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City Music

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City Music is the fourth studio album by American indie rock musician Kevin Morby , released on June 16, 2017 on Dead Oceans .

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105-540: All songs by Kevin Morby except where noted. This 2010s indie rock album-related article is a stub . You can help Misplaced Pages by expanding it . Indie rock Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels , by

210-709: A reverb heavy, pop –influenced sound. Marked by the Clean's 1981 debut single "Tally-Ho!" and 1982's Dunedin Double EP featuring the Chills , Sneaky Feelings , the Verlaines and the Stones , its guitars were often jangly and droning and vocals indistinct. The following years, the Dunedin sound spread to other New Zealand cities such as Christchurch or Auckland . The decade then saw

315-595: A 2009 article for the Guardian , journalist Peter Robinson cited the landfill indie movement as dead, blaming the Wombats , Scouting For Girls , and Joe Lean & the Jing Jang Jong by stating "If landfill indie had been a game of Buckaroo , those three sent the whole donkey's arse of radio-friendly mainstream guitar band monotony flying high into the air, legs flailing." There continued to be commercial successes in

420-753: A Life (2017) winning the Mercury Prize in 2018 and third album Blue Weekend (2021) being nominated. Writer Martin Young stated in a 2021 article for Dork that "It's impossible to truly state just how important Wolf Alice are. They are the catalyst for almost all the amazing bands you've read about in Dork over the last 5 years." Buzzcocks Buzzcocks are an English punk rock band that singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto formed in Manchester in 1976. During their career,

525-536: A descriptor in its own right, describing not only the bands on the tape but also bands who it influenced, often used alongside terms like "anorak pop" and "shambling". Some C86 bands found significant commercial success: the Soup Dragons went on to sell out Madison Square Garden ; Primal Scream were critically acclaimed, receiving the first ever Mercury Prize in 1992; the Wedding Present charted eighteen times in

630-407: A key element of indie is the dichotomy between a "puritan ethos" and a "romantic one", with the former using austere ethics, and the latter being eccentric. This is best seen in the contrast between the indie music of United States and the United Kingdom in the 1990s, with British acts being flamboyant performers, while American acts used their lack of virtuosity as a mark of authenticity. Indie rock

735-399: A post-grunge and hardcore on their breakthrough albums Word Gets Around (1997) and Performance and Cocktails (1999), before moving into more melodic territory with Just Enough Education to Perform (2001) and subsequent albums. Feeder , who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single " Buck Rogers " and

840-560: A result, the term "alternative" lost its original counter-cultural meaning and began to refer to the new, commercially lighter form of music that was now achieving mainstream success. New York magazine writer Carl Swanson argued that even the term "sellout" lost its meaning as grunge made it possible for a niche movement, no matter how radical, to be co-opted by the mainstream, cementing the formation of an individualist, fragmented culture. In his book Popular Music: The Key Concepts , media academic Roy Shuker states that "Grunge represented

945-851: A review of the television series Rock Follies in Time Out magazine. The "buzz" is the excitement of playing on stage and "cock" is northern English slang meaning "friend". They thought the name captured the excitement of the nascent punk scene and had humorous sexual connotations following Pete Shelley's time working in a Bolton adult shop. Buzzcocks performed live for the first time on 1 April 1976 at their college. Garth Davies played bass guitar and Mick Singleton, who also played in local band Black Cat Bone, played drums. After reading an NME review of Sex Pistols ' first performance, in February 1976, Shelley and Devoto travelled to High Wycombe together to see Sex Pistols. Shelley and Devoto were impressed by

1050-448: A rock band called Jets of Air, responded to the notice. By late 1975, Trafford and McNeish had recruited a drummer and formed an early version of what would become Buzzcocks. The band formed in February 1976; McNeish assumed the stage name Pete Shelley and Trafford named himself Howard Devoto. Devoto and Shelley chose the name "Buzzcocks" after reading the headline "It's the Buzz, Cock!" in

1155-586: A second single "Harmony in my Head" reached number 32 in August. Prior to their first venture to the US, I.R.S. Records released the band's singles compilation Singles Going Steady there. The band's third album A Different Kind of Tension was released the end of September 1979 and reached number 26 in the chart while the band completed a second UK tour. The album's single "You Say You Don't Love Me" failed to chart. A period of inactivity lasted until September 1980 when

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1260-513: A style and more a categorization, it describes an early 1990s trend of acts who followed in the traditions of early electronic music (composers of the BBC Radiophonic Workshop ), krautrock and synth-pop . Progenitors of the genre were English bands Disco Inferno , Stereolab , and Space . Most musicians in the genre can be found on independent labels like Warp , Morr Music , Sub Pop or Ghostly International . Space rock took

1365-686: A style indebted to '60s-70s bands like the Velvet Underground and the Ramones , the band's intention musically was to sound like "a band from the past that took a time trip into the future to make their record." The album peaked at number thirty-three in the United States, staying in the charts for two additional years and debuted at number two on the UK albums chart . When the Strokes made their commercial debut,

