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35-681: The central figure of the Cornish Colony was Augustus Saint-Gaudens . Beginning around 1885, Augustus attracted a summer colony of artists that grew into a single extended social network. Some were related, some were friends, some were promising students from the Art Students League of New York that Saint-Gaudens had co-founded, and some were Saint-Gaudens' assistants who developed significant careers of their own. After his death in 1907 it slowly dissipated. His house and gardens are now preserved as Saint-Gaudens National Historic Site . Though

70-549: A monument to Civil War Admiral David Farragut , in New York's Madison Square ; his friend Stanford White designed an architectural setting for it, and when it was unveiled in 1881, its naturalism, its lack of bombast and its siting combined to make it a tremendous success, and Saint-Gaudens' reputation was established. The commissions followed fast, including the colossal Abraham Lincoln: The Man in Lincoln Park , Chicago in

105-537: A 2005 auction for $ 2,990,000. The coin was then adapted into the High relief version, which, although requiring eight fewer strikes than the Ultra High Relief coins, was still deemed impractical for commerce. 12,317 of these were minted, and are currently among the most in-demand U.S. coins. The coin was finally modified to a normal-relief version, which was minted from 1907 to 1933. This design (an "ultra-high relief" $ 20)

140-499: A deaf American art student, Augusta Fisher Homer. They married on June 1, 1877. The couple had one child, a son named Homer Saint-Gaudens . In 1874, Edwards Pierrepont , a prominent New York reformer, hired Saint-Gaudens to create a marble bust of himself. Pierrepont, a phrenologist , proved to be a demanding client, insisting that Saint-Gaudens make his head larger. Saint-Gaudens said that Pierrepont's bust "seemed to be affected with some dreadful swelling disease" and he later told

175-474: A friend that he would "give anything to get hold of that bust and smash it to atoms". In 1876, he won a commission for a bronze David Farragut Memorial . He rented a studio at 49 rue Notre Dame des Champs . Stanford White designed the pedestal. It was unveiled on May 25, 1881, in Madison Square Park . He collaborated with Stanford White again in 1892–94 when he created Diana as a weather vane for

210-560: A rare example of true-to-life, non-derogatory, depictions of African physical characteristics in 19th-century American art. For the Lincoln Centennial of 1909, Saint-Gaudens produced another statue of the president. A seated figure, Abraham Lincoln: The Head of State , is in Chicago's Grant Park . Saint-Gaudens completed the design work and had begun casting the statue at the time of his death—his workshop completed it. The statue's head

245-635: A setting by architect White, 1884–1887, considered the finest portrait statue in the United States (a replica was placed at Lincoln's tomb in Springfield, Illinois , and another stands in Parliament Square , London). The statue was highly influential for American artists and received widespread praise by critics. A long series of memorials, funerary monuments and busts, including the Adams Memorial ,

280-582: A steady stream of reliefs and public sculpture. In 1901, he was appointed a member of the Senate Park, or McMillan, Commission for the redesign of Washington, D.C.'s Mall and its larger park system, along with architects Daniel Burnham and Charles Follen McKim , and landscape architect Frederick Law Olmsted Jr. ; in 1902, the Commission published their report, popularly known as the McMillan Plan . In 1904, he

315-639: A thousand miles for the sake of a sitting" with him. Saint-Gaudens was also commissioned by a variety of groups to create medals including varied commemorative themes like The Women"s Auxiliary of the Massachusetts Civil Service Reform Association Presentation Medal and the World's Columbian Exposition Medal. Such pieces stand testament to both his broad appeal and the respect that was given to him by his contemporaries. A statue of philanthropist Robert Randall stands in

350-513: A tumulus in Chicago, 1894–1897, and to William Tecumseh Sherman at the corner of Central Park in New York (with the African-American model Hettie Anderson posing as an allegorical Victory), 1892–1903, the first use of Robert Treat Paine 's pointing device for the accurate mechanical enlargement of sculpture models. The depictions of the African-American soldiers on the Shaw memorial is noted as

385-456: Is named after Saint-Gaudens. Saint-Gaudens referred to his early relief portraits as "medallions" and took a great interest in the art of the coin : his $ 20 gold piece, the double eagle coin he designed for the US Mint, 1905–1907, though it was adapted for minting, is still considered one of the most beautiful American coins ever issued. Chosen by Theodore Roosevelt to redesign the coinage of

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420-643: The Diana , and employed his design skills in numismatics . He designed the $ 20 Saint Gaudens Double Eagle gold piece (1905–1907) for the US Mint, considered one of the most beautiful American coins ever issued, and the $ 10 "Indian Head" gold eagle ; both of these were minted from 1907 until 1933. In his later years he founded the " Cornish Colony ", an artist's colony in New Hampshire that included notable painters, sculptors, writers, and architects. His brother Louis Saint-Gaudens , with whom he occasionally collaborated,

