The Cappella Paolina (the Pauline Chapel ) is a chapel in the Apostolic Palace , Vatican City . It is separated from the Sistine Chapel by the Sala Regia . It is not on any of the regular tourist itineraries.
75-456: Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter is depicted in an unorthodox manner. Despite
150-424: A central accounting system was involved in the papal chancery; and a budget was apparently prepared, one part of the income going to the papal administration, another to the needs of the clergy, a third to the maintenance of church buildings, a fourth to charity. These fines enabled the papacy to carry out through the 5th century an ambitious building program, including Santa Maria Maggiore." Miri Rubin believes that
225-507: A group of angels as his court. As one historian describes it: "On the apse arch Christ is enthroned, a young emperor attended by four chamberlains , angels of course", this is a perfect example of mosaic art in the 5th century. Another panel found on the triumphal arch is of the Virgin, she is crowned and dressed in a colorful veil, her wardrobe subtly brings to mind that of a Roman empress and in this panel she has her divine son walking with her and
300-411: A publication now in the public domain : Herbermann, Charles, ed. (1913). " The Vatican ". Catholic Encyclopedia . New York: Robert Appleton Company. 41°54′09″N 12°27′17″E / 41.902611°N 12.454726°E / 41.902611; 12.454726 The Conversion of Saul The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It
375-538: A suite of angels and Joseph ready to greet her; "The Virgin...shows to perfection the impressionistic character of mosaics." Another panel is known as the Adoration of the Magi and this mosaic depicts Infant Christ and The Virgin and the arrival of the three wise men, "mosaics illustrating Christ's first coming and his youth covered the triumphal arch." The other panel depicts the Virgin accompanied by five martyrs. The nave of
450-620: Is a model of the chapel itself. Beneath this altar is the Oratory or Chapel of the Nativity, on whose altar, at that time situated in the Crypt of the Nativity below the main altar of the church itself, Ignatius of Loyola celebrated his first Mass as a priest on 25 December 1538. Just outside the Sistine Chapel is the tomb of Gianlorenzo Bernini and his family. The Mannerist interior decoration of
525-506: Is clear that the planners of the decoration belong to a period of concentrated debates on nature and status of the Virgin and incarnate Christ." The magnificent mosaics of the nave and triumphal arch, seen as "milestones in the depiction" of the Virgin, depict scenes of her life and that of Christ, but also scenes from the Old Testament : Moses striking the Red Sea , and Egyptians drowning in
600-564: Is housed in the Pauline Chapel (Capella Paolina), Vatican Palace , in Vatican City . This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus. Pope Paul III commissioned the work for the chapel of his namesake. The chapel was built by Antonio da Sangallo the Younger in 1537 to 1538 with the patronage of Pope Paul III Farnese to serve as storage for
675-673: Is one of the four major papal basilicas as well as one of the Seven Pilgrim Churches of Rome and the largest Marian church in Rome, Italy. The basilica enshrines the venerated image of Salus Populi Romani , depicting the Blessed Virgin Mary as the health and protectress of the Roman people, which was granted a Canonical coronation by Pope Gregory XVI on 15 August 1838 accompanied by his Papal bull Cælestis Regina . Pursuant to
750-585: Is shown by a letter dated October 12, 1541 from Cardinal Alexander, Paul III's nephew, to Bishop Marco Vigerio which discusses the paintings to be carried out in the "New Chapel." S. J. Freedberg notes that the two frescos in the Cappella Paolina, Michelangelo's last paintings, begun in November 1542, almost immediately after the Last Judgement , show from the start a major change in style, away from grace and aesthetic effect to an exclusive concern with illustrating
825-621: Is the highest in Rome, at 246 feet, (about 75 m.). The basilica's 16th-century coffered ceiling, to a design by Giuliano da Sangallo , is said to be gilded with gold, initially brought by Christopher Columbus , presented by Ferdinand and Isabella to the Spanish pope, Alexander VI . The apse mosaic, the Coronation of the Virgin , is from 1295, signed by the Franciscan friar, Jacopo Torriti . The Basilica also contains frescoes by Giovanni Baglione , in
