105-617: The Royal Academy of Music Museum (previously known as the York Gate Collections ) is a museum of musical instruments and artefacts and a research centre of the Royal Academy of Music in London . The building was designed in 1822 as part of the main entrance to Regent's Park , and was an important feature in John Nash ’s architectural designs for Regency London. The interior of York Gate
210-653: A Hieronymus Amati violin (1719). Other collections include the Foyle Menuhin archive (letters, music, photographs, artworks and more collected by Yehudi Menuhin over his lifetime), Jenny Lind (1820–1887) Collection, David Munrow (1942–1976) Collection, the Priaulx Rainier (1903–1986) Collection and The McCann Collection. 51°31′24″N 0°09′08″W / 51.5233°N 0.1521°W / 51.5233; -0.1521 Royal Academy of Music The Royal Academy of Music ( RAM ) in London , England ,
315-526: A German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies , concertos, piano music, organ music and chamber music . His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his " Wedding March "), the Italian Symphony , the Scottish Symphony , the oratorio St. Paul ,
420-518: A bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. Felix Mendelssohn was born on 3 February 1809, in Hamburg , at the time an independent city-state , in the same house where,
525-591: A close personal friend, Ignaz Moscheles, was of an older generation and equally conservative in outlook. Moscheles preserved this conservative attitude at the Leipzig Conservatory until his own death in 1870. Mendelssohn married Cécile Charlotte Sophie Jeanrenaud (10 October 1817 – 25 September 1853), the daughter of a French Reformed Church clergyman, on 28 March 1837. The couple had five children: Carl, Marie, Paul, Lili and Felix August. The second youngest child, Felix August, contracted measles in 1844 and
630-775: A collection of more than 200 stringed instruments from the violin family. These have been acquired for the benefit of students and recent leavers and they are maintained by the academy's resident luthier . The collections include several instruments of the Stradivarius family, including the Rutson (1694), Kustendyke (1699), Viotti-ex-bruce (1709), Maurin (1718), and the Habeneck (1734), violas Archinto (1699), cello Marquis de Corberon-ex-Loeb (1726). Other instruments include Nicolo Amati violin (1662), Girolamo II violin (c.1671) and violin (1719), violin by Antonio and Girolamo Amati (1629) and
735-611: A composer, who both greatly admired his music. Mendelssohn's oratorio Elijah was commissioned by the Birmingham Triennial Music Festival and premiered on 26 August 1846, at the Town Hall, Birmingham . It was composed to a German text translated into English by William Bartholomew , who authored and translated many of Mendelssohn's works during his time in England. On his last visit to Britain in 1847, Mendelssohn
840-410: A cost of £51,000 on the site of an orphanage. In 1976 the academy acquired the houses situated on the north side and built between them a new opera theatre donated by the philanthropist Sir Jack Lyons and named after him and two new recital spaces, a recording studio, an electronic music studio, several practice rooms and office space. The academy again expanded its facilities in the late 1990s, with
945-630: A fine collection of lutes and guitars . The academy's museum displays many of these items. The Orchestral Library has approximately 4,500 sets of orchestral parts. Other collections include the libraries of Sir Henry Wood and Otto Klemperer . Soon after violinist Yehudi Menuhin 's death, the Royal Academy of Music acquired his personal archive, which includes sheet music marked up for performance, correspondence, news articles and photographs relating to Menuhin, autograph musical manuscripts, and several portraits of Paganini . Harriet Cohen bequeathed
1050-686: A group of works of his early maturity: the String Octet (1825), the Overture A Midsummer Night's Dream (1826), which in its finished form also owes much to the influence of Adolf Bernhard Marx , at the time a close friend of Mendelssohn, and the two early string quartets : Op. 12 (1829) and Op. 13 (1827), which both show a remarkable grasp of the techniques and ideas of Beethoven's last quartets that Mendelssohn had been closely studying. These four works show an intuitive command of form, harmony, counterpoint , colour, and compositional technique, which in
1155-414: A large collection of paintings, some photographs and her gold bracelet to the academy, with a request that the room in which the paintings were to be housed was named the "Arnold Bax Room". Noted for her performances of Bach and modern English music, she was a friend and advocate of Arnold Bax and also premièred Vaughan Williams' Piano Concerto—a work dedicated to her—in 1933. In 1886, Franz Liszt performed at
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#17330853036301260-466: A letter to a stranger, as a place "where it is to be hoped there is still music, but no more sorrow or partings." While Mendelssohn was often presented as equable, happy, and placid in temperament, particularly in the detailed family memoirs published by his nephew Sebastian Hensel after the composer's death, this was misleading. The music historian R. Larry Todd notes "the remarkable process of idealization" of Mendelssohn's character "that crystallized in
1365-399: A music award to musicians or scholars who have made an important contribution to the music of Johann Sebastian Bach . The Gilbert Betjemann Prize is a gold medal awarded by the Royal Academy of Music "for operatic singing". Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn , was
1470-508: A musical career until it became clear that he was seriously dedicated. Mendelssohn grew up in an intellectual environment. Frequent visitors to the salon organised by his parents at their home in Berlin included artists, musicians and scientists, among them Wilhelm and Alexander von Humboldt , and the mathematician Peter Gustav Lejeune Dirichlet (whom Mendelssohn's sister Rebecka would later marry). The musician Sarah Rothenburg has written of