1470-467: A tribute to BBC Radio 1 disc jockey John Peel , Shelley re-recorded " Ever Fallen in Love (With Someone You Shouldn't've) " with a group including Roger Daltrey , David Gilmour , Peter Hook , Elton John , Robert Plant and several contemporaneous bands. Proceeds from the single were donated to Amnesty International . Shelley also performed the song live with Plant, Daltrey, Gilmour, Hook and Jeff Beck at

1575-686: A tribute to Shelley. The concert had been planned before his death. Steve Diggle said that Buzzcocks would continue, with the post-Shelley Buzzcocks being a 'new era'. Sonics in the Soul , the band's first album without Shelley, was released in September 2022. It featured Diggle on all vocals, and included a tribute to Shelley in the form of the track "You've Changed Everything Now". Buzzcocks' distinctive sound combines catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section. They grew in musical and lyrical sophistication; by

1680-482: Is noted for having a relatively high proportion of female artists compared with preceding rock genres, a tendency exemplified by the development of the feminist-informed riot grrrl music of acts like Bikini Kill , Bratmobile , 7 Year Bitch , Team Dresch and Huggy Bear . However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits: The Story of Indie pinpoints

1785-506: Is now a clean old hat". He returned to college for a year then formed a band called Magazine . Pete Shelley took on the vocal duties for Buzzcocks and moved away from social commentary to adolescent themes. Steve Diggle switched from bass to guitar, and Garth Davies—also known as Garth Smith—rejoined Buzzcocks to play bass. The band joined The Clash as support on their White Riot tour. The new line-up signed with United Artists Records (UA) at Electric Circus, Manchester , on 16 August 1977,

1890-546: The Billboard 200 chart, becoming the band's highest-charting album in the United States. In August 2017, AM was certified platinum by the RIAA for combined sales and album-equivalent units over of a million units in the United States. As of the 14th of April 2023 every track from the album was certified silver or higher by the BPI with "Mad Sounds" being the last to be certified. When

1995-815: The O2 Apollo and on 26 May in Brixton at the O2 Academy , Buzzcocks performed with the original line-up, including Devoto. On 26 May 2012, the band announced for the first time they would headline Thursday night at Empress Ballroom at Rebellion Festival in Blackpool, performing with Rancid , Public Image Limited and Social Distortion . On 1 May 2014, Buzzcocks released the album The Way via PledgeMusic . On 13 September 2014, they played "a brief but triumphant set" at Riot Fest in Chicago, Illinois, US. In October 2014, they toured

2100-626: The double-A side "Why She's A Girl From The Chainstore/Are Everything" was released. It reached number 61 and was the band's last charting single. Two further singles "Strange Thing" and "Running Free" failed to chart while the band embarked on a truncated UK tour. After recording demos for a fourth album, Buzzcocks disbanded in 1981; Shelley took up a solo career, and Diggle and Maher formed Flag of Convenience and released several singles between 1982 and 1989. Garvey formed Motivation and joined Blue Orchids , moving to New York shortly afterwards to continue with Motivation. Maher had joined Wah! by

2205-497: The psychedelic rock , ambient music influence of Pink Floyd and Hawkwind and incorporated them into an indie rock context. The style began with Spacemen 3 in the 1980s, with later groups including Spiritualized , Flying Saucer Attack , Godspeed You! Black Emperor and Quickspace . As Britpop waned towards the end of the decade, post-Britpop took hold within the UK's indie rock scene. From about 1997, as dissatisfaction grew with

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2310-473: The " slacker " stereotype, and as a defining anthem of 90s indie rock. With the rise of Britpop , many of Britain's earlier indie rock bands fell into obscurity. Fronted by Blur , Oasis , Pulp and Suede , the bands in the movement were advertised as being underground artists, as a means to compete commercially with the United States' grunge scene. While Britpop was stylistically indebted to indie rock and began as an offshoot of it, Britpop bands abandoned

2415-412: The 1975 's merger of indie rock and mainstream pop began gaining commercial attraction in the early 2010s, it was controversial; they received the award for "Worst Band" at the 2014 NME Awards , but by 2017 received "Best Live Band" at the same award show. Alternative Press writer Yasmine Summan stated that "If you could summarize 2013 and 2014 in one album for indie and alternative fans, it would be

2520-519: The 1975's self-titled release ". In an article for the Guardian accrediting the 1975 as the band to "usher indie into the mainstream", writer Mark Beaumont compared vocalist Matty Healy's influence on the genre to that of Libertines vocalist Pete Doherty , and Pitchfork listed them as one of the most influential artists in music since 1995. In the 1975's wake, a number of other indie pop artist gained popularity. Some critics termed this phenomenon "Healywave", which notably included: Pale Waves ,

2625-585: The 1980s closed, both Sonic Youth and the Pixies signed to major labels. In the late 1980s, the indie rock subgenre shoegaze emerged, as a continuation of the wall of sound production being used by groups like the Jesus and Mary Chain. The genre merged this with influences from Dinosaur Jr. and the Cocteau Twins , to create a dark and droning style so cacophonous that instruments were often indistinguishable. The genre

2730-510: The 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills , Sneaky Feelings , Tall Dwarfs , the Clean and the Verlaines , and early 1980s college rock radio stations who would frequently play jangle pop bands like the Smiths and R.E.M. . The genre solidified itself during

