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82-528: The Renaissance Revival building was constructed in 1905 and initially functioned as a hotel . John Knell, Sr., a beer wholesaler who immigrated from Germany, commissioned the building in 1904. Upon completion, Hotel Arthur was the tallest building in Aurora, surpassed in 1917 by Hotel Aurora . It was the only hotel on the east side of the Fox River . The hotel was designed by Eugene Malmer and named after Arthur Knell,

164-462: A balustraded parapet . The principal block is flanked by two lower asymmetrical secondary wings that contribute picturesque massing, best appreciated from an angled view. The larger of these is divided from the principal block by the belvedere tower. The smaller, the ballroom block, is entered through a columned porte-cochère designed as a single storey prostyle portico . Many examples of this style are evident around Sydney and Melbourne, notably

246-595: A Historicist example of Classical Palladianism combined with the French Renaissance, a uniquely distinctive interpretation of the Renaissance Revival style. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed

328-733: A Renaissance influence, its first flight is similar to "The staircase of the Giants" rises from the Doge's Palace Courtyard, designed when the Venetian Gothic was being uncomfortably merged with Renaissance style. Similarly to that at Mentmore, the Staircase of the Giant's terminates on to an arcaded loggia. Perhaps not ironically the Hall and Staircase at Mentmore were designed by Paxton to display furniture formerly housed in

410-492: A building were of several floors, the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was often more severe in its design. John Ruskin 's panegyrics to architectural wonders of Venice and Florence in

492-414: A door on Broadway. [REDACTED] Media related to Hotel Arthur at Wikimedia Commons Renaissance Revival Renaissance Revival architecture (sometimes referred to as " Neo-Renaissance ") is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under

574-535: A loose style of an Italian village. It is now owned by a charitable trust. Williams-Ellis incorporated fragments of demolished buildings, including works by a number of other architects. Portmeirion's architectural bricolage and deliberately fanciful nostalgia have been noted as an influence on the development of postmodernism in architecture in the late 20th century. The Italianate revival was comparatively less prevalent in Scottish architecture , examples include some of

656-474: A modest spate of Italianate villas, and French chateaux" by 1855 the most favoured style of an English country house was Gothic, Tudor, or Elizabethan. The Italianate style came to the small town of Newton Abbot and the village of Starcross in Devon, with Isambard Brunel's atmospheric railway pumping houses. The style was later used by Humphrey Abberley and Joseph Rowell, who designed a large number of houses, with

738-510: A more flowing line of design than had been apparent in the earlier Gothic. The Chateau de Blois's triumphal staircase was imitated almost from the moment of its completion, and was certainly the predecessor of the "double staircase" (sometimes attributed to Leonardo da Vinci ) at the Château de Chambord just a few years later. A Grand Staircase whether based on that of Blois, or the Villa Farnese

820-698: A number of Italianate lighthouses and associated structures, chief among them being the Grosse Point Light in Evanston, Illinois . The Italianate style was immensely popular in Australia as a domestic style influencing the rapidly expanding suburbs of the 1870–1880s and providing rows of neat villas with low-pitched roofs, bay windows , tall windows and classical cornices. The architect William Wardell designed Government House in Melbourne —the official residence of

902-638: A style not always instantly recognisable as a derivative of the Renaissance. In this less obvious guise the Neo-Renaissance was to provide an important undercurrent in totalitarian architecture of various countries, notably in Stalinist architecture of the Soviet Union , as seen in some pavilions of the All-Soviet Exhibition Centre . Neo-Renaissance architecture, because of its diversity, is perhaps

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984-694: Is an example of this further evolution of the style. As in Australia, the use of Italianate for public service offices took hold but using local materials like timber to create the illusion of stone. At the time it was built in 1856, the official residence of the Colonial Governor in Auckland was criticized for the dishonesty of making wood look like stone. The 1875 Old Government Buildings, Wellington are entirely constructed with local kauri timber, which has excellent properties for construction. ( Auckland developed later and preferred Gothic detailing.) As in

