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Atlantique

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A symbol is a mark, sign , or word that indicates, signifies, or is understood as representing an idea , object , or relationship . Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for " STOP "; on maps , blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers ; letters of an alphabet may be symbols for certain phonemes ; and personal names are symbols representing individuals. The academic study of symbols is called semiotics .

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43-567: [REDACTED] Look up atlantique in Wiktionary, the free dictionary. Atlantique may refer to: Atlantique (film) , a 2019 film Atlantique Department in Benin SNCF 's TGV Atlantique class of high-speed trains The Breguet Atlantique airplane Chantiers de l'Atlantique , Saint-Nazaire -based shipyard The Venturi Automobiles ' Atlantique sports car The SS L'Atlantique

86-407: A "symbol-using, symbol making, and symbol misusing animal" to suggest that a person creates symbols as well as misuses them. One example he uses to indicate what he means by the misuse of the symbol is the story of a man who, when told that a particular food item was whale blubber, could barely keep from throwing it up. Later, his friend discovered it was actually just a dumpling. But the man's reaction

129-472: A clichéd magic-realist mode, nor make the romantic story the film’s obvious centre. Her film has a seductive mystery." IndieWire 's Eric Kohn gave the movie B+ grade and noted, "As it ventures further along its spellbinding path, Atlantics remains a deeply romantic work that magnetized the fears of people trapped by their surroundings and striving for the companionship that can rescue them from despair. It doesn’t quite let them get there, but Diop doesn’t strike

172-472: A ghost story (or is it a zombie story?) that’s rooted in the material reality of Dakar and its lower classes, that’s openly political, accordingly, but which also seems flickering and unreal, alive to whatever these mysteries have in store." Bilal Qureshi of NPR said, " Atlantics is a ghost story about migration. It dramatizes the stories of the young men who leave countries like Senegal in hopes of reaching Europe, and how their absence — and their loss — haunts

215-588: A hopeless tone the whole way through. Ultimately, Atlantics shows how that even these bleak circumstances can have empowering ramifications for the women trapped by the shore, and why it’s a portal to a better life even if they stay put." At Cannes, the film won the Grand Prix . It was selected as the Senegalese entry for the Best International Feature Film at the 92nd Academy Awards , making

258-686: A means of complex communication that often can have multiple levels of meaning. Symbols are the basis of all human understanding and serve as vehicles of conception for all human knowledge. Symbols facilitate understanding of the world in which we live, thus serving as the grounds upon which we make judgments. In this way, people use symbols not only to make sense of the world around them but also to identify and cooperate in society through constitutive rhetoric . Human cultures use symbols to express specific ideologies and social structures and to represent aspects of their specific culture. Thus, symbols carry meanings that depend upon one's cultural background. As

301-552: A particular symbol's apparent meaning. Consequently, symbols with emotive power carry problems analogous to false etymologies . The context of a symbol may change its meaning. Similar five-pointed stars might signify a law enforcement officer or a member of the armed services , depending upon the uniform . Symbols are used in cartography to communicate geographical information (generally as point, line, or area features). As with other symbols, visual variables such as size, shape, orientation, texture, and pattern provide meaning to

344-481: A result, the meaning of a symbol is not inherent in the symbol itself but is culturally learned. Heinrich Zimmer gives a concise overview of the nature, and perennial relevance, of symbols. Concepts and words are symbols, just as visions, rituals, and images are; so too are the manners and customs of daily life. Through all of these, a transcendent reality is mirrored. There are so many metaphors reflecting and implying something which, though thus variously expressed,

387-551: A suburb of Dakar that lies along the Atlantic coast, a futuristic-looking tower is about to be officially opened. The construction workers have not been paid for months. One night, the workers decide to leave the country by sea, in search of a brighter future in Spain. Among them is Souleiman, the lover of Ada. However, Ada is betrothed to another man – the wealthy Omar. Ada is deeply worried about Souleiman, as she waits for news of his fate in

430-438: A symbol always "points beyond itself" to something that is unquantifiable and mysterious; symbols open up the "depth dimension of reality itself". Symbols are complex, and their meanings can evolve as the individual or culture evolves. When a symbol loses its meaning and power for an individual or culture, it becomes a dead symbol. When a symbol becomes identified with the deeper reality to which it refers, it becomes idolatrous as

