Austropop is pop music from Austria , which came into use in the late 1960s, but had its heyday in the 1970s and early and up until the mid-1980s. Austropop comprises several musical styles, from traditional pop music to rock , and it also sometimes includes traditional folk elements such as yodeling .
45-456: Austropop artists usually distinguish themselves from german genres by using decidedly Austrian dialects for their lyrics. For example, Neue Deutsche Welle does not count as Austropop, as not only do the artists originate from Germany, but their lyrics are also in Standard German . The movement is believed to have started in 1971 by Wolfgang Ambros with his song " Da Hofa ", although this
90-605: A DJ and event organizer, Hell also curated over 40 Bavarian Gigolo Nights featuring international DJs and live bands in various clubs in Munich. During this period in the late 1990s, numerous releases on International Deejay Gigolos notably fuelled the 1980s revival in the German and international club scene, establishing DJ Hell as one of the founders of the Electroclash subgenre. International Deejay Gigolos has released works by big names on
135-487: A DJ and has always DJ'd him, bought the rights to the original composition and released his reworked version of the song as a single on International Deejay Gigolos in 2014. In 2015, DJ Hell gave a lecture together with Sascha Arnold at the Munich Chamber of Architects with a picture presentation about club architecture and culture in Munich during the 1970s and 1980s. In the same year, Electronic Beats by Telekom filmed
180-585: A Slices documentary about DJ Hell. For the Design Hotel Flushing Meadows in Munich, DJ Hell designed one of eleven hotel rooms on the third floor in 2015. The room is designed entirely in black color and houses as a design element a life-size band of metal skeletons on keyboard, electric guitar and mic stand above the bed. For the 2015/16 winter collection of fashion designer Boris Bidjan Saberi, who now lives and works in Barcelona, DJ Hell produced
225-429: A concept that is confidently sustained. The film is simple but not repetitive, using variations in the music to drive the imagery. Full of allusions to the history of the music video, this is an original look at a much-loved part of the subversive canon.”. For Balenciaga Paris , DJ Hell produced a DJ mix for various 3D art videos: Balenciaga Loop 05 - Nightlife and Balenciaga Loop 06 - After Hours He also played at
270-583: A designer. This work has given rise to an underwear collection for Wendy & Jim, women's underpants for Agent Provocateur , CD cases for Magma , and a pair of glasses for Freudenhaus. In 2004, Karl Lagerfeld photographed DJ Hell for V Magazine. These photographs were then exhibited at a gallery in Berlin. DJ Hell on his affinity for fashion (in SPEX #316/2008, p. 95f): “In England, fashion and music have gone together for decades. In Germany, however, one tends to deny
315-562: A hitman. The sequel to the film, in which DJ Hell plays the pop singer Helmut, is scheduled for March 2021. At the International Short Film Festival Oberhausen of 2017, DJ Hell's video I Want U took second place of the "MuVi Award". The jury judged the 4-minute video: “A beautiful collaboration that elevates both DJ Hell's music and Tom of Finland's imagery to a common and higher level. Funny, sexy and intelligent in its use of graphic material, I Want U builds on
360-404: A homage to gay culture, which with disco, house, Frankie Goes to Hollywood and techno can be seen as the nucleus of club culture. Club culture as we know it today is based at its core on the gay house culture invented by dj Ron hardy at Chicago's Warehouse and paralleled by Larry levan at New York's Paradise Garage.” In Gerrit Starczewski's 2017 Ruhrpott road movie Pottorginale , DJ Hell embodied
405-602: A lesser extent, the Frankfurt Rhein-Main Region , Limburg an der Lahn and Vienna . From about 1980 on, the music industry began noticing the Neue Deutsche Welle; however, because of the idiosyncratic nature of the music, focus shifted to creating new bands more compatible with the mainstream rather than promoting existing bands. Many one-hit wonders and short-lived bands appeared and were forgotten again in rapid succession. The overly broad application of
450-544: A musician’s competence if he defines himself superficially, that is, according to things that are visible. Just think of David Bowie on the male side, and Grace Jones on the female side, and it becomes clear that a union between fashion and music can be incredibly prolific.” As a DJ, Hell has toured worldwide, and repeatedly headlined international festivals such as the Loveparade and Mayday in Berlin, Fuji Rock and Wire in Tokyo ,
495-463: A new way. This is where I come from, I grew up with the early German electronic pioneers of music, and this is why I went in this direction. Often it is called German electronic avant-garde, or psychedelic music. I went back to the '70s and tried to do it in my own way.” The Guardian on Teufelswerk : “With Hell acting as conductor, and Kruder, Prommer, and Roberto di Gioia playing a mixture of synths, acoustic guitars, Wurlitzers and ‘rhythm machines,’