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#1732852516401900-413: The Last Judgement and also in his Conversion of Saul , the muscularity of his figures have more of a strain to them than previous pieces. The muscles and anatomy seem contorted and elongated in ways that should not be natural and the figures are in impractical poses. Yet, this approach to anatomy works to enhance the drama of the piece. These poses and movements create a tension to the scene and highlight
975-689: The Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State . However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic agents of foreign States." In other words,
1050-636: The Macellum of Livia ". It is shown in the early 15th-century painting of the Miracle of the Snow by Masolino da Panicale . The feast was originally called Dedicatio Sanctae Mariae (Dedication of Saint Mary's), and was celebrated only in Rome until it was inserted into the General Roman Calendar , with ad Nives added to its name, in 1568. A congregation appointed by Pope Benedict XIV in 1741 proposed that
1125-575: The Mass and during the Second Vespers on the feast day. The earliest building on the site was the Liberian Basilica or Santa Maria Liberiana , after Pope Liberius (352–366). This name may have originated from the same legend, which recounts that, like John and his wife, Pope Liberius was told in a dream of the forthcoming summer snowfall, went in procession to where it occurred and there marked out
1200-543: The Piazza Santa Maria Maggiore . To the right of the Basilica's façade is a memorial constituting a column in the form of an up-ended cannon barrel topped with a cross: it was erected by Pope Clement VIII to celebrate the end of the French Wars of Religion . In the piazza in front of the facade rises a column with a Corinthian capital, topped with a statue of the Virgin and the child Jesus. This Marian column
1275-487: The Theotokos (Mother of God) when after becoming Pope during a plague in 590 that had taken the life of his predecessor, he ordered for seven processions to march through the city of Rome chanting Psalms and Kyrie Eleison, in order to appease the wrath of God. The processions began in different parts of the city, but rather than finally converging on St Peter's, who was always the traditional protector of Rome, he instead ordered
1350-494: The "Salus Populi Romani" and led liturgical celebrations. As a papal basilica, Santa Maria Maggiore is often used by the pope. He presides over the rites for the annual Feast of the Assumption of Mary on 15 August there. Except for a few priests and the basilica's archpriest, the canopied high altar is reserved for use by the pope alone. Pope Francis visited the basilica on the day after his election. The pope gives charge of
1425-416: The "Sicinini Basilica". This building was then replaced under Pope Sixtus III (432–440) by the present structure dedicated to Mary. However, some sources say that the adaptation as a church of a pre-existing building on the site of the present basilica was done in the 420s under Pope Celestine I , the immediate predecessor of Sixtus III. Long before the earliest traces of the story of the miraculous snow,
1500-554: The "patriarchal basilicas" of Rome,{{efn|When Pope Benedict XVI abandoned the title " Patriarch of the West ", the title of St. Mary Major changed from patriarchal to papal basilica, as found on its website, and each was associated with one of the five ancient patriarchates . St. Mary Major was associated with the Patriarchate of Antioch . The five papal basilicas along with the Basilica of
1575-486: The 1740s commissioned Ferdinando Fuga to build the present façade and to modify the interior. The interior of the Santa Maria Maggiore underwent a broad renovation encompassing all of its altars between the years 1575 and 1630. In 1966, archeologists excavating under the basilica found the remains of a Roman building including an imperial calendar with fasti and agricultural annotations and illustrations . On
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#17328525164011650-566: The 5th century. This being said, the crowning of Mary on the Apse was made much later by Torriti by commission of Pope Nicholas IV. (13th century). These mosaics gave historians insight into artistic, religious, and social movements during this time. As Margaret Miles explains the mosaics in Santa Maria Maggiore have two goals: one to glorify the Virgin Mary as Theotokos (God-Bearer); and the other to present "a systematic and comprehensive articulation of
1725-574: The Blessed Sacrament is named after Pope Sixtus V , and is not to be confused with the Sistine Chapel of the Vatican , named after Pope Sixtus IV . The architect Domenico Fontana designed the chapel, which contains the tombs of Sixtus V himself and of his early patron Pope Pius V . The main altar in the chapel has four gilded bronze angels by Sebastiano Torregiani, holding up the ciborium , which
