The West Hollywood City Hall is a historic building in West Hollywood, California , U.S..
147-589: The building was completed in 1962. It was designed in the Modernist architectural style . It was renovated in 1995. In an effort to be more inclusive towards the heterosexual community, the city council voted to take down the rainbow flag from the building in January 2014. A month later, they agreed to hoist a new flag with a rainbow logo. 34°05′26″N 118°22′15″W / 34.0905°N 118.3707°W / 34.0905; -118.3707 This article about
294-718: A higher power and meaning in the world. Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse. This distinction between modernism and romanticism extends to their respective treatments of 'symbol'. The romantics at times see an essential relation (the 'ground') between the symbol (or the 'vehicle', in I.A. Richards 's terms) and its 'tenor' (its meaning)—for example in Coleridge's description of nature as 'that eternal language which thy God / Utters'. But while some romantics may have perceived nature and its symbols as God's language, for other romantic theorists it remains inscrutable. As Goethe (not himself
441-560: A mystical approach to suggest a non-rational sense of meaning. For these reasons, modernist metaphors may be unnatural, as for instance in T.S. Eliot's description of an evening 'spread out against the sky / Like a patient etherized upon a table'. Similarly, for many later modernist poets nature is unnaturalized and at times mechanized, as for example in Stephen Oliver's image of the moon busily 'hoisting' itself into consciousness. Modernism developed out of Romanticism's revolt against
588-472: A "growing alienation " from prevailing " morality , optimism , and convention " and a desire to change how " human beings in a society interact and live together ". The modernist movement emerged during the late 19th century in response to significant changes in Western culture , including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and
735-406: A California building or structure is a stub . You can help Misplaced Pages by expanding it . Modernism Modernism was an early 20th century movement in literature, visual arts, and music that emphasized experimentation, abstraction , and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in
882-677: A Circle ), which he later called the first abstract painting. In 1912, Metzinger and Gleizes wrote the first (and only) major Cubist manifesto, Du "Cubisme" , published in time for the Salon de la Section d'Or , the largest Cubist exhibition to date. In 1912 Metzinger painted and exhibited his enchanting La Femme au Cheval (Woman with a Horse) and Danseuse au Café ( Dancer in a Café ) . Albert Gleizes painted and exhibited his Les Baigneuses (The Bathers) and his monumental Le Dépiquage des Moissons ( Harvest Threshing ). This work, along with La Ville de Paris ( City of Paris ) by Robert Delaunay ,
1029-418: A body of scientific knowledge to accumulate. The chemists in the 19th century knew less about chemistry than the chemists in the 20th century, and they in turn knew less than the chemists in the 21st century. Looking forward, today's chemists reasonably expect that chemists in future centuries will know more than they do. From the 18th century through late 20th century, the history of science, especially of
1176-409: A conservative position. Some even argue that Modernism in literature and art functioned to sustain an elite culture that excluded the majority of the population. Surrealism , which originated in the early 1920s, came to be regarded by the public as the most extreme form of modernism, or "the avant-garde of modernism". The word "surrealist" was coined by Guillaume Apollinaire and first appeared in
1323-587: A critical stance towards the Enlightenment concept of rationalism . The movement also rejected the concept of absolute originality — the idea of "creation from nothingness" — upheld in the 19th century by both realism and Romanticism , replacing it with techniques of collage , reprise , incorporation, rewriting, recapitulation , revision, and parody. Another feature of modernism was reflexivity about artistic and social convention, which led to experimentation highlighting how works of art are made as well as
1470-401: A direct means of accessing a higher reality. Modernism often rejects 19th-century realism when the latter is understood as focusing on the embodiment of meaning within a naturalistic representation. Instead, some modernists aim at a more 'real' realism, one that is uncentered. For instance, Picasso's 1907 Proto-Cubist painting Les Demoiselles d'Avignon does not present its subjects from
1617-414: A distinguishing characteristic of a republic, and were concerned with happiness, progress, and prosperity. Thomas Paine , combining the spirit of rationalism and romanticism, pictured a time when America's innocence would sound like a romance, and concluded that the fall of America could mark the end of "the noblest work of human wisdom". Historian J. B. Bury wrote in 1920: To the minds of most people
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#17328771423041764-464: A high level of sophistication and differentiation. Two themes in the work of Robertson and Burke—the nature of women in 'savage' and 'civilized' societies and 'beauty in distress'—reveals how long-held convictions about the character of women, especially with regard to their capacity and right to appear in the public domain, were modified and adjusted to the idea of progress and became central to modern European civilization. Classics experts have examined
1911-425: A line from W. B. Yeats : "Things fall apart; the centre cannot hold" (in ' The Second Coming '). Modernists often search for a metaphysical 'centre' but experience its collapse. ( Postmodernism , by way of contrast, celebrates that collapse, exposing the failure of metaphysics, such as Jacques Derrida 's deconstruction of metaphysical claims.) Philosophically, the collapse of metaphysics can be traced back to
2058-460: A moderate type of federalism and republicanism that might serve as a transition in Argentina to true democracy. In Mexico, José María Luis Mora (1794–1850) was a leader of classical liberalism in the first generation after independence, leading the battle against the conservative trinity of the army, the church, and the hacendados . He envisioned progress as both a process of human development by
2205-549: A myth benefiting the few, and a pending environmental doomsday for everyone. An example is the philosophy of Deep Ecology . Sociologist Robert Nisbet said that "No single idea has been more important than ... the Idea of Progress in Western civilization for three thousand years", and defines five "crucial premises" of the idea of progress: Sociologist P. A. Sorokin said, "The ancient Chinese, Babylonian, Hindu, Greek, Roman, and most of
2352-522: A revolutionary culture that included political revolution. In Russia after the 1917 Revolution , there was indeed initially a burgeoning of avant-garde cultural activity, which included Russian Futurism . However, others rejected conventional politics as well as artistic conventions, believing that a revolution of political consciousness had greater importance than a change in political structures. But many modernists saw themselves as apolitical. Others, such as T. S. Eliot , rejected mass popular culture from
2499-497: A right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.” Juan Bautista Alberdi (1810–1884) was one of the most influential political theorists in Argentina. Economic liberalism was the key to his idea of progress. He promoted faith in progress, while chiding fellow Latin Americans for blind copying of United States and Europe models. He hoped for progress through promotion of immigration, education, and
2646-442: A romantic) said, ‘the idea [or meaning] remains eternally and infinitely active and inaccessible in the image’. This was extended in modernist theory which, drawing on its symbolist precursors, often emphasizes the inscrutability and failure of symbol and metaphor. For example, Wallace Stevens seeks and fails to find meaning in nature, even if he at times seems to sense such a meaning. As such, symbolists and modernists at times adopt
