Misplaced Pages

Archibald MacLeish

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
#750249

135-606: Archibald MacLeish (May 7, 1892 – April 20, 1982) was an American poet and writer, who was associated with the modernist school of poetry. MacLeish studied English at Yale University and law at Harvard University . He enlisted in and saw action during the First World War and lived in Paris in the 1920s. On returning to the United States, he contributed to Henry Luce 's magazine Fortune from 1929 to 1938. For five years, MacLeish

270-718: A higher power and meaning in the world. Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse. This distinction between modernism and romanticism extends to their respective treatments of 'symbol'. The romantics at times see an essential relation (the 'ground') between the symbol (or the 'vehicle', in I.A. Richards 's terms) and its 'tenor' (its meaning)—for example in Coleridge's description of nature as 'that eternal language which thy God / Utters'. But while some romantics may have perceived nature and its symbols as God's language, for other romantic theorists it remains inscrutable. As Goethe (not himself

405-560: A mystical approach to suggest a non-rational sense of meaning. For these reasons, modernist metaphors may be unnatural, as for instance in T.S. Eliot's description of an evening 'spread out against the sky / Like a patient etherized upon a table'. Similarly, for many later modernist poets nature is unnaturalized and at times mechanized, as for example in Stephen Oliver's image of the moon busily 'hoisting' itself into consciousness. Modernism developed out of Romanticism's revolt against

540-472: A "growing alienation " from prevailing " morality , optimism , and convention " and a desire to change how " human beings in a society interact and live together ". The modernist movement emerged during the late 19th century in response to significant changes in Western culture , including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and

675-677: A Circle ), which he later called the first abstract painting. In 1912, Metzinger and Gleizes wrote the first (and only) major Cubist manifesto, Du "Cubisme" , published in time for the Salon de la Section d'Or , the largest Cubist exhibition to date. In 1912 Metzinger painted and exhibited his enchanting La Femme au Cheval (Woman with a Horse) and Danseuse au Café ( Dancer in a Café ) . Albert Gleizes painted and exhibited his Les Baigneuses (The Bathers) and his monumental Le Dépiquage des Moissons ( Harvest Threshing ). This work, along with La Ville de Paris ( City of Paris ) by Robert Delaunay ,

810-409: A conservative position. Some even argue that Modernism in literature and art functioned to sustain an elite culture that excluded the majority of the population. Surrealism , which originated in the early 1920s, came to be regarded by the public as the most extreme form of modernism, or "the avant-garde of modernism". The word "surrealist" was coined by Guillaume Apollinaire and first appeared in

945-587: A critical stance towards the Enlightenment concept of rationalism . The movement also rejected the concept of absolute originality — the idea of "creation from nothingness" — upheld in the 19th century by both realism and Romanticism , replacing it with techniques of collage , reprise , incorporation, rewriting, recapitulation , revision, and parody. Another feature of modernism was reflexivity about artistic and social convention, which led to experimentation highlighting how works of art are made as well as

1080-401: A direct means of accessing a higher reality. Modernism often rejects 19th-century realism when the latter is understood as focusing on the embodiment of meaning within a naturalistic representation. Instead, some modernists aim at a more 'real' realism, one that is uncentered. For instance, Picasso's 1907 Proto-Cubist painting Les Demoiselles d'Avignon does not present its subjects from

1215-552: A library is, in itself, an assertion. [...] It asserts that [...] all these different and dissimilar reports, these bits and pieces of experience, manuscripts in bottles, messages from long before, from deep within, from miles beyond, belonged together and might, if understood together, spell out the meaning which the mystery implies. [...] The library, almost alone of the great monuments of civilization, stands taller now than it ever did before. The city [...] decays. The nation loses its grandeur [...]. The university

1350-425: A line from W. B. Yeats : "Things fall apart; the centre cannot hold" (in ' The Second Coming '). Modernists often search for a metaphysical 'centre' but experience its collapse. ( Postmodernism , by way of contrast, celebrates that collapse, exposing the failure of metaphysics, such as Jacques Derrida 's deconstruction of metaphysical claims.) Philosophically, the collapse of metaphysics can be traced back to

1485-522: A revolutionary culture that included political revolution. In Russia after the 1917 Revolution , there was indeed initially a burgeoning of avant-garde cultural activity, which included Russian Futurism . However, others rejected conventional politics as well as artistic conventions, believing that a revolution of political consciousness had greater importance than a change in political structures. But many modernists saw themselves as apolitical. Others, such as T. S. Eliot , rejected mass popular culture from

SECTION 10

#1733106816751

1620-442: A romantic) said, ‘the idea [or meaning] remains eternally and infinitely active and inaccessible in the image’. This was extended in modernist theory which, drawing on its symbolist precursors, often emphasizes the inscrutability and failure of symbol and metaphor. For example, Wallace Stevens seeks and fails to find meaning in nature, even if he at times seems to sense such a meaning. As such, symbolists and modernists at times adopt

1755-479: A single point of view, instead presenting a flat, two-dimensional picture plane . The Poet of 1911 is similarly decentered, presenting the body from multiple points of view. As the Peggy Guggenheim Collection comments, "Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image." Modernism, with its sense that "things fall apart,"

1890-406: A struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of the poem. Modernism often rejects nineteenth century realism , if the latter is understood as focusing on

2025-427: A tonal center. A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne , which were displayed in a retrospective at the 1907 Salon d'Automne . In Cubist artwork, objects are analyzed, broken up, and reassembled in an abstract form; instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent

2160-425: A way for knowledge to explain that which was as yet unknown, came the first wave of modernist works in the opening decade of the 20th century. Although their authors considered them to be extensions of existing trends in art, these works broke the implicit understanding the general public had of art: that artists were the interpreters and representatives of bourgeois culture and ideas. These "modernist" landmarks include

2295-472: A writer and editor for Henry Luce's Fortune , during which he also became increasingly politically active, especially with antifascist causes. By the 1930s, he considered capitalism to be "symbolically dead" and wrote the verse play Panic (1935) in response. While in Paris, Harry Crosby , publisher of the Black Sun Press , offered to publish MacLeish's poetry. Both MacLeish and Crosby had overturned

2430-559: Is a report of one kind or another and the sum of all of them together is our little knowledge of our world and of ourselves. Call a book Das Kapital or The Voyage of the Beagle or Theory of Relativity or Alice in Wonderland or Moby Dick , it is still [...] a "report" upon the "mystery of things." But if this is what a book is [...], then a library [...] is an extraordinary thing. [...] The existence of