2835-491: The 2005 UK Music Hall of Fame . In April 2006, Barker left Buzzcocks and was replaced with Danny Farrant . In March 2006, the band released their eighth studio album Flat-Pack Philosophy on Cooking Vinyl Records . On the supporting tour, Buzzcocks played on a leg of the mid-2006 Vans Warped Tour and made an appearance at Maxïmo Park 's homecoming gig in Newcastle upon Tyne on 15 December 2007. In April 2008, Barber left

2940-554: The 2010s Arcade Fire 's The Suburbs (2010), the Black Keys's Turn Blue (2014), Kings of Leon's Walls (2016), the Killers's Wonderful Wonderful (2017), which reached number one on the Billboard charts in the United States and the official chart in the United Kingdom, with Arcade Fire's album winning a Grammy for Album of The Year in 2011. Other indie rock acts like Florence and

3045-453: The Aces , Joan , Fickle Friends and No Rome . Of this group, Pale Waves were particularly commercially prominent, with their debut album My Mind Makes Noises peaking at number eight on the UK albums chart, Who Am I? (2021) at number three and Unwanted (2022) at number four. At around the same time Wolf Alice became a prominent force in the scene, with their second album Visions of

3150-837: The Apples in Stereo , Beulah , Circulatory System , Elf Power , the Minders , Neutral Milk Hotel , of Montreal and the Olivia Tremor Control – merged indie rock with psychedelic pop . Gimme Indie Rock author Andrew Earles stated that the collective, namely Neutral Milk Hotel on On Avery Island (1996), "helped keep the genre artistically relevant while other bands defected and other underground styles rose to prominence". Indie electronic or indietronica covers rock-based artists who share an affinity for electronic music, using samplers, synthesizers, drum machines, and computer programs. Less

3255-639: The Clash , the Kinks , the Smiths and the Jam , the band's style of tinny, high register, sometimes acoustic, guitar parts topped by lyrics of British parochial pleasures in the vocalists' authentic English accents became widely imitated. The Fratellis , the Kooks , and the View were three such acts to gain significant commercial success, although the most prominent post-Libertines band

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3360-612: The Cribs , Bloc Party , Kaiser Chiefs and the Others . However, the Libertines , who formed in 1997, stood as the UK's counterpoint to the Strokes, being described by AllMusic as "one of the U.K.'s most influential 21st century acts" and the Independent stating that "the Libertines wanted to be an important band, but they could not have predicted the impact they would have". Influenced by

3465-619: The Damned on the Anarchy in the UK Tour. In between these live performances, Buzzcocks began developing their own material and recorded an 11-track demo at Stockport Studios which was eventually released in 1991. By the end of the year, Buzzcocks had recorded and released a four-track EP called Spiral Scratch , which they released on their own label New Hormones, making them one of the first punk groups to establish an independent record label . The EP

3570-568: The DoubleHappys and Straitjacket Fits . Knox later formed another short-lived punk band called Toy Love , and after it broke up, he went on to start the influential band Tall Dwarfs , who were an integral influence on the emergence of home-recorded lo-fi indie . The punk-inspired aspects of the scene were often inspired by opposition to Robert Muldoon and his government, which prompted satire or outright criticism. The scene saw bands take influence from punk rock, but strip away its aggression for

3675-628: The Fall , Buzzcocks , Wire , Television and Joy Division would be influential to the genre. Allmusic identifies indie rock as including a number of "varying musical approaches [not] compatible with mainstream tastes". Linked by an ethos more than a musical approach, the indie rock movement encompassed a wide range of styles, from hard-edged, grunge-influenced bands, through do-it-yourself experimental bands like Pavement , to punk-folk singers such as Ani DiFranco . In his book DIY Style: Fashion, Music and Global Digital Cultures , Brent Luvaas described

3780-481: The Head (2002) went multi-platinum , establishing them as one of the most popular acts in the world by the time of their third album X&Y (2005). Snow Patrol's " Chasing Cars " (from their 2006 album Eyes Open ) is the most widely played song of the 21st century on UK radio. The mainstream attention which indie rock garnered in the 2000s began with the Strokes and their 2001 debut album Is This It . Playing

3885-581: The Hunters Club and Scum Pups . In the early 1990s, the Seattle grunge scene, and its most visible acts, Nirvana , Pearl Jam , Soundgarden and Alice in Chains , broke into the mainstream. The monumental success of these bands, particularly Nirvana, brought increased attention to the indie rock scene, which initiated a shift in which the indie rock descriptor became displaced by the term alternative rock . As

3990-741: The Machine , the Decemberists and LCD Soundsystem gained number one singles in the United States during the decade, with Vampire Weekend , Florence and the Machine, Arctic Monkeys, Bon Iver , the Killers and the Postal Service gaining platinum selling records. Vampire Weekend's third studio album Modern Vampires of the City (2013) received the Grammy Award for Best Alternative Music Album in 2014, with Consequence writer Tyler Clark stating that in 2019 it