2793-409: A self-proclaimed neo-luddite author, wrote exclusively about progress as a myth, in an essay entitled "Five Facets of a Myth". Iggers (1965) says that proponents of progress underestimated the extent of man's destructiveness and irrationality, while critics misunderstand the role of rationality and morality in human behavior. In 1946, psychoanalyst Charles Baudouin claimed modernity has retained
2940-479: A single point of view, instead presenting a flat, two-dimensional picture plane . The Poet of 1911 is similarly decentered, presenting the body from multiple points of view. As the Peggy Guggenheim Collection comments, "Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image." Modernism, with its sense that "things fall apart,"
3087-406: A struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end of the poem. Modernism often rejects nineteenth century realism , if the latter is understood as focusing on
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#17328771423043234-419: A theory of progress through their materialistic acceptance of the atomism of Democritus as the explanation for a world without an intervening deity . For them, the earliest condition of men resembled that of the beasts, and from this primitive and miserable condition they laboriously reached the existing state of civilisation, not by external guidance or as a consequence of some initial design, but simply by
3381-427: A tonal center. A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne , which were displayed in a retrospective at the 1907 Salon d'Automne . In Cubist artwork, objects are analyzed, broken up, and reassembled in an abstract form; instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent
3528-425: A way for knowledge to explain that which was as yet unknown, came the first wave of modernist works in the opening decade of the 20th century. Although their authors considered them to be extensions of existing trends in art, these works broke the implicit understanding the general public had of art: that artists were the interpreters and representatives of bourgeois culture and ideas. These "modernist" landmarks include
3675-476: Is among the first skyscrapers in the world. Ludwig Mies van der Rohe 's Seagram Building in New York (1956–1958) is often regarded as the pinnacle of this modernist high-rise architecture. Many aspects of modernist design persist within the mainstream of contemporary architecture , though previous dogmatism has given way to a more playful use of decoration, historical quotation, and spatial drama. In 1913—which
3822-402: Is an imbalance between economic growth and social progress, political instability and unrest often arise. Lagging social progress also holds back economic growth in these and other countries that fail to address human needs, build social capital, and create opportunity for their citizens. How progress improved the status of women in traditional society was a major theme of historians starting in
3969-775: Is another modernist movement. In 1909, the Parisian newspaper Le Figaro published F. T. Marinetti 's first manifesto. Soon afterward, a group of painters ( Giacomo Balla , Umberto Boccioni , Carlo Carrà , Luigi Russolo , and Gino Severini ) co-signed the Futurist Manifesto . Modeled on Marx and Engels ' famous " Communist Manifesto " (1848), such manifestos put forward ideas that were meant to provoke and to gather followers. However, arguments in favor of geometric or purely abstract painting were, at this time, largely confined to "little magazines" which had only tiny circulations. Modernist primitivism and pessimism were controversial, and
4116-468: Is held to be totally deformed. Postmodernists question the validity of 19th-century and 20th-century notions of progress—both on the capitalist and the Marxist side of the spectrum. They argue that both capitalism and Marxism over-emphasize technological achievements and material prosperity while ignoring the value of inner happiness and peace of mind. Postmodernism posits that both dystopia and utopia are one and
4263-525: Is highly regarded for his humorous short stories that he published in magazines in the 1930s and 1940s, most often in The New Yorker , which are considered to be the first examples of surrealist humor in America. Modern ideas in art also began to appear more frequently in commercials and logos, an early example of which, from 1916, is the famous London Underground logo designed by Edward Johnston . One of
4410-527: Is not exhausted but that man may begin again in a new world. Besides rejecting the lessons of the past, they Americanized the idea of progress by democratizing and vulgarizing it to include the welfare of the common man as a form of republicanism . As Romantics deeply concerned with the past, collecting source materials and founding historical societies, the Founding Fathers were animated by clear principles. They saw man in control of his destiny, saw virtue as
4557-466: Is not taken into account nor is the sustainability of economic activity. Wikiprogress has been set up to share information on evaluating societal progress. It aims to facilitate the exchange of ideas, initiatives and knowledge. HumanProgress.org is another online resource that seeks to compile data on different measures of societal progress. Our World in Data is a scientific online publication , based at
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4704-594: Is now called sustainable development. For Marshall, the importance of wealth lay in its ability to promote the physical, mental, and moral health of the general population. After World War II, the modernization and development programs undertaken in the Third World were typically based on the idea of progress. In Russia the notion of progress was first imported from the West by Peter the Great (1672–1725). An absolute ruler, he used
4851-483: Is often presented as an early example of a writer using the stream-of-consciousness technique , but Robert Humphrey comments that Proust "is concerned only with the reminiscent aspect of consciousness" and that he "was deliberately recapturing the past for the purpose of communicating; hence he did not write a stream-of-consciousness novel." Stream of consciousness was an important modernist literary innovation, and it has been suggested that Arthur Schnitzler (1862–1931)
4998-525: Is often seen as the apotheosis of Romanticism. As August Wilhelm Schlegel, an early German Romantic, described it, while Romanticism searches for metaphysical truths about character, nature, higher power , and meaning in the world, modernism, although yearning for such a metaphysical center, only finds its collapse. In the context of the Industrial Revolution (~1760–1840), influential innovations included steam-powered industrialization , especially
5145-459: Is similarly decentred, presenting the body from multiple points of view. As the Peggy Guggenheim Collection website puts it, 'Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image'. Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism , if romanticism is the (often frustrated) quest for metaphysical truths about character, nature,
5292-465: Is true or it is false, and like them it cannot be proved either true or false. Belief in it is an act of faith. In the postmodernist thought steadily gaining ground from the 1980s, the grandiose claims of the modernizers are steadily eroded, and the very concept of social progress is again questioned and scrutinized. In the new vision, radical modernizers like Joseph Stalin and Mao Zedong appear as totalitarian despots, whose vision of social progress
5439-525: The Hecatomb of the First World War — disclose a common cause and psychological matrix in the fight against (perceived) decadence ." All of them embody bids to access a "supra-personal experience of reality" in which individuals believed they could transcend their mortality and eventually that they would cease to be victims of history to instead become its creators. Literary modernism is often summed up in
5586-527: The Middle Ages ) interpretations of Aristotle's work. The Renaissance changed the mindset in Europe, which induced a revolution in curiosity about nature in general and scientific advance, which opened the gates for technical and economic advance. Furthermore, the individual potential was seen as a never-ending quest for being God-like, paving the way for a view of man based on unlimited perfection and progress. In