1066-516: Is an outstanding ensemble of Neo-Renaissance townhouses from the last decades of the 19th century. The most famous Hungarian architect of the age, Miklós Ybl preferred Neo-Renaissance in his works. In Russia, the style was pioneered by Auguste de Montferrand in the Demidov House (1835), the first in Saint Petersburg to take "a story-by-story approach to façade ornamentation, in contrast to

1148-456: Is blocked by an adjacent building on the first three floors. The remaining floors are undetailed brick, but do have double-hung windows matching the southern facade. There is also a faded paint advertisement on this side. Similarly, the western facade is blocked on the first two floors with windows and a faded painted sign. The ground floor was remodeled in 1966 to become a restaurant. The upper floors, which have hardwood floors, are accessed through

1230-659: Is generally accepted to be the first Italianate villa in England, from which is derived the Italianate architecture of the late Regency and early Victorian eras. The Italianate style was further developed and popularised by the architect Sir Charles Barry in the 1830s. Barry's Italianate style (occasionally termed "Barryesque") drew heavily for its motifs on the buildings of the Italian Renaissance , though sometimes at odds with Nash's semi-rustic Italianate villas. The style

1312-505: Is generally accredited to Filippo Brunelleschi (1377–1446). Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture but by the form in which Renaissance architecture developed in France during

1394-434: Is more in the lighter, more columned style of Ottaviano Nonni 's (named il Mascherino) staircase designed for Pope Gregory XIII at Rome's Palazzo Quirinale in 1584, thus demonstrating that architects wherever their location were selecting their Neo-Renaissance styles regardless of geography Gothic influences on both period and revived Renaissance architecture are readily apparent, first as much building occurred during

1476-518: The British Raj in 1880, the façades of the 1777 Writers' building in Kolkata were redesigned in the Renaissance Revival style then popular in colonial India, though this version was remarkable in its unique design. Loggias of Serlian arches deceptively form an almost Indian appearance, yet they sit beneath a mansard roof. In what at first glance appears an Indian building, on closer examination shows

1558-416: The Italian Renaissance . In England , the Renaissance tended to manifest itself in large square tall houses such as Longleat House (1568–1580). Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture. This is particularly evident at Hatfield House (1607–1612), where medieval towers jostle with a large Italian cupola. This is why so many buildings of

1640-859: The Lazio and the Veneto or as he put it: "...the charming character of the irregular villas of Italy." His most defining work in this style was the large Neo-Renaissance mansion Cliveden , while the Reform Club 1837–41 in Pall Mall represents a convincingly authentic pastiche of the Palazzo Farnese in Rome, albeit in a 'Grecian' Ionic order in place of Michelangelo 's original Corinthian order . Although it has been claimed that one-third of early Victorian country houses in England used classical styles, mostly Italianate, by 1855

1722-624: The Medici . Upon his return to Lebanon in 1618, he began modernising Lebanon. He developed a silk industry, upgraded olive oil production, and brought with him numerous Italian engineers who began building mansions and civil buildings throughout the country. The cities of Beirut and Sidon were especially built in the Italianate style. The influence of these buildings, such as those in Deir el Qamar , influenced building in Lebanon for many centuries and continues to

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1804-544: The Old Treasury Building (1858), Leichhardt Town Hall (1888), Glebe Town Hall (1879) and the fine range of state and federal government offices facing the gardens in Treasury Place. No.2 Treasury Gardens (1874). This dignified, but not overly exuberant style for civil service offices contrasted with the grand and more formal statements of the classical styles used for Parliament buildings . The acceptance of

1886-755: The Palais Leuchtenberg (1817–21), by Leo von Klenze , then adopted as a state style under the reign of Ludwig I of Bavaria for such landmarks as the Alte Pinakothek (1826–36), the Konigbau wing of the Munich Residenz (1825–35), and the Bavarian State Library (1831–43). While the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came later was far more ornate in its design. This period can be defined by some of