2565-476: Is among the first skyscrapers in the world. Ludwig Mies van der Rohe 's Seagram Building in New York (1956–1958) is often regarded as the pinnacle of this modernist high-rise architecture. Many aspects of modernist design persist within the mainstream of contemporary architecture , though previous dogmatism has given way to a more playful use of decoration, historical quotation, and spatial drama. In 1913—which

2700-775: Is another modernist movement. In 1909, the Parisian newspaper Le Figaro published F. T. Marinetti 's first manifesto. Soon afterward, a group of painters ( Giacomo Balla , Umberto Boccioni , Carlo Carrà , Luigi Russolo , and Gino Severini ) co-signed the Futurist Manifesto . Modeled on Marx and Engels ' famous " Communist Manifesto " (1848), such manifestos put forward ideas that were meant to provoke and to gather followers. However, arguments in favor of geometric or purely abstract painting were, at this time, largely confined to "little magazines" which had only tiny circulations. Modernist primitivism and pessimism were controversial, and

2835-525: Is highly regarded for his humorous short stories that he published in magazines in the 1930s and 1940s, most often in The New Yorker , which are considered to be the first examples of surrealist humor in America. Modern ideas in art also began to appear more frequently in commercials and logos, an early example of which, from 1916, is the famous London Underground logo designed by Edward Johnston . One of

SECTION 20

#1733106816751

2970-707: Is not always certain what it is. But the library remains: a silent and enduring affirmation that the great Reports still speak, and not alone but somehow all together [...] Two collections of MacLeish's papers are held at the Yale University Beinecke Rare Book and Manuscript Library . These are the Archibald MacLeish Collection and the Archibald MacLeish Collection Addition. Additionally, more than 13,500 items from his papers and his personal library are held in

3105-483: Is often presented as an early example of a writer using the stream-of-consciousness technique , but Robert Humphrey comments that Proust "is concerned only with the reminiscent aspect of consciousness" and that he "was deliberately recapturing the past for the purpose of communicating; hence he did not write a stream-of-consciousness novel." Stream of consciousness was an important modernist literary innovation, and it has been suggested that Arthur Schnitzler (1862–1931)

3240-525: Is often seen as the apotheosis of Romanticism. As August Wilhelm Schlegel, an early German Romantic, described it, while Romanticism searches for metaphysical truths about character, nature, higher power , and meaning in the world, modernism, although yearning for such a metaphysical center, only finds its collapse. In the context of the Industrial Revolution (~1760–1840), influential innovations included steam-powered industrialization , especially

3375-459: Is similarly decentred, presenting the body from multiple points of view. As the Peggy Guggenheim Collection website puts it, 'Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image'. Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism , if romanticism is the (often frustrated) quest for metaphysical truths about character, nature,

3510-648: The Harvard Law Review . His studies were interrupted by World War I , in which he served first as an ambulance driver and later as an artillery officer. He fought at the Second Battle of the Marne. His brother, Kenneth MacLeish , was killed in action during the war. He graduated from law school in 1919, taught law for a semester for the government department at Harvard, then worked briefly as an editor for The New Republic . He next spent three years practicing law with

3645-579: The Office of Strategic Services , the precursor to the Central Intelligence Agency . "These operations were overseen by the distinguished Harvard University historian William L. Langer , who, with the assistance of the American Council of Learned Societies and Librarian of Congress Archibald MacLeish, set out immediately to recruit a professional staff drawn from across the social sciences. Over

3780-627: The Farm Security Administration and other agencies. The book influenced Steinbeck's The Grapes of Wrath . American Libraries has called MacLeish "one of the 100 most influential figures in librarianship during the 20th century" in the United States. MacLeish's career in libraries and public service began, not with an internal desire, but from a combination of the urging of a close friend, Felix Frankfurter , and as MacLeish put it, "The President decided I wanted to be Librarian of Congress." Franklin D. Roosevelt 's nomination of MacLeish

3915-525: The Hecatomb of the First World War — disclose a common cause and psychological matrix in the fight against (perceived) decadence ." All of them embody bids to access a "supra-personal experience of reality" in which individuals believed they could transcend their mortality and eventually that they would cease to be victims of history to instead become its creators. Literary modernism is often summed up in

4050-505: The Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century, many artists felt a need to create a new kind of art that encompassed

4185-593: The United States Senate , victory in a roll call vote with 63 senators voting in favor of MacLeish's appointment was achieved. MacLeish was sworn in as Librarian of Congress on July 10, 1939, by the local postmaster at Conway, Massachusetts . MacLeish became privy to Roosevelt's views on the library during a private meeting with the President. According to Roosevelt, the pay levels were too low and many people would need to be removed. Soon afterward, MacLeish joined

Archibald MacLeish - Misplaced Pages Continue

4320-565: The War Department's Office of Facts and Figures , and as the assistant director of the Office of War Information . These jobs were heavily involved with propaganda, which was well-suited to MacLeish's talents; he had written quite a bit of politically motivated work in the previous decade. He spent a year as the Assistant Secretary of State for Public Affairs and a further year representing

4455-484: The avant-garde of various arts and disciplines. It is also often perceived, especially in the West, as a socially progressive movement that affirms the power of human beings to create, improve, and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encourages the re-examination of every aspect of existence. Modernists analyze topics to find

4590-617: The capitalist system and that workers are anything but free led to the formulation of Marxist theory . Art historians have suggested various dates as starting points for modernism. Historian William Everdell argued that modernism began in the 1870s when metaphorical (or ontological ) continuity began to yield to the discrete with mathematician Richard Dedekind 's (1831–1916) Dedekind cut and Ludwig Boltzmann 's (1844–1906) statistical thermodynamics . Everdell also believed modernism in painting began in 1885–1886 with post-Impressionist artist Georges Seurat 's development of Divisionism ,

4725-650: The neoclassicism of the 1920s (as represented most famously by T. S. Eliot and Igor Stravinsky —which rejected popular solutions to modern problems), the rise of fascism , the Great Depression , and the march to war helped to radicalize a generation. Bertolt Brecht , W. H. Auden , André Breton , Louis Aragon , and the philosophers Antonio Gramsci and Walter Benjamin are perhaps the most famous exemplars of this modernist form of Marxism. There were, however, also modernists explicitly of 'the right', including Salvador Dalí , Wyndham Lewis , T. S. Eliot, Ezra Pound ,

