98-423: Blast First is a sub label of one-time independent record label Mute Records , founded in approximately 1985. It was named after a phrase taken from the first number of the radical Vorticist journal Blast , published by Wyndham Lewis in 1914. Lewis's "Manifesto" begins with the words "BLAST First (from politeness) ENGLAND". The label was founded by Paul Smith to give UK release to albums by Sonic Youth ,
196-453: A copyrighted work ), which, without the license, the licensed party could be sued, civilly, criminally, or both. In particular, a license may be issued by authorities, to allow an activity that would otherwise be forbidden. It may require paying a fee or proving a capability (or both). The requirement may also serve to keep the authorities informed on a type of activity, and to allow them to set conditions and limitations. A licensor may grant
294-586: A US band with which he was then working closely. It went on to feature more hardcore rock bands than the master label of its synthpop -oriented parent company. Before Mute Records was sold to the EMI group, Blast First fit into the company's profile, which included labels such as the Fine Line and the Grey Area. The labels employees included the sisters Pat and Liz Naylor, and the novelist Alistair Fruish . The label released
392-681: A couple of appearances from Kylie Minogue and a few releases on XL Recordings, the Official Independent Singles Chart Top 50 would be alien to anyone who remembered the indie chart from 1990. It is now more likely for grime, dance and K-Pop artists to be in the Top 10 than indie bands, with the chart of 20 November to 26 November 2020, having KSI and Craig David at number one with their BMG released single "Really Love", BTS at number two with "Dynamite" and AJ Tracey at number three with "West Ten". Apart from re-issues and oldies by people like
490-425: A detainer proceeding because the licensee was never granted any possessory interest. The Licensee would also not be able to recover damages for money spent unless they are able to show detrimental reliance on the license. In certain cases, however, licenses can be made irrevocable, and specific performance may be granted. Where a license is made with a set term period and valid consideration is transferred, revocation of
588-521: A few years later decided to launch a 'new Virgin Records'. This 'Virgin2' was set up as V2 Music in 1996 with staff from Branson's company working on V2 at the same time as the V96 Festival (both record company and festival would use similar 'V' branding, as Branson could not use the full Virgin name for any projects involving music). This British independent label would be joined by other V2 Records around
686-433: A huge number of records (usually promoted by a 'front' of models-turned-singers and various rappers) and, in the 1990s, a UK arm which would eventually turn into hard house label Nukleuz , known for its DJ Nation releases. The dance music scene also proved beneficial to independent labels who compiled and marketed TV-advertised compilations, especially when Virgin teamed up with EMI to launch Now That's What I Call Music ,
784-403: A license under intellectual property laws to authorize a use (such as copying software or using a patented invention) to a licensee, sparing the licensee from a claim of infringement brought by the licensor. A license under intellectual property commonly has several components beyond the grant itself, including a term , territory , renewal provisions, and other limitations deemed vital to
882-425: A license: (1) a clause allowing the licensor to revoke "at will"; (2) the retention by the licensor of absolute control over the premises; and (3) the licensor's supplying to the licensee all of the essential services required for the licensee's permitted use of the premises. Under a pure licensing agreement, the licensor, under its terms and by common-law, can cancel the agreement at will and without cause, unless it
980-514: A licensee any protection from actions for use in Japan. Again, a shorthand definition of a license is "a promise by the licensor not to sue the licensee". That means without a license any use or exploitation of intellectual property by a third party would amount to copying or infringement. Such copying would be improper and could, by using the legal system, be stopped if the intellectual property owner wanted to do so. Intellectual property licensing plays
1078-430: A limited number of computers. The enforceability of end-user license agreements is sometimes questioned . As of 2020, there are various ways to license software with different kinds of licensing models, which allow software vendors to profit from their product offerings in flexible ways. Like other intellectual property, patent owners may grant permission to others to engage in conduct that would otherwise be within
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#17331161054641176-407: A lot of its catalogue in order to please various anti-monopoly and merger commissions or trade bodies, after buying the large part of EMI ( Parlophone ) that UMG was not allowed to keep hold of after acquiring the remainder. In 2016, Radiohead 's back catalogue was sold to Beggars (XL Recordings) , Chrysalis Records was sold to Blue Raincoat Music (now including recordings by Everything but
