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140-475: Allison Anders (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging , Mi Vida Loca and Grace of My Heart . Anders has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director. Anders' films have been shown at the Cannes International Film Festival and at

280-595: A June Carter Cash biopic that featured the musician Jewel . The film was inspired by John Carter Cash 's book, Anchored in Love: A Tribute to June Carter Cash . Anders began directing shows for broadcast and cable television in 1999, including several episodes in the second and third seasons of Sex and the City , as well as episodes of Grosse Pointe , Cold Case , The L Word , Men In Trees , The Mentalist , and What About Brian? In 2011, she directed an episode of

420-424: A big budget adaptation of Frank Herbert 's science fiction novel Dune for Italian producer Dino De Laurentiis 's De Laurentiis Entertainment Group , on the condition that the company release a second Lynch project, over which the director would have complete creative control. Although De Laurentiis hoped it would be the next Star Wars , Lynch's Dune (1984) was a critical and commercial flop, grossing

560-410: A billion-dollar deal, acquired New Line Cinema, Fine Line Features , and Castle Rock Entertainment in 1994. The acquisitions proved to be a good move for Turner Broadcasting as New Line released The Mask and Dumb & Dumber , Castle Rock released The Shawshank Redemption , and Miramax released Pulp Fiction , all in 1994. The acquisitions of the smaller studios by conglomerate Hollywood

700-508: A blog post that it was "trying to find ways we can bring our library and original content back to the digital space as soon as possible". A month later, Criterion announced their own standalone subscription service, The Criterion Channel available to subscribers in the United States and Canada. The service began on April 8, 2019. The Channel's offerings include rotating playlists, temporarily licensed films (and some television offerings) from

840-468: A built-in national rating, in order to avoid presenting movies to inappropriately young audiences. Following the advent of television and the Paramount Case , the major studios attempted to lure audiences with spectacle. Widescreen processes and technical improvements, such as Cinemascope , stereo sound, 3-D and others, were developed in an attempt to retain the dwindling audience by giving them

980-453: A centralized archive. Founded in 1962 by Jonas Mekas , Stan Brakhage , Shirley Clarke , Gregory Markopoulos , and others, the Cooperative provided an important outlet for many of cinema's creative luminaries in the 1960s, including Jack Smith and Andy Warhol . When he returned to America, Ken Anger would debut many of his most important works there. Mekas and Brakhage would go on to found

1120-478: A child, Anders had not had a steady education. She said that growing up, most of her time was spent watching TV and going to movie theaters. Inspired by the films of Wim Wenders and other filmmakers, Anders applied to UCLA Film School . During her time at UCLA, Anders produced her first sound film. Wenders attended the screening. She has called Wenders' 1974 film Alice in the Cities "one of my very favorite films, and

1260-481: A costly distribution system or concede defeat. The veteran producer Joseph Schenck was hired as president. Not only had he been producing pictures for a decade, but he brought along commitments for films starring his wife, Norma Talmadge , his sister-in-law, Constance Talmadge , and his brother-in-law, Buster Keaton . Contracts were signed with a number of independent producers, especially Samuel Goldwyn , Howard Hughes and later Alexander Korda . Schenck also formed

1400-490: A crowd of like-minded avant-garde filmmakers who were interested in creating films as works of art rather than entertainment. Based upon a common belief that the "official cinema" was "running out of breath" and had become "morally corrupt, aesthetically obsolete, thematically superficial, [and] temperamentally boring", this new crop of independents formed The Film-Makers' Cooperative , an artist-run, non-profit organization which they would use to distribute their films through

1540-482: A decade. Unlike the former, John Waters released most of his films during his early life through his own production company, Dreamland Productions . In the early 1980s, New Line Cinema agreed to work with him on Polyester (1981). During the 1980s, Waters would become a pillar of the New York–based independent film movement known as the " Cinema of Transgression ", a term coined by Nick Zedd in 1985 to describe

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1680-578: A distribution deal with SDS to handle the physical distribution of titles from Sony Pictures ( Columbia Pictures , TriStar Pictures , Screen Gems , Crunchyroll, LLC , etc.) as well as Criterion, Walt Disney Studios Home Entertainment ( Walt Disney Pictures , Marvel Studios , Lucasfilm Ltd. , 20th Century Studios , etc.) and Lionsgate Home Entertainment ( Lionsgate Films , Summit Entertainment , eOne Films , Roadside Attractions , etc.) through their existing distribution deals with SPHE. In 1986, Charles Benton founded Home Vision Entertainment (HVE),

1820-668: A faux grant that she "won" so that she and at least one other friend could study under Wenders on location for his film Paris, Texas . They have been friends for over 30 years. In 2003, Anders became a Distinguished Professor at the University of California Santa Barbara , where she teaches in the Film And Media Studies Department one quarter each year. She has taught courses on topics including autobiographic writing, rock and roll films, and music supervision. Anders has three children. Her two daughters are Tiffany Anders,

1960-501: A fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi (1983). However, Lynch had seen what had happened to Lucas and his comrades in arms after their failed attempt to do away with the studio system. He refused the opportunity, stating that he would rather work on his own projects. Lynch instead chose to direct

2100-535: A few dozen or possibly a few hundred screens in select urban markets. Films like these usually cost less than $ 10 million, but frequently less than $ 5 million, with small marketing budgets that escalate if and when a particular film performs. The independent film industry exists globally. Many of the most prestigious film festivals are hosted in various cities around the world. The Berlin International Film Festival attracts over 130 countries, making it

2240-490: A film streaming service from Turner Classic Movies , succeeded Hulu as the exclusive streaming service for the Criterion Collection. Some Criterion films were streamed by Kanopy . On October 26, 2018, Warner Bros. Digital Networks and Turner announced that FilmStruck would shut down on November 29. Criterion stated in a blog post that it was "trying to find ways we can bring our library and original content back to

2380-601: A guiding light, since I first saw it at the Nuart (Theatre) in Santa Monica in the 1970s." In 1986, Anders got her B.A. in Motion Picture-Television from UCLA . In 1986, Anders won a Samuel Goldwyn Writing Award for a script called Lost Highway that she wrote about her father. She said that after writing the script she shared it with her father, and was able to have a relationship with him again. Anders' first film,

2520-405: A larger-than-life experience. The 1950s and early 1960s saw a Hollywood dominated by musicals, historical epics, and other films which benefited from these advances. This proved commercially viable during most of the 1950s. However, by the late 1960s, audience share was dwindling at an alarming rate. Several costly flops, including Cleopatra (1963) and Hello, Dolly! (1969) put severe strain on

