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88-514: Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in Hollywood films . Born to a wealthy family in Indiana , Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he

176-583: A "patriotic comic opera" modeled on Gilbert and Sullivan , with a book by T. Lawrason Riggs , was a flop, closing after two weeks. Porter spent the next year in New York City before going overseas during World War I. In 1917, when the United States entered World War I , Porter moved to Paris to work with the Duryea Relief organization. Some writers have been skeptical about Porter's claim to have served in

264-607: A brief time at the New York Historical Society , his 1908 Steinway grand piano, which he had used when composing since the mid-1930s, has been displayed and often played in the lobby of the Waldorf-Astoria Hotel . Porter is a member of the American Theater Hall of Fame and Great American Songbook Hall of Fame, which recognized his "musically complex [songs] with witty, urbane lyrics". In 2014, Porter

352-621: A central focus of the Glee Club's 2007 domestic tour to the Gulf Coast states. The Glee Club's annual Emerging Composers Competition encourages new works for mixed chorus, and the Fenno Heath Award encourages the creation of new Yale songs. Both competitions were inaugurated in the fall of 2005 with the world premieres of Laus Trinitati by Jocelyn Hagen and A Modern Toast to Yale by Zachary Sandler . The Glee Club has an alumni association,

440-570: A character in Woody Allen 's 2011 film Midnight in Paris . Many events commemorated the centenary of Porter's birth, including the halftime show of the 1991 Orange Bowl . Joel Grey and a large cast of singers, dancers and marching bands, performed a tribute to Porter in Miami, Florida during the 57th King Orange Jamboree parade, whose theme was "Anything Goes". The Indianapolis Symphony Orchestra performed

528-878: A conspicuous comeback in 1948 with Kiss Me, Kate . It was by far his most successful show, running for 1,077 performances in New York and 400 in London. The production won the Tony Award for Best Musical (the first Tony awarded in that category), and Porter won for best composer and lyricist. The score includes " Another Op'nin', Another Show ", "Wunderbar", " So In Love ", "We Open in Venice", " Tom, Dick or Harry ", "I've Come to Wive It Wealthily in Padua", " Too Darn Hot ", " Always True to You (in My Fashion) ", and "Brush Up Your Shakespeare". Porter began

616-460: A divide between "standard-repertoire performers" and contemporary music advocates. Standards mostly possess "canonical" structures which pervade the repertoire. Popular standards in the Western tradition often have one of four basic song structures: strophic form (AAA), twelve-bar blues progression (AAB), thirty-two-bar form (AABA) or a verse–chorus form (ABAB). In western-classical music ,

704-403: A large surplus of recreational drugs ". In 1918, he met Linda Lee Thomas , a rich, Louisville, Kentucky -born divorcée eight years his senior. She was beautiful and well-connected socially; the couple shared mutual interests, including a love of travel, and she became Porter's confidante and companion. The couple married the following year. She was in no doubt about Porter's homosexuality, but it

792-510: A medley of Porter's songs at the 37th Academy Awards shortly after Porter's death. The biographical show Cole , by Alan Strachan and Benny Green , featuring Porter hits, ran in 1974 at London's Mermaid Theatre . In 1980, Porter's music was used for the score of Happy New Year , based on the Philip Barry play Holiday . The cast of The Carol Burnett Show paid a tribute to Porter in a humorous sketch in their CBS television series. You're

880-498: A more prestigious outlet than Broadway for her husband's talents, tried to use her connections to find him suitable teachers, including Igor Stravinsky , but was unsuccessful. Finally, Porter enrolled at the Schola Cantorum in Paris, where he studied orchestration and counterpoint with Vincent d'Indy . Meanwhile, Porter's first big hit was the song "Old-Fashioned Garden" from the revue Hitchy-Koo of 1919 . In 1920, he contributed

968-420: A new approach to producing musicals. Instead of commissioning book, music and lyrics and then casting the show, Freedley sought to create an ideal musical with stars and writers all engaged from the outset. The stars he wanted were Ethel Merman , William Gaxton and comedian Victor Moore . He planned a story about a shipwreck and a desert island, and for the book he turned to P. G. Wodehouse and Guy Bolton . For