1274-470: A major role in business, academia and broadcasting. Business practices such as franchising , technology transfer , publication and character merchandising entirely depend on the licensing of intellectual property. Land licensing (proprietary licensing) and IP licensing. A license provides one party with the authority to act on another's land, when such action would typically amount to trespass absent that license. A key distinction between licenses and leases
1372-529: A massive $ 3.4 million record deal, all which ended when Mimran's father, Jean Claude, cut finances. In the end Bowie's Savage album, Black Tie White Noise only just made the US Top 40 albums chart (but was a number one in the UK for Savage's distributor BMG via their Arista label) with Savage Records being a record label whose 'story' Telstar and Sanctuary would follow to a lesser extent. One independent record label who
1470-664: A negative way, WEA set up Korova in 1979 for Zoo Record's Echo & the Bunnymen , with Zoo Records being the Liverpool-based label of Bill Drummond and David Balfe). The term " alternative " was increasingly used to describe artists, and "indie'" was more often used to describe a broad range of guitar-based rock and pop. The "explosion" of the dance music scene in the mid- to late 1980s found labels such as Warp , Coldcut's Ahead of Our Time and Wax On Records set up. In Italy production teams like Groove Groove Melody and
1568-567: A nightclub in South London, before it became a record company). Originally AATW would focus on singles and would issue a compilation album once in a while as a tie-in with a local EMAP-owned radio station such as 97.4 Rock FM in Preston, Lancashire (Rock The Dancefloor - All Mixed Up), while the Ministry of Sound moved into compilations quite quickly with the release of their Sessions series . Over
1666-407: A number one hit that would see CBS and WEA (the future Sony BMG and WMG) move into the market with their rival Hits compilations and Chrysalis and MCA team up for the short lived Out Now! brand. Morgan Khan's StreetSounds/StreetWaves was the first independent company to run up a number of hits in the UK album chart with a run of various artist dance music collections and started off business in
1764-404: A particular geographic region, just for a certain period of time or merely for a stage in the value chain . Moreover, there are different types of fees within the trademark and brand licensing. The first form demands a fee independent of sales and profits , the second type of license fee is dependent on the productivity of the licensee. For example, McDonald's licenses their trademark such as
1862-471: A permission to a licensee to copy and distribute copyrighted works such as "art" (e.g., Thomas Kinkade 's painting Dawn in Los Gato ) and characters (e.g., Mickey Mouse ). With such license, a licensee need not fear a claim of copyright infringement brought by the copyright owner. Artistic license is, however, not related to the aforementioned license. It is a euphemism that denotes freedom of expression,
1960-583: A person who holds a licentiate. In English, the degree has never been called a license. In France, the licence is the first degree awarded in Universities. In Sweden , Finland, and in some other European university systems, a 'licentiate' is a postgraduate degree between the master's degree and the doctorate. The licentiate is a popular choice in those countries where a full doctoral degree would take five or more years to achieve. A license to driving certain vehicles has been applied to many countries around
2058-478: A probation officer and only living at an approved address, in exchange for their early release. If they break the conditions of the licence, they can be "recalled" (returned to prison). Offenders serving determinate sentences are released automatically at a set point in their sentence, whereas prisoners serving indeterminate sentences (e.g. life imprisonment ) can only be released by the parole board . Patent licensing has been studied in formal economic models in
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#17331161054642156-462: A range of alternative music from Butthole Surfers and Labradford through Suicide and Sonic Youth to the William Fairey Band's Acid Brass collection. The latter, a departure for a label noted for its guitar based rock bands, was a covers album of tunes such as A Guy Called Gerald 's "Voodoo Ray" and 808 State 's "Pacific," all replayed by a brass band. Blast First also organised
2254-501: A similar marketplace to their compilations partner, the original BMG company. In the 2010s, due to platforms such as Bandcamp and SoundCloud, a number of the larger indies moved away from signing unknown acts instead acquiring back catalogues and working with 'heritage acts' (for example, those popular in a pre-digital age). New independent BMG , which had been spun-out of the Sony BMG joint venture that included Arista and RCA, ended up with
2352-512: A small but loyal audience. They relied less on mass sales and were able to provide artists much more opportunity for experimentation and artistic freedom . In the late 1940s and into the 1950s, the American music business changed as people began to more quickly learn the industry. Several companies set up their own recording studios , and the number of label owners began to increase. Many of these owners realized that whichever label first publishes