2660-477: A loose trilogy of films about Southern California musicians that began with Border Radio and Sugar Town. A black-and-white road picture, the film featured Luanna Anders from Border Radio , a scene in the motel room where Gram Parsons died, and a score with music by Ariel Pink and J Mascis . The film was funded by a Kickstarter campaign. In 2013, Anders released the Lifetime -produced TV movie Ring of Fire ,

2800-472: A loose-knit group of like-minded New York artists using shock value and humor in their Super 8 mm films and video art . Other key players in this movement included Kembra Pfahler , Casandra Stark , Beth B , Tommy Turner, Richard Kern and Lydia Lunch . Rallying around such institutions as the Film-Makers' Cooperative and Anthology Film Archives, this new generation of independents devoted themselves to

2940-485: A mainstream film production if it has the necessary funding and distribution. In 1908, the Motion Picture Patents Company or "Edison Trust" was formed as a trust . The Trust was a cartel that held a monopoly on film production and distribution comprising all the major film companies of the time ( Edison , Biograph , Vitagraph , Essanay , Selig , Lubin , Kalem , American Star , American Pathé ),

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3080-526: A mere $ 27.4 million domestically against a $ 45 million budget. De Laurentiis, furious that the film had been a commercial disaster, was then forced to produce any film Lynch desired. He offered Lynch only $ 6 million in order to minimize the risk if the film had failed to recoup its costs; however, the film, Blue Velvet (1986), was a resounding success, earning him another Academy Award for Best Director nod. Lynch subsequently returned to independent filmmaking, and did not work with another major studio for over

3220-803: A mixture of NTSC-standard Region 0 (region-free) and Region 1 DVDs. Blu-ray discs are Region A -locked in North America or Region B -locked in the United Kingdom (though there are exceptions). However, when SPHE stopped distributing Criterion's releases in the UK, the distribution moved to Spirit Entertainment. On August 11, 2021, Criterion announced that it would begin publishing titles in Ultra HD Blu-ray format in November 2021. All Criterion Ultra HD Blu-ray releases will include both an Ultra HD Blu-ray copy and

3360-536: A musician and music supervisor, and Devon Anders. Her son, Ruben Goodbear Anders, was fostered (and eventually adopted) by the Anders family for three years after the death of his mother, Nica Rogers, who appeared in Mi Vida Loca. Tiffany was named after the film Breakfast at Tiffany's . Independent film It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for

3500-608: A nomination for an Edgar Award . The film was awarded the SHINE Award as well as the Peabody Award . Things Behind the Sun was inspired by an experience Anders had in 1967 when she was raped by a group of boys. Anders actually shot some of the film in the same location in Cocoa Beach , Florida , where the gang rape occurred. Anders' 2012 film, Strutter , co-directed with Voss, completed

3640-640: A number of filmmakers responded by building their own cameras and moving their operations to Hollywood, California , where the distance from Edison's home base of New Jersey made it more difficult for the MPPC to enforce its patents. The Edison Trust was soon ended by two decisions of the Supreme Court of the United States : one in 1912, which canceled the patent on raw film, and a second in 1915, which cancelled all MPPC patents. Though these decisions succeeded at legalizing independent film, they would do little to remedy

3780-450: A number of young film makers began to experiment with transgression not as a box-office draw, but as an artistic act . Directors such as John Waters and David Lynch would make a name for themselves by the early 1970s for the bizarre and often disturbing imagery which characterized their films. When Lynch's first feature film, Eraserhead (1977), brought Lynch to the attention of producer Mel Brooks , he soon found himself in charge of

3920-524: A regular Blu-ray copy of a film (with all the special features on the regular Blu-ray), with select releases including Dolby Vision HDR and Dolby Atmos . The first such releases were announced on August 16 for a November 21 release: Citizen Kane (#1104, returning to the collection for the first time since 1992), Mulholland Drive and Menace II Society . The company also released The Red Shoes , A Hard Day's Night and The Piano on Ultra HD Blu-ray disc. The film Uncut Gems (#1101), which

4060-613: A result of the falling cost of technology to make, edit and digitally distribute films, filmmaking is more widely accessible than ever before. Full-length films are often showcased at film festivals such as the Sundance Film Festival, Slamdance Film Festival, South by Southwest Festival, Raindance Film Festival, Telluride Film Festival, and Palm Springs Film Festival. Award winners from these exhibitions are more likely to get picked up for distribution by major film distributors. Film festivals and screenings like these are just one of

4200-501: A separate partnership with Pickford and Chaplin to buy and build theaters under the United Artists name. Still, even with a broadening of the company, UA struggled. The coming of sound ended the careers of Pickford and Fairbanks. Chaplin, rich enough to do what he pleased, worked only occasionally. Schenck resigned in 1933 to organize a new company with Darryl F. Zanuck , Twentieth Century Pictures , which soon provided four pictures

4340-564: A studio's ability to package and release their work. This table lists the companies active in late 1935 illustrates the categories commonly used to characterize the Hollywood system. The studio system quickly became so powerful that some filmmakers once again sought independence. On May 24, 1916, the Lincoln Motion Picture Company was formed, the first movie studio owned and controlled by independent filmmakers. In 1919, four of

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4480-515: A vacant lot near Georgia Street in downtown Los Angeles . While there, the company decided to explore new territories, traveling several miles north to Hollywood , a little village that was friendly and positive about the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 1800s, while it belonged to Mexico. Griffith stayed there for months and made several films before returning to New York. During

4620-429: A variety of reasons: if they truly believe in the message of the film, they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director they admire. Examples of

4760-403: A year to UA's schedule. He was replaced as president by sales manager Al Lichtman who himself resigned after only a few months. Pickford produced a few films, and at various times Goldwyn, Korda, Walt Disney , Walter Wanger , and David O. Selznick were made "producing partners" (i.e., sharing in the profits), but ownership still rested with the founders. As the years passed and the dynamics of

4900-472: Is also more of a push from EU National governments to fund all aspects of the arts, including film. The European Commission for Culture has an Audiovisual sector, for example, whose role is most notably to help distribute and promote films and festivals across Europe. Additionally, the Commission organizes policymaking, research, and reporting on "media literacy" and "digital distribution." As with other media,

5040-410: Is said to have observed, "The inmates are taking over the asylum." The four partners, with advice from McAdoo (son-in-law and former Treasury Secretary of then-President Woodrow Wilson ), formed their distribution company, with Hiram Abrams as its first managing director. The original terms called for Pickford, Fairbanks, Griffith, and Chaplin to independently produce five pictures each year, but by