1800-473: The Cappella Borghese. The 12th-century façade has been masked by a reconstruction, with a screening loggia , that was added by Pope Benedict XIV in 1743, to designs by Ferdinando Fuga that did not damage the mosaics of the façade. The wing of the canonica ( sacristy ) to its left and a matching wing to the right (designed by Flaminio Ponzio ) give the basilica's front the aspect of a palace facing
1875-599: The Great. The church retains the core of its original structure, despite several additional construction projects and damage by the earthquake of 1348 . Church building in Rome in this period, as exemplified in Santa Maria Maggiore, was inspired by the idea of Rome being not just the center of the world of the Roman Empire , as it was seen in the classical period, but the center of the Christian world. Santa Maria Maggiore, one of
1950-656: The Holy Crib of the nativity of Jesus Christ. Here is the burial place of Jerome , the 4th-century Doctor of the Church who translated the Bible into the Latin language (the Vulgate ). Fragments of the sculpture of the Nativity believed to be by 13th-century Arnolfo di Cambio were transferred to beneath the altar of the large Sistine Chapel off the right transept of the church. This chapel of
2025-627: The Holy Cross in Jerusalem and San Sebastiano fuori le mura were the traditional Seven Pilgrim Churches of Rome , which were visited by pilgrims during their pilgrimage to Rome following a 20-kilometer (12 mi) itinerary established by Philip Neri on 25 February 1552. It is now agreed that the present church was built on the Cispian spur of Rome's Esquiline Hill under Pope Celestine I (422–432) not under Pope Sixtus III (432–440), who consecrated
2100-618: The Lateran , St. Peter , and St. Paul outside the Walls . The title of major basilica was once used more widely, being attached, for instance, to the Basilica of St. Mary of the Angels in Assisi ). Along with the other major basilicas, St. Mary Major is also styled a " papal basilica ". Before 2006, the four papal major basilicas, together with the Basilica of St. Lawrence outside the Walls were referred to as
2175-513: The Pauline Chapel as the place where the cardinal-electors were to assemble at the beginning of the conclave prior to the procession and entry into the Sistine Chapel. However, due to restoration work that had begun in 2002, the chapel was unavailable for the 2005 conclave so the Hall of Blessings instead was used for this purpose. The restoration work was finished in 2009 and during the 2013 conclave
2250-519: The Red Sea. Richard Krautheimer attributes the magnificence of the work also to the abundant revenue accruing to the papacy at the time from land holdings acquired by the Catholic Church during the 4th and 5th centuries on the Italian peninsula: "Some of these holdings were locally controlled; the majority as early as the end of the 5th century were administered directly from Rome with great efficiency:
2325-444: The Sistine Chapel was completed (1587–1589) by a large team of artists, directed by Cesare Nebbia and Giovanni Guerra . While the art biographer, Giovanni Baglione allocates specific works to individual artists, recent scholarship finds that the hand of Nebbia drew preliminary sketches for many, if not all, of the frescoes. Baglione also concedes the roles of Nebbia and Guerra could be summarized as "Nebbia drew, and Guerra supervised
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2400-441: The Sistine Chapel. In the Cappella Paolina are sung daily the conclave Solemn Masses "De Spiritu Sancto", at which all members of the conclave must be present. In 1549 and 1550, the Cappella Paolina was used for the papal conclave itself, the Sistine Chapel having been set aside and divided into 19 cells for use by infirm cardinals. The conclave elected Pope Julius III . The 1996 document Universi Dominici gregis stipulated
2475-829: The Vatican Palace.” Journal of the Society of Architectural Historians 62, no. 2 (2003): 228–255. de Tolnay, Charles. "The Final Period: Last Judgement, Frescoes of the Pauline Chapel, Last Pietas." Princeton: Princeton University Press, 1960. Vol 5 Santa Maria Maggiore The Basilica of Saint Mary Major ( Italian : Basilica di Santa Maria Maggiore , Italian pronunciation: [ˈsanta maˈriːa madˈdʒoːre] ; Latin : Basilica Sanctae Mariae Maioris ; Latin : Basilica Sanctae Mariae ad Nives ), or church of Santa Maria Maggiore (also referred to as Santa Maria delle Nevi from its Latin origin Sancta Maria ad Nives ),