4860-681: The " stream of consciousness " technique, such as Dorothy Richardson , James Joyce , and Virginia Woolf (1882–1941). Also important in Bergson's philosophy was the idea of élan vital , the life force, which "brings about the creative evolution of everything." His philosophy also placed a high value on intuition , though without rejecting the importance of the intellect. Important literary precursors of modernism included esteemed writers such as Fyodor Dostoevsky (1821–1881), whose novels include Crime and Punishment (1866) and The Brothers Karamazov (1880); Walt Whitman (1819–1892), who published

4995-470: The " will to power " ( Wille zur macht ), were of central importance: "Nietzsche often identified life itself with 'will to power', that is, with an instinct for growth and durability." Henri Bergson (1859–1941), on the other hand, emphasized the difference between scientific, clock time and the direct, subjective human experience of time. His work on time and consciousness "had a great influence on 20th-century novelists" especially those modernists who used

5130-606: The "dots" used to paint A Sunday Afternoon on the Island of La Grande Jatte . On the other hand, visual art critic Clement Greenberg called German philosopher Immanuel Kant (1724–1804) "the first real modernist", although he also wrote, "What can be safely called modernism emerged in the middle of the last century—and rather locally, in France, with Charles Baudelaire (1821–1867) in literature and Manet in painting, and perhaps with Gustave Flaubert (1821–1880), too, in prose fiction. (It

5265-439: The (perceived) erosion of an overarching ' nomos ', or 'sacred canopy', under the fragmenting and secularizing impact of modernity". Therefore, phenomena apparently unrelated to each other such as " Expressionism , Futurism , Vitalism , Theosophy , Psychoanalysis , Nudism , Eugenics , Utopian town planning and architecture, modern dance , Bolshevism , Organic Nationalism — and even the cult of self-sacrifice that sustained

5400-478: The 1860s, two approaches in the arts and letters developed separately in France. The first was Impressionism, a school of painting that initially focused on work done not in studios, but outdoors ( en plein air ). Impressionist paintings attempted to convey that human beings do not see objects, but instead see light itself. The school gathered adherents despite internal divisions among its leading practitioners and became increasingly influential. Initially rejected from

5535-463: The 1920s and 1930s were Bertolt Brecht and Federico García Lorca . D. H. Lawrence 's Lady Chatterley's Lover was privately published in 1928, while another important landmark for the history of the modern novel came with the publication of William Faulkner 's The Sound and the Fury in 1929. In the 1930s, in addition to further major works by Faulkner, Samuel Beckett published his first major work,

Archibald MacLeish - Misplaced Pages Continue

5670-731: The 1920s until the 1950s. While modernist poetry in English is often viewed as an American phenomenon, with leading exponents including Ezra Pound, T. S. Eliot, Marianne Moore , William Carlos Williams , H.D. , and Louis Zukofsky , there were important British modernist poets, including David Jones , Hugh MacDiarmid , Basil Bunting , and W. H. Auden . European modernist poets include Federico García Lorca , Anna Akhmatova , Constantine Cavafy , and Paul Valéry . The modernist movement continued during this period in Soviet Russia . In 1930 composer Dimitri Shostakovich 's (1906–1975) opera The Nose

5805-659: The 1930s. Between 1930 and 1932 composer Arnold Schoenberg worked on Moses und Aron , one of the first operas to make use of the twelve-tone technique, Pablo Picasso painted in 1937 Guernica , his cubist condemnation of fascism , while in 1939 James Joyce pushed the boundaries of the modern novel further with Finnegans Wake . Also by 1930 modernism began to influence mainstream culture, so that, for example, The New Yorker magazine began publishing work, influenced by modernism, by young writers and humorists like Dorothy Parker , Robert Benchley , E. B. White , S. J. Perelman , and James Thurber , amongst others. Perelman

5940-792: The 1940s and 1950s, including J. Edgar Hoover and Joseph McCarthy . Much of this was due to his involvement with left-wing organizations such as the League of American Writers , and to his friendships with prominent left-wing writers. Time magazine's Whittaker Chambers cited him as a fellow traveler in a 1941 article: "By 1938, U. S. Communists could count among their allies such names as Granville Hicks , Newton Arvin , Waldo Frank , Lewis Mumford , Matthew Josephson , Kyle Crichton (Robert Forsythe), Malcolm Cowley , Donald Ogden Stewart , Erskine Caldwell , Dorothy Parker , Archibald MacLeish, Lillian Hellman , Dashiell Hammett , John Steinbeck , George Soule , many another." In 1949, MacLeish became

6075-623: The 19th century. Arguments arose that the values of the artist and those of society were not merely different, but in fact oftentimes opposed, and that society's current values were antithetical to further progress; therefore, civilization could not move forward in its present form. Early in the century, the philosopher Schopenhauer (1788–1860) ( The World as Will and Representation , 1819/20) called into question previous optimism. His ideas had an important influence on later thinkers, including Friedrich Nietzsche (1844–1900). Similarly, Søren Kierkegaard (1813–1855) and Nietzsche both later rejected

6210-499: The Archibald MacLeish Collection at Greenfield Community College in Greenfield, Massachusetts. Smith College's MacLeish Field Station is named after MacLeish and his wife Ada, who were close friends of former Smith president Jill Ker Conway and introduced her to the natural environment around Northampton, Massachusetts . In 1916, he married Ada Hitchcock, a musician. MacLeish had three children: Kenneth, Mary Hillard, and William,

6345-741: The Boston firm Choate, Hall & Stewart . MacLeish expressed his disillusion with war in his poem Memorial Rain , published in 1926. In 1923, MacLeish left his law firm and moved with his wife to Paris, where they joined the community of literary expatriates that included such members as Gertrude Stein and Ernest Hemingway . They also became part of the famed coterie of Riviera hosts Gerald and Sarah Murphy , which included Hemingway, Zelda and F. Scott Fitzgerald , John Dos Passos , Fernand Léger , Jean Cocteau , Pablo Picasso , John O'Hara , Cole Porter , Dorothy Parker , and Robert Benchley . He returned to America in 1928. From 1930 to 1938, he worked as

6480-672: The Boylston Professor of Rhetoric and Oratory at Harvard University. He held this position until his retirement in 1962. In 1959, his play J.B. won the Pulitzer Prize for Drama . From 1963 to 1967, he was the John Woodruff Simpson Lecturer at Amherst College . In 1969, MacLeish met Bob Dylan , and asked him to contribute songs to Scratch , a musical MacLeish was writing, based on the story " The Devil and Daniel Webster " by Stephen Vincent Benét . The collaboration

