130-516: Koduri Viswa Vijayendra Prasad (born 27 May 1942) is an Indian screenwriter and film director who predominantly works in Telugu cinema . He also worked in a few Hindi , Kannada , and Tamil films. With a career spanning across nearly three decades, his filmography consists of over 25 films as a screenwriter. He is considered to be one of the most successful film writers in India and only screenwriter who has had
260-715: A memorandum of understanding with the Motion Picture Association of America to combat video piracy. In the years 2005, 2006, 2008, and 2014 the industry has produced the largest number of films in India, exceeding the number of films produced in Bollywood . The digital cinema network company UFO Moviez marketed by Southern Digital Screenz (SDS) has digitised several cinemas in the region. The Film and Television Institute of Telangana, Film and Television Institute of Andhra Pradesh, Ramanaidu Film School and Annapurna International School of Film and Media are some of
390-569: A "must watch" with children. Eega won various awards at the 8th Toronto After Dark Film Festival . Sub Genre war drama Kanche (2015) by Krish Jagarlamudi explored the 1944 Nazi attack on the Indian army in the Italian campaign , during World War II in an engrossing background tale of caste-ism while giving it a technically brilliant cinematic rendition. Sankalp Reddy explored submarine warfare in his directorial debut Ghazi (2017), based on
520-467: A couple of directors for some time and started a film titled Pillanagrovi which was stopped midway due to financial reasons. As his brother was already in the film industry, Prasad started assisting his brother. Prasad got introduced to K. Raghavendra Rao through Samatha Arts' Mukherjee who was a friend of his. Raghavendra Rao started giving him and Datta small assignments. They got their first break with Janaki Ramudu (1988) which became successful at
650-473: A film production company called 'Star of the East Films' also called 'Glass Studio', the first production company established by a Telugu person. He sent his son, Raghupathi Surya Prakash Naidu (R. S. Prakash) to study filmmaking in the studios of England , Germany , and United States . In 1921, they made Bhishma Pratigna , generally considered as the first Telugu feature film. Venkaiah Naidu produced
780-456: A folklore film hero into a star of social films. Missamma (1955), directed by L. V. Prasad , and adapted from two Bengali works, became a landmark in Telugu cinema. It was celebrated for its blend of humour, drama, and social commentary. Savitri emerged as a leading actress after this film. Likewise, Thodi Kodallu (1957) and Mangalya Balam (1959) were also adapted from Bengali novels. In
910-516: A hand in several of the biggest movies of Indian cinema . He has frequently collaborated with his son, the director S. S. Rajamouli , to deliver some of the highest-grossing Indian films of all time. His notable work as a writer includes films like Bobbili Simham (1994) , Magadheera (2009) , Eega (2012), the Baahubali series , RRR (2022), Bajrangi Bhaijaan (2015), Manikarnika (2019) and Mersal (2017). In 2011, he directed
1040-485: A modern-day setting as opposed to mythological and folklore films. Later, more 'social films' i.e. films based on contemporary life and social issues, were made by filmmakers. Notable among them was Vandemataram (1939), touching on societal problems like the practice of dowry . Telugu films began to focus more on contemporary life, with 29 of the 96 films released between 1937 and 1947 featuring social themes. In 1938, Gudavalli Ramabrahmam has co-produced and directed
1170-405: A new era of comedy in Telugu cinema, where his movies captivated audiences with their blend of humour and social commentary . "Before his movies, comedy was a small part of movies and comedians were sidekicks to the hero or villain. Jandhyala proved that comedy can itself be a full-length subject and achieved a great success in this endeavor." His films are well known as clean entertainers affable to
1300-457: A particularly close connection to Vedic ( Brahmana ) literature. The Panchavimsha Brahmana (at 25.15.3) enumerates the officiant priests of a sarpasattra among whom the names Dhritarashtra and Janamejaya, two main figures of the Mahābhārata' s sarpasattra , as well as Takshaka , a snake in the Mahābhārata , occur. The Suparnakhyana , a late Vedic period poem considered to be among
1430-540: A pond and assumes it is not water and falls in. Bhima , Arjuna , the twins and the servants laugh at him. In popular adaptations, this insult is wrongly attributed to Draupadi, even though in the Sanskrit epic, it was the Pandavas (except Yudhishthira) who had insulted Duryodhana. Enraged by the insult, and jealous at seeing the wealth of the Pandavas, Duryodhana decides to host a dice-game on Shakuni's suggestion. This suggestion
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#17329205764471560-457: A princess from Gandhara, who blindfolds herself for the rest of her life so that she may feel the pain that her husband feels. Her brother Shakuni is enraged by this and vows to take revenge on the Kuru family. One day, when Pandu is relaxing in the forest, he hears the sound of a wild animal. He shoots an arrow in the direction of the sound. However, the arrow hits the sage Kindama , who was engaged in
1690-463: A role in the Mahābhārata , some parts of the epic may have already been known in his day. Another aspect is that Panini determined the accent of mahā-bhārata . However, the Mahābhārata was not recited in Vedic accent . The Greek writer Dio Chrysostom ( c. 40 – c. 120 CE ) reported that Homer 's poetry was being sung even in India. Many scholars have taken this as evidence for
1820-401: A sexual act in the guise of a deer. He curses Pandu that if he engages in a sexual act, he will die. Pandu then retires to the forest along with his two wives, and his brother Dhritarashtra rules thereafter, despite his blindness. Pandu's older queen Kunti, however, had been given a boon by Sage Durvasa that she could invoke any god using a special mantra. Kunti uses this boon to ask Dharma ,
1950-462: A similar distinction. At least three redactions of the text are commonly recognized: Jaya (Victory) with 8,800 verses attributed to Vyasa, the Bharata with 24,000 verses as recited by Vaisampayana , and finally the Mahābhārata as recited by Ugrashrava Sauti with over 100,000 verses. However, some scholars, such as John Brockington, argue that Jaya and Bharata refer to the same text, and ascribe
2080-404: A son S. S. Rajamouli , a filmmaker. Prasad is uncle to music composers M. M. Keeravani , M. M. Srilekha , and Kalyani Malik . Prasad dropped ‘K’ from his name, K. V. Vijayendra Prasad as he felt it was an indicator of his caste. He cited Hindu epics Mahabharata and Ramayana as a source of his inspiration. He cites 1957 Telugu film Mayabazar , as his all time favourite film. He also cited
2210-520: A tent house called Esplanade in Madras to exhibit his films. In c. 1912-14 , he established Gaiety Theatre on Mount Road , the first ever permanent cinema theatre in Madras and all of South India . He later constructed the Crown Theatre and Globe Theatre. In his theatres, he screened American and European films as well as silent films made in various parts of India. In 1919, he started