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1056-456: A pre-Broadway tour, during which it ran into trouble with Boston censors, it achieved 408 performances, beginning at the 46th Street Theatre . The score included "But in the Morning, No" (which was banned from the airwaves), " Do I Love You? ", " Well, Did You Evah! ", "Katie Went to Haiti" and another of Porter's up-tempo list songs, " Friendship ". At the end of 1939, Porter contributed six songs to

1144-676: A program of Cole Porter music at the Circle Theatre in Indianapolis , which also featured clips of Porter's Hollywood films. "A Gala Birthday Concert" was held at New York City's Carnegie Hall , with more than 40 entertainers and friends paying tribute to Porter's long career in theater and film. In addition, the U.S. Postal Service issued a commemorative postage stamp honoring Porter's birth. The Indiana University Opera performed Porter's musical, Jubilee , in Bloomington, Indiana . In May 2007,

1232-408: A result, much of the repertoire has become part of the teaching canon. The term can be applied to any classical music genre , as in "the standard operatic repertoire", "the standard symphonic repertoire" or "the standard piano repertoire"; referring to the pieces within that genre that fulfill said characteristics. As the standard repertoire is deeply rooted in the western classical music tradition,

1320-432: A run of 477 performances. Porter wrote two more film scores and music for a television special before ending his Hollywood career. The film High Society (1956), starring Bing Crosby, Frank Sinatra and Grace Kelly , included Porter's last major hit song " True Love ". It was adapted as a stage musical of the same name . Porter also wrote numbers for the film Les Girls (1957), which starred Gene Kelly. His final score

1408-444: A small association of students to sing glees . This tradition was continued for most of the 19th and early 20th century. Many of these original songs are maintained as part of the Glee Club's "Blue Book" ( Songs of Yale ), which contains the old glees and the principal Yale songs. The Yale Glee Club has had seven directors since the appointment of its first faculty adviser: The group's fourth director, Marshall Bartholomew, encouraged

1496-570: A song called " Flickan i en Cole Porter-sång " ("That Girl from the Cole Porter Song") in 1982. He is referenced in the merengue song "The Call of the Wild" by David Byrne on his 1989 album Rei Momo . He also is mentioned in the song "Tonite It Shows" by Mercury Rev on their 1998 album Deserter's Songs . After Can-Can was adapted as a film , the soundtrack won the 1960 Grammy Award for Best Sound Track Album . In 1965, Judy Garland performed

1584-705: A star on the Hollywood Walk of Fame was dedicated to Porter. In December 2010, his portrait was added to the Hoosier Heritage Gallery in the office of the Governor of Indiana . Numerous symphony orchestras have paid tribute to Porter in the years since his death including Seattle Symphony Orchestra , with Marvin Hamlisch as conductor and the Boston Pops , both in 2011. In 2012, Marvin Hamlisch, Michael Feinstein, and

1672-556: A team of undergraduate student officers. The Glee Club's director generally holds a faculty position in the Yale School of Music as the Marshall Bartholomew Professor of Choral Conducting. A large part of the work of planning concert tours is done by student tour managers. Most members of the Glee Club are undergraduate students, but the group also admits students from the graduate and professional schools. Membership in

1760-659: Is a mixed chorus of men and women, consisting of students of Yale University in New Haven, Connecticut . Founded in 1861, it is the third oldest collegiate chorus in the United States after the Harvard Glee Club , founded in 1858, and the University of Michigan Men's Glee Club , founded in 1859. The Glee Club performs several concerts each year in New Haven and goes on tour each January. According to music critic Zachary Woolfe of

1848-622: Is in a class by himself", and Porter subsequently called it one of his two perfect shows, along with the later Kiss Me, Kate . Its songs include " I Get a Kick Out of You ", " All Through the Night ", " You're the Top " (one of his best-known list songs), and "Blow, Gabriel, Blow", as well as the title number . The show ran for 420 performances in New York (a particularly long run in the 1930s) and 261 in London. Porter, despite his lessons in orchestration from d'Indy, did not orchestrate his musicals. Anything Goes

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1936-529: Is interred in Mount Hope Cemetery in his native Peru, Indiana, between his wife and father. Many artists have recorded Porter songs, and dozens have released entire albums of his songs. In 1956, jazz singer Ella Fitzgerald released Ella Fitzgerald Sings the Cole Porter Songbook . In 1972, she released another collection, Ella Loves Cole . Among the many album collections of Porter songs are