2550-635: The Vatican website released a virtual reality rendered version of the Cappella Paolina. It presents the chapel in part 3D rendering and part high-resolution photography, unquestionably made after the 2009 restoration. This can be seen at https://www.vatican.va/various/cappelle/paolina_vr/ . Two other chapels with the same name are in the church of Santa Maria Maggiore and in the Quirinal Palace , both in Rome . [REDACTED] This article incorporates text from
2625-485: The Virgin Mary. There was a difference in the styles used in the triumphal arch mosaics compared to those of the nave; the style of the triumphal arch was much more linear and flat as one scholar describes it, not nearly as much action, emotion and movement in them as there were in the Old Testament mosaics of the nave. One of the first scenes that were visible on the triumphal arch was a panel of Christ's enthronement with
2700-697: The actual painting so that paint pigments only slightly penetrate the plaster. A secco is a technique in which the artist painted on dry plaster and was able to work more quickly and correct mistakes as opposed to other methods. Elkins, James. “Michelangelo and the Human Form: His Knowledge and use of Anatomy.” Art History 7, no. 2 (June 1984): 176–186. E. Wallace, William. “Narrative and Religious Expression in Michelangelo's Pauline Chapel.” Artibus et Historiae 10, no. 19 (1989): 107–121. Kuntz, Margaret. “Designed for Ceremony: The Cappella Paolina at
2775-476: The area on which the church was to be built. Liberiana is still included in some versions of the basilica's name, and "Liberian Basilica" may be used as a contemporary as well as historical name. On the other hand, the name "Liberian Basilica" may be independent of the legend, since, according to Pius Parsch , Pope Liberius transformed a palace of the Sicinini family into a church, which was for that reason called
2850-430: The basilica had become popular in the 14th century in connection with a legend that c. 352 , during "the pontificate of Liberius , a Roman patrician John and his wife, who were without heirs, made a vow to donate their possessions to the Virgin Mary. They prayed that she might make known to them how they were to dispose of their property in her honor. On 5 August, at the height of the Roman summer, snow fell during
2925-505: The basilica on 5 August 434 to the Virgin Mary. The dedicatory inscription on the triumphal arch, Latin : Sixtus Episcopus plebi Dei (Sixtus the bishop to the people of God), is an indication of that Pope's role in the construction. As well as this church on the summit of the Esquiline Hill , Pope Sixtus III is said to have commissioned extensive building projects throughout the city, which were continued by his successor Pope Leo I ,
3000-558: The basilica to an archpriest, usually a cardinal . Formerly, the archpriest was the titular Latin Patriarch of Antioch , a title abolished in 1964. Since 29 December 2016, the archpriest has been Stanisław Ryłko . In addition to the archpriest and his assistant priests, a chapter of canons is resident. Redemptorist , Dominican and Franciscan Friars of the Immaculate priests serve the church. The King of Spain , currently Felipe VI ,
3075-487: The basilica was covered in mosaics representing Old Testament events of Moses leading the Jews out of Egypt across the Red Sea. "The nave mosaics (which represents stories of Old Testament history and accordingly offered Christians in Rome a new 'past') are illusionistic in a colorful and impressionist manner" as this scholar puts it the scene was filled with movement, emotion, and it was to inspire thinking of Rome's "new" past;
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3150-476: The basis of the calendar, the ruins have been dated to c. 200 by Salzman and to the 4th century by Magi. On 15 December 2015, two homeless Arab men attempted to disarm soldiers outside the basilica while yelling the takbir " God is great". The 30 and 40 year old Palestinian and Tunisian called for others to help them as they threatened and assaulted the soldiers and police, but were arrested. The original architecture of Santa Maria Maggiore
3225-419: The beautiful mosaics found on the triumphal arch and nave. The Athenian marble columns supporting the nave are even older, and either come from the first basilica, or from another antique Roman building; thirty-six are marble and four granite, pared down, or shortened to make them identical by Ferdinando Fuga, who provided them with identical gilt-bronze capitals. The 14th-century campanile , or bell tower,