2340-514: A tunnel. They escape to safety through the tunnel and go into hiding. During this time, Bhima marries a demoness Hidimbi and has a son Ghatotkacha . Back in Hastinapur, the Pandavas and Kunti are presumed dead. Whilst they were in hiding, the Pandavas learn of a swayamvara which is taking place for the hand of the Pāñcāla princess Draupadī . The Pandavas, disguised as Brahmins , come to witness
2470-585: A very short uneventful life and dies. Vichitravirya, the younger son, rules Hastinapura . Meanwhile, the King of Kāśī arranges a swayamvara for his three daughters, neglecting to invite the royal family of Hastinapur. To arrange the marriage of young Vichitravirya, Bhishma attends the swayamvara of the three princesses Amba , Ambika , and Ambalika , uninvited, and proceeds to abduct them. Ambika and Ambalika consent to be married to Vichitravirya. The oldest princess Amba, however, informs Bhishma that she wishes to marry
2600-406: A vital role during this era, with the double act of Relangi and Ramana Reddy becoming immensely popular. Their performances provided comic relief in several films. This era, marked by groundbreaking films, innovative storytelling, and international recognition, remains a golden chapter in the history of Telugu cinema. The Telugu film industry, commonly known as Tollywood, traces its origins to
2730-791: Is also recognised for its advanced technical crafts, particularly in visual effects and cinematography , making it one of the most sophisticated in Indian cinema. Telugu cinema has produced some of India's most expensive and highest-grossing films , including Baahubali 2 (2017), which holds the record as the highest-grossing film of all time in India. Over the years, Telugu filmmakers have also ventured into parallel and arthouse cinema. Films like Daasi (1988), Thilaadanam (2000), and Vanaja (2006), among others, received acclaim at major international film festivals such as Venice , Berlin , Karlovy Vary , Moscow , and Busan . Additionally, ten Telugu films have been featured in CNN-IBN 's list of
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#17329205764472860-607: Is as follows: The historicity of the Kurukshetra War is unclear. Many historians estimate the date of the Kurukshetra war to Iron Age India of the 10th century BCE. The setting of the epic has a historical precedent in Iron Age ( Vedic ) India, where the Kuru kingdom was the center of political power during roughly 1200 to 800 BCE. A dynastic conflict of the period could have been
2990-550: Is based on a story that is the precursor to the Mahābhārata . The Urubhanga , a Sanskrit play written by Bhasa who is believed to have lived before Kalidasa, is based on the slaying of Duryodhana by the splitting of his thighs by Bhima . The copper-plate inscription of the Maharaja Sharvanatha (533–534 CE) from Khoh ( Satna District, Madhya Pradesh ) describes the Mahābhārata as a "collection of 100,000 verses" ( śata-sahasri saṃhitā ). The division into 18 parvas
3120-426: Is born blind. Ambalika turns pale and bloodless upon seeing him, and thus her son Pandu is born pale and unhealthy (the term Pandu may also mean 'jaundiced' ). Due to the physical challenges of the first two children, Satyavati asks Vyasa to try once again. However, Ambika and Ambalika send their maid instead, to Vyasa's room. Vyasa fathers a third son, Vidura , by the maid. He is born healthy and grows up to be one of
3250-568: Is first recited at Takshashila by the sage Vaisampayana , a disciple of Vyasa, to the King Janamejaya who was the great-grandson of the Pandava prince Arjuna . The story is then recited again by a professional storyteller named Ugrashrava Sauti , many years later, to an assemblage of sages performing the 12-year sacrifice for the king Saunaka Kulapati in the Naimisha Forest . The text
3380-642: Is one of the two major Smriti texts and Sanskrit epics of ancient India revered in Hinduism , the other being the Rāmāyaṇa . It narrates the events and aftermath of the Kurukshetra War , a war of succession between two groups of princely cousins, the Kauravas and the Pāṇḍavas . It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or puruṣārtha (12.161). Among
3510-462: Is particularly revered for its innovative use of special effects , such as the first illusion of moonlight, showcasing the technical brilliance of the era. Mayabazar remains a classic, inspiring generations of filmmakers and continuing to captivate new audiences. In 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time," with the public voting it as the "greatest Indian film of all time." This period also continued
3640-415: Is reborn to King Drupada as Shikhandi (or Shikhandini) and causes Bhishma's fall, with the help of Arjuna , in the battle of Kurukshetra. When Vichitravirya dies young without any heirs, Satyavati asks her first son Vyasa , born to her from a previous union with the sage Parashara , to father children with the widows. The eldest, Ambika, shuts her eyes when she sees him, and so her son Dhritarashtra
3770-569: Is right, as well as the converse. The Mahābhārata itself ends with the death of Krishna , and the subsequent end of his dynasty and ascent of the Pandava brothers to heaven. It also marks the beginning of the Hindu age of Kali Yuga , the fourth and final age of humankind, in which great values and noble ideas have crumbled, and people are heading towards the complete dissolution of right action, morality, and virtue. King Janamejaya's ancestor, Shantanu ,
3900-457: Is the first Indian film depicting the Indian movie world. The film was directed by Y. V. Rao and scripted by Balijepalli Lakshmikantha Kavi , starring V. Nagayya . Rao subsequently made the sequel films Savithri and Sathyabhama (1941–42) casting thespian Sthanam Narasimha Rao . The outbreak of World War II and the subsequent resource scarcity caused the British Raj to impose a limit on
4030-430: Is translated as "Great Bharat (India)", or "the story of the great descendents of Bharata ", or as " The Great Indian Tale ". The Mahābhārata is the longest epic poem known and has been described as "the longest poem ever written". Its longest version consists of over 100,000 śloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. At about 1.8 million words in total,
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4160-604: The Kali Yuga epoch, based on planetary conjunctions, by Aryabhata (6th century). Aryabhata's date of 18 February 3102 BCE for Mahābhārata war has become widespread in Indian tradition. Some sources mark this as the disappearance of Krishna from the Earth. The Aihole inscription of Pulakeshin II , dated to Saka 556 = 634 CE, claims that 3,735 years have elapsed since the Bhārata battle, putting
4290-668: The Erasing Borders Festival of Classical Dance, Indo-American Arts Council , New York, 2013. Experimental film Parampara has garnered the Platinum Award for Best Feature at the International Indonesian Movie Awards. 2018 biographical film Mahanati based on the life of veteran actress Savitri has garnered the "Equality in Cinema Award" at the 2018 Indian Film Festival of Melbourne . During
4420-593: The Guru–shishya tradition , which traces all great teachers and their students of the Vedic times. The first section of the Mahābhārata states that it was Ganesha who wrote down the text to Vyasa's dictation, but this is regarded by scholars as a later interpolation to the epic and the "Critical Edition" does not include Ganesha. The epic employs the story within a story structure, otherwise known as frametales , popular in many Indian religious and non-religious works. It