2024-519: Is strictly a creative luxury." Porter also wrote for Hollywood in the mid-1930s. His scores include those for the Metro-Goldwyn-Mayer films Born to Dance (1936), with James Stewart , featuring " You'd Be So Easy to Love " and " I've Got You Under My Skin ", and Rosalie (1937), featuring " In the Still of the Night ". He wrote the score of the short film Paree, Paree , in 1935, using some of

2112-463: The New York Times , it is "one of the best collegiate singing ensembles, and one of the most adventurous." Its members are "world famous for their harmonic precision" per New York Times music critic Robert Sherman. The Glee Club is conducted by a member of the university faculty, and the work of running the organization has traditionally been divided between the director, the office manager, and

2200-709: The Dallas Symphony Orchestra honored Porter with a concert that included his familiar classics. The Cole Porter Festival is held every year in June in his hometown of Peru, Indiana, to foster music and art appreciation. Costumed singers in the cabaret-style Cole Porter Room at the Indiana Historical Society 's Eugene and Marilyn Glick Indiana History Center in Indianapolis take requests from visitors and perform Porter's hit songs. Since Porter's death, except for

2288-818: The French Foreign Legion , but the Legion lists Porter as one of its soldiers and displays his portrait at its museum in Aubagne . By some accounts, he served in North Africa and was transferred to the French Officers School at Fontainebleau , teaching gunnery to American soldiers. An obituary notice in The New York Times stated that, while in the Legion, "he had a specially constructed portable piano made for him so that he could carry it on his back and entertain

2376-619: The Théâtre des Champs-Élysées in October 1923. After a successful New York performance the following month, the Ballets suédois toured the work in the U.S., performing it 69 times. A year later the company disbanded, and the score was lost until it was reconstructed from Porter's and Koechlin's manuscripts between 1966 and 1990, with help from Milhaud and others. Porter had less success with his work on The Greenwich Village Follies (1924). He wrote most of

2464-407: The 1950s with Out of This World (1950), which had some good numbers but too much camp and vulgarity, and was not greatly successful. His next show, Can-Can (1952), featuring " C'est Magnifique " and " It's All Right with Me ", was another hit, running for 892 performances. Porter's last original Broadway production, Silk Stockings (1955), featuring " All of You ", was also successful, with

2552-513: The Beguine ", " I Get a Kick Out of You ", " Well, Did You Evah! ", " I've Got You Under My Skin ", " My Heart Belongs to Daddy " and " You're the Top ". He also composed scores for films from the 1930s to the 1950s, including Born to Dance (1936), which featured the song " You'd Be So Easy to Love "; Rosalie (1937), which featured " In the Still of the Night "; High Society (1956), which included " True Love "; and Les Girls (1957). Porter

2640-501: The Boys (1943), starring Merman, ran for 422 performances, and Mexican Hayride (1944), starring Bobby Clark , with June Havoc , ran for 481 performances. These shows, too, are short of Porter standards. The critics did not pull their punches, complaining about the lack of hit tunes and the generally low standard of the scores. After two flops, Seven Lively Arts (1944) (which featured the standard " Ev'ry Time We Say Goodbye ") and Around

2728-522: The Depths (on the Ninetieth Floor) ", and " Ridin' High" . The relative failure of these shows convinced Porter that his songs did not appeal to a broad enough audience. In an interview, he said "Sophisticated allusions are good for about six weeks ... more fun, but only for myself and about eighteen other people, all of whom are first-nighters anyway. Polished, urbane and adult playwriting in the musical field

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2816-408: The Glee Club find a mission as "ambassadors of song." Today, tours are managed by a pair of current Glee Clubbers. The position of Tour Co-Manager is the only Glee Club office that is not chosen by election; rather, the director and staff manager appoint tour managers based on their submission of a proposed itinerary. Prospective tour co-managers write their proposal and apply together. The Glee Club

2904-866: The Top: The Cole Porter Story , a video of archival material and interviews, and Red, Hot and Blue , a video of artists performing Porter's music, were released in 1990 to celebrate the one hundredth anniversary of Porter's birth. In contrast to the highly embellished 1946 screen biography Night and Day , Porter's life was chronicled more realistically in De-Lovely , a 2004 Irwin Winkler film starring Kevin Kline as Porter and Ashley Judd as Linda. The soundtrack to De-Lovely includes Porter songs sung by Alanis Morissette , Sheryl Crow , Elvis Costello , Diana Krall and Natalie Cole , among others. Porter also appears as