5733-505: The Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century, many artists felt a need to create a new kind of art that encompassed
5880-582: The University of Oxford , that studies how to make progress against large global problems such as poverty, disease, hunger, climate change, war, existential risks, and inequality. The mission of Our World in Data is to present "research and data to make progress against the world’s largest problems". The Social Progress Index is a tool developed by the International Organization Imperative Social Progress, which measures
6027-437: The avant-garde of various arts and disciplines. It is also often perceived, especially in the West, as a socially progressive movement that affirms the power of human beings to create, improve, and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encourages the re-examination of every aspect of existence. Modernists analyze topics to find
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6174-617: The capitalist system and that workers are anything but free led to the formulation of Marxist theory . Art historians have suggested various dates as starting points for modernism. Historian William Everdell argued that modernism began in the 1870s when metaphorical (or ontological ) continuity began to yield to the discrete with mathematician Richard Dedekind 's (1831–1916) Dedekind cut and Ludwig Boltzmann 's (1844–1906) statistical thermodynamics . Everdell also believed modernism in painting began in 1885–1886 with post-Impressionist artist Georges Seurat 's development of Divisionism ,
6321-650: The neoclassicism of the 1920s (as represented most famously by T. S. Eliot and Igor Stravinsky —which rejected popular solutions to modern problems), the rise of fascism , the Great Depression , and the march to war helped to radicalize a generation. Bertolt Brecht , W. H. Auden , André Breton , Louis Aragon , and the philosophers Antonio Gramsci and Walter Benjamin are perhaps the most famous exemplars of this modernist form of Marxism. There were, however, also modernists explicitly of 'the right', including Salvador Dalí , Wyndham Lewis , T. S. Eliot, Ezra Pound ,
6468-681: The " stream of consciousness " technique, such as Dorothy Richardson , James Joyce , and Virginia Woolf (1882–1941). Also important in Bergson's philosophy was the idea of élan vital , the life force, which "brings about the creative evolution of everything." His philosophy also placed a high value on intuition , though without rejecting the importance of the intellect. Important literary precursors of modernism included esteemed writers such as Fyodor Dostoevsky (1821–1881), whose novels include Crime and Punishment (1866) and The Brothers Karamazov (1880); Walt Whitman (1819–1892), who published
6615-470: The " will to power " ( Wille zur macht ), were of central importance: "Nietzsche often identified life itself with 'will to power', that is, with an instinct for growth and durability." Henri Bergson (1859–1941), on the other hand, emphasized the difference between scientific, clock time and the direct, subjective human experience of time. His work on time and consciousness "had a great influence on 20th-century novelists" especially those modernists who used
6762-454: The "corollary" of the progress myth, the idea that the present is superior to the past, while at the same time insisting that it is free of the myth: The last two centuries were familiar with the myth of progress. Our own century has adopted the myth of modernity. The one myth has replaced the other. Men ceased to believe in progress; but only to pin their faith to more tangible realities, whose sole original significance had been that they were
6909-606: The "dots" used to paint A Sunday Afternoon on the Island of La Grande Jatte . On the other hand, visual art critic Clement Greenberg called German philosopher Immanuel Kant (1724–1804) "the first real modernist", although he also wrote, "What can be safely called modernism emerged in the middle of the last century—and rather locally, in France, with Charles Baudelaire (1821–1867) in literature and Manet in painting, and perhaps with Gustave Flaubert (1821–1880), too, in prose fiction. (It
7056-439: The (perceived) erosion of an overarching ' nomos ', or 'sacred canopy', under the fragmenting and secularizing impact of modernity". Therefore, phenomena apparently unrelated to each other such as " Expressionism , Futurism , Vitalism , Theosophy , Psychoanalysis , Nudism , Eugenics , Utopian town planning and architecture, modern dance , Bolshevism , Organic Nationalism — and even the cult of self-sacrifice that sustained
7203-478: The 1860s, two approaches in the arts and letters developed separately in France. The first was Impressionism, a school of painting that initially focused on work done not in studios, but outdoors ( en plein air ). Impressionist paintings attempted to convey that human beings do not see objects, but instead see light itself. The school gathered adherents despite internal divisions among its leading practitioners and became increasingly influential. Initially rejected from
7350-463: The 1920s and 1930s were Bertolt Brecht and Federico García Lorca . D. H. Lawrence 's Lady Chatterley's Lover was privately published in 1928, while another important landmark for the history of the modern novel came with the publication of William Faulkner 's The Sound and the Fury in 1929. In the 1930s, in addition to further major works by Faulkner, Samuel Beckett published his first major work,
7497-731: The 1920s until the 1950s. While modernist poetry in English is often viewed as an American phenomenon, with leading exponents including Ezra Pound, T. S. Eliot, Marianne Moore , William Carlos Williams , H.D. , and Louis Zukofsky , there were important British modernist poets, including David Jones , Hugh MacDiarmid , Basil Bunting , and W. H. Auden . European modernist poets include Federico García Lorca , Anna Akhmatova , Constantine Cavafy , and Paul Valéry . The modernist movement continued during this period in Soviet Russia . In 1930 composer Dimitri Shostakovich 's (1906–1975) opera The Nose
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#17328771423047644-659: The 1930s. Between 1930 and 1932 composer Arnold Schoenberg worked on Moses und Aron , one of the first operas to make use of the twelve-tone technique, Pablo Picasso painted in 1937 Guernica , his cubist condemnation of fascism , while in 1939 James Joyce pushed the boundaries of the modern novel further with Finnegans Wake . Also by 1930 modernism began to influence mainstream culture, so that, for example, The New Yorker magazine began publishing work, influenced by modernism, by young writers and humorists like Dorothy Parker , Robert Benchley , E. B. White , S. J. Perelman , and James Thurber , amongst others. Perelman
7791-623: The 19th century. Arguments arose that the values of the artist and those of society were not merely different, but in fact oftentimes opposed, and that society's current values were antithetical to further progress; therefore, civilization could not move forward in its present form. Early in the century, the philosopher Schopenhauer (1788–1860) ( The World as Will and Representation , 1819/20) called into question previous optimism. His ideas had an important influence on later thinkers, including Friedrich Nietzsche (1844–1900). Similarly, Søren Kierkegaard (1813–1855) and Nietzsche both later rejected
7938-481: The Dutch author Menno ter Braak and others. Significant modernist literary works continued to be created in the 1920s and 1930s, including further novels by Marcel Proust , Virginia Woolf , Robert Musil , and Dorothy Richardson . The American modernist dramatist Eugene O'Neill 's career began in 1914, but his major works appeared in the 1920s, 1930s and early 1940s. Two other significant modernist dramatists writing in
8085-461: The Enlightenment and continuing to today. British theorists William Robertson (1721–1793) and Edmund Burke (1729–1797), along with many of their contemporaries, remained committed to Christian- and republican-based conceptions of virtue, while working within a new Enlightenment paradigm. The political agenda related beauty, taste, and morality to the imperatives and needs of modern societies of
