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24-406: It is a multi-disciplinary artwork created by composer and sound artist Georges Lentz in collaboration with architect Glenn Murcutt . The Cobar Sound Chapel consists of a five metre concrete cube with an oculus in its ceiling and with loudspeakers in its four walls, cast in situ inside a ten metre tall disused water tank from 1901, and with a pair of 5-by-5-metre entrance walls leading into

48-423: A pair of steel gates and dimly lit up at night. Other influences of the artwork include aboriginal dot painting , the art and poetry of William Blake , the graffiti found on the tank's walls, as well as, in some parts, an exploration of AI -generated sound. The Cobar Sound Chapel also includes art in its blue corner windows, created by Cobar Indigenous artist Sharron Ohlsen. According to composer Georges Lentz,

72-580: Is a contemporary composer and sound artist born in Luxembourg in 1965 and that country's internationally best known composer. Since 1990, he has been living in Sydney , Australia . Despite his relatively small output and his reclusiveness, he is also considered one of Australia's leading composers. His music is inspired by the starry night sky in the Australian Outback and by Aboriginal art . He

96-498: Is a 60-minute work for solo electric guitar, possibly the longest solo composition ever written for the instrument. It contrasts sharply, in many ways, with Lentz's prior music and takes the electric guitar into dimensions previously unexplored in a 'classical' context. Ingwe also contains, for the first time in Lentz's output, a short section that relinquishes strict control over the musical material and gives some improvisational freedom to

120-660: Is said to retire to an abbey ( Clervaux Abbey in Luxembourg) or the Australian desert to find inspiration and compose, and only very rarely gives interviews. Lentz didn't attend the 2009 APRA Classical Music Awards ceremony at the Sydney Opera House to accept that year's top prize for Best Composition by an Australian Composer, instead sending guitarist friend Zane Banks to pick up the award and read out his acceptance speech (21 September 2009). A 40-minute documentary about

144-785: Is the creator of the Cobar Sound Chapel . Born in Luxembourg City on 22 October 1965, Lentz grew up in the Luxembourg town of Echternach . He studied at the Luxembourg Conservatoire and later at the Paris Conservatoire (1982–1986) and the Musikhochschule Hannover (1986–1990). In 1989, he began working on a cycle of compositions titled Caeli enarrant... . His music is being recognised increasingly around

168-551: The 4-channel projection of Lentz's digital string quartet, the 43 hour composition String Quartet(s) (2000–2022), as well as the venue for a new annual String Quartet Festival Weekend. The Cobar Sound Chapel was designed by Pritzker Prize -winning Australian architect Glenn Murcutt in collaboration with the composer, with its architecture reflecting rhythmic and structural patterns found in String Quartet(s) . A new violin concerto, "...to beam in distant heavens..." ,

192-643: The Munich Chamber Orchestra at the Pinakothek der Moderne included the world premiere of the definitive version of Birrung (1997–2014) for 11 strings. In November 2016, the final version of Jerusalem was premiered at Wien Modern . In April 2022, a major new sound art project, the Cobar Sound Chapel , opened in Cobar in Outback New South Wales . It is a purpose-built venue to permanently house

216-705: The 2012/13 season, Lentz was in residence at the Internationales Künstlerhaus Villa Concordia in Bamberg , Germany and collaborated with Jonathan Nott and the Bamberger Symphoniker . In January 2015, a new orchestral work, Jerusalem (after Blake) , taking its inspiration from Jerusalem by William Blake , was premiered by the Luxembourg Philharmonic Orchestra . In May 2015, a portrait concert of Lentz's music by

240-524: The Dutch première of Tri sestry (Three Sisters) by Peter Eötvös , in a co-production with the Netherlands Touring Opera Company. The RSO's chief conductors included Kenneth Montgomery (1985–1989), Henry Lewis (1989–1991), Kees Bakels (1991–1996) and Eri Klas (1996–2003). Klas became Principal Guest Conductor in the 2003-2004 season. Hans Vonk held the title of Chief Conductor in

264-477: The beats can be of different lengths. While it is not clear why Lentz has adopted this idiosyncratic system, the textures and colours (occasionally with delicate layers of computer-generated sounds ) superimposed over the top of these rigid "grids" often give it a shimmering or 'twinkling' quality. Another feature particularly of his orchestral works is a sense of harmony incorporating both microtonality and, now and then, an austere sense of 'twisted' tonality, with

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288-544: The birth of Ingwe which appeared on YouTube in May 2010 shows Lentz for a total of about 30 seconds. In May 2022, the following note appeared on the composer's website: "About a year ago, I was persuaded to agree to interviews in the lead-up to the opening of the new Cobar Sound Chapel. I have pushed myself to go along with media requests I was very uncomfortable with. This has led me to a state of total mental exhaustion. I therefore regret to say there will be no more interviews." In

312-552: The cycle Mysterium was the foremost recommended work at UNESCO 's 2002 International Rostrum of Composers in Paris. His compositions include a work for viola , orchestra and electronics called Monh written for Tabea Zimmermann , as well as Ingwe for solo electric guitar, written for the Australian guitarist Zane Banks . Being given to self-doubt and reclusiveness, Lentz rarely publishes new works and rarely accepts commissions. He