2992-477: The World (1946), many thought that Porter's best period was over. Between Broadway musicals, Porter continued to write for Hollywood. His film scores of this period were You'll Never Get Rich (1941) with Astaire and Rita Hayworth , Something to Shout About (1943) with Don Ameche , Janet Blair and William Gaxton, and Mississippi Belle (1943–44), which was abandoned before filming began. He also cooperated in

3080-598: The Yale Glee Club Associates, which offers advice and financial support to the Glee Club. The YGCA has formed a chorus of its own called the Yale Alumni Chorus. This chorus gives alumni an opportunity to resume old friendships and enjoy the songs of their Glee Club years while traveling and giving concerts in foreign countries. Like many of the old American college Glee Clubs, the Yale Glee Club began as

3168-570: The adventures of an immigrant to America who becomes a film star. The work, written for the Ballets suédois , lasts about 16 minutes. It was orchestrated by Charles Koechlin and shared the same opening night as Milhaud 's La création du monde . Porter's work was one of the earliest symphonic jazz-based compositions, predating George Gershwin 's Rhapsody in Blue by four months, and was well received by both French and American reviewers after its premiere at

3256-628: The amputation and spent the remaining six years of his life in relative seclusion, seeing only intimate friends. He continued to live in the Waldorf Towers in New York in his memorabilia-filled apartment. On weekends, he often visited an estate in the Berkshires, and he stayed in California during the summers. Porter died of kidney failure at age 73 on October 15, 1964, in Santa Monica , California. He

3344-504: The best collections of song numbers I have ever listened to". This saved the show, which ran for 254 performances, considered a successful run at the time. Ray Goetz, producer of Paris and Fifty Million Frenchmen , the success of which had kept him solvent when other producers were bankrupted by the post-crash slump in Broadway business, invited Porter to write a musical show about the other city that he knew and loved: New York. Goetz offered

3432-510: The context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standard repertoire varies according to the different eras, movements and scenes within a genre, meaning that the extent to which a given composition is considered a standard or "repertoire piece" may vary greatly. However, some repertoires (e.g. concert piano) have become particularly static, giving rise to

3520-524: The disparity and unpredictability of this process, the works in the repertoire might differ from one time-period or location to another, although the most popular and wide-spread works tend to prevail. Furthermore, because of the incapacity of the educational institutions and publishing companies to adapt quickly enough, works that seem of no importance today remain in the concert programs and teaching repertoire, and works we consider relevant are artificially kept out. Yale Glee Club The Yale Glee Club

3608-432: The early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, Kiss Me, Kate . It won the first Tony Award for Best Musical . Porter's other musicals include Fifty Million Frenchmen , DuBarry Was a Lady , Anything Goes , Can-Can and Silk Stockings . His numerous hit songs include " Night and Day ", " Begin

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3696-414: The entire Ballets Russes to entertain his guests, and for a party at Ca' Rezzonico , which he rented for $ 4,000 a month ($ 72,000 in current value), he hired 50 gondoliers to act as footmen and had a troupe of tightrope walkers perform in a blaze of lights. In the midst of this extravagant lifestyle, Porter continued to write songs with his wife's encouragement. Porter received few commissions for songs in

3784-606: The film Broadway Melody of 1940 for Fred Astaire, George Murphy and Eleanor Powell . Meanwhile, as political unrest increased in Europe, Porter's wife closed their Paris house in 1939, and the next year bought a country home in the Berkshire mountains , near Williamstown, Massachusetts , which she decorated with elegant furnishings from their Paris home. Porter spent time in Hollywood, New York and Williamstown. Panama Hattie (1940)

3872-685: The following: Oscar Peterson Plays the Cole Porter Songbook (1959); Anita O'Day Swings Cole Porter with Billy May (1959); All Through the Night: Julie London Sings the Choicest of Cole Porter (1965); Rosemary Clooney Sings the Music of Cole Porter (1982); Anything Goes: Stephane Grappelli & Yo-Yo Ma Play (Mostly) Cole Porter (1989) and Love for Sale ( Tony Bennett and Lady Gaga , 2021). In 1990 Dionne Warwick released Dionne Sings Cole Porter . In that same year, Red Hot + Blue