4550-643: The Kaurava and the Pandava . Although the Kaurava is the senior branch of the family, Duryodhana , the eldest Kaurava, is younger than Yudhishthira , the eldest Pandava. Both Duryodhana and Yudhishthira claim to be first in line to inherit the throne. The struggle culminates in the Kurukshetra War , in which the Pandavas are ultimately victorious. The battle produces complex conflicts of kinship and friendship, instances of family loyalty and duty taking precedence over what
4680-502: The Kushan Period (200 CE). According to what one figure says at Mbh. 1.1.50, there were three versions of the epic, beginning with Manu (1.1.27), Astika (1.3, sub-Parva 5), or Vasu (1.57), respectively. These versions would correspond to the addition of one and then another 'frame' settings of dialogues. The Vasu version would omit the frame settings and begin with the account of the birth of Vyasa. The astika version would add
4810-413: The Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahabharata can be traced back to Vedic times. The background to the Mahābhārata suggests the origin of the epic occurs "after the very early Vedic period " and before " the first Indian 'empire' was to rise in the third century B.C." That this is "a date not too far removed from
4940-427: The Mahābhārata is attributed to Vyāsa . There have been many attempts to unravel its historical growth and compositional layers. The bulk of the Mahābhārata was probably compiled between the 3rd century BCE and the 3rd century CE, with the oldest preserved parts not much older than around 400 BCE. The text probably reached its final form by the early Gupta period ( c. 4th century CE ). The title
5070-555: The Mahābhārata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Rāmāyaṇa . Within the Indian tradition it is sometimes called the fifth Veda . The epic is traditionally ascribed to the sage Vyasa , who is also a major figure in the epic. Vyasa described it as being an itihasa ( transl. history ). He also describes
5200-546: The Raja of Challapalli , who produced Rojulu Marayi, acquired land in Hyderabad in March 1956 to set up a studio. In 1959, Maa Inti Mahalakshmi , the first Telugu film entirely filmed in Hyderabad, was released. Akkineni Nageswara Rao was one of the first prominent figures to move his film business entirely to Hyderabad, encouraging others to do the same and playing a crucial role in
5330-504: The Saturn Award for Best International Film , while RRR (2022) became the first Indian feature film to win an Academy Award and received various international accolades, including an Academy Award and a Golden Globe for the song " Naatu Naatu " and a Critics' Choice Award for Best Foreign Language Film . From its inception, Telugu cinema has been renowned as the preeminent centre of Hindu mythological films in India. Today, it
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5460-551: The United States . Speaking about the centenary of Indian cinema at the CII Media and Entertainment Summit 2012, filmmaker Shekhar Kapur said regional cinema is surpassing Hindi cinema in content and story, and cited Eega (2012) as an example. Kapur said he was impressed with its story and use of technology, and called it, "no less than a Hollywood superhero film". Shah Rukh Khan called Eega an "awesomely original" film and
5590-618: The comedy thriller , Chantabbai , the vigilante thriller , Kondaveeti Donga the first Telugu film to be released on a 70 mm 6-Track Stereophonic sound , the western thriller Kodama Simham , and the action thriller , Gang Leader , popularised genre films with the highest estimated footfall. He received the Padma Vibhushan , the second-highest civilian award, in 2024. Sekhar Kammula debuted with his National Award -winning film, Dollar Dreams (2000) featuring dialogue in both Telugu and English. Dollar Dreams explored
5720-532: The sarpasattra and ashvamedha material from Brahmanical literature, introduce the name Mahābhārata , and identify Vyasa as the work's author. The redactors of these additions were probably Pancharatrin scholars who according to Oberlies (1998) likely retained control over the text until its final redaction. Mention of the Huna in the Bhishma Parva however appears to imply that this Parva may have been edited around
5850-687: The social problem film , Mala Pilla starring Kanchanamala . The film dealt with the crusade against untouchability, prevailing in pre-independent India. In 1939, he directed Raithu Bidda , starring thespian Bellary Raghava . The film was banned by the British administration in the region, for depicting the uprise of the peasantry among the Zamindar 's during the British raj . The success of these films gave an impetus to Y. V. Rao , B. N. Reddy and others to produce films on social themes. Viswa Mohini (1940)
5980-630: The wife of all five brothers . After the wedding, the Pandava brothers are invited back to Hastinapura. The Kuru family elders and relatives negotiate and broker a split of the kingdom, with the Pandavas obtaining and demanding only a wild forest inhabited by Takshaka , the king of snakes, and his family. Through hard work, the Pandavas build a new glorious capital for the territory at Indraprastha . Shortly after this, Arjuna elopes with and then marries Krishna's sister, Subhadra . Yudhishthira wishes to establish his position as king; he seeks Krishna's advice. Krishna advises him, and after due preparation and
6110-583: The "100 Greatest Indian Films of All Time." Raghupathi Venkaiah Naidu was a photographer and photographic studio owner in Madras who was drawn into filmmaking . Since 1909, he was involved in producing short films . He shot 12 three-minute-long short films and exhibited them in Victoria Public Hall , Madras . He also travelled to Bangalore , Vijayawada , Sri Lanka , Rangoon and Pegu to exhibit his films. In c. 1909-10 , he established
6240-645: The "earliest traces of epic poetry in India," is an older, shorter precursor to the expanded legend of Garuda that is included in the Astika Parva , within the Adi Parva of the Mahābhārata . The earliest known references to bhārata and the compound mahābhārata date to the Ashtadhyayi ( sutra 6.2.38) of Panini ( fl. 4th century BCE) and the Ashvalayana Grihyasutra (3.4.4). This may mean that
6370-507: The "first legit Pan-Indian Superstar" in Indian cinema. Actors like Prabhas , Allu Arjun , Ram Charan and N. T. Rama Rao Jr. enjoy a nationwide popularity among the audiences after the release of their respective Pan-Indian films. RRR propelled Telugu cinema into the mainstream outside India, fuelling the growth of Pan-India movies. It received universal critical acclaim for its direction, screenwriting, cast performances, cinematography, soundtrack, action sequences and VFX . The film
6500-542: The 1950s, largely influenced by the formation of Andhra Pradesh in 1956. Sarathi Studios was established in Hyderabad in 1956, marking the beginning of this transition. It was the first film studio facility in Hyderabad. Before this, Hyderabad was primarily known for Hindi film releases. The success of Rojulu Marayi (1955), which ran for 100 days in Hyderabad, prompted the then Revenue Minister of Andhra Pradesh, K. V. Ranga Reddy to urge Telugu filmmakers to relocate to Hyderabad. In response, Yarlagadda Sivarama Prasad ,
