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56-415: The album features six original songs which had never been released or performed before, a re-recording of a previous Glass Hammer song, three covers , two tracks previously released as part of little-known collaborative albums , and the recording of a live performance. All thirteen tracks are listed based on the year of their original recording. Glass Hammer announced Untold Tales on August 21, 2017, with

112-502: A cover medley . On occasion, a cover can become more popular than the original, for instance Jimi Hendrix ’s version of Bob Dylan ’s " All Along the Watchtower " became the standard, and Dylan even adjusted his performance style closer to the Hendrix version. Johnny Cash ’s 2002 cover of " Hurt " by Nine Inch Nails is another example of the cover version eclipsing the original. This is

168-466: A 1990 review in School Library Journal said, "No one picking up this book will remain indifferent to the awesome splendor of the peaks or the sheer determination of the people who, with only tiny crampon points and small ice axes, tackle climbing them in spite of blizzards, frostbite, terror of glacial crevasses, and avalanches." The review also noted that women played a very peripheral role in

224-540: A concert at Camp House in Chattanooga, Tennessee , where the band performed the album Valkyrie in its entirety. Credits adapted from the album's liner notes by Steve Babb. The track features the credit "Performed by Fred Schendel, Tracy Cloud and Steve Babb". As Cloud is a singer, and the song is an instrumental , the nature of her involvement in the performance is unclear. The track features pre-existing drum tracks performed by Peart, made available to

280-522: A favorite artist's hit tunes for the simple pleasure of playing a familiar song or collection of tunes. Today, three broad types of entertainers depend on cover versions for their principal repertoire: Since the Copyright Act of 1909 , United States musicians have had the right to record a version of someone else's previously recorded and released tune, whether it is music alone or music with lyrics. A license can be negotiated between representatives of

336-474: A new bass line. "Babb's Bach" is a recording from 2008 in which Babb performs a re- arranged instrumental version of an excerpt of the 1731 church cantata Wachet auf, ruft uns die Stimme , BWV 140 by Johann Sebastian Bach , namely the fourth movement , Zion hört die Wächter singen . He was inspired to record the song by Wendy Carlos ' 1968 album Switched-On Bach , which was Babb's introduction to synthesizer . The sixth track, "And Then She Sighed",

392-444: A planned "fall 2017" release. The mastering process was about to be completed on August 25. Some of Untold Tales' songs date back to the band's beginnings; according to Steve Babb, he and co-bandleader and founder Fred Schendel realized they were "sitting on a hoard of unreleased material spanning the life of the band. We thought Glass Hammer’s twenty-fifth anniversary was a good time to release much of it." The album's first track

448-456: A tribute to the original performer or group. Using familiar material (such as evergreen hits, standard tunes or classic recordings) is an important method of learning music styles. Until the mid-1960s most albums, or long playing records , contained a large number of evergreens or standards to present a fuller range of the artist's abilities and style. (See, for example, Please Please Me .) Artists might also perform interpretations ("covers") of

504-455: A weekly segment called Like a Version in which a band or musician performs one of their own songs as well as a song they love by another artist. Originating in 2004, the popularity of the performances have resulted in the release of annual compilation albums of selected covers and, more recently, votes in the annual Triple J Hottest 100 poll (which has even sparked its own controversy). Conjoined cover songs are collectively referred to as

560-456: A widespread, common occurrence in the music industry. With advancements in artificial intelligence , internet users can create covers using RVC models. Cover versions (as the term is now used) are often contemporary versions of familiar songs. For example, " Singin' in the Rain " was originally introduced by Cliff Edwards in the film The Hollywood Revue of 1929 . The famous Gene Kelly version

616-471: Is " It's All Too Much " (originally by The Beatles , although this version was also inspired by Steve Hillage 's cover in his 1976 album L ), which was recorded in 2009 during the sessions for Three Cheers for the Broken-Hearted , and performed "as an encore piece for a few live shows". For Untold Tales , Glass Hammer replaced their original recording's pipe organ with a Hammond organ , and created