6615-481: The Dutch author Menno ter Braak and others. Significant modernist literary works continued to be created in the 1920s and 1930s, including further novels by Marcel Proust , Virginia Woolf , Robert Musil , and Dorothy Richardson . The American modernist dramatist Eugene O'Neill 's career began in 1914, but his major works appeared in the 1920s, 1930s and early 1940s. Two other significant modernist dramatists writing in

6750-700: The German Nazarenes ). The Pre-Raphaelites foreshadowed Manet (1832–1883), with whom modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough." Two of the most significant thinkers of the mid-19th century were biologist Charles Darwin (1809–1882), author of On the Origin of Species through Natural Selection (1859), and political scientist Karl Marx (1818–1883), author of Das Kapital (1867). Despite coming from different fields, both of their theories threatened

6885-541: The Hope of Women was the first fully Expressionist work for the theater, which opened on 4 July 1909 in Vienna . The extreme simplification of characters to mythic types , choral effects, declamatory dialogue and heightened intensity would become characteristic of later Expressionist plays. The first full-length Expressionist play was The Son by Walter Hasenclever, which was published in 1914 and first performed in 1916. Futurism

SECTION 50

#1733106816751

7020-490: The Impressionist Claude Monet had already been innovative in his use of perspective. In 1907, as Picasso was painting Les Demoiselles d'Avignon , Oskar Kokoschka was writing Mörder, Hoffnung der Frauen ( Murderer, Hope of Women ), the first Expressionist play (produced with scandal in 1909), and Arnold Schoenberg was composing his String Quartet No.2 in F sharp minor (1908), his first composition without

7155-715: The Moon.'" MacLeish worked to promote the arts, culture, and libraries. Among other impacts, MacLeish was the first Librarian of Congress to begin the process of naming what would become the United States Poet Laureate . The Poet Laureate Consultant in Poetry to the Library of Congress came from a donation in 1937 from Archer M. Huntington , a wealthy ship builder. Like many donations, it came with strings attached. In this case, Huntington wanted poet Joseph Auslander to be named to

7290-609: The Scottish philosopher David Hume (1711–1776), who argued that we never actually perceive one event causing another. We only experience the ' constant conjunction ' of events, and do not perceive a metaphysical 'cause'. Similarly, Hume argued that we never know the self as object, only the self as subject, and we are thus blind to our true natures. Moreover, if we only 'know' through sensory experience—such as sight, touch and feeling—then we cannot 'know' and neither can we make metaphysical claims. Thus, modernism can be driven emotionally by

7425-681: The U.S. as a lecturer in music for the Barnes Foundation . He taught music at Wells College in New York from 1936 to 1941, then moved to St. John's College in Maryland. In 1945, he worked for the U. S. Strategic Bombing Survey in Germany, on the suggestion of W. H. Auden , and stayed to work as a civilian cultural advisor in occupied Germany. Back in the US, he taught at the Peabody Conservatory from

7560-400: The U.S. at the creation of UNESCO , where he contributed to the preamble of its 1945 Constitution ("Since wars begin in the minds of men, it is in the minds of men that the defenses of peace must be constructed."). After this, he retired from public service and returned to academia . Despite a long history of debate over the merits of Marxism , MacLeish came under fire from anticommunists in

7695-555: The atonal ending of Arnold Schoenberg 's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of Cubism from the studios of Henri Matisse , Pablo Picasso , Georges Braque , and others, in

7830-416: The author of a memoir of his father, Uphill with Archie (2001). He died in 1982, at the age of 89. Modernism Modernism was an early 20th century movement in literature, visual arts, and music that emphasized experimentation, abstraction , and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in

7965-512: The city, including King's Cross station (1852) and Paddington Station (1854). These technological advances spread abroad, leading to later structures such as the Brooklyn Bridge (1883) and the Eiffel Tower (1889), the latter of which broke all previous limitations on how tall man-made objects could be. While such engineering feats radically altered the 19th-century urban environment and

8100-519: The coming of the Great War of 1914–1918 (World War I) and the Russian Revolution of 1917, the world was drastically changed, and doubt was cast on the beliefs and institutions of the past. The failure of the previous status quo seemed self-evident to a generation that had seen millions die fighting over scraps of earth: before 1914, it had been argued that no one would fight such a war, since the cost

8235-739: The cultural institution as a whole is through its relationship to realism and the dominant conventions of representation." More explicitly: the Expressionists rejected the ideology of realism. There was a concentrated Expressionist movement in early 20th-century German theater, of which Georg Kaiser and Ernst Toller were the most famous playwrights. Other notable Expressionist dramatists included Reinhard Sorge , Walter Hasenclever , Hans Henny Jahnn , and Arnolt Bronnen . They looked back to Swedish playwright August Strindberg and German actor and dramatist Frank Wedekind as precursors of their dramaturgical experiments. Oskar Kokoschka 's Murderer,

SECTION 60

#1733106816751

8370-497: The daily lives of people, the human experience of time itself was altered with the development of the electric telegraph in 1837, as well as the adoption of " standard time " by British railway companies from 1845, a concept which would be adopted throughout the rest of the world over the next fifty years. Despite continuing technological advances, the ideas that history and civilization were inherently progressive and that such advances were always good came under increasing attack in

8505-527: The dead poets, his ancestors, assert their immortality most vigorously." However, the relationship of modernism with tradition was complex, as literary scholar Peter Child's indicates: "There were paradoxical if not opposed trends towards revolutionary and reactionary positions, fear of the new and delight at the disappearance of the old, nihilism and fanatical enthusiasm, creativity, and despair." An example of how modernist art can apply older traditions while also incorporating new techniques can be found within

8640-540: The desire for metaphysical truths, while understanding their impossibility. Some modernist novels, for instance, feature characters like Marlow in Heart of Darkness or Nick Carraway in The Great Gatsby who believe that they have encountered some great truth about nature or character, truths that the novels themselves treat ironically while offering more mundane explanations. Similarly, many poems of Wallace Stevens convey

8775-649: The development of railways starting in Britain in the 1830s, and the subsequent advancements in physics, engineering, and architecture they led to. A major 19th-century engineering achievement was the Crystal Palace , the huge cast-iron and plate-glass exhibition hall built for the Great Exhibition of 1851 in London. Glass and iron were used in a similar monumental style in the construction of major railway terminals throughout