3960-572: The group is determined each fall by audition. Members of the group may be majors in any subject. Many members of the group are also involved in other musical pursuits on campus. The Glee Club typically consists of 70 to 90 student singers. When large-scale classical choral works require more voices, the Glee Club may team up with Yale's other choruses, the Yale Camerata and the Yale Schola Cantorum , or add other singers as needed. The Glee Club

4048-452: The group to undertake more difficult and classical works, adding considerably to the group's repertoire. He created arrangements of many spirituals and folk songs, many published by the G. Schirmer company as the "Yale Glee Club Series." Bartholomew's successor, Fenno Heath, composed many original works and after 1970 rearranged many of his own and Bartholomew's pieces for mixed chorus when the Glee Club admitted women. David Connell continued

4136-553: The group was once open to students only after their first year of college, in 2003 the Glee Club began to include undergraduates from all four years. Several alumni of the group have gone on to professional careers in music, including Charles Ives , Douglas Moore , Cole Porter , John Stewart and Marshall Bartholomew , both of whom returned to Yale to conduct the Glee Club. The Glee Club works with New Haven high school students each year as part of an annual choral festival. Outreach and service activities incorporated into tours were

4224-494: The making of the film Night and Day (1946), a largely fictional biography of Porter, with Cary Grant implausibly cast in the lead. The critics scoffed, but the film was a huge success, chiefly because of the wealth of vintage Porter numbers in it. The biopic's success contrasted starkly with the failure of Vincente Minnelli 's film The Pirate (1948), with Judy Garland and Gene Kelly , in which five new Porter songs received little attention. From this low spot, Porter made

4312-463: The movie environment, and Porter's closeted homosexual acts, formerly very discreet, became less so; she retreated to their Paris house. When his film assignment on Rosalie was finished in 1937, Porter hastened to Paris to make peace with Linda, but she remained cool. After a walking tour of Europe with his friends, Porter returned to New York in October 1937 without her. They were soon reunited by an accident Porter suffered. On October 24, 1937, Porter

4400-450: The music of several songs to the musical A Night Out . Marriage did not diminish Porter's taste for extravagant luxury. The Porter home on the rue Monsieur near Les Invalides was a palatial house with platinum wallpaper and chairs upholstered in zebra skin. In 1923, Porter came into an inheritance from his grandfather, and the Porters began living in rented palaces in Venice. He once hired

4488-463: The musical Paris , his first hit. It was commissioned by E. Ray Goetz at the instigation of Goetz's wife and the show's star, Irène Bordoni . She had wanted Rodgers and Hart to write the songs, but they were unavailable, and Porter's agent persuaded Goetz to hire Porter instead. In August 1928, Porter's work on the show was interrupted by the death of his father. He hurried back to Indiana to comfort his mother before returning to work. The songs for

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4576-424: The original score, but his songs were gradually dropped during the Broadway run, and by the time of the post-Broadway tour in 1925, all his numbers had been deleted. Frustrated by the public response to most of his work, Porter nearly gave up songwriting as a career, although he continued to compose songs for friends and perform at private parties. At the age of 36, Porter reintroduced himself to Broadway in 1928 with

4664-445: The pieces included respect the characteristics , complexity , and performance practice of classical music established during the common-practice period , although it is possible to find exceptions. Due to the "inflexibility" of the traditional techniques of composition and performance and the arduous and unclear requirements to enter the repertoire, a division has arisen between advocates of contemporary music and/or music outside

4752-557: The procedure. Linda rushed from Paris to be with him, and supported him in his refusal of amputation. He remained in the hospital for seven months before being allowed to go home to his apartment at the Waldorf Towers . He resumed work as soon as he could, finding it took his mind off his perpetual pain. Porter's first show after his accident was not a success. You Never Know (1938), starring Clifton Webb , Lupe Vélez and Libby Holman , ran for only 78 performances. The score included

4840-472: The repertoire and those who promote and protect the founded tradition. Although the term "standard repertoire" aims to encompass a set of established works, it is still subject to trends and the tastes of conductors, programmers, and performers. Old works might be rediscovered, new works may enter the repertoire through repeated performance and good audience response, and established works can be left out indefinitely based merely on time constraints. Because of