5180-464: The Zatoichi boxset (spine #679), all future releases would be in dual format (DVD and Blu-ray packaged together) rather than as individual releases. This decision also applied to most upgrade re-releases introduced after November 2013. After customer feedback revealed some reluctance to this approach, All That Jazz (#724) became the last chronological spine number released as a dual-format edition, and

5320-538: The de facto ban on small productions; the independent filmmakers who had fled to Southern California during the enforcement of the trust had already laid the groundwork for the studio system of classical Hollywood cinema . In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of performers Blanche Sweet , Lillian Gish , Mary Pickford , Lionel Barrymore , and others. They began filming on

5460-622: The American Civil Liberties Union . Following on the heels of Easy Rider shortly afterward was the revived United Artists' Midnight Cowboy (also 1969), which, like Easy Rider , took numerous cues from Kenneth Anger and his influences in the French New Wave. It became the first and only X rated film to win the Academy Award for Best Picture. Midnight Cowboy also held the distinction of featuring cameo roles by many of

5600-545: The Anthology Film Archives in 1970, which would likewise prove essential to the development and preservation of independent films, even to this day. Not all low-budget films existed as non-commercial art ventures. The success of films like Little Fugitive , which had been made with low (or sometimes non-existent ) budgets encouraged a huge boom in popularity for non-studio films. Low-budget film making promised exponentially greater returns (in terms of percentages) if

5740-568: The Fantasporto award for Best Screenplay. Her 2001 autobiographical film, Things Behind the Sun , deals with the long-term aftermath of rape. It was released on the Showtime cable TV network. The film earned an Emmy nomination for actor Don Cheadle as Best Supporting Actor; and three Independent Spirit Award nominations: Cheadle for Best Supporting Actor, Kim Dickens for Best Actress, and Best Film. Anders and co-writer Kurt Voss also received

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5880-513: The HD format wars between Blu-ray and HD DVD . Once Blu-ray had emerged as the industry-standard high-definition home-video format, Criterion began to release Blu-ray editions of select films from its collection, beginning with the Blu-ray release of Wong Kar-wai 's Chungking Express (#453; currently out of print) on December 16, 2008. In late 2013, Criterion announced that with the November release of

6020-662: The Independent Spirit Awards for Best Screenplay and Best Director. Actress Fairuza Balk won a Spirit Award for her role in the film. The film also won the Deauville Film Festival Critics Award and was also nominated for the Golden Bear at the 42nd Berlin International Film Festival . Gas Food Lodging is a coming-of-age story about a truck stop waitress and her two daughters, three vibrant, restless women in an isolated Western town. The screenplay

6160-560: The John Wells production, Southland , which involved a car chase scene. Anders directed an episode of Turn: Washington's Spies , which was especially interesting to her because she has distant relatives on both sides of her family who were spies for George Washington . In 2013, Anders interviewed 94-year-old actress and Hollywood legend Marge Champion , who appeared at a 2013 Hollywood film festival screening of 1968 cult film The Swimmer , which starred Burt Lancaster . The interview

6300-900: The Library of Congress . The company later became known for pioneering the "special edition" DVD concept containing bonus materials such as trailers , commentaries, documentaries, alternate endings and deleted scenes . The success of these releases established the special-edition version in the DVD business. In 2006, taking advantage of advanced film-transfer and film-restoration technologies, Criterion published higher-quality versions, with bonus materials, of early catalog titles such as Amarcord (1973), Brazil (1985) and Seven Samurai (1954). Originally, Criterion released art, genre and mainstream movies on LaserDisc such as Halloween (1978), Ghostbusters (1984), Bram Stoker's Dracula (1992), Armageddon (1998) and The Rock (1996). Increasingly,

6440-607: The Mirisch brothers, Billy Wilder , Joseph E. Levine and others. By the late 1950s, RKO had ceased film production, and the remaining four of the big five had recognized that they did not know how to reach the youth audience. In an attempt to capture this audience, the Studios hired a host of young filmmakers (many of whom were mentored by Roger Corman ) and allowed them to make their films with relatively little studio control. Warner Brothers offered first-time producer Warren Beatty 40% of

6580-739: The Sundance Film Festival . She has been awarded a MacArthur Genius Grant as well as a Peabody Award . Anders was born in Ashland , Kentucky , to mother Alberta "Rachel" Anders (née Steed) and father Robert "Bob" Anders. She has two sisters, one of whom, Luanna Anders, starred in her first film, Border Radio . Her paternal side has ancestry that traces back to the Southern Hatfield family and, more distantly, to George Washington 's spy, Caleb Brewster , while her maternal side includes another Washington spy, Abraham Woodhull . When Anders

6720-461: The U.S. domestic box office revenue was from independent studios. The 1990s saw the rise and success of independent films not only through the film festival circuit but at the box office as well while established actors, such as Bruce Willis , John Travolta , and Tim Robbins , found success themselves both in independent films and Hollywood studio films. Teenage Mutant Ninja Turtles in 1990 from New Line Cinema grossed over $ 100 million in

6860-594: The World War I effort. Already veterans of Hollywood, the four film stars began to talk of forming their own company to better control their own work as well as their futures. They were spurred on by the actions of established Hollywood producers and distributors, who were making moves to tighten their control over their stars' salaries and creative license. With the addition of Griffith, planning began, but Hart bowed out before things had formalized. When he heard about their scheme, Richard A. Rowland , head of Metro Pictures ,

7000-404: The blockbuster Star Wars and Indiana Jones franchises. In fact, the only two movies of the movement which can be described as uncompromisingly independent are Easy Rider at the beginning, and Peter Bogdanovich 's They All Laughed , at the end. Peter Bogdanovich bought back the rights from the studio to his 1980 film and paid for its distribution out of his own pocket, convinced that

7140-583: The letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and documentary content about the films and filmmakers. Criterion most notably pioneered the use of commentary tracks . Criterion has produced and distributed more than one thousand special editions of its films in VHS , Betamax , LaserDisc , DVD , Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via The Criterion Channel, an online streaming service that

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7280-531: The punk music -heavy Border Radio , was co-written and co-directed with Kurt Voss and Dean Lent and was made while they were at UCLA. It was nominated for Best Feature of 1988 by the Independent Feature Project for Best First Feature. The film told the story of three musicians who stole money owed to them from a job and then fled to Mexico. The story is set amid the Los Angeles punk-rock scene of

7420-418: The web series Trailers from Hell . In 2013, Anders bid on and won a rock and roll record collection formerly owned by the actress Greta Garbo . She created a website called "Greta's Records" to curate and share the collection of 50 records. Anders counts filmmaker Wim Wenders as a mentor. She started as a fan, sending him letters and music, and Wenders eventually responded. Anders said that she created