6630-647: The 1990s, the Rayalaseema dialect was portrayed in films about the factional conflicts in the area, while the Telangana dialect, already having been pegged to villainous and comedic roles, saw an increase in this usage in reaction to the shift of the Telugu film production from Madras to Hyderabad. After the formation of the state of Telangana in 2014, Telangana culture gained more prominence, and more films were produced portraying Telangana culture, and dialect. Screenwriters such as Chandra Sekhar Yeleti experimented with
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#17329205764476760-427: The 4th century. The Adi Parva includes the snake sacrifice ( sarpasattra ) of Janamejaya , explaining its motivation, detailing why all snakes in existence were intended to be destroyed, and why despite this, there are still snakes in existence. This sarpasattra material was often considered an independent tale added to a version of the Mahābhārata by "thematic attraction" (Minkowski 1991), and considered to have
6890-512: The 78 CE. This places Yudhishthara (and therefore, the Mahabharata war) around 2448–2449 BCE (2526–78). Some scholars have attempted to identify the "Shaka" calendar era mentioned by Varāhamihira with other eras, but such identifications place Varāhamihira in the first century BCE, which is impossible as he refers to the 5th century astronomer Aryabhata . Kalhana 's Rajatarangini (11th century), apparently relying on Varāhamihira, also states that
7020-461: The 8th or 9th century B.C." is likely. The Mahabharata started as an orally-transmitted tale of the charioteer bards . It is generally agreed that "Unlike the Vedas , which have to be preserved letter-perfect, the epic was a popular work whose reciters would inevitably conform to changes in language and style," so the earliest 'surviving' components of this dynamic text are believed to be no older than
7150-460: The Pandava brothers, from their youth and into manhood, leads to the Kurukshetra war. After the deaths of their mother (Madri) and father (Pandu), the Pandavas and their mother Kunti return to the palace of Hastinapur. Yudhishthira is made Crown Prince by Dhritarashtra, under considerable pressure from his courtiers. Dhritarashtra wanted his son Duryodhana to become king and lets his ambition get in
7280-554: The Pandavas flourished 653 years after the beginning of the Kali Yuga; Kalhana adds that people who believe that the Bharata war was fought at the end of the Dvapara Yuga are foolish. The core story of the work is that of a dynastic struggle for the throne of Hastinapura , the kingdom ruled by the Kuru clan. The two collateral branches of the family that participate in the struggle are
7410-641: The Royal Reel Award at the Canada International Film Festival . 2013 Social problem film , Naa Bangaaru Talli won Best Film award at the Detroit Trinity International Film Festival. Minugurulu (2014) about blind children received Best Indian Film at the "9th India International Children's Film Festival Bangalore ". 2013 Cultural film, O Friend, This Waiting! has received special mention at
7540-468: The Special Jury Award (Feature Film - Director) at the 46th National Film Awards . K. Raghavendra Rao explored devotional themes with Agni Putrudu (1987), Annamayya (1997), Sri Ramadasu (2006), Shirdi Sai (2012) and Om Namo Venkatesaya (2017) receiving various state honours. Singeetam Srinivasa Rao introduced science fiction to the Telugu screen with Aditya 369 (1991),
7670-575: The Telugu film Rajanna , which won the Nandi Award for Best Feature Film . In 2016, he won the Filmfare Award for Best Story for the film Bajrangi Bhaijaan . His upcoming films include 1770 , Sita: The Incarnation, Aparaajitha Ayodhya, Pawan Putra Bhaijaan, and Vikramarkudu 2. On 6 July 2022, President of India Ram Nath Kovind nominated him as a member of Rajya Sabha , the upper house of Indian Parliament . Koduri Viswa Vijayendra Prasad
7800-475: The Telugu film industry produces over 300 films annually, contributing significantly to the region's economy and maintaining a prominent position in Indian cinema. The Prasads IMAX located in Hyderabad is one of the largest 3D IMAX screens, and the most attended cinema screen in the world. As per the CBFC report of 2014, the industry is placed first in India, in terms of films produced yearly. The industry holds
7930-400: The Telugu film industry to relocate from Madras to the new state capital, Hyderabad . Despite these calls, the industry remained in Madras, where studios were already established and actors and technicians were settled. One early response to the call for relocation was the establishment of Sarathi Studios in Hyderabad in 1956, although it initially struggled to attract filmmakers. Over time,
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#17329205764478060-502: The Year – 2015 Award from Indywood Film Market All films in Telugu unless otherwise noted. Telugu cinema Telugu cinema , also known as Tollywood , is the segment of Indian cinema dedicated to the production of motion pictures in the Telugu language , widely spoken in the states of Andhra Pradesh and Telangana . Based in Film Nagar , Hyderabad , Telugu cinema has become
8190-658: The attempt but is interrupted by Draupadi who refuses to marry a suta (this has been excised from the Critical Edition of Mahabharata as later interpolation ). After this, the swayamvara is opened to the Brahmins leading Arjuna to win the contest and marry Draupadi. The Pandavas return home and inform their meditating mother that Arjuna has won a competition and to look at what they have brought back. Without looking, Kunti asks them to share whatever Arjuna has won amongst themselves, thinking it to be alms . Thus, Draupadi ends up being
8320-442: The average duration of a reign, arrived at an estimate of 850 BCE for Adhisimakrishna, and thus approximately 950 BCE for the Bharata battle. B. B. Lal used the same approach with a more conservative assumption of the average reign to estimate a date of 836 BCE, and correlated this with archaeological evidence from Painted Grey Ware (PGW) sites, the association being strong between PGW artifacts and places mentioned in
8450-438: The best off-beat films of the year by various international juries. Paul Nicodemus of The Times of India cited Prashanth Varma 's super-hero film Hanu Man for merging elements of mythology with contemporary action, and offering a unique viewing experience in Indian cinema. Pan-Indian film is a term related to Indian cinema that originated with Telugu cinema as a mainstream commercial cinema appealing to audiences across
8580-598: The birth of Parikshit (Arjuna's grandson) and the accession of Mahapadma Nanda (400–329 BCE), which would yield an estimate of about 1400 BCE for the Bharata battle. However, this would imply improbably long reigns on average for the kings listed in the genealogies. Of the second kind is analysis of parallel genealogies in the Puranas between the times of Adhisimakrishna ( Parikshit 's great-grandson) and Mahapadma Nanda . Pargiter accordingly estimated 26 generations by averaging 10 different dynastic lists and, assuming 18 years for