1968-460: The governor of Victoria —as an example of his "newly discovered love for Italianate, Palladian and Venetian architecture ." Cream-colored, with many Palladian features, it would not be out of place among the unified streets and squares in Thomas Cubitt's Belgravia , London, except for its machicolated signorial tower that Wardell crowned with a belvedere . The hipped roof is concealed by

2050-627: The 16th century. During the early years of the 16th century, the French were involved in the Italian Wars , bringing back to France not just the Renaissance art treasures as their war booty , but also stylistic ideas. In the Loire valley a wave of chateau building was carried out using traditional French Gothic styles but with ornament in the forms of pediments, arcades, shallow pilasters and entablatures from

2132-523: The 1850s contributed to shifting "the attention of scholars and designers, with their awareness heightened by debate and restoration work" from Late Neoclassicism and Gothic Revival to the Italian Renaissance. Like all architectural styles, the Neo-Renaissance did not appear overnight fully formed but evolved slowly. One of the first signs of its emergence was the Würzburg Women's Prison, which

2214-542: The 19th century. As a consequence, a self-consciously "Neo-Renaissance" manner first began to appear c.  1840 . By 1890 this movement was already in decline. The Hague 's Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club , Pall Mall (1829–1832). Other early but typical, domestic examples of

2296-646: The American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the US during the 1880s. Richardson's style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his "Marshall Field Warehouse" in Chicago (completed in 1887, now demolished). Neo-Renaissance was adopted early in Munich , often based directly on Italian Palazzi, first appearing in

2378-533: The Civil War. Its popularity was due to being suitable for many different building materials and budgets, as well as the development of cast-iron and press-metal technology making the production more efficient of decorative elements such as brackets and cornices. However, the style was superseded in popularity in the late 1870s by the Queen Anne and Colonial Revival styles. The popularity of Italianate architecture in

2460-525: The Doge's Palace. Paris is home to many historicist buildings that partake equally from Renaissance and Baroque source material, such as the Opera Garnier . However, the Parisian Hôtel de Ville faithfully replicates the true French Renaissance style, complete with the steeply pitched roofs and towers, as it was a reconstruction, completed c.  1880 , of the previous Hôtel de Ville . In

2542-845: The German version of Neo-Renaissance culminated in such projects as the Town Hall in Hamburg (1886–1897) and the Reichstag in Berlin (completed in 1894). In Austria, it was pioneered by such illustrious names as Rudolf Eitelberger , the founder of the Viennese College of Arts and Crafts (today the University of Applied Arts Vienna ). The style found particular favour in Vienna , where whole streets and blocks were built in

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2624-495: The Italianate style as defined by Sir Charles Barry into many of his London terraces. Cubitt designed Osborne House under the direction of Prince Albert of Saxe-Coburg and Gotha , and it is Cubitt's reworking of his two-dimensional street architecture into this freestanding mansion which was to be the inspiration for countless Italianate villas throughout the British Empire. Following the completion of Osborne House in 1851,

2706-629: The Italianate style for government offices was sustained well into the 20th century when, in 1912, John Smith Murdoch designed the Commonwealth Office Buildings as a sympathetic addition to this precinct to form a stylistically unified terrace overlooking the gardens. The Italianate style of architecture continued to be built in outposts of the British Empire long after it had ceased to be fashionable in Britain itself. The Albury railway station in regional New South Wales , completed in 1881,

2788-737: The Italianate style, such as the James Lick Mansion , John Muir Mansion , and Bidwell Mansion , before later Stick-Eastlake and Queen Anne styles superseded. Many, nicknamed Painted Ladies , remain and are celebrated in San Francisco . A late example in masonry is the First Church of Christ, Scientist in Los Angeles . Additionally, the United States Lighthouse Board , through the work of Colonel Orlando M. Poe , produced

2870-851: The London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. Starting with the orangery of Sanssouci (1851), "the Neo-Renaissance became the obligatory style for university and public buildings, for banks and financial institutions, and for the urban villas" in Germany. Among the most accomplished examples of the style were Villa Meyer in Dresden, Villa Haas in Hesse , Palais Borsig in Berlin , Villa Meissner in Leipzig ;