4928-531: The show included " Let's Misbehave " and one of his best-known list songs , " Let's Do It, Let's Fall in Love ", which was introduced by Bordoni and Arthur Margetson . The show opened on Broadway on October 8, 1928. The Porters did not attend the first night because Porter was in Paris supervising another show for which he had been commissioned, La Revue , at a nightclub. This was also a success, and, in Citron's phrase, Porter

5016-551: The show ran for a profitable 248 performances, and the rights to the film, retitled The Gay Divorcee , were sold to RKO Pictures . Porter followed this with a West End show for Gertrude Lawrence, Nymph Errant (1933), presented by Cochran at the Adelphi Theatre , where it ran for 154 performances. Among the hit songs Porter composed for the show were "Experiment" and "The Physician" for Lawrence, and "Solomon" for Elisabeth Welch. In 1934, producer Vinton Freedley came up with

5104-400: The songs "From Alpha to Omega" and " At Long Last Love ". He returned to success with Leave It to Me! (1938); the show introduced Mary Martin , singing " My Heart Belongs to Daddy ", and other numbers included "Most Gentlemen Don't Like Love" and "From Now On". Porter's last show of the 1930s was DuBarry Was a Lady (1939), a particularly risqué show starring Merman and Bert Lahr . After

5192-400: The songs as "pleasant" and "not an outstanding hit song in the show". As it was a lavish and expensive production, nothing less than full houses would suffice, and after only three weeks, the producers announced that they would close it. Irving Berlin , who admired and championed Porter, took out a paid press advertisement calling the show "The best musical comedy I've heard in years. ... One of

5280-470: The songs from Fifty Million Frenchmen . Porter also composed the cowboy song " Don't Fence Me In " for Adios, Argentina , an unproduced movie, in 1934, but it did not become a hit until Roy Rogers sang it in the 1944 film Hollywood Canteen . Bing Crosby , The Andrews Sisters , and other artists also popularized it in the 1940s. The Porters moved to Hollywood in December 1935, but Porter's wife did not like

5368-479: The songs, he decided on Porter. By telling each of these that he had already signed the others, Freedley gathered his ideal team together. A drastic last-minute rewrite was necessitated by a major shipping accident that dominated the news and made Bolton and Wodehouse's book seem tasteless. Nevertheless, the show, Anything Goes , was an immediate hit. Porter wrote what many consider his greatest score of this period. The New Yorker magazine's review said, "Mr. Porter

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5456-556: The standard repertoire , or the repertoire , refers to a large set of musical works that have been performed on numerous occasions by many orchestras , groups or interpreters across several countries over a long period of time. The pieces that conform the standard repertoire date from the Baroque Era until the late 20th century and follow the classical music traditional canons of composition and execution. In addition, because of their continuous presence in recordings and recital halls ,

5544-416: The team with whom Porter had last worked: Herbert Fields writing the book and Porter's old friend Monty Woolley directing. The New Yorkers (1930) acquired instant notoriety for including a song about a streetwalker , " Love for Sale ". Originally performed by Kathryn Crawford in a street setting, critical disapproval led Goetz to reassign the number to Elisabeth Welch in a nightclub scene. The lyric

5632-796: The town with his classmates, before returning to New Haven , Connecticut, early in the morning. He also wrote musical comedy scores for his fraternity, the Yale Dramatic Association , and as a student at Harvard – Cora (1911), And the Villain Still Pursued Her (1912), The Pot of Gold (1912), The Kaleidoscope (1913) and Paranoia (1914) – which helped prepare him for a career as a Broadway and Hollywood composer and lyricist. After graduating from Yale, Porter enrolled in Harvard Law School in 1913, where he roomed with future Secretary of State Dean Acheson . He soon felt that he

5720-574: The tradition of arranging pieces for the group, including madrigals and sea chanteys. Director Jeffrey Douma has also contributed his own arrangements to the Glee Club's library. Under his direction, the Glee Club has appeared in performances guest conducted by David Willcocks , Krzysztof Penderecki , Sir Neville Marriner , and Helmuth Rilling . The Glee Club has regularly made domestic tours since 1866 and international concert tours since 1928. Domestic tours occur annually and international tours typically occur every two or three years. Touring has helped

5808-574: The troops in their bivouacs ." Another account, given by Porter, is that he joined the recruiting department of the American Aviation Headquarters, but, according to his biographer Stephen Citron , there is no record of his joining this or any other branch of the forces. Porter maintained a luxury apartment in Paris, where he entertained lavishly. His parties were extravagant and scandalous, with "much gay and bisexual activity, Italian nobility, cross-dressing , international musicians and