8710-497: The box office. In addition to mythological and social films, the period was marked by an increasing influence of world cinema and Bengali literature on Telugu filmmakers. The International Film Festival of India , initiated in 1952, exposed Indian filmmakers to global cinema, inspiring them to experiment with new storytelling techniques. Devadasu (1953), an adaptation of Sarat Chandra Chattopadhyay 's 1917 Bengali novel Devdas , transformed Akkineni Nageswara Rao (ANR) from
8840-550: The box office. Next, he wrote the film Bangaru Kutumbam (1994) which won the Nandi Award for Best Film . His next film was Bobbili Simham (1994) which was commercially successful and earned Prasad recognition as a screenwriter. He later provided the story for Samarasimha Reddy (1999) which became one of the biggest hits of the time in Telugu cinema . Prasad had an inter-caste love marriage with Raja nandini. They have two children—a daughter who now lives in Australia and
8970-502: The conflict between American dreams and human feelings. The film re-introduced social realism to Telugu screen, and brought back its lost glory which until then was stuck in its run-of-the-mill commercial pot-boilers. Vanaja (2006) won several international awards including the first prize in the live-action feature film category at the Chicago International Children's Film Festival . Dream (2012), has garnered
9100-592: The core 24,000 verses, known as the Bhārata , as well as an early version of the extended Mahābhārata , were composed by the 4th century BCE. However, it is uncertain whether Panini referred to the epic, as bhārata was also used to describe other things. Albrecht Weber mentions the Rigvedic tribe of the Bharatas , where a great person might have been designated as Mahā-Bhārata. However, as Panini also mentions figures that play
9230-547: The country with a spread to world markets. S. S. Rajamouli pioneered the pan-Indian films movement with duology of epic action films Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017), that changed the face of Indian cinema. "Pan-India film" is both a style of cinema and a distribution strategy, designed to universally appeal to audiences across the country and simultaneously released in multiple languages. Film journalists and analysts, such as Baradwaj Rangan and Vishal Menon, have labelled Prabhas as
9360-502: The date of Mahābhārata war at 3137BCE. Another traditional school of astronomers and historians, represented by Vrddha Garga , Varāhamihira and Kalhana , place the Bharata war 653 years after the Kali Yuga epoch, corresponding to 2449 BCE. According to Varāhamihira's Bṛhat Saṃhitā (6th century), Yudhishthara lived 2,526 years before the beginning of the Shaka era , which begins in
9490-463: The decade include Mayabazar (1957), Panduranga Mahatyam (1957), Suvarna Sundari (1957), Bhookailas (1958), Jayabheri (1959), Sri Venkateswara Mahatyam (1960), and Raja Makutam (1960). Among these, K. V. Reddy's Mayabazar stands as a landmark in Indian cinema, blending myth, fantasy, romance, and humour in a timeless narrative. The film excelled in various departments, including production design, music, and cinematography. It
9620-509: The development of major studios like Ramoji Film City , which holds the Guinness World Record as the largest film studio complex in the world. The 2010s marked a new era for Telugu cinema as a pioneer of the pan-Indian film movement, expanding its reach across India and globally. This established the industry as a major force in Indian and world cinema and boosted the nationwide popularity of Telugu actors. Baahubali 2 (2017) won
9750-478: The earliest 'external' references we have to the epic, which include an reference in Panini 's 4th century BCE grammar Ashtadhyayi 4:2:56. Vishnu Sukthankar, editor of the first great critical edition of the Mahābhārata , commented: "It is useless to think of reconstructing a fluid text in an original shape, based on an archetype and a stemma codicum . What then is possible? Our objective can only be to reconstruct
9880-511: The early 1990s, Hyderabad had become the central hub for Telugu cinema, further strengthened by the development of large film studios like Ramoji Film City , a 1,600-acre integrated film studio complex, which holds the Guinness World Record as the largest film production facility in the world. In 2006, 245 Telugu films were produced, the highest in India. The influence of Telugu cinema extended beyond regional boundaries, with many successful films being remade in other Indian languages. As of 2022,
10010-677: The early 20th century in Madras (now Chennai), which was the capital of the Madras Presidency , a region that included Andhra. Raghupathi Venkaiah Naidu , often regarded as the father of the Telugu film industry, was a pioneering figure who established Star of the East Films and the Glass Studio. The industry initially flourished in Madras, with major studios such as Vauhini Studios , founded by Moola Narayana Swamy and B. N. Reddy in 1948, and Prasad Studios, established by L. V. Prasad in 1956. The shift from Madras to Hyderabad began in
10140-454: The elimination of some opposition, Yudhishthira carries out the rājasūya yagna ceremony; he is thus recognized as pre-eminent among kings. The Pandavas have a new palace built for them, by Maya the Danava . They invite their Kaurava cousins to Indraprastha. Duryodhana walks round the palace, and mistakes a glossy floor for water, and will not step in. After being told of his error, he then sees
10270-483: The entire court, but Draupadi's disrobe is prevented by Krishna, who miraculously make her dress endless, therefore it couldn't be removed. Dhritarashtra, Bhishma, and the other elders are aghast at the situation, but Duryodhana is adamant that there is no place for two crown princes in Hastinapura. Against his wishes Dhritarashtra calls for another dice game. The Pandavas are required to go into exile for 12 years, and in
10400-462: The epic. John Keay suggests "their core narratives seem to relate to events from a period prior to all but the Rig Veda." Attempts to date the events using methods of archaeoastronomy have produced, depending on which passages are chosen and how they are interpreted, estimates ranging from the late 4th to the mid-2nd millennium BCE. The late 4th-millennium date has a precedent in the calculation of
10530-406: The event. Meanwhile, Krishna, who has already befriended Draupadi, tells her to look out for Arjuna (though now believed to be dead). The task was to string a mighty steel bow and shoot a target on the ceiling, which was the eye of a moving artificial fish, while looking at its reflection in oil below. In popular versions, after all the princes fail, many being unable to lift the bow, Karna proceeds to
10660-619: The existence of a Māhabhārata at this date, whose episodes Dio or his sources identify with the story of the Iliad . Several stories within the Mahābhārata took on separate identities of their own in Classical Sanskrit literature . For instance, the Abhijnanashkuntala by the renowned Sanskrit poet Kalidasa ( c. 400 CE ), believed to have lived in the era of the Gupta dynasty,
10790-459: The family audiences without any obscene language or double entendre . Aha Naa Pellanta! is considered one of the best comedy films in Telugu cinema. Ram Gopal Varma 's Siva , which attained cult status in Telugu cinema, is one of the first Telugu films produced after the migration of Telugu film industry from Madras to Hyderabad to feature characters speaking the Telangana dialect. Varma
