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50-512: Tufts and Knudsen, who also act as producers of American Mormon , were continually surprised and amused by the misconceptions many people appeared to share concerning the LDS faith. Believing this to be a fascinating and worthwhile subject matter for a documentary, the two men began traveling across the United States, armed with nothing more than a digital video camera and microphone. American Mormon

100-473: A film school to get a bachelor's degree studying film or cinema. Film students generally study the basic skills used in making a film. This includes, for example, preparation, shot lists and storyboards, blocking, communicating with professional actors, communicating with the crew, and reading scripts. Some film schools are equipped with sound stages and post-production facilities. Besides basic technical and logistical skills, students also receive education on

150-417: A second unit . Even after shooting for a film is complete, the producers can still demand that additional scenes be filmed. In the case of a negative test screening , producers may even demand an alternative film ending. For example, when the audience reacted negatively to Rambo 's death in the test screening of the film First Blood , the producers requested a new ending be filmed. Producers also oversee

200-409: A television series an executive producer is often a writer and given credit in a creative capacity. In a feature film or movie, the executive producer is often the person directly funding the project or is directly responsible for bringing in investors for funding. In television, it is becoming more and more common to split this role into two for creative projects. These are the executive producer and

250-480: A flat fee for the project, as a weekly salary, or as a daily rate. A handful of top Hollywood directors made from $ 133.3 million to $ 257.95 million in 2011, such as James Cameron and Steven Spielberg , but the average United States film directors and producers made $ 89,840 in 2018. A new Hollywood director typically gets paid around $ 400,000 for directing their first studio film. The average annual salary in England

300-400: A general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners. Other directors edit or appear in their films or compose music score for their films. A film director's task is to envisage

350-542: A recent trend of more attention to women directors in India, brought on partly by Amazon and Netflix moving into the industry. Of the movies produced in Nollywood , women direct only 2%. There are many different awards for film directing, run by various academies , critics associations , film festivals , and guilds . The Academy Award for Best Director and Cannes Film Festival Award for Best Director are considered among

400-499: A top-producing school is one of the most efficient ways a student can gain industry credibility. While education is one way to begin a career as a film producer, experience is also usually required to land a job. Internships are a way to gain experience while in school and give students a foundation to build a career. Many internships are paid, which enables students to earn money while gaining hands-on skills from industry professionals. Through internships, students can network within

450-403: A way to translate a screenplay into a fully formed film, and then to realize this vision. To do this, they oversee the artistic and technical elements of film production. This entails organizing the film crew in such a way to achieve their vision of the film and communicating with the actors. This requires skills of group leadership, as well as the ability to maintain a singular focus even in

500-508: A yearly salary from ¥4 million to ¥10 million, and the Directors Guild of Japan requires a minimum payment of ¥3.5 million. Korean directors make 300 million to 500 million won for a film, and beginning directors start out making around 50 million won. A Korean director who breaks into the Chinese market might make 1 billion won for a single film. According to a 2018 report from UNESCO ,

550-736: Is a film criticism concept that holds that a film director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through studio interference and the collective process. Some film directors started as screenwriters , film editors , producers , actors , or film critics , as well as directing for similar media like television and commercials. Several American cinematographers have become directors, including Barry Sonnenfeld , originally

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600-456: Is now considered the official contract negotiation representative for everyone within the film and television industry. While individual producers are responsible for negotiating deals with the studios distributing their films, the Producers Guild of America offers guidance to protect and promote the interests of producers and the production team in film, television, and new media, offering

650-488: Is someone whose input is considered as valuable as that of the executive producer, despite having a junior or unofficial role. A line producer manages the staff and the day-to-day operations and oversees each physical aspect involved in making a film or television program. The line producer can be credited as "produced by" in certain cases. A supervising producer supervises the creative process of screenplay development and often aids in script rewrites. They can also fulfill

700-714: Is £50,440, in Canada is $ 62,408, and in Western Australia it can range from $ 75,230 to $ 97,119. In France, the average salary is €4000 per month, paid per project. Luc Besson was the highest paid French director in 2017, making €4.44 million for Valerian and the City of a Thousand Planets . That same year, the top ten French directors' salaries in total represented 42% of the total directors' salaries in France. Film directors in Japan average