8232-606: The European Renaissance due the Muslim scholars' finesse in adapting classical knowledge (such as Greek philosophy) to Abrahamic contexts. Muslim rulers viewed knowledge, including both scientific and philosophical knowledge, as a key to power, and promoted learning, scientific inquiry, and patronization of scholars. During the Medieval period, science was to a large extent based on Scholastic (a method of thinking and learning from
8379-700: The German Nazarenes ). The Pre-Raphaelites foreshadowed Manet (1832–1883), with whom modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, holding that its realism wasn't truthful enough." Two of the most significant thinkers of the mid-19th century were biologist Charles Darwin (1809–1882), author of On the Origin of Species through Natural Selection (1859), and political scientist Karl Marx (1818–1883), author of Das Kapital (1867). Despite coming from different fields, both of their theories threatened
8526-541: The Hope of Women was the first fully Expressionist work for the theater, which opened on 4 July 1909 in Vienna . The extreme simplification of characters to mythic types , choral effects, declamatory dialogue and heightened intensity would become characteristic of later Expressionist plays. The first full-length Expressionist play was The Son by Walter Hasenclever, which was published in 1914 and first performed in 1916. Futurism
8673-504: The Human Mind" (1750). For Turgot, progress covers not only the arts and sciences but, on their base, the whole of culture—manner, mores, institutions, legal codes, economy, and society. Condorcet predicted the disappearance of slavery, the rise of literacy, the lessening of inequalities between the sexes, reforms of harsh prisons and the decline of poverty. John Stuart Mill 's (1806–1873) ethical and political thought demonstrated faith in
8820-490: The Impressionist Claude Monet had already been innovative in his use of perspective. In 1907, as Picasso was painting Les Demoiselles d'Avignon , Oskar Kokoschka was writing Mörder, Hoffnung der Frauen ( Murderer, Hope of Women ), the first Expressionist play (produced with scandal in 1909), and Arnold Schoenberg was composing his String Quartet No.2 in F sharp minor (1908), his first composition without
8967-532: The Islamic civilizations was characterized by a system of translating books (particularly Greek philosophy books in the Abbasid era) of various cultures into local languages (often Arabic and Persian ), testing and refining their scientific or philosophical theories and claims, and then building upon them with their own Islamic ideas, theologies, ontologies, and scientific experimental results. The Round city of Baghdad
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#17328771423049114-609: The Scottish philosopher David Hume (1711–1776), who argued that we never actually perceive one event causing another. We only experience the ' constant conjunction ' of events, and do not perceive a metaphysical 'cause'. Similarly, Hume argued that we never know the self as object, only the self as subject, and we are thus blind to our true natures. Moreover, if we only 'know' through sensory experience—such as sight, touch and feeling—then we cannot 'know' and neither can we make metaphysical claims. Thus, modernism can be driven emotionally by
9261-607: The advantage of not having to rediscover what was accomplished in preceding ages. The epistemology of John Locke provided further support and was popularized by the Encyclopedists Diderot , Holbach , and Condorcet . Locke had a powerful influence on the American Founding Fathers . The first complete statement of progress is that of Turgot , in his "A Philosophical Review of the Successive Advances of
9408-555: The atonal ending of Arnold Schoenberg 's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of Cubism from the studios of Henri Matisse , Pablo Picasso , Georges Braque , and others, in
9555-407: The backwardness of the poorer regions in the south and work towards augmenting the size and quality of the newly created Italian army so that it could compete on an equal footing with the powerful nations of Europe. In the same period, the government was legislating in favour of public education to fight the great problem of illiteracy, upgrade the teaching classes, improve existing schools, and procure
9702-512: The city, including King's Cross station (1852) and Paddington Station (1854). These technological advances spread abroad, leading to later structures such as the Brooklyn Bridge (1883) and the Eiffel Tower (1889), the latter of which broke all previous limitations on how tall man-made objects could be. While such engineering feats radically altered the 19th-century urban environment and
9849-519: The coming of the Great War of 1914–1918 (World War I) and the Russian Revolution of 1917, the world was drastically changed, and doubt was cast on the beliefs and institutions of the past. The failure of the previous status quo seemed self-evident to a generation that had seen millions die fighting over scraps of earth: before 1914, it had been argued that no one would fight such a war, since the cost
9996-523: The concept to modernize Russia and to legitimize his monarchy (unlike its usage in Western Europe, where it was primarily associated with political opposition). By the early 19th century, the notion of progress was being taken up by Russian intellectuals and was no longer accepted as legitimate by the tsars. Four schools of thought on progress emerged in 19th-century Russia: conservative (reactionary), religious, liberal, and socialist—the latter winning out in
10143-739: The cultural institution as a whole is through its relationship to realism and the dominant conventions of representation." More explicitly: the Expressionists rejected the ideology of realism. There was a concentrated Expressionist movement in early 20th-century German theater, of which Georg Kaiser and Ernst Toller were the most famous playwrights. Other notable Expressionist dramatists included Reinhard Sorge , Walter Hasenclever , Hans Henny Jahnn , and Arnolt Bronnen . They looked back to Swedish playwright August Strindberg and German actor and dramatist Frank Wedekind as precursors of their dramaturgical experiments. Oskar Kokoschka 's Murderer,
10290-497: The daily lives of people, the human experience of time itself was altered with the development of the electric telegraph in 1837, as well as the adoption of " standard time " by British railway companies from 1845, a concept which would be adopted throughout the rest of the world over the next fifty years. Despite continuing technological advances, the ideas that history and civilization were inherently progressive and that such advances were always good came under increasing attack in
10437-527: The dead poets, his ancestors, assert their immortality most vigorously." However, the relationship of modernism with tradition was complex, as literary scholar Peter Child's indicates: "There were paradoxical if not opposed trends towards revolutionary and reactionary positions, fear of the new and delight at the disappearance of the old, nihilism and fanatical enthusiasm, creativity, and despair." An example of how modernist art can apply older traditions while also incorporating new techniques can be found within
10584-461: The desirable outcome of human development would be a condition of society in which all the inhabitants of the planet would enjoy a perfectly happy existence. ... It cannot be proved that the unknown destination towards which man is advancing is desirable. The movement may be Progress, or it may be in an undesirable direction and therefore not Progress. ... The Progress of humanity belongs to the same order of ideas as Providence or personal immortality. It
10731-540: The desire for metaphysical truths, while understanding their impossibility. Some modernist novels, for instance, feature characters like Marlow in Heart of Darkness or Nick Carraway in The Great Gatsby who believe that they have encountered some great truth about nature or character, truths that the novels themselves treat ironically while offering more mundane explanations. Similarly, many poems of Wallace Stevens convey
