Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner . She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee , who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist , in part because of her association with Paul Robeson , her film opportunities dwindled and she focused her career on New York theatre.
18-504: She later became a highly influential acting teacher at New York's Herbert Berghof Studio and authored best-selling acting texts, Respect for Acting , with Haskel Frankel, and A Challenge for the Actor . Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov . She was elected to
36-419: A mask. He demanded ME in the role. My love of acting was slowly reawakened as I began to deal with a strange new technique of evolving in the character. I was not allowed to begin with, or concern myself at any time with, a preconceived form. I was assured that a form would result from the work we were doing. Hagen later "disassociated" herself from Respect for Acting . In Challenge for the Actor , she redefined
54-412: A new world in the professional theatre for me. He took away my 'tricks'. He imposed no line readings, no gestures, no positions on the actors. At first I floundered badly because for many years I had become accustomed to using specific outer directions as the material from which to construct the mask for my character, the mask behind which I would hide throughout the performance. Mr Clurman refused to accept
72-469: A term which she had initially called "substitution," an esoteric technique for mixing elements of an actor's life with his/her character work, calling it "transference" instead. Respect for Acting was used as a textbook for many college acting classes. She also wrote a 1976 cookbook, Love for Cooking . In 2002, she was awarded the National Medal of Arts by President George W. Bush at a ceremony held at
90-516: A union that lasted for 33 years until his death in 1990. Hagen died in Greenwich Village in 2004 after suffering a stroke in 2001. In 2009, Weird Al Yankovic’s “Skipper Dan” referenced Uta Hagen in the opening verse: I starred in every high school play Blew every drama teacher away I graduated first in my class at Juilliard Took every acting workshop I could And I dreamed of Hollywood While I read my Uta Hagen and studied
108-707: The American Theater Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999. Born in Göttingen , Germany, daughter of Thyra A. (née Leisner), a trained opera singer, and Oskar Hagen , an art historian and musician, Hagen and her family emigrated to the United States in 1924. Uta was raised in Madison, Wisconsin ; her father taught at
126-714: The University of Wisconsin–Madison . She appeared in productions of the University of Wisconsin High School and in summer stock productions of the Wisconsin Players. She studied acting briefly at the Royal Academy of Dramatic Art in 1936. After spending one semester at the University of Wisconsin–Madison, where her father was the head of the department of art history, she left for New York City in 1937. Her first professional role
144-912: The White House . Harvey Korman talks about studying under her during his Archive of American Television interview in 2004. David Hyde Pierce worked with Hagen in the Richard Alfieri play Six Dance Lessons in Six Weeks , at the Geffen Playhouse in 2001. Hyde Pierce spoke at her 2004 memorial at Manhattan's Majestic Theater . Uta Hagen was married to José Ferrer from 1938 until 1948. They had one child together, their daughter Leticia (born 15 October 1940). They divorced partly because of Hagen's long-concealed affair with Paul Robeson , her co-star in Othello . Hagen married Herbert Berghof on 25 January 1957,
162-414: The Actor (1991), which advocate realistic (as opposed to "formalistic") acting. In her mode of realism, the actor puts his own psyche to use in finding identification with the role," trusting that a form will result. In Respect for Acting , Hagen credited director Harold Clurman with a turn-around in her perspective on acting: In 1947, I worked in a play under the direction of Harold Clurman. He opened
180-643: The Bard HB Studio The HB Studio ( Herbert Berghof Studio ) is a non-profit 501(c)(3) organization offering professional training in the performing arts through classes, workshops, free lectures, theater productions, theater rentals, a theater artist residency program, as well as full-time study through their International Student Program and Uta Hagen Institute. Located in Greenwich Village , New York City, HB Studio offers training and development to aspiring and professional artists in acting , directing , playwriting , musical theatre , movement and