1575-461: A number of chamber works. His first work, a piano quartet, was published when he was 13. It was probably Abraham Mendelssohn who procured the publication of this quartet by the house of Schlesinger . In 1824 the 15-year-old wrote his first symphony for full orchestra (in C minor, Op. 11). At age 16 Mendelssohn wrote his String Octet in E-flat major , a work which has been regarded as "mark[ing]
1680-1050: A selection of historical English pianos from 1790 to 1850, from the famous Mobbs Collection, original manuscripts by Purcell, Mendelssohn, Liszt, Brahms, Sullivan and Vaughan Williams, musical memorabilia and other exhibits. Former students include Olga Athaide Craen , John Barbirolli , Judith Bingham , Dennis Brain , Alan Bush , Doreen Carwithen , Rebecca Clarke , Jacob Collier , Clifford Curzon , Louis Dowdeswell , Edward Gardner , Lesley Garrett , David Patrick Gedge Evelyn Glennie , Eleanor Greenwood , Amy Horrocks , Dorothy Howell , Katherine Jenkins , Elton John , Annie Lennox , Kate Loder , Felicity Lott , Moura Lympany , Margot MacGibbon , Vanessa-Mae , Denis Matthews , Michael Nyman , Elsie Southgate , Eva Ruth Spalding , Florence Margaret Spencer Palmer , Ashan Pillai , Simon Rattle , Cecile Stevens , Arthur Sullivan , Eva Turner , Maxim Vengerov , Kate Lucy Ward , E. Florence Whitlock , Margaret Jones Wiles , Carol Anne Williams and Henry Wood . The current principal of
1785-643: A series of strokes. His grandfather Moses, Fanny, and both his parents had all died from similar apoplexies . Although he had been generally meticulous in the management of his affairs, he died intestate . Mendelssohn's funeral was held at the Paulinerkirche , Leipzig, and he was buried at the Dreifaltigkeitsfriedhof I in Berlin- Kreuzberg . The pallbearers included Moscheles, Schumann and Niels Gade . Mendelssohn had once described death, in
1890-400: A staged performance but to evoke a literary theme in performance on a concert platform; this was a genre which became a popular form in musical Romanticism . In 1824 Mendelssohn studied under the composer and piano virtuoso Ignaz Moscheles , who confessed in his diaries that he had little to teach him. Moscheles and Mendelssohn became close colleagues and lifelong friends. The year 1827 saw
1995-539: A strong following, which enabled him to make a good impression on British musical life. He composed and performed, and also edited for British publishers the first critical editions of oratorios of Handel and of the organ music of J. S. Bach. Scotland inspired two of his most famous works: the overture The Hebrides (also known as Fingal's Cave ); and the Scottish Symphony (Symphony No. 3). An English Heritage blue plaque commemorating Mendelssohn's residence in London
2100-425: A variety of works by great composers in chronological order, and must explain to him how they contributed to the advance of music." Secondly, it highlights that Mendelssohn was more concerned to reinvigorate the musical legacy which he inherited, rather than to replace it with new forms and styles, or with the use of more exotic orchestration . In these ways he differed significantly from many of his contemporaries in
2205-565: A year later, the dedicatee and first performer of his Violin Concerto, Ferdinand David , would be born. Mendelssohn's father, the banker Abraham Mendelssohn , was the son of the German Jewish philosopher Moses Mendelssohn , whose family was prominent in the German Jewish community. Until his baptism at age seven, Mendelssohn was brought up largely without religion. His mother, Lea Salomon ,
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#17330853036302310-510: Is conveyed in his comments to a correspondent who suggested converting some of the Songs Without Words into lieder by adding texts: "What [the] music I love expresses to me, are not thoughts that are too indefinite for me to put into words, but on the contrary, too definite ." Schumann wrote of Mendelssohn that he was "the Mozart of the nineteenth century, the most brilliant musician,
2415-454: Is one of the oldest music schools in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa . It received its royal charter in 1830 from King George IV with the support of the first Duke of Wellington . The academy provides undergraduate and postgraduate training across instrumental performance, composition, jazz , musical theatre and opera , and recruits musicians from around
2520-505: Is such a frightful muddle [...] that one ought to wash one's hands after handling one of his scores"; and of Meyerbeer's opera Robert le diable "I consider it ignoble", calling its villain Bertram "a poor devil". When his friend the composer Ferdinand Hiller suggested in conversation to Mendelssohn that he looked rather like Meyerbeer – they were actually distant cousins, both descendants of Rabbi Moses Isserles – Mendelssohn
2625-697: The Journal of the Royal Musical Association that "The Committee of the Mendelssohn Scholarship Foundation possesses material indicating that Mendelssohn wrote passionate love letters to Jenny Lind entreating her to join him in an adulterous relationship and threatening suicide as a means of exerting pressure upon her, and that these letters were destroyed on being discovered after her death." Mendelssohn met and worked with Lind many times, and started an opera, Lorelei , for her, based on
2730-623: The Jerusalem Church , at which time Felix was given the additional names Jakob Ludwig. Abraham and his wife Lea were baptised in 1822, and formally adopted the surname Mendelssohn Bartholdy (which they had used since 1812) for themselves and for their children. The name Bartholdy was added at the suggestion of Lea's brother, Jakob Salomon Bartholdy, who had inherited a property of this name in Luisenstadt and adopted it as his own surname. In an 1829 letter to Felix, Abraham explained that adopting