7560-594: The "prosumer" camera segment and film schools for those who are less autodidactic. Film programs in universities such as NYU in New York and USC in Los Angeles have benefited from this transitional growth. The economic side of filmmaking is also less of an obstacle than before, because the backing of a major studio is no longer needed to access necessary movie funding. Crowdfunding services like Kickstarter , Pozible , and Tubestart have helped people raise thousands of dollars; enough to fund their own, low-budget productions. As

7700-485: The $ 5 million film The Elephant Man (1980) for Paramount. Though Eraserhead was strictly an out-of-pocket, low-budget, independent film, Lynch made the transition with unprecedented grace. The film was a huge commercial success, and earned eight Academy Award nominations, including Best Director and Best Adapted Screenplay nods for Lynch. It also established his place as a commercially viable, if somewhat dark and unconventional, Hollywood director. Seeing Lynch as

7840-423: The 1950s progressed, the new low-budget paradigm of filmmaking gained increased recognition internationally, with films such as Satyajit Ray 's critically acclaimed Apu Trilogy (1955–1959). Unlike the films made within the studio system, these new low-budget films could afford to take risks and explore new artistic territory outside the classical Hollywood narrative. Maya Deren was soon joined in New York by

7980-430: The 1980s. With a $ 2,000 contribution from actor Vic Tayback and loans from Voss's parents to fund the film, the filmmakers made up for the small budget by using local locations and casting performers they knew. For the starring role, they cast Anders' sister, Luanna Anders, and musician Chris D. , as the leading man, as well as Anders' daughter, Devon Anders, who played Luanna's daughter in the film. Violating UCLA policy,

8120-474: The B-grade shlock film soon fell to the level of the Z movie , a niche category of films with production values so low that they became a spectacle in their own right. The cult audiences these pictures attracted soon made them ideal candidates for midnight movie screenings revolving around audience participation and cosplay . In 1968, a young filmmaker named George A. Romero shocked audiences with Night of

8260-545: The Beast (1946), M (1931), The Wages of Fear (1953) and Seven Samurai (1954). As of October 2023, over 200 of the 384 titles from the List of Criterion Collection Laserdisc releases have been re-released. Another example is the film Charade (1963), which had become a public-domain property for lacking the legally-required copyright notice. Criterion produced a restored edition under license from Universal Pictures for

8400-479: The Body Snatchers (1956), Criterion introduced the letterbox format, which added black bars to the top and bottom of the 4:3 standard television set in order to preserve the original aspect ratio of the film. Thereafter, Criterion made letterboxing the standard presentation for all its releases of films shot in widescreen aspect ratios. The Criterion Collection's second LaserDisc title, King Kong (1933),

8540-459: The Criterion Collection company, which has a business partnership with Janus Films and had one with Home Vision Entertainment (HVE) until 2005, when Image Entertainment bought HVE. On November 4, 2013, it was announced that Sony Pictures Home Entertainment would handle distribution. In May 2024, Janus Films and Criterion were acquired by Steven Rales . On June 24, 2024, it was reported that Sony Pictures Home Entertainment had entered into

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8680-503: The Criterion Collection has also focused on releasing world cinema , mainstream cinema classics and critically successful obscure films. Using the best available source materials, the company produced technologically improved and cleaner versions, such as those for The Passion of Joan of Arc (1928), M (1931), Children of Paradise (1945), The Third Man (1949), Seven Samurai (1954) and Amarcord (1973). Almost every title contains film-cleaning and film-restoration essays in

8820-598: The Edison era of the early 1900s, many Jewish immigrants had found jobs in the U.S. film industry. Under the Edison Trust, they were able to make their mark in a brand-new business: the exhibition of films in storefront theaters called nickelodeons . Within a few years, ambitious men like Samuel Goldwyn , Carl Laemmle , Adolph Zukor , Louis B. Mayer , and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to

8960-618: The Hollywood movie studios to sell their theater chains and to eliminate certain anti-competitive practices. This effectively brought an end to the studio system of Hollywood's Golden Age . By 1958, many of the reasons for creating the SIMPP had been corrected and SIMPP closed its offices. The efforts of the SIMPP and the advent of inexpensive portable cameras during World War II effectively made it possible for any person in America with an interest in making films to write, produce, and direct one without

9100-524: The Living Dead , a new kind of intense and unforgiving independent horror film. This film was released just after the abandonment of the production code, but before the adoption of the MPAA rating system . As such, it was the first and last film of its kind to enjoy a completely unrestricted screening, in which young children were able to witness Romero's new brand of highly realistic gore. This film would help to set

9240-515: The Pickford/Fairbanks Studio, but did not own a studio lot as such. Because of this, many of their films would be shot on location. Primarily acting as bankers, they offered money to independent producers. Thus UA did not have the overhead, the maintenance or the expensive production staff which ran up costs at other studios. UA went public in 1956, and as the other mainstream studios fell into decline, UA prospered, adding relationships with

9380-514: The United Kingdom. The first six titles were released on April 18, 2016. The Criterion Collection video company pioneered the correct aspect-ratio letterboxing presentation of films, as well as commentary soundtracks, multi-disc sets, special editions and definitive versions. These ideas and the special features introduced by the Criterion Collection have been highly influential, and have become industry-wide standards for premium home video releases. With its eighth LaserDisc release, Invasion of

9520-449: The United States . The Hollywood oligopoly replaced the Edison monopoly. Within this new system, a pecking order was soon established which left little room for any newcomers. By the mid-1930s, at the top were the five major studios, 20th Century Fox , Metro-Goldwyn-Mayer , Paramount Pictures , RKO Pictures , and Warner Bros. Then came three smaller companies, Columbia Pictures , United Artists , and Universal Studios . Finally there

9660-404: The United States making it the most successful indie film in box-office history to that point. Miramax Films had a string of hits with Sex, Lies, and Videotape , My Left Foot , and Clerks , putting Miramax and New Line Cinema in the sights of big companies looking to cash in on the success of independent studios. In 1993, Disney bought Miramax for $ 60 million. Turner Broadcasting , in

9800-525: The aid of any major film studio . These circumstances soon resulted in a number of critically acclaimed and highly influential works, including Maya Deren 's Meshes of the Afternoon in 1943, Kenneth Anger's Fireworks in 1947, and Morris Engel, Ruth Orkin and Ray Abrashkin's Little Fugitive in 1953. Filmmakers such as Ken Jacobs , with little or no formal training, began to experiment with new ways of making and shooting films. Little Fugitive became

