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Asian Dub Foundation

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Joseph " José " Bové (born 11 June 1953) is a French farmer, labor leader and alter-globalization activist, and spokesman for Via Campesina . He was one of the twelve official candidates in the 2007 French presidential election . He served in the European Parliament as a member of the European Green Party in the 2009–2014 and 2014–2019 .

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102-415: Asian Dub Foundation ( ADF ) is an English electronic music band that combines musical styles including rap rock , dub , dancehall , ragga , and South Asian music . The group also includes traditional rock instruments such as electric bass and guitar, which acknowledges a punk rock influence. Their music is known for its dub-inspired basslines, guitar parts inspired by the traditional Indian instrument

204-405: A PA system , several turntables, and mixers. The performance did not go well, as creating live montages with turntables had never been done before." Later that same year, Pierre Henry collaborated with Schaeffer on Symphonie pour un homme seul (1950) the first major work of musique concrete. In Paris in 1951, in what was to become an important worldwide trend, RTF established the first studio for

306-466: A slide show synchronized with a recorded soundtrack. Composers outside of the Jikken Kōbō, such as Yasushi Akutagawa , Saburo Tominaga, and Shirō Fukai , were also experimenting with radiophonic tape music between 1952 and 1953. Musique concrète was introduced to Japan by Toshiro Mayuzumi , who was influenced by a Pierre Schaeffer concert. From 1952, he composed tape music pieces for a comedy film,

408-662: A "No" vote in the French referendum on the EU Constitution ; the proposal was defeated. In April 2002 Bové was at the head of an activist group arriving in the West Bank to protest the massive Israeli Army operation, Operation Defensive Shield , conducted at that time, which had caused many Palestinian casualties. The group entered Yassir Arafat 's headquarters in Ramallah , at the time besieged by Israeli forces. Bové joined with members of

510-542: A band format. Sanjay Tailor joined the band as live midi/programmer and DJ soon after. This completed the full live line-up of the band and their debut album Facts and Fictions was released in late 1995, following the single " Rebel Warrior ". Initially not widely known in a UK music scene focused on Britpop , the band toured in mainland Europe and gained a substantial following, particularly in France where their French-only release R.A.F.I. sold 100,000 copies. In early 1997

612-465: A common household item, and by the 1920s composers were using them to play short recordings in performances. The introduction of electrical recording in 1925 was followed by increased experimentation with record players. Paul Hindemith and Ernst Toch composed several pieces in 1930 by layering recordings of instruments and vocals at adjusted speeds. Influenced by these techniques, John Cage composed Imaginary Landscape No. 1 in 1939 by adjusting

714-483: A crowd of 60,000 people and collaborating with traditional Gnawa musicians. In August 2007, Asian Dub Foundation started playing with two new vocalists, Al Rumjen (previously and subsequently with King Prawn ) and Aktarv8r, who returned after MC Spex was asked to leave the band due to personal issues. In November/December 2007, Asian Dub Foundation recorded a new album, Punkara . It was released in March 2008 and followed by

816-602: A live recording of a Public Enemy song featuring Chuck D . The album also featured a new track recorded with former vocalist Deeder Zaman. In May 2007 ADF performed a radio session and interview on the Bobby and Nihal show on BBC Radio 1 where they performed three new tracks: "Climb On", "Superpower" and "S.O.C.A.". In June 2007, they were the only Western act to perform at the Festival of Gnawa music in Essaouira , Morocco playing to

918-990: A number of musicians, ranging from Neil Rolnick , Charles Amirkhanian and Alice Shields to rock musicians Frank Zappa and The West Coast Pop Art Experimental Band . Following the emergence of differences within the GRMC (Groupe de Recherche de Musique Concrète) Pierre Henry, Philippe Arthuys, and several of their colleagues, resigned in April 1958. Schaeffer created a new collective, called Groupe de Recherches Musicales (GRM) and set about recruiting new members including Luc Ferrari , Beatriz Ferreyra , François-Bernard Mâche , Iannis Xenakis , Bernard Parmegiani , and Mireille Chamass-Kyrou . Later arrivals included Ivo Malec , Philippe Carson, Romuald Vandelle, Edgardo Canton and François Bayle . These were fertile years for electronic music—not just for academia, but for independent artists as synthesizer technology became more accessible. By this time,

1020-688: A public concert in New York together with other compositions I had written for conventional instruments." Otto Luening, who had attended this concert, remarked: "The equipment at his disposal consisted of an Ampex tape recorder . . . and a simple box-like device designed by the brilliant young engineer, Peter Mauzey, to create feedback, a form of mechanical reverberation. Other equipment was borrowed or purchased with personal funds." Just three months later, in August 1952, Ussachevsky traveled to Bennington, Vermont, at Luening's invitation to present his experiments. There,

1122-465: A radio broadcast, and a radio drama. However, Schaeffer's concept of sound object was not influential among Japanese composers, who were mainly interested in overcoming the restrictions of human performance. This led to several Japanese electroacoustic musicians making use of serialism and twelve-tone techniques , evident in Yoshirō Irino 's 1951 dodecaphonic piece "Concerto da Camera", in