2835-658: The Royal College of Music in South Kensington . The academy's history took a turn for the better when its recently appointed Principal (and former pupil) William Sterndale Bennett took on the chairmanship of the academy's board of directors and established its finances and reputation on a new footing. The academy's first building was in Tenterden Street, Hanover Square . Arnold Bax recalled it as an architectural rabbit warren. "The three eighteenth-century houses which
2940-726: The SOCRATES student and staff exchange programme. In 1991, the academy introduced a fully accredited degree in performance studies, and in September 1999, it became a full constituent college of the University of London, in both cases becoming the first UK conservatoire to do so. The academy has students from over 50 countries, following diverse programmes including instrumental performance, conducting, composition, jazz, musical theatre, historical performance, and opera. The academy has an established relationship with King's College London , particularly
3045-588: The St. Matthew Passion . Mendelssohn worked with the dramatist Karl Immermann to improve local theatre standards, and made his first appearance as an opera conductor in Immermann's production of Mozart's Don Giovanni at the end of 1833, where he took umbrage at the audience's protests about the cost of tickets. His frustration at his everyday duties in Düsseldorf, and the city's provincialism, led him to resign his position at
3150-479: The 13 early string symphonies . These were written from 1821 to 1823, when he was between the ages of 12 and 14, principally for performance in the Mendelssohn household, and not published or publicly performed until long after his death. His first published works were his three piano quartets (1822–1825; Op. 1 in C minor, Op. 2 in F minor and Op. 3 in B minor); but his capacities are especially revealed in
3255-543: The 16th century onwards. The galleries act as a showcase for the work of performers, composers, instrument makers and scholars from a wide range of musical and other relevant disciplines. The Museum has recently undergone refurbishment and now contains a 'History of the Academy' display that includes items from notable musicians associated with the Academy: one of Sir Henry Wood's conducting batons, letters by Felix Mendelssohn and
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3360-558: The Amati family; manuscripts by Purcell , Handel and Vaughan Williams ; and a collection of performing materials that belonged to leading performers. It is a constituent college of the University of London and a registered charity under English law. Famous academy alumni include Henry Wood , Simon Rattle , Brian Ferneyhough , Elton John and Annie Lennox . The academy was founded by John Fane, 11th Earl of Westmorland , in 1822 with
3465-477: The Bartholdy name was meant to demonstrate a decisive break with the traditions of his father Moses: "There can no more be a Christian Mendelssohn than there can be a Jewish Confucius ". (Letter to Felix of 8 July 1829). On embarking on his musical career, Felix did not entirely drop the name Mendelssohn as Abraham had requested, but in deference to his father signed his letters and had his visiting cards printed using
3570-603: The Department of Music, whose students receive instrumental tuition at the academy. In return, many students at the academy take a range of humanities choices at King's, and its extended academic musicological curriculum. The Junior Academy, for pupils under the age of 18, meets every Saturday. The academy's library contains over 160,000 items, including significant collections of early printed and manuscript materials and audio facilities. The library also houses archives dedicated to Sir Arthur Sullivan and Sir Henry Wood . Among
3675-463: The King's request, music for productions of Sophocles 's Antigone (1841 – an overture and seven pieces ) and Oedipus at Colonus (1845), A Midsummer Night's Dream (1843) and Racine 's Athalie (1845). But the funds for the school never materialised, and many of the court's promises to Mendelssohn regarding finances, title, and concert programming were broken. He was therefore not displeased to have
3780-659: The Library's most valuable possessions are the autograph manuscripts of Purcell's The Fairy-Queen , Sullivan's The Mikado and The Martyr of Antioch , Vaughan Williams ' Fantasia on a Theme by Thomas Tallis and Serenade to Music , and the newly discovered Handel Gloria . A grant from the National Heritage Memorial Fund has assisted in the purchase of the Robert Spencer Collection—a set of Early English Song and Lute music, as well as
3885-554: The Prussian throne in 1840 with ambitions to develop Berlin as a cultural centre (including the establishment of a music school, and reform of music for the church), the obvious choice to head these reforms was Mendelssohn. He was reluctant to undertake the task, especially in the light of his existing strong position in Leipzig. Mendelssohn nonetheless spent some time in Berlin, writing some church music such as Die Deutsche Liturgie , and, at
3990-534: The Royal Academy of Music perform in other venues around London including Kings Place , St Marylebone Parish Church and the South Bank Centre . The academy's public museum is situated in the York Gate building, which is connected to the academy's building via a basement link. The museum houses the academy's collections, including a major collection of Cremonese stringed instruments dated between 1650 and 1740,
4095-522: The Royal Academy of Music, Hon ARAM). Honorary Fellowship of the Royal Academy of Music (Hon FRAM) is awarded by the Governing Body of the academy. As a full member of the University of London , the academy can nominate people to the University of London honorary doctorate (Hon DMus). The Royal Academy of Music manages the Royal Academy of Music Bach Prize (sponsored by the Kohn Foundation ),