4095-544: The Promise Ring and Cap'n Jazz distanced emo from its hardcore roots and allowed the genre to develop a much more realised scene than its first wave. This style of emo broke into mainstream culture in the early 2000s, with the platinum-selling success of Jimmy Eat World 's Bleed American (2001) and Dashboard Confessional 's The Places You Have Come to Fear the Most (2001). One particularly notable scene during this wave

4200-482: The Replacements releasing albums on majors in the middle of the decade. While these albums did not see the same success as R.E.M., and major labels soon lost interest in the scene, they did have a large impact on younger bands. In the following years, Sonic Youth , Dinosaur Jr. and Unrest began to release music on independent labels indebted to these bands, and soon too picked up the categorisation of indie rock. As

4305-694: The Smiths. The Madchester movement burgeoned by 1989, with the success of the Happy Mondays second album Bummed and the Stone Roses ' self-titled debut , which became the most influential work in the scene. In the following years, addition high profile acts included the Charlatans , 808 State and the Inspiral Carpets . The Madchester scene's distinct combination of indie rock and dance music became termed indie dance by critics, or more specifically

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4410-560: The Top 40; however many bands in its twenty-two track runtime also fell into obscurity. In the United States, the popularity of R.E.M. allowed those disliking of hardcore punk 's aggression to become a part of the underground music scene. This empowered an array of musicians, particularly those in what would become the post-hardcore scene as led by the Minutemen . Furthermore, major labels began to pursue underground bands, with both Hüsker Dü and

4515-502: The UK chart. It was followed the next month by their debut album Another Music in a Different Kitchen , which reached number 15 in the chart. In May, the band embarked on the Entertaining Friends tour while a third single "I Don't Mind" reached number 55 in the singles chart. In July, a fourth single "Love You More" reached number 34. The band spent mid 1978 recording their second album Love Bites , which reached number 13 in

4620-583: The UK for three weeks with The Dollyrots as main support. In 2016, the band embarked on their 40th-anniversary tour "Buzzcocks 40". In 2017, "Why Can't I Touch It" was featured in the opening segment of the Telltale game ' Guardians of the Galaxy . Pete Shelley died on 6 December 2018 from a suspected heart attack at his home in Tallinn , Estonia. In June 2019, Buzzcocks performed with several guest vocalists as

4725-592: The UK with their first five albums. As of June 2019, AM has spent 300 weeks in the top 100 of the UK Albums Chart . The album also peaked at number one in Australia, Belgium (Flanders), Croatia, Slovenia, Denmark, Ireland, the Netherlands, New Zealand, and Portugal, and reached top ten positions in several other countries. In the United States, the album sold 42,000 copies in its first week, and debuted at number six on

4830-415: The US top 40 and was nominated for a Grammy Award), Bright Eyes (who in 2004 had two singles at the top of the Billboard magazine Hot 100 Single Sales ) and Death Cab for Cutie (whose 2005 album Plans debuted at number four in the US, remaining on the Billboard charts for nearly one year and achieving platinum status and a Grammy nomination). This new commercial breakthrough and the widespread use of

4935-519: The US, and the Smiths , from the UK, who Matthew Bannister states were the earliest indie rock groups. These bands' influence was showcased quickly seen in the formation of Let's Active , the Housemartins and the La's . By this time, the term "indie rock" had begun to be used to describe the bands who produced music on independent record labels, rather than simply the record labels themselves. This made it

5040-530: The United Kingdom, NME released the C86 compilation cassette, which consisted of tracks by groups including Primal Scream , the Pastels and the Wedding Present . Intended to showcase the UK's current independent music scene, the album was made up of groups combining elements of jangle pop, post-punk and Phil Spector indebted Walls of Sound . In 2006, Bob Stanley called it "the beginning of indie music". C86 became

5145-679: The White Stripes , the Vines , and the Hives . These groups were christened by parts of the media as the "The" bands, and dubbed "the saviours of rock 'n' roll", prompting Rolling Stone magazine to declare on its September 2002 cover, "Rock is Back!" The success of the Strokes revitalised the then-dying underground post-Britpop scene in the United Kingdom with groups who took the band's influence and experimented with their sound. This first wave of UK acts included Franz Ferdinand , Kasabian , Maxïmo Park ,

5250-403: The Wonder Stuff and Ned's Atomic Dustbin , "grebo" was broadly defined, and was used more as a name for the Stourbridge scene than as a genre label. However, the bands quickly gained attention: Pop Will Eat Itself's 1989 singles " Wise Up! Sucker " and " Can U Dig It? " both entered the UK Top 40 and Stourbridge briefly became a tourist attraction for young indie rock fans. The seminal albums from

5355-401: The Word magazine. A 2020 Vice article cited Johnny Borrell , vocalist of Razorlight , as the "one man who defined, embodied and lived Landfill Indie" due his forming of a "spectacularly middle-of-the-road" band despite his close proximity to the Libertines' "desperate kinetic energy, mythologised love-hate dynamic and vision of a dilapidated Britain animated by romance and narcotics". In

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5460-404: The album Echo Park (2001). After the death of their drummer Jon Lee , they moved to a more reflective and introspective mode on Comfort in Sound (2002), their most commercially successful album to that point, which spawned a series of hit singles. The most commercially successful band in the millennium were Coldplay , whose first two albums Parachutes (2000) and A Rush of Blood to