2450-502: A song is legally entitled to receive compensation for every record sold. Jazz musicians pioneered a new subset of independent labels, companies operated by the artists themselves. Following the original pioneers of the music industry, many new labels were launched over the following decades by people with industry experience. From the 1940s to 1950s, R&B indie labels such as Savoy, Apollo, King, Modern, Mercury, Imperial, Specialty, Red Robin, Duke and Vee-Jay Records were founded. During
2548-457: A specific genre , and the chart featured a diverse range of music, from punk to reggae , MOR , and mainstream pop , including many songs in the late 1980s by artists like Kylie Minogue and Jason Donovan on the PWL label. Even though PWL 's releases were mainly Hi-NRG -influenced disco-pop the label was independently distributed and did have a music fan ( Pete Waterman ) at its helm, of which
2646-501: A valuable marketing tool (especially when targeting readers of the NME, Select and various student publications) and so the Britpop-era gave rise to the idea of the 'fake indie'. The 'fake indie' would be a record label owned by a major company but whose distribution did not go through the parent company's distribution arm, going through an independent in order for those records to be eligible for
2744-403: Is "A license is a promise not to sue", because a license usually either permits the licensed party to engage in an illegal activity, and subject to prosecution, without the license (e.g. fishing , driving an automobile , or operating a broadcast radio or television station ), or it permits the licensed party to do something that would violate the rights of the licensing party (e.g. make copies of
2842-621: Is a record label that operates without the funding or distribution of major record labels ; they are a type of small- to medium-sized enterprise , or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network ( WIN ). Many of the labels started as producers and distributors of specific genres of music, such as jazz music , or represent something new and non-mainstream, such as Elvis Presley in
2940-403: Is a challenge to this orthodoxy: George McKay's argument in the article 'Was punk DIY? Is DIY punk?' that, because it relied on existing commercial record manufacturing companies, [n]o punk band ever made its own singles . Further, only recently has the early 1970s pub rock scene has been re-evaluated by cultural historians and in rock documentaries such as Sky Arts' Trailblazers series, with
3038-489: Is a label that owns its distribution channel . Some independent labels, particularly those with successful artists, sign dual-release, or distribution only agreements with major labels. They may also rely on international licensing deals and other arrangements with major labels. Major labels sometimes fully or partially acquire independent labels. Other nominally independent labels are started and sometimes run by artists on major labels but are still fully or partially owned by
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3136-445: Is coupled with an interest or made irrevocable by contract. A license that has been coupled with an interest is not revocable by the licensor without exposure to liability and potential damages. In the event a license is coupled with an interest, the licensor must provide reasonable time for the licensee to remove that interest from the property prior to termination. Additionally, because a license does not confer any possessory interest in
3234-437: Is generally created by an express or implied agreement. The licensor must agree to the license which can be shown in writing or the licensors acquiescence in its exercise. Furthermore, unlike many other contractual agreements, a license does not require consideration, a license can be created with or without it. Moreover, whether an agreement is held to be a "license" and not a lease will depend on three essential characteristics of
3332-478: Is that a license grants the licensee a revocable non-assignable privilege to act upon the land of the licensor, without granting any possessory interest in the land. Once a license is agreed upon, the licensee may occupy the land only so far as is necessary to complete the act. Another key distinction between a license and a lease is that leases are generally required to be in writing, where the statute of frauds requires it, while licenses can be made orally. A license
3430-561: The 13th Floor Elevators and began distributing releases from local rock bands. In the United Kingdom during the 1950s and 1960s, the major labels EMI , Philips , and Decca had so much power that smaller labels struggled to establish themselves. Several British producers launched independent labels, including Joe Meek ( Triumph Records ), Andrew Loog Oldham ( Immediate Records ), and Larry Page ( Page One Records ). Chrysalis Records , launched by Chris Wright and Terry Ellis ,
3528-581: The Official Charts Company when he released Weltschmerz on 25 September 2020, an album self-funded, marketed and distributed from his home in Scotland. As he did not partner with a record label like BMG, he missed out on a top ten album chart placing when early sales revealed that he would have been number 2 on the UK midweek charts behind that week's chart topper, the Partisan-signed band IDLES. On
3626-478: The Recording Industry Association of America , indie labels produce and distribute about 66% of music titles, but only account for 20% of sales. Many musical artists begin their careers on independent labels, hoping to further grow their career into signing with a record label . The distinction between major and independent labels is not always clear. The traditional definition of a major label