9940-411: The availability of new technologies has fueled the democratization of filmmaking and the growth of independent film. In the late forties and fifties, new inexpensive portable cameras made it easier for independent filmmakers to produce content without studio backing. The emergence of camcorders in the eighties broadened the pool of filmmakers experimenting with the newly available technology. More recently,

10080-516: The band in her films (character names, posters on walls, and so on). In 1999, after bassist John Taylor had left Duran Duran and was beginning to launch an acting career, she and Voss co-wrote and co-directed Sugar Town , about the Los Angeles film and music industry. The film starred several musical friends of Anders', including Taylor, X singer John Doe , Spandau Ballet bassist Martin Kemp , and singer/actor Michael Des Barres . Sugar Town followed

10220-520: The booklets, while some even have featurettes comparing the restored and unrestored images. Some previously licensed Criterion Collection titles, such as The Harder They Come (1972), are now commercially unavailable as new product, and are only available in resale (used) form. Titles such as RoboCop (1987), Hard Boiled (1992), The Killer (1989) and Ran (1985) became unavailable when their publishing licenses expired or when Criterion published improved versions, such as those for Beauty and

10360-481: The brief foray into dual-format releases). Moreover, the company's standalone line of Eclipse releases are currently only made available in the standard DVD format. Aside from the core catalog, the company has also released films through its Essential Art House, Eclipse, Merchant Ivory and Janus Contemporaries lines, as well as a few releases outside of any product line. Many of these releases have also been collected and sold in various box sets. In early 2016 for

10500-433: The business changed, these "producing partners" drifted away. Goldwyn and Disney left for RKO , Wanger for Universal Pictures , Selznick and Korda for retirement . By the late 1940s, United Artists had virtually ceased to exist as either a producer or distributor. In 1941, Mary Pickford , Charles Chaplin , Walt Disney , Orson Welles , Samuel Goldwyn , David O. Selznick , Alexander Korda , and Walter Wanger —many of

10640-488: The chapter-indexed commentaries are exclusive to the Criterion releases and their initial DVD reissues; they became collectors' items when the original studios reissued titles previously licensed to Criterion, regardless of whether new commentary tracks were produced. The Criterion Collection began in 1984 with the releases of Citizen Kane (1941) and King Kong (1933) on LaserDisc, the latter's source negatives courtesy of

10780-536: The climate of independent horror for decades to come, as films like The Texas Chain Saw Massacre (1974) and Cannibal Holocaust (1980) continued to push the envelope. With the production code abandoned and violent and disturbing films like Romero's gaining popularity, Hollywood opted to placate the uneasy filmgoing public with the MPAA ratings system, which would place restrictions on ticket sales to young people. Unlike

10920-430: The company operates. The Criterion Collection is considered the leading boutique Blu-ray label . Their releases are currently distributed by Studio Distribution Services , a joint venture between Universal Pictures Home Entertainment and Warner Bros. Home Entertainment , via a distribution deal with Sony Pictures Home Entertainment , who released the company's content on home video from 2013 to 2024. The company

11060-415: The company's early titles ( The 39 Steps , The Lady Vanishes and The Third Man ) were also issued on VHS and Betamax. These were Criterion's only releases on those formats—other Janus/Criterion titles were often released to VHS through Home Vision Entertainment. Criterion entered the DVD market in 1998 with a reset numbering system, beginning with Seven Samurai , spine #2 ( Grand Illusion , #1,

11200-569: The craft. Aspiring filmmakers can range from those simply with access to a smartphone or digital camera, to those who write "spec" scripts (to pitch to studios), actively network, and use crowdsourcing and other financing to get their films professionally produced. Oftentimes, aspiring filmmakers have other day-jobs to support themselves financially while they pitch their scripts and ideas to independent film production companies, talent agents, and wealthy investors. This recent technology-fueled renaissance has helped fuel other supporting industries such as

11340-452: The decision was reversed to release separate discs for titles beginning in September 2014. Despite the emergence of Blu-ray as the industry-standard high-definition format, Janus/Criterion continues to support the DVD format. Not only are all their new Blu-ray releases accompanied by a standard-definition DVD version, but revised and upgraded releases are also released on both formats (barring

11480-536: The defiance of the now-establishment New Hollywood, proposing that "all film schools be blown up and all boring films never be made again." In 1978, Sterling Van Wagenen and Charles Gary Allison , with Chairperson Robert Redford , (veteran of New Hollywood and star of Butch Cassidy and the Sundance Kid ) founded the Utah/US Film Festival in an effort to attract more filmmakers to Utah and showcase what

11620-602: The digital space as soon as possible". On November 16, 2018, Criterion announced the launch of the Criterion Channel as a standalone service, wholly owned and operated by the Criterion Collection, in the United States and Canada. Some of the VOD service's offerings are also available on the Max streaming platform. British film magazine Sight & Sound revealed in its April 2016 issue that Criterion would be expanding its releases to

11760-489: The features released in the United States and usually cost between $ 5 and $ 10 million to produce. Hollywood was producing these three different classes of feature films by means of three different types of producers. The superior products were the large, budget blockbusters and high-cost star vehicles marketed by the six major studio producer-distributors. Budgets on the major studios' pictures averaged $ 100 million, with approximately one-third of it spent on marketing because of

11900-406: The film could have a successful run in the theaters. During this time, independent producer/director Roger Corman began a sweeping body of work that would become legendary for its frugality and grueling shooting schedule. Until his so-called "retirement" as a director in 1971 (he continued to produce films even after this date), he would produce up to seven movies a year, matching and often exceeding

12040-430: The film is neither a biography nor entirely fiction. The original soundtrack features new songs written in various styles of the era. Elvis Costello and Burt Bacharach had their first collaboration composing a song for the film, "God Give Me Strength," and were nominated for a Grammy Award . In the late 1980s, Anders had become friends with members of pop group Duran Duran , and frequently inserted small references to

12180-536: The filmmakers cut the film at night in the school's editing bays, while Anders' two young daughters slept on the floor. In 2007, Border Radio was given a special release on DVD as part of the Criterion Collection and was lauded as groundbreaking independent cinema. Anders' second feature, the 1992 film Gas Food Lodging , earned her a New York Film Critics Circle Award and National Society of Film Critics honors for Best New Director; and nominations from

12320-428: The filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them. Film critic Manohla Dargis described this era as the "halcyon age" of the decade's filmmaking that "was less revolution than business as usual, with rebel hype". She also pointed out in her New York Times article that enthusiasts insisted this era