3300-404: The building of the basilica was influenced also by seeing Mary as one who could represent the imperial ideals of classical Rome, bringing together the old Rome and the new Christian Rome: "In Rome, the city of martyrs , if no longer of emperors, Mary was a figure that could credibly carry imperial memories and representations." Gregory the Great may have been inspired by Byzantine devotions to
3375-512: The cardinal-electors assembled in the Pauline Chapel to begin their procession into the Sistine Chapel. The Pauline Chapel was also the venue where the non-cardinal officials, support staff and other personnel who had duties in the 2013 conclave took their oath of secrecy the day before the conclave. In 2004, the Vatican announced plans to restore the frescoes in Cappella Paolina. Work was completed in 2009, revealing bright colors and hues that had been dulled by centuries of dirt and grime. In 2010,
3450-573: The church now known as Saint Mary Major was called "Saint Mary of the Crib" ("Sancta Maria ad Praesepe"), a name it was given because of its relic of the crib or manger of the Nativity of Jesus Christ, four boards of sycamore wood believed to have been brought to the church, together with a fifth, in the time of Pope Theodore I (640–649). This name appears in the Tridentine editions of the Roman Missal as
3525-618: The city. The icon is at least a thousand years old, and according to a tradition was painted from life by St Luke the Evangelist using the wooden table of the Holy Family in Nazareth . The " Salus Populi Romani " has been praised by several popes and acted as a key Mariological symbol. Prior to becoming the Pope Pius XII, Cardinal Eugenio Pacelli celebrated his first Catholic Mass before
3600-519: The complex of buildings has a status somewhat similar to a foreign embassy. The Basilica is sometimes referred to as Our Lady of the Snows , a name given to it in the Roman Missal from 1568 to 1969 in connection with the liturgical feast of the anniversary of its dedication on 5 August, a feast that was then denominated Dedicatio Sanctae Mariae ad Nives (Dedication of Saint Mary of the Snows). This name for
3675-433: The consecrated Host, and as the place where cardinals gather to elect a new Pope. The figure of Christ is in the top left corner of the fresco. He is making a dramatic entrance into the scene, surrounded by a halo of light and a security detail of heavenly hosts. Some of these angels look on in awe and shock at the event occurring, while others act as a protective barrier between those things that are heavenly and divine and
3750-702: The design and supervision of Antonio da Sangallo the Younger . The Cappella Paolina served as both the Chapel of the Sacrament and the Chapel of the Conclave. Paul III dedicated the chapel to the Feast of the Conversion of St Paul , a festival to which he displayed particular devotion. Given the ceremonial and personal significance of the chapel, it was to be expected that the Pope would require
3825-449: The earthly things below. A beam of light radiates from Christ down to a group of figures. This group is highly dramatized in their posing and expression. The most dramatic of these earthly figures is Saul himself. Saul has the face of an old man, though “we know and Michelangelo also knew it well that the calling of Saul on the road to Damascus occurred when he was about 30 years old." Saul's face reflects Michelangelo's own, who at this point
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#17328525164013900-455: The first churches built to celebrate the Virgin Mary, was erected immediately after the Council of Ephesus of 431, which proclaimed Mary Mother of God. Pope Sixtus III built it to commemorate this decision. Certainly, the atmosphere that generated the council gave rise also to the mosaics that adorn the interior of the dedication: "whatever the precise connection was between council and church it
3975-523: The image inside the Borghese Chapel on Easter Sunday , 2 April 1899. In December 1953, the icon was carried through Rome to initiate the first Marian year . On 1 November 1954, the icon was translated and officially crowned by Pope Pius XII at Basilica of Saint Peter as he gave a personal speech and introduced a new Marian feast Queenship of Mary . Future pontiffs Pope Paul VI , Pope John Paul II , Pope Benedict XVI , and Pope Francis all visited
4050-476: The importance of the chapel and the significance of their subjects, the frescoes were generally neglected and overlooked in favor of Michelangelo's nearby masterpieces in the Sistine Chapel . An Italian scholar has recognised Michelangelo's face both in the Saint Paul and Saint Peter paintings by facial superimposition. The chapel was commissioned in 1538 by the order of Pope Paul III and completed in 1540 under
