Alphonsine (pseudonym for Jeanne Benoit) (c. 1829 – 10 July 1883) was a French actress. She made her theatrical debut at the Gymnase-Enfantin , an entertainment venue formerly located near the Passage de l'Opéra (Galerie du Baromètre, leading to the Salle Le Peletier ) in the 9th arrondissement of Paris .
8-525: She was described as "one of the most original artistes of our time". She appeared at the Théâtre des Délassements-Comiques , Théâtre des Variétés and the Théâtre du Palais-Royal . A widow of the painter Victor Margaine, she was buried at Père Lachaise Cemetery . This article about a French stage actor is a stub . You can help Misplaced Pages by expanding it . Th%C3%A9%C3%A2tre des D%C3%A9lassements-Comiques Théâtre des Délassements-Comiques
16-538: Is a name that was used for a number of different theatres in Paris from 1785 to 1890. The first Délassements-Comiques was a small theatre on the boulevard du Temple , originally located between the Hôtel Foulon (the site of the later Théâtre Historique ) and the site of the later Cirque Olympique. It was opened in 1785 by the author, director and actor Plancher ('Aristide Valcour' 1751–1815). Burnt down on 2 February 1787, it
24-511: The Théâtre des Funambules and the Théâtre du Petit-Lazari . Her new theatre was known as the Spectacle des Acrobates de Madame Saqui, but it closed in 1832 and was replaced with Dorsay's Théâtre du Temple. After renovation in 1841, a third theatre re-using the old name Délassements-Comiques opened at this location. The popular cancan dancer Marguerite Badel (' Rigolboche ') appeared there from 1858 to 1860. With Haussmann's renovation of Paris
32-467: The building on the boulevard du Temple was slated for demolition, and the company relocated to the 26 rue de Provence on 30 May 1862, finally closing in January 1864. On 15 February 1866 a fourth theatre using the name Délassements-Comiques opened at 23 boulevard du Prince Eugène (today the boulevard Voltaire). Within a few months its name changed to Théâtre du Prince Eugène, but the name Délassements-Comiques
40-534: The gauze curtain in his theatre with the cry of "Vive la liberté!" In 1792 the theatre was taken over by Colon. In 1801, the building took the name of the Théâtre Lyri-Comique, only to close in the following year. It then became the third Théâtre des Variétés-Amusantes in 1803, followed by the Nouveaux Troubadours in 1805. The latter was forced to close in 1807 as a result of Napoleon's decree on
48-513: The theatres . Most of the building was demolished except for the entry hall, which continued to be used for exhibiting trained dogs and monkeys performing tricks. A second theatre with the name Délassements-Comiques, also on the boulevard du Temple, operated from 1804 to 1806. On 12 December 1816, Madame Saqui , the tightrope-walker (or 'dancer') bought the Café d'Apollon, site of the old Théâtre des Associés , located at 52 boulevard de Temple, between
56-453: Was rebuilt and reopened in 1788 and continued until 1799. The theatre was popular and this excited the jealousy of other neighbouring theatres, resulting in a regulation against productions other than pantomimes and the employment of more than three actors at the same time, unless obscured by a gauze curtain. On 14 July 1789, the day of the storming of the Bastille , Plancher Valcour tore down
64-453: Was restored in 1867. The theatre presented Hervé 's Les contes de fées on 5 March 1871. The theatre was destroyed by fire during the last days of the Paris Commune in 1871. The troupe re-opened in 1873 in the building of the second Théâtre des Nouveautés (on the rue du Faubourg-Saint-Martin) and continued to operate until 1878. Robert Planquette 's 1-act operetta Paille d'avoine
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