12460-594: The first independent film to be nominated for Academy Award for Best Original Screenplay at the American Academy Awards . It also received Silver Lion at Venice . Both Engel and Anger's films won acclaim overseas from the burgeoning French New Wave , with Fireworks inspiring praise and an invitation to study under him in Europe from Jean Cocteau , and François Truffaut citing Little Fugitive as an essential inspiration to his seminal work, The 400 Blows . As

12600-530: The first time in its history, Criterion announced it would begin releasing its catalogue outside of the US and Canada (earlier international Criterion titles such as the Japanese LaserDisc of Blade Runner were licensed to other companies). In partnership with Sony Pictures Home Entertainment , releases began to be distributed with the launch of six titles in the U.K. during the month. Criterion's DVD releases are

12740-401: The five-per-year schedule that the executives at United Artists had once thought impossible. Like those of the avant-garde, the films of Roger Corman took advantage of the fact that unlike the studio system, independent films had never been bound by its self-imposed production code . Corman's example (and that of others like him) would help start a boom in independent B-movies in the 1960s,

12880-508: The following year, two New Hollywood directors had become sufficiently established for Coppola to be offered oversight of Paramount's The Godfather (1972) and Lucas had obtained studio funding for American Graffiti (1973) from Universal. In the mid-1970s, the major Hollywood studios continued to tap these new filmmakers for both ideas and personnel, producing films such as Paper Moon (1973) and Taxi Driver (1976), all of which met with critical and commercial success. These successes by

13020-641: The four founders each retained a 20% owner's share. In 1997, the Voyager Company was dissolved (Aleen Stein founded the Organa LLC CD-ROM publishing company), and Holtzbrinck Publishers sold the Voyager brand name, 42 CD-ROM titles, the Voyager web site and associated assets to Learn Technologies Interactive, LLC (LTI). Stein sold 42 Voyager titles to LTI from his Voyager/Criterion company share. The remaining three partners, Aleen Stein, Becker and Turell owned

13160-646: The game. Though the eventual breakup of the studio system and its restrictive chain-theater distribution network would leave independent movie houses eager for the kind of populist, seat-filling product of the Poverty Row studios, that same paradigm shift would also lead to the decline and ultimate disappearance of "Poverty Row" as a Hollywood phenomenon. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on

13300-526: The gross on his film Bonnie and Clyde (1967) instead of a minimal fee. The movie had grossed over $ 70 million worldwide by 1973. These initial successes paved the way for the studio to relinquish almost complete control to the film school generation and began what the media dubbed " New Hollywood ." Dennis Hopper , the American actor, made his writing and directing debut with Easy Rider (1969). Along with his producer/co-star/co-writer Peter Fonda , Hopper

13440-526: The home-video division of Public Media Inc. (PMI), which he had previously founded in 1968. The HVE company sold, advertised, marketed and distributed Criterion Collection DVDs, and also sold its own HVE brand of DVDs (co-produced with Criterion), including The Merchant Ivory Collection and the Classic Collection, a joint venture between Home Vision Entertainment and Janus Films. The latter enterprise published HVE imprint films, for which Janus Films owned

13580-474: The initial edition and for the later anamorphic widescreen re-release edition of the film. Periodically, Criterion releases material on DVD and Blu-ray disc licensed from the studios with whom the company had previously dealt (such as Universal's and Terry Gilliam 's 1985 film Brazil ); these new releases are generally undertaken on a case-by-case basis. Criterion released its first Walt Disney Pictures title, Andrew Stanton 's WALL-E , in 2022. This

13720-478: The interconnected lives of a handful of power brokers, wanna-bes and has-beens. Gwen (played by Jade Gordon), a self-centered would-be rock star, is working as an assistant to production designer Liz ( Ally Sheedy ); when Gwen discovers Liz has a date with a music producer ( Larry Klein ), any loyalty she has to her boss disappears. The film received two Independent Spirit Award nominations, for Best Film and Best Newcomer (Jade Gordon). The film also won Anders and Voss

13860-487: The large release campaigns. Another class of Hollywood feature film included art films, specialty films, and other niche-market fare controlled by the conglomerates' indie subsidiaries. Budgets on these indie films averaged $ 40 million per release in the early 2000s, with $ 10 million to $ 15 million spent on marketing (MPA, 2006:12). The final class of film consisted of genre and specialty films whose release campaigns were administered by independent producer-distributors with only

14000-750: The largest film festival in the world. Other large events include the Toronto International Film Festival , Hong Kong International Film Festival , and the Panafrican Film and TV Festival of Ouagadougou . The European Union , specifically through the European Cinema and VOD Initiative (ECVI), has established programs that attempt to adapt the film industry to an increasing digital demand for film on video on demand services, outside of theatrical screenings. With this program, VOD offerings are paired with traditional movie screenings. There

14140-574: The latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction . Generally, the marketing of independent films is characterized by limited release , often at independent movie theaters , but they can also have major marketing campaigns and a wide release . Independent films are often screened at local, national, or international film festivals before distribution (theatrical or retail release). An independent film production can rival

14280-510: The leading distributor ( George Kleine ) and the biggest supplier of raw film, Eastman Kodak . A number of filmmakers declined or were refused membership to the trust and came to be described as "independent". At the time of the formation of the MPPC, Thomas Edison owned most of the major patents relating to motion pictures, including that for raw film . The MPPC vigorously enforced its patents, constantly bringing suits and receiving injunctions against independent filmmakers. Because of this,

14420-427: The leading figures in American silent cinema ( Mary Pickford , Charles Chaplin , Douglas Fairbanks , and D. W. Griffith ) formed United Artists. Each held a 20% stake, with the remaining 20% held by lawyer William Gibbs McAdoo . The idea for the venture originated with Fairbanks, Chaplin, Pickford, and cowboy star William S. Hart a year earlier as they were traveling around the U.S. selling Liberty bonds to help

14560-466: The members of New Hollywood led each of them, in turn, to make more and more extravagant demands, both on the studio and eventually on the audience. While most members of the New Hollywood generation were, or started out as, independent filmmakers, a number of their projects were produced and released by major studios. The New Hollywood generation soon became firmly entrenched in a revived incarnation of

14700-536: The old studios from financial ruin by providing them with a new formula for success. Indeed, it was during this period that the very definition of an independent film became blurred. Though Midnight Cowboy was financed by United Artists, the company was certainly a studio. Likewise, Zoetrope was another "independent studio" which worked within the system to make a space for independent directors who needed funding. George Lucas would leave Zoetrope in 1971 to create his own independent studio, Lucasfilm , which would produce

14840-581: The options in which movies can be independently produced/released. Criterion Collection The Criterion Collection, Inc. (or simply Criterion ) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films". A de facto subsidiary of arthouse film distributor Janus Films , Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration ,