473-617: A vengeful ghost seems no more absurd or irrational than, say, the futuristic high-rise tower that’s being erected on the coast." Kelsey Adams of Now gave the film four stars out of five and wrote, "Although it’s a migrant story, it focuses on those left behind. As the distressed women grapple with the departure of their men, things turn increasingly uncanny. Unexplained arson and illnesses shift Atlantics into supernatural territory, and Diop incorporates elements of Muslim mysticism and French folklore without being gimmicky. The deft blend of fantasy and drama uses supernatural elements to home in on

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516-507: Is a 2019 internationally co-produced supernatural romantic drama film directed by Mati Diop , in her feature directorial debut. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival . Diop made history when the film premiered at Cannes, becoming the first Black woman to direct a film featured in competition at the festival. The film is centered around a young woman, Ada, and her partner, Souleiman, struggling in

559-401: Is ineffable, though thus rendered multiform, remains inscrutable. Symbols hold the mind to truth but are not themselves the truth, hence it is delusory to borrow them. Each civilisation, every age, must bring forth its own." In the book Signs and Symbols , it is stated that A symbol   ... is a visual image or sign representing an idea – a deeper indicator of universal truth. Semiotics

602-597: Is substituted for another in order to change the meaning. In other words, if one person does not understand a certain word or phrase, another person may substitute a synonym or symbol in order to get the meaning across. However, upon learning the new way of interpreting a specific symbol, the person may change his or her already-formed ideas to incorporate the new information. Jean Dalby Clift says that people not only add their own interpretations to symbols, but they also create personal symbols that represent their own understanding of their lives: what she calls "core images" of

645-513: Is the study of signs, symbols, and signification as communicative behavior. Semiotics studies focus on the relationship of the signifier and the signified, also taking into account the interpretation of visual cues, body language, sound, and other contextual clues. Semiotics is linked with linguistics and psychology. Semioticians not only study what a symbol implies but also how it got its meaning and how it functions to make meaning in society. For example, symbols can cause confusion in translation when

688-411: The "symbol is taken for reality." The symbol itself is substituted for the deeper meaning it intends to convey. The unique nature of a symbol is that it gives access to deeper layers of reality that are otherwise inaccessible. A symbol's meaning may be modified by various factors including popular usage, history , and contextual intent . The history of a symbol is one of many factors in determining

731-700: The Cannes Grand Prix–winning film by the French-Senegalese director Mati Diop, the water is both a threat and a source of comfort. With soft camerawork and pointed dialogue, Diop casts a shadow over the sea and all its possibilities... The result is a transportive love story with an undercurrent of social critique that manages to be at once haunting and hopeful." K. Austin Collins writing for Vanity Fair stated, " Atlantics stuns and surprises because it tries to pull off something slippery and hard to define,

774-726: The December shortlist. Atlantique won Best First Feature in IndieWire's 2019 Critics Poll, and was ranked fourth in Best Foreign Film. Former United States President Barack Obama named Atlantics among his favorite films and television series of 2019 in his annual list of favorite films, which he released on Twitter on 29 December 2019. In January 2020, it was announced that Atlantics , The Irishman , Marriage Story and American Factory would receive DVD and Blu-ray releases by The Criterion Collection . Symbol In

817-453: The abundant, unjust realities the characters face." David Fear of Rolling Stone gave the film four and half stars out of five, commenting "even when things start to dip into supernatural territory, Atlantics remains oddly grounded, still dedicated to tackling a topical subject without being dogmatic. You feel as if you’re watching something that’s region-specific, yet it never makes its characters feel like “others.” Nor do you ever sense that

860-534: The act of giving these often agency-less females a voice is something based in charity, because Diop makes the endeavor feel like a necessity." Namwali Serpell of The Nation stated, "In its origins in Arabian thought, a djinn can be good or bad. In its origins in the black diaspora , a zombie is a slave forced to do the bidding of others. Diop mixes the two phenomena to the same counterintuitive end: The dispossessed—male and female, management and labor—rise up not as

903-480: The arts, symbolism is the use of a concrete element to represent a more abstract idea. In cartography , an organized collection of symbols forms a legend for a map. The word symbol derives from the late Middle French masculine noun symbole , which appeared around 1380 in a theological sense signifying a formula used in the Roman Catholic Church as a sort of synonym for 'the credo'; by extension in