5565-407: The band and was replaced with Chris Remington. In January 2009, Buzzcocks embarked on a UK and European tour, the "Another Bites Tour", in which they played their first two albums in full, as well as an encore of their other hits. In the same year, Buzzcocks played in Serbia for the second time at the EXIT festival in Novi Sad . Their song "Why Can't I Touch It" was played in the second episode of

5670-431: The band combined elements of punk rock, power pop , and pop punk . They achieved commercial success with singles that fuse pop craftsmanship with rapid-fire punk energy; these singles were later collected on Singles Going Steady , an acclaimed compilation album music journalist and critic Ned Raggett described as a "punk masterpiece". Devoto left the band in 1977 and formed Magazine , after which Pete Shelley became

5775-486: The band consists of Diggle, Danny Farrant (drums), Chris Remington (bass) and touring member Mani Perazzoli (guitar, backing vocals). This line-up released the band's tenth album, Sonics in the Soul in 2022. Howard Trafford , a student at Bolton Institute of Technology who had been involved in electronic music, placed a notice in the college looking for musicians to play The Velvet Underground 's song " Sister Ray ". Fellow student Peter McNeish , who had played in

5880-435: The bands they host have attempted to retain their autonomy, leaving them free to explore sounds, emotions and subjects of limited appeal to large, mainstream audiences. The influences and styles of the artists have been extremely diverse, including punk , psychedelia , post-punk and country . The lo-fi , experimental and art rock sound of the Velvet Underground as well as late '70s punk and post-punk bands such as

5985-429: The chart. After a 26-date UK tour, Buzzcocks gained success as their single " Ever Fallen in Love (With Someone You Shouldn't've) " reached number 12 in the UK chart in October 1978. In December, the band released the single "Promises", which reached number 20 in the UK chart. The single's B-side "Lipstick" shared the same ascending progression of notes in its chorus as Magazine's first single "Shot By Both Sides", which

6090-402: The coining of the term "indie" to the 1977 self-publication of the Spiral Scratch EP by Manchester punk rock band the Buzzcocks , on their Ind ependent record label New Hormones . This inspired a DIY punk movement where bands like Swell Maps , 'O' Level , Television Personalities and Desperate Bicycles followed suit in pressing and distributing their own records. Distribution

6195-700: The concept of Cool Britannia and Britpop as a movement began to dissolve, emerging bands began to avoid the Britpop label while still producing music derived from it. After the decline of Britpop they began to gain more critical and popular attention. The Verve 's album Urban Hymns (1997) was a worldwide hit and their commercial peak before they broke up in 1999, while Radiohead  – although having achieved moderate recognition with The Bends in 1995 – achieved near-universal critical acclaim with their experimental third album OK Computer (1997), and its follow-ups Kid A (2000) and Amnesiac (2001). Stereophonics , used elements of

6300-426: The covers of magazines like NME and Melody Maker . Grebo bands were distinct from prior indie rock groups not only because of their broad influences, but their subversion of the twee or unhappy moods of most other bands in the genre, and their pursuit of a heavier sound and aesthetic. The scene came to include the stylistically similar bands of nearby Leicester: the Bomb Party , Gaye Bykers on Acid , Crazyhead ,

6405-449: The day Elvis Presley died. The first UA Buzzcocks single " Orgasm Addict " was released in October 1977; It was the start of a collaboration with producer Martin Rushent that would last until the end of the decade. The band embarked on a headlining tour, during which Smith was found to be unreliable and was replaced with Steve Garvey . Buzzcocks' next single " What Do I Get? ", which was released in February 1978, reached number 37 in

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6510-419: The development of indie rock's sound. According to Audioculture , one of the earliest Dunedin Sound band was Chris Knox 's band the Enemy , which emerged as a post-punk group, whose members also included Alec Bathgate . Although the group was only around for a short time, their shows impressed the teenage musicians that came to see them, including a young Shayne Carter , who went on to form Bored Games ,

6615-445: The distinctive 'protest' element of British-based independent music" Music journalist John Harris has suggested that Britpop began when Blur's fourth single " Popscene " and Suede's debut " The Drowners " were released around the same time in the spring of 1992. He stated, "[I]f Britpop started anywhere, it was the deluge of acclaim that greeted Suede's first records: all of them audacious, successful and very, very British." Suede were

6720-569: The dominant sound was a style of indie rock that was heavily indebted to punk and Nirvana's album Bleach album, while also occasionally making use of drum machines . Gigwise writer Steven Kline described the style as "filthy guitars, filthier hair and t-shirts only a mother would wash". Prominent fraggle acts included Senseless Things , Mega City Four and Carter the Unstoppable Sex Machine . Spin writer Charles Aaron described Pavement and Guided by Voices as "the two bands that came to exemplify indie rock in this period, and still define

6825-484: The end, they were quoting American writer William S. Burroughs ' "A Different Kind of Tension", declaiming their catechism in the anthem "I Believe", and tuning in to a fantasy radio station on which their songs could be heard ("Radio Nine"). Buzzcocks have had a significant impact on American punk, hardcore , and alternative rock acts, being cited as an influence by Dead Kennedys guitarist East Bay Ray , Hüsker Dü , Superchunk , and Dag Nasty . Buzzcocks' name