4200-832: The Rutson violin (1694) and the Maurin violin all by Stradivari, as well as instruments by members of the Amati family, Pressenda and other influential makers. The exhibition features pianos placed on loan by Kenneth and Mary Mobbs, Oswald de Sybel, Andrew Hunter-Johnston, the Beare family, and the Stodart grand piano bequeathed by Frank Brown. Since its foundation in 1822 the academy has acquired important collections of instruments, manuscripts, letters, performance editions, artworks, teaching materials, memorabilia and other objects. Within this are many collections named after individuals, including those relating to
4305-604: The Singakademie; Zelter, whose tastes in music were conservative, was also an admirer of the Bach tradition. This undoubtedly played a significant part in forming Felix Mendelssohn's musical tastes, as his works reflect this study of Baroque and early classical music. His fugues and chorales especially reflect a tonal clarity and use of counterpoint reminiscent of Johann Sebastian Bach , whose music influenced him deeply. Mendelssohn probably made his first public concert appearance at
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4410-458: The Singakademie; but at a vote in January 1833 he was defeated for the post by Carl Friedrich Rungenhagen . This may have been because of Mendelssohn's youth, and fear of possible innovations; it was also suspected by some to be attributable to his Jewish ancestry. Following this rebuff, Mendelssohn divided most of his professional time over the next few years between Britain and Düsseldorf , where he
4515-470: The academy and New York's Juilliard School at the Proms and at New York's Lincoln Center. Conductors who have recently worked with the orchestras include Semyon Bychkov , Daniel Barenboim , Sir Simon Rattle , Pierre-Laurent Aimard and Christian Thielemann . Famous people who have conducted the academy's orchestra also include Carl Maria von Weber in 1826 and Richard Strauss in 1926. For many years,
4620-558: The academy celebrated the work of a living composer with a festival in the presence of the composer. Previous composer festivals at the academy have been devoted to the work of Witold Lutosławski , Michael Tippett , Krzysztof Penderecki , Olivier Messiaen , Hans Werner Henze , Luciano Berio , Elliott Carter , Stavros Papanikolaou , as well as academy graduates, Alfred Schnittke , György Ligeti , Franco Donatoni , Galina Ustvolskaya , Arvo Pärt , György Kurtág and Mauricio Kagel . In February–March 2006, an academy festival celebrated
4725-554: The academy is Jonathan Freeman-Attwood , appointed in July 2008. The Patron was Queen Elizabeth II and the president is the Duchess of Gloucester . Diana, Princess of Wales , was the president of the academy from 1985 until 1997. The Royal Academy of Music publishes every year a list of persons who have been selected to be awarded one of the Royal Academy's honorary awards. These awards are for alumni who have distinguished themselves within
4830-599: The academy to celebrate the creation of the Franz Liszt Scholarship and in 1843 Mendelssohn was made an honorary member of the academy. Academy students perform regularly in the academy's concert venues, and also nationally and internationally under conductors such as the late Sir Colin Davis , Yan Pascal Tortelier , Christoph von Dohnányi , the late Sir Charles Mackerras and Trevor Pinnock . In summer 2012, John Adams conducted an orchestra which combined students from
4935-571: The addition of 1–5 York Gate, designed by John Nash in 1822, to house the new museum , a musical theatre studio and several teaching and practice rooms. To link the main building and 1–5 York Gate a new underground passage and the underground barrel-vaulted 150-seat David Josefowitz recital hall were built on the courtyard between the mentioned structures. The academy's current facilities are situated on Marylebone Road in central London adjacent to Regent's Park . The Royal Academy of Music offers training from infant level (Junior Academy), with
5040-402: The age of nine, when he participated in a chamber music concert accompanying a horn duo. He was a prolific composer from an early age. As an adolescent, his works were often performed at home with a private orchestra for the associates of his wealthy parents amongst the intellectual elite of Berlin. Between the ages of 12 and 14, Mendelssohn wrote 13 string symphonies for such concerts, and
5145-553: The age of seven years, Mendelssohn was baptised with his brother and sisters in a private domestic ceremony by Johann Jakob Stegemann, Minister of the Evangelical congregation of Berlin's Jerusalem Church and New Church . Although Mendelssohn was a conforming Christian as a member of the Reformed Church, he was both conscious and proud of his Jewish ancestry and notably of his connection with his grandfather, Moses Mendelssohn. He
5250-498: The backing of Zelter and the assistance of the actor Eduard Devrient , Mendelssohn arranged and conducted a performance in Berlin of Bach's St Matthew Passion . Four years previously his grandmother, Bella Salomon , had given him a copy of the manuscript of this (by then all-but-forgotten) masterpiece. The orchestra and choir for the performance were provided by the Berlin Singakademie. The success of this performance, one of
5355-632: The basis of the extensive collection of Mendelssohn manuscripts, including the so-called "Green Books" of his correspondence, now in the Bodleian Library at Oxford University. Cécile Mendelssohn Bartholdy died less than six years after her husband, on 25 September 1853. Mendelssohn became close to the Swedish soprano Jenny Lind , whom he met in October 1844. Papers confirming their relationship had not been made public. In 2013, George Biddlecombe confirmed in
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#17330853036305460-438: The beginning of his maturity as a composer." This Octet and his Overture to Shakespeare 's A Midsummer Night's Dream , which he wrote a year later in 1826, are the best-known of his early works. (Later, in 1843, he also wrote incidental music for the play, including the famous " Wedding March ".) The Overture is perhaps the earliest example of a concert overture – that is, a piece not written deliberately to accompany