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946-428: The characters and the city with a tactile intimacy and a teeming energy that are heightened by the soundtrack’s polyphony of voices and music; she dramatizes the personal experience of public matters—religious tradition, women’s autonomy, migration, corruption—with documentary-based fervor, rhapsodic yearning, and bold affirmation." Monica Castillo of RogerEbert.com gave the film four stars out of four, commenting, "On

989-613: The early Renaissance it came to mean 'a maxim' or 'the external sign of a sacrament'; these meanings were lost in secular contexts. It was during the Renaissance in the mid-16th century that the word took on the meaning that is dominant today, that of 'a natural fact or object evoking by its form or its nature an association of ideas with something abstract or absent'; this appears, for example, in François Rabelais , Le Quart Livre , in 1552. This French word derives from Latin, where both

1032-539: The enemy but as the communal hero." In her review for The Hollywood Reporter , Leslie Felperin noted, "Exquisitely shot by Claire Mathon and lushly scored by Fatima Al Qadiri, the film pulls together some exceedingly strong components [...] A lot of ideas about class, post-imperialism and spiritual values peek up out of the surface of the text, but they’re not developed with much rigor compared to what Diop conjured with more intensity and less time in A Thousand Suns. " Richard Brody of The New Yorker noted, "Diop films

1075-430: The face of employment , class, migration , crime , family struggles, and ghosts . Working mostly with unknown actors, Diop focused in the film on issues such as the refugee crisis , remorse, loss, grief, class struggle , and taking responsibility (or not) for one's actions. The Atlantic Ocean is used in many ways throughout the film, including as a symbol and as an engine for change, growth, life, and death. In

1118-475: The film a positive review based on 155 reviews, with an average rating of 7.9/10. The website's critics consensus reads, "An unpredictable supernatural drama rooted in real-world social commentary, Atlantique suggests a thrillingly bright future for debuting filmmaker Mati Diop." On Metacritic , the film has a weighted average score of 85 out of 100 based on 30 critics, indicating "universal acclaim". Hannah Giorgis of The Atlantic commented, "In Atlantics ,

1161-478: The film four stars out of five and wrote, " Atlantique is about the return of the repressed, or the suppressed: the men who were denied their rightful pay on the building site then faced the real possibility of a watery grave. Their spirit rises up, and this becomes a ghost story or a revenge story. Atlantique may not be perfect, but I admired the way that Diop did not simply submit to the realist mode expected from this kind of material, and yet neither did she go into

1204-513: The flawed narrative choices that frustrate though don’t compromise the atmosphere of loss and female solidarity in the story of a young woman whose love has died at sea." Justin Chang in his review for the Los Angeles Times noted, "Drawing on a potent vein of local mythology, Diop weaves these paranormal elements into her canvas with thrift, ingenuity and bracing matter-of-factness. In her hands,

1247-486: The masculine noun symbolus and the neuter noun symbolum refer to "a mark or sign as a means of recognition." The Latin word derives from Ancient Greek : σύμβολον symbolon , from a verb meaning 'put together', 'compare', alluding to the Classical practice of breaking a piece of ceramic in two and giving one half to the person who would receive a future message, and one half to the person who would send it: when

1290-494: The men lost at sea have returned and each night take possession of the bodies of other inhabitants of Dakar. Most of these spirits are focused on the tycoon whose withholding of their pay had forced them to go across the Atlantic. They demand their pay, threatening to burn the tower down otherwise. Once they receive their pay from the tycoon, the possessed force him to dig their graves so that their spirits may rest. But Souleiman wants only to be with Ada. Unfortunately, he has possessed

1333-852: The person. Clift argues that symbolic work with these personal symbols or core images can be as useful as working with dream symbols in psychoanalysis or counseling. William Indick suggests that the symbols that are commonly found in myth, legend, and fantasy fulfill psychological functions and hence are why archetypes such as "the hero", "the princess" and "the witch" have remained popular for centuries. Symbols can carry symbolic value in three primary forms: Ideological, comparative, and isomorphic. Ideological symbols such as religious and state symbols convey complex sets of beliefs and ideas that indicate "the right thing to do". Comparative symbols such as prestigious office addresses, fine art, and prominent awards indicate answers to questions of "better or worse" and "superior or inferior". Isomorphic symbols blend in with

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1376-412: The run-up to her wedding. On her wedding day, Omar's bed mysteriously catches fire in a suspected arson attack, and a young detective is assigned to investigate the case. In the coming days, Ada falls under suspicion and is subjected to interrogations and a virginity test. Meanwhile, her friend Fanta and the young detective are both suffering from a mysterious illness. It slowly emerges that the spirits of

1419-590: The same symbol means different things in the source and target languages. A potential error documented in survey translation is the symbol of "x" used to denote "yes" when marking a response in the English language surveys, but "x" usually means "no" in the Chinese convention. Symbols allow the human brain continuously to create meaning using sensory input and decode symbols through both denotation and connotation . An alternative definition of symbol , distinguishing it from

1462-590: The surface, this is a familiar story of lovers kept apart by circumstances beyond their control, but Atlantics quickly reveals itself to be so much deeper that. Diop, who co-wrote the screenplay with Olivier Demangel, blends the story with the desperation that forces them to leave home and loved ones, echoes of the refugee crisis, a look at the exploitation of the poor by the wealthy and the fetishization of virginity, purity, and marriage. The mystery of Atlantics unravels slowly, its gentle twists keep surprises hidden in plain sight." The Guardian ' s Peter Bradshaw gave

1505-821: The surrounding cultural environment such that they enable individuals and organizations to conform to their surroundings and evade social and political scrutiny. Examples of symbols with isomorphic value include wearing a professional dress during business meetings, shaking hands to greet others in the West, or bowing to greet others in the East. A single symbol can carry multiple distinct meanings such that it provides multiple types of symbolic value. Paul Tillich argued that, while signs are invented and forgotten, symbols are born and die. There are, therefore, dead and living symbols. A living symbol can reveal to an individual hidden levels of meaning and transcendent or religious realities. For Tillich

1548-454: The symbol. According to semiotics , map symbols are "read" by map users when they make a connection between the graphic mark on the map (the sign ), a general concept (the interpretant ), and a particular feature of the real world (the referent ). Map symbols can thus be categorized by how they suggest this connection: A symbolic action is an action that symbolizes or signals what the actor wants or believes. The action conveys meaning to

1591-448: The term sign was proposed by Swiss psychoanalyst Carl Jung . In his studies on what is now called Jungian archetypes , a sign stands for something known, as a word stands for its referent. He contrasted a sign with a symbol : something that is unknown and that cannot be made clear or precise. An example of a symbol in this sense is Christ as a symbol of the archetype called self . Kenneth Burke described Homo sapiens as

1634-499: The title Atlantique . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Atlantique&oldid=1144929684 " Category : Disambiguation pages Hidden categories: Short description is different from Wikidata All article disambiguation pages All disambiguation pages Atlantique (film) Atlantics ( French : Atlantique )

1677-518: The two fit perfectly together, the receiver could be sure that the messenger bearing it did indeed also carry a genuine message from the intended person. A literary or artistic symbol as an "outward sign" of something else is a metaphorical extension of this notion of a message from a sender to a recipient. In English, the meaning "something which stands for something else" was first recorded in 1590, in Edmund Spenser 's Faerie Queene . Symbols are

1720-497: The women they leave behind." Jay Weissberg writing for Variety stated, "The capricious ocean is a recurrent, mesmerizing image in Mati Diop’s feature debut Atlantics , but given its perfidious connotations for the people of Senegal, who’ve lost so many souls to its depths, the director ensures the rolling waves remain hypnotic rather than beautiful. It’s the right decision for this romantic and melancholy film, more apt than some of

1763-459: The young detective, which initially scares Ada. But as she meets the other spirits, including one who possesses Fanta, she comes to understand them and spends a last night with the new Souleiman. While reviewing footage from the wedding, the detective sees that he, under the possession of Souleiman's spirit, was the one who committed the arson. He closes the case. The review aggregator website Rotten Tomatoes reported that 95% of critics have given

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1806-514: Was a direct consequence of the symbol of "blubber" representing something inedible in his mind. In addition, the symbol of "blubber" was created by the man through various kinds of learning . Burke goes on to describe symbols as also being derived from Sigmund Freud 's work on condensation and displacement , further stating that symbols are not just relevant to the theory of dreams but also to "normal symbol systems". He says they are related through "substitution", where one word, phrase, or symbol

1849-459: Was an ocean liner which was a total loss after catching fire at sea See also [ edit ] [REDACTED] Search for "atlantique" on Misplaced Pages. All pages with titles beginning with Atlantique All pages with titles containing Atlantique Atlantik (disambiguation) Atlantic (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with

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