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#1732845646877540-481: A religion of its own.". DJ Hell composed the soundtrack for the film Yung, which actor and director Henning Gronkowski shot in 2019. "The film," said DJ Hell in an interview with the Frankfurter Rundschau, "portrays daily lives of girls in the Berlin party jungle, unvarnished, direct and sensitive." The soundtrack wa released on Hell's new output The DJ Hell Experience . The film had its world premiere at
585-546: A significant role – he plans to make his record collection available to the museum for the show. The cultural-historical exhibition is dedicated to Munich's nightlife and club culture from the post-war period to the present in the form of a nocturnal foray. DJ Hell is one of the DFB ambassadors for the 2024 European Football Championship to be held in Germany, the UEFA Euro 2024 . DJ Hell
630-411: Is a stub . You can help Misplaced Pages by expanding it . This Austria -related article is a stub . You can help Misplaced Pages by expanding it . Neue Deutsche Welle Neue Deutsche Welle ( NDW , pronounced [ˈnɔʏə ˈdɔʏtʃə ˈvɛlə] , "New German Wave") is a genre of West German rock music originally derived from post-punk and new wave music with electronic influences. The term
675-408: Is debated. Ambros became famous, however, by translating songs by Bob Dylan into Austrian German, the most famous of which is "Naa, i bins ned" , the translation of Dylan's " It Ain't Me Babe " . Austropop is still broadcast by various FM radio and TV stations throughout Austria and Bavaria, where they even have special nights replaying Austropop concerts. This article about a music genre
720-549: Is the sound of nighttime New York City from the outsider perspective of an infamous German named Hell, and it’s dark, dark, debauched fun.” Since 2005, DJ Hell has been based in both Munich and Berlin, and moved the label office to Berlin. Since the early 2010s Hell lives again mainly in Munich and in his hometown Altenmarkt at the Chiemsee . From 2007 to 2010, he served as musical coordinator for Berlin fashion designer Michael Michalsky , for whose fashion shows he regularly produced
765-577: The FC Bayern Munich soccer club is a jersey sponsor for TSV Altenmarkt, the football club of his hometown. Contrary to rumors, he does not possess a professional coaching license. For the 2006 FIFA World Cup , Hell was booked as a DJ for the opening ceremony at the Olympic Stadium in Berlin , but the event was canceled on short notice by FIFA . DJ Hell on his football passion in Alert , 8/2002: “I watch
810-684: The Montreux Jazz Festival , and the Time Warp Festival in Mannheim . He was the first Techno DJ to perform at the University of Havana in 1997. The performance was filmed by a German film crew directed by Torsten Schulz, and screened in 2000. In 2002, Romuald Karmakar shot a segment of his film “196 BPM” during a performance by Hell at WMF. In 2003, GQ magazine named DJ Hell “Man of the Year” in
855-505: The zeitgeist of urban West Germany during the Cold War , others used the language in a surreal way, merely playing with its sound or graphic quality rather than using it to express meaning, as done by bands and artists such as Spliff , Joachim Witt and Trio . The main centers of the NDW movement during these years were West Berlin , Düsseldorf , Hamburg , Hanover and Hagen , as well as, to
900-422: The 20 years spanning 1996 to 2016 that he has handled A&R for the label, Hell has released over 300 singles and albums on International Deejay Gigolos. In 1998, Hell's second album Munich Machine was released on Disko B and V2 Records. According to The Guardian Munich Machine was an important record that helped to catalyse electroclash. According to the music magazine De:Bug : “ Munich Machine feels like
945-531: The 2017 & 2018 aftershow parties. The own perfume – Helmut Josef Geier – was released in 2018, under the name DJ Hell “Techno” . It was presented at the Berlin Soho House store. "My first perfume is based mainly on incense components. It gets its freshness from citrus elements and earthy components. I can't reveal all the ingredients, but churches, like clubs, have always been meeting places for believers. I understand club music and club culture as faith, so
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#1732845646877990-502: The Anglophone world occurred in 2003, with the release of DJ Hell 's compilation New Deutsch . The NDW has come to be acknowledged as a forerunner to later developments in dance-punk , electronic body music and electroclash . DJ Hell Helmut Josef Geier (born 6 September 1962), known professionally as DJ Hell , is a German DJ . DJ Hell described his musical beginnings in an interview with The European , telling them “I
1035-521: The Münchner Filmtage 2019. In the late-night show Ringlstetter (BR), DJ Hell was a guest of Hannes Ringlstetter in September 2018. In 2020, DJ Hell founded a new label called The DJ Hell Experience . The Hamburg-based distributor wordandsound is responsible for distribution. For the first album released under the new label, House Music Box, the artist Jonathan Meese contributed a picture for