6930-429: The first UK punk single " New Rose " by the Damned In Australia , the Saints had their first punk release outside the US, " (I'm) Stranded ," on their own "Fatal Records" label. This was followed by the Go-Betweens releasing ' Lee Remick ' a few months later. Dunedin produced the independent record label Flying Nun Records , whose artists defined the Dunedin sound , which would be particularly influential on

7035-446: The first of the new crop of guitar-orientated bands to be embraced by the UK music media as Britain's answer to Seattle's grunge sound. Their debut album Suede for the fastest-selling debut album in the UK. Sunny Day Real Estate 's debut album, Diary (1994), began a new wave of the emo genre, by incorporating elements of it into their indie rock sound. Sunny Day Real Estate and other second wave emo bands, including Piebald ,

7140-418: The following years the Jesus and Mary Chain and Flying Nun Records bands like the Jean-Paul Sartre Experience morphed the genre into a slower, darker and more hypnotic style. The number of college radio stations in the US decreased significantly following NPR 's lobbying against noncommercial station during the 1980s. In turn, the name "college rock" fell into disfavour, soon being replaced by "indie". In

7245-420: The genre and saw record labels use their independent status as a marketing tactic. This led to a split within indie rock: one side conforming to mainstream radio; the other becoming increasingly experimental. By this point, "indie rock" referred to the musical style rather than ties to the independent music scene. In the 2000s, indie rock reentered the mainstream through the garage rock and post-punk revival and

7350-517: The genre as rooted in nostalgia, citing the influence of garage rock and psychedelic rock of the 1960s in progenitors the Stone Roses and the Smiths , in addition to a lyrical preoccupation with literature. In this same vein, Matthew Bannister defined indie rock as "small groups of white men playing guitars, influenced by punks and 1960s white pop/rock, within a broader discourse and practice of (degrees of) independence from mainstream musical values." According to anthropologist Wendy Fonarow ,

7455-449: The genre's earlier anti-establishment politics and instead brought it into the mainstream, with bands like Blur and Pulp even signing to major labels. In her essay Labouring the Point? The Politics of Britain in "New Britain" , politician and academic Rupa Huq states that Britpop "began as an offshoot of the independent British music scene but arguably ended up killing it, as a convergence took place between indie and mainstream, removing

7560-472: The genre, with Bandcamp Daily writer Robert Rubsam, calling them the "fountainhead for all that would come". The first wave of bands in the genre included Red House Painters , Codeine , Bedhead , Ida and Low . The genre originated from around the United States, with no geographic focus, and very little interaction between its artists. A younger subset of grebo bands emerged around 1991, who were in turn labelled "fraggle" bands. During this movement,

7665-420: The growing popularity of college radio stations, primarily in the United States, who would play independent artists of various genres, including alternative rock , new wave , post-hardcore and post-punk . The bands broadcast on these station became dubbed " college rock " by fans, another term which lacked any stylistic implication. The most prominent college rock bands were jangle pop groups R.E.M. , from

7770-580: The influence of the Strokes and the Libertines . This success was exacerbated in the middle of the decade by Bloc Party , the Arctic Monkeys and the Killers and indie rock proliferated into the landfill indie movement. The term indie rock, which comes from "independent", describes the small and relatively low-budget labels on which it is released and the do-it-yourself attitude of the bands and artists involved. Although distribution deals are often struck with major corporate companies, these labels and

7875-552: The last 13 years, including a 35-week run peaking at number 49 in 2016–2017. Furthermore, it was the UK's most streamed pre-2010 song, until it was surpassed in late 2018, and continued to be purchased for download hundreds of times a week by 2017. In March 2018, the song reached the milestone of staying in the Top 100 of the UK Singles Chart for 200 weeks. The impact of the Strokes, the Libertines and Bloc Party led to significant major label interest in indie rock artists, which

7980-620: The late 1980s. Defined by its merger of C86 indie rock, dance music and Hedonist rave culture, particularly its emphasis on the use of psychedelic drugs, the scene was centred in Manchester . The scene was based around the Haçienda nightclub, which opened in May 1982 as an initiative of Factory Records . For the first few years of its life, the club played predominantly club-oriented pop music and hosted performances by artists including New Order , Cabaret Voltaire , Culture Club , Thompson Twins and

8085-478: The live album French , which was recorded in Paris the previous year. Also in 1996, the band's fifth studio album All Set was released. Buzcocks continued to tour and in September 1999, they released the album Modern . In 2000, Mute Records released the 1976 demos that were recorded while Devoto was in the band as Time's Up , which had long been available as a bootleg. This album includes alternative takes of all

8190-495: The mainstreaming of the North American indie rock ethic and style of the 1980s", going on to explain that a band's status as independent became "As much a marketing device as [indie rock and alternative rock were an] identifiable 'sound'". In the wake of this increased attention, indie rock experienced a split: accessible bands who catered to the now-popular alternative rock radio; and bands who continued to experiment, advancing in

8295-437: The mid–1980s with NME ' s C86 cassette in the United Kingdom and the underground success of Sonic Youth , Dinosaur Jr. and Unrest in the United States. During the decade, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore , Midwest emo , slacker rock and space rock began. By this time, "indie" had evolved to refer to bands whose music

8400-463: The only genre at the time which was defined by the methods by which the music was distributed rather than the sound of said music. Journalist Steve Taylor also cited the bands involved in the Paisley Underground scene as early indie groups. However, this jangly style became increasingly mainstream as the decade progressed leading subsequent indie rock bands to abandon this style. Instead, in

8505-570: The principal singer-songwriter. The classic lineup of Shelley, Steve Diggle (guitar), Steve Garvey (bass) and John Maher (drums) recorded Buzzcocks' first three albums, after which the band broke up in 1981 following a dispute with their record label. The band reunited in 1989 and released six more albums before Shelley's death in 2018. Prolific members during that time included Tony Barber (bass) and Phil Barker (drums). The band has remained active, being anchored by long-time guitarist Diggle, who has since also assumed lead vocal duties. As of 2019,

8610-524: The public perception of "rock music" was based in post-grunge , nu metal and rap rock , putting their throwback style of garage rock as a stark contrast to the mainstream. The band's immediate influence allowed fellow classic rock influenced New York bands like the Yeah Yeah Yeahs , Interpol and TV on the Radio to gain mainstream attention. The Strokes were accompanied in this commercial breakthrough by

8715-525: The same venue. A brief clip of Devoto-era Buzzcocks performing the Troggs ' " I Can't Control Myself " appears in the documentary Punk: Attitude , which was directed by Don Letts . Buzzcocks made their London debut at The Screen on the Green in support of the Clash and Sex Pistols, while the next month they played the two-day 100 Club Punk Festival , which was organised by Malcolm McLaren , and would later replace

8820-633: The scene were released between 1989 and 1993: the Wonder Stuff's Hup and Never Loved Elvis ; Ned's Atomic Dustbin's God Fodder and Are You Normal? ; and Pop Will Eat Itself's This Is the Day...This Is the Hour...This Is This! and The Looks or the Lifestyle? . In this period, the scene's bands became fixtures, sometimes headliners, at Reading Festival , sold millions of albums and were frequently featured on

8925-609: The show and arranged for Sex Pistols to perform at the Lesser Free Trade Hall in Manchester in June 1976. Buzzcocks intended to play at this concert but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist Steve Diggle and drummer John Maher , Buzzcocks made their debut opening for Sex Pistols' second Manchester concert on 20 July 1976 at

9030-459: The sixth season of the television series Entourage . On 9 November 2009, Buzzcocks gave a performance on a small balcony overlooking Dame Street, Dublin, for the viral music show BalconyTV . In December 2009, the band played as the main support act for The Courteeners . In August 2011, they headlined the first night of The Rhythm Festival in Bedfordshire . On 25 May 2012 in Manchester at

9135-466: The subgenre baggy . Madchester and baggy's most infamous moment was the 27 May 1990 Spike Island concert headlined by the Stone Roses. With an attendance of around 28,000 and lasting twelve hours, it was the first event of its size and kind to be hosted by an independent act. In Stourbridge , a scene of indie bands who took influence from electronic , punk, folk and hip-hop music emerged, dubbed grebo by critics. Fronted by Pop Will Eat Itself ,

9240-526: The term in many people's minds". Both bands made use of a Lo-fi production style which romanticised their D.I.Y. ethos. Pavement's 1992 album Slanted and Enchanted , was one of the defining albums of the slacker rock subgenre. Rolling Stone called the album "the quintessential indie rock album", placing it on the magazine's list of the 500 greatest albums of all time . In the North Carolina Research Triangle , an indie rock scene

9345-661: The term indie to other forms of popular culture, led a number of commentators to suggest that indie rock had ceased to be a meaningful term. Additionally, a second wave of bands emerged in the United States that managed to gain international recognition as a result of the movement included the Black Keys , Kings of Leon , the Shins , the Bravery , Spoon , the Hold Steady , and the National . The most commercially successful band of this wave

9450-447: The time Buzzcocks broke up; as of 2012, he owned John Maher Racing, a vintage Volkswagen performance-tuning workshop on the Isle of Harris , Scotland. Between 1988 and 1989, EMI re-released much of Buzzcocks' back catalogue on Compact Disc (CD), as well as a Peel Sessions album and a box set called Product . This prompted the band to reform with the original line-up for a world tour. Maher

9555-562: The tracks from the EP Spiral Scratch and early versions of tracks that later appeared on Another Music in a Different Kitchen . in 2002, Shelley and Devoto collaborated for the first time since 1976, producing the album Buzzkunst , Kunst being the German word for 'Art'. The album is a mix of electronic music and punk. Buzzcocks toured as support for Pearl Jam in 2003 and released their seventh, self-titled studio album. In 2005, as

9660-559: The underground. According to AllMusic , it was during this split that "indie rock" solidified itself as a term for the style of music played by these underground artists, while the mainstream indie rock-influenced bands became termed alternative rock. Slowcore developed in the United States as a direct counterpoint to the rapid growth of grunge. Although loosely defined, slowcore generally includes slow tempos, minimalist instrumentals and sad lyrics. Galaxie 500 , particularly their second album On Fire (1989), were heavy influences on