3724-541: The peak body for the independent music industry is the Australian Independent Record Labels Association , known as AIR, representing about 350 members as of 2019 . A 2017 report commissioned by AIR, titled AIR Share: Australian Independent Music Market Report , was the first market analysis of the industry in Australia. It showed that indie labels represented 30% of revenue generated by
3822-502: The post-war period in the United States . Disputes with major labels led to a proliferation of smaller labels specializing in country , jazz , and blues . Sun Records played an important part in the development of rock 'n' roll and country music, working with artists such as Elvis Presley , Carl Perkins , Johnny Cash , Jerry Lee Lewis , Roy Orbison , and Charlie Rich . These independent labels usually aimed their releases at
3920-402: The " Golden Arches " or the " Big Mac ", but the licenses gives McDonald's a right to impose strict quality standards to their franchisees as they can take back the right to the trademark if they do not meet McDonald's standards. When a licensor grants permission to a licensee to not only distribute, but manufacture a patented product, it is known as licensed production . A licensor may grant
4018-452: The 1960s, rock label Elektra, R&B labels such as Motown, Stax records released singles and albums. A noted success was that of comedy artist Tom Lehrer , who sold more than 350,000 copies of his 4 albums on his own label, Lehrer Records, by the mid-1960s before moving publishing to Warner Bros. Amidst the advent of the psychedelic revolution independent record labels such as International Artists geared their attention towards bands like
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4116-513: The 1980s. Early independents of the 1970s included labels such as MAM Records , set up by the Gordon Mills' Management Agency & Music company. However MAM, like many of the small independents in the United Kingdom ended up signing a distribution deal with a major to remain viable, with MAM's records being licensed and distributed by Decca until it was sold to Chrysalis. For many years,
4214-658: The 1990s would see the founding of two independent companies who would go on to chart numerous dance music collections in the new compilations album chart, Blackburn-based All Around the World (AATW) and the Ministry of Sound . Both All Around the World/AATW and the Ministry of Sound would be founded in 1991, the former by Cris Nuttall and Matt Cadman, the latter by James Palumbo , Humphrey Waterhouse and Justin Berkmann (though initially as
4312-579: The Australian recorded music market, and that 57% of independent sector revenue was from Australian artists, which put the Australian sector in the Top 10 global list of mainly English-speaking indie music markets, according to then CEO of WIN (Worldwide Independent Network), Alison Wenham. (By comparison, the US indie market had a 34% share while the UK had 23%.) The report valued the Australian recording industry as worth A$ 399.4 million , sixth largest music market in
4410-547: The Disco Mix Club (DMC) for their Hit Mix series. Coming before the Acid House-era the first Hit Mix album in 1986 still had a large amount of pop hits from mainstream chart stars like Kajagoogoo, Kate Bush and Nik Kershaw, but Paul Dakeyne & Les 'L.A. Mix' Adams mixed 86 tracks onto four-sides of vinyl, while follow-up releases would start to feature more house tracks by people like Krush and Nitro De Luxe. The start of
4508-628: The Disobey experimental club nights, with Russell Haswell and Bruce Gilbert (aka DJ Beekeeper) of the Post-punk band Wire . Albums on Blast First that either reached the UK Albums Chart or have become examples of the indie/alternative genre: (Note: Blast First was merely the UK label for these US bands, which were all primarily signed to deals with American labels). Independent record label An independent record label (or indie label )
4606-597: The FPI Project would make and release Italo dance/piano house records under many pseudonyms and license them individually to various record labels around the world (such as Beggars' Citybeat label). Instead of going down this one-by-one deal route, Cappella 's Gianfranco Bortolotti set up Media Records in Brescia, northern Italy to release his 'commercial European dance music', a set-up which included fifteen studios featuring various production teams working almost non-stop on
4704-515: The Girl , Athlete and Cockney Rebel ), while the rights to albums by Guster and Airbourne went to Nettwerk . In 2017, WMG went on to sell the catalogues of a number of other artists to independent record companies, including Domino ( Hot Chip and Buzzcocks ), Cherry Red ( Howard Jones , Dinosaur Jr. and Kim Wilde ), Fire ( The Lemonheads and The Groundhogs ) and Because Music ( The Beta Band and various French acts). Apart from
4802-537: The Official Independent Albums Chart Top 10 for 8 October, IDLES would be number one with Ultra Mono with acts from the 1970s, 1980s and 1990s taking up a further seven slots (including compilations from acts like Slade and new albums from people like Hüsker Dü 's Bob Mould ). According to Korean newspaper Kyunghyang Shinmun , K-pop company Big Hit Entertainment had revenues of 484 billion South Korea won ($ 436 million US dollars) for