4125-478: The main focus of the composition. The downward sloping hills, the beam of radiant light, and the groupings of the figures surrounding Saul make it clear to the viewer that he is the most important person in this figure-heavy piece. Further in the background is an outline of a city to contextualize the exact moment in which Saul is experiencing this divine intervention. On a journey to this city of Damascus in which he originally intended to arrest Christ followers, Saul
4200-423: The miraculous nature of the event occurring. The work began restoration in 2002 and was finished in 2009. Methods included using a chemical solvent, ultrasonic curettes, and laser equipment. Restoration efforts revealed that Michelangelo not only painted in fresco, but he also painted in mezzo fresco and a secco . Mezzo fresco is a technique in which the artist paints the final, thin layer of plaster underneath
4275-469: The mosaic: "The Egyptians, clad in blue armor with gold bands and scarlet cloaks wildly flying, drown in the greenish-blue waters; the horses, white or light brown shaded with darker browns, highlighted in white, the accoutrements a bright red." Under the high altar of the basilica is the Crypt of the Nativity or Bethlehem Crypt , with a crystal reliquary designed by Giuseppe Valadier said to contain wood from
4350-419: The musculature and form of all the figures, whether clothed or nude. Even the horse shows some muscularity as he recedes into the background, carrying a stray figure with him. Michelangelo's sources for anatomical knowledge were live models, dissections, and sculptures from antiquity. Anatomy played a very important role in his work and can be seen playing out in the Conversion of Saul . In his later works such as
4425-438: The narrative, with no regard for beauty. Other paintings in the chapel are by Lorenzo Sabbatini and Federico Zuccari . The statues in the background are by P. Bresciano. Before the opening of a conclave , the College of Cardinals assembles in this chapel to attend a sermon in which the members are reminded of their obligation to quickly give to the Church her ablest son as ruler and guide. The cardinals then withdraw to
4500-417: The night on the summit of the Esquiline Hill. In obedience to a vision of the Virgin Mary which they had the same night, the couple built a basilica in honor of Mary on the very spot which was covered with snow. The legend is first reported only after the year 1000. It may be implied in what the Liber Pontificalis of the early 13th century says of Pope Liberius: "He built the basilica of his own name near
4575-405: The past of the Old Testament. As one scholar describes it: "Moses strikes the waters of the Red Sea in a heroic gesture, his toga in light and dark grays and blues, but lined in black, the folds white lines, the tunic underneath light blue; the man next to him wears a deep blue toga over a gray and white tunic." Another panel shows the demise of the Egyptians in the Red Sea . An observer describes
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#17328525164014650-411: The place for the pope's Mass (the station Mass) on Christmas Night, while the name "Mary Major" appears for the church of the station Mass on Christmas Day. A Catholic church can only be honored with the title of basilica by apostolic grant or from immemorial custom. St. Mary Major is one of the only four that hold the title of " major basilica ". The other three are the basilicas of St. John in
4725-406: The pope decreed three years of indulgences to those who uttered a prayer to the Virgin while saluting the column. The mosaics found in Santa Maria Maggiore are one of the oldest representations of the Virgin Mary in Christian late antiquity . As one scholar puts it, "This is well demonstrated by the decoration of Santa Maria Maggiore in Rome,... where the iconographic depiction of the Virgin Mary
4800-551: The processions to converge on Mary Major instead. When the popes returned to Rome after the period of the Avignon papacy , the buildings of the basilica became a temporary Palace of the Popes due to the deteriorated state of the Lateran Palace . The papal residence was later moved to the Palace of the Vatican in what is now Vatican City . The basilica was restored, redecorated and extended by various popes, including Eugene III (1145–1153), Nicholas IV (1288–1292), Clement X (1670–1676), and Benedict XIV (1740–1758), who in
4875-402: The reading of the legend be struck from the Office and that the feast be given its original name. No action was taken on the proposal until 1969, when the reading of the legend was removed and the feast was called In dedicatione Basilicae S. Mariae (Dedication of the Basilica of Saint Mary). The legend is still commemorated by dropping white rose petals from the dome during the celebration of