5896-452: The violin at age six, the piano at eight, and wrote his first operetta (with help from his mother) at ten. She falsified his recorded birth year, changing it from 1891 to 1893 to make him appear more precocious. His father, a shy and unassertive man, played a lesser role in Porter's upbringing, although as an amateur poet, he may have influenced his son's gifts for rhyme and meter. Porter's father

5984-494: The works from the standard repertoire are the most popular amongst the classical music audiences, and the performance of music that lies "outside the repertoire" generates much debate and discussion. The works in the repertoire have become need-to-know pieces for orchestral and solo instrumentalists, singers and conductors, as they encounter them in concert programs, competition requirements, and auditions , both for acceptance into academic institutions and working positions. As

6072-572: The years immediately after his marriage. He had the occasional number interpolated into other writers' revues in Britain and the U.S. For a C. B. Cochran show in 1921, he had two successes with the comedy numbers "The Blue Boy Blues" and "Olga, Come Back to the Volga". In 1923, in collaboration with Gerald Murphy , he composed a short ballet, originally titled Landed and then Within the Quota , satirically depicting

6160-492: Was mutually advantageous for them to marry. For Linda, it offered continued social status and a partner who was the antithesis of her abusive first husband. For Porter, it brought a respectable heterosexual front in an era when homosexuality was not publicly acknowledged. They were, moreover, genuinely devoted to each other and remained married from December 19, 1919, until her death in 1954. Linda remained protective of her social position and, believing that classical music might be

6248-421: Was Porter's longest-running hit so far, running in New York for 501 performances despite the absence of any enduring Porter songs. It starred Merman, Arthur Treacher and Betty Hutton . Let's Face It! (1941), starring Danny Kaye , had an even better run, with 547 performances in New York. This, too, lacked any numbers that became standards, and Porter always counted it among his lesser efforts. Something for

6336-512: Was also a talented singer and pianist, but the father-son relationship was not close. J. O. Cole wanted his grandson to become a lawyer, and with that in mind, sent him to Worcester Academy in Massachusetts in 1905. Porter brought an upright piano with him to school and found that music, and his ability to entertain, made it easy for him to make friends. Porter did well in school and rarely came home to visit. He became class valedictorian and

6424-409: Was badly affected by the 1929 Wall Street crash , and the production ran for only 136 performances. From Porter's point of view, it was nonetheless a success, as his song " What Is This Thing Called Love? " became immensely popular. Porter's new fame brought him offers from Hollywood , but because his score for Paramount 's The Battle of Paris was undistinguished, and its star, Gertrude Lawrence ,

6512-684: Was born in Peru, Indiana , on June 9, 1891, the only surviving child of a wealthy family. His father, Samuel Fenwick Porter, was a pharmacist by trade. His mother, Kate, was the indulged daughter of James Omar "J. O." Cole, "the richest man in Indiana", a coal and timber speculator who dominated the family. J. O. Cole built the couple a house on his Peru-area property, known as Westleigh Farms. After high school, Porter returned to his childhood home only for occasional visits. Porter's strong-willed mother doted on him and began his musical training at an early age. He learned

6600-525: Was considered too explicit for radio at the time, though it was recorded and aired as an instrumental and rapidly became a standard. Porter often referred to it as his favorite of his songs. The New Yorkers also included the hit " I Happen to Like New York ". Next came Fred Astaire 's last stage show, Gay Divorce (1932). It featured a hit that became Porter's best-known song, " Night and Day ". Despite mixed press (some critics were reluctant to accept Astaire without his previous partner, his sister Adele ),

6688-420: Was drawn to musical theatre . After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of

6776-464: Was elected president of the Yale Glee Club and was its principal soloist. Porter wrote 300 songs while at Yale, including student songs such as the football fight songs "Bulldog" and "Bingo Eli Yale" (aka "Bingo, That's The Lingo!") that are still played at Yale. During college, Porter became acquainted with New York City's vibrant nightlife, taking the train there for dinner, theater, and nights on

6864-459: Was finally "accepted into the upper echelon of Broadway songwriters". Cochran now wanted more from Porter than isolated extra songs; he planned a West End extravaganza similar to Ziegfeld 's shows, with a Porter score and a large international cast led by Jessie Matthews , Sonnie Hale and Tilly Losch . The revue, Wake Up and Dream , ran for 263 performances in London, after which Cochran transferred it to New York in 1929. On Broadway, business