8910-556: The effects of the Industrial Revolution and bourgeois values. Literary scholar Gerald Graff , argues that, "The ground motive of modernism was criticism of the 19th-century bourgeois social order and its world view; the modernists, carrying the torch of Romanticism." While J. M. W. Turner (1775–1851), one of the most notable landscape painters of the 19th century, was a member of the Romantic movement , his pioneering work in

9045-407: The embodiment of meaning within a naturalistic representation. At the same time, some modernists aim at a more 'real' realism, one that is uncentered. Picasso's proto-cubist painting, Les Demoiselles d'Avignon of 1907 (see picture above), does not present its subjects from a single point of view (that of a single viewer), but instead presents a flat, two-dimensional picture plane . 'The Poet' of 1911

9180-402: The established order. Darwin's theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness ; in particular, the notion that human beings are driven by the same impulses as "lower animals" proved to be difficult to reconcile with the idea of an ennobling spirituality . Meanwhile, Marx's arguments that there are fundamental contradictions within

9315-471: The face of the senseless slaughter, described in works such as Erich Maria Remarque 's novel All Quiet on the Western Front (1929). Therefore, modernism's view of reality, which had been a minority taste before the war, became more generally accepted in the 1920s. In literature and visual art, some modernists sought to defy expectations mainly to make their art more vivid or to force the audience to take

9450-702: The fall of 1944 until the spring of 1945, then, in 1950–1951, served as music director at the American Academy in Rome . In 1949, Nabokov attended a New York press conference of the visiting Soviet composer Dmitri Shostakovich and publicly humiliated him by showing he was not a free agent and had to represent the positions of Stalin 's government, by asking him if he approved the Sovietic censorship over Stravinsky 's music, to which Shostakovich had no option than replying that he did. In 1951, Nabokov became Secretary General of

9585-456: The founding of the Society of Incoherent Arts. The theories of Sigmund Freud (1856–1939), Krafft-Ebing and other sexologists were influential in the early days of modernism. Freud's first major work was Studies on Hysteria (with Josef Breuer , 1895). Central to Freud's thinking is the idea "of the primacy of the unconscious mind in mental life", so that all subjective reality was based on

9720-556: The front page of Time would need when the men landed was a poem. What the poet wrote would count most, but we also wanted to say to our readers, look, this paper does not know how to express how it feels this day and perhaps you don't either, so here is a fellow, a poet, who will try for all of us. We called one poet who just did not think much of moons or us, and then decided to reach higher for somebody with more zest in his soul – for Archibald MacLeish, winner of three Pulitzer Prizes . He turned in his poem on time and entitled it 'Voyage to

9855-444: The fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Wassily Kandinsky , Piet Mondrian , and Kazimir Malevich all believed in redefining art as the arrangement of pure color. The use of photography, which had rendered much of

9990-632: The horse, so modernist design should reject the old styles and structures inherited from Ancient Greece or the Middle Ages . Following this machine aesthetic , modernist designers typically rejected decorative motifs in design, preferring to emphasize the materials used and pure geometrical forms. The skyscraper is the archetypal modernist building, and the Wainwright Building , a 10-story office building completed in 1891 in St. Louis, Missouri , United States,

10125-499: The idea that reality could be understood through a purely objective lens, a rejection that had a significant influence on the development of existentialism and nihilism . Around 1850, the Pre-Raphaelite Brotherhood (a group of English poets, painters, and art critics) began to challenge the dominant trends of industrial Victorian England in "opposition to technical skill without inspiration." They were influenced by

10260-426: The interactions between basic drives and instincts, through which the outside world was perceived. Freud's description of subjective states involved an unconscious mind full of primal impulses, and counterbalancing self-imposed restrictions derived from social values. The works of Friedrich Nietzsche (1844–1900) were another major precursor of modernism, with a philosophy in which psychological drives, specifically

10395-406: The largest one-year increase to date. Much of the increase went toward improved pay levels, increased acquisitions in underserved subject areas, and new positions. MacLeish resigned as Librarian of Congress on December 19, 1944, to take up the post of Assistant Secretary of State for Public Affairs . Archibald MacLeish also assisted with the development of the new " Research and Analysis Branch " of

10530-402: The library to "report on the mystery of things." Last, but not least, MacLeish promoted the Library of Congress through various forms of public advocacy . Perhaps his greatest display of public advocacy was requesting a budget increase of over a million dollars in his March 1940 budget proposal to Congress. While the library did not receive the full increase, it received an increase of $ 367,591,

10665-411: The library's collection had not yet been cataloged. MacLeish solved the problem of acquisitions and cataloging through establishing another committee instructed to seek advice from specialists outside of the Library of Congress. The committee found many subject areas of the library to be adequate and many other areas to be, surprisingly, inadequately provided for. A set of general principles on acquisitions

10800-442: The library's functions into three departments: administration, processing, and reference. All existing divisions were then assigned as appropriate. By including library scientists from inside and outside the Library of Congress, MacLeish was able to gain faith from the library community that he was on the right track. Within a year, MacLeish had completely restructured the Library of Congress, making it work more efficiently and aligning

10935-505: The library, rather "...one problem or another demanded action, and each problem solved led on to another that needed attention." MacLeish's chief accomplishments had their start in instituting daily staff meetings with division chiefs, the chief assistant librarian, and other administrators. He then set about setting up various committees on various projects, including acquisitions policy, fiscal operations, cataloging, and outreach. The committees alerted MacLeish to various problems throughout

11070-524: The library. Putnam was conspicuously not invited to attend these meetings, resulting in the librarian emeritus' feelings being "mortally hurt", but according to MacLeish, it was necessary to exclude Putnam; otherwise, "he would have been sitting there listening to talk about himself which he would take personally." First and foremost, under Putnam, the library was acquiring more books than it could catalog . A report in December 1939, found that over one-quarter of

11205-482: The mainstream in the first decade of the 20th century was still inclined towards a faith in progress and liberal optimism. Abstract artists, taking as their examples the Impressionists, as well as Paul Cézanne (1839–1906) and Edvard Munch (1863–1944), began with the assumption that color and shape , not the depiction of the natural world, formed the essential characteristics of art. Western art had been, from

11340-482: The material from which they are created. Debate about the timeline of modernism continues, with some scholars arguing that it evolved into late modernism or high modernism . Postmodernism , meanwhile, rejects many of the principles of modernism. Modernism was a cultural movement that impacted the arts as well as the broader Zeitgeist . It is commonly described as a system of thought and behavior marked by self-consciousness or self-reference , prevalent within

