Eusebian canons , Eusebian sections or Eusebian apparatus , also known as Ammonian sections , are the system of dividing the four Gospels used between late Antiquity and the Middle Ages . The divisions into chapters and verses used in modern texts date only from the 13th and 16th centuries, respectively. The sections are indicated in the margin of nearly all Greek and Latin manuscripts of the Bible , but can be also found in periphical Bible transmissions as Syriac and Christian Palestinian Aramaic ( Codex Sinaiticus Rescriptus ) 5th to 8th century, and in Ethiopian manuscripts until the 14th and 15th centuries, with a few produced as late as the 17th century. These are usually summarized in canon tables at the start of the Gospels. There are about 1165 sections: 355 for Matthew , 235 for Mark , 343 for Luke , and 232 for John ; the numbers, however, vary slightly in different manuscripts.
20-476: The canon tables were made to create a sense of divinity within the reader’s soul, to understand and reflect upon the various colors and patterns to achieve a higher connection with God. Until the 19th century it was mostly believed that these divisions were devised by Ammonius of Alexandria , at the beginning of the 3rd century ( c. 220), in connection with a Harmony of the Gospels , now lost, which he composed. It
40-425: A glance where each Gospel agreed with or differed from the others. In the first nine tables he placed in parallel columns the numbers of the sections common to the four, or three, or two, evangelists; namely: (1) Matt., Mark, Luke, John; (2) Matt., Mark, Luke; (3) Matt., Luke, John; (4) Matt., Mark, John; (5) Matt., Luke; (6) Matt., Mark; (7) Matt., John; (8) Luke, Mark; (9) Luke, John. In the tenth he noted successively
60-573: A synopsis of the four canonical gospels, traditionally assumed to be the Ammonian Sections , now known as the Eusebian Canons. Eusebius attacks Porphyry for saying that Ammonius apostatized early in his life and left no writings behind him, but Eusebius was presumably confusing Ammonius with the Neoplatonist of the same name. Ammonius developed the forerunner of modern gospel harmony as
80-459: Is assumed to be a Christian philosopher who lived in the 3rd century. He is possibly Ammonius Saccas , the Neoplatonist philosopher, also from Alexandria . Eusebius , who is followed by Jerome , asserted that Ammonius was born a Christian , and remained faithful to Christianity throughout his life. He wrote that Ammonius produced several scholarly works, most notably The Harmony of Moses and Jesus . Eusebius also wrote that Ammonius composed
100-466: Is now believed that the work of Ammonius was restricted to what Eusebius of Caesarea (265-340) states concerning it in his letter to Carpianus , namely, that he placed the parallel passages of the last three Gospels alongside the text of Matthew, and the sections traditionally credited to Ammonius are now ascribed to Eusebius, who was always credited with the final form of the tables. The harmony of Ammonius suggested to Eusebius, as he says in his letter,
120-407: The Ammonian Sections in which he started with the text of Matthew and copied along parallel events. However there are no extant copies of the harmony of Ammonius and it is only known from a single reference in the letter of Eusebius to Carpianus. Ammonian Sections Eusebian canons , Eusebian sections or Eusebian apparatus , also known as Ammonian sections , are the system of dividing
140-435: The 14th and 15th centuries, with a few produced as late as the 17th century. These are usually summarized in canon tables at the start of the Gospels. There are about 1165 sections: 355 for Matthew , 235 for Mark , 343 for Luke , and 232 for John ; the numbers, however, vary slightly in different manuscripts. The canon tables were made to create a sense of divinity within the reader’s soul, to understand and reflect upon
160-633: The four Gospels used between late Antiquity and the Middle Ages . The divisions into chapters and verses used in modern texts date only from the 13th and 16th centuries, respectively. The sections are indicated in the margin of nearly all Greek and Latin manuscripts of the Bible , but can be also found in periphical Bible transmissions as Syriac and Christian Palestinian Aramaic ( Codex Sinaiticus Rescriptus ) 5th to 8th century, and in Ethiopian manuscripts until
180-506: The idea of drawing up ten tables ( kanones ) in which the sections in question were so classified as to show at a glance where each Gospel agreed with or differed from the others. In the first nine tables he placed in parallel columns the numbers of the sections common to the four, or three, or two, evangelists; namely: (1) Matt., Mark, Luke, John; (2) Matt., Mark, Luke; (3) Matt., Luke, John; (4) Matt., Mark, John; (5) Matt., Luke; (6) Matt., Mark; (7) Matt., John; (8) Luke, Mark; (9) Luke, John. In