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1224-777: A score. In 1955, more experimental and electronic studios began to appear. Notable were the creation of the Studio di fonologia musicale di Radio Milano , a studio at the NHK in Tokyo founded by Toshiro Mayuzumi , and the Philips studio at Eindhoven , the Netherlands, which moved to the University of Utrecht as the Institute of Sonology in 1960. "With Stockhausen and Mauricio Kagel in residence, [Cologne] became

1326-454: A significant influence on popular music , with the adoption of polyphonic synthesizers , electronic drums , drum machines, and turntables , through the emergence of genres such as disco , krautrock , new wave , synth-pop , hip hop , and EDM . In the early 1980s mass-produced digital synthesizers , such as the Yamaha DX7 , became popular, and MIDI (Musical Instrument Digital Interface)

1428-567: A strong community of composers and musicians working with new sounds and instruments was established and growing. 1960 witnessed the composition of Luening's Gargoyles for violin and tape as well as the premiere of Stockhausen's Kontakte for electronic sounds, piano, and percussion. This piece existed in two versions—one for 4-channel tape, and the other for tape with human performers. "In Kontakte , Stockhausen abandoned traditional musical form based on linear development and dramatic climax. This new approach, which he termed 'moment form', resembles

1530-585: A struggle against any country, this one or that one." Bové has participated in numerous anti-globalization movements. In June 1997 he took part in the first anti-GM mowing. The same year that he took part in destruction of the McDonald's, he attended the protests in Seattle against the World Trade Organization meeting. Bové became a figure of anti-globalization. Since then, he has redoubled his efforts in

1632-653: A tour of Europe and Japan. In 2009, ADF contributed to the Indigenous Resistance project after having met up with the Atenco movement in Mexico . Asian Dub Foundation started work on their new album, provisionally entitled A New London Eye , which would feature Ministry of Dhol, Nathan "Flutebox" Lee, Chi 2 and Skrein. The album eventually came out as The History of Now and the band toured extensively to promote it. The cover contained many fantasy iPhone "Apps" intended to parody

1734-450: A year-round hive of charismatic avant-gardism." on two occasions combining electronically generated sounds with relatively conventional orchestras—in Mixtur (1964) and Hymnen, dritte Region mit Orchester (1967). Stockhausen stated that his listeners had told him his electronic music gave them an experience of "outer space", sensations of flying, or being in a "fantastic dream world". In

1836-479: Is alone, a world of mystery and essential loneliness." In Cologne, what would become the most famous electronic music studio in the world, was officially opened at the radio studios of the NWDR in 1953, though it had been in the planning stages as early as 1950 and early compositions were made and broadcast in 1951. The brainchild of Werner Meyer-Eppler , Robert Beyer, and Herbert Eimert (who became its first director),

1938-468: Is most recognizable in its 4/4 form and more connected with the mainstream than preceding forms which were popular in niche markets. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments . These initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for

2040-701: Is to be realized as a magnetic tape. According to Otto Luening, Cage also performed Williams Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. Williams Mix was a success at the Donaueschingen Festival , where it made a "strong impression". The Music for Magnetic Tape Project was formed by members of the New York School ( John Cage , Earle Brown , Christian Wolff , David Tudor , and Morton Feldman ), and lasted three years until 1954. Cage wrote of this collaboration: "In this social darkness, therefore,

2142-500: The Beastie Boys ) and Japan followed. Their following album, Community Music , developed their sound further and received a 10/10 review in NME . In 2000, ADF played a slot on Glastonbury Festival 's Pyramid stage. At the end of 2000, Deeder Zaman announced his plans to go solo, his last gig being at Alexandra Palace alongside Primal Scream and Ian Brown . Their first project of 2001

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2244-752: The Columbia-Princeton Electronic Music Center in the late 1950s. Following his work with Studio d'Essai at Radiodiffusion Française (RDF), during the early 1940s, Pierre Schaeffer is credited with originating the theory and practice of musique concrète. In the late 1940s, experiments in sound-based composition using shellac record players were first conducted by Schaeffer. In 1950, the techniques of musique concrete were expanded when magnetic tape machines were used to explore sound manipulation practices such as speed variation ( pitch shift ) and tape splicing . On 5 October 1948, RDF broadcast Schaeffer's Etude aux chemins de fer . This

2346-558: The Confédération gained national and international attention in 1999 by dismantling a McDonald's franchise that was under construction in Millau ( Aveyron ). Considered by his supporters to be non-violent, Bové designed this protest against new US restrictions on importing Roquefort cheese and other products, which were harming the farmers who live from these products, and to raise awareness about McDonald's' use of hormone-treated beef. Bové

2448-498: The Ensemble of electro-musical instruments  [ ru ] , which used theremins, electric harps, electric organs, the first synthesizer in the USSR "Ekvodin", and also created the first Soviet reverb machine. The style in which Meshcherin's ensemble played is known as " Space age pop ". In 1957, engineer Igor Simonov assembled a working model of a noise recorder (electroeoliphone), with