10878-649: The development of railways starting in Britain in the 1830s, and the subsequent advancements in physics, engineering, and architecture they led to. A major 19th-century engineering achievement was the Crystal Palace , the huge cast-iron and plate-glass exhibition hall built for the Great Exhibition of 1851 in London. Glass and iron were used in a similar monumental style in the construction of major railway terminals throughout
11025-419: The early 20th century. Historians Leo Marx and Bruce Mazlish asking, "should we in fact abandon the idea of progress as a view of the past," answer that there is no doubt "that the status of women has improved markedly" in cultures that have adopted the Enlightenment idea of progress. Modernization was promoted by classical liberals in the 19th and 20th centuries, who called for the rapid modernization of
11172-657: The economy and society to remove the traditional hindrances to free markets and free movements of people. During the Enlightenment in Europe social commentators and philosophers began to realize that people themselves could change society and change their way of life. Instead of being made completely by gods, there was increasing room for the idea that people themselves made their own society —and not only that, as Giambattista Vico argued, because people made their own society, they could also fully comprehend it. This gave rise to new sciences, or proto-sciences , which claimed to provide new scientific knowledge about what society
11319-415: The economy using capitalist models and imported western technology. This was termed the "Opening of China" in the West, and more broadly encompasses Chinese economic reform . Among environmentalists, there is a continuum between two opposing poles. The one pole is optimistic, progressive, and business-oriented, and endorses the classic idea of progress. For example, bright green environmentalism endorses
11466-556: The effects of the Industrial Revolution and bourgeois values. Literary scholar Gerald Graff , argues that, "The ground motive of modernism was criticism of the 19th-century bourgeois social order and its world view; the modernists, carrying the torch of Romanticism." While J. M. W. Turner (1775–1851), one of the most notable landscape painters of the 19th century, was a member of the Romantic movement , his pioneering work in
11613-407: The embodiment of meaning within a naturalistic representation. At the same time, some modernists aim at a more 'real' realism, one that is uncentered. Picasso's proto-cubist painting, Les Demoiselles d'Avignon of 1907 (see picture above), does not present its subjects from a single point of view (that of a single viewer), but instead presents a flat, two-dimensional picture plane . 'The Poet' of 1911
11760-402: The established order. Darwin's theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness ; in particular, the notion that human beings are driven by the same impulses as "lower animals" proved to be difficult to reconcile with the idea of an ennobling spirituality . Meanwhile, Marx's arguments that there are fundamental contradictions within
11907-465: The exercise of human intelligence throughout a long period. Robert Nisbet and Gertrude Himmelfarb have attributed a notion of progress to other Greeks. Xenophanes said "The gods did not reveal to men all things in the beginning, but men through their own search find in the course of time that which is better." With the rise of the Umayyad and Abbasid caliphates and later Ottoman Empire, progress in
12054-415: The extent to which countries cover social and environmental needs of its citizenry. There are fifty-two indicators in three areas or dimensions: Basic Human Needs, and Foundations of Wellbeing and Opportunities which show the relative performance of nations. Indices that can be used to measure progress include: Scientific progress is the idea that the scientific community learns more over time, which causes
12201-471: The face of the senseless slaughter, described in works such as Erich Maria Remarque 's novel All Quiet on the Western Front (1929). Therefore, modernism's view of reality, which had been a minority taste before the war, became more generally accepted in the 1920s. In literature and visual art, some modernists sought to defy expectations mainly to make their art more vivid or to force the audience to take
12348-863: The form of Bolshevist materialism. The intellectual leaders of the American Revolution, such as Benjamin Franklin , Thomas Paine , Thomas Jefferson and John Adams , were immersed in Enlightenment thought and believed the idea of progress meant that they could reorganize the political system to the benefit of the human condition; both for Americans and also, as Jefferson put it, for an " Empire of Liberty " that would benefit all mankind. In particular, Adams wrote “I must study politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children
12495-456: The founding of the Society of Incoherent Arts. The theories of Sigmund Freud (1856–1939), Krafft-Ebing and other sexologists were influential in the early days of modernism. Freud's first major work was Studies on Hysteria (with Josef Breuer , 1895). Central to Freud's thinking is the idea "of the primacy of the unconscious mind in mental life", so that all subjective reality was based on
12642-444: The fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Wassily Kandinsky , Piet Mondrian , and Kazimir Malevich all believed in redefining art as the arrangement of pure color. The use of photography, which had rendered much of
12789-549: The funds needed for social hygiene and care of the body as factors in the physical and moral regeneration of the race. In China, in the 20th century the Kuomintang or Nationalist party, which ruled from the 1920s to the 1940s, advocated progress. The Communists under Mao Zedong adopted different models and their ruinous projects caused mass famines . After Mao's death, however, the new regime led by Deng Xiaoping (1904–1997) and his successors aggressively promoted modernization of
12936-501: The government. Mora also demanded the establishment of legal equality between native Mexicans and foreign residents. His program, untried in his lifetime, became the key element in the Mexican Constitution of 1857. In Italy, the idea that progress in science and technology would lead to solutions for human ills was connected to the nationalism that united the country in 1860. The Piedmontese Prime Minister Camillo Cavour envisaged
13083-458: The history of science as an incoherent system of incommensurable paradigms, not leading to any scientific progress, but only to the illusion of progress. Whether other intellectual disciplines make progress in the same way as the sciences is a matter of debate. For example, one might expect that today's historians know more about global history than their ancient counterparts (consider the histories of Herodotus ). Yet, knowledge can be lost through
13230-579: The horse, so modernist design should reject the old styles and structures inherited from Ancient Greece or the Middle Ages . Following this machine aesthetic , modernist designers typically rejected decorative motifs in design, preferring to emphasize the materials used and pure geometrical forms. The skyscraper is the archetypal modernist building, and the Wainwright Building , a 10-story office building completed in 1891 in St. Louis, Missouri , United States,
13377-404: The idea of the inevitability of progress." Eder argues that the advancement of civilization is leading to greater unhappiness and loss of control in the environment. The strongest critics of the idea of progress complain that it remains a dominant idea in the 21st century, and shows no sign of diminished influence. As one fierce critic, British historian John Gray (b. 1948), concludes: Faith in
13524-441: The idea that new designs, social innovations and green technologies can solve critical environmental challenges. The other is pessimistic in respect of technological solutions, warning of impending global crisis (through climate change or peak oil , for example) and tends to reject the very idea of modernity and the myth of progress that is so central to modernization thinking. Similarly, Kirkpatrick Sale , wrote about progress as