11475-507: The most immediate concern to the peoples of the United States. Secondly, MacLeish set about reorganizing the operational structure. Leading scholars in library science were assigned a committee to analyze the library's managerial structure. The committee issued a report a mere two months after it was formed, in April 1940, stating that a major restructuring was necessary. This was no surprise to MacLeish, who had 35 divisions under him. He divided

11610-530: The most important commercial show of the time, the government-sponsored Paris Salon , the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon. In 1863, the Salon des Refusés , created by Emperor Napoleon III , displayed all of the paintings rejected by the Paris Salon. While most were in standard styles, but by inferior artists,

11745-495: The most visible changes of this period was the adoption of new technologies into the daily lives of ordinary people in Western Europe and North America. Electricity, the telephone, the radio, the automobile—and the need to work with them, repair them and live with them—created social change. The kind of disruptive moment that only a few knew in the 1880s became a common occurrence. For example, the speed of communication reserved for

11880-428: The music of the composer Arnold Schoenberg . On the one hand, he rejected traditional tonal harmony , the hierarchical system of organizing works of music that had guided musical composition for at least a century and a half. Schoenberg believed he had discovered a wholly new way of organizing sound based on the use of twelve-note rows . Yet, while this was indeed a wholly new technique, its origins can be traced back to

12015-451: The nature of reality. They argued that since each viewer interprets art through their own subjective perspective, it can never convey the ultimate metaphysical truth that the Romantics sought. Nonetheless, the modernists did not completely reject the idea of art as a means of understanding the world. To them, it was a tool for challenging and disrupting the viewer's point of view, rather than as

12150-564: The newly formed Congress for Cultural Freedom (CCF), backed by the CIA , and remained in the job for more than fifteen years, organizing music and cultural festivals. With the effective dissolution of the CCF in 1967, Nabokov found a series of teaching jobs at American universities, and in 1970, became resident composer at the Aspen Institute for Humanistic Studies , where he remained until 1973. Although he

12285-463: The next 12 months, academic specialists from fields ranging from geography to classical philology descended upon Washington, bringing with them their most promising graduate students, and set up shop in the headquarters of the Research and Analysis (R&A) Branch at Twenty-third and E Streets, and in the new annex to the Library of Congress." During World War II , MacLeish also served as director of

12420-511: The normal expectations of society, rejecting conventional careers in the legal and banking fields. Crosby published MacLeish's long poem "Einstein" in a deluxe edition of 150 copies that sold quickly. MacLeish was paid $ 200 for his work. In 1932, MacLeish published his long poem "Conquistador", which presents Cortés's conquest of the Aztecs as symbolic of the American experience. In 1933, "Conquistador"

12555-409: The novel Murphy (1938). Then in 1939 James Joyce's Finnegans Wake appeared. This is written in a largely idiosyncratic language , consisting of a mixture of standard English lexical items and neologistic multilingual puns and portmanteau words, which attempts to recreate the experience of sleep and dreams. In poetry T. S. Eliot, E. E. Cummings , and Wallace Stevens were writing from

12690-498: The novelist Franz Kafka , poet Gottfried Benn , and novelist Alfred Döblin were simultaneously the most vociferous anti-Expressionists. What, however, can be said, is that it was a movement that developed in the early 20th century mainly in Germany in reaction to the dehumanizing effect of industrialization and the growth of cities, and that "one of the central means by which Expressionism identifies itself as an avant-garde movement, and by which it marks its distance to traditions and

12825-423: The ones they believe to be holding back progress , replacing them with new ways of reaching the same end. According to historian Roger Griffin , modernism can be defined as a broad cultural, social, or political initiative sustained by the ethos of "the temporality of the new". Griffin believed that modernism aspired to restore a "sense of sublime order and purpose to the contemporary world, thereby counteracting

12960-434: The poetry collection Leaves of Grass (1855–1891); and August Strindberg (1849–1912), especially his later plays, including the trilogy To Damascus 1898–1901, A Dream Play (1902) and The Ghost Sonata (1907). Henry James has also been suggested as a significant precursor to modernism in works as early as The Portrait of a Lady (1881). Out of the collision of ideals derived from Romanticism and an attempt to find

13095-531: The position. Bogan, who had long been a hostile critic of MacLeish's own writing, asked MacLeish why he appointed her to the position; MacLeish replied that she was the best person for the job. For MacLeish, promoting the Library of Congress and the arts was vitally more important than petty personal conflicts. In the June 5, 1972, issue of The American Scholar , MacLeish laid out in an essay his philosophy on libraries and librarianship, further shaping modern thought on

13230-490: The position. MacLeish found little value in Auslander's writing. However, MacLeish was happy that having Auslander in the post attracted many other poets, such as Robinson Jeffers and Robert Frost , to hold readings at the library. He set about establishing the consultantship as a revolving post rather than a lifetime position. In 1943, MacLeish displayed his love of poetry and the Library of Congress by naming Louise Bogan to

13365-487: The preface to his play Les Mamelles de Tirésias , which was written in 1903 and first performed in 1917. Major surrealists include Paul Éluard , Robert Desnos , Max Ernst , Hans Arp , Antonin Artaud , Raymond Queneau , Joan Miró , and Marcel Duchamp . By 1930, modernism had won a place in the political and artistic establishment, although by this time modernism itself had changed. Modernism continued to evolve during

13500-514: The priority of suggestion and evocation over direct description and explicit analogy," and were especially interested in "the musical properties of language." Cabaret , which gave birth to so many of the arts of modernism, including the immediate precursors of film, may be said to have begun in France in 1881 with the opening of the Black Cat in Montmartre , the beginning of the ironic monologue, and

13635-434: The products of consumer culture " kitsch ", because their design aimed simply to have maximum appeal, with any difficult features removed. For Greenberg, modernism thus formed a reaction against the development of such examples of modern consumer culture as commercial popular music , Hollywood , and advertising. Greenberg associated this with the revolutionary rejection of capitalism. Some modernists saw themselves as part of

13770-430: The representational function of visual art obsolete, strongly affected this aspect of modernism. Modernist architects and designers, such as Frank Lloyd Wright and Le Corbusier , believed that new technology rendered old styles of building obsolete. Le Corbusier thought that buildings should function as "machines for living in", analogous to cars, which he saw as machines for traveling in. Just as cars had replaced