1080-401: The NDW label to these bands, as well as to almost any German musicians not using English lyrics, even if their music was apparently not influenced at all by the original NDW sound (including pure rock bands like BAP or even Udo Lindenberg ), quickly led to the decay of the entire genre when many of the original musicians turned their backs in frustration. A revival of interest in the style in
1125-496: The Neue Deutsche Welle consists of two major parts. From its beginnings to 1981, the genre was mostly an underground movement with roots in British punk and new wave music . It quickly developed into an original and distinct style, influenced in no small part by the different sound and rhythm of the German language, which many of the bands had adapted from early on. Whilst some of the lyrics of artists like Nena and Ideal epitomized
1170-604: The category of music. In 2009 Hell released the album Teufelswerk ( Devil’s Work ), which again features several international guest stars, such as Bryan Ferry , Peter Kruder , P. Diddy , Roberto di Gioia, Mijk van Dijk , Christian Prommer, and Billie Ray Martin . The double album is conceptually divided into “day” and “night” parts, and ranked in the Top 50 of the German Media Control charts. According to Hell in an interview with Resident Advisor : “I did Kosmische Musik in
1215-456: The contract with the New York band, he flew to New York City. Disko B Records was launched for the release. Hell's first self-produced single , My Definition of House Music (on R&S ) became a club hit in 1992 with over 100,000 records sold, drawing recognition to DJ Hell among the first generation of Techno DJs who also released records. During his time with Disko B and until 1997, DJ Hell
1260-607: The cover. The electronic music magazine FAZEMAG chose House Music Box as the Album of the Year 2020 . The album's first video features a Hell avatar, which will also be used at festivals and shows in the future. Another collaboration with Meese is the album Meese x Hell - Hab keine Angst, hab keine Angst, ich bin deine Angst, to be released in April 2021 by Daniel Richter ’s Buback, records Hamburg. In March 2021, Soft Cell - Tainted Love Remix 2021
1305-400: The early 1990s, DJ Hell was resident DJ at Germany's first afterhours club Babalu Club in Munich. In 1991, Hell was instrumental in establishing Peter Wacha's label Disko B, and until 1996 was closely involved as A&R . The label's first release in 1991, Silicon Soul’s track Who Needs Sleep Tonight was licensed by Hell, who produced a remix for the b-side: The DJ G. Hell Remix . To sign
1350-517: The four sweep back and forth across Europe, mapping the psychic highways that link Kraftwerk's Düsseldorf and Jean Michel Jarre's imaginary, futuristic Paris; Pink Floyd at the UFO Club in 1966, and Café del Mar in 1987; cavernous booming dubstep nights in modern Berlin and Goblin's progressive 1970's Italy.” Since 2009, DJ Hell has supported the feminist Ukrainian activist group FEMEN with various DJ and television appearances. The self-confessed fan of
1395-404: The home games of FC Bayern Munich. I also represented Germany as a DJ at the recent European and World Championships, travelling with the German national team from city to city, and deejayed on the evening before the games. My contract stated that the organizer had to get me tickets for the games.” (See Alert 8/2002, p. 51) In 2013, DJ Hell's remix of Tim Deluxe's track Transformation held
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1440-589: The international Techno, House, and Electro scenes, including Jeff Mills , Miss Kittin & The Hacker , Dave Clarke , Tiga , Fischerspooner , Dopplereffekt , Vitalic , Bobby Konders, The KLF , Tuxedomoon , and Laurent Garnier . Fischerspooner was discovered by DJ Hell and debuted on International Deejay Gigolos. Stylistically, International Deejay Gigolos focused, beyond the Electroclash genre, also on Electro, EBM, electronic avant-garde House, Tech-House, and Techno, with influences from 1980s Pop and Disco. In
1485-595: The label Logic Records in Frankfurt , and in the same year compiled the world's first trance compilation, Logic Trance . In 1993 he lived for a year in New York City , where was booked as a resident DJ at Limelight, together with Jeff Mills . In 1994 DJ Hell moved to Berlin and worked for the record store Hard Wax . Hell's debut album Geteert & Gefedert ( Tarred & Feathered ) was released on Disko B in 1994. In 1995, he moved back to Bavaria . That same year, Hell
1530-772: The logo. Hell had to stop selling all records that bore the logo and pay a fine of 150,000 euros. From 2000 to 2003, he ran the disco and nightclub Villa Traunstein, located in the Bavarian town of Traunstein , where he was responsible for the club's high-profile, international DJ bookings, including the likes of WestBam , Sven Väth , and Jeff Mills . In 2003, DJ Hell lived for a second time in New York City, where he produced his third studio album NY Muscle , for which he collaborated with several artists, including Alan Vega , Erlend Øye , James Murphy , and singer Billie Ray Martin . The website allmusic.com wrote about NY Muscle : “This