10920-479: The film dealt with exploratory dystopian and apocalyptic themes. The edge of the seat thriller had characters which stayed human, inconsistent and insecure. The film's narrative takes the audience into the post apocalyptic experience through time travel, as well as folklore generation of 1500 CE, which including a romantic backstory, the "Time Machine" made it a brilliant work of fiction. Jandhyala popularly known as "Hasya Brahma" ( Brahma of comedy), ushered
11050-484: The film song. Playback singers like Ghantasala, Rao Balasaraswathi Devi , P. Leela , Jikki , P. B. Srinivas and P. Suseela emerged as prominent voices, defining the musical landscape of the era. This period also saw the rise of notable dance choreographers like Pasumarthi Krishnamurthy and Vempati Peda Satyam, who enhanced the artistic quality of Telugu cinema. The 1950s also saw the formation of Andhra State in 1953 and Andhra Pradesh in 1956 leading to calls for
11180-721: The film was also showcased in the United States . Nartanasala (1963) won three awards at the third Afro-Asian Film Festival in Jakarta . K. V. Reddy's Donga Ramudu (1955) was archived in the curriculum of the Film and Television Institute of India , and Nammina Bantu (1960) received critical acclaim at the San Sebastián International Film Festival . Films like Ummadi Kutumbam (1967), Sudigundalu (1968), and Bapu 's Sakshi (1967) were showcased at various international film festivals, highlighting
11310-473: The film, while R. S. Prakash directed and produced it along with playing the title character Bhishma . As the first Telugu film exhibitor and producer, Raghupathi Venkaiah Naidu is regarded as the 'Father of Telugu cinema'. From 1921 to 1931 about a dozen feature films were made by Telugu people . C. Pullayya made a three- reel short film, Markandeya (1926 or 1931) at his house in Kakinada . In 1921,
11440-456: The first Indian-owned cinema halls in South India . In 1921, he produced the silent film , Bhishma Pratigna , generally considered to be the first Telugu feature film . As the first Telugu film producer and exhibitor, Naidu is regarded as the 'Father of Telugu cinema'. The first Telugu talkie film , Bhakta Prahlada (1932) was directed by H. M. Reddy . The 1950s and 1960s are considered
11570-534: The first cinema hall in Andhra , Maruthi Cinema was established in Vijayawada by Pothina Srinivasa Rao. Y. V. Rao and R. S. Prakash established a long-lasting precedence of focusing exclusively on religious themes — Gajendra Moksham , Nandanar , and Matsyavataram —three of their most noted productions, centred on religious figures, parables, and morals. The first Telugu film with audible dialogue, Bhakta Prahlada ,
11700-593: The first female producer of Telugu film industry. The first film studio in Andhra , Durga Cinetone, was built in 1936 by Nidamarthi Surayya in Rajahmundry . Sampurna Ramayanam (1936) was the first film produced by the studio relying mostly on local talent. In 1937, another studio called Andhra Cinetone was built in Visakhapatnam . However, both the studios were short-lived. Early Telugu silent films and talkies were deeply influenced by stage performances, continuing
11830-399: The five brothers, who are from then on usually referred to as the Pandava brothers. Dhritarashtra has a hundred sons, and one daughter— Duhsala —through Gandhari , all born after the birth of Yudhishthira. These are the Kaurava brothers, the eldest being Duryodhana , and the second Dushasana . Other Kaurava brothers include Vikarna and Sukarna. The rivalry and enmity between them and
11960-504: The formation of Andhra Pradesh opened new markets for Telugu films in the Telangana region, laying the groundwork for the industry's eventual expansion into Hyderabad. During this golden era, several Telugu films received international recognition. Malliswari (1951), a historical romance film directed by B. N. Reddy , was screened at the 1952 Peking film festival, making it the first Telugu film to be screened in China . A 16 mm print of
12090-456: The global reach of Telugu cinema. Vijaya Productions, led by Nagi Reddi and Chakrapani , became the most successful production company of the era. Their collaborative approach brought together some of the best talents in the industry, resulting in a string of hits that defined the golden age of Telugu cinema. Vijaya Productions operated like a Hollywood studio , with staff hired on monthly salaries, and working regular hours. Comedy also played
12220-478: The god of justice, Vayu , the god of the wind, and Indra , the lord of the heavens for sons. She gives birth to three sons, Yudhishthira , Bhima , and Arjuna , through these gods. Kunti shares her mantra with the younger queen Madri , who bears the twins Nakula and Sahadeva through the Ashwini twins. However, Pandu and Madri indulge in lovemaking, and Pandu dies. Madri commits suicide out of remorse. Kunti raises
12350-420: The golden age of Telugu cinema, featuring enhanced production quality, influential filmmakers, and notable studios, resulting in a variety of films that were both popular and critically acclaimed. The industry, initially based in Madras , began shifting to Hyderabad in the 1970s, completing the transition by the 1990s. This period also saw the rise of star-driven commercial films, technological advancements, and
12480-597: The industry's relocation. He insisted on working in films produced in Andhra Pradesh, except for those made at Vauhini and Venus Studios in Madras. In 1976, the Andhra Pradesh government allocated 22 acres of land in Banjara Hills , Hyderabad, to Akkineni Nageswara Rao for the establishment of a film studio. This led to the founding of Annapurna Studios in 1976. By the 1970s and 1980s, most production houses had moved to Andhra Pradesh or opened branch offices there. By
12610-451: The inspiration for the Jaya , the foundation on which the Mahābhārata corpus was built, with a climactic battle, eventually coming to be viewed as an epochal event. Puranic literature presents genealogical lists associated with the Mahābhārata narrative. The evidence of the Puranas is of two kinds. Of the first kind, there is the direct statement that there were 1,015 (or 1,050) years between
12740-438: The king of Hastinapura , had a short-lived marriage with the goddess Ganga and had a son, Devavrata (later to be called Bhishma , a great warrior), who becomes the heir apparent. Many years later, when King Shantanu goes hunting, he sees Satyavati , the daughter of the chief of fishermen, and asks her father for her hand. Her father refuses to consent to the marriage unless Shantanu promises to make any future son of Satyavati
12870-429: The king of Shalva whom Bhishma defeated at their swayamvara. Bhishma lets her leave to marry the king of Shalva, but Shalva refuses to marry her, still smarting at his humiliation at the hands of Bhishma. Amba then returns to marry Bhishma but he refuses due to his vow of celibacy. Amba becomes enraged and becomes Bhishma's bitter enemy, holding him responsible for her plight. She vows to kill him in her next life. Later she