5565-410: The best education possible. Fanny became a pianist well known in Berlin musical circles as a composer; originally Abraham had thought that she, rather than Felix, would be the more musical. But it was not considered proper, by either Abraham or Felix, for a woman to pursue a career in music, so she remained an active but non-professional musician. Abraham was initially disinclined to allow Felix to follow
5670-530: The birth of Yehudi Menuhin . A selection of Cremonese instruments is on display in the Strings gallery. The exhibition features examples of instruments by makers Stradivari and Amati, as well as historical information, prints and engravings. The exhibition includes the ‘Viotti ex-Bruce’ violin by Stradivari which was saved for the nation in 2005. The instruments on display form part of the Royal Academy of Music's fine collection of over 250 stringed instruments from
5775-420: The classical tradition had tended to be at the transition from the development section of the movement to the recapitulation; whereas Berlioz and other "modernists" sought to have the emotional climax at the end of a movement, if necessary by adding an extended coda to follow the recapitulation proper. Mendelssohn's solution to this problem was less sensational than Berlioz's approach, but was rooted in changing
5880-712: The conductors John Barbirolli , Otto Klemperer , Henry Wood and Charles Mackerras , pianist Harriet Cohen , the concert agent Norman McCann, lutenist and scholar Robert Spencer, composer Arthur Sullivan , jazz star Kenny Wheeler and the Foyle Menuhin Archive. The collections also include items concerning the history of the institution such as student registers, programmes, prize boards, certificates, medals and commemorative photographs. The academy houses original manuscripts by Purcell , Schubert , Mendelssohn , Liszt , Brahms , Sullivan and Vaughan Williams , musical memorabilia and other exhibits. The academy holds
5985-414: The contradictions between classical forms and the sentiments of Romanticism. The expressiveness of Romantic music presented a problem in adherence to sonata form ; the final ( recapitulation ) section of a movement could seem, in the context of Romantic style, a bland element without passion or soul. Furthermore, it could be seen as a pedantic delay before reaching the emotional climax of a movement, which in
6090-435: The early Romantic period, such as Wagner, Berlioz and Franz Liszt . Whilst Mendelssohn admired Liszt's virtuosity at the keyboard, he found his music jejune. Berlioz said of Mendelssohn that he had "perhaps studied the music of the dead too closely." The musicologist Greg Vitercik considers that, while "Mendelssohn's music only rarely aspires to provoke", the stylistic innovations evident from his earliest works solve some of
6195-496: The effect as "to assimilate the dynamic trajectory of 'external form' to the 'logical' unfolding of the story of the theme". Richard Taruskin wrote that, although Mendelssohn produced works of extraordinary mastery at a very early age, he never outgrew his precocious youthful style. [...] He remained stylistically conservative [...] feeling no need to attract attention with a display of "revolutionary" novelty. Throughout his short career he remained comfortably faithful to
6300-581: The end of 1834. He had offers from both Munich and Leipzig for important musical posts, namely, direction of the Munich Opera , the editorship of the prestigious Leipzig music journal the Allgemeine musikalische Zeitung , and direction of the Leipzig Gewandhaus Orchestra ; he accepted the latter in 1835. In Leipzig, Mendelssohn concentrated on developing the town's musical life by working with
6405-548: The excuse to return to Leipzig. In 1843 Mendelssohn founded a major music school – the Leipzig Conservatory, now the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" . where he persuaded Ignaz Moscheles and Robert Schumann to join him. Other prominent musicians, including the string players Ferdinand David and Joseph Joachim and the music theorist Moritz Hauptmann , also became staff members. After Mendelssohn's death in 1847, his musically conservative tradition
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#17330853036306510-722: The family was assembled ... he began to talk incoherently in English. The stern voice of his father at last checked the wild torrent of words; they took him to bed, and a profound sleep of twelve hours restored him to his normal state". Such fits may be related to his early death. Mendelssohn was an enthusiastic visual artist who worked in pencil and watercolour , a skill which he enjoyed throughout his life. His correspondence indicates that he could write with considerable wit in German and English – his letters were sometimes accompanied by humorous sketches and cartoons. On 21 March 1816, at
6615-598: The form 'Mendelssohn Bartholdy'. In 1829, his sister Fanny wrote to him of "Bartholdy [...] this name that we all dislike". Mendelssohn began taking piano lessons from his mother when he was six, and at seven was tutored by Marie Bigot in Paris. Later in Berlin, all four Mendelssohn children studied piano with Ludwig Berger , who was himself a former student of Muzio Clementi . From at least May 1819 Mendelssohn (initially with his sister Fanny) studied counterpoint and composition with Carl Friedrich Zelter in Berlin. This
6720-458: The help and ideas of the French harpist and composer Nicolas Bochsa . The academy was granted a royal charter by King George IV in 1830. The founding of the academy was greatly supported by Arthur Wellesley, 1st Duke of Wellington . He was a keen violinist himself and was determined to make the academy a success. The academy faced closure in 1866; this was part of the reason for the founding of
6825-514: The household that "Europe came to their living room". Abraham Mendelssohn renounced the Jewish religion prior to Felix's birth and he and his wife decided against having Felix circumcised . Felix and his siblings were at first brought up without religious education; on 21 March 1816, they were baptized in a private ceremony in the family's Berlin apartment by the Reformed Protestant minister of
6930-431: The institution comprised were departitioned, one conjectured, with fearsome violence. Wherefore else the need for those torturous tunnellings, that labyrinthine intricacy of passages, the cul-de-sacs, and follies? It took the average new student about a month to get his or her bearings." In 1911 the institution moved to the current premises, designed by Sir Ernest George (which include the 450-seat Duke's Hall), built at
7035-554: The legend of the Lorelei Rhine maidens; the opera was unfinished at his death. He is said to have tailored the aria "Hear Ye Israel", in his oratorio Elijah , to Lind's voice, although she did not sing the part until after his death, at a concert in December 1848. In 1847, Mendelssohn attended a London performance of Meyerbeer's Robert le diable – an opera that musically he despised – in order to hear Lind's British debut, in
7140-429: The memoirs of the composer's circle", including Hensel's. The nickname "discontented Polish count" was given to Mendelssohn on account of his aloofness, and he referred to the epithet in his letters. He was frequently given to fits of temper which occasionally led to collapse. Devrient mentions that on one occasion in the 1830s, when his wishes had been crossed, "his excitement was increased so fearfully ... that when
7245-399: The music profession (Fellow of the Royal Academy of Music, FRAM), distinguished musicians who are not alumni (Honorary Member of the Royal Academy of Music, Hon RAM), alumni who have made a significant contribution to the music profession (Associate of the Royal Academy of Music, ARAM) and to people who are not alumni but have offered important services to the institution (Honorary Associate of
7350-485: The musical status quo – that is, the "classical" forms, as they were already thought of by his time. His version of romanticism, already evident in his earliest works, consisted in musical "pictorialism" of a fairly conventional, objective nature (though exquisitely wrought). The young Mendelssohn was greatly influenced in his childhood by the music of both J. S. Bach and C. P. E. Bach , and of Beethoven, Joseph Haydn and Mozart; traces of these composers can be seen in
7455-423: The one who most clearly sees through the contradictions of the age and for the first time reconciles them." This appreciation brings to the fore two features that characterized Mendelssohn's compositions and his compositional process. First, that his inspiration for musical style was rooted in his technical mastery and his interpretation of the style of previous masters, although he certainly recognized and developed
7560-573: The only person who brought fulfillment to my spirit, and almost as soon as I found him I lost him again." In 1849, she established the Mendelssohn Scholarship Foundation, which makes an award to a young resident British composer every two years in Mendelssohn's memory. The first winner of the scholarship, in 1856, was Arthur Sullivan , then aged 14. In 1869, Lind erected a plaque in Mendelssohn's memory at his birthplace in Hamburg. Something of Mendelssohn's intense attachment to his personal vision of music
7665-460: The oratorio Elijah , the overture The Hebrides , the mature Violin Concerto , the String Octet , and the melody used in the Christmas carol " Hark! The Herald Angels Sing ". Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn , but Felix was initially raised without religion until he
7770-475: The orchestra, the opera house, the Thomanerchor (of which Bach had been a director), and the city's other choral and musical institutions. Mendelssohn's concerts included, in addition to many of his own works, three series of "historical concerts" featuring music of the eighteenth century, and a number of works by his contemporaries. He was deluged by offers of music from rising and would-be composers; among these
7875-425: The premiere – and sole performance in his lifetime – of Mendelssohn's opera Die Hochzeit des Camacho . The failure of this production left him disinclined to venture into the genre again. Besides music, Mendelssohn's education included art, literature, languages, and philosophy. He had a particular interest in classical literature and translated Terence 's Andria for his tutor Heyse in 1825; Heyse
7980-562: The restored Alexander horn which was played by Dennis Brain , damaged in the crash which killed him, and subsequently restored by Paxman of London. The Ground floor gallery also houses regularly changing temporary exhibitions. These have included "Yehudi Menuhin: Journeys with a Violin", which was drawn from the extensive Foyle Menuhin Archive held by the academy. It accompanied the 2016 Menuhin Competition in London and marks 100 years since
8085-421: The role of Alice. The music critic Henry Chorley , who was with him, wrote: "I see as I write the smile with which Mendelssohn, whose enjoyment of Mdlle. Lind's talent was unlimited, turned round and looked at me, as if a load of anxiety had been taken off his mind. His attachment to Mdlle. Lind's genius as a singer was unbounded, as was his desire for her success." Upon Mendelssohn's death, Lind wrote: "[He was]
8190-460: The same relation to the Mozart of that time that the cultivated talk of a grown-up person bears to the prattle of a child." Mendelssohn was invited to meet Goethe on several later occasions, and set a number of Goethe's poems to music. His other compositions inspired by Goethe include the overture Calm Sea and Prosperous Voyage (Op. 27, 1828), and the cantata Die erste Walpurgisnacht ( The First Walpurgis Night , Op. 60, 1832). In 1829, with
8295-722: The senior Academy awarding the LRAM diploma, BMus and higher degrees to PhD / DMus. The former degree GRSM , equivalent to a university honours degree and taken by some students, was phased out in the 1990s. All undergraduates now take the University of London degree of BMus. Most academy students are classical performers: strings, piano, vocal studies including opera, brass, woodwind, conducting and choral conducting, composition, percussion, harp, organ, accordion, guitar. There are also departments for historical performance, musical theatre performance and jazz. The academy collaborates with other conservatoires worldwide, including participating in
8400-419: The slightest and most humorous allusions". Thus for example in a letter to his sister Rebecka, Mendelssohn rebukes her complaint about an unpleasant relative: "What do you mean by saying you are not hostile to Jews? I hope this was a joke [...] It is really sweet of you that you do not despise your family, isn't it?" Some modern scholars have devoted considerable energy to demonstrate either that Mendelssohn
8505-450: The strains of early Romanticism in the music of Beethoven and Weber. The historian James Garratt writes that from his early career, "the view emerged that Mendelssohn's engagement with early music was a defining aspect of his creativity." This approach was recognized by Mendelssohn himself, who wrote that, in his meetings with Goethe, he gave the poet "historical exhibitions" at the keyboard; "every morning, for about an hour, I have to play
8610-401: The structural balance of the formal components of the movement. Thus typically in a Mendelssohnian movement, the development-recapitulation transition might not be strongly marked, and the recapitulation section would be harmonically or melodically varied so as not to be a direct copy of the opening, exposition , section; this allowed a logical movement towards a final climax. Vitercik summarizes
8715-553: The summer of 1844, he conducted five of the Philharmonic concerts in London, and wrote: "[N]ever before was anything like this season – we never went to bed before half-past one, every hour of every day was filled with engagements three weeks beforehand, and I got through more music in two months than in all the rest of the year." (Letter to Rebecka Mendelssohn Bartholdy, Soden, 22 July 1844). On subsequent visits Mendelssohn met Queen Victoria and her husband Prince Albert , himself
8820-463: The very few since Bach's death and the first ever outside of Leipzig , was the central event in the revival of Bach's music in Germany and, eventually, throughout Europe. It earned Mendelssohn widespread acclaim at the age of 20. It also led to one of the few explicit references which Mendelssohn made to his origins: "To think that it took an actor and a Jew's son to revive the greatest Christian music for
8925-470: The violin family. The collection includes examples of the work of the finest and most influential makers. These instruments are frequently played in concerts and recordings but are normally kept in the academy. The present form of the collection can be said to date from 1890 when John Rutson (1829–1906) gave an important group of instruments to the academy. The Rutson Collection includes the Archinto viola (1696),
9030-414: The violin virtuoso Niccolò Paganini , who first visited London 175 years earlier in 1831. The festival included a recital by academy professor Maxim Vengerov , who performed on Il Cannone Guarnerius , Paganini's favourite violin. Academy instrumentalists and musical theatre students have also performed in a series of concerts with the academy alumnus Sir Elton John . The students and ensembles of
9135-622: The world!" Over the next few years Mendelssohn travelled widely. His first visit to England was in 1829; other places visited during the 1830s included Vienna, Florence, Milan, Rome and Naples, in all of which he met with local and visiting musicians and artists. These years proved to be the germination for some of his most famous works, including the Hebrides Overture and the Scottish and Italian symphonies. On Zelter's death in 1832, Mendelssohn had hopes of succeeding him as conductor of
9240-472: The world, with a student community representing more than 50 nationalities. It is committed to lifelong learning, from Junior Academy, which trains musicians up to the age of 18, through Open Academy community music projects, to performances and educational events for all ages. The academy's museum houses one of the world's most significant collections of musical instruments and artefacts, including stringed instruments by Stradivari , Guarneri , and members of
9345-603: The writer Johann Wolfgang von Goethe (then in his seventies), who was greatly impressed by the child, leading to perhaps the earliest confirmed comparison with Mozart in the following conversation between Goethe and Zelter: "Musical prodigies ... are probably no longer so rare; but what this little man can do in extemporizing and playing at sight borders the miraculous, and I could not have believed it possible at so early an age." "And yet you heard Mozart in his seventh year at Frankfurt?" said Zelter. "Yes", answered Goethe, "... but what your pupil already accomplishes, bears
9450-452: Was Richard Wagner , who submitted his early Symphony , the score of which, to Wagner's disgust, Mendelssohn lost or mislaid. Mendelssohn also revived interest in the music of Franz Schubert . Robert Schumann discovered the manuscript of Schubert's Ninth Symphony and sent it to Mendelssohn, who promptly premiered it in Leipzig on 21 March 1839, more than a decade after Schubert's death. A landmark event during Mendelssohn's Leipzig years
9555-598: Was a member of the Itzig family and a sister of Jakob Salomon Bartholdy . Mendelssohn was the second of four children; his older sister Fanny also displayed exceptional and precocious musical talent. The family moved to Berlin in 1811, leaving Hamburg in disguise in fear of French reprisal for the Mendelssohn bank 's role in breaking Napoleon 's Continental System blockade. Abraham and Lea Mendelssohn sought to give their children – Fanny, Felix, Paul and Rebecka –
9660-549: Was an important influence on his future career. Zelter had almost certainly been recommended as a teacher by his aunt Sarah Levy , who had been a pupil of W. F. Bach and a patron of C. P. E. Bach . Sarah Levy displayed some talent as a keyboard player, and often played with Zelter's orchestra at the Berliner Singakademie ; she and the Mendelssohn family were among its leading patrons. Sarah had formed an important collection of Bach family manuscripts, which she bequeathed to