4900-471: The White Stripes and Arctic Monkeys, the nearest to a new indie band hit is pop guitar band McFly at number 30 with their song "Happiness", only charting after a special called "McFly: All About Us" was broadcast by ITV on 14 November 2020. After having his own independent record company in the 1990s which charted a number of releases in the main UK charts, prog rock singer Fish decided not to sign up to
4998-399: The ability to make the subject appear more engaging or attractive, by fictionalizing part of the subject. A licentiate is an academic degree that traditionally conferred the license to teach at a university or to practice a particular profession. The term survived despite the fact that nowadays a doctorate is typically needed in order to teach at a university. The term is also used for
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#17331161054645096-562: The attraction of creating independent labels for the genre. MF Doom 's album Madvillainy sold over 150,000 copies, making it Stones Throw Records highest selling underground album. In 2004, Telstar Records went bankrupt in the UK after giving Victoria Beckham a £1.5 million record deal. Like Savage Records a decade earlier Telstar did not stick to their niche (they started off as a compilations label - similar to Ronco and K-Tel - before signing children's TV stars and dance acts to their XSRhythm and Multiply labels) and tried to operate in
5194-404: The bands got bigger the releases ended up going through major distribution channels like Arvato (its also worth pointing out that BMG would be seen as being one of the largest independent record companies of the 21st century after Sony BMG was dissolved). Richard Branson sold the independent label he co-founded with Simon Draper and Nik Powell ( Virgin Records ) to Thorn EMI in 1992 and
5292-408: The case of Factory, one of Tony Wilson's beliefs was that "musicians own everything, the company owns nothing", which caused problems for the firm when it was going to be taken over by Roger Ames' London Recordings (a 'boutique' semi-independent label which followed Ames from Polygram to Warners when he became CEO). London Recordings did not have to buy Factory out right because the artists owned
5390-423: The catalogues of Echo , Infectious and Sanctuary (the biggest independent record label in the UK before it went bankrupt), while Cherry Red Records , who had a few 'heritage acts' like Hawkwind on their main label, were mainly concerned with their re-issue labels such as 7T's Records (1970s music), 3 Loop Music (indie music) and Cherry Pop (mainly chart pop from the 1980s). From 2013, Warner Music had to sell
5488-494: The company is sometimes excluded from various lists of 'greatest independent labels' due to its association with Island Records in the 1980s (though ranked at number 7 on the NME's list from 2015). In the United States, independent labels such as Beserkley found success with artists such as The Modern Lovers . Another factor that came to define independent labels was the method of distribution, which had to be independent of
5586-403: The developer of that software. Such license is typically included in a more extensive end-user license agreement (EULA) entered into upon the installation of that software on a computer. Typically, a license is associated with a unique code, that when approved grants the end user access to the software in question. Under a typical end-user license agreement, the user may install the software on
5684-409: The document of that permission or permit). A license is granted by a party (licensor) to another party (licensee) as an element of an agreement between those parties. In the case of a license issued by a government, the license is obtained by applying for it. In the case of a private party, it is by a specific agreement, usually in writing (such as a lease or other contract). The simplest definition
5782-446: The early days. Indies release rock , soul , R&B , jazz , blues , gospel , reggae , hip hop , and world music . Music appearing on indie labels is often referred to as indie music , or more specifically by genre, such as indie hip-hop . Independent record labels are small companies that produce and distribute records . They are not affiliated with or funded by the three major records labels . According to SoundScan and
5880-432: The field of industrial organization . In particular, Katz and Shapiro (1986) have explored the optimal licensing strategy of a research lab selling to firms who are competitors on the product market. It turns out that (compared to the welfare-maximizing solution) the licensor's incentives to develop innovations may be excessive, while the licensor's incentives to disseminate the innovation are typically too low. Subsequently,
5978-415: The field of industrial electronics). Often, patent owners will require a licensee to pay money in exchange for granting a patent license. Such payments are referred to as royalty payments and come primarily in two forms: lump sum or running royalty. A lump sum royalty involves an upfront, one-time payment, while a running royalty typically involves periodic payments ( e.g., quarterly or annual) based on