2550-436: The sitar , and fast rapping. Asian Dub Foundation (ADF) was formed in summer 1993 from an education workshop run by Aniruddha Das (bass, programming) and assisted by John Pandit (mixing) which was attended by rapper Deeder Zaman . This early line-up released the sound-system based Conscious EP in late 1993 on Nation Records . Guitarist/programmer Steve Chandra Savale was invited to join in early 1994 and ADF became more of

2652-432: The telharmonium , Hammond organ , electric piano and electric guitar . The first electronic musical devices were developed at the end of the 19th century. During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to

2754-512: The 'cinematic splice' techniques in early twentieth-century film." The theremin had been in use since the 1920s but it attained a degree of popular recognition through its use in science-fiction film soundtrack music in the 1950s (e.g., Bernard Herrmann 's classic score for The Day the Earth Stood Still ). Jos%C3%A9 Bov%C3%A9 José Bové was born in Talence , near Bordeaux , but

2856-445: The 1950s and algorithmic composition with computers was first demonstrated in the same decade. During the 1960s, digital computer music was pioneered, innovation in live electronics took place, and Japanese electronic musical instruments began to influence the music industry . In the early 1970s, Moog synthesizers and drum machines helped popularize synthesized electronic music. The 1970s also saw electronic music begin to have

2958-544: The Enemy , which became their best-selling album and contained the track "Fortress Europe", an attack on European immigration policy, along with "1000 Mirrors", a collaboration with Sinéad O'Connor about a woman serving life for killing an abusive husband. In 2003, they played their biggest gig in front of 100,000 people in France at a celebration of José Bové , a radical campaigning farmer. For 2005's Tank , they were joined by On-U Sound collaborator Ghetto Priest on vocals, with

3060-581: The European Union and the United States State Department. In 1976, Bové was sentenced and served three weeks of imprisonment for having destroyed documents belonging to the military, when opposing extension of Larzac military camp. In 2002, Bové was sentenced to three months' imprisonment for his role in the 1999 destruction of a McDonald's franchise in Millau, Aveyron. He served 44 days and

3162-659: The Louisville Symphony and A Poem in Cycles and Bells , both for orchestra and tape. Because he had been working at Schaeffer's studio, the tape part for Varèse's work contains much more concrete sounds than electronic. "A group made up of wind instruments, percussion and piano alternate with the mutated sounds of factory noises and ship sirens and motors, coming from two loudspeakers." At the German premiere of Déserts in Hamburg, which

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3264-748: The Noise was released only in Japan. In 2014, the band debuted their live soundtrack to THX 1138 , George Lucas 's first feature-length film. George Lucas and his collaborator Walter Murch gave their blessing to the project and it was performed at the Brooklyn Festival in Prospect Park which led to an Arts Council Sponsored Tour of the UK in 2015. In 2015, ADF released More Signal More Noise jointly between Believe Records their own ADF Communications imprint. The album

3366-467: The Philips studio in the Netherlands. The public remained interested in the new sounds being created around the world, as can be deduced by the inclusion of Varèse's Poème électronique , which was played over four hundred loudspeakers at the Philips Pavilion of the 1958 Brussels World Fair . That same year, Mauricio Kagel , an Argentine composer, composed Transición II . The work was realized at

3468-446: The Poet , a 1959 series of electronic compositions that stood out for its immersion and seamless fusion of electronic and folk music , in contrast to the more mathematical approach used by serial composers of the time such as Babbitt. El-Dabh's Leiyla and the Poet , released as part of the album Columbia-Princeton Electronic Music Center in 1961, would be cited as a strong influence by

3570-549: The Presidential pardon, saying that it was entirely inadequate and wholly unjustified, respectively. On 15 November 2005, the Toulouse court of appeals sentenced Bové to 4 months in jail for having destroyed genetically engineered corn from a field. Other defendants, such as Noël Mamère , got suspended sentences. In February 2006, Bové was stopped at entry by U.S. Customs and Border Protection agents at New York's JFK Airport . He

3672-841: The UK Singles Sales Chart. Electronic music Electronic music broadly is a group of music genres that employ electronic musical instruments , circuitry-based music technology and software, or general-purpose electronics (such as personal computers ) in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music ). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator , theremin , or synthesizer . Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups , power amplifiers and loudspeakers . Such electromechanical devices include

3774-570: The UKIP politician (and later, party leader) Paul Nuttall . In December 2020, a video for the song was released, which was part of an internet campaign to get the record to number one in time for the chart published by the Official Charts Company on 31 December 2020, thereby making it the 'Brexit Day Number One'. The song debuted at number 65 on the UK Singles Chart and made it to number 1 on

3876-589: The United States following the end of World War II. These were the basis for the first commercially produced tape recorder in 1948. In 1944, before the use of magnetic tape for compositional purposes, Egyptian composer Halim El-Dabh , while still a student in Cairo , used a cumbersome wire recorder to record sounds of an ancient zaar ceremony. Using facilities at the Middle East Radio studios El-Dabh processed