13905-400: The retiring Librarian of Congress Herbert Putnam for a luncheon in New York. At the meeting, Putnam relayed his intention to continue working at the library, that he would be given the title of librarian emeritus, and that his office would be down the hall from MacLeish's. The meeting further crystallized for MacLeish that as Librarian of Congress, he would be "an unpopular newcomer, disturbing

14040-436: The rise of Adolf Hitler in the 1930s, there were subsequent Expressionist works. Expressionism is notoriously difficult to define, in part because it "overlapped with other major 'isms' of the modernist period: with Futurism , Vorticism , Cubism, Surrealism and Dada ." Richard Murphy also comments: "[The] search for an all-inclusive definition is problematic to the extent that the most challenging Expressionists," such as

14175-494: The search for newer means of cultural expression . Modernism was influenced by widespread technological innovation , industrialization, and urbanization, as well as the cultural and geopolitical shifts that occurred after World War I . Artistic movements and techniques associated with modernism include abstract art , literary stream-of-consciousness , cinematic montage , musical atonality and twelve-tonality , modernist architecture , and urban planning . Modernism took

14310-471: The status quo." A question from MacLeish's daughter, Mimi, led him to realize, "Nothing is more difficult for the beginning librarian than to discover [in] what profession he was engaged." Mimi, his daughter, had inquired about what her daddy was to do all day, "...hand out books?" MacLeish created his own job description and set out to learn about how the library was currently organized. In October 1944, MacLeish described that he did not set out to reorganize

14445-463: The stock brokers of 1890 became part of family life, at least in middle class North America. Associated with urbanization and changing social mores also came smaller families and changed relationships between parents and their children. Another strong influence at this time was Marxism . After the generally primitivistic/irrationalism aspect of pre-World War I modernism (which for many modernists precluded any attachment to merely political solutions) and

14580-472: The study of light, color, and atmosphere "anticipated the French Impressionists " and therefore modernism "in breaking down conventional formulas of representation; though unlike them, he believed that his works should always express significant historical, mythological, literary, or other narrative themes." However, the modernists were critical of the Romantics' belief that art serves as a window into

14715-548: The subject in a greater context. Cubism was brought to the attention of the general public for the first time in 1911 at the Salon des Indépendants in Paris (held 21 April – 13 June). Jean Metzinger , Albert Gleizes , Henri Le Fauconnier , Robert Delaunay , Fernand Léger and Roger de La Fresnaye were shown together in Room 41, provoking a 'scandal' out of which Cubism emerged and spread throughout Paris and beyond. Also in 1911, Kandinsky painted Bild mit Kreis ( Picture with

14850-417: The subject: No true book [...] was ever anything else than a report. [...] A true book is a report upon the mystery of existence [...] it speaks of the world, of our life in the world. Everything we have in the books on which our libraries are founded— Euclid 's figures, Leonardo 's notes, Newton 's explanations, Cervantes ' myth, Sappho 's broken songs, the vast surge of Homer —everything

14985-424: The term "Expressionism" did not firmly establish itself until 1913. Though initially mainly a German artistic movement, most predominant in painting, poetry and the theatre between 1910 and 1930, most precursors of the movement were not German. Furthermore, there have been Expressionist writers of prose fiction, as well as non-German speaking Expressionist writers, and, while the movement had declined in Germany with

15120-578: The trouble to question their own preconceptions. This aspect of modernism has often seemed a reaction to consumer culture , which developed in Europe and North America in the late 19th century. Whereas most manufacturers try to make products that will be marketable by appealing to preferences and prejudices, high modernists reject such consumerist attitudes to undermine conventional thinking. The art critic Clement Greenberg expounded this theory of modernism in his essay Avant-Garde and Kitsch . Greenberg labeled

15255-469: The work of Manet attracted attention and opened commercial doors to the movement. The second French school was symbolism , which literary historians see beginning with Charles Baudelaire and including the later poets Arthur Rimbaud (1854–1891) with Une Saison en Enfer ( A Season in Hell , 1873), Paul Verlaine (1844–1896), Stéphane Mallarmé (1842–1898), and Paul Valéry (1871–1945). The symbolists "stressed

15390-401: The work of earlier composers such as Franz Liszt , Richard Wagner , Gustav Mahler , Richard Strauss , and Max Reger . In the world of art, in the first decade of the 20th century, young painters such as Pablo Picasso and Henri Matisse caused much controversy and attracted great criticism with their rejection of traditional perspective as the means of structuring paintings, though

15525-560: The writings of the art critic John Ruskin (1819–1900), who had strong feelings about the role of art in helping to improve the lives of the urban working classes in the rapidly expanding industrial cities of Britain. Art critic Clement Greenberg described the Pre-Raphaelite Brotherhood as proto-modernists: "There the proto-modernists were, of all people, the Pre-Raphaelites (and even before them, as proto-proto-modernists,

15660-443: The years between 1900 and 1910. An important aspect of modernism is how it relates to tradition through its adoption of techniques like reprise, incorporation, rewriting, recapitulation, revision, and parody in new forms. T. S. Eliot made significant comments on the relation of the artist to tradition, including: "[W]e shall often find that not only the best, but the most individual parts of [a poet's] work, may be those in which

15795-594: Was a college professor and had served as president of Rockford College . He grew up on an estate bordering Lake Michigan . He attended the Hotchkiss School from 1907 to 1911. For his college education, MacLeish went to Yale University, where he majored in English, was elected to Phi Beta Kappa , and was selected for the Skull and Bones society. He then enrolled in Harvard Law School , where he served as an editor of

15930-673: Was a controversial and highly political maneuver fraught with several challenges. MacLeish sought support from expected places such as the president of Harvard, MacLeish's current place of work, but found none. Support from unexpected places, such as M. Llewellyn Raney of the University of Chicago libraries, alleviated the ALA letter-writing campaign against MacLeish's nomination." The main Republican argument against MacLeish's nomination from within Congress

16065-462: Was a failure and Scratch opened without any music; Dylan describes their collaboration in the third chapter of his autobiography Chronicles, Vol. 1 . MacLeish greatly admired T. S. Eliot and Ezra Pound , and his work shows quite a bit of their influence. He was the literary figure who played the most important role in freeing Ezra Pound from St. Elizabeth's Hospital in Washington, D.C., where he

16200-413: Was a while later, and not so locally, that modernism appeared in music and architecture)." The poet Baudelaire's Les Fleurs du mal ( The Flowers of Evil ) and the author Flaubert's Madame Bovary were both published in 1857. Baudelaire's essay " The Painter of Modern Life " (1863) inspired young artists to break away from tradition and innovate new ways of portraying their world in art. Beginning in

