Carlo Rossini Wieth (born Carl Andersen ; 11 December 1885 – 30 June 1943) was a Danish stage and film actor whose career began at the turn of the 20th-century and lasted until his death in 1943.
17-430: Wieth is a surname. Notable people with the surname include: Carlo Wieth (1885–1943), Danish actor Clara Wieth (1883–1975), Danish actress, wife of Carlo Mogens Wieth (1919–1962), Danish actor See also [ edit ] Wirth [REDACTED] Surname list This page lists people with the surname Wieth . If an internal link intending to refer to
34-645: A son, actor Mogens Wieth . Carlo and Agnes would remain married until Wieth's death. On 30 June 1943, Wieth was on a bicycle excursion in the Gribskov forest in the Hovedstaden region on Zealand when he collapsed from a fatal heart attack, aged 57. He was interred at the Vestre Cemetery in Copenhagen. Bodil Ipsen Bodil Ipsen ( Danish: [ˈpoːtil ˈipsn̩] ; 30 August 1889 – 26 November 1964)
51-456: A specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Wieth&oldid=1060482699 " Categories : Surnames Danish-language surnames Hidden categories: Articles with short description Short description is different from Wikidata All set index articles Carlo Wieth Wieth
68-588: Is given to Denmark's most celebrated film prize, the Bodil Award . Bodil Louise Jensen Ipsen was born on 30 August 1889 in Copenhagen , Denmark . In 1908, after obtaining her high school diploma, Ipsen began studying at Det Kongelige Teater (Royal Danish Theatre) and made her stage debut there one year later. Her work on stage quickly received attention. Especially noted were her performances with Danish actor Poul Reumert . Throughout her career, Ipsen performed at
85-590: The Bodil Award for Best Danish Film for Det Sande Ansigt ( The True Face ). In 1960, at age 71, Ipsen was awarded the Bodil again, this time as Leading Actress of the Year for the film Tro, håb og trolddom . Ipsen retired afterwards. She died on 26 November 1964 in Copenhagen. The movie Bodil Ipsen og Filmen ( Bodil Ipsen and the Film ), released in 2006, is a portrait of her life and career. Ipsen's steady career on stage
102-812: The Royal Danish Theatre as well as the Dagmar Theater, The Folketeatret, and The Betty Nansen Theater. She also performed on stage in Sweden and Norway. Ipsen played almost 200 roles in the theater, the majority as lead actress, as well as 150 radio theater roles and four television parts. In 1920, Ipsen made her film debut as a leading actress in Lavinen, directed by her third husband, Emanuel Gregers . She made films with Gregers in 1922 and 1923. Off and on, she acted in 12 films during her career. Her most noteworthy early performances were in big blustering comedies, such as
119-549: The Mormons ). The film was controversial for demonizing the Mormon religion, and its box-office success is cited for initiating a decade of anti-Mormon propaganda films in America. The film tells the story of an attractive young woman who is seduced and kidnapped by a Mormon missionary, then forced to accompany him to Utah to become one of his wives. The film became a hit, in part due to
136-554: The Nazi occupation of Denmark during World War II, received the 1946 Grand Prize at the Cannes Film Festival . In 1950, Ipsen and Lauritzen again won acclaim for their film Café Paradis ( Paradise Cafe ). The harsh story about alcoholism is considered a masterpiece of Danish cinema, and for which Ipsen won her namesake award, the Bodil , named after her and fellow actress, Bodil Kjer . Two years later, Ipsen and Lauritzen again won
153-602: The publicity from the Church of Jesus Christ of Latter-day Saints ' objections and its failed campaign to ban the film. Between 1912 and 1914, he appeared in approximately nine Swedish silent films for such directors as John Ekman , Mauritz Stiller and Victor Sjöström before returning to Denmark and appearing in such films as Gunnar Sommerfeldt 's 1918 drama En Lykkeper in 1918 and in Carl Theodor Dreyer 's popular 1921 silent drama Leaves from Satan's Book , which tells
170-591: The shrewish spinster Bollette in Bollettes Brudefærd or the Countess Danner in Gregers' Sørensen og Rasmussen . Ipsen became a director in 1942 and directed 10 films in 10 years. Although Ipsen's acting talent was showcased in big romantic comedies, her seat in the director's chair marked the development of classic Danish dark dramas and mysteries. Her debut film, which she co-directed with Lau Lauritzen Jr.
187-520: The tale of Satan's banishment from heaven. Leaves Out of the Book of Satan would be Wieth's last silent film before returning to the stage. He wouldn't return to the screen until appearing in his first talkie ; Pál Fejös 's 1935 Det gyldne smil ( The Golden Smile ) opposite Bodil Ipsen . He would appear in approximately ten sound films before his death. His last film was in the 1943 romantic comedy Vi kunde ha' det saa rart , opposite Bodil Kjer . Wieth
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#1732884089024204-462: Was a Danish actress and film director, and is considered one of the great stars of Danish cinematic history. Her acting career, which began in theater and silent films , was marked by leading roles in large folk comedies and melodramas. However, it was as a director that she was most influential: directing the first Danish film noir and making several dark psychological thrillers during the 1940s and 1950s. Ipsen's name along with that of Bodil Kjer
221-647: Was at various times a member of the Danish Arts Council, the International Union of Actors, and Vice President of the Danish Actors' Union. Wieth was married twice; his first marriage was to Danish stage and screen actress Clara Pontoppidan from 1906 to 1917. The pair had appeared in several films together. Wieth and Pontoppidan divorced and produced no offspring. His second marriage was to actress Agnes Thorberg Wieth ( née Sommer) in 1917. The couple had
238-564: Was born as Carl Andersen in Copenhagen to Marius Hans Lindegaard Andersen, who was a judge, and his wife Jacobine Kirstine Wieth Andersen. He would begin his acting career after adding an "o" to his given name of Carl and taking his mother's maiden name. He was educated at the Royal Danish Theatre from 1903 to 1905 and made his stage debut in 1905. He was an actor at the Danish Royal Theatre from 1905 to 1907, 1908 to 1909 and again from 1923 to 1943. From 1907 to 1908 and 1909 to 1910, he
255-573: Was engaged as an actor at the Dagmar Theatre, from 1911 to 1922 at the Folketeatret, and spent a year at the Betty Nansen Teatret beginning in 1922 before traveling abroad. Wieth made his film debut in 1910 for Kinografen before spending nearly the entirety of his film career at Nordisk Film . In 1911, he appeared in the controversial August Blom -directed Mormonens offer ( A Victim of
272-409: Was offset by a volatile personal life. She was married four times. Ipsen was married the first time in 1910 with the actor Jacob Texière, but the marriage was dissolved within the same year. Then, in 1914, she married civil engineer H.H.O. Moltke, and they divorced after three years. Her marriage in 1919 with film director Emanuel Gregers lasted four years. Ipsen was married for a fourth time in 1932 to
289-509: Was the 1942 dark psychological thriller Afsporet ( Derailed ), the first true Danish film noir. Two years later, Ipsen directed another two even more extreme noirs, Mordets Melodi ( Melody of Murder ), about a singer accused of serial murders, and Besættelse ( Possession ), a taut thriller about a man's erotic obsession with a young woman. After Afsporet Ipsen collaborated with Lau Lauritzen Jr. on four more films. Their second film, De røde enge ( The Red Meadows ), about
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