455-484: The Robert Gould Shaw Memorial on Boston Common , Abraham Lincoln: The Man , and grand equestrian monuments to Civil War generals : General John Logan Memorial in Chicago's Grant Park and William Tecumseh Sherman at the corner of New York's Central Park . In addition, he created the popular historicist representation of The Puritan . Saint-Gaudens also created Classical works such as

490-655: The Art Students League of New York , and took on a large number of assistants. He was an artistic advisor to the World's Columbian Exposition of 1893, an avid supporter of the American Academy in Rome , and part of the McMillan Commission , which brought into being L'Enfant 's long-ignored master plan for the nation's capital . Through his career Augustus Saint-Gaudens made a specialty of intimate private portrait panels in sensitive, very low relief, which owed something to

525-642: The Cooper Union in New York City. Two years later, he was hired as an apprentice of Jules Le Brethon, another cameo cutter, and enrolled at the National Academy of Design . His apprenticeship was completed by the age of 19 and he traveled to Paris in 1867, where he studied in the atelier of François Jouffroy at the École des Beaux-Arts . In 1870, he left Paris for Rome to study art and architecture , and worked on his first commissions . There he met

560-607: The American novelist Winston Churchill , and the sculptor Louis St. Gaudens , Augustus's brother. After his death in 1907, it slowly dissipated. His house and gardens are now preserved as the Saint-Gaudens National Historic Site . Saint-Gaudens was elected a member of the American Academy of Arts and Sciences in 1896. In 1901, the French government made him an Officier de la Légion d'honneur . In 1920, Saint-Gaudens

595-615: The Florentine Renaissance . It was felt he heavily influenced another Irish American sculptor, Jerome Connor . Over the course of his long career Saint-Gaudens employed, and by doing so, trained, some of the next generation's finest sculptors. These included James Earle Fraser , Frances Grimes , Henry Hering , Charles Keck , Mary Lawrence , Frederick MacMonnies , Philip Martiny , Helen Mears , Robert Paine , Alexander Phimister Proctor , Louis Saint-Gaudens , Elsie Ward and Adolph Alexander Weinman . New York City's PS40

630-566: The Peter Cooper Monument at Cooper Square , and the John A. Logan Monument. Arguably the greatest of these monuments is the bronze bas-relief that forms the Robert Gould Shaw Memorial on Boston Common , 1884–1897, which Saint-Gaudens labored on for 14 years; even after the public version had been unveiled, he continued with further versions. Two grand equestrian monuments to Civil War generals are outstanding: to General John A. Logan , atop

665-704: The United States were among the richest primary sources he discovered in years of research into the lives of the American community in Paris in the late 19th century. During World War II the Liberty ship SS  Augustus Saint-Gaudens was built in Panama City, Florida , and named in his honor. In 1940, the U.S. Post Office issued a series of 35 postage stamps, ' The Famous American Series ' honoring America's famous artists, poets, educators, authors, scientists, composers and inventors. The renowned sculptor Augustus Saint-Gaudens

700-465: The bottom of this staircase are Jouffroy's bas-reliefs. Jouffroy depicts the Prince of Joinville delivering Napoleon's coffin to Louis-Philippe . Napoleon had died on 5 May 1821 on the island of St. Helena, where he had been in exile since 1815. He was buried on the island and his remains stayed there until 1840 when Louis-Philippe decided to have the body brought back to France. A body of French sailors, under

735-545: The colony's name referred to its social center in the village of Cornish, geographically it was spread out over the villages of Windsor, Vermont , and Plainfield, New Hampshire , as well. Windsor was the mailing address for the entire area and the arrival point of most of the colonists, who usually came from New York City by train. The following people are known to have been part of the colony: Augustus Saint-Gaudens Augustus Saint-Gaudens ( / ˌ s eɪ n t ˈ ɡ ɔː d ə n z / ; March 1, 1848 – August 3, 1907)

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770-625: The gardens of Sailors' Snug Harbor in New York. A statue of copper king Marcus Daly is at the entrance of the Montana School of Mines on the west end of Park St. in Butte, Montana . A statue of former United States Congressman and New York Governor Roswell Pettibone Flower was dedicated in 1902 in Watertown, New York. Saint-Gaudens' prominence brought him students, and he was an able and sensitive teacher. He tutored young artists privately, taught at

805-501: The nation at the beginning of the 20th century, Saint-Gaudens produced an ultra high-relief $ 20 gold piece that was adapted into a flattened-down version by the United States Mint . The ultra high-relief coin took up to 11 strikes to bring up the details, and only 20 or so of these coins were minted in 1907. The Ultra High Reliefs did not stack properly and were deemed unfit for commerce. They are highly sought-after today; one sold in