9765-571: Was appointed musical director (his first paid post as a musician) in 1833. In the spring of that year Mendelssohn directed the Lower Rhenish Music Festival in Düsseldorf, beginning with a performance of George Frideric Handel 's oratorio Israel in Egypt prepared from the original score, which he had found in London. This precipitated a Handel revival in Germany, similar to the reawakened interest in J. S. Bach following his performance of
9870-459: Was baptised aged seven into the Reformed Christian church. He was recognised early as a musical prodigy , but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata
9975-528: Was carried on when Moscheles succeeded him as head of the Conservatory. Mendelssohn first visited Britain in 1829, where Moscheles, who had already settled in London, introduced him to influential musical circles. In the summer he visited Edinburgh , where he met among others the composer John Thomson , whom he later recommended for the post of professor of music at Edinburgh University . He made ten visits to Britain, lasting altogether about 20 months; he won
10080-634: Was deeply sympathetic to his ancestors' Jewish beliefs, or that he was hostile to this and sincere in his Christian beliefs. Throughout his life Mendelssohn was wary of the more radical musical developments undertaken by some of his contemporaries. He was generally on friendly, if sometimes somewhat cool, terms with Hector Berlioz , Franz Liszt , and Giacomo Meyerbeer , but in his letters expresses his frank disapproval of their works, for example writing of Liszt that his compositions were "inferior to his playing, and […] only calculated for virtuosos"; of Berlioz's overture Les francs-juges "[T]he orchestration
10185-853: Was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach , notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries, such as Franz Liszt , Richard Wagner , Charles-Valentin Alkan and Hector Berlioz . The Leipzig Conservatory , which he founded, became
10290-450: Was impressed and had it published in 1826 as a work of "his pupil, F****" [i.e. "Felix" (asterisks as provided in original text)]. This translation also qualified Mendelssohn to study at the University of Berlin , where from 1826 to 1829 he attended lectures on aesthetics by Georg Wilhelm Friedrich Hegel , on history by Eduard Gans , and on geography by Carl Ritter . In 1821 Zelter introduced Mendelssohn to his friend and correspondent,
10395-699: Was largely destroyed by bomb damage in the 1940s, but the Nash exterior has Grade 1 listed building status. The Royal Academy of Music moved to Marylebone Road in 1911, and held a lease on part of York Gate during the 1920s and 1930s. A grant from the Heritage Lottery Fund enabled the Academy to acquire and refurbish the building to house studios and practice rooms and a museum. The Museum has three permanent galleries, alongside regularly changing displays and exhibitions. Together they cover an array of eras, instruments and subjects, including stringed instruments from
10500-631: Was left with impaired health; he died in 1851. The eldest, Carl Mendelssohn Bartholdy (7 February 1838 – 23 February 1897), became a historian, and professor of history at Heidelberg and Freiburg universities; he died in a psychiatric institution in Freiburg aged 59. Paul Mendelssohn Bartholdy (1841–1880) was a noted chemist and pioneered the manufacture of aniline dye. Marie married Victor Benecke and lived in London. Lili married Adolf Wach , later professor of law at Leipzig University . The family papers inherited by Marie's and Lili's children form
10605-514: Was placed at 4 Hobart Place in Belgravia , London, in 2013. His protégé, the British composer and pianist William Sterndale Bennett , worked closely with Mendelssohn during this period, both in London and Leipzig. He first heard Bennett perform in London in 1833 aged 17. Bennett appeared with Mendelssohn in concerts in Leipzig throughout the 1836/1837 season. On Mendelssohn's eighth British visit in
10710-458: Was so upset that he immediately went to get a haircut to differentiate himself. In particular, Mendelssohn seems to have regarded Paris and its music with the greatest of suspicion and an almost puritanical distaste. Attempts made during his visit there to interest him in Saint-Simonianism ended in embarrassing scenes. It is significant that the only musician with whom Mendelssohn remained
10815-576: Was the premiere of his oratorio Paulus , (the English version of this is known as St. Paul ), given at the Lower Rhenish Festival in Düsseldorf in 1836, shortly after the death of the composer's father, which affected him greatly; Felix wrote that he would "never cease to endeavour to gain his approval ... although I can no longer enjoy it". St. Paul seemed to many of Mendelssohn's contemporaries to be his finest work, and sealed his European reputation. When Friedrich Wilhelm IV came to
10920-457: Was the prime mover in proposing to the publisher Heinrich Brockhaus a complete edition of Moses' works, which continued with the support of his uncle, Joseph Mendelssohn . Felix was notably reluctant, either in his letters or conversation, to comment on his innermost beliefs; his friend Devrient wrote that "[his] deep convictions were never uttered in intercourse with the world; only in rare and intimate moments did they ever appear, and then only in
11025-675: Was the soloist in Beethoven 's Piano Concerto No. 4 and conducted his own Scottish Symphony with the Philharmonic Orchestra before the Queen and Prince Albert. Mendelssohn suffered from poor health in the final years of his life, probably aggravated by nervous problems and overwork. A final tour of England left him exhausted and ill, and the death of his sister, Fanny, on 14 May 1847, caused him further distress. Less than six months later, on 4 November, aged 38, Mendelssohn died in Leipzig after
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