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672-504: Is " Mack the Knife " ("Die Moritat von Mackie Messer"), originally from Bertolt Brecht's 1928 Die Dreigroschenoper . It was popularized by a 1956 hit parade instrumental tune, "Moritat", for the Dick Hyman Trio, also recorded by Richard Hayman & Jan August , but a hit also for Louis Armstrong 1956/1959, Bobby Darin , 1959, and Ella Fitzgerald , 1960, as vocal versions of "Mack

728-496: Is a re-recording of "Shadows of the Past", the first track of the band's first album Journey of the Dunadan , originally released in 1993. This version was made by Schendel, originally as a part of a planned entire re-recording of the album, to celebrate the band's fifteenth anniversary. Although this new version of the album never came to be, Schendel had already completed the new version of

784-410: Is the only one that might currently get widespread airplay on most media. Similarly, " Unchained Melody " was originally performed by Todd Duncan , featured in the 1955 film Unchained (based on the non-fiction story Prisoners are People by Kenyon J. Scudder); Al Hibbler having the biggest number of worldwide record sales for the vocal version with Jimmy Young's cover version rival outdoing this in

840-562: The Bob Dylan track " Desolation Row ". This is more common with today's covers, taking older popular music and revamping it to compare with modern popular music. Aretha Franklin 's cover of Otis Redding 's " Respect " was voted the greatest cover song of all time, according to Forbes.com. Eiger Dreams Eiger Dreams: Ventures Among Men and Mountains is a non-fiction collection of articles and essays by Jon Krakauer on mountaineering and rock climbing . Eleven out of twelve of

896-501: The Glenn Miller version (on RCA Victor's cheaper Bluebird label), not someone else's (sometimes presented on a more expensive record company's label). This trend was marked closely by the charting of record sales by the different artists, not just hit tunes, on the music industry's hit parades . However, for sound commercial reasons, record companies still continued to record different versions of tunes that sold well. Most audiences until

952-409: The eponymous book by Jon Krakauer . Babb stated that the track "Troll" was conceived around 2008 and was "inspired by some of the posts we've seen through the years on certain prog-rock websites", referring to internet trolling . The instrumental "A Grain of Sand" was written by guitarist Kamran Alan Shikoh and recorded in 2010 as a possible track for If . Although it was not ultimately featured,

1008-532: The 20th century it became common for phonograph record labels to have singers or musicians "cover" a commercially successful "hit" tune by recording a version for their own label in hopes of cashing in on the tune's success. For example, Ain't She Sweet was popularized in 1927 by Eddie Cantor (on stage) and by Ben Bernie and Gene Austin (on record), was repopularized through popular recordings by Mr. Goon Bones & Mr. Ford and Pearl Bailey in 1949, and later still revived as 33 1/3 and 45 RPM records by

1064-659: The Air" occur in Strictly Ballroom , Candi Staton 's "Young Hearts Run Free" appear in Romeo + Juliet , and adaptations of artists such as Nat King Cole , Nirvana , Kiss , Elton John , Thelma Houston , Marilyn Monroe , Madonna , T. Rex , David Bowie , Queen , and the Police are used in Moulin Rouge! . The covers are carefully designed to fit into the structure of each film and suit

1120-450: The American record market. Numerable English-language covers exist of " 99 Luftballons " by German singer Nena (notably one by punk band Goldfinger ), one having been recorded by Nena herself following the success of her original German version. " Popcorn ", a song that was originally completely instrumental, has had lyrics added in at least six different languages in various covers. During

1176-519: The Anglo-Saxon markets was once a popular part of the music business. For example, the 1954 worldwide hit " The Happy Wanderer " was originally " Der fröhliche Wanderer ", to this must be added " Hymne à l'amour ", " Mütterlein ", " Volare ", " Seeman ", " Quando, Quando, Quando ", " L'amour est bleu ", etc. Cover versions of many popular songs have been recorded, sometimes with a radically different style, sometimes virtually unrecognizable from

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1232-462: The Beatles in 1964. Because little promotion or advertising was done in the early days of record production, other than at the local music hall or music store, the average buyer purchasing a new record usually asked for the tune, not the artist. Record distribution was highly localized, so a locally popular artist could quickly record a version of a hit song from another area and reach an audience before