336-598: The most evocative silences imaginable." Lentz's music shows the influence of the French Spectralists and, to some degree, the New Complexity movement (unusual instrumental combinations, extended playing techniques etc.). It is often soft, fluctuates between polyphonic intricacy and fragile monody and sometimes contains extended silences. Lentz's scores of recent years ( Mysterium ) are written in an unusual rhythmic system, where each bar contains four beats, but

360-434: The occasional harmonic progression fleetingly reminiscent of Schumann or Bruckner . However, these chorale-like fragments are always brief and buried in the texture of the music, giving the impression of something "long forgotten". Lentz has said that in recent years he has been increasingly interested in, and influenced by, the practices of musical improvisation , music technology , sound art and digital art . Ingwe

384-523: The performer. Both Jerusalem (after Blake) and String Quartet(s) testify to Lentz's love of William Blake 's visionary epic Jerusalem the Emanation of the Giant Albion . Because of its vast cyclical structure, Lentz's work has been described by British musicologist Chris Dench as "almost proustian " in nature. In the final analysis Lentz's music, born from "total silence and radical isolation – at

408-813: The regular accompanying orchestra of the Kiril Kondrashin Conductors' Masterclasses, the Oscar Back Concours, and the International Vocalists' Competition. The orchestra appeared at the Holland Festival, the Gaudeamus Week, and in several educational projects. The NRSO had also served as the opera orchestra for a number of opera productions, including Rachmaninoff 's Aleko , Erich Wolfgang Korngold 's Die tote Stadt , and several operas of Gaetano Donizetti . It has also played in

432-415: The tank. The Cobar Sound Chapel is the new permanent home of Lentz's digital 43-hour surround-sound "String Quartet(s)" (2000–2022), a composition recorded over many years by Sydney string quartet The Noise . The music is inspired by the outback landscape and its starry night skies. Its vast sound art canvas spills out of the tank day and night, with the inside of the tank visible from outside through

456-651: The very real risk of hearing nothing at all" (composer's website), seems to be torn between feelings of awe and an over-riding struggle with spiritual doubt and existential loneliness. • " Caeli enarrant ..." III , " Caeli enarrant ..." IV , Birrung & Nguurraa Ensemble 24 / Matthew Coorey • Ingwe Zane Banks • Ngangkar & Guyuhmgan Sydney Symphony Orchestra / Edo de Waart , ABC Classics • Ngangkar, Guyuhmgan & Monh Tabea Zimmermann / Orchestre Philharmonique du Luxembourg / Emilio Pomarico Netherlands Radio Symphony Orchestra The Netherlands Radio Symphony Orchestra (NRSO)

480-437: The whole Cobar Sound Chapel is music , a giant "digital string quartet" , and there are relationships between the proportions of the building and rhythmic patterns found in the music. The Cobar Sound Chapel, twenty years in the making, officially opened on April 2, 2022. 31°29′18″S 145°48′41″E  /  31.48822°S 145.81137°E  / -31.48822; 145.81137 Georges Lentz Georges Lentz

504-1137: The world, with performances at the Berlin Philharmonie , the Vienna Musikverein and Konzerthaus , Concertgebouw Amsterdam , Wigmore Hall London , Carnegie Hall New York , Kennedy Center Washington , Suntory Hall Tokyo , Sydney Opera House . Many orchestras have performed his works, including the BBC Symphony Orchestra in London, BBC National Orchestra of Wales , Hallé Orchestra of Manchester, Deutsches Symphonie-Orchester Berlin , Bamberger Symphoniker , Kölner Philharmoniker , Düsseldorfer Symphoniker , Netherlands Radio Symphony Orchestra , ORF Symphony Orchestra in Vienna, Warsaw Philharmonic , St. Louis Symphony Orchestra , Tokyo Metropolitan Symphony Orchestra , New Japan Philharmonic , Sydney Symphony Orchestra and Melbourne Symphony Orchestra among others. His orchestral work Guyuhmgan , from part VII of

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528-824: Was a Dutch radio orchestra . It was founded in 1985 after a merger of the Promenade Orchestra and the Radio Chamber Orchestra (Omroep Orkest). In 2005, the NRSO was disbanded, and its functions were absorbed into the Netherlands Radio Philharmonic and the Netherlands Radio Chamber Philharmonic . The NRSO's last concert took place on 7 July 2005. The orchestra participated in various operatic productions and in special musical projects as well as international competitions. It served as

552-401: Was a featured composer in 2006, introduced his music as "...an awestruck and almost fearful response to the beauties and mysteries of the universe; a massive, personal creative undertaking from which this intense, almost obsessive composer is painstakingly extracting concert works...a unique voice whose music is genuinely moving despite its brittle austerity and unearthliness, and captures some of

576-753: Was premiered to great acclaim by German soloist Arabella Steinbacher with the Sydney Symphony Orchestra at the Sydney Opera House in April 2023. Lentz's music is published by Universal Edition in Vienna. Lentz's music expresses his fascination with astronomy as well as his love of the Australian Outback and Aboriginal art (in particular the works of Kathleen Petyarre ), and reflects his spiritual and existential beliefs, questions and doubts. The Vale of Glamorgan Festival (UK), where Lentz

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