-497: The EP in Britain lasted until around 1967, but it later had a strong revival with punk rock in the late 1970s and the adaptation of the format for 12-inch and CD singles. The British band Cocteau Twins made prolific use of the EP format, releasing ten EP's between 1982 and 1995. In the Philippines , seven-inch EPs marketed as " mini-LPs " (but distinctly different from the mini-LPs of

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990-627: The US Billboard Heatseekers Albums chart. In 2018, Kanye West spearheaded an effort to release five mini-albums from five different artists in five weeks. He led the release of Daytona by Pusha T , Ye by Kanye West, Kids See Ghosts by Kids See Ghosts (a project consisting of Kanye West and Kid Cudi ), K.T.S.E. by Teyana Taylor and Nasir by Nas . Other examples include King Crimson 's Vrooom (1994), Robyn's Body Talk Pt. 1 and Pt. 2 (2010), Young Ejecta 's The Planet (2015) and Yes ' From

1035-497: The US in 1952, EMI issued the first EPs in Britain in April 1954. EPs were typically compilations of singles or album samplers and were played at 45 rpm on 7-inch (18-cm) discs, with two songs on each side. The manufacturing price of an EP was a little more than that of a single. Thus, they were a bargain for those who did not own the LPs from which the tracks were taken. RCA had success in

1080-544: The United Kingdom, an EP can appear either on the album or the single chart. The Official Chart Company classifies any record with more than four tracks (not counting alternative versions of featured songs, if present) or with a playing time of more than 25 minutes as an album for sales-chart purposes. If priced as a single, they will not qualify for the main album chart but can appear in the separate Budget Albums chart. An intermediate format between EPs and full-length LPs

1125-458: The United States, The Recording Academy 's rules for Grammy Awards state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In the United Kingdom, the criteria for the UK Albums Chart is that a recording counts as an "album" if it either has more than four tracks or lasts more than 25 minutes. In South Korea,

1170-517: The United States, the Recording Industry Association of America , the organization that declares releases "gold" or "platinum" based on numbers of sales, defines an EP as containing three to five songs or under 30 minutes. On the other hand, The Recording Academy 's rules for Grammy Awards state that any release with five or more different songs and a running time of over 15 minutes is considered an album, with no mention of EPs. In

1215-424: The advent of the compact disc (CD), more music was often included on "single" releases, with four or five tracks being common, and playing times of up to 25 minutes. These extended-length singles became known as maxi singles and while commensurate in length to an EP were distinguished by being designed to feature a single song, with the remaining songs considered B-sides , whereas an EP was designed not to feature

1260-466: The album received critical praise, the band's future became murky during the collapse of Capricorn and a hastily organized nationwide tour. After a long battle, Deathray was dropped from Capricorn, but regained control of the masters from their album, which they have since released on their own label, Doppler Records. The band continued to play Northern California shows and recorded a subsequent EP, White Sleeves in their own studio, Brighton Sound, which

1305-427: The chronological placement of a mini album in their discography as part of the title of the release. For example, 2NE1 1st Mini Album and Taste of Love: The 10th Mini Album (note that both albums are EPs, not actual mini-LP). Mini-LPs became popular in the early 1980s with record companies who targeted consumers who were reluctant to buy full-length and full-priced albums. Several mini-LPs had been released in

1350-443: The format with Elvis Presley , issuing 28 EPs between 1956 and 1967 , many of which topped the separate Billboard EP chart during its brief existence. Other than those published by RCA, EPs were relatively uncommon in the United States and Canada, but they were widely sold in the United Kingdom, and in some other European countries, during the 1950s and 1960s. In Sweden, the EP was a popular record format, with as much as 85% of

1395-530: The former members now in Deathray. Brown (releasing his solo EP in June 2023) and Gumbiner (continuing his solo electronica project Night Night, and currently owner/producer/engineer at Station To Station Media + Production, and a contributing writer at TapeOp Magazine) remain the principal songwriters of Deathray, with Damiani also penning several tunes for the band. A Deathray song titled "I Wanna Lose Control" appears on

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1440-406: The full album; and Jessie J 's fourth studio album R.O.S.E. (2018) which was released as four EPs in as many days entitled R (Realisations) , O (Obsessions) , S (Sex) and E (Empowerment) . The first EPs were seven-inch vinyl records with more tracks than a normal single (typically four of them). Although they shared size and speed with singles, they were a recognizably different format than

1485-404: The groove on the physical record could be wider and thus allow for a louder album. In the 1960s and 1970s, record companies released EP versions of long-play (LP) albums for use in jukeboxes . These were commonly known as "compact 33s" or "little LPs". The jukebox EP was played at 33 1 ⁄ 3 rpm, was pressed on seven-inch vinyl and frequently had as many as six songs. What made it EP-like