2952-483: The Neo-Renaissance include Mentmore Towers and the Château de Ferrières , both designed in the 1850s by Joseph Paxton for members of the Rothschild banking family. The style is characterized by original Renaissance motifs , taken from such Quattrocento architects as Alberti . These motifs included rusticated masonry and quoins , windows framed by architraves and doors crowned by pediments and entablatures . If

3034-767: The United States, the timber construction common in New Zealand allowed this popular style to be rendered in domestic buildings, such as Antrim House in Wellington, and Westoe Farm House in Rangitikei (1874), as well as rendered brick at "The Pah" in Auckland (1880). On a more domestic scale, the suburbs of cities like Dunedin and Wellington spread out with modest but handsome suburban villas with Italianate details, such as low-pitched roofs, tall windows, corner quoins , and stone detailing, all rendered in wood. A good example

3116-468: The ambitions of wealthy Americans in equaling and surpassing the ostentatious lifestyles of European aristocrats. During the latter half of the 19th century 5th Avenue in New York City was lined with "Renaissance" French chateaux and Italian palazzi , all designed in Neo-Renaissance styles. Most of these have since been demolished. One of the most widely copied features of Renaissance architecture were

3198-460: The beginning of the 20th century, Neo-Renaissance was a commonplace sight on the main streets of thousands of towns, large and small, around the world. In southern Europe the Neo-Renaissance style began to fall from favour c.  1900 . However, it was still extensively practiced in the 1910s in Saint Petersburg and Buenos Aires by such architects as Leon Benois , Marian Peretyatkovich , or Francisco Tamburini ( picture ). In England it

3280-793: The broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism ; they also included styles that can be identified as Mannerist or Baroque . Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called " Italianate ", or when many French Baroque features are present ( Second Empire ). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy , has added to

3362-558: The brother of the owner. In 1915, the Aurora, Elgin and Chicago Railroad leased the building serve as their headquarters . Renamed the Traction Terminal Building, the first floor was converted into a waiting station and diner . Other professional entities, such as health care practices and insurance offices, also moved into the building on upper levels. Later that year, the building passed to John Knell, Jr. Like his father, Knell

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3444-626: The case in Italy, and utilises more obviously the Italian Renaissance motifs than those earlier examples of the Italianate style by Nash. Sir Charles Barry , most notable for his works on the Tudor and Gothic styles at the Houses of Parliament in London, was a great promoter of the style. Unlike Nash, he found his inspiration in Italy itself. Barry drew heavily on the designs of the original Renaissance villas of Rome ,

3526-465: The classical method, where the façade was conceived as a unit." Konstantin Thon , the most popular Russian architect of the time, used Italianate elements profusely for decorating some interiors of the Grand Kremlin Palace (1837–1851). Another fashionable architect, Andrei Stackenschneider , was responsible for Mariinsky Palace (1839–1844), with "the faceted rough-hewn stone of the first floor" reminiscent of 16th-century Italian palazzi. The style

3608-455: The demand for rail traffic. With decreased usage of the Aurora train system, the downtown area fell into disrepair. The upper floors were abandoned in the 1960s and the last business moved out of the ground floor in 2003. The building is currently being converted into a condominium complex. It was added to the National Register of Historic Places on March 15, 2005. The exterior is pressed red brick with Indiana Limestone courses above and below

3690-406: The difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between the breadth of its source material, such as the English Wollaton Hall , Italian Palazzo Pitti , the French Château de Chambord , and the Russian Palace of Facets —all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take. The origin of Renaissance architecture

3772-405: The dowager Lady Ashburton as a country retreat, this small country house clearly shows the transition between the picturesque of William Gilpin and Nash's yet to be fully evolved Italianism. While this house can still be described as Regency , its informal asymmetrical plan together with its loggias and balconies of both stone and wrought iron; tower and low pitched roof clearly are very similar to

3854-406: The early English Neo-Renaissance style often have more of a "castle air" than their continental European contemporaries, which can add again to the confusion with the Gothic Revival style . When the revival of Renaissance style architecture came en vogue in the mid 19th century, it often materialized not just in its original form first seen in Italy, but as a hybrid of all its forms according to