750-610: The COVID-19 pandemic . The unions supporting the report make up over 20 million television, film, and arts workers worldwide. Many producers begin in a college, university, or film school . Film schools and many universities offer courses covering film production knowledge, with some courses specially designed for future film producers. These courses focus on key topics like pitching, script development , script assessment, shooting schedule design, and budgeting. Students can also expect practical training on post-production. Training at

800-600: The International Alliance of Theatrical Stage Employees (IATSE), the Directors Guild of America (DGA), and the Screen Actors Guild - American Federation of Television and Radio Artists (SAG-AFTRA). In 2012, the AMPTP negotiated over eighty industry-wide union agreements on behalf of 350 studios and independent production companies. Since 1982, the AMPTP has been responsible for negotiating these union agreements and

850-567: The below-the-line employees. Founded in 1924 by the U.S. Trade Association as the Association of Motion Picture Producers, the AMPTP was initially responsible for negotiating labor contracts. Still, during the mid-1930s, it took over all contract negotiation responsibilities previously controlled by the Academy of Motion Picture Arts and Sciences . Today, the AMPTP negotiates with various industry associations when dealing with union contracts, including

900-401: The film director , cast members, and other staff. In some cases, producers also have the last word when it comes to casting questions. A producer will also approve locations, the studio hire, the final shooting script , the production schedule , and the budget. Spending more time and money in pre-production can reduce budget waste and delays during the production stage. During production,

950-523: The producer . The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget . There are many pathways to becoming a film director. Some film directors started as screenwriters , cinematographers , producers , film editors or actors. Other film directors have attended film school. Directors use different approaches. Some outline

1000-449: The script , coordinating writing, directing, editing, and arranging financing. The producer is responsible for finding and selecting promising material for development. Unless the film is based on an existing script, the producer hires a screenwriter and oversees the script's development . These activities culminate with the pitch , led by the producer, to secure the financial backing that enables production to begin. If all succeeds,

1050-1031: The Berlin/Brandenburg TV station RBB (Berlin-Brandenburg Broadcasting) and ARTE . In recent decades American directors have primarily been coming out of USC , UCLA , AFI , Columbia University , and NYU , each of which is known for cultivating a certain style of filmmaking. Notable film schools outside of the United States include Beijing Film Academy , Centro de Capacitación Cinematográfica in Mexico City, Dongseo University in South Korea, FAMU in Prague, Film and Television Institute of India , HFF Munich , La Fémis in Paris, Tel Aviv University , and Vancouver Film School . Film directors usually are self-employed and hired per project based on recommendations and industry reputation. Compensation might be arranged as

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1100-524: The Coen brothers' Director of Photography; Wally Pfister , cinematographer on Christopher Nolan 's three Batman films made his directorial debut with Transcendence (2014). Despite the misnomer, assistant director has become a completely separate career path and is not typically a position for aspiring directors, but there are exceptions in some countries such as India where assistant directors are indeed directors-in-training. Many film directors have attended

1150-557: The average annual salary for a producer in the U.S. is listed as $ 70,180 per year, with an estimated range from $ 43,000 to $ 150,000. When examining more than 15,000 producers in the Los Angeles metropolitan area, the average annual salary is $ 138,640. Producers can also have an agreement to take a percentage of a movie's sales. There is no average workday for film producers since their tasks change from day to day. A producer's work hours are often irregular and can consist of long days with

1200-422: The director ensures that all individuals involved in the film production are working towards an identical vision for the completed film. The set of varying challenges they have to tackle has been described as "a multi-dimensional jigsaw puzzle with egos and weather thrown in for good measure". It adds to the pressure that the success of a film can influence when and how they will work again, if at all. Generally,

1250-435: The director works with the editor to edit the material into the director's cut . Well-established directors have the " final cut privilege ", meaning that they have the final say on which edit of the film is released. For other directors, the studio can order further edits without the director's permission. The director is one of the few positions that requires intimate involvement during every stage of film production . Thus,