3978-454: The United States, electronic music was being created as early as 1939, when John Cage published Imaginary Landscape, No. 1 , using two variable-speed turntables, frequency recordings, muted piano, and cymbal, but no electronic means of production. Cage composed five more "Imaginary Landscapes" between 1942 and 1952 (one withdrawn), mostly for percussion ensemble, though No. 4 is for twelve radios and No. 5, written in 1952, uses 42 recordings and

4080-577: The WDR studio in Cologne. Two musicians performed on the piano, one in the traditional manner, the other playing on the strings, frame, and case. Two other performers used tape to unite the presentation of live sounds with the future of prerecorded materials from later on and its past of recordings made earlier in the performance. In 1958, Columbia-Princeton developed the RCA Mark II Sound Synthesizer ,

4182-733: The ancestor of the ORTF . Karlheinz Stockhausen worked briefly in Schaeffer's studio in 1952, and afterward for many years at the WDR Cologne's Studio for Electronic Music . 1954 saw the advent of what would now be considered authentic electric plus acoustic compositions—acoustic instrumentation augmented/accompanied by recordings of manipulated or electronically generated sound. Three major works were premiered that year: Varèse's Déserts , for chamber ensemble and tape sounds, and two works by Otto Luening and Vladimir Ussachevsky : Rhapsodic Variations for

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4284-526: The band released Youth Quake Pt 1, pairing electronica and breakbeats with a speech that teenage Swedish activist Greta Thunberg gave to the United Nations conference on climate change in 2018, in support of Extinction Rebellion and the urgent struggle for Climate Justice. The band reissued the album Rafi's Revenge the same year. In April 2020, the band released the video for Stealing the Future . The track

4386-456: The band was signed by London Records . Their British profile was upped considerably by the support of Primal Scream with whom the band began to tour regularly. Their second album Rafi's Revenge (1998) combined punk energy with a jungle/reggae core and was nominated for a Mercury Prize . The single "Naxalite" was an ode to the militant Naxalite movement in India. Tours to the United States (with

4488-637: The borrowed equipment in the back of Ussachevsky's car, we left Bennington for Woodstock and stayed two weeks. . . . In late September 1952, the travelling laboratory reached Ussachevsky's living room in New York, where we eventually completed the compositions." Two months later, on 28 October, Vladimir Ussachevsky and Otto Luening presented the first Tape Music concert in the United States. The concert included Luening's Fantasy in Space (1952)—"an impressionistic virtuoso piece" using manipulated recordings of flute—and Low Speed (1952), an "exotic composition that took

4590-412: The composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music (1907). Futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery . They predicted expansions in timbre allowed for by electronics in

4692-590: The contemporary age. In May 2012, the band was asked by immersive pop-up subversives Secret Cinema to revive their live soundtrack to La Haine at Broadwater Farm and also performed the piece in Paris the night of the French elections. Later that year ADF were rejoined by Dr. Das, Ghetto Priest and Rocky Singh. They recorded a new album, The Signal and the Noise , and headlined a series of festivals including "Bearded Theory" and "Asigiri Jam" in Japan. In 2013, The Signal and

4794-504: The development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concrète , created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen . Electronic music was also created in Japan and the United States beginning in

4896-597: The development of music technology several decades later. Following the foundation of electronics company Sony in 1946, composers Toru Takemitsu and Minao Shibata independently explored possible uses for electronic technology to produce music. Takemitsu had ideas similar to musique concrète , which he was unaware of, while Shibata foresaw the development of synthesizers and predicted a drastic change in music. Sony began producing popular magnetic tape recorders for government and public use. The avant-garde collective Jikken Kōbō (Experimental Workshop), founded in 1950,

4998-402: The direction of electronic music. Another associate of Schaeffer, Edgard Varèse , began work on Déserts , a work for chamber orchestra and tape. The tape parts were created at Pierre Schaeffer's studio and were later revised at Columbia University . In 1950, Schaeffer gave the first public (non-broadcast) concert of musique concrète at the École Normale de Musique de Paris . "Schaeffer used

5100-505: The ecology of the area. He joined a band of peasants occupying the threatened territory and illegally building a sheep barn . The protest eventually succeeded, and the government cancelled the military plan. As a result of that experience, Bové became a sheep farmer there, producing Roquefort cheese . Bové continued both as a farmer and an activist. In 1987, he formed the Confédération Paysanne , an agricultural union. It promotes

5202-721: The end of the 1960s, musical groups playing light electronic music appeared in the USSR. At the state level, this music began to be used to attract foreign tourists to the country and for broadcasting to foreign countries. In the mid-1970s, composer Alexander Zatsepin designed an "orchestrolla" – a modification of the mellotron. The Baltic Soviet Republics also had their own pioneers: in Estonian SSR — Sven Grunberg , in Lithuanian SSR — Gedrus Kupriavicius, in Latvian SSR — Opus and Zodiac . The world's first computer to play music