1288-665: The Fire , although the German title was retained. The English version, which was not a direct translation of Falco's original but retained much of its spirit, reached the Top 5 on the US charts. " The Lion Sleeps Tonight " evolved over several decades and versions from a 1939 Solomon Linda a cappella song. Many of singer Laura Branigan 's 1980s hits were English-language covers of songs already successful in Europe, for

1344-433: The Knife". Europe's Radio Luxembourg , like many commercial stations, also sold "air time"; so record companies and others bought air time to promote their own artists or products, thus increasing the number of recorded versions of any tune then available. Add to this the fact that many radio stations were limited in their permitted " needle time " (the amount of recorded music they were allowed to play), or were regulated on

1400-513: The Rain" has been covered and remixed by British act Mint Royale for a television commercial for Volkswagen . Another example of this, from a different angle, is the tune " Blueberry Hill ", many mistakenly believe the Fats Domino 1956 release to be the original recording and artist. In fact, it was originally introduced on film by Gene Autry and popularized on the record Hit Parade of 1940 by Glenn Miller. The Fats Domino rock and roll version

1456-978: The UK, Les Baxter's Orchestra gaining the big instrumentalist sales, reaching the US Hit Parade number one spot in May 1955, but the Righteous Brothers ' later version (top five on the US Hit Parade of September 1965 stalling at number 14 in the UK in August) is by far the wider known version, and especially so following its appearance in the 1990 film Ghost . " House of the Rising Sun " has hundreds of versions and in many genres such as folk , blues rock and punk as well as dance and dubstep . Director Baz Luhrmann has contemporized and stylized older songs for use in his films. New or cover versions such as John Paul Young 's "Love Is in

1512-572: The amount of local talent they had to promote in live broadcasts, as with most national stations like the BBC in the UK. In the US, broadcasters pay royalties to authors and publishers. Artists are not paid royalties, so there is an incentive to record numerous versions of a song, particularly in different genres. For example, King Records frequently cut both rhythm and blues and country and western versions of novelty songs like "Good Morning, Judge" and "Don't Roll those Bloodshot Eyes at Me". This tradition

1568-400: The band by Sonic Reality . Official credit goes to "Neil Part Drums by Sonic Reality". Cover version In popular music , a cover version , cover song , remake , revival , or simply cover is a new performance or recording by a musician other than the original performer or composer of the song . Originally, it referred to a version of a song released around the same time as

1624-444: The bowdlerized popular cover versions more palatable for the mass audience of parents and their children. Artists targeting the white-majority family audience were more acceptable to programmers at most radio and TV stations. Singer-songwriter Don McLean called the cover version a "racist tool". Many parents in the 1950s - 60s, whether intentionally racist or not, felt deeply threatened by the rapid pace of social change. They had, for

1680-727: The chapters were initially published between 1982 and 1989 in the magazines Outside , Smithsonian , and New Age Journal . It concerns a variety of topics, from ascending the Eiger Nordwand in the Swiss Alps , Denali in Alaska or K2 in the Karakoram , to the well-known rock climbers Jon Krakauer has met on his trips, such as John Gill , Adrian Popovich or the Burgess brothers. Recommending it for adventure collections for young adults,

1736-406: The disingenuous spirit of early cover versions remain. In the album-buying heyday of the 1970s, albums of sound-alike covers were created, commonly released to fill bargain bins in the music section of supermarkets and even specialized music stores , where uninformed customers might easily confuse them with original recordings. The packaging of such discs was often intentionally confusing, combining

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1792-512: The first track, using orchestral sounds that were not available to the band back in 1993. The song "Infusion" was originally released as a part of Love Changes , a 1995 collaborative album credited to "Tracy Cloud featuring Glass Hammer". Cloud was the first artist produced by Glass Hammer at their studio, Sound Resources; she was also featured as a backing vocalist on the Glass Hammer albums Perelandra and On to Evermore . Babb considers