3936-463: The early work of Alexander Thomson ("Greek" Thomson) and buildings such as the west side of George Square . The Italian, specifically Tuscan, influence on architecture in Lebanon dates back to the Renaissance when Fakhreddine , the first Lebanese ruler who truly unified Mount Lebanon with its Mediterranean coast, executed an ambitious plan to develop his country. When the Ottomans exiled Fakhreddine to Tuscany in 1613, he entered an alliance with

4018-411: The exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to

4100-502: The first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms and external appearances, and indeed between the various rooms themselves. Thus the modern concept of treating a room individually, and differently from its setting and neighbours, came into its infancy. Classic examples of this are

4182-438: The fully Italianate design of Cronkhill , the house generally considered to be the first example of the Italianate style in Britain. Later examples of the Italianate style in England tend to take the form of Palladian -style building often enhanced by a belvedere tower complete with Renaissance -type balustrading at the roof level. This is generally a more stylistic interpretation of what architects and patrons imagined to be

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4264-443: The great Rothschild house in Buckinghamshire , hybrids of various Renaissance chateaux , and 16th century English country houses , all with interiors ranging from "Versailles" to " Medici ", and in the case of Mentmore Towers a huge central hall, resembling the arcaded courtyard of a Renaissance villa, conveniently glazed over, furnished in Venetian style and heated by a fireplace designed by Rubens for his house in Antwerp By

4346-441: The great opera houses of Europe, such as Gottfried Semper 's Burgtheater in Vienna, and his Opera house in Dresden . This ornate form of the Neo-Renaissance, originating from France, is sometimes known as the "Second Empire" style, by now it also incorporated some Baroque elements. By 1875 it had become the accepted style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed

4428-481: The great staircases from the chateaux of Blois and Chambord . Blois had been the favourite residence of the French Kings throughout the renaissance. The Francis I wing, completed in 1524, of which the staircase is an integral part was one of the earliest examples of French Renaissance . French renaissance architecture was a combination of the earlier Gothic style coupled with a strong Italian influence represented by arches, arcades, balustrading and, in general,

4510-413: The ground, or even flat roofs with a wide projection. A tower is often incorporated hinting at the Italian belvedere or even campanile tower. Motifs drawn from the Italianate style were incorporated into the commercial builders' repertoire and appear in Victorian architecture dating from the mid-to-late 19th century. This architectural style became more popular than Greek Revival by the beginning of

4592-445: The interior of their palace church (1909–1916) near Moscow to be decorated in strict imitation of the 16th-century Venetian churches. The style spread to North America , where it became a favourite domestic architectural style of the wealthiest Americans. The Breakers in Newport, Rhode Island , was a residence of the Vanderbilt family designed by Richard Morris Hunt in 1892; it and contemporaneous Gilded Age mansions exemplify

4674-494: The new railway station as the focal point, for Lord Courtenay, who saw the potential of the railway age. An example that is not very well known, but a clear example of Italianate architecture, is St. Christopher's Anglican church in Hinchley Wood , Surrey, particularly given the design of its bell tower . Portmeirion in Gwynedd , North Wales, is an architectural fantasy designed in a southern Italian Baroque style and built by Sir Clough Williams-Ellis between 1925 and 1975 in

4756-407: The one at the Warsaw University of Technology designed by Bronisław Rogóyski and Stefan Szyller (late 19th century), both rise from pastiches of true Renaissance courtyards. Both staircases seem more akin to Balthasar Neumann 's great Baroque staircase at the Würzburg Residenz than anything found in a true Renaissance Palazzo. The apparent Baroque style staircase at Mentmore is not without

4838-476: The only style of architecture to have existed in so many forms, yet still common to so many countries. Italianate The Italianate style was a distinct 19th-century phase in the history of Classical architecture . Like Palladianism and Neoclassicism , the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture with picturesque aesthetics. The resulting style of architecture