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5304-417: The establishment; [it] won't actually help the organisations! If you want to acknowledge the work of these organisations, prioritise funding so they can grow and expand and do the work that they do (in) creating new music, giving people the opportunities to make music, develop new musicians and create pathways where they can go out and establish themselves in the music industry. In 2003, they released Enemy of

5406-438: The first complete work of computer-assisted composition using algorithmic composition. "... Hiller postulated that a computer could be taught the rules of a particular style and then called on to compose accordingly." Later developments included the work of Max Mathews at Bell Laboratories , who developed the influential MUSIC I program in 1957, one of the first computer programs to play electronic music. Vocoder technology

5508-539: The first programmable synthesizer. Prominent composers such as Vladimir Ussachevsky, Otto Luening, Milton Babbitt , Charles Wuorinen , Halim El-Dabh, Bülent Arel and Mario Davidovsky used the RCA Synthesizer extensively in various compositions. One of the most influential composers associated with the early years of the studio was Egypt's Halim El-Dabh who, after having developed the earliest known electronic tape music in 1944, became more famous for Leiyla and

5610-529: The first round of the presidential election, Bové scored 1.32% of the popular vote (483,008 votes). Following the French presidential elections, Bové became more closely associated with Europe Écologie , a coalition of French environmentalist political parties including the Green Party . In the 2009 European Parliament election , he headed the list of candidates for the South-West constituency. On 7 June 2009, he

5712-516: The flute far below its natural range." Both pieces were created at the home of Henry Cowell in Woodstock, New York. After several concerts caused a sensation in New York City, Ussachevsky and Luening were invited onto a live broadcast of NBC's Today Show to do an interview demonstration—the first televised electroacoustic performance. Luening described the event: "I improvised some [flute] sequences for

5814-617: The future)." Word quickly reached New York City. Oliver Daniel telephoned and invited the pair to "produce a group of short compositions for the October concert sponsored by the American Composers Alliance and Broadcast Music, Inc., under the direction of Leopold Stokowski at the Museum of Modern Art in New York. After some hesitation, we agreed. . . . Henry Cowell placed his home and studio in Woodstock, New York, at our disposal. With

5916-640: The help of Adrian Sherwood . The band continued performing their La Haine soundtrack around the world for the next five years. They developed this approach in 2004 with another improvised soundtrack to the film The Battle of Algiers , first performing the piece at the Brighton Dome. In 2005, they won "Best Underground" at the UK Asian Music Awards . Bassist Dr Das announced his intention to retire in May 2006 to resume teaching and produce his own music. He

6018-575: The help of which it was possible to extract various timbres and consonances of a noise nature. In 1958, Evgeny Murzin designed ANS synthesizer , one of the world's first polyphonic musical synthesizers. Founded by Murzin in 1966, the Moscow Experimental Electronic Music Studio became the base for a new generation of experimenters – Eduard Artemyev , Alexander Nemtin  [ ru ] , Sándor Kallós , Sofia Gubaidulina , Alfred Schnittke , and Vladimir Martynov . By

6120-547: The influential manifesto The Art of Noises (1913). Developments of the vacuum tube led to electronic instruments that were smaller, amplified , and more practical for performance. In particular, the theremin , ondes Martenot and trautonium were commercially produced by the early 1930s. From the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger and Maria Schuppel to adopt them. They were typically used within orchestras, and most composers wrote parts for

6222-467: The instruments. While some were considered novelties and produced simple tones, the Telharmonium synthesized the sound of several orchestral instruments with reasonable precision. It achieved viable public interest and made commercial progress into streaming music through telephone networks . Critics of musical conventions at the time saw promise in these developments. Ferruccio Busoni encouraged

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6324-611: The newly established International Solidarity Movement ( ISM ), who were acting as "human shields" at the Palestinian Presidential Compound so as to deter the army from breaking in. After spending a day in the besieged headquarters, Bové came out and was promptly arrested and deported by Israeli police. Upon his return to France, he was met by dozens of pro-Israeli and pro-Palestinian demonstrators, who scuffled briefly at Paris' Orly Airport . In an interview in 2002 with TV channel Canal Plus, Bové said he believed that

6426-799: The organization of electronic sounds in Mayuzumi's "X, Y, Z for Musique Concrète", and later in Shibata's electronic music by 1956. Modelling the NWDR studio in Cologne, established an NHK electronic music studio in Tokyo in 1954, which became one of the world's leading electronic music facilities. The NHK electronic music studio was equipped with technologies such as tone-generating and audio processing equipment, recording and radiophonic equipment, ondes Martenot, Monochord and Melochord , sine-wave oscillators , tape recorders, ring modulators , band-pass filters , and four- and eight-channel mixers . Musicians associated with

6528-506: The popular Dr. Jekyll and Mr. Hyde in the United States. Experiments with graphical sound were continued by Norman McLaren from the late 1930s. The first practical audio tape recorder was unveiled in 1935. Improvements to the technology were made using the AC biasing technique, which significantly improved recording fidelity. As early as 1942, test recordings were being made in stereo. Although these developments were initially confined to Germany, recorders and tapes were brought to