14980-628: The picture was better than what the studio believed — he eventually went bankrupt because of this. In retrospect, it can be seen that Steven Spielberg 's Jaws (1975) and George Lucas 's Star Wars (1977) marked the beginning of the end for the New Hollywood. With their unprecedented box-office successes, these movies jump-started Hollywood's blockbuster mentality, giving studios a new paradigm as to how to make money in this changing commercial landscape. The focus on high-concept premises, with greater concentration on tie-in merchandise (such as toys), spin-offs into other media (such as soundtracks), and

15120-431: The potential of independent film could be. At the time, the main focus of the event was to present a series of retrospective films and filmmaker panel discussions; however it also included a small program of new independent films. The jury of the 1978 festival was headed by Gary Allison , and included Verna Fields , Linwood Gale Dunn , Katherine Ross , Charles E. Sellier Jr. , Mark Rydell , and Anthea Sylbert . In 1981,

15260-485: The principal aim of which was to bring in the youth market which the major studios had lost touch with. By promising sex , wanton violence , drug use , and nudity , these films hoped to draw audiences to independent theaters by offering to show them what the major studios could not. Horror and science fiction films experienced a period of tremendous growth during this time. As these tiny producers, theaters, and distributors continued to attempt to undercut one another,

15400-638: The production code, this rating system posed a threat to independent films in that it would affect the number of tickets they could sell and cut into the grindhouse theaters' share of the youth market. This change would further widen the divide between commercial and non-commercial films. However, having a film audience-classified is strictly voluntary for independents and there is no legal impediment to releasing movies on an unrated basis. However, unrated movies face obstacles in marketing because media outlets, such as TV channels, newspapers and websites, often place their own restrictions on movies that do not come with

15540-434: The production side of the business. After hearing about Biograph's success in Hollywood, in 1913 many such would-be movie-makers headed west to avoid the fees imposed by Edison. Soon they were the heads of a new kind of enterprise: the movie studio . By establishing a new system of production, distribution, and exhibition which was independent of The Edison Trust in New York, these studios opened up new horizons for cinema in

15680-575: The production, distribution, and exhibition of films. In 1942, the SIMPP filed an antitrust suit against Paramount's United Detroit Theatres. The complaint accused Paramount of conspiracy to control first-run and subsequent-run theaters in Detroit. It was the first antitrust suit brought by producers against exhibitors alleging monopoly and restraint of trade. In 1948, the United States Supreme Court Paramount Decision ordered

15820-461: The same people who were members of United Artists—founded the Society of Independent Motion Picture Producers . Later members included William Cagney , Sol Lesser , and Hal Roach . The Society aimed to preserve the rights of independent producers in an industry overwhelmingly controlled by the studio system. SIMPP fought to end monopolistic practices by the five major Hollywood studios which controlled

15960-551: The same time that the maverick film students of the American New Wave were developing the skills they would use to take over Hollywood, many of their peers had begun to develop their style of filmmaking in a different direction. Influenced by foreign and art house directors such as Ingmar Bergman and Federico Fellini , exploitation shockers (i.e. Joseph P. Mawra , Michael Findlay , and Henri Pachard ) and avant-garde cinema, ( Kenneth Anger , Maya Deren and Bruce Conner )

16100-545: The same year that United Artists, bought out by MGM after the financial failure of Michael Cimino 's Heaven's Gate (1980), ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. In 1985, the now well-established Sundance Institute, headed by Sterling Van Wagenen, took over management of the US Film Festival, which

16240-483: The scripts were based on studio pitches and subsequently paid for by the studios, the production financing was from the studio, and the marketing and distribution of the films were designed and controlled by the studio's advertising agency. Though Coppola made considerable efforts to resist the influence of the studios, opting to finance his risky 1979 film Apocalypse Now himself rather than compromise with skeptical studio executives, he, and filmmakers like him, had saved

16380-409: The studio system, which financed the development, production and distribution of their films. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. Seemingly independent films such as Taxi Driver , The Last Picture Show and others were studio films:

16520-411: The studios. Meanwhile, in 1951, lawyers-turned-producers Arthur Krim and Robert Benjamin had made a deal with the remaining stockholders of United Artists which would allow them to make an attempt to revive the company and, if the attempt was successful, buy it after five years. The attempt was a success, and in 1955 United Artists became the first "studio" without an actual studio. UA leased space at

16660-408: The switch from film to digital cameras, inexpensive non-linear editing and the move to distribution via the internet have led to more people being able to make and exhibit movies of their own, including young people and individuals from marginalized communities. These people may have little to no formal technical or academic training, but instead are autodidactic filmmakers, using online sources to learn

16800-407: The time the company got underway in 1920–1921, feature films were becoming more expensive and more polished, and running times had settled at around ninety minutes (or eight reels). It was believed that no one, no matter how popular, could produce and star in five quality feature films a year. By 1924, Griffith had dropped out and the company was facing a crisis: either bring in others to help support

16940-609: The top Warhol superstars , who had already become symbols of the militantly anti-Hollywood climate of NYC's independent film community. Within a month, another young Corman trainee, Francis Ford Coppola , made his debut in Spain at the Donostia-San Sebastian International Film Festival with The Rain People (1969), a film he had produced through his own company, American Zoetrope . Though The Rain People

17080-444: The use of sequels (which had been made more respectable by Coppola's The Godfather Part II ), all showed the studios how to make money in the new environment. On realizing how much money could potentially be made in films, major corporations started buying up the remaining Hollywood studios, saving them from the oblivion which befell RKO in the 50s. Eventually, even RKO was revived, the corporate mentality these companies brought to

17220-508: The video rights, but which were unavailable from the Criterion Collection; however, Criterion published the Classic Collection films. In 2005, Image Entertainment bought HVE making it the exclusive distributor of Criterion Collection products until 2013. The Criterion Collection began to provide video-on-demand (VOD) in partnership with Mubi (formerly The Auteurs ) in 2008. In February 2011, Criterion began switching its VOD offerings exclusively to Hulu Plus . In November 2016, FilmStruck ,

17360-401: Was " Poverty Row ", a catch-all term used to encompass any other smaller studio that managed to fight their way up into the increasingly exclusive movie business. While the small studios that made up Poverty Row could be characterized as existing "independently" of any major studio, they utilized the same kind of vertically and horizontally integrated systems of business as the larger players in

17500-636: Was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)." During the 1970s, shifts in thematic depictions of sexuality and violence occurred in American cinema, prominently featuring heightened depictions of realistic sex and violence. Directors who wished to reach mainstream audiences of Old Hollywood quickly learned to stylize these themes to make their films appealing and attractive rather than repulsive or obscene. However, at