198-480: The body , dialect study (speech and voice), scene study analysis, screenwriting and classes for young people. Select classes require an audition for admission. Founded in 1945 by Viennese-born American actor/director Herbert Berghof , HB Studio is one of the original New York acting studios, providing training and practice in the performing arts. In 1948, Uta Hagen joined the Studio as Berghof's artistic partner, and
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#1733085383684216-546: The national tour, which was directed by Harold Clurman . In Respect for Acting , she credited her discoveries with Clurman as the springboard for what she would later explore with her husband Herbert Berghof : "how to find a true technique of acting, how to make a character flow through me." She played Blanche (on the road and on Broadway) opposite at least four different Stanley Kowalskis, including Anthony Quinn and Marlon Brando . Primarily noted for stage roles, Hagen won her first Tony Award in 1951 for her performance as
234-681: The self-sacrificing wife Georgie in Clifford Odets ' The Country Girl . She won again in 1963 for originating the role of Martha in Edward Albee 's Who's Afraid of Virginia Woolf? . In 1981 she was elected to the American Theater Hall of Fame and in 1999 received a "Special Lifetime Achievement Tony Award." Although she appeared in some movies after 1972, the Hollywood blacklist limited her output in film and television. She would later comment about being blacklisted, "that fact kept me pure." She
252-495: The theatre, and their discipline." The New York Times ' critic Brooks Atkinson hailed her Nina as "grace and aspiration incarnate." She played George Bernard Shaw 's Saint Joan (1951) on Broadway, and Desdemona in a production which toured. Later she acted with Paul Robeson in Shakespeare's Othello ; her then-husband José Ferrer was Iago. She took over the role of Blanche DuBois in A Streetcar Named Desire for
270-1002: The two wed ten years later. Her master classes led to the writing of her books Respect for Acting and A Challenge for the Actor . In 2010, HB Studio founded the Uta Hagen Institute, which offers full-time immersion in the practical approach to acting craft that characterized Uta Hagen's master classes and classic acting texts. Its two key programs, The Hagen Summer Intensive and The Hagen Core Training, are highly structured, integrated courses for students with serious professional and artistic intent. Past faculty members include William Hickey and Jack Hofsiss . Notable alumni include: 13th Daytime Emmy Awards The 13th Daytime Emmy Awards were held on Thursday, July 17, 1986, on NBC to commemorate excellence in daytime programming from March 6, 1985 to March 5, 1986. The telecast, lasting from 3-4:30 p.m., preempted Santa Barbara . Winners in each category are in bold . NOTE: The award
288-513: Was a voice coach to Judy Garland , teaching her a German accent for the picture Judgment at Nuremberg . Garland's performance earned her an Academy Award nomination. Later in life, Hagen returned to the stage, earning accolades for leading roles in Mrs. Warren's Profession (1985), Collected Stories , and Mrs. Klein . After Berghof's death in 1990, she became the school's chairperson. She also wrote Respect for Acting (1973) and A Challenge for
306-515: Was as Ophelia opposite Eva Le Gallienne in the title role of Hamlet in Dennis, Massachusetts , in 1936. Hagen was cast, early on, as Ophelia by the actress-manager Eva Le Gallienne . Hagen went on to play (at age 18) the leading ingénue role of Nina in a Broadway production of Anton Chekhov 's The Seagull with Alfred Lunt and Lynn Fontanne . "The Lunts," she later stated, "were an enormous influence on my life." She admired "their passion for
324-688: Was nominated for a Daytime Emmy Award as "Outstanding Supporting Actress in a Drama Series" for her performance on the television soap opera One Life to Live . She taught at HB Studio , a New York City acting school. She began there in 1947, and married its co-founder, Herbert Berghof , on 25 January 1957. Hagen was an influential acting teacher who taught, among others, Matthew Broderick , Christine Lahti , Amanda Peet , Hope Davis , Jason Robards , Sigourney Weaver , Katie Finneran , Liza Minnelli , Whoopi Goldberg , Jack Lemmon , Charles Nelson Reilly , Manu Tupou , Debbie Allen , Herschel Savage , George Segal , Jon Stewart , and Al Pacino . She
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