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#17331161054646076-423: The firm running TV channels in the 21st century based on Clubland and Universal's Now Music brands. Also in 1991 Rough Trade Distribution went bankrupt, causing a number of indie labels to stop trading (including Rough Trade itself and - indirectly - Factory, who had already spent a large amount of money on various projects such as their headquarters at Fac251 ) and others to be sold off in part to majors. In
6174-490: The first annual coordinated celebration of independent music across the world, for which the Australian Independent Record Labels Association created a list of the greatest independent records of all time. After Wenham's departure, WIN's director of Legal and Business Affairs, Charlie Phillips, was promoted to the leadership role, named as chief operating Officer. He would report directly to
6272-558: The first three quarters of 2020, a period which did not include the release of the Billboard album chart topping BE by BTS, but did include the period when the label bought into Han Sung Soo's Pledis Entertainment . In October 2020, Big Hit Entertainment floated on the Korean stock market with founder Bang Si-hyuk giving the members of BTS shares in the company and his stake in Big Hit making him
6370-413: The following decades, album brands such as AATW's Clubland and Floorfillers or the Ministry of Sound's The Annual and Euphoria (with the latter brand picked up from Telstar) would turn-up in the compilations top 20 so regularly that the majors became interested, with Sony taking over Ministry of Sound's record company and AATW getting into a joint-venture with Universal Music TV, which ended up with
6468-432: The general consensus was that the punk rock movement was the main turning point for independent labels, with the movement's do-it-yourself ethos creating an even greater proliferation of independent labels. Scholars of punk from Dave Laing (1985) to Matt Worley (2017) have consistently argued that independent labels were, along with self-produced punk fanzines, key to punk's influential DIY heart. Worth noting here though
6566-406: The genre being given a more prominent role in music history than it had. The pub rock scene included labels such as Chiswick Records and Stiff Records , the latter being a company known for rude slogans, bizarre releases (such as The Wit And Wisdom Of Ronald Reagan ) and tours by train. Even though Stiff Records released the UK's first punk single, ("New Rose" by The Damned on 22 October 1976),
6664-423: The indie chart. Acts promoted this way initially included Sleeper on BMG's Indolent Records and Echobelly on Sony's Fauve Records. However, at this point its worth noting that Sony owned half of Creation Records at the time (with Alan McGee too important within the scene to be labelled a 'fake'), that Fauve Records was set up as part of a labels deal between Epic and former dance music label Rhythm King and as
6762-586: The label managed to make it into the 1990s with a number of dance and hip-hop hits by artists such as Silver Bullet and A Homeboy, Hippy and A Funky Dread (issued on Savage's Tam Tam dance label). Around the time Soho had their top ten UK hit, Mimran decided that Savage would not just be a British indie, but would be an American major instead. Savage Records went on a spending spree in America, which resulted in them opening plush offices on Broadway, hiring Michael Jackson's manager Frank DiLeo and signing David Bowie to
6860-408: The label was closely associated with. Whether indie fans dismiss Stock Aitken Waterman as cheesy pop or not, this was as true for Waterman as it was for Ivo Watts-Russell (4AD), Alan Horne (Postcard), Daniel Miller (Mute), Alan McGee (Creation) or Tony Wilson (Factory). The UK Indie Chart became a major source of exposure for artists on independent labels, with the top ten singles regularly aired on
6958-554: The last two spent as CEO . As a driving force in helping indie labels being able to compete worldwide with bigger companies, Wenham featured in Billboard ' s "Top Women in Music" every year since publication. She stepped down from her role at WIN in December 2018, the following year taking on a non-executive director 's role at Funnel Music. On 4 July 2008, WIN ran " Independents Day ",
7056-493: The license prior to the terms expiration may raise breach of contract claims that could provide damages against the licensor. Furthermore, once the licensor terminates or revokes the license, notice is statutorily required prior to the commencement of any special proceeding to recover possession of the property (e.g., in NY that requirement is 10 days). Mass distributed software is used by individuals on personal computers under license from
7154-432: The licensee is the only person or entity that is allowed to sell, make, use, offer to sell, or import the patented invention) or non-exclusive ( i.e., the licensee is simply one of several entities who has rights under the patent). Finally, any rights given under the agreement may be limited to a particular "field of use" ( e.g., a licensee may be able to practice an invention in the field of consumer electronics, but not in
7252-430: The licensee, in the event of a sale of the property, the license is terminated and cannot be enforced against the new owners of that property. Moreover, the death of either the licensee or licensor will terminate the agreement. If a license is revocable at will by the licensor, courts will be unable to grant specific performance in favor of the licensee. A licensee would be unsuccessful in bringing forcible entry claims or