13000-408: The king upon his death. To resolve his father's dilemma, Devavrata agrees to relinquish his right to the throne. As the fisherman is not sure about the prince's children honoring the promise, Devavrata also takes a vow of lifelong celibacy to guarantee his father's promise. Shantanu has two sons by Satyavati, Chitrāngada and Vichitravirya . Upon Shantanu's death, Chitrangada becomes king. He lives
13130-420: The largest film industry in India by box-office revenue as of 2021. Telugu films sold 23.3 crore (233 million) tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India. Since 1909, filmmaker Raghupathi Venkaiah Naidu was involved in producing short films and exhibiting them in different regions of South Asia. He established
13260-456: The largest film schools in India. The Telugu states consist of approximately 2800 theatres, the largest number of cinema halls of any state in India. Being commercially consistent, Telugu cinema had its influence over commercial cinema in India. The 1992 film Gharana Mogudu is the first Telugu film to gross over ₹ 10 crore at the box office. Produced on a shoestring budget of ₹ 1.2 crore, 2000 film Nuvve Kavali became sleeper hit of
13390-569: The late 1940s and 1950s. These studios played a crucial role in the development of Telugu cinema, contributing to the production of over 300 films between 1950 and 1960. Many Telugu-Tamil bilinguals were made during this period. During this era, the Telugu film industry became one of the largest producers of folklore , fantasy , and mythological films. Directors like K. V. Reddy and B. Vittalacharya pioneered these genres, creating films that captivated audiences with their imaginative storytelling. As demand for films grew, filmmakers recognised
13520-859: The late 1940s and early 1950s, many members of the Praja Natya Mandali and Abhyudaya Rachayithala Sangham, both affiliated with the Communist Party, transitioned into the film industry, bringing with them progressive ideas that subtly influenced the industry, though they eventually adapted to the commercial demands of mainstream cinema. During the 1950s and 1960s, Telugu film songs entered a golden era marked by exceptional lyricism, orchestration, and technological advancements. Prominent lyricists like Samudrala Sr. , Pingali Nagendra Rao , Devulapalli Krishna Sastry , and Kosaraju Raghavayya , alongside composers like Saluri Rajeswara Rao , Ghantasala , T. V. Raju , Pendyala , and Master Venu , set new standards for
13650-570: The late 1990s. It was screened for 200 days in 20 screens grossing over ₹ 20 crore . Dasari Narayana Rao directed the most number of films in the Telugu language, exploring themes such as aesthestics in Meghasandesam (1982), Battle of Bobbili in the biographical war film Tandra Paparayudu (1986), alternate history with Sardar Papa Rayudu (1980), and gender discrimination in Kante Koothurne Kanu (1998) for which he received
13780-542: The lead actors, which bought a rather fictional storyline a sense of authenticity at a time when the industry was being filled with unnecessary commercial fillers. It went on to gather a cult following in south India, with a dubbed Hindi version titled Hairaan released to positive reports from Bollywood critics, the Ann Arbor Film Festival , and the Fribourg Festival . Chiranjeevi 's works such as
13910-527: The mysterious altercation between PNS Ghazi and INS Karanj during the Indo-Pakistani War of 1971 . Indo-Asian News Service called new-generation film maker Sandeep Vanga 's Arjun Reddy the "most original, experimental work to come out of Telugu cinema in a long time", and said the protagonist's (played by Vijay Deverakonda ) "rise, fall and rise ... is nothing short of poetic and heart wrenching". Actor-dancer Allu Arjun produced and acted in
14040-564: The mythological Sri Seeta Rama Jananam (1944) under his home production, Prathiba Picture, marking Akkineni Nageswara Rao 's debut in a lead role. The 1950s and 1960s are often regarded as the golden age of Telugu cinema. This era witnessed significant advances in production quality, the establishment of iconic studios, and the rise of influential filmmakers who shaped the industry. Prominent production houses such as Vijaya Productions , Vauhini Studios , Bharani Pictures , Prasad Art Pictures , and Annapurna Pictures were established during
14170-739: The off beat film Aithe (2003) with a caption "all movies are not the same". Aithe was made on a shoestring budget of about 1.5 crores and went on to collect more than 6 crores. After almost two years he delivered another thriller Anukokunda Oka Roju (2005) both films were a refreshing change of pace to the audiences, produced by Gangaraju Gunnam . Aithe was remade in Tamil as Naam (2003) and in Malayalam as Wanted (2004). Mohana Krishna Indraganti explored themes of chastity and adultery in his 2004 literary adaptation Grahanam , based on Dosha Gunam written by social critic G. V. Chalam . The film
14300-432: The oldest form of the text which it is possible to reach based on the manuscript material available." That manuscript evidence is somewhat late, given its material composition and the climate of India, but it is very extensive. The Mahābhārata itself (1.1.61) distinguishes a core portion of 24,000 verses: the Bhārata proper, as opposed to additional secondary material, while the Ashvalayana Grihyasutra (3.4.4) makes
14430-519: The potential to remake earlier productions with enhanced cinematic techniques. Many mythological films originally made in the early talkie era, which featured actors from drama troupes and were limited by the technical constraints of the time, were reimagined in this era with improved technologies. Pathala Bhairavi (1951) emerged as the most successful folklore film of the decade and turned its lead actors, N. T. Rama Rao and S. V. Ranga Rao , into stars. Other notable mythological and folklore films from
14560-456: The principal works and stories in the Mahābhārata are the Bhagavad Gita , the story of Damayanti , the story of Shakuntala , the story of Pururava and Urvashi , the story of Savitri and Satyavan , the story of Kacha and Devayani , the story of Rishyasringa and an abbreviated version of the Rāmāyaṇa , often considered as works in their own right. Traditionally, the authorship of
14690-464: The producer nor the director of these two films were Telugus. In 1933, Sati Savitri directed by C. Pullayya received an honorary diploma at the 2nd Venice Film Festival . In the same year, Pruthvi Putra , based on the story of Narakasura was released. It starred Kalyanam Raghuramayya and was produced by Pothina Srinivasa Rao, who had previously built the first cinema hall in Andhra in 1921. This
14820-459: The screenwriting duo Salim–Javed ( Salim Khan and Javed Akhtar ) as a major inspiration on his work, especially their screenplay for Sholay (1975), among other films. On July 6, 2022, Indian government nominated Prasad to the Rajya Sabha . Nandi Award for Best Feature Film – Rajanna Best Story – Bajrangi Bhaijaan Best Story – Bajrangi Bhaijaan The Iconic Trade Achiever of
14950-494: The short film, I Am That Change (2014), to spread awareness on individual social responsibility. The movie was directed by Sukumar , which was screened in theatres across Andhra Pradesh and Telangana on Indian Independence day, 2014. Adivi Sesh scripted the Neo-noir Kshanam (2016), based on a real life incident of a missing three-year-old girl. Sesh followed it up writing R.A.W. thriller Goodachari (2018), and
15080-569: The theory of Jaya with 8,800 verses to a misreading of a verse in the Adi Parva (1.1.81). The redaction of this large body of text was carried out after formal principles, emphasizing the numbers 18 and 12. The addition of the latest parts may be dated by the absence of the Anushasana Parva and the Virata Parva from the " Spitzer manuscript ". The oldest surviving Sanskrit text dates to
15210-423: The traditions of theatre onto the screen. These films often retained the same scripts, dialogues, and background settings as their stage counterparts. By 1936, the mass appeal of film allowed directors to move away from religious and mythological themes. That year, under the direction of Kruthiventi Nageswara Rao, Prema Vijayam , a film with a contemporary setting, was released. It was the first Telugu film with
15340-442: The trend of social films, which began in the late 1930s, focusing on contemporary issues and everyday life rather than mythology and fantasy. Notable social films from the decade included Pelli Chesi Choodu (1952), Puttillu (1953), Devadasu (1953), Pedda Manushulu (1954), Missamma (1955), Ardhangi (1955), Rojulu Marayi (1955), Donga Ramudu (1955), and Thodi Kodallu (1957), many of which performed well at
15470-501: The use of filmstrip in 1943 to 11,000 feet, a sharp reduction from the 20,000 feet that had been common till then. As a result, the number of films produced during the war was substantially lower than in previous years. Nonetheless, before the ban, an important shift occurred in the industry: Independent studios formed, actors and actresses were signed to contracts limiting whom they could work for, and films moved from social themes to folklore legends. Ghantasala Balaramayya , has directed
15600-488: The war docudrama Major (2022). Cinema Bandi (2022) scripted and directed by Praveen Kandregula, and produced by film making duo Raj and D. K. ; explored the theme of how a lost camera fuels dreams in a Telugu hamlet, winning the Jury Special Mention at the 53rd IFFI . Venu Yeldandi explored slice of life story from rural Telangana with Balagam (2023) hitting the right chords to be considered one of
15730-463: The way of preserving justice. Shakuni, Duryodhana, and Dushasana plot to get rid of the Pandavas. Shakuni calls the architect Purochana to build a palace out of flammable materials like lac and ghee. He then arranges for the Pandavas and the Queen Mother Kunti to stay there, intending to set it alight. However, the Pandavas are warned by their wise uncle, Vidura , who sends them a miner to dig
15860-588: The wisest figures in the Mahabharata . He serves as Prime Minister (Mahamantri or Mahatma) to King Pandu and King Dhritarashtra. When the princes grow up, Dhritarashtra is about to be crowned king by Bhishma when Vidura intervenes and uses his knowledge of politics to assert that a blind person cannot be king. This is because a blind man cannot control and protect his subjects. The throne is then given to Pandu because of Dhritarashtra's blindness. Pandu marries twice, to Kunti and Madri . Dhritarashtra marries Gandhari ,
15990-460: Was accepted by Yudhisthira despite the rest of the Pandavas advising him not to play. Shakuni , Duryodhana's uncle, now arranges a dice game, playing against Yudhishthira with loaded dice. In the dice game, Yudhishthira loses all his wealth, then his kingdom. Yudhishthira then gambles his brothers, himself, and finally his wife into servitude. The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of
16120-939: Was born on 27 May 1942 in a Telugu family, in Kovvur near Rajahmundry , Andhra Pradesh . He studied at Sir C.R. Reddy College in Eluru. Prasad's family had lands in Kovvur which were lost when the railways lines went most through them. Then, Prasad moved to Karnataka from Kovvur in 1968. He, along with his elder brother K. V. Sivashankar, bought seven acres of paddy fields in Hirekotikal village of Manvi Taluk in Raichur district . Their family moved back to Kovvur in 1977. He also ventured into various businesses which ended up as losses. His brother Siva Shakthi Datta's passion for films made Vijayendra Prasad and his family to shift to Madras . Datta assisted
16250-963: Was considered one of the ten best films of the year by the National Board of Review , making it only the seventh non-English language film ever to make it to the list. The song " Naatu Naatu " won the Oscar for Best Original Song at the 95th Academy Awards , making it the first song from an Indian film, as well as the first from an Asian film, to win in this category. This made the film the first Indian film by an Indian production to win an Academy Award. Mahabharata Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Mahābhārata ( / m ə ˌ h ɑː ˈ b ɑːr ə t ə , ˌ m ɑː h ə -/ mə- HAH - BAR -ə-tə, MAH -hə- ; Sanskrit : महाभारतम् , IAST : Mahābhāratam , pronounced [mɐɦaːˈbʱaːrɐt̪ɐm] )
16380-520: Was credited with the introduction of steadicams and new sound recording techniques in Telugu films. Within a year of the film's release, more than ten steadicams were imported into India. Siva attracted the young audience during its theatrical run, and its success encouraged filmmakers to explore a variety of themes and make experimental Telugu films. Subsequently, Varma introduced road movie and film-noir to Indian screen with Kshana Kshanam . Varma experimented with close-to-life performances by
16510-453: Was described by some early 20th-century Indologists as unstructured and chaotic. Hermann Oldenberg supposed that the original poem must once have carried an immense "tragic force" but dismissed the full text as a "horrible chaos." Moritz Winternitz ( Geschichte der indischen Literatur 1909) considered that "only unpoetical theologists and clumsy scribes" could have lumped the parts of disparate origin into an unordered whole. Research on
16640-745: Was directed by H. M. Reddy . Bhakta Prahlada was shot over 18 or 20 days at Imperial Studios, Bombay and was produced by Ardeshir Irani who also produced Alam Ara , India's first sound film . The film had an all-Telugu starcast featuring Sindhoori Krishna Rao as the titular Prahlada , Munipalle Subbayya as Hiranyakasyapa , and Surabhi Kamalabai as Leelavathy. Bhakta Prahlada was completed on 15 September 1931, which henceforth became known as "Telugu Film Day" to commemorate its completion. Popularly known as talkies , films with sound quickly grew in number and popularity. In 1932, Sagar Movietone produced Sri Rama Paduka Pattabhishekam and Sakunthala , both directed by Sarvottam Badami . Neither
16770-487: Was shot with a digital camera on a modest budget of approximately ₹ 8 lakh, with artists and technicians reportedly working without any remuneration. B. Anuradha of Rediff.com noted, "In this offbeat film, Indraganti upholds the tirade against chauvinists who accuse a noble lady of infidelity, ignoring her denials with contempt". The film was featured at the Independent South Asian Film Festival in
16900-409: Was the first Telugu talkie entirely financed by Telugu people. In 1934, the industry saw its first major commercial success with Lava Kusa . Directed by C. Pullayya and starring Parupalli Subbarao and Sriranjani , the film attracted unprecedented numbers of viewers to theatres and thrust the young industry into mainstream culture. Dasari Kotiratnam produced Sati Anasuya in 1935 and became
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