102-644: (Redirected from Whale Music ) Whale music is a term for whale sound . It may also refer to: Whale Music (novel) , a 1989 novel by Paul Quarrington Whale Music (film) , a 1994 Canadian film based on the Quarrington novel Music from the Motion Picture Whale Music , the film's 1994 soundtrack by Rheostatics Whale Music (album) , an unrelated 1992 album by Rheostatics Whale Music , 2008 album by David Rothenberg Topics referred to by
204-413: A machine learning approach, where large numbers of manually rated photographs are used to "teach" a computer about what visual properties are of relevance to aesthetic quality. A study by Y. Li and C. J. Hu employed Birkhoff's measurement in their statistical learning approach where order and complexity of an image determined aesthetic value. The image complexity was computed using information theory while
306-413: A subject -based, inductive approach. The analysis of individual experience and behaviour based on experimental methods is a central part of experimental aesthetics. In particular, the perception of works of art, music, sound, or modern items such as websites or other IT products is studied. Experimental aesthetics is strongly oriented towards the natural sciences . Modern approaches mostly come from
408-406: A work of art ), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art . In the words of one philosopher, "Philosophy of art is about art. Aesthetics is about many things—including art. But it is also about our experience of breathtaking landscapes or the pattern of shadows on the wall opposite your office. Philosophers of art weigh
510-411: A Renaissance Madonna for aesthetic reasons, but such objects often had (and sometimes still have) specific devotional functions. "Rules of composition" that might be read into Duchamp 's Fountain or John Cage 's 4′33″ do not locate the works in a recognizable style (or certainly not a style recognizable at the time of the works' realization). Moreover, some of Dutton's categories seem too broad:
612-423: A culturally contingent conception of art versus one that is purely theoretical. They study the varieties of art in relation to their physical, social, and cultural environments. Aesthetic philosophers sometimes also refer to psychological studies to help understand how people see, hear, imagine, think, learn, and act in relation to the materials and problems of art. Aesthetic psychology studies the creative process and
714-410: A distinct hierarchical structure. The base units of the song (sometimes loosely called the " notes ") are single uninterrupted emissions of sound that last up to a few seconds. These sounds vary in frequency from 20 Hz to upward of 24 kHz (the typical human range of hearing is 20 Hz to 20 kHz). The units may be frequency modulated (i.e., the pitch of the sound may go up, down, or stay
816-470: A facsimile/copy). Aesthetic judgments can often be very fine-grained and internally contradictory. Likewise aesthetic judgments seem often to be at least partly intellectual and interpretative. What a thing means or symbolizes is often what is being judged. Modern aestheticians have asserted that will and desire were almost dormant in aesthetic experience, yet preference and choice have seemed important aesthetics to some 20th-century thinkers. The point
918-466: A group of researchers at the IBM T. J. Watson Research Center. The tool predicted aesthetics based on the values of narrative elements. A relation between Max Bense 's mathematical formulation of aesthetics in terms of "redundancy" and "complexity" and theories of musical anticipation was offered using the notion of Information Rate. Evolutionary aesthetics refers to evolutionary psychology theories in which
1020-455: A larynx that appears to play a role in sound production, as it has vocal folds (vocal "cord") homologs in the U-shaped fold supported by arytenoid cartilages. Whales do not have to exhale in order to produce sound, as they capture the air in a laryngeal sac. It is likely that they recycle air from this sac back to the lungs for the next vocalization. They do not have bony cranial sinuses, but there
1122-484: A man "if he says that ' Canary wine is pleasant,' he is quite content if someone else corrects his expression and remind him that he ought to say instead: 'It is pleasant to me ,'" because "every one has his own [ sense of] taste ". The case of "beauty" is different from mere "pleasantness" because "if he gives out anything as beautiful, he supposes in others the same satisfaction—he judges not merely for himself, but for every one, and speaks of beauty as if it were
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#17328766238251224-540: A particular conception of art that arose with the Renaissance and was still dominant in the eighteenth century (but was supplanted later). The discipline of aesthetics, which originated in the eighteenth century, mistook this transient state of affairs for a revelation of the permanent nature of art. Brian Massumi suggests to reconsider beauty following the aesthetical thought in the philosophy of Deleuze and Guattari . Walter Benjamin echoed Malraux in believing aesthetics
1326-613: A philosophical rationale for peace education . Beauty is one of the main subjects of aesthetics, together with art and taste . Many of its definitions include the idea that an object is beautiful if perceiving it is accompanied by aesthetic pleasure . Among the examples of beautiful objects are landscapes, sunsets, humans and works of art. Beauty is a positive aesthetic value that contrasts with ugliness as its negative counterpart. Different intuitions commonly associated with beauty and its nature are in conflict with each other, which poses certain difficulties for understanding it. On
1428-433: A physicist might entertain hypothetical worlds in his/her imagination in the course of formulating a theory. Another problem is that Dutton's categories seek to universalize traditional European notions of aesthetics and art forgetting that, as André Malraux and others have pointed out, there have been large numbers of cultures in which such ideas (including the idea "art" itself) were non-existent. Aesthetic ethics refers to
1530-422: A piece of art. In this field, aesthetics is not considered to be dependent on taste but is a matter of cognition, and, consequently, learning. In 1928, the mathematician George David Birkhoff created an aesthetic measure M = O / C {\displaystyle M=O/C} as the ratio of order to complexity. In the 1960s and 1970s, Max Bense , Abraham Moles and Frieder Nake were among
1632-446: A play, watching a fashion show, movie, sports or exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect our moods and our beliefs. Both aesthetics and the philosophy of art try to find answers to what exactly
1734-548: A property of things." Viewer interpretations of beauty may on occasion be observed to possess two concepts of value: aesthetics and taste. Aesthetics is the philosophical notion of beauty. Taste is a result of an education process and awareness of elite cultural values learned through exposure to mass culture . Bourdieu examined how the elite in society define the aesthetic values like taste and how varying levels of exposure to these values can result in variations by class, cultural background, and education. According to Kant, beauty
1836-437: A series of repetitious sounds at varying frequencies known as whale song. Marine biologist Philip Clapham describes the song as "probably the most complex in the animal kingdom." Male humpback whales perform these vocalizations often during the mating season, and so it was initially believed the purpose of songs is to aid mate selection. However, no evidence was found that links these songs to reprosexuality. The songs follow
1938-442: A song, particularly during courtship rituals. Finally, humpbacks make a third class of sound called the feeding call. This is a long sound (5 to 10 s duration) of near constant frequency. Humpbacks generally feed cooperatively by gathering in groups, swimming underneath shoals of fish and all lunging up vertically through the fish and out of the water together. Prior to these lunges, whales make their feeding call. The exact purpose of
2040-439: A structure in the head called the phonic lips . Biologically the structure is homologous to an upper lip located in the nasal cavity, but mechanistically the phonic lips act similarly to human vocal "cords " (vocal folds), which in humans are located in the larynx . As the air passes through this narrow passage, the phonic lip membranes are sucked together, causing the surrounding tissue to vibrate. These vibrations can, as with
2142-675: A target. Echoes from clicks convey not only the distance to the target, but also the size, shape, speed, and vector of its movement. Additionally, echolocation allows the odontocete to easily discern the difference between objects that are different in material composition, even if visually identical, by their different densities. Individuals also appear to be able to isolate their own echoes during pod feeding activity without interference from other pod members' echolocations. Whistles are used for communication. Four- to six-month-old calves develop unique sounds that they use most frequently throughout their lives. Such "signature whistles" are distinctive to
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#17328766238252244-518: A vibration. This vibration is further modified by speech organs in the oral and nasal cavities, creating sounds which are used in human speech . Cetacean sound production differs markedly from this mechanism. The precise mechanism differs in the two suborders of cetaceans: the Odontoceti ( toothed whales , including dolphins) and the Mysticeti ( baleen whales , including the largest whales such as
2346-408: A work, though possibly of interest in themselves, have no bearing on the correct interpretation of the work." Gaut and Livingston define the intentionalists as distinct from formalists stating that: "Intentionalists, unlike formalists, hold that reference to intentions is essential in fixing the correct interpretation of works." They quote Richard Wollheim as stating that, "The task of criticism
2448-414: Is a pterygoid air sac. Its role in sound production is unclear (perhaps resonance?), but most likely it is for hearing, as it appears to preserve an airspace at depth around the ear ossicles. There are at least nine separate blue whale acoustic populations worldwide. Over the last 50 years blue whales have changed the way they are singing. Calls are progressively getting lower in frequency. For example,
2550-524: Is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime. What was new was a refusal to credit the higher status of certain types, where the taxonomy implied a preference for tragedy and the sublime to comedy and the Rococo . Croce suggested that "expression"
2652-550: Is already made by Hume , but see Mary Mothersill, "Beauty and the Critic's Judgment", in The Blackwell Guide to Aesthetics , 2004. Thus aesthetic judgments might be seen to be based on the senses, emotions, intellectual opinions, will, desires, culture, preferences, values, subconscious behaviour, conscious decision, training, instinct, sociological institutions, or some complex combination of these, depending on exactly which theory
2754-517: Is an ongoing scientific issue, however. A distinction needs to be made between cues and signals. Human acoustic tools can distinguish individual whales by analyzing micro-characteristics of their vocalizations, and the whales can probably do the same. This does not prove that the whales deliberately use some vocalizations to signal individual identity in the manner of the signature whistles that bottlenose dolphins use as individual labels. Mysticetes do not have phonic lip structure. Instead, they have
2856-465: Is art and what makes good art. The word aesthetic is derived from the Ancient Greek αἰσθητικός ( aisthētikós , "perceptive, sensitive, pertaining to sensory perception"), which in turn comes from αἰσθάνομαι ( aisthánomai , "I perceive, sense, learn") and is related to αἴσθησις ( aísthēsis , "perception, sensation"). Aesthetics in this central sense has been said to start with
2958-427: Is central in the way that beauty was once thought to be central. George Dickie suggested that the sociological institutions of the art world were the glue binding art and sensibility into unities. Marshall McLuhan suggested that art always functions as a "counter-environment" designed to make visible what is usually invisible about a society. Theodor Adorno felt that aesthetics could not proceed without confronting
3060-444: Is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature ". Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing
3162-399: Is different from Wikidata All article disambiguation pages All disambiguation pages Whale sound Whales use a variety of sounds for communication and sensation. The mechanisms used to produce sound vary from one family of cetaceans to another. Marine mammals , including whales, dolphins , and porpoises , are much more dependent on sound than land mammals due to
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3264-613: Is doubling with each decade, reducing the range at which whale sounds can be heard. Prior to the introduction large-scale shipping , whale sounds may have traveled from one side of an ocean to the other. Environmentalists fear that such boat activity is putting undue stress on the animals as well as making it difficult to find a mate. In the past decade, many effective automated methods, such as signal processing, data mining, and machine learning techniques have been developed to detect and classify whale vocalizations. Whaling Captain Wm. H. Kelly
3366-696: Is employed. A third major topic in the study of aesthetic judgments is how they are unified across art forms. For instance, the source of a painting's beauty has a different character to that of beautiful music, suggesting their aesthetics differ in kind. The distinct inability of language to express aesthetic judgment and the role of social construction further cloud this issue. The philosopher Denis Dutton identified six universal signatures in human aesthetics: Artists such as Thomas Hirschhorn have indicated that there are too many exceptions to Dutton's categories. For example, Hirschhorn's installations deliberately eschew technical virtuosity. People can appreciate
3468-442: Is for it to cause disinterested pleasure. Other conceptions include defining beautiful objects in terms of their value, of a loving attitude towards them or of their function. During the first half of the twentieth century, a significant shift to general aesthetic theory took place which attempted to apply aesthetic theory between various forms of art, including the literary arts and the visual arts, to each other. This resulted in
3570-529: Is one of several distinct everyday noises whales are known to make. Unlike some fish such as sharks, a toothed whale's sense of smell is absent, causing them to rely heavily on echolocation, both for hunting prey and for navigating the ocean under darkness. This requires the whales to produce noise year round to ensure they are able to navigate around any obstacles they may face such as sunken ships or other animals. It has also been proven that whales are extremely social creatures. The noises that are made throughout
3672-486: Is shown in the table below. Researchers use hydrophones (often adapted from their original military use in tracking submarines) to ascertain the exact location of the origin of whale noises. Their methods also allow them to detect how far through an ocean a sound travels. Research by Dr. Christopher Clark of Cornell University conducted using military data showed that whale noises travel for thousands of kilometres. As well as providing information about song production,
3774-499: Is sometimes equated with truth. Recent research found that people use beauty as an indication for truth in mathematical pattern tasks. However, scientists including the mathematician David Orrell and physicist Marcelo Gleiser have argued that the emphasis on aesthetic criteria such as symmetry is equally capable of leading scientists astray. Computational approaches to aesthetics emerged amid efforts to use computer science methods "to predict, convey, and evoke emotional response to
3876-422: Is subjective and universal; thus certain things are beautiful to everyone. In the opinion of Władysław Tatarkiewicz , there are six conditions for the presentation of art: beauty, form, representation, reproduction of reality, artistic expression and innovation. However, one may not be able to pin down these qualities in a work of art. The question of whether there are facts about aesthetic judgments belongs to
3978-709: Is the Beluga (the "sea canary") which produces an immense variety of whistles, clicks and pulses. It was previously thought that most baleen whales make sounds at about 15–20 hertz . However, a team of marine biologists , led by Mary Ann Daher of the Woods Hole Oceanographic Institution , reported in New Scientist in December 2004 that they had been tracking a whale in the North Pacific for 12 years that
4080-532: Is the reconstruction of the creative process, where the creative process must in turn be thought of as something not stopping short of, but terminating on, the work of art itself." A large number of derivative forms of aesthetics have developed as contemporary and transitory forms of inquiry associated with the field of aesthetics which include the post-modern, psychoanalytic, scientific, and mathematical among others. Early-twentieth-century artists, poets and composers challenged existing notions of beauty, broadening
4182-483: Is usually defined as 'primitive' art, or un-harmonious, non-cathartic art, camp art, which 'beauty' posits and creates, dichotomously, as its opposite, without even the need of formal statements, but which will be 'perceived' as ugly. Likewise, aesthetic judgments may be culturally conditioned to some extent. Victorians in Britain often saw African sculpture as ugly, but just a few decades later, Edwardian audiences saw
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4284-727: The Harvard Museum of Comparative Zoology (MCZ), often co-wrote these documents with him. William E. Schevill's study of whales also at one point harked back to the U.S. Naval operations that first set him down this path. As noted upon his death by the Society for the Bibliography of Natural History, "Bill helped defuse a tense moment between the USA and Soviet Union during the Cold War . The US military suspected that low frequency blips were being used by
4386-513: The awe inspired by a sublime landscape might physically manifest with an increased heart-rate or pupil dilation. As seen, emotions are conformed to 'cultural' reactions, therefore aesthetics is always characterized by 'regional responses', as Francis Grose was the first to affirm in his Rules for Drawing Caricaturas: With an Essay on Comic Painting (1788), published in W. Hogarth, The Analysis of Beauty, Bagster, London s.d. (1791? [1753]), pp. 1–24. Francis Grose can therefore be claimed to be
4488-558: The blue whale ). Odontocetes produce rapid bursts of high-frequency clicks that are thought to be primarily for echolocation . Specialized organs in an odontocete produce collections of clicks and buzzes at frequencies from 0.2 to 150 kHz to obtain sonic information about its environment. Lower frequencies are used for distance echolocation, due to the fact that shorter wavelengths do not travel as far as longer wavelengths underwater. Higher frequencies are more effective at shorter distances, and can reveal more detailed information about
4590-412: The entropy , which assigns higher value to simpler artworks. In the 1990s, Jürgen Schmidhuber described an algorithmic theory of beauty. This theory takes the subjectivity of the observer into account and postulates that among several observations classified as comparable by a given subjective observer, the most aesthetically pleasing is the one that is encoded by the shortest description, following
4692-483: The vestibular sac . From there, the air may be recycled back into the lower part of the nasal complex, ready to be used for sound creation again, or passed out through the blowhole. The French name for phonic lips, museau de singe , translates literally as "monkey's muzzle", which the phonic lip structure is supposed to resemble in sperm whales. New cranial analysis using computed axial and single photon emission computed tomography scans in 2004 showed, at least in
4794-471: The "Uncanny" as aesthetical affect. Following Freud and Merleau-Ponty , Jacques Lacan theorized aesthetics in terms of sublimation and the Thing. The relation of Marxist aesthetics to post-modern aesthetics is still a contentious area of debate. The field of experimental aesthetics was founded by Gustav Theodor Fechner in the 19th century. Experimental aesthetics in these times had been characterized by
4896-399: The "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. Aesthetics typically considers questions of beauty as well as of art. It examines topics such as art works, aesthetic experience, and aesthetic judgment. Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily
4998-729: The 1960s. While noise pollution has increased ambient ocean noise by over 12 decibels since the mid-20th century, researcher Mark McDonald indicated that higher pitches would be expected if the whales were straining to be heard. Killer whales have been observed to produce long range calls that are stereotyped and high frequency travelling distances from 10–16 km (6.2–9.9 mi) as well as short range calls that can travel distances from 5–9 km (3.1–5.6 mi). Short range calls are reported during social and resting periods while long range are more commonly reported during foraging and feeding. Most other whales and dolphins produce sounds of varying degrees of complexity. Of particular interest
5100-603: The Australian pygmy blue whales are decreasing their mean call frequency rate at approximately 0.35 Hz/year. The migration patterns of blue whales remain unclear. Some populations appear to be resident in habitats of year-round high productivity in some years, while others undertake long migrations to high-latitude feeding grounds, but the extent of migrations and the components of the populations that undertake them are poorly known. The frequency of baleen whale sounds ranges from 10 Hz to 31 kHz. A list of typical levels
5202-469: The Soviets to locate American submarines, whereas Bill showed these were produced by fin whales ( Balaenoptera physalus ) hunting prey." Aesthetics Aesthetics (also spelled esthetics ) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art . Aesthetics examines the philosophy of aesthetic value, which
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#17328766238255304-407: The aesthetic experience. Aesthetics is for the artist as ornithology is for the birds. Aesthetics examines affective domain response to an object or phenomenon. Judgements of aesthetic value rely on the ability to discriminate at a sensory level. However, aesthetic judgments usually go beyond sensory discrimination. For David Hume , delicacy of taste is not merely "the ability to detect all
5406-410: The artist. In 1946, William K. Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled " The Intentional Fallacy ", in which they argued strongly against the relevance of an author's intention , or "intended meaning" in the analysis of a literary work. For Wimsatt and Beardsley, the words on the page were all that mattered; importation of meanings from outside
5508-586: The basic aesthetic preferences of Homo sapiens are argued to have evolved in order to enhance survival and reproductive success. One example being that humans are argued to find beautiful and prefer landscapes which were good habitats in the ancestral environment. Another example is that body symmetry and proportion are important aspects of physical attractiveness which may be due to this indicating good health during body growth. Evolutionary explanations for aesthetical preferences are important parts of evolutionary musicology , Darwinian literary studies , and
5610-580: The branch of metaphilosophy known as meta-aesthetics . Aesthetic judgment is closely tied to disgust . Responses like disgust show that sensory detection is linked in instinctual ways to facial expressions including physiological responses like the gag reflex . Disgust is triggered largely by dissonance ; as Darwin pointed out, seeing a stripe of soup in a man's beard is disgusting even though neither soup nor beards are themselves disgusting. Aesthetic judgments may be linked to emotions or, like emotions, partially embodied in physical reactions. For example,
5712-416: The call is not known. Some scientists have proposed that humpback whale songs may serve an echolocative purpose, but this has been subject to disagreement. Humpback whales have also been found to make a range of other social sounds to communicate such as "grunts", "groans", "thwops", "snorts" and "barks". In 2009, researchers found that blue whale song has been deepening in its tonal frequency since
5814-503: The case of bottlenose dolphins , that air might be supplied to the nasal complex from the lungs, enabling the sound creation process to continue for as long as the dolphin can add air from the lungs. The sperm whale's vocalizations are all based on clicking, described in four types: the usual echolocation, creaks, codas, and slow clicks. The most distinctive vocalizations are codas, which are short rhythmic sequences of clicks, mostly numbering 3–12 clicks, in stereotyped patterns. They are
5916-483: The complex sounds of the humpback whale (and some blue whales) are believed to be primarily used in sexual selection , there are simpler sounds that are created by other species of whales that have an alternative use and are used all year round. Whale watchers have watched mother whales lift their young towards the surface in a playful motion, while making a noise that resembles cooing in humans. This cooing-like noise made by whales seems designed to relax their young and
6018-588: The data allows researchers to follow the migratory path of whales throughout the "singing" (mating) season. An important finding is that whales, in a process called the Lombard effect , adjust their song to compensate for background noise pollution . Moreover, there is evidence that blue whales stop producing foraging D calls once a mid-frequency sonar is activated, even though the sonar frequency range (1–8 kHz) far exceeds their sound production range (25–100 Hz). Research indicates that ambient noise from boats
6120-634: The direction of previous approaches. Schmidhuber's theory explicitly distinguishes between that which is beautiful and that which is interesting , stating that interestingness corresponds to the first derivative of subjectively perceived beauty. He supposes that every observer continually tries to improve the predictability and compressibility of their observations by identifying regularities like repetition, symmetry , and fractal self-similarity . Since about 2005, computer scientists have attempted to develop automated methods to infer aesthetic quality of images. Typically, these approaches follow
6222-468: The entire year (the main sounds being whistles, clicks, and pulsed calls) are used to communicate with other members of their pod. Each sound a whale makes could mean something different. The clicking noises whales make are used for navigation. The question of whether whales sometimes sing purely for aesthetic enjoyment, personal satisfaction, or 'for art's sake', is considered by some to be "an untestable question ". Interest in whale song
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#17328766238256324-630: The fields of cognitive psychology ( aesthetic cognitivism ) or neuroscience ( neuroaesthetics ). Mathematical considerations, such as symmetry and complexity , are used for analysis in theoretical aesthetics. This is different from the aesthetic considerations of applied aesthetics used in the study of mathematical beauty . Aesthetic considerations such as symmetry and simplicity are used in areas of philosophy, such as ethics and theoretical physics and cosmology to define truth , outside of empirical considerations. Beauty and Truth have been argued to be nearly synonymous, as reflected in
6426-489: The first critical 'aesthetic regionalist' in proclaiming the anti-universality of aesthetics in contrast to the perilous and always resurgent dictatorship of beauty. 'Aesthetic Regionalism' can thus be seen as a political statement and stance which vies against any universal notion of beauty to safeguard the counter-tradition of aesthetics related to what has been considered and dubbed un-beautiful just because one's culture does not contemplate it, e.g. Edmund Burke's sublime, what
6528-399: The first recordings of underwater whale sounds and extrapolated their purpose from these recordings. His groundbreaking work produced over fifty papers on whale phonation and thus provided the framework for “literally hundreds of scientific studies produced by other workers from the 1960s until the present day." However, it is worthy of note that his wife Barbara Lawrence, Curator of Mammals at
6630-451: The first to analyze links between aesthetics, information processing , and information theory . Max Bense, for example, built on Birkhoff's aesthetic measure and proposed a similar information theoretic measure M a ¨ = R / H {\displaystyle M_{\ddot {a}}=R/H} , where R {\displaystyle R} is the redundancy and H {\displaystyle H}
6732-429: The forms differ in their manner of imitation – through narrative or character, through change or no change, and through drama or no drama. Erich Auerbach has extended the discussion of history of aesthetics in his book titled Mimesis . Some writers distinguish aesthetics from the philosophy of art, claiming that the former is the study of beauty and taste while the latter is the study of works of art. Slater holds that
6834-402: The idea that human conduct and behaviour ought to be governed by that which is beautiful and attractive. John Dewey has pointed out that the unity of aesthetics and ethics is in fact reflected in our understanding of behaviour being "fair"—the word having a double meaning of attractive and morally acceptable. More recently, James Page has suggested that aesthetic ethics might be taken to form
6936-610: The increased ambient noise in the world's oceans caused by ships, sonar and marine seismic surveys . The word "song" is used to describe the pattern of regular and predictable sounds made by some species of whales, notably the humpback whale . This is included with or in comparison with music, and male humpback whales have been described as "inveterate composers" of songs that are "'strikingly similar' to human musical traditions". This position has been complicated by more recent research, however. It has been suggested that humpback songs communicate male fitness to female whales. While
7038-430: The individual and may serve as a form of identification among other odontocetes. Though a large pod of dolphins will produce a wide range of different noises, very little is known about the meaning of the sound. Frankel quotes one researcher who says listening to a school of odontocetes is like listening to a group of children at a school playground. The multiple sounds odontocetes make are produced by passing air through
7140-546: The ingredients in a composition", but also the sensitivity "to pains as well as pleasures, which escape the rest of mankind." Thus, sensory discrimination is linked to capacity for pleasure . For Immanuel Kant ( Critique of Judgment , 1790), "enjoyment" is the result when pleasure arises from sensation, but judging something to be "beautiful" has a third requirement: sensation must give rise to pleasure by engaging reflective contemplation. Judgements of beauty are sensory, emotional and intellectual all at once. Kant observed of
7242-487: The leading theorists from this school, Stanley Fish , was himself trained by New Critics. Fish criticizes Wimsatt and Beardsley in his essay "Literature in the Reader" (1970). As summarized by Berys Gaut and Livingston in their essay "The Creation of Art": "Structuralist and post-structuralists theorists and critics were sharply critical of many aspects of New Criticism, beginning with the emphasis on aesthetic appreciation and
7344-533: The limited effectiveness of other senses in water. Sight is less effective for marine mammals because of the way particulates in the ocean scatter light . Smell is also limited, as molecules diffuse more slowly in water than in air, which makes smelling less effective. However, the speed of sound is roughly four times greater in water than in the atmosphere at sea level . As sea mammals are so dependent on hearing to communicate and feed, environmentalists and cetologists are concerned that they are being harmed by
7446-456: The mimetic arts possesses what Stephen Halliwell calls "highly structured procedures for the achievement of their purposes." For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, and poetry with language. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly,
7548-416: The objective side of beauty by defining it in terms of the relation between the beautiful object as a whole and its parts: the parts should stand in the right proportion to each other and thus compose an integrated harmonious whole. Hedonist conceptions , on the other hand, focus more on the subjective side by drawing a necessary connection between pleasure and beauty, e.g. that for an object to be beautiful
7650-448: The observer. One way to achieve this is to hold that an object is beautiful if it has the power to bring about certain aesthetic experiences in the perceiving subject. This is often combined with the view that the subject needs to have the ability to correctly perceive and judge beauty, sometimes referred to as "sense of taste". Various conceptions of how to define and understand beauty have been suggested. Classical conceptions emphasize
7752-403: The one hand, beauty is ascribed to things as an objective, public feature. On the other hand, it seems to depend on the subjective, emotional response of the observer. It is said, for example, that "beauty is in the eye of the beholder". It may be possible to reconcile these intuitions by affirming that it depends both on the objective features of the beautiful thing and the subjective response of
7854-456: The order was determined using fractal compression. There is also the case of the Acquine engine, developed at Penn State University , that rates natural photographs uploaded by users. There have also been relatively successful attempts with regard to chess and music. Computational approaches have also been attempted in film making as demonstrated by a software model developed by Chitra Dorai and
7956-426: The perception of artwork; artworks presented in a classical museum context are liked more and rated more interesting than when presented in a sterile laboratory context. While specific results depend heavily on the style of the presented artwork, overall, the effect of context proved to be more important for the perception of artwork than the effect of genuineness (whether the artwork was being presented as original or as
8058-477: The philosophy of art as aesthetics covering the visual arts, the literary arts, the musical arts and other artists forms of expression can be dated back at least to Aristotle and the ancient Greeks. Aristotle writing of the literary arts in his Poetics stated that epic poetry , tragedy, comedy, dithyrambic poetry , painting, sculpture, music, and dance are all fundamentally acts of mimesis , each varying in imitation by medium, object, and manner. Aristotle applies
8160-456: The poem" ) in 1735; Baumgarten chose "aesthetics" because he wished to emphasize the experience of art as a means of knowing. Baumgarten's definition of aesthetics in the fragment Aesthetica (1750) is occasionally considered the first definition of modern aesthetics. The term was introduced into the English language by Thomas Carlyle in his Life of Friedrich Schiller (1825). The history of
8262-423: The result of vocal learning within a stable social group. Some codas express clan identity, and denote different patterns of travel, foraging, and socializing or avoidance among clans. As “arbitrary traits that function as reliable indicators of cultural group membership,” clan identity codas act as symbolic markers that modulate interactions between individuals. Individual identity in sperm whale vocalizations
8364-465: The rise of the New Criticism school and debate concerning the intentional fallacy . At issue was the question of whether the aesthetic intentions of the artist in creating the work of art, whatever its specific form, should be associated with the criticism and evaluation of the final product of the work of art, or, if the work of art should be evaluated on its own merits independent of the intentions of
8466-520: The role of the culture industry in the commodification of art and aesthetic experience. Hal Foster attempted to portray the reaction against beauty and Modernist art in The Anti-Aesthetic: Essays on Postmodern Culture . Arthur Danto has described this reaction as "kalliphobia" (after the Greek word for beauty, κάλλος kallos ). André Malraux explains that the notion of beauty was connected to
8568-456: The same during the note) or amplitude modulated (get louder or quieter). However, the adjustment of bandwidth on a spectrogram representation of the song reveals the essentially pulsed nature of the FM sounds. A collection of four or six units is known as a sub- phrase , lasting perhaps ten seconds (see also phrase (music) ). A collection of two sub-phrases is a phrase. A whale will typically repeat
8670-484: The same geographical areas (which can be as large as entire ocean basins) tend to sing similar songs, with only slight variations. Whales from non-overlapping regions sing entirely different songs. As the song evolves, it appears that old patterns are not revisited. An analysis of 19 years of whale songs found that while general patterns in song could be spotted, the same combination never recurred. Humpback whales may also make stand-alone sounds that do not form part of
8772-469: The same phrase over and over for two to four minutes. This is known as a theme. A collection of themes is known as a song. The whale song will last up to 30 or so minutes, and will be repeated over and over again over the course of hours or even days. This " Russian doll " hierarchy of sounds suggests a syntactic structure that is more human-like in its complexity than other forms of animal communication like bird songs, which have only linear structure. All
8874-530: The same sculptures as beautiful. Evaluations of beauty may well be linked to desirability, perhaps even to sexual desirability. Thus, judgments of aesthetic value can become linked to judgments of economic, political, or moral value. In a current context, a Lamborghini might be judged to be beautiful partly because it is desirable as a status symbol, or it may be judged to be repulsive partly because it signifies over-consumption and offends political or moral values. The context of its presentation also affects
8976-419: The same term [REDACTED] This disambiguation page lists articles associated with the title Whale music . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Whale_music&oldid=1249773851 " Category : Disambiguation pages Hidden categories: Short description
9078-439: The scope of art and aesthetics. In 1941, Eli Siegel , American philosopher and poet, founded Aesthetic Realism , the philosophy that reality itself is aesthetic, and that "The world, art, and self explain each other: each is the aesthetic oneness of opposites." Various attempts have been made to define Post-Modern Aesthetics. The challenge to the assumption that beauty was central to art and aesthetics, thought to be original,
9180-543: The series of articles on "The Pleasures of the Imagination", which the journalist Joseph Addison wrote in the early issues of the magazine The Spectator in 1712. The term aesthetics was appropriated and coined with new meaning by the German philosopher Alexander Baumgarten in his dissertation Meditationes philosophicae de nonnullis ad poema pertinentibus (English: "Philosophical considerations of some matters pertaining
9282-400: The so-called autonomy of art, but they reiterated the attack on biographical criticisms' assumption that the artist's activities and experience were a privileged critical topic." These authors contend that: "Anti-intentionalists, such as formalists, hold that the intentions involved in the making of art are irrelevant or peripheral to correctly interpreting art. So details of the act of creating
9384-474: The statement "Beauty is truth, truth beauty" in the poem " Ode on a Grecian Urn " by John Keats , or by the Hindu motto "Satyam Shivam Sundaram" (Satya (Truth) is Shiva (God), and Shiva is Sundaram (Beautiful)). The fact that judgments of beauty and judgments of truth both are influenced by processing fluency , which is the ease with which information can be processed, has been presented as an explanation for why beauty
9486-427: The term mimesis both as a property of a work of art and also as the product of the artist's intention and contends that the audience's realisation of the mimesis is vital to understanding the work itself. Aristotle states that mimesis is a natural instinct of humanity that separates humans from animals and that all human artistry "follows the pattern of nature". Because of this, Aristotle believed that each of
9588-430: The text was considered irrelevant, and potentially distracting. In another essay, " The Affective Fallacy ," which served as a kind of sister essay to "The Intentional Fallacy", Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. This fallacy would later be repudiated by theorists from the reader-response school of literary theory. One of
9690-430: The uniqueness of the whale's vocalization and whether it is a member of a hybrid whale such as the well documented blue and fin whale hybrids. Humans produce voiced sounds by passing air through the larynx . Within the larynx, when the vocal cords are brought close together, the passing air will force them to alternately close and open, separating the continuous airstream into discrete pulses of air that are heard as
9792-413: The vibrations in the human larynx, be consciously controlled with great sensitivity. The vibrations pass through the tissue of the head to the melon , which shapes and directs the sound into a beam of sound useful in echolocation. Every toothed whale except the sperm whale has two sets of phonic lips and is thus capable of making two sounds independently. Once the air has passed the phonic lips it enters
9894-428: The wanted sounds (those made by enemy ships), but a bewildering variety of others were heard. Most of these were ascribed to animals living in the sea, usually as 'fish noises' ... Some were ascribed to whales, in part correctly, but without identification of the kind of whale; most military listeners were not biologists, and in any case the traditional naval sonar room is woefully deficient in windows." Schevill produced
9996-504: The whales in an area sing virtually the same song at any point in time and the song is constantly and slowly evolving over time. For example, over the course of a month a particular unit that started as an upsweep (increasing in frequency) might slowly flatten to become a constant note. Another unit may get steadily louder. The pace of evolution of a whale's song also changes—some years the song may change quite rapidly, whereas in other years little variation may be recorded. Whales occupying
10098-408: Was "singing" at 52 Hz . Scientists have been unable to explain this phenomenon. 52 Hz is a very low sound, it is audible through human ears as a low moaning sound. It was not expected that this whale was a new species, more so this whale indicated that a currently known species potentially has a much wider vocal range than previously thought. There is disagreement in the scientific community regarding
10200-737: Was a comparatively recent invention, a view proven wrong in the late 1970s, when Abraham Moles and Frieder Nake analyzed links between beauty, information processing, and information theory. Denis Dutton in "The Art Instinct" also proposed that an aesthetic sense was a vital evolutionary factor. Jean-François Lyotard re-invokes the Kantian distinction between taste and the sublime . Sublime painting, unlike kitsch realism , "... will enable us to see only by making it impossible to see; it will please only by causing pain." Sigmund Freud inaugurated aesthetical thinking in Psychoanalysis mainly via
10302-740: Was aroused by researchers Katy and Roger Payne as well as Scott McVay after the songs were brought to their attention by a Bermudian named Frank Watlington who was working for the US government at the SOFAR station listening for Russian submarines with underwater hydrophones off the coast of the island. The Paynes released the best-selling Songs of the Humpback Whale in 1970, and the whale songs were quickly incorporated into human music by, among others, singer Judy Collins , as well as George Crumb , Paul Winter , and David Rothenberg . The humpback whale produces
10404-669: Was the first person known to recognize whale singing for what it was, while on the brig Eliza in the Sea of Japan in 1881. After William E. Schevill became an Associate in Physical Oceanography at Woods Hole Oceanographic Institution (WHOI) in Massachusetts in 1943, his first work was under US Naval auspices investigating echolocation of U-boats . As he later wrote in 1962: "During World War II many people on both sides listened to underwater sounds for military reasons. Not only
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