13671-499: The idea that reality could be understood through a purely objective lens, a rejection that had a significant influence on the development of existentialism and nihilism . Around 1850, the Pre-Raphaelite Brotherhood (a group of English poets, painters, and art critics) began to challenge the dominant trends of industrial Victorian England in "opposition to technical skill without inspiration." They were influenced by
13818-452: The instruments of progress. This exaltation of the present ... is a corollary of that very faith in progress which people claim to have discarded. The present is superior to the past, by definition, only in a mythology of progress. Thus one retains the corollary while rejecting the principle. There is only one way of retaining a position of whose instability one is conscious. One must simply refrain from thinking. A cyclical theory of history
13965-426: The interactions between basic drives and instincts, through which the outside world was perceived. Freud's description of subjective states involved an unconscious mind full of primal impulses, and counterbalancing self-imposed restrictions derived from social values. The works of Friedrich Nietzsche (1844–1900) were another major precursor of modernism, with a philosophy in which psychological drives, specifically
14112-615: The lessening of inequalities between the sexes, reforms of harsh prisons and the decline of poverty . The social progress of a society can be measured based on factors such as its ability to address fundamental human needs , help citizens improve their quality of life , and provide opportunities for citizens to succeed. Social progress is often improved by increases in GDP, although other factors are also relevant. An imbalance between economic and social progress hinders further economic progress, and can lead to political instability. Where there
14259-468: The liberating power of knowledge is encrypted into modern life. Drawing on some of Europe's most ancient traditions, and daily reinforced by the quickening advance of science, it cannot be given up by an act of will. The interaction of quickening scientific advance with unchanging human needs is a fate that we may perhaps temper, but cannot overcome... Those who hold to the possibility of progress need not fear. The illusion that through science humans can remake
14406-482: The mainstream in the first decade of the 20th century was still inclined towards a faith in progress and liberal optimism. Abstract artists, taking as their examples the Impressionists, as well as Paul Cézanne (1839–1906) and Edvard Munch (1863–1944), began with the assumption that color and shape , not the depiction of the natural world, formed the essential characteristics of art. Western art had been, from
14553-482: The material from which they are created. Debate about the timeline of modernism continues, with some scholars arguing that it evolved into late modernism or high modernism . Postmodernism , meanwhile, rejects many of the principles of modernism. Modernism was a cultural movement that impacted the arts as well as the broader Zeitgeist . It is commonly described as a system of thought and behavior marked by self-consciousness or self-reference , prevalent within
14700-469: The medieval thinkers supporting theories of rhythmical, cyclical or trendless movements of social processes were much nearer to reality than the present proponents of the linear view." Unlike Confucianism and to a certain extent Taoism, that both search for an ideal past, the Judeo-Christian-Islamic tradition believes in the fulfillment of history, which was translated into the idea of progress in
14847-482: The modern age. Therefore, Chinese proponents of modernization have looked to western models. According to Thompson, the late Qing dynasty reformer, Kang Youwei , believed he had found a model for reform and "modernisation" in the Ancient Chinese Classics. Philosopher Karl Popper said that progress was not fully adequate as a scientific explanation of social phenomena. More recently, Kirkpatrick Sale ,
14994-530: The most important commercial show of the time, the government-sponsored Paris Salon , the Impressionists organized yearly group exhibitions in commercial venues during the 1870s and 1880s, timing them to coincide with the official Salon. In 1863, the Salon des Refusés , created by Emperor Napoleon III , displayed all of the paintings rejected by the Paris Salon. While most were in standard styles, but by inferior artists,
15141-438: The most visible changes of this period was the adoption of new technologies into the daily lives of ordinary people in Western Europe and North America. Electricity, the telephone, the radio, the automobile—and the need to work with them, repair them and live with them—created social change. The kind of disruptive moment that only a few knew in the 1880s became a common occurrence. For example, the speed of communication reserved for
15288-428: The music of the composer Arnold Schoenberg . On the one hand, he rejected traditional tonal harmony , the hierarchical system of organizing works of music that had guided musical composition for at least a century and a half. Schoenberg believed he had discovered a wholly new way of organizing sound based on the use of twelve-note rows . Yet, while this was indeed a wholly new technique, its origins can be traced back to
15435-451: The nature of reality. They argued that since each viewer interprets art through their own subjective perspective, it can never convey the ultimate metaphysical truth that the Romantics sought. Nonetheless, the modernists did not completely reject the idea of art as a means of understanding the world. To them, it was a tool for challenging and disrupting the viewer's point of view, rather than as
15582-409: The novel Murphy (1938). Then in 1939 James Joyce's Finnegans Wake appeared. This is written in a largely idiosyncratic language , consisting of a mixture of standard English lexical items and neologistic multilingual puns and portmanteau words, which attempts to recreate the experience of sleep and dreams. In poetry T. S. Eliot, E. E. Cummings , and Wallace Stevens were writing from
15729-548: The novelist Franz Kafka , poet Gottfried Benn , and novelist Alfred Döblin were simultaneously the most vociferous anti-Expressionists. What, however, can be said, is that it was a movement that developed in the early 20th century mainly in Germany in reaction to the dehumanizing effect of industrialization and the growth of cities, and that "one of the central means by which Expressionism identifies itself as an avant-garde movement, and by which it marks its distance to traditions and
15876-423: The ones they believe to be holding back progress , replacing them with new ways of reaching the same end. According to historian Roger Griffin , modernism can be defined as a broad cultural, social, or political initiative sustained by the ethos of "the temporality of the new". Griffin believed that modernism aspired to restore a "sense of sublime order and purpose to the contemporary world, thereby counteracting
16023-400: The passage of time, or the criteria for evaluating what is worth knowing can change. Similarly, there is considerable disagreement over whether fields such as philosophy make progress - or even whether they aim at accumulating knowledge in the same way as the sciences. Aspects of social progress, as described by Condorcet , have included the disappearance of slavery , the rise of literacy ,
16170-474: The physical and biological sciences, was often presented as a progressive accumulation of knowledge, in which true theories replaced false beliefs. Some more recent historical interpretations, such as those of Thomas Kuhn , tend to portray the history of science in terms of competing paradigms or conceptual systems in a wider matrix of intellectual, cultural, economic and political trends. These interpretations, however, have met with opposition for they also portray
16317-434: The poetry collection Leaves of Grass (1855–1891); and August Strindberg (1849–1912), especially his later plays, including the trilogy To Damascus 1898–1901, A Dream Play (1902) and The Ghost Sonata (1907). Henry James has also been suggested as a significant precursor to modernism in works as early as The Portrait of a Lady (1881). Out of the collision of ideals derived from Romanticism and an attempt to find