17640-473: Was 4 years old, her father abandoned the family. Anders' mother and father were divorced when she was 5. At age 12, she was gang raped by three boys at a party in Cape Canaveral, Florida, an event that influenced several of her films. After her mother moved her and her sisters to Los Angeles, Anders suffered a mental breakdown at the age of 15 and was hospitalized. When she came out of the psychiatric ward, she

17780-527: Was a musical drama executive produced by Martin Scorsese , about a songwriter (played by Illeana Douglas ) and her career over several years, including work in the early 1960s in music publishing and production offices, a setting based on the Brill Building . This marriage to a songwriting partner and her emergence as a singer-songwriter in the 1970s are among elements paralleling the career of Carole King , but

17920-522: Was a plan in part to take over the independent film industry and at the same time start "independent" studios of their own. The following are all "indie" studios owned by conglomerate Hollywood: By the early 2000s, Hollywood was producing three different classes of films: 1) big-budget blockbusters , 2) art films , specialty films and niche-market films produced by the conglomerate-owned "indies" and 3) genre and specialty films coming from true indie studios and producers. The third category comprised over half

18060-423: Was delayed for a year while restoration was underway on a then-newly-found camera negative). As with its laserdiscs, Criterion's early DVD editions of widescreen films were presented in the letterbox format, but Criterion did not anamorphically enhance its discs for 16:9 monitors until mid-1999 with its release of Insomnia (#47). Criterion was slow to expand into high-definition releases, partly because of

18200-473: Was experiencing financial difficulties. Gary Beer and Sterling Van Wagenen spearheaded production of the inaugural Sundance Film Festival which included Program Director Tony Safford and Administrative Director Jenny Walz Selby. In 1991, the festival was officially renamed the Sundance Film Festival, after Redford's famous role as The Sundance Kid . Through this festival the Independent Cinema movement

18340-521: Was featured among behind-the-scenes supplementary material on a 2014 Blu-ray/DVD release of the film by Grindhouse Releasing /Box Office Spectaculars Blu-ray/DVD restoration of the film. Anders and her musician daughter, Tiffany Anders, started the Don't Knock the Rock Film and Music Festival in 2003 in Los Angeles. In 2006, she appeared in the road-trip documentary Wanderlust . Anders has also contributed to

18480-674: Was founded in 1984 by Robert Stein , Aleen Stein and Joe Medjuck , who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell founded the Voyager Company to publish educational multimedia CD-ROMs (1989–2000), and the Criterion Collection became a subordinate division of the Voyager Company, with Janus Films holding a minority stake in the company, and decided to expand its product on videocassettes and videodiscs. In March 1994, Verlagsgruppe Georg von Holtzbrinck GmbH bought 20% of Voyager for US$ 6.7 million;

18620-645: Was largely overlooked by American audiences, Zoetrope would become a powerful force in New Hollywood. Through Zoetrope, Coppola formed a distribution agreement with studio giant Warner Bros., which he would exploit to achieve wide releases for his films without making himself subject to their control. These three films provided the major Hollywood studios with both an example to follow and a new crop of talent to draw from. Zoetrope co-founder George Lucas made his feature film debut with THX 1138 (1971), also released by Zoetrope through their deal with Warner Bros., announcing himself as another major talent of New Hollywood. By

18760-558: Was launched. Such notable figures as Kevin Smith , Robert Rodriguez , Quentin Tarantino , David O. Russell , Paul Thomas Anderson , Steven Soderbergh , James Wan , Hal Hartley , Joel and Ethan Coen and Jim Jarmusch garnered resounding critical acclaim and unprecedented box office sales. The significance of the Sundance Film Festival is documented in the work of Professor Emanuel Levy Cinema of Outsiders: The Rise of American Independent Film, (NYU Press, 1999; 2001). In 2005, about 15% of

18900-511: Was loosely adapted by Anders from the novel Don't Look and It Won't Hurt by Richard Peck . Her next film, Mi Vida Loca ( My Crazy Life ), was about girl gangs in the poor Hispanic Echo Park neighborhood of Los Angeles, where Anders lived. It premiered at the Cannes Film Festival in 1993, and saw wide release in 1994. The story features a female perspective on growing up in the inner city. Anders' 1996 film, Grace of My Heart ,

19040-817: Was not the result of an ongoing deal between Disney and Criterion, but rather licensed as a one-off, with Stanton approaching Criterion and "wanting to be part of the club". All Criterion titles are numbered, which is shown on the bottom of the spine of the packaging. Though the bulk of Criterion's catalog is of live-action films, they have also released animated films ( Akira , Fantastic Planet , Fantastic Mr. Fox and WALL-E ), television series ( Tanner '88 , Fishing with John and select episodes of I Love Lucy and The Addams Family ) and music videos ( Beastie Boys Video Anthology ). The Criterion Collection began publishing LaserDiscs on December 1, 1984, with its release of Citizen Kane , until March 16, 1999, with Michael Bay 's Armageddon (#384). Three of

19180-459: Was placed into foster care but ran away. She hitchhiked across the country, at one point ending up in jail. After turning 17, Anders dropped out of her Los Angeles high school and moved back to Kentucky. She later moved to London with the man who fathered her first child. In her early 20s, Anders moved back to Los Angeles with her daughter and attended a junior college, Los Angeles Valley College , while working odd jobs. Due to constant relocation as

19320-645: Was previously planned for Blu-ray and DVD release in October 2021, was delayed until November in order to also give the film an Ultra HD Blu-ray release. After forays in providing titles from the Collection as streaming video-on-demand (VOD) in partnership with other companies – Mubi (formerly The Auteurs , 2008), Hulu Plus (2011–2016) and TCM 's FilmStruck (2016–2018) – Criterion titles found themselves without an online home when FilmStruck announced it would be shutting down on November 29, 2018. The company stated in

19460-408: Was responsible for one of the first completely independent films of New Hollywood. Easy Rider debuted at Cannes and garnered the "First Film Award" ( French : Prix de la premiere oeuvre ) after which it received two Oscar nominations, one for best original screenplay and one for Corman-alum Jack Nicholson 's breakthrough performance in the supporting role of George Hanson, an alcoholic lawyer for

19600-535: Was the debut of the scene-specific audio commentary contained in a separate analog channel of the LaserDisc, in which American film historian Ronald Haver spoke about the production, cast, screenplay, production design and special effects. He also provides commentary on the LaserDisc editions of Casablanca (1942), Here Comes Mr. Jordan (1941), Singin' in the Rain (1952) and The Wizard of Oz (1939). Typically,

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