4920-482: The period of transition from the Gothic to the Renaissance style; and also as Renaissance−era design took the form of the addition of Renaissance ornamentation to Gothic−era buildings thus creating an accretion of details from disparate sources. Architects who designed in the Renaissance Revival style usually avoided any references to Gothic Revival architecture, drawing instead on a variety of other classically based styles. However, there are exceptions and occasionally

5002-423: The present time. For example, streets like Rue Gouraud continue to have numerous, historic houses with Italianate influence. The Italianate style was popularized in the United States by Alexander Jackson Davis in the 1840s as an alternative to Gothic or Greek Revival styles. Davis' design for Blandwood is the oldest surviving example of Italianate architecture in the United States, constructed in 1844 as

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5084-428: The preservation of this impressive collection, with large-scale renovation efforts beginning to repair urban blight. Cincinnati's neighbouring cities of Newport and Covington, Kentucky also contain an impressive collection of Italianate architecture. The Garden District of New Orleans features examples of the Italianate style, including: In California, the earliest Victorian residences were wooden versions of

5166-428: The proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing

5248-407: The residence of North Carolina Governor John Motley Morehead . It is an early example of Italianate architecture, closer in ethos to the Italianate works of Nash than the more Renaissance-inspired designs of Barry. Davis' 1854 Litchfield Villa in Prospect Park, Brooklyn is an example of the style. It was initially referred to as the "Italian Villa" or "Tuscan Villa" style. Richard Upjohn used

5330-423: The second floor and above the fifth floor. Windows on the other floors have limestone sills. The southern (Galena Blvd.) elevation has ten windows per floor while the eastern (Broadway Ave.) elevation has four windows per floor. The east side originally had eight windows, but the 1906 and 1912 additions to the west side of the structure provided an additional two. Most floors have wood-framed double hung windows, while

5412-409: The sixth floor has arched windows. A decorative cornice adorns the top of the building with a dentil course. The cornice is mostly limestone, except for the area above the additions which is metal. A metal fire escape runs along two of the windows on the Galena Blvd. facade. The first floor was originally rusticated limestone before it was replaced with glass storefronts in 1937. The northern facade

5494-436: The so-called Neo-Renaissance style, in reality, a classicizing conglomeration of elements liberally borrowed from different historical periods. Neo-Renaissance was also the favourite style in Kingdom of Hungary in the 1870s and 1880s. In the fast-growing capital, Budapest many monumental public buildings were built in Neo-Renaissance style like Saint Stephen's Basilica and the Hungarian State Opera House . Andrássy Avenue

5576-419: The style became a popular choice of design for the small mansions built by the new and wealthy industrialists of the era. These were mostly built in cities surrounded by large but not extensive gardens, often laid out in a terrace Tuscan style as well. On occasions very similar, if not identical, designs to these Italianate villas would be topped by mansard roofs , and then termed chateauesque . However, "after

5658-510: The style extensively, beginning in 1845 with the Edward King House . Other leading practitioners of the style were John Notman and Henry Austin . Notman designed "Riverside" in 1837, the first "Italian Villa" style house in Burlington, New Jersey (now destroyed). Italianate was reinterpreted to become an indigenous style. It is distinctive by its pronounced exaggeration of many Italian Renaissance characteristics: emphatic eaves supported by corbels , low-pitched roofs barely discernible from

5740-424: The style was falling from favour and Cliveden came to be regarded as "a declining essay in a declining fashion." Anthony Salvin occasionally designed in the Italianate style, especially in Wales, at Hafod House, Carmarthenshire, and Penoyre House , Powys, described by Mark Girouard as "Salvin's most ambitious classical house." Thomas Cubitt , a London building contractor, incorporated simple classical lines of

5822-481: The time period following 1845 can be seen in Cincinnati, Ohio , the United States' first boomtown west of the Appalachian Mountains . This city, which grew along with the traffic on the Ohio River , features arguably the largest single collection of Italianate buildings in the United States in its Over-the-Rhine neighbourhood, built primarily by German-American immigrants that lived in the densely populated area. In recent years, increased attention has been called to

5904-468: The two distinct styles are mixