41-586: In Celtic mythology , Carman (Carmán) or Carmun was a warrior and sorceress from Athens who tried to invade Ireland in the days of the Tuatha Dé Danann , along with her three sons, Dub ("darkness"), Dother ("evil") and Dian ("violence"). She used her magical powers to destroy all the fruit of Ireland. Four of the Tuatha Dé Danann, Crichinbel, Lug , Bé Chuille and Aoi , challenged Carman and her sons. The sons were forced to leave Ireland, and Carman
82-782: A King of the Britons , whose daughter, Helena marries Constantius Chlorus and gives birth to a son who becomes the Emperor Constantine the Great , tracing the Roman imperial line to British ancestors. It has been suggested that Leir of Britain, who later became King Lear, was originally the Welsh sea-god Llŷr , related to the Irish Ler . Various Celtic deities have been identified with characters from Arthurian literature as well: for example Morgan le Fay
123-702: A legendary history of Ireland, and the Aided Chlainne Lir (" Children of Lir "). The Ulster Cycle consists of heroic legends about the Ulaid . It focuses on the mythical Ulster king Conchobar mac Nessa and his court at Emain Macha , the hero Cú Chulainn , and their conflict with the Connachta and queen Medb . The longest and most important tale is the epic Táin Bó Cúailnge (Cattle Raid of Cooley). The Fianna Cycle
164-528: A common image stock. The classic entry about the Celtic gods of Gaul is by Julius Caesar 's history of his war in Gaul. In this he names the five principal gods worshiped in Gaul (according to the practice of his time , he gives the names of the closest equivalent Roman gods) and describes their roles: Mercury was the most venerated of all the deities, and numerous representations of him were to be discovered. Mercury
205-697: A symbol of the strength of his eloquence. The first-century Roman poet Lucan mentions the gods Taranis , Teutates and Esus , but there is little Celtic evidence that these were important deities. A number of objets d'art , coins, and altars may depict scenes from lost myths, such as the representations of Tarvos Trigaranus or of an equestrian ‘ Jupiter ’ surmounting the Anguiped (a snake-legged human-like figure). The Gundestrup cauldron has also been interpreted mythically. Along with dedications giving us god names, there are also deity representations to which no name has yet been attached. Among these are images of
246-462: A theme of special importance for writers trying to find unity in the mixture of their land's Celtic, Anglo-Saxon, Roman and Norse inheritance." Geoffrey of Monmouth 's Historia Regum Britanniae is a central component of the Matter of Britain. Geoffrey drew on a number of ancient British texts, including the 9th-century Historia Brittonum . The Historia Brittonum is the earliest known source of
287-524: A three-headed or three-faced god, a squatting god, a god with a snake, a god with a wheel, and a horseman with a kneeling giant. Some of these images can be found in Late Bronze Age peat bogs in Britain, indicating the symbols were both pre-Roman and widely spread across Celtic culture. The distribution of some of the images has been mapped and shows a pattern of central concentration of an image along with
328-658: A triple goddess associated with war, fate and sovereignty; Lugh ; Nuada ; Aengus ; Brigid ; Manannán ; Dian Cecht the healer; and Goibniu the smith, one of the Trí Dé Dána ("three gods of craft"). Their traditional rivals are the monstrous Fomorians (Fomoire), whom the Tuath Dé defeated in the Cath Maige Tuired ("Battle of Moytura"). Other important works in the cycle are the Lebor Gabála Érenn ("Book of Invasions"),
369-589: A wide scatter, indicating these images were most likely attached to specific tribes and were distributed from some central point of tribal concentration outward along the lines of trade. The image of the three-headed god is centrally concentrated among the Belgae, between the Oise, Marne, and Moselle rivers. The horseman with the kneeling giant is centered on either side of the Rhine. These examples seem to indicate regional preferences for
410-523: Is about the exploits of the mythical hero Finn and his warrior band the Fianna , including the lengthy Acallam na Senórach ("Tales of the Elders"). The Kings' Cycle comprises legends about historical and semi-historical kings of Ireland (such as Buile Shuibhne , "The Madness of King Sweeny"), and tales about the origins of dynasties and peoples. There are also mythical texts that do not fit into any of
451-580: Is believed to be based on the main Celtic gods of Ireland, while many Welsh characters belong either to the Plant Dôn ("Children of Dôn ") and the Plant Llŷr ("Children of Llŷr "). Some figures in Insular Celtic myth have ancient continental parallels: Irish Lugh and Welsh Lleu are cognate with Lugus , Goibniu and Gofannon with Gobannos , Macán and Mabon with Maponos , and so on. One common figure
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#1732844126252492-474: Is possible to discern commonalities that hint at a more unified pantheon than is often given credit. The nature and functions of these ancient gods can be deduced from their names, the location of their inscriptions, their iconography , the Roman gods they are equated with, and similar figures from later bodies of Celtic mythology. Celtic mythology is found in distinct if related, subgroups, largely corresponding to
533-400: Is the sovereignty goddess , who represents the land and bestows sovereignty on a king by marrying him. The Otherworld is also a common motif, a parallel realm of the supernatural races, which is visited by some mythical heroes. Celtic myth influenced later Arthurian legend . Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor
574-650: Is the best-known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot , usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of the heroes like Arthur, Gawain and Lancelot . The other concerns the quests of the various knights to achieve the Holy Grail ; some succeed ( Galahad , Percival ), and others fail. The Arthurian tales have been changed throughout time, and other characters have been added to add backstory and expand on other Knights of
615-521: Is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur . The 12th-century writer Geoffrey of Monmouth 's Historia Regum Britanniae ( History of the Kings of Britain) is a central component of the Matter of Britain. It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with
656-715: Is the body of myths belonging to the Celtic peoples . Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion , having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians , did not survive their conquest by the Roman Empire , the loss of their Celtic languages and their subsequent conversion to Christianity . Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to
697-611: The Insular Celtic peoples (the Gaels of Ireland and Scotland ; the Celtic Britons of western Britain and Brittany ). They preserved some of their myths in oral lore , which were eventually written down by Christian scribes in the Middle Ages . Irish mythology has the largest written body of myths, followed by Welsh mythology . The supernatural race called the Tuatha Dé Danann
738-450: The Matter of France , which concerned the legends of Charlemagne and his companions , as well as the Matter of Rome , which included material derived from or inspired by classical mythology and classical history . Its pseudo- chronicle and chivalric romance works, written both in prose and verse, flourished from the 12th to the 16th century. The three "matters" were first described in
779-451: The 12th century by French poet Jean Bodel , whose epic Chanson des Saisnes [ fr ] ("Song of the Saxons") contains the lines: Ne sont que III matières à nul homme atandant: De France et de Bretaigne et de Rome la grant There are only three subject matters for any discerning man: That of France, that of Britain, and that of great Rome. The name distinguishes and relates
820-564: The Blessed ( Bendigeidfran , "Bran [Crow] the Blessed"). Other characters, in all likelihood, derive from mythological sources, and various episodes, such as the appearance of Arawn , a king of the Otherworld seeking the aid of a mortal in his own feuds, and the tale of the hero who cannot be killed except under seemingly contradictory circumstances, can be traced throughout Proto-Indo-European mythology . The children of Llŷr ("Sea" = Irish Ler ) in
861-521: The Divine Mother"), and in the collected Welsh Triads , not enough is known of the British mythological background to reconstruct either a narrative of creation or a coherent pantheon of British deities. Indeed, though there is much in common with Irish myth, there may have been no unified British mythological tradition per se . Whatever its ultimate origins, the surviving material has been put to good use in
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#1732844126252902-506: The Gods, consists of tales and poems about the god-like Túatha Dé Danann and other mythical races. Many of the Tuath Dé are thought to represent Irish deities. They are often depicted as kings, queens, druids, bards, warriors, heroes, healers and craftsmen who have supernatural powers. Prominent members of the Tuath Dé include The Dagda ("the great god"), who seems to have been the chief god; The Morrígan ("the great queen" or "phantom queen"),
943-515: The Matter of Britain from the mythological themes taken from classical antiquity , the " Matter of Rome ", and the tales of the Paladins of Charlemagne and their wars with the Moors and Saracens , which constituted the " Matter of France ". King Arthur is the chief subject of the Matter of Britain, along with stories related to the legendary kings of Britain , as well as lesser-known topics related to
984-487: The Round Table . The medieval legend of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love , such as Lancelot and Guinevere , or Tristan and Iseult . In more recent years,
1025-567: The Second and Third Branches, and the children of Dôn ( Danu in Irish and earlier Indo-European tradition) in the Fourth Branch are major figures, but the tales themselves are not primary mythology. While further mythological names and references appear elsewhere in Welsh narrative and tradition, especially in the tale of Culhwch and Olwen , where we find, for example, Mabon ap Modron ("Divine Son of
1066-594: The Tuatha Dé Danann. Carmán died of grief and it is recorded that death ‘came upon her in an ungentle shape’. She was subsequently remembered in Leinster by a Festival of Carmán held at Lughnasad , 1 August." Her story is told in a poem of the Metrical Dindshenchas , which states that she died in 600 BCE . This article relating to a Celtic myth or legend is a stub . You can help Misplaced Pages by expanding it . Celtic mythology Celtic mythology
1107-523: The advent of Christianity . Indeed, many Gaelic myths were first recorded by Christian monks, albeit without most of their original religious meanings. Irish mythology is the largest surviving branch of Celtic mythology. It was originally passed down orally in the prehistoric era . Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. The myths are conventionally grouped into ' cycles '. The Mythological Cycle , or Cycle of
1148-549: The areas it conquered; in fact, most inscriptions to deities discovered in Gaul (modern France and Northern Italy ), Britain and other formerly (or presently) Celtic-speaking areas post-date the Roman conquest. Though early Gaels in Ireland and parts of Wales used Ogham script to record short inscriptions (largely personal names), more sophisticated literacy was not introduced to Celtic areas that had not been conquered by Rome until
1189-556: The branches of the Celtic languages : As a result of the scarcity of surviving materials bearing written Gaulish , it is surmised that most of the Celtic writings were destroyed by the Romans, though a written form of Gaulish using Greek , Latin and Old Italic alphabets was used (as evidenced by votive items bearing inscriptions in Gaulish and the Coligny calendar ). Julius Caesar attests to
1230-586: The cycles; these include the echtrai tales of journeys to the Otherworld (such as The Voyage of Bran ), and the Dindsenchas ("lore of places"). Some written material has not survived, and many more myths were probably never written down. Important reflexes of British mythology appear in the Four Branches of the Mabinogi , especially in the names of several characters, such as Rhiannon , Teyrnon , and Brân
1271-599: The early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots , for instance, formulated a mythical history in the Pictish and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabrán mac Domangairt especially incorporates elements of both those histories. The Arthurian literary cycle
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1312-413: The history of Great Britain and Brittany , such as the stories of Brutus of Troy , Coel Hen , Leir of Britain (King Lear), and Gogmagog . The legendary history of Britain was created partly to form a body of patriotic myth for the country. Several agendas thus can be seen in this body of literature. According to John J. Davenport, the question of Britain's identity and significance in the world "was
1353-499: The literacy of the Gauls, but also wrote that their priests, the druids , were forbidden to use writing to record certain verses of religious significance (Caesar, Commentarii de Bello Gallico 6.14) while also noting that the Helvetii had a written census (Caesar, De Bello Gallico 1.29). Rome introduced a more widespread habit of public inscriptions and broke the power of the druids in
1394-488: The service of literary masterpieces that address the cultural concerns of Wales in the early and later Middle Ages. The Celts also worshiped a number of deities of which little more is known than their names . Classical writers preserve a few fragments of legends or myths that may possibly be Celtic. According to the Syrian rhetorician Lucian , Ogmios was supposed to lead a band of men chained by their ears to his tongue as
1435-466: The skies, and Mars influences warfare. MacBain argues that Apollo corresponds to Irish Lugh , Mercury to Manannan mac Lir , Jupiter to the Dagda , Mars to Neit , and Minerva to Brigit . In addition to these five, Caesar mentions that the Gauls traced their ancestry to Dīs Pater (possibly Irish Donn ). Arthurian legend By century The Matter of Britain ( French : matière de Bretagne )
1476-596: The story of Brutus of Troy . Traditionally attributed to Nennius , its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War . As such, this material could be used for patriotic myth-making just as Virgil linked the founding of Rome to the Trojan War in The Æneid . Geoffrey lists Coel Hen as
1517-401: The trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology , usually in highly romanticized, 20th-century reconstructed versions. The work of Jessie Weston , in particular From Ritual to Romance , traced Arthurian imagery through Christianity to roots in early nature worship and vegetation rites, though this interpretation is no longer fashionable. It
1558-549: Was imprisoned. She died of longing and was buried in Wexford among oak trees. Her grave was dug by Bres . The place she was buried was called Carman after her, and the Tuatha Dé Danann are said to have instituted an Óenach Carmán, or Festival of Carmán . Celtic historian Peter Berresford Ellis describes her as "a goddess who came to Ireland from Athens with her three ferocious sons — Calma (Valiant), Dubh (Black) and Olc (Evil). They laid Ireland to waste but were eventually overcome by
1599-966: Was often thought to have originally been the Welsh goddess Modron or Irish the Morrígan . Many of these identifications come from the speculative comparative religion of the late 19th century and have been questioned in more recent years. William Shakespeare was interested in the legendary history of Britain, and was familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline . It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material. These tales also figure in Raphael Holinshed 's The Chronicles of England, Scotland, and Ireland , which also appears in Shakespeare's sources for Macbeth . Other early authors also drew from
1640-439: Was seen as the originator of all the arts (and is often taken to refer to Lugus for this reason), the supporter of adventurers and of traders, and the mightiest power concerning trade and profit. Next the Gauls revered Apollo , Mars , Jupiter , and Minerva . Among these divinities, Caesar described the Gauls as holding roughly equal views as other populations: Apollo dispels sickness, Minerva encourages skills, Jupiter governs
1681-551: Was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh , appear to have diffused throughout the Celtic world). Inscriptions of more than three hundred deities, often equated with their Roman counterparts, have survived, but of these most appear to have been genii locorum , local or tribal gods, and few were widely worshiped. However, from what has survived of Celtic mythology, it