4950-522: The relationship of the Hebrew Bible and the Christian scriptures as one in which the Hebrew Bible foreshadows Christianity." This is explained by the dual images of Old Testament and New Testament events depicted in the mosaics of the triumphal arch and the nave. The mosaics also show the range of artistic expertise and refute the theory that mosaic technique during the time was based on copying from model books. The mosaics found in Santa Maria Maggiore are combinations of different styles of mosaic art during
5025-420: The services of a great artist for its decoration, and, in the opinion of both the Papacy and the people, there was no one greater than Michelangelo . Even before the unveiling of Michelangelo's Last Judgment , Paul III had already decided that Michelangelo, who desperately wanted to fulfill his contract with the della Rovere for the Tomb of Julius II , must paint the frescoes of the Cappella Paolina. This
5100-430: The teams". Others include Ferdinando Sermei, Giacomo Stella , Paul Bril , and Ferraù Fenzoni . The column in the Piazza Santa Maria Maggiore celebrates the famous icon of the Virgin Mary now enshrined in the Borghese Chapel of the basilica. It is known as " Salus Populi Romani ", or "Health of the Roman People" or "Salvation of the Roman People", due to a miracle in which the icon reportedly helped keep plague from
5175-405: The time of Augustus ." Even though Santa Maria Maggiore is immense in its area, it was built to plan. The design of the basilica was a typical one during this time in Rome: "a tall and wide nave; an aisle on either side; and a semicircular apse at the end of the nave." The key aspect that made Santa Maria Maggiore such a significant cornerstone in church building during the early 5th century were
5250-478: The time, according to art scholar Robin Cormack: "the range of artistic expertise and the actual complexities of production can hardly be reduced to a mentality of copying. A test case is given by the mosaics of S. Maria Maggiore in Rome". The triumphal arch at the head of the nave was at first referred to as the apse arch, but later became known as the triumphal arch. The triumphal arch is illustrated with magnificent mosaics depicting different scenes of Christ and
5325-424: Was an old man also troubled by his faith. The figure of Saul represents “the human being in need of a greater light”. Surrounding Saul is a triangular composition of companions that attempt to aid him as he lies recumbent on the ground. With one hand raised to shield himself from Christ, he has an expression of strange discomfort and fear. Most of the elements of this painting point towards the figure of Saul as being
5400-544: Was chosen at least in part to celebrate the affirmation of Mary as Theotokos (bearer of God) by the third ecumenical Council of Ephesus in 431 CE." The mosaics of the triumphal arch and the nave in Santa Maria Maggiore gave a model for the future representations of the Virgin Mary. The influences of these mosaics are rooted in late antique impressionism that could be seen in frescoes , manuscript paintings and many pavement mosaics across villas in Africa, Syria and Sicily during
5475-435: Was classical and traditionally Roman , perhaps to convey the idea that Santa Maria Maggiore represented old imperial Rome as well as its Christian future. As one scholar puts it, "Santa Maria Maggiore so closely resembles a second-century imperial basilica that it has sometimes been thought to have been adapted from a basilica for use as a Christian church. Its plan was based on Hellenistic principles stated by Vitruvius at
5550-504: Was converted to Christianity. While Saul lies helpless on the ground, some of his companions begin to pull out weapons and shields as though they are evading an enemies attack. There is a tension to this scene that is only heightened by the individual expressions on each of the figures faces. The people on earth range from fearful to concerned. Even the angels above seem shaken by Christ's actions. As in most of his pieces, Michelangelo pays careful attention to anatomy, and gives great detail to
5625-461: Was erected in 1614 to the designs of Carlo Maderno during the papacy of Paul V . Maderno's fountain at the base combines the armorial eagles and dragons of Paul V ( Borghese ). The column itself was the sole intact remainder from the Basilica of Maxentius and Constantine in the Roman Forum . The statue atop the column was made by Domenico Ferri. In a papal bull from the year of its installation,
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