7350-472: The licensor. Term: many licenses are valid for a particular length of time. This protects the licensor should the value of the license increase, or market conditions change. It also preserves enforceability by ensuring that no license extends beyond the term of the agreement. Territory: a license may stipulate what territory the rights pertain to. For example, a license with a territory limited to "North America" (Mexico/United States/Canada) would not permit
7448-473: The lowest share of the total music market, at only 16%. In 2017, South Korea's indie market showed the healthiest share of the total music market, 88%. In 2017, the UK indie market had a 23% share of the total music market. In 2017, the US indie market had a 34% share of the total music market. License A license ( American English ) or licence ( Commonwealth English ) is an official permission or permit to do, use, or own something (as well as
7546-514: The major label. These labels are frequently referred to as vanity labels or boutique labels, and are intended to appease established artists or allow them to discover and promote newer artists. According to the Association of Independent Music , "A 'major' is defined in AIM's constitution as a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for
7644-493: The major labels for records to be included in the UK Indie Chart , with labels such as Industrial and Factory retaining full independence (though Beggars was excluded as they had a deal with Warner Brothers for Gary Numan at the time). The late 1970s had seen the establishment of independent distribution companies such as Pinnacle and Spartan, providing independent labels an effective means of distribution without involving
7742-462: The major labels. Distribution was further improved with the establishment of 'The Cartel', an association of companies such as Rough Trade Records , Backs Records, and Red Rhino , which helped to take releases from small labels and get them into record shops nationwide. The UK Indie Chart was first compiled in 1980, with the first number one being "Where's Captain Kirk?" by Spizz and his band (billed on
7840-447: The majors at their own game. David Mimran's Savage Records (known for British band Soho and their Smiths-sampling indie-dance hit "Hippychick" in 1991) was set up by the Swiss teenager in 1986 and funded by his multi-millionaire father. Due to the almost endless financing of his father and the fact their A&R manager (a Swiss record shop owner called Bernard Fanin) had industry experience,
7938-492: The masters and so London could pick and choose which acts they wanted, dealing with them directly (though due to problems with the administration, London did not get the rights to New Order's catalogue for a couple of years and so a company called CentreDate Co Ltd was set up to license them back to London). However, not all indie record labels failed in this era due the problems with Rough Trade Distribution, some failed because they did not stick to their niche and tried to take on
8036-476: The national television show The Chart Show . By the late 1980s, the major labels had identified that there was an opportunity in indie music and so teamed up with many of the main figures of the indie scene to launch indie music record labels. WEA (Warner/Elektra/Atlantic) teamed up with Geoff Travis and él Records' Mike Alway to launch Blanco y Negro , followed a few years later by Alan McGee's Elevation label (even though some indie fans viewed this development in
8134-404: The number of patented products sold or imported. A licensor may grant permission to a licensee to distribute products under a trademark . With such a license, the licensee may use the trademark without fear of a claim of trademark infringement by the licensor. The assignment of a license often depends on specific contractual terms . The most common terms are, that a license is only applicable for
8232-493: The optimal number of licenses in a signalling model. The provision of licenses and the agencies that mandate them are often criticised by American libertarians like Milton Friedman for creating an anticompetitive environment for occupations, which creates a barrier to entry for more qualified and skilled individuals who may not have the resources to obtain the necessary licences. According to Friedman, licenses and permits have become so burdensome due to legislation that favors
8330-455: The pre-Now days of Open Top Cars and Girls in T'Shirts , Raiders of the Pop Charts and Chart Encounters Of The Hit Kind . In fact, apart from a few soul music compilations billed as Dance Mix - Dance Hits on Epic and a few throwback disco collections, Khan's company was the only label regularly charting with music that could be classed as with club or dance until Stylus Music teamed up with
8428-707: The recently elected chair, Justin West, of Canadian company Secret City Records. As of August 2019 other member organisations of WIN included A2IM (USA), ABMI (Brazil), ADISQ (Canada – Quebec only), AIM (UK), AMAEI (Portugal), A.S.I.A.r (Argentina), Audiocoop (Italy), BIMA (Belgium), CIMA (Canada), DUP (Denmark), FONO (Norway), HAIL (Hungary), IMCJ (Japan), IMICHILE (Chile) IMNZ (New Zealand), IMPALA (Europe), indieCo (Finland), IndieSuisse (Switzerland), Liak (Korea), P.I.L. (Israel), PMI (Italy), Runda (Balkans), SOM (Sweden), stomp (Netherlands), UFI (Spain), UPFI (France), VTMOE (Austria) and VUT (Germany). Particularly active are