1848-470: The heyday of Cantopop in Hong Kong in the late 1970s to early 1990s, many hits were covers of English and Japanese titles that have gained international fame but with localized lyrics (sometimes multiple sets of lyrics sung to the same tune), and critics often chide the music industry of shorting the tune-composing process. Although modern cover versions are often produced for artistic reasons, some aspects of

1904-587: The interpreting artist and the copyright holder, or recording published tunes can fall under a mechanical license whereby the recording artist pays a standard royalty to the original author/copyright holder through an organization such as the Harry Fox Agency , and is safe under copyright law even if they do not have any permission from the original author. A similar service was provided by Limelight by RightsFlow , until January 2015, when they announced they will be closing their service. The U.S. Congress introduced

1960-709: The mechanical license to head off an attempt by the Aeolian Company to monopolize the piano roll market. Although a composer cannot deny anyone a mechanical license for a new recorded version, the composer has the right to decide who will release the first recording of a song. Bob Dylan took advantage of this right when he refused his own record company the right to release a live recording of " Mr. Tambourine Man ". Even with this, pre-release cover versions of songs can occasionally occur. Live performances of copyrighted songs are typically arranged through performing rights organizations such as ASCAP or BMI . Early in

2016-517: The mid-1950s still heard their favorite artists playing live music on stage or via the radio . And since radio shows were for the most part aimed at local audiences, it was still rare for an artist in one area to reach a mass audience. Also radio stations tended to cater to broad audience markets, so an artist in one vein might not get broadcast on other stations geared to a set audience. So popular versions of jazz , country and western or rhythm and blues tunes, and vice versa, were frequent. An example

2072-483: The most part, shared entertainment with their parents in ways their children had become reluctant to do. The jukebox and the personal record disc player were still relatively expensive pieces of machinery — and the portable radio a great novelty, allowing truculent teenagers to shut themselves off. Tunes by introducing or "original" niche market artists that became successful on the mass audience hit parade charts are called crossovers as they "crossed over" from

2128-517: The most popular style of music in the mid-1950s / mid-1960s was still the professional light orchestra, therefore popular recording artists sought that format. For many purists these popular versions lacked the raw earthiness of the original introducing artists. Most did not have the kudos that rebellious teenagers craved, the street credibility — of rock and roll music; most were performed, and some were written, by black artists not heard in popular mass entertainment markets. Most parents considered

2184-515: The name of the original artist in large letters with a tiny disclaimer like as originally sung by or as made popular by . More recently, albums such as the Kidz Bop series of compact discs , featuring versions of contemporary songs sung by children, have sold successfully. In 2009, the American musical comedy-drama television series Glee debuted, featuring several musical performances per episode. The series featured solely cover songs performed by

2240-438: The original in order to compete with it. Now, it refers to any subsequent version performed after the original. The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams ' 1949 hit tune " The Hucklebuck " and Hank Williams ' 1952 song " Jambalaya ". Both crossed over to

2296-409: The original sound electronically; cover versions give a performer the ability to adapt music to their own style, typically allowing them to change the genre of a song and recreating it to their own taste. For example, in 2008, Fall Out Boy covered Michael Jackson 's hit song " Beat It ", changing the genre from pop rock to a more punk rock feel. Another example is when My Chemical Romance covered

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2352-403: The original. For example, Sir Mix-a-Lot 's 1992 rap " Baby Got Back " was covered by indie rock singer Jonathan Coulton in 2005, in an acoustic soft rock style. Coulton's cover was then covered, without attribution, in 2013 by the show Glee , and was so similar that Coulton, among others, alleged plagiarism of his arrangement and melody. Some producers or recording artists may also enlist

2408-428: The popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event , even if it was reproduced at home via a copy of the sheet music , learned by heart or captured on a gramophone record . In fact, one of the principal objects of publishing sheet music

2464-401: The rest of the song consists of the original recording. Babb "literally found [the recording] hiding on a backup drive". The album features two cover songs . The first, " Hold Your Head Up " (originally by Argent ), was first performed by Glass Hammer in 1996 during the festival Progscape. Babb estimates that the studio version was recorded "around that time, probably in 1997". The other cover