16464-417: The political or legal system, and questions bearing on individual life chances, such as life expectancy and risk of disease and disability. GDP growth has become a key orientation for politics and is often taken as a key figure to evaluate a politician's performance. However, GDP has a number of flaws that make it a bad measure of progress, especially for developed countries. For example, environmental damage
16611-406: The power of ideas and of intellectual education for improving human nature or behavior. For those who do not share this faith the idea of progress becomes questionable. Alfred Marshall (1842–1924), a British economist of the early 20th century, was a proponent of classical liberalism. In his highly influential Principles of Economics (1890), he was deeply interested in human progress and in what
16758-487: The preface to his play Les Mamelles de Tirésias , which was written in 1903 and first performed in 1917. Major surrealists include Paul Éluard , Robert Desnos , Max Ernst , Hans Arp , Antonin Artaud , Raymond Queneau , Joan Miró , and Marcel Duchamp . By 1930, modernism had won a place in the political and artistic establishment, although by this time modernism itself had changed. Modernism continued to evolve during
16905-514: The priority of suggestion and evocation over direct description and explicit analogy," and were especially interested in "the musical properties of language." Cabaret , which gave birth to so many of the arts of modernism, including the immediate precursors of film, may be said to have begun in France in 1881 with the opening of the Black Cat in Montmartre , the beginning of the ironic monologue, and
17052-434: The products of consumer culture " kitsch ", because their design aimed simply to have maximum appeal, with any difficult features removed. For Greenberg, modernism thus formed a reaction against the development of such examples of modern consumer culture as commercial popular music , Hollywood , and advertising. Greenberg associated this with the revolutionary rejection of capitalism. Some modernists saw themselves as part of
17199-521: The railways as a major factor in the modernization and unification of the Italian peninsula. The new Kingdom of Italy, formed in 1861, worked to speed up the processes of modernization and industrialization that had begun in the north, but were slow to arrive in the Papal States and central Italy, and were nowhere in sight in the "Mezzogiorno" (that is, Southern Italy and Sicily). The government sought to combat
17346-542: The remaking of society, like the French Revolution , National Socialism and Communism hurt society by removing the traditional constraints on the exercise of power. The scientific advances of the 16th and 17th centuries provided a basis for Francis Bacon's book the New Atlantis . In the 17th century, Bernard le Bovier de Fontenelle described progress with respect to arts and the sciences, saying that each age has
17493-430: The representational function of visual art obsolete, strongly affected this aspect of modernism. Modernist architects and designers, such as Frank Lloyd Wright and Le Corbusier , believed that new technology rendered old styles of building obsolete. Le Corbusier thought that buildings should function as "machines for living in", analogous to cars, which he saw as machines for traveling in. Just as cars had replaced
17640-436: The rise of Adolf Hitler in the 1930s, there were subsequent Expressionist works. Expressionism is notoriously difficult to define, in part because it "overlapped with other major 'isms' of the modernist period: with Futurism , Vorticism , Cubism, Surrealism and Dada ." Richard Murphy also comments: "[The] search for an all-inclusive definition is problematic to the extent that the most challenging Expressionists," such as
17787-453: The same, overarching grand narratives with impossible conclusions. Some 20th-century authors refer to the "Myth of Progress" to refer to the idea that the human condition will inevitably improve. In 1932, English physician Montague David Eder wrote: "The myth of progress states that civilization has moved, is moving, and will move in a desirable direction. Progress is inevitable... Philosophers, men of science and politicians have accepted
17934-494: The search for newer means of cultural expression . Modernism was influenced by widespread technological innovation , industrialization, and urbanization, as well as the cultural and geopolitical shifts that occurred after World War I . Artistic movements and techniques associated with modernism include abstract art , literary stream-of-consciousness , cinematic montage , musical atonality and twelve-tonality , modernist architecture , and urban planning . Modernism took
18081-416: The search for philosophical truth and as the introduction of an era of material prosperity by technological advancement. His plan for Mexican reform demanded a republican government bolstered by widespread popular education free of clerical control, confiscation and sale of ecclesiastical lands as a means of redistributing income and clearing government debts, and effective control of a reduced military force by
18228-517: The status of women in the ancient world, concluding that in the Roman Empire, with its superior social organization, internal peace, and rule of law, allowed women to enjoy a somewhat better standing than in ancient Greece, where women were distinctly inferior. The inferior status of women in traditional China has raised the issue of whether the idea of progress requires a thoroughgoing rejection of traditionalism—a belief held by many Chinese reformers in
18375-463: The stock brokers of 1890 became part of family life, at least in middle class North America. Associated with urbanization and changing social mores also came smaller families and changed relationships between parents and their children. Another strong influence at this time was Marxism . After the generally primitivistic/irrationalism aspect of pre-World War I modernism (which for many modernists precluded any attachment to merely political solutions) and
18522-472: The study of light, color, and atmosphere "anticipated the French Impressionists " and therefore modernism "in breaking down conventional formulas of representation; though unlike them, he believed that his works should always express significant historical, mythological, literary, or other narrative themes." However, the modernists were critical of the Romantics' belief that art serves as a window into
18669-596: The subject in a greater context. Cubism was brought to the attention of the general public for the first time in 1911 at the Salon des Indépendants in Paris (held 21 April – 13 June). Jean Metzinger , Albert Gleizes , Henri Le Fauconnier , Robert Delaunay , Fernand Léger and Roger de La Fresnaye were shown together in Room 41, provoking a 'scandal' out of which Cubism emerged and spread throughout Paris and beyond. Also in 1911, Kandinsky painted Bild mit Kreis ( Picture with
18816-424: The term "Expressionism" did not firmly establish itself until 1913. Though initially mainly a German artistic movement, most predominant in painting, poetry and the theatre between 1910 and 1930, most precursors of the movement were not German. Furthermore, there have been Expressionist writers of prose fiction, as well as non-German speaking Expressionist writers, and, while the movement had declined in Germany with
18963-529: The trouble to question their own preconceptions. This aspect of modernism has often seemed a reaction to consumer culture , which developed in Europe and North America in the late 19th century. Whereas most manufacturers try to make products that will be marketable by appealing to preferences and prejudices, high modernists reject such consumerist attitudes to undermine conventional thinking. The art critic Clement Greenberg expounded this theory of modernism in his essay Avant-Garde and Kitsch . Greenberg labeled
19110-469: The work of Manet attracted attention and opened commercial doors to the movement. The second French school was symbolism , which literary historians see beginning with Charles Baudelaire and including the later poets Arthur Rimbaud (1854–1891) with Une Saison en Enfer ( A Season in Hell , 1873), Paul Verlaine (1844–1896), Stéphane Mallarmé (1842–1898), and Paul Valéry (1871–1945). The symbolists "stressed