6630-482: The principle of the theremin . In the 1930s, Nikolai Ananyev invented "sonar", and engineer Alexander Gurov — neoviolena, I. Ilsarov — ilston., A. Rimsky-Korsakov  [ ru ] and A. Ivanov — emiriton  [ ru ] . Composer and inventor Arseny Avraamov was engaged in scientific work on sound synthesis and conducted a number of experiments that would later form the basis of Soviet electro-musical instruments. In 1956 Vyacheslav Mescherin created

6732-413: The production of electronic music. Also in 1951, Schaeffer and Henry produced an opera, Orpheus , for concrete sounds and voices. By 1951 the work of Schaeffer, composer-percussionist Pierre Henry, and sound engineer Jacques Poullin had received official recognition and The Groupe de Recherches de Musique Concrète , Club d 'Essai de la Radiodiffusion-Télévision Française was established at RTF in Paris,

6834-462: The quality of life for humans and the environment, promoting organic farming . In opposition to many companies in the profit-oriented agro-industry, Bové is a prominent opponent of genetically modified organisms (GMO). In 1995 he joined Greenpeace on their ship, the Rainbow Warrior , in a voyage to protest nuclear weapons testing in the Pacific Ocean . He has also been part of the anarchist organization Alternative Libertaire . Bové and

6936-445: The recorded material using reverberation, echo, voltage controls and re-recording. What resulted is believed to be the earliest tape music composition. The resulting work was entitled The Expression of Zaar and it was presented in 1944 at an art gallery event in Cairo. While his initial experiments in tape-based composition were not widely known outside of Egypt at the time, El-Dabh is also known for his later work in electronic music at

7038-419: The restrictions, the United States placed punitive tariffs on the importation of certain European goods, including Roquefort cheese , in retaliation. During an interview by Lynn Jeffress for Z magazine in June 2001 , Bové explained why he destroyed the McDonald's, saying: "This is a fight against free trade global capitalism. It's about the logic of a certain economic system, not an American system. It can be

7140-482: The speeds of recorded tones. Composers began to experiment with newly developed sound-on-film technology. Recordings could be spliced together to create sound collages , such as those by Tristan Tzara , Kurt Schwitters , Filippo Tommaso Marinetti , Walter Ruttmann and Dziga Vertov . Further, the technology allowed sound to be graphically created and modified . These techniques were used to compose soundtracks for several films in Germany and Russia, in addition to

7242-666: The studio included Toshiro Mayuzumi, Minao Shibata, Joji Yuasa, Toshi Ichiyanagi , and Toru Takemitsu. The studio's first electronic compositions were completed in 1955, including Mayuzumi's five-minute pieces "Studie I: Music for Sine Wave by Proportion of Prime Number", "Music for Modulated Wave by Proportion of Prime Number" and "Invention for Square Wave and Sawtooth Wave" produced using the studio's various tone-generating capabilities, and Shibata's 20-minute stereo piece "Musique Concrète for Stereophonic Broadcast". The impact of computers continued in 1956. Lejaren Hiller and Leonard Isaacson composed Illiac Suite for string quartet ,

7344-546: The studio of Bebe and Louis Barron . In the same year Columbia University purchased its first tape recorder—a professional Ampex machine—to record concerts. Vladimir Ussachevsky, who was on the music faculty of Columbia University, was placed in charge of the device, and almost immediately began experimenting with it. Herbert Russcol writes: "Soon he was intrigued with the new sonorities he could achieve by recording musical instruments and then superimposing them on one another." Ussachevsky said later: "I suddenly realized that

7446-571: The studio was soon joined by Karlheinz Stockhausen and Gottfried Michael Koenig . In his 1949 thesis Elektronische Klangerzeugung: Elektronische Musik und Synthetische Sprache , Meyer-Eppler conceived the idea to synthesize music entirely from electronically produced signals; in this way, elektronische Musik was sharply differentiated from French musique concrète , which used sounds recorded from acoustical sources. In 1953, Stockhausen composed his Studie I , followed in 1954 by Elektronische Studie II —the first electronic piece to be published as

7548-488: The tape recorder could be treated as an instrument of sound transformation." On Thursday, 8 May 1952, Ussachevsky presented several demonstrations of tape music/effects that he created at his Composers Forum, in the McMillin Theatre at Columbia University. These included Transposition, Reverberation, Experiment, Composition , and Underwater Valse . In an interview, he stated: "I presented a few examples of my discovery in

7650-399: The tape recorder. Ussachevsky then and there put them through electronic transformations." The score for Forbidden Planet , by Louis and Bebe Barron , was entirely composed using custom-built electronic circuits and tape recorders in 1956 (but no synthesizers in the modern sense of the word). In 1929, Nikolai Obukhov invented the " sounding cross " (la croix sonore ), comparable to