1575-526: The music in 2015, which can also be heard in an official promotional video by Saberi. In spring 2017, DJ Hell's fifth album Zukunftsmusik was released. Like his studio album Teufelswerk released eight years earlier, it was co-produced by Peter Kruder in Vienna. On Christmas Eve 2016 appeared with I Want U the first single release from the album. The accompanying video, produced by Hell, features animated gay comic artwork by Finnish artist Tom of Finland , who
1620-599: The music. Hell has also performed at the after-show parties of Michael Michalsky's StyleNite , held during the Berlin Fashion Week . DJ Hell has been producing music for fashion shows since the mid-1990s, for the likes of Hugo Boss , Raf Simons , Patrick Mohr, Dirk Schönberger, and Donatella Versace – ever since he was first asked by fashion designer Kostas Murkudis to accompany one of his fashion shows in Berlin with music. DJ Hell occasionally works with renowned fashion labels, either lending his name or collaborating as
1665-579: The number 1 position on the Beatport techno charts for nine weeks. In the same year, DJ Hell performed an hour live on Boiler Room TV on the occasion of the 1st birthday. This clip soon became a viral hit, with almost 880,000 views (Status: December 2020). The countertenor and new wave singer Klaus Nomi interpreted Henry Purcell's original composition from the opera “King Arthur” spectacularly in 1982 as an early hybrid of electronic and classical music. DJ Hell, who has admired Klaus Nomi since his early days as
1710-427: The result of a dynamic collaboration by Munich residents engaged in the club scene and who know how to work with it. Every aspect of it has been carefully crafted and sometimes it seems as if DJ Hell is using this kind of mega-mix to grow beyond himself. This is particularly evident when he mixes together very different sources.” In 1999, Arnold Schwarzenegger sued International Deejay Gigolos for using his picture in
1755-549: The same set. Further residencies followed, at Park Café and Tanzlokal Grössenwahn in Munich , where, as one of the first house DJs in Germany he regularly performed at house music parties. In 1987 he organized the first acid house party there, and in the same year at Grössenwahn deejayed at Run–D.M.C. ’s aftershow party. At the end of the 1980s, he developed his style at various Munich clubs and dance halls from New Wave , EBM , Electro , and Hip hop to include House and Techno . In
1800-417: Was also a resident DJ at Ultraschall , Munich's first pure techno club, located on the site of the former Munich-Riem Airport and later at the former Pfanni factory compound Kunstpark Ost . During the 1990s DJ Hell had further residencies in Berlin, at E-Werk and WMF, from 1992 at Tresor , and in the 2000s at Watergate. Parallel to his A&R work in Munich, in 1992 DJ Hell became A&R manager for
1845-701: Was first coined by Dutch radio DJ Frits Ritmeester on the popular nationwide radio station Hilversum 3 , which was very popular among German listeners. Soon after that, the term was used in a record-shop advertisement by Burkhardt Seiler in an August 1979 issue of the West German magazine Sounds . It was then used by journalist Alfred Hilsberg in an article about the movement titled Neue Deutsche Welle — Aus grauer Städte Mauern ("New German Wave — From Grey Cities' Walls") in Sounds in October 1979. The history of
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1890-456: Was known for homoerotic drawings of masculine men. The press photos for the album were taken by photographer Greg Gorman at his home in Los Angeles . Sven Marquardt, the photographer and bouncer of the techno club Berghain , was also involved with various photographs on DJ Hell covers of International Deejay Gigolos . DJ Hell about future music : “This album is largely to be understood as
1935-575: Was released on Cleopatra Records in the U.S. To the book Mensch – Maschinen – Musik. Das Gesamtkunstwerk Kraftwerk, edited by Uwe Schütte (publication date February 2021), DJ Hell has written a detailed personal foreword. In the exhibition “Nachts. Clubkultur in München“ („Nights. Club Culture in Munich”), which the Munich Stadtmuseum will be showing from April 2021 to January 2022, DJ Hell will play
1980-516: Was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.” Hell has worked as a DJ since 1978. Starting in 1983, he began working as a DJ at Club Libella in Kirchweidach , Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his eclectic style of mixing New Wave , Ska , Punk , Rockabilly , Hip hop , and Disco in
2025-459: Was the only German DJ to be invited to be on a John Peel Session, including a radio interview, in London . The session was released that year on Disko B. In addition to his work as a DJ and producer, in 1996 he founded the label International Deejay Gigolos in Munich, for which he served from the first day onward as the label mastermind, A&R, and art director. Parallel to managing the label, as
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