840-612: The opportunity to make the preliminary sketches for a five-year project of a medallion depicting Stevenson, in very poor health at the time, propped in bed writing. With minor modifications, this medallion was reproduced for the Stevenson memorial in St. Giles' Cathedral , Edinburgh . Stevenson's cousin and biographer, Graham Balfour, deemed the work "the most satisfactory of all the portraits of Stevenson". Balfour also noted that Saint-Gaudens greatly admired Stevenson and had once said he would "gladly go

875-572: The second Madison Square Garden building in New York City; a second version used is now in the collection of the Philadelphia Museum of Art , with several reduced versions in museums including the Metropolitan Museum of Art in New York City. The statue stood on a 300-foot-high tower, making Diana the highest point in the city. It was also the first statue in that part of Manhattan to be lit at night by electricity. The statue and its tower

910-578: Was a French sculptor. Jouffroy was born in Dijon , France, the son of a baker, and attended the local drawing school before being admitted to the École des Beaux-Arts in Paris in 1824. In 1832 he won the Prix de Rome . Jouffroy often had to compete with Pierre-Jean David d'Angers for public commissions, but during the Second Empire (1851–1870) he still participated in the decoration of several public buildings. He

945-530: Was a landmark until 1925 when the building was demolished. In New York, he was a member of the Tile Club, a group of prominent artists and writers, including Winslow Homer (his wife's fourth cousin), William Merritt Chase and Arthur Quartley . He was also a member of The Lambs , Salmagundi Club and the National Arts Club in New York City. In 1876, Saint-Gaudens received his first major commission:

980-453: Was a professor at the École des Beaux-Arts from 1865 until his death. Among his students were Per Hasselberg , Jean Dampt , Léopold Morice , Augustus Saint-Gaudens , José Simões de Almeida (Tio), António Soares dos Reis , Elisa de Lamartine , and Adrien Étienne Gaudez . Jouffroy died at Laval, Mayenne in 1882. "Je désire que mes cendres reposent sur les bords de la Seine, au milieu de ce peuple français que j'ai tant aimé" At

1015-563: Was also a well-known sculptor. Saint-Gaudens was born in Dublin , Ireland, to an Irish mother and French father, Bernard Paul Ernest Saint-Gaudens, a shoemaker by trade from a village in the French Pyrenees , Aspet , 15 kilometers from Saint-Gaudens . His parents emigrated to America when he was six months of age, and he was reared in New York City. In 1861, he became an apprentice to a cameo-cutter , Louis Avet, and took evening art classes at

1050-465: Was among those chosen for the 'Artists' category of this series and appears on this stamp, which was first issued in New York City on September 16, 1940. New York City's PS40 is named after Saint-Gaudens. Among the public collections holding works by Augustus Saint-Gaudens are: Assisted by Henry Hering Fran%C3%A7ois Jouffroy François Jouffroy ( French pronunciation: [fʁɑ̃swa ʒufʁwa] ; 1 February 1806 – 25 June 1882)

1085-757: Was an Irish and American sculptor of the Beaux-Arts generation who embodied the ideals of the American Renaissance . Saint-Gaudens was born in Dublin to an Irish-French family, and raised in New York City . He traveled to Europe for further training and artistic study. After he returned to New York City, he achieved major critical success for his monuments commemorating heroes of the American Civil War , many of which still stand. Saint-Gaudens created works such as

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1120-610: Was one of the first seven chosen for membership in the American Academy of Arts and Letters . That same year the large studio burned, with the irreplaceable loss of the sculptor's correspondence, his sketchbooks, and many works in progress. The Cornish Art Colony Saint-Gaudens and his brother Louis attracted made for a dynamic social and creative environment. The most famous included painters Maxfield Parrish and Kenyon Cox , architect and garden designer Charles A. Platt , and sculptor Paul Manship . Included were painters Thomas Dewing , George de Forest Brush , dramatist Percy MacKaye ,

1155-465: Was posthumously elected to the Hall of Fame for Great Americans . In 1940, his image appeared on a U.S. postage stamp in the "Famous Americans" series. Saint-Gaudens and his wife figure prominently in the 2011 book The Greater Journey: Americans in Paris by historian David McCullough . In interviews upon the book's release, McCullough said the letters of Augusta Saint-Gaudens to her friends and family in

1190-482: Was successfully minted in 24 karat gold; 115,178 coins were produced. This coin was issued by the U.S. Mint in 2009. Diagnosed with cancer in 1900, Saint-Gaudens decided to live at his Federal house with barn-studio set in the handsome gardens he had made, where he and his family had been spending summers since 1885, in Cornish, New Hampshire – though not in retirement. Despite waning energy, he continued to work, producing

1225-412: Was used as the model for the commemorative postage stamp issued on the 100th anniversary of Lincoln's birth. Saint-Gaudens also created the statue for the monument of Charles Stewart Parnell , which was installed at the north end of Dublin's O'Connell Street , backing on to Parnell Square in 1911. In 1887, when Robert Louis Stevenson made his second trip to the United States, Saint-Gaudens had

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