8526-411: The record as Spizzenergi ). "Where's Captain Kirk?" had been a constant seller for Geoff Travis' Rough Trade Records , but never got into the chart compiled by BMRB (British Market Research Bureau) as a lot of independent stores were not chart return shops and because a more accurate way of collating sales via EPOS (electronic point-of-sale systems) had yet to be introduced. The chart was unrelated to
8624-547: The sale of records or music videos. The majors are currently Sony , Warner Music (WMG) and the Universal Music Group (UMG), with EMI and BMG (RCA/Ariola International) being the other two majors that made up the 'Big 5' of the 1980s and 1990s. If a major owns 50% or more of the total shares in a company, that company would (usually) be owned or controlled by that major." Independent labels have historically anticipated developments in popular music , beginning with
8722-452: The scope of a patent. For example, a patent owner may authorize a licensee to make, use, sell, offer for sale, or import a patented product. Such agreements are typically referred to as a patent license agreement or a covenant not to sue . These agreements can last for a specific period of time (such as five years) or for the entire life of the patent ( i.e., until the patent expires). Patent license agreements may also be exclusive ( i.e.,
8820-509: The seminal work of Katz and Shapiro (1986) has been extended in several directions. For example, Bhattacharya, Glazer, and Sappington (1992) have taken into account that the firms acquiring licenses must make further investments in order to develop marketable products. Schmitz (2002, 2007) has shown that asymmetric information due to adverse selection or moral hazard may lead the research lab to sell more licenses than it would do under complete information. Antelo and Sampayo (2017) have studied
8918-498: The sixth richest person in Korea. The international peak body for the indie music industry, Worldwide Independent Network, was founded in 2006. WIN is a coalition of independent music bodies from countries throughout the world. Alison Wenham spent 17 years leading the UK's Association of Independent Music (AIM), which she launched in 1999. During this time she also helped to found WIN in 2006, remaining at WIN for twelve years, with
9016-514: The time were signed and saw great commercial success with independent labels. These included Hep Stars ( Olga Records ), Tages ( Platina Records ) and Ola & the Janglers ( Gazell Records ). According to Företagskällan , these three artists secured an interest for minor record labels, a situation which otherwise would've led to 'the big five' having full control of the Swedish music scene during
9114-485: The trade associations in countries and regions with well-established music markets: AIM (UK), A2IM (USA), AIR (Australia), CIMA (Canada), VUT (Germany), IMNZ (New Zealand), UFI (Spain); IMICHILE (Chile), ABMI (Brazil), and IMPALA (Europe). In 2016, WIN's WINTEL report, an analysis of the global economic and cultural impact of the indie sector, showed the share of the global market as 37.6%. The sector generated worldwide revenues of US$ 5.6 billion in 2015. In Australia,
9212-536: The world in terms of revenue and ahead of countries with higher populations such as Canada and South Korea. Digital revenue, at 44%, had overtaken that coming from physical sales, at 33%. A spokesperson from the company Unified Music Group said that governments were beginning to recognise the financial and cultural worth of a thriving music industry, but there was still a big challenge for the independents to compete with well-funded tech companies that have an anti- copyright agenda. In 2017, Finland's indie market share had
9310-464: The world, with V2 Records Benelux founded in 1997, a record company which continues to operate to this day. In 2001, Daptone Records records would be founded in New York, a funk and soul label known for Sharon Jones , Charles Bradley and a lot of the musicians who would appear on Amy Winehouse 's Back to Black album in 2006. As the indie hip hop or underground hip hop scene began to grow, so did
9408-416: The world. Being allowed to drive a certain vehicle requires a specific driving license, the type of license depending on the type of vehicle. In the United Kingdom prisoners serving a determinate sentence (a fixed time in prison) will be released prior to the completion of their full sentence "on licence". The licence is the prisoner's agreement to maintain certain conditions, such as periodic reporting in to
9506-404: Was having a better time than Savage Records in the early to mid-90s American marketplace was Epitaph Records . It was Epitaph that released The Offspring 's 1994 album Smash , which would become the best-selling independent record of the 1990s. The album was certified six times platinum in the United States and sold more than 12 million copies worldwide. In the UK, the indie chart was still
9604-511: Was perhaps the most successful independent label from that era. Several established artists started their own independent labels, including the Beatles ' Apple Records , and the Rolling Stones ' Rolling Stones Records . These labels tended to fail commercially or be acquired by the major labels. Internationally, the situation was different. In Sweden , three of the four biggest rock bands at
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