1530-428: The late 1970s, including John Cooper Clarke 's Walking Back to Happiness , which used the 10-inch format. The format was usually 12-inch or 10-inch vinyl , with a playing time of between twenty and thirty minutes, and around seven tracks. They were often used as a way of introducing new acts to the market or as a way of releasing interim albums by established acts between their main albums. Epic Records introduced

1575-415: The late 2000s, EPs have become a common marketing strategy for pop musicians wishing to remain relevant and deliver music in more consistent timeframes leading to or following full studio albums. In the late 2000s to early 2010s, reissues of studio albums with expanded track listings were common, with the new music often being released as stand-alone EPs. In October 2010, a Vanity Fair article regarding

1620-530: The market in the late 1950s consisting of EPs. Billboard introduced a weekly EP chart in October 1957, noting that "the teen-age market apparently dominates the EP business, with seven out of the top 10 best-selling EPs featuring artists with powerful teen-age appeal — four sets by Elvis Presley, two by Pat Boone and one by Little Richard ". Other publications such as Record Retailer , New Musical Express ( NME ) , Melody Maker , Disc and Music Echo and

1665-468: The release of their first album, but went on to join numerous bands, including: Milwaukee (as keyboardist with Johnny Gutenberger of Two Sheds, and Chris Robyn of Far), Red Planet, An Angle, Jay Shaner's Cowboy Killers, and he is currently the drummer for the California-country band The Golden Cadillacs. Following the recording of Cake's album Comfort Eagle , drummer Todd Roper left Cake to rejoin

1710-617: The seven-inch single. Although they could be named after a lead track, they were generally given a different title. Examples include the Beatles ' The Beatles' Hits EP from 1963, and the Troggs ' Troggs Tops EP from 1966, both of which collected previously released tracks. The playing time was generally between 10 and 15 minutes. In the UK they came in cardboard picture sleeves at a time when singles were usually issued in paper company sleeves. EPs tended to be album samplers or collections of singles. EPs of all original material began to appear in

1755-522: The songs are spread across two 12" 45 rpm discs. Also, the vinyl pressing of Hail to the Thief by Radiohead uses this practice but is considered to be a full-length album. In 1982 Cabaret Voltaire released their studio album " 2x45 " on the UK-based label Rough Trade , featuring extended tracks over four sides of two 12-inch 45 rpm discs, with graphics by artist Neville Brody . The band subsequently released

1800-426: The songs were augmented by the band's single A- and B-sides from 1967 to create a full LP –a practice that was common in the US but considered exploitative in the UK. The Style Council album The Cost of Loving was originally issued as two 12-inch EPs. It is more common for artists to release two 12-inch 45s rather than a single 12-inch LP. Though there are 11 songs that total about 40 minutes, enough for one LP,

1845-479: The soundtrack to the 2006 animated film Open Season , along with a cover of Paul Westerberg 's "Wild as I Wanna Be." These are the first two Deathray songs published by a major record label since the band's former LPs. As of July 1, 2007 the band has split up, according to an entry on their official website. The band's self-titled album was released in 2000 with producer Eric Valentine ( Third Eye Blind , Smash Mouth , Citizen King ) and released on Doppler Records,

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1890-685: The trend noted post-album EPs as "the next step in extending albums' shelf lives, following the "deluxe" editions that populated stores during the past few holiday seasons—add a few tracks to the back end of an album and release one of them to radio, slap on a new coat of paint, and—voila!—a stocking stuffer is born." Examples of such releases include Lady Gaga 's The Fame Monster (2009) following her debut album The Fame (2008), and Kesha 's Cannibal (2010) following her debut album Animal (2010). A 2019 article in Forbes discussing Miley Cyrus ' plan to release her then-upcoming seventh studio album as

1935-420: Was little interest from major labels. Extended play An extended play ( EP ) is a musical recording that contains more tracks than a single but fewer than an album or LP record . Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to

1980-466: Was released in 2002 on Doppler Records. The single "Let's be Friends" also appears on the subsequent album Believe Me . Shortly thereafter, Hart left the band to move to Los Angeles and form his own band, The High Speed Scene, with their initial EP release also on Doppler Records, and subsequent full release on its major-label debut on the Neptunes' imprint, Star-Trak Records. Neil also left Deathray after

2025-437: Was that some songs were omitted for time purposes, and the most popular tracks were left on. Unlike most EPs before them, and most seven-inch vinyl in general (pre-1970s), these were issued in stereo . Mini-LP A mini-LP or mini-album is a short record album or LP , usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and

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