37-561: White Cradle Inn is a 1947 British drama film directed by Harold French and starring Madeleine Carroll , Ian Hunter , and Michael Rennie . It was released as High Fury in the US; and filmed on location in Switzerland and at Shepperton Studios . In Switzerland after the Second World War , a French evacuee boy wants to stay there rather than return home, leading to a moral dilemma. It
74-413: A cowboy story and may generate a mood of solitude, desolation, and struggle, among other possible associations. The attitude of the narrator is another element that helps generate mood. As the reader is dependent on the narrator's perspective of the story, they see the story through their lenses, feeling the way the narrator feels about what happens or what is being described. Embedded in the attitude of
111-462: A better understanding of the film. According to the taxonomy, combining the type with the genre does not create a separate genre. For instance, the "Horror Drama" is simply a dramatic horror film (as opposed to a comedic horror film). "Horror Drama" is not a genre separate from the horror genre or the drama type. Crime dramas explore themes of truth, justice, and freedom, and contain the fundamental dichotomy of "criminal vs. lawman". Crime films make
148-423: A broader range of moods . To these ends, a primary element in a drama is the occurrence of conflict —emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis ) characters . In this broader sense, drama
185-479: A draw, but the picture will need plenty of selling, both here and in America"; while more recently, TV Guide wrote, "The chances for a strong drama here were excellent, but the treatment never lives up to the potential. The actors give weak characterizations, never injecting the needed emotion for the story to work. There is some good-looking Alpine scenery, but this doesn't compensate for the film's weaknesses"; whereas
222-401: A feeling for the narrative. Mood is generally created through several different things. Setting, which provides the physical location of the story, is used to create a background in which the story takes place. Different settings can affect the mood of a story differently and usually support or conflict with the other content of the story in some way. For example, the desert may be a setting for
259-580: A live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio . The Screenwriters Taxonomy contends that film genres are fundamentally based upon a film's atmosphere, character and story, and therefore the labels "drama" and "comedy" are too broad to be considered a genre. Instead, the taxonomy contends that film dramas are a "Type" of film; listing at least ten different sub-types of film and television drama. Docudramas are dramatized adaptations of real-life events. While not always completely accurate,
296-685: A more central component of the story, along with serious content. Examples include Three Colours: White (1994), The Truman Show (1998), The Man Without a Past (2002), The Best Exotic Marigold Hotel (2011), and Silver Linings Playbook (2012). Coined by film professor Ken Dancyger , these stories exaggerate characters and situations to the point of becoming fable, legend or fairy tale. Examples: Fantastic Mr. Fox (2009) and Maleficent (2014). Light dramas are light-hearted stories that are, nevertheless, serious in nature. Examples: The Help (2011) and The Terminal (2004). Psychological dramas are dramas that focus on
333-438: A narrator are the feelings and emotions which make it up. A similar element that goes into generating mood is diction , that is, the choice and style of words the writer uses. Diction conveys a sensibility as well as portrays the content of a story in specific colors, thus affecting the way the reader feels about it. Tone and mood are not the same. The tone of a piece of literature is the speaker's or narrator's attitude towards
370-633: A person's life and raises their level of importance. The "small things in life" feel as important to the protagonist (and the audience) as the climactic battle in an action film, or the final shootout in a western. Often, the protagonists deal with multiple, overlapping issues in the course of the film – just as we do in life. Films of this type/genre combination include: The Wrestler (2008), Fruitvale Station (2013), and Locke (2013). Romantic dramas are films with central themes that reinforce our beliefs about love (e.g.: themes such as "love at first sight", "love conquers all", or "there
407-457: A specific approach to drama but, rather, consider drama as a lack of comedic techniques. Examples: Ghost World (2001) and Wuthering Heights (2011). According to the Screenwriters' Taxonomy, all film descriptions should contain their type (comedy or drama) combined with one (or more) of the eleven super-genres. This combination does not create a separate genre, but rather, provides
SECTION 10
#1732916326576444-412: Is a mode distinct from novels, short stories , and narrative poetry or songs . In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy . It is this narrower sense that the film and television industries, along with film studies , adopted. " Radio drama " has been used in both senses—originally transmitted in
481-526: Is a final fight to the death; the idea of the protagonists facing death is a central expectation in a war drama film. In a war film even though the enemy may out-number, or out-power, the hero, we assume that the enemy can be defeated if only the hero can figure out how. Examples include: Apocalypse Now (1979), Come and See (1985), Braveheart (1995), Life Is Beautiful (1997), Black Book (2006), The Hurt Locker (2008), 1944 (2015), Wildeye (2015), and 1917 (2019). Films in
518-463: Is billeted with the couple, as are many French children evacuated to families in the valley. When the time comes for the children to return to France, Magda is keen to adopt Roger, but Rudolph has taken a dislike to him, calling him a coward. Rudolph only finally agrees to sign the adoption papers if Magda will sign over the ownership of the Inn to him. She agrees to do this, but when the boy, anxious to prove he
555-428: Is no coward, urges Rudolph to take him on a climbing trip to the mountains, it is a journey that will have fatal consequences. At the summit of an Alpine peak Roger slips. He is roped to Rudi. He catches a tree on a very steep slope. When Rudi tries to get down he too slips, and is left dangling below Roger. His weight is going to pull Roger off so he cuts the rope to save Roger, instantly falling to his death. The film
592-421: Is someone out there for everyone"); the story typically revolves around characters falling into (and out of, and back into) love. Annie Hall (1977), The Notebook (2004), Carol (2015), Her (2013) , and La La Land (2016) are examples of romance dramas. The science fiction drama film is often the story of a protagonist (and their allies) facing something "unknown" that has the potential to change
629-489: Is the first film to feature the self-sacrifice of cutting a rope to save others attached. The White Cradle Inn and its estates lie in a picturesque valley in the Swiss Alps. For generations it has been the property of the family of innkeeper Magda (Madeleine Carroll), who now lives there with her philandering husband Rudolph (Michael Rennie). The story is set during WWII, and a teenage French orphan named Roger (Michael McKeag)
666-422: Is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera , police crime drama , political drama , legal drama , historical drama , domestic drama , teen drama , and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage
703-610: The Radio Times noted, "Despite Ian Hunter offering Carroll gallant support as the local doctor, the performances are slightly strained, with McKeag being a weak link. But the dénouement is authentic and tense." As of 30 June 1949 the film earned £99,666 in the UK of which £72,473 went to the producer. Drama film In film and television , drama is a category or genre of narrative fiction (or semi-fiction ) intended to be more serious than humorous in tone. The drama of this kind
740-454: The narrative takes place), attitude (of the narrator and of the characters in the narrative), and descriptions . Though atmosphere and setting are connected, they may be considered separately to a degree. Atmosphere is the aura of mood that surrounds the story. It is to fiction what the sensory level is to poetry or mise-en-scene is to cinema . Mood is established to affect the reader emotionally and psychologically and to provide
777-755: The western super-genre often take place in the American Southwest or Mexico, with a large number of scenes occurring outdoors so we can soak in scenic landscapes. Visceral expectations for the audience include fistfights, gunplay, and chase scenes. There is also the expectation of spectacular panoramic images of the countryside including sunsets, wide open landscapes, and endless deserts and sky. Examples of western dramas include: True Grit (1969) and its 2010 remake , Mad Max (1979), Unforgiven (1992), No Country for Old Men (2007), Django Unchained (2012), Hell or High Water (2016), and Logan (2017). Some film categories that use
SECTION 20
#1732916326576814-489: The Apes (1968), A Clockwork Orange (1971), Blade Runner (1982) and its sequel Blade Runner 2049 (2017), Children of Men (2006), Interstellar (2014), and Arrival (2016). In the sports super-genre, characters will be playing sports. Thematically, the story is often one of "Our Team" versus "Their Team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption;
851-407: The audience jump through a series of mental "hoops"; it is not uncommon for the crime drama to use verbal gymnastics to keep the audience and the protagonist on their toes. Examples of crime dramas include: The Godfather (1972), Chinatown (1974), Goodfellas (1990), The Usual Suspects (1995), The Big Short (2015), and Udta Punjab (2016). According to Eric R. Williams ,
888-533: The characters' inner life and psychological problems. Examples: Requiem for a Dream (2000), Oldboy (2003), Babel (2006), Whiplash (2014), and Anomalisa (2015) Satire can involve humor, but the result is typically sharp social commentary that is anything but funny. Satire often uses irony or exaggeration to expose faults in society or individuals that influence social ideology. Examples: Thank You for Smoking (2005) and Idiocracy (2006). Straight drama applies to those that do not attempt
925-473: The course of the film. Thematically, horror films often serve as morality tales, with the killer serving up violent penance for the victims' past sins. Metaphorically, these become battles of Good vs. Evil or Purity vs. Sin. Psycho (1960), Halloween (1978), The Shining (1980), The Conjuring (2013), It (2017), mother! (2017), and Hereditary (2018) are examples of horror drama films. Day-in-the-life films takes small events in
962-481: The family as a whole reacts to a central challenge. There are four micro-genres for the family drama: Family Bond , Family Feud , Family Loss , and Family Rift . A sub-type of drama films that uses plots that appeal to the heightened emotions of the audience. Melodramatic plots often deal with "crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship". Film critics sometimes use
999-416: The future of humanity; this unknown may be represented by a villain with incomprehensible powers, a creature we do not understand, or a scientific scenario that threatens to change the world; the science fiction story forces the audience to consider the nature of human beings, the confines of time or space or the concepts of human existence in general. Examples include: Metropolis (1927), Planet of
1036-717: The general facts are more-or-less true. The difference between a docudrama and a documentary is that in a documentary it uses real people to describe history or current events; in a docudrama it uses professionally trained actors to play the roles in the current event, that is "dramatized" a bit. Examples: Black Mass (2015) and Zodiac (2007). Unlike docudramas, docu-fictional films combine documentary and fiction, where actual footage or real events are intermingled with recreated scenes. Examples: Interior. Leather Bar (2013) and Your Name Here (2015). Many otherwise serious productions have humorous scenes and characters intended to provide comic relief . A comedy drama has humor as
1073-416: The hallmark of fantasy drama films is "a sense of wonderment, typically played out in a visually intense world inhabited by mythic creatures, magic or superhuman characters. Props and costumes within these films often belie a sense of mythology and folklore – whether ancient, futuristic, or other-worldly. The costumes, as well as the exotic world, reflect the personal, inner struggles that the hero faces in
1110-442: The legal system. Films that focus on dramatic events in history. Focuses on doctors, nurses, hospital staff, and ambulance saving victims and the interactions of their daily lives. Focuses on teenage characters, especially where a secondary school setting plays a role. Mood (literature) In literature , mood is the atmosphere of the narrative. Mood is created by means of setting (locale and surroundings in which
1147-530: The story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team. Examples of this genre/type include: The Hustler (1961), Hoosiers (1986), Remember the Titans (2000), and Moneyball (2011). War films typically tells the story of a small group of isolated individuals who – one by one – get killed (literally or metaphorically) by an outside force until there
White Cradle Inn - Misplaced Pages Continue
1184-514: The story." Examples of fantasy dramas include The Lord of the Rings (2001–2003), Pan's Labyrinth (2006), Where the Wild Things Are (2009), and Life of Pi (2012). Horror dramas often involve the central characters isolated from the rest of society. These characters are often teenagers or people in their early twenties (the genre's central audience) and are eventually killed off during
1221-416: The subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone. Tone can indicate the narrator's mood, but the overall mood comes from the totality of the written work, even in first-person narratives . The effect a literary work has upon
1258-578: The term "pejoratively to connote an unrealistic, pathos-filled, camp tale of romance or domestic situations with stereotypical characters (often including a central female character) that would directly appeal to feminine audiences". Also called "women's movies", "weepies", tearjerkers, or "chick flicks". If they are targeted to a male audience, then they are called "guy cry" films. Often considered "soap-opera" drama. Focuses on religious characters, mystery play, beliefs, and respect. Character development based on themes involving criminals, law enforcement and
1295-488: The word "comedy" or "drama" are not recognized by the Screenwriters Taxonomy as either a film genre or a film type. For instance, "Melodrama" and "Screwball Comedy" are considered Pathways, while "romantic comedy" and "family drama" are macro-genres. A macro-genre in the Screenwriters Taxonomy. These films tell a story in which many of the central characters are related. The story revolves around how
1332-420: Was based on an original story by director Harold French and was shot at Isleworth Studios and on location in Switzerland. French later recalled Filming had to stop because the money had run out. I didn’t mind as long as they paid the actors, which they did; I didn’t get all my money from that one. I got on well with Madeleine Carroll but I didn’t think she was a very good actress, frankly. I don’t think Ian Hunter
1369-454: Was terribly good either — a bit stolid. It would have been a better picture with a stronger man. But Michael Rennie was marvellous in it, I thought. I liked that film because I thought it had a lot of atmosphere, because I used Swiss actors quite a lot. In a contemporary review, Variety commented that "the characters here rarely come to life" - criticising direction and performances, before concluding, "Madeleine Carroll may prove something of
#575424