19257-401: The work of earlier composers such as Franz Liszt , Richard Wagner , Gustav Mahler , Richard Strauss , and Max Reger . In the world of art, in the first decade of the 20th century, young painters such as Pablo Picasso and Henri Matisse caused much controversy and attracted great criticism with their rejection of traditional perspective as the means of structuring paintings, though
19404-433: The world is an integral part of the modern condition. Renewing the eschatological hopes of the past, progress is an illusion with a future. Recently the idea of progress has been generalized to psychology, being related with the concept of a goal, that is, progress is understood as "what counts as a means of advancing towards the end result of a given defined goal." Historian J. B. Bury said that thought in ancient Greece
19551-560: The writings of the art critic John Ruskin (1819–1900), who had strong feelings about the role of art in helping to improve the lives of the urban working classes in the rapidly expanding industrial cities of Britain. Art critic Clement Greenberg described the Pre-Raphaelite Brotherhood as proto-modernists: "There the proto-modernists were, of all people, the Pre-Raphaelites (and even before them, as proto-proto-modernists,
19698-443: The years between 1900 and 1910. An important aspect of modernism is how it relates to tradition through its adoption of techniques like reprise, incorporation, rewriting, recapitulation, revision, and parody in new forms. T. S. Eliot made significant comments on the relation of the artist to tradition, including: "[W]e shall often find that not only the best, but the most individual parts of [a poet's] work, may be those in which
19845-413: Was a while later, and not so locally, that modernism appeared in music and architecture)." The poet Baudelaire's Les Fleurs du mal ( The Flowers of Evil ) and the author Flaubert's Madame Bovary were both published in 1857. Baudelaire's essay " The Painter of Modern Life " (1863) inspired young artists to break away from tradition and innovate new ways of portraying their world in art. Beginning in
19992-485: Was adopted by Oswald Spengler (1880–1936), a German historian who wrote The Decline of the West in 1920. World War I , World War II , and the rise of totalitarianism demonstrated that progress was not automatic and that technological improvement did not necessarily guarantee democracy and moral advancement. British historian Arnold J. Toynbee (1889–1975) felt that Christianity would help modern civilization overcome its challenges. The Jeffersonians said that history
20139-468: Was characterized as a model and example of progress for the region, where peoples of every religion and race sent their top students to study at its famous international academy called the House of Wisdom . Islamic Spain was also famed as a center of learning in Europe, where Jews and Christians flocked to Muslim halaqas , eager to bring the latest knowledge back to their countries in Europe, which later sparked
20286-503: Was dominated by the theory of world-cycles or the doctrine of eternal return, and was steeped in a belief parallel to the Judaic " fall of man ," but rather from a preceding " Golden Age " of innocence and simplicity. Time was generally regarded as the enemy of humanity which depreciates the value of the world. He credits the Epicureans with having had a potential for leading to the foundation of
20433-664: Was first performed in 1935. Like Shostakovich, other composers faced difficulties in this period. Progress Progress is movement towards a perceived refined, improved, or otherwise desired state. It is central to the philosophy of progressivism , which interprets progress as the set of advancements in technology , science , and social organization efficiency – the latter being generally achieved through direct societal action, as in social enterprise or through activism , but being also attainable through natural sociocultural evolution – that progressivism holds all human societies should strive towards. The concept of progress
20580-460: Was introduced in the early-19th-century social theories , especially social evolution as described by Auguste Comte and Herbert Spencer . It was present in the Enlightenment 's philosophies of history . As a goal, social progress has been advocated by varying realms of political ideologies with different theories on how it is to be achieved. Specific indicators for measuring progress can range from economic data, technical innovations, change in
20727-528: Was like, and how one may change it for the better. In turn, this gave rise to progressive opinion, in contrast with conservational opinion. The social conservationists were skeptical about panaceas for social ills. According to conservatives, attempts to radically remake society normally make things worse. Edmund Burke was the leading exponent of this, although later-day liberals like Friedrich Hayek have espoused similar views. They argue that society changes organically and naturally, and that grand plans for
20874-743: Was premiered, in which he uses a montage of different styles, including folk music , popular song and atonality. Among his influences was Alban Berg 's (1885–1935) opera Wozzeck (1925), which "had made a tremendous impression on Shostakovich when it was staged in Leningrad." However, from 1932 socialist realism began to oust modernism in the Soviet Union, and in 1936 Shostakovich was attacked and forced to withdraw his 4th Symphony. Alban Berg wrote another significant, though incomplete, modernist opera, Lulu , which premiered in 1937. Berg's Violin Concerto
21021-428: Was still "progressive", it increasingly saw traditional forms and social arrangements as hindering progress and recast the artist as a revolutionary, engaged in overthrowing rather than enlightening society. Also in 1913, a less violent event occurred in France with the publication of the first volume of Marcel Proust 's important novel sequence À la recherche du temps perdu (1913–1927) ( In Search of Lost Time ). This
21168-532: Was the first to make full use of it in his short story "Leutnant Gustl" ("None but the brave") (1900). Dorothy Richardson was the first English writer to use it, in the early volumes of her novel sequence Pilgrimage (1915–1967). Other modernist novelists that are associated with the use of this narrative technique include James Joyce in Ulysses (1922) and Italo Svevo in La coscienza di Zeno (1923). However, with
21315-758: Was the largest and most ambitious Cubist painting undertaken during the pre-war Cubist period. In 1905, a group of four German artists, led by Ernst Ludwig Kirchner , formed Die Brücke (The Bridge) in the city of Dresden . This was arguably the founding organization for the German Expressionist movement, though they did not use the word itself. A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter (The Blue Rider) in Munich. The name came from Wassily Kandinsky 's Der Blaue Reiter painting of 1903. Among their members were Kandinsky , Franz Marc , Paul Klee , and August Macke . However,
21462-694: Was the year of philosopher Edmund Husserl 's Ideas , physicist Niels Bohr 's quantized atom, Ezra Pound 's founding of imagism , the Armory Show in New York, and in Saint Petersburg the "first futurist opera", Mikhail Matyushin 's Victory over the Sun —another Russian composer, Igor Stravinsky , composed The Rite of Spring , a ballet that depicts human sacrifice and has a musical score full of dissonance and primitive rhythm. This caused an uproar on its first performance in Paris. At this time, though modernism
21609-454: Was too high. The birth of a machine age, which had made major changes in the conditions of daily life in the 19th century had now radically changed the nature of warfare. The traumatic nature of recent experience altered basic assumptions, and a realistic depiction of life in the arts seemed inadequate when faced with the fantastically surreal nature of trench warfare . The view that mankind was making steady moral progress now seemed ridiculous in
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