7752-412: The theremin that could otherwise be performed with string instruments . Avant-garde composers criticized the predominant use of electronic instruments for conventional purposes. The instruments offered expansions in pitch resources that were exploited by advocates of microtonal music such as Charles Ives , Dimitrios Levidis , Olivier Messiaen and Edgard Varèse . Further, Percy Grainger used

7854-403: The theremin to abandon fixed tonation entirely, while Russian composers such as Gavriil Popov treated it as a source of noise in otherwise-acoustic noise music . Developments in early recording technology paralleled that of electronic instruments. The first means of recording and reproducing audio was invented in the late 19th century with the mechanical phonograph . Record players became

7956-400: The two collaborated on various pieces. Luening described the event: "Equipped with earphones and a flute, I began developing my first tape-recorder composition. Both of us were fluent improvisors and the medium fired our imaginations." They played some early pieces informally at a party, where "a number of composers almost solemnly congratulated us saying, 'This is it' ('it' meaning the music of

8058-466: The wave of attacks against French synagogues was being either arranged or fabricated by Mossad (the Israeli secret service). "Who profits from the crime?" Bové asked. "The Israeli government and its secret services have an interest in creating a certain psychosis, in making believe that there is a climate of antisemitism in France, in order to distract attention from what they are doing." Considerable outrage

8160-461: The work of Earle Brown, Morton Feldman, and Christian Wolff continues to present a brilliant light, for the reason that at the several points of notation, performance, and audition, action is provocative." Cage completed Williams Mix in 1953 while working with the Music for Magnetic Tape Project. The group had no permanent facility, and had to rely on borrowed time in commercial sound studios, including

8262-564: The world peasant and anti-globalization movements . He has said that he does not oppose the WTO and global rules, and agrees there is a need for such forms. But his resistance, as stated by his followers, is directed against the lack of democracy in how these rules are developed, approved and implemented. Bové is a founding member of ATTAC . In 2001 Bové took part in a major action destroying genetically modified crops in Brazil. In 2005 he campaigned for

8364-543: Was CSIRAC , which was designed and built by Trevor Pearcey and Maston Beard. Mathematician Geoff Hill programmed the CSIRAC to play popular musical melodies from the very early 1950s. In 1951 it publicly played the Colonel Bogey March , of which no known recordings exist, only the accurate reconstruction. However, CSIRAC played standard repertoire and was not used to extend musical thinking or composition practice. CSIRAC

8466-459: Was a re-recorded version of the 2013 Japan only release. They were joined in early 2015 by ex- The Prodigy drummer Brian Fairbairn and toured Italy with a revived version of their La Haine soundtrack. They recorded a BBC Radio 6 session for Tom Robinson in 2015 and played headline slots at WOMAD and Boomtown festivals in 2016. In June 2017, it was announced that the band is working on an upcoming album, titled Access Denied. In May 2019,

8568-570: Was also a major development in this early era. In 1956, Stockhausen composed Gesang der Jünglinge , the first major work of the Cologne studio, based on a text from the Book of Daniel . An important technological development of that year was the invention of the Clavivox synthesizer by Raymond Scott with subassembly by Robert Moog . In 1957, Kid Baltan ( Dick Raaymakers ) and Tom Dissevelt released their debut album, Song Of The Second Moon , recorded at

8670-672: Was an attempt to create a live re-score of Mathieu Kassovitz 's film La Haine at the Barbican Centre 's "Only Connect" festival in London. The gig was sold out and received critical praise, particularly from Max Bell and Steven Wells . They did the piece again by invitation of David Bowie at his South Bank Meltdown Festival in 2002; in attendance was Kassovitz. The band went to Brazil to collaborate with community activist Afro-Reggae with new band members MC Aktarv8tr, Spex MC, Rocky Singh (drums), and Prithpal Rajput ( dhol ). In 2002, Pandit G

8772-468: Was awarded the MBE for "services to the music industry" in relation to his work with Community Music . He declined the award, however, stating: I personally don't think it's appropriate. I've never supported the honours system. If you want to acknowledge projects like [ Community Music ], the work that these organisations do, then fund them. There's no point in giving an individual an accolade to bring people into

8874-415: Was built in 1935. however, after World War II, Japanese composers such as Minao Shibata knew of the development of electronic musical instruments. By the late 1940s, Japanese composers began experimenting with electronic music and institutional sponsorship enabled them to experiment with advanced equipment. Their infusion of Asian music into the emerging genre would eventually support Japan's popularity in

8976-419: Was conducted by Bruno Maderna , the tape controls were operated by Karlheinz Stockhausen . The title Déserts suggested to Varèse not only "all physical deserts (of sand, sea, snow, of outer space, of empty streets), but also the deserts in the mind of man; not only those stripped aspects of nature that suggest bareness, aloofness, timelessness, but also that remote inner space no telescope can reach, where man