1300-436: The executive producer's role of overseeing other producers. Within the production process, a producer can oversee, arrange, manage, and begin every aspect of production. They are typically involved in every stage of the overall production process. A co-producer is a member of a team of producers that perform all of the functions and roles that a single producer would in a given project. A coordinating producer coordinates

1350-474: The film industry throughout the world has a disproportionately higher number of male directors compared to female directors, and they provide as an example the fact that only 20% of films in Europe are directed by women. 44% of graduates from a sample of European films schools are women, and yet women are only 24% of working film directors in Europe. However only a fraction of film school graduates aspire to direct with

1400-458: The film industry, which is an important way to make necessary industry connections. Once an internship is over, the next step will typically be to land a junior position, such as a production assistant . Pay can vary based on the producer's role and the filming location. In the United States, the salary can start between $ 20,000 and $ 70,000, even doubling when working in Los Angeles. As of 2022,

1450-411: The film is delivered on time and within budget, and in the later stages before release, will oversee the marketing and distribution of the film. Producers cannot always supervise all of the production. In this case, the primary producer or executive producer may hire and delegate work to associate producers, assistant producers, line producers , or unit production managers . During this stage of

1500-418: The film's sales, marketing, and distribution rights, often working with third-party specialist firms. Different types of producers and their roles within the industry today include: An executive producer oversees all other producers under a specific project and ensures that the entire project remains on track. They are also usually in charge of managing the film's finances and all other business aspects. On

1550-463: The footage which would become a comedic cross-section of people from all over the country. American Mormon was released by Excel Entertainment Group in 2005. The film was unique in that it was both the first documentary and straight-to-DVD release of its kind to the LDS cinema market. American Mormon became an instant success with audiences, eventually grossing over forty times its production budget. Upon

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1600-483: The former stating that "Tufts' charm helps carry "American Mormon," and his audio commentary with Knudsen is also entertaining." Dove rated the film as "Dove Approved" for ages 12+, and stated that they felt the film was entertaining. Film producer A film producer is a person who oversees film production . Either employed by a production company or working independently , producers plan and coordinate various aspects of film production, such as selecting

1650-482: The framework to provide health insurance and pension benefits, and assists in establishing safe working conditions and vetting the validity of screen credits. In December 2021, global unions filed a report titled Demanding Dignity Behind the Scenes to attempt to end the "long hours culture" of the television and film industry, citing in part that abuses increased in 2021 as the industry attempted to recover lost time due to

1700-472: The majority entering the industry in other roles. In Hollywood, women make up only 12.6 percent of film directors, as reported by a UCLA study of the 200 top theatrical films of 2017, but that number is a significant increase from 6.9% in 2016. As of 2014, there were only 20 women in the Directors Guild of Japan out of the 550 total members. Indian film directors are also greatly underrepresented by women, even compared to other countries, but there has been

1750-548: The nature of professional relationships that occur during film production. A full degree course can be designed for up to five years of studying. Future directors usually complete short films during their enrollment. The National Film School of Denmark has the student's final projects presented on national TV. Some film schools retain the rights for their students' works. Many directors successfully prepared for making feature films by working in television. The German Film and Television Academy Berlin consequently cooperates with

1800-415: The position of film director is widely considered to be a highly stressful and demanding one. It has been said that "20-hour days are not unusual". Some directors also take on additional roles, such as producing, writing or editing. Under European Union law, the film director is considered the "author" or one of the authors of a film, largely as a result of the influence of auteur theory . Auteur theory

1850-426: The possibility of working nights and weekends. Film director A film director is a person who controls a film 's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that vision . The director has a key role in choosing the cast members , production design and all the creative aspects of filmmaking in cooperation with

1900-542: The producer by overseeing all of the production outside the studio in specific film locations. Considered executive employees in regard to the Fair Labor Standards Act of 1938 in the United States, producers represent the management team of production and are charged by the studios to enforce the provisions of the union contracts negotiated by the Alliance of Motion Picture and Television Producers (AMPTP) with

1950-490: The producer's job is to ensure the film remains on schedule and under budget. To this end, they must remain in constant contact with directors and other key creative team members. Producers cannot always personally supervise all parts of their production but will instead delegate tasks as needed. For example, some producers run a company that also deals with film distribution. Also, the cast and film crew often work at different times and places, and certain films even require

2000-410: The production process, producers bring together people like the film director , cinematographer , and production designer . Unless the film is to be based on an original script, the producer must find an appropriate screenwriter . If an existing script is considered flawed, the producer can order a new version or decide to hire a script doctor . The producer also gives final approval when hiring

2050-443: The project is " greenlit ". The producer supervises the pre-production , principal photography and post-production stages of filmmaking . A producer hires a director for the film, as well as other key crew members. Whereas the director makes the creative decisions during the production, the producer typically manages logistics and business operations, though some directors also produce their own films. The producer must ensure

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2100-407: The restrictions of the film's budget and the demands of the producer and studio (such as the need to get a particular age rating ). Directors also play an important role in post-production . While the film is still in production, the director sends " dailies " to the film editor and explains their overall vision for the film, allowing the editor to assemble an editor's cut . In post-production,

2150-459: The showrunner. A showrunner, in this context, is the most senior creative, working on writing and producing their vision; they are effectively the same as the producer; overseeing, arranging, managing, and beginning every aspect of production. Whereas the executive producer focuses more on budgeting and predicting the views of the higher authorities in the wider company; trying to ground the showrunner's vision to tangible limits. A co-executive producer

2200-403: The sole superiors of the director are the producers and the studio that is financing the film, although sometimes the director can also be a producer of the same film. The role of a director differs from producers in that producers typically manage the logistics and business operations of the production, whereas the director is tasked with making creative decisions. The director must work within

2250-477: The stressful, fast-paced environment of a film set. Moreover, it is necessary to have an artistic eye to frame shots and to give precise feedback to cast and crew, thus, excellent communication skills are a must. Because the film director depends on the successful cooperation of many different creative individuals with possibly strongly contradicting artistic ideals and visions, they also need to possess conflict-resolution skills to mediate whenever necessary. Thus

2300-516: The success of the documentary, Excel partnered with Tufts and Knudsen to produce a sequel. For it, the two men traveled all over Western Europe, including Italy, France, Germany, and the United Kingdom. Their goal this time was to find out what people from different parts of the world knew about the Mormons. However, Tufts and Knudsen also decided to add a new element to this documentary. All over Europe,

2350-704: The two men also talked, on camera, with members of the LDS faith to document the experiences of people who are members of the LDS church outside of the United States. This included an in-depth discussion with LDS members who lived in West and East Berlin during the fall of the Berlin Wall and a visit to the Gadfield Elm Chapel , the oldest LDS meetinghouse on earth, in Herefordshire, England . The Deseret News and Meridian Magazine both reviewed American Mormon ,

2400-422: The work/role of multiple producers trying to achieve a shared result. The associate or assistant producer helps the producer during the production process. They can sometimes be involved in coordinating others' jobs, such as creating peoples' schedules and hiring the main talent. A segment producer produces one or more specific segments of a multi-segment film or television production. A field producer helps

2450-445: Was LDS, nor did he tell them that they would be discussing the LDS faith, or Mormons, on camera. The idea was to get interviews that were not only honest, but spontaneously honest. The interviewees were not preached to. However, Tufts and Knudsen found themselves engaged with many people, off camera, who wanted to learn factual information about the LDS faith. After several weeks of traveling and shooting, Tufts and Knudsen began to compile

2500-551: Was shot in Washington D.C. , New York City , New Orleans , Memphis , Las Vegas , Los Angeles and other locations. Tufts, on camera, approached random people. Upon their consent, Tufts interviewed these people, “man on the street” style with one objective: find out what people across the United States know about the Mormons . The goal was to approach subjects in a random and non-biased fashion. Tufts did not reveal to his subjects that he

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