9765-459: Was Las Vegas' the Killers . Formed in 2001, after hearing Is This It , the band scrapped the majority of their prior material to rewrite it under the Strokes' influence. The band's debut single " Mr. Brightside " spent 260 non-consecutive weeks, or five years, on the UK Singles Chart as of April 2021, the most out of any song, and As of 2017 , it had charted on the UK Singles Chart in 11 of

9870-594: Was Sheffield's Arctic Monkeys . One of the earliest groups to owe their initial commercial success to the use of Internet social networking , the Arctic Monkeys had two No. 1 singles, and their album Whatever People Say I Am, That's What I'm Not (2006) became the fastest-selling debut album in British chart history. In this success, legacy indie bands soon entered the mainstream, including Modest Mouse (whose 2004 album Good News for People Who Love Bad News reached

9975-446: Was being spearheaded by groups enfranched Merge Records like Superchunk , Archers of Loaf and Polvo . describing a growing scene of indie-rock bands who were influenced by hardcore punk and post-punk. At the time, publications such as Entertainment Weekly took to calling the college town of Chapel Hill the "next Seattle". Superchunk's single " Slack Motherfucker " has also been credited by Columbia magazine with popularizing

10080-541: Was briefly replaced with The Smiths drummer Mike Joyce . In 1991, Buzzcocks released new material on the four-track EP Alive Tonight . In the US, interest in the band increased after I.R.S. Records released the compilation album Operator's Manual: Buzzcocks Best . It was followed two years later by the fourth studio album Trade Test Transmissions . In 1992, bassist Tony Barber and drummer Phil Barker joined Buzzcocks; this line-up toured with Nirvana in 1994, one of Nirvana's last tours. In 1996, Buzzcocks released

10185-614: Was combined with the title of Sex Pistols' album Never Mind the Bollocks, Here's the Sex Pistols to create the title of the long-running UK comedy television panel game show Never Mind the Buzzcocks . Diggle said in his autobiography he and Shelley only granted the BBC use of their name under the impression it would be a one-off, probably unsuccessful, pilot, and that they are now mildly disgruntled

10290-457: Was further improved with the establishment of 'The Cartel', an association of companies like Red Rhino and Rough Trade Records who would take the releases from these small labels and get them into record shops nationwide. Independent record labels would also be integral to the early years of punk rock musical distribution, as seen with Beserkley Records in the US, who put out The Modern Lovers debut album, and Stiff Records who released

10395-581: Was pioneered by My Bloody Valentine on their early EPs and debut album Isn't Anything . The band's style influenced a wave of bands in London and the Thames Valley area including Chapterhouse , Moose and Lush . This scene was collectively termed "the Scene That Celebrates Itself" by Melody Maker's Steve Sutherland in 1990. Madchester was another style and scene that originated in

10500-459: Was produced by Martin Hannett at Indigo Sound Studios; the music was roughly recorded, insistently repetitive and energetic. The EP was re-released in September 1979 and reached number 31 in the charts. In March 1977, Devoto announced his departure from the band, expressing his dissatisfaction at the direction punk was taking in his statement: "I don't like movements. What was once unhealthily fresh

10605-435: Was released earlier that year. In 1979, Buzzcocks prepared for their first European tour while working on new material. In March, the band released the single "Everybody's Happy Nowadays", which reached number 29 in the chart. The tour that followed culminated at Hammersmith Odeon ; the concert was recorded and released in 1992 as Entertaining Friends . in mid 1979, the band completed the recording of their third album while

10710-501: Was released on independent record labels, in addition to the record labels themselves. As the decade progressed many individual local scenes developed their own distinct takes on the genre: baggy in Manchester ; grebo in Stourbridge and Leicester ; and shoegaze in London and the Thames Valley . During the 1990s, the mainstream success of grunge and Britpop , two movements influenced by indie rock, brought increased attention to

10815-448: Was still "an indie rock standard bearer in the wider world of music". Arctic Monkeys' fifth album AM (2013) was one of the biggest indie rock albums of the decade, charting at number one on the UK Albums Chart , having sold 157,329 copies, thus becoming the second fastest-selling album of the year. With the debut of AM on the chart, Arctic Monkeys also broke a record, becoming the first independent-label band to debut at number one in

10920-507: Was the Midwest emo bands of the latter half of the decade, who incorporated the jangly guitar tones of earlier indie rock and elements of math rock to create the distinctive style of groups like American Football . The popularity of emo, also allowed a number of "not-quite-indie-not-quite-emo" bands like Death Cab For Cutie , Modest Mouse and Karate to gain significant attention. The loosely defined Elephant 6 collective – which included

11025-544: Was then exacerbated by the success of the Arctic Monkeys. In the years following Whatever People Say I Am, That's What I'm Not there was a proliferation of bands such as the Rifles , the Pigeon Detectives and Milburn , who created a more formulaic derivative of the earlier acts. By the end of the decade, critics had taken to referring to this wave of acts as "landfill indie", a description coined by Andrew Harrison of

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