2520-504: The series' titular glee club until near the end of its second season with the episode " Original Song ". The series still primarily uses cover songs of both chart hits and show tunes, occasionally as mashups or distinct variations. The show's musical performances have been a commercial success, with over twenty-one million copies of Glee cast single releases purchased digitally, and over nine million albums purchased worldwide. Australian alternative/indie radio station Triple J presents

2576-520: The services of a sample replay company such as Titan Tribute Media or Scorccio, in order to replicate an original recording with precision detail and accuracy. A song may be covered into another language. For example, in the 1930s, a recording of " Isle of Capri " in Spanish, by Osvaldo Fresedo and singer Roberto Ray, is known. Falco 's 1982 German-language hit " Der Kommissar " was covered in English by After

2632-401: The sound library Sonic Reality . After being asked to by Sonic Reality founder Dave Kerzner , Glass Hammer wrote and recorded a song based on this pre-existing drum track, although the resulting song had ultimately been left unreleased. Babb stated about the song "It is not possible to use [Peart's] drums and have it not sound like Rush." "No Man’s Land Live" was recorded on May 6, 2017 during

2688-419: The sound of the song to be similar to Perelandra ' s. "Identity Principle", which Babb called "one of our best epics", was originally recorded in the "early 90s" for an abandoned project, featuring Walter Moore on vocals. According to Babb, the song had "some sonic issues" in its finale, and the band was never quite satisfied with the mixing . A new ending was written and recorded for Untold Tales , while

2744-430: The targeted country, jazz or rhythm audience. Also, many songs originally recorded by male artists were rerecorded by female artists, and vice versa. Such a cover version is also sometimes called a cross cover version , male cover , or female cover . Some songs such as "If Only for One Night" were originally recorded by female artists but covered by mostly male artists. Reworking non-English language tunes and lyrics for

2800-405: The taste of the intended audience. Other artists release new versions of their own songs, like German singer Nena who recorded an entire album with great success, with new versions of older hits. Cover songs can be used to display creativity of a performers work through the talent of another artist's previous production. Not to be confused with a remix , which is defined as altering or distorting

2856-478: The version by the artist(s) who first introduced the tune, and highly competitive record companies were quick to take advantage of this. This began to change in the late 1930s, when the growing record-buying public began including a younger age group. During the swing era , when a bobby soxer went looking for a recorded tune, say " In the Mood ", typically she wanted the version popularized by her favorite artist(s), e.g.

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2912-544: The vocals by Jon Davison recorded for the track were ultimately used in "If the Stars". "Cool Air", a song based on the eponymous short story by H. P. Lovecraft and also featuring Davison, was originally released as a part of The Stories of H.P. Lovecraft , a 2012 collaborative album by different artists. It was recorded that year, from lyrics by Babb and music by Schendel. "The Impulsive Type" features "live drum tracks" performed by Neil Peart of Rush , originally recorded for

2968-426: Was a revision that brought it up to date for a 1950s Hollywood musical, and was used in the 1952 film Singin' in the Rain . In 1978, it was covered by French singer Sheila , accompanied by the B. Devotion group, as a disco song, once more updating it to suit the musical taste of the era. During the disco era there was a trend of taking well known songs and recording them in the disco style. More recently "Singin' in

3024-427: Was expanded when rhythm and blues songs began appearing on pop music charts. In the early days of rock and roll , many tunes originally recorded by R&B and country musicians were still being re-recorded in a more popular vein by other artists with a more toned-down style or professional polish. This was inevitable because radio stations were reluctant to play formats outside their target audience's taste. By far

3080-453: Was recorded in 2009 for a cancelled J. R. R. Tolkien -themed album. It features singer Laura Lindstrom Davis, who appeared on previous Glass Hammer works, including 2005's The Inconsolable Secret . "Eiger Dreams" served as the opening track of Glass Hammer's 2008 live album Live at the Tivoli , but its studio recording produced the same year had never been released. The title is a reference to

3136-510: Was to have a composition performed by as many artists as possible. This made the song more important than the performing artist and rival cover or 'copycat' versions would vie for success. In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary cover versions of current hits. Since the 1950s, musicians now play what they call "cover versions" (the reworking, updating, or interpretation) of songs as

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