16335-570: Was awarded a Pulitzer Prize, the first of three awarded to MacLeish. In 1934, he wrote a libretto for Union Pacific , a ballet by Nicolas Nabokov and Léonide Massine ( Ballet Russe de Monte-Carlo ); it premiered in Philadelphia with great success. In 1938, MacLeish published as a book a long poem "Land of the Free", built around a series of 88 photographs of the rural depression by Dorothea Lange , Walker Evans , Arthur Rothstein , Ben Shahn , and

16470-560: Was born to a family of landed Russian gentry in the town of Lubcza near Minsk , and was educated by private tutors. In 1918, after his family fled the Bolshevik Revolution to the Crimea , he began his musical education with Vladimir Rebikov . After living briefly in Germany he settled in Paris in 1923, where he studied at the Sorbonne . Nabokov was married five times. His first wife

16605-432: Was first performed in 1935. Like Shostakovich, other composers faced difficulties in this period. Nicolas Nabokov Nicolas Nabokov (Николай Дмитриевич Набоков; 17 April [ O.S. 4 April] 1903 – 6 April 1978) was a Russian-born composer, writer, and cultural figure. He became a U.S. citizen in 1939. Nicolas Nabokov, a first cousin of Vladimir Nabokov , and of the baron Eduard von Falz-Fein ,

16740-608: Was greatly involved in public life and came to believe that this was not only an appropriate, but also an inevitable role for a poet. In 1969, MacLeish was commissioned by the New York Times to write a poem to celebrate the Apollo 11 Moon landing , which he entitled "Voyage to the Moon." The poem appeared on the front page of the July 21, 1969 edition of Time magazine . A. M. Rosenthal , then-editor of Time , later recounted: "We decided what

16875-409: Was incarcerated for high treason between 1946 and 1958. MacLeish's early work was very traditionally modernist and accepted the contemporary modernist position holding that a poet was isolated from society. His most well-known poem, " Ars Poetica ," contains a classic statement of the modernist aesthetic: "A poem should not mean / But be." He later broke with modernism's pure aesthetic. MacLeish himself

17010-743: Was premiered, in which he uses a montage of different styles, including folk music , popular song and atonality. Among his influences was Alban Berg 's (1885–1935) opera Wozzeck (1925), which "had made a tremendous impression on Shostakovich when it was staged in Leningrad." However, from 1932 socialist realism began to oust modernism in the Soviet Union, and in 1936 Shostakovich was attacked and forced to withdraw his 4th Symphony. Alban Berg wrote another significant, though incomplete, modernist opera, Lulu , which premiered in 1937. Berg's Violin Concerto

17145-428: Was still "progressive", it increasingly saw traditional forms and social arrangements as hindering progress and recast the artist as a revolutionary, engaged in overthrowing rather than enlightening society. Also in 1913, a less violent event occurred in France with the publication of the first volume of Marcel Proust 's important novel sequence À la recherche du temps perdu (1913–1927) ( In Search of Lost Time ). This

17280-498: Was that he was a poet and was a " fellow traveler " or sympathetic to communist causes. Calling to mind differences with the party he had over the years, MacLeish avowed, "no one would be more shocked to learn I am a Communist than the Communists themselves." In Congress, MacLeish's main advocate was Senate Majority Leader Alben Barkley , Democrat from Kentucky. With President Roosevelt's support and Senator Barkley's skillful defense in

17415-511: Was the Russian princess Nathalie Shakhovskaya (1903–1988). His last (1970–1978) was the French photographer Dominique Nabokov. He had three sons: renowned French publisher Ivan Nabokov, Alexander Nabokov, and anthropologist Peter Nabokov. His close friends included the philosopher and fellow émigré Isaiah Berlin and composer Igor Stravinsky . After the years in Paris 1923–1932, in 1933 he moved to

17550-532: Was the first to make full use of it in his short story "Leutnant Gustl" ("None but the brave") (1900). Dorothy Richardson was the first English writer to use it, in the early volumes of her novel sequence Pilgrimage (1915–1967). Other modernist novelists that are associated with the use of this narrative technique include James Joyce in Ulysses (1922) and Italo Svevo in La coscienza di Zeno (1923). However, with

17685-758: Was the largest and most ambitious Cubist painting undertaken during the pre-war Cubist period. In 1905, a group of four German artists, led by Ernst Ludwig Kirchner , formed Die Brücke (The Bridge) in the city of Dresden . This was arguably the founding organization for the German Expressionist movement, though they did not use the word itself. A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter (The Blue Rider) in Munich. The name came from Wassily Kandinsky 's Der Blaue Reiter painting of 1903. Among their members were Kandinsky , Franz Marc , Paul Klee , and August Macke . However,

17820-570: Was the ninth Librarian of Congress , a post he accepted at the urging of President Franklin D. Roosevelt . From 1949 to 1962, he was Boylston Professor of Rhetoric and Oratory at Harvard . He was awarded three Pulitzer Prizes for his work. MacLeish was born in Glencoe, Illinois . His father, Scottish-born Andrew MacLeish , worked as a dry-goods merchant and was a founder of the Chicago department store Carson Pirie Scott . His mother, Martha (née Hillard),

17955-694: Was the year of philosopher Edmund Husserl 's Ideas , physicist Niels Bohr 's quantized atom, Ezra Pound 's founding of imagism , the Armory Show in New York, and in Saint Petersburg the "first futurist opera", Mikhail Matyushin 's Victory over the Sun —another Russian composer, Igor Stravinsky , composed The Rite of Spring , a ballet that depicts human sacrifice and has a musical score full of dissonance and primitive rhythm. This caused an uproar on its first performance in Paris. At this time, though modernism

18090-439: Was then developed to ensure that, though it was impossible to collect everything, the Library of Congress would acquire the bare minimum of canons to meet its mission. These principles included acquiring all materials necessary to members of Congress and government officers, all materials expressing and recording the life and achievements of the people of the United States, and materials of other societies past and present that are of

18225-454: Was too high. The birth of a machine age, which had made major changes in the conditions of daily life in the 19th century had now radically changed the nature of warfare. The traumatic nature of recent experience altered basic assumptions, and a realistic depiction of life in the arts seemed inadequate when faced with the fantastically surreal nature of trench warfare . The view that mankind was making steady moral progress now seemed ridiculous in

#750249