200-454: The manuscripts. Opposite each section was written its number, and underneath this the number of the Eusebian table to be consulted in order to find the parallel texts or text; a reference to the tenth table would show that this section was proper to that evangelist. These marginal notes are reproduced in several editions of Tischendorf 's New Testament. Eusebius's explanatory letter to Carpianus
220-417: The margin of the manuscripts. Opposite each section was written its number, and underneath this the number of the Eusebian table to be consulted in order to find the parallel texts or text; a reference to the tenth table would show that this section was proper to that evangelist. These marginal notes are reproduced in several editions of Tischendorf 's New Testament. Eusebius's explanatory letter to Carpianus
SECTION 10
#1732848846781240-522: The narratives are parallel. He then wrote the sections of the three last Gospels, or simply the section numbers with the name of the respective evangelist , in parallel columns opposite the corresponding sections of the Gospel of Matthew, which he had chosen as the basis of his gospel harmony . It is now believed that the work of Ammonius was restricted to what Eusebius of Caesarea (265-340) states concerning it in his letter to Carpianus , namely, that he placed
260-408: The parallel passages of the last three Gospels alongside the text of Matthew, and the sections traditionally credited to Ammonius are now ascribed to Eusebius, who was always credited with the final form of the tables. The harmony of Ammonius suggested to Eusebius, as he says in his letter, the idea of drawing up ten tables ( kanones ) in which the sections in question were so classified as to show at
280-462: The sections special to each evangelist. Sections "Mark, Luke, John" and "Mark, John" are absent because no text is common to Mark and John without a parallel in at least Matthew. The usefulness of these tables for the purpose of reference and comparison soon brought them into common use, and from the 5th century the Ammonian sections, with references to the Eusebian tables, were indicated in the margin of
300-605: The tables are the only decoration in the whole book, perhaps other than some initials. In particular, canon tables, with Evangelist portraits , are very important for the study of the development of manuscript painting in the earliest part of the Early Medieval period, where very few manuscripts survive, and even the most decorated of those have fewer pages illuminated than was the case later. Ammonius of Alexandria (Christian philosopher) Ammonius of Alexandria ( / ə ˈ m oʊ n i ə s / ; Ancient Greek : Ἀμμώνιος )
320-429: The tenth he noted successively the sections special to each evangelist. Sections "Mark, Luke, John" and "Mark, John" are absent because no text is common to Mark and John without a parallel in at least Matthew. The usefulness of these tables for the purpose of reference and comparison soon brought them into common use, and from the 5th century the Ammonian sections, with references to the Eusebian tables, were indicated in
340-439: The various colors and patterns to achieve a higher connection with God. Until the 19th century it was mostly believed that these divisions were devised by Ammonius of Alexandria , at the beginning of the 3rd century ( c. 220), in connection with a Harmony of the Gospels , now lost, which he composed. It was traditionally believed that he divided the four Gospels into small numbered sections, which were similar in content where
360-523: Was also very often reproduced before the tables. The tables themselves were usually placed at the start of a Gospel Book ; in illuminated works they were placed in round-headed arcade-like frames, of which the general form remained remarkably consistent through to the Romanesque period. This form was derived from Late Antique book-painting frames like those in the Chronography of 354 . In many examples
380-417: Was also very often reproduced before the tables. The tables themselves were usually placed at the start of a Gospel Book ; in illuminated works they were placed in round-headed arcade-like frames, of which the general form remained remarkably consistent through to the Romanesque period. This form was derived from Late Antique book-painting frames like those in the Chronography of 354 . In many examples
400-427: Was traditionally believed that he divided the four Gospels into small numbered sections, which were similar in content where the narratives are parallel. He then wrote the sections of the three last Gospels, or simply the section numbers with the name of the respective evangelist , in parallel columns opposite the corresponding sections of the Gospel of Matthew, which he had chosen as the basis of his gospel harmony . It
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