6952-607: Was for the CBS television special Aladdin (1958). Porter's mother died in 1952, and his wife died of emphysema in 1954. By 1958, Porter's injuries caused a series of ulcers on his right leg. After 34 operations, it had to be amputated and replaced with an artificial limb. His friend Noël Coward visited him in the hospital and wrote in his diary, "The lines of ceaseless pain have been wiped from his face...I am convinced that his whole life will cheer up and that his work will profit accordingly." In fact, Porter never wrote another song after

7040-613: Was honored with a plaque on the Legacy Walk in Chicago, which celebrates LGBT achievers. Shows listed are stage musicals unless otherwise noted. Where the show was later made into a film, the year refers to the stage version. A complete list of Porter's works is in the Library of Congress in its Cole Porter Collection. Standard (music) Standards exist in the classical , popular and folk music traditions of all cultures. In

7128-472: Was initially composed of men only (since Yale College was only open to men). In 1969, Yale admitted its first female undergraduates, which led to the establishment of the Yale Women's Chorus. The following year, the Yale Women's Chorus was absorbed into the Glee Club to form a mixed chorus. Despite the fact that a glee club is typically an all-male chorus, the organization elected to retain its name. Although

7216-590: Was miscast, the film was not a success. Citron expresses the view that Porter was not interested in cinema and "noticeably wrote down for the movies." Still on a Gallic theme, Porter's last Broadway show of the 1920s was Fifty Million Frenchmen (1929), for which he wrote 28 numbers, including " You Do Something to Me ", "You've Got That Thing" and "The Tale of the Oyster". The show received mixed notices. One critic wrote, "the lyrics alone are enough to drive anyone but P. G. Wodehouse into retirement", but others dismissed

7304-482: Was not destined to be a lawyer, and, at the suggestion of the dean of the law school, switched to Harvard's music department, where he studied harmony and counterpoint with Pietro Yon . His mother did not object to this move, but it was kept secret from J. O. Cole. In 1915, Porter's first song on Broadway , "Esmeralda", appeared in the revue Hands Up . The quick success was immediately followed by failure: his first Broadway production, in 1916, See America First ,

7392-417: Was orchestrated by Robert Russell Bennett and Hans Spialek . Now at the height of his success, Porter was able to enjoy the opening night of his musicals; he made grand entrances and sat in front, apparently relishing the show as much as any audience member. Russel Crouse commented "Cole's opening-night behaviour is as indecent as that of a bridegroom who has a good time at his own wedding." Anything Goes

7480-563: Was released as a benefit CD for AIDS research and featured 20 Cole Porter songs recorded by artists such as U2 and Annie Lennox . Additional recording collections include Frank Sinatra Sings the Select Cole Porter (1996) and John Barrowman Swings Cole Porter (2004); Barrowman played "Jack" in the 2004 film De-Lovely . Other singers who have paid tribute to Porter include the Swedish pop music group Gyllene Tider , which recorded

7568-566: Was rewarded by his grandfather with a tour of France, Switzerland and Germany. Entering Yale College in 1909, Porter majored in English, minored in music, and also studied French. He was a member of Scroll and Key and Delta Kappa Epsilon fraternity, and contributed to campus humor magazine The Yale Record . He was an early member of the Whiffenpoofs a cappella singing group and participated in several other music clubs; in his senior year, he

7656-455: Was riding with Countess Edith di Zoppola and Duke Fulco di Verdura at Piping Rock Club in Locust Valley, New York , when his horse rolled on him and crushed his legs, leaving him substantially crippled and in constant pain for the rest of his life. Though doctors told Porter's wife and mother that his right leg would have to be amputated, and possibly the left one as well, he refused to have

7744-540: Was the first of five Porter shows featuring Merman. He loved her loud, brassy voice and wrote many numbers that displayed her strengths. Jubilee (1935), written with Moss Hart while on a cruise around the world, was not a major hit, running for only 169 performances, but it featured two songs that have since become standards, " Begin the Beguine " and " Just One of Those Things ". Red, Hot and Blue (1936), featuring Merman, Jimmy Durante and Bob Hope , ran for 183 performances and introduced " It's De-Lovely ", " Down in

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