9078-726: Was developed. In the same decade, with a greater reliance on synthesizers and the adoption of programmable drum machines, electronic popular music came to the fore. During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture. In Berlin starting in 1989, the Love Parade became the largest street party with over 1 million visitors, inspiring other such popular celebrations of electronic music. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music . Pop electronic music

9180-603: Was expelled for being "faithless"). While at university, he associated with anarchists and pacifists. When asked to serve in the army, he refused as a conscientious objector. While waiting for his court appeal, he went into hiding and worked in a farm. In 1976, Bové joined the Fight for the Larzac , a movement protesting the proposed expansion of a military camp on the Larzac plateau . It would have displaced regional sheep farmers and changed

9282-642: Was expressed after his remarks, and he later apologized for the statement. His visit to Arafat was denounced in a speech by the head of France's CRIF , an umbrella group for Jewish organisations. Bové has intervened to support the movements of the Tahitians and the Kanaks , the indigenous Melanesian people of New Caledonia . On 23 April 2004 he announced that he would join the People's Congress of Kurdistan ( Kongra-Gel ). This group has been classified as terrorist by both

9384-434: Was fighting for "the people that have no voice." He was trying to promote unity on the radical left and aiming to defeat the right and the far right, which had recently gained popularity. He was endorsed by actress Juliette Binoche , who has international renown. On 19 March Bové announced that he had secured the support necessary to reach the second stage, to be listed on the published ballot, alongside 11 other contenders. On

9486-510: Was from the album Access Denied that was released in September of the same year. Collaborators on the album include comedian Stewart Lee , Palestinian refugee band 47Soul , Ana Tijoux and Dub FX . In September 2020, the band released their song with Stewart Lee called "Comin’ Over Here". This track was based on a sketch from the BBC programme Stewart Lee's Comedy Vehicle , which was a routine about

9588-527: Was never recorded, but the music played was accurately reconstructed. The oldest known recordings of computer-generated music were played by the Ferranti Mark 1 computer, a commercial version of the Baby Machine from the University of Manchester in the autumn of 1951. The music program was written by Christopher Strachey . The earliest group of electronic musical instruments in Japan, Yamaha Magna Organ

9690-482: Was offered access to emerging audio technology by Sony. The company hired Toru Takemitsu to demonstrate their tape recorders with compositions and performances of electronic tape music. The first electronic tape pieces by the group were "Toraware no Onna" ("Imprisoned Woman") and "Piece B", composed in 1951 by Kuniharu Akiyama. Many of the electroacoustic tape pieces they produced were used as incidental music for radio, film, and theatre. They also held concerts employing

9792-425: Was raised in many different places. As a child he lived both inside and outside France, including the United States. Bové speaks English fluently, as his parents moved with him to Berkeley, California when he was three. They were invited to be researchers at the University of California, Berkeley . After they returned to France, they lived in Paris. Bové attended a Jesuit secondary school near Paris (from which he

9894-417: Was released on 1 August 2002. On 22 June 2003 Bové began serving a sentence of ten months for the destruction of transgenic crops. ATTAC protested and called for him to be freed. A general pardon of prisoners issued for Bastille Day , together with an individual action in his case by President Jacques Chirac , reduced the sentence to seven months. Both supporters and opponents expressed dissatisfaction with

9996-537: Was replaced by Martin Savale, who also plays bass with British-Asian electro/grunge/hip-hop band Swami . In September 2006, the dub/punk opera "Gaddafi: A Living Myth", with music by ADF, opened at the London Coliseum . In Spring 2007, Asian Dub Foundation announced the release of a best of compilation Time Freeze: The Best of Asian Dub Foundation which included a bonus disc of rare remixes and live tracks, including

10098-623: Was sentenced to three months' imprisonment for his role; he was imprisoned for 44 days and released early on 1 August 2002. Later, the European Union imposed restrictions on importing hormone-treated beef (see Sanitary and Phytosanitary Agreement ). However, the World Trade Organization, of which both the US and France are members, disallowed this restriction. After the EU refused to comply and remove

10200-456: Was subsequently allowed to stay in the country for seven days. Following an appeal from his supporters, who gathered 40,000 signatures, in January 2007 Bové announced he would run as a candidate that year in the 2007 French presidential election . He formally declared on 1 February and in six weeks gained the required 500 signatures from elected officials necessary to be a candidate. He declared he

10302-416: Was the first " movement " of Cinq études de bruits , and marked the beginning of studio realizations and musique concrète (or acousmatic art). Schaeffer employed a disc cutting lathe , four turntables, a four-channel mixer, filters, an echo chamber, and a mobile recording unit. Not long after this, Pierre Henry began collaborating with Schaeffer, a partnership that would have profound and lasting effects on

10404-550: Was traveling to Cornell University 's School of Industrial and Labor Relations for events sponsored by Cornell's Global Labor Institute. According to Bové, the Customs agents told him he was "ineligible" to enter the U.S. due to his past prosecutions for "moral crimes." After being detained for several hours, Bové was placed on an Air France flight to Paris. On 11 October 2016, Bové was denied entry to Canada because of his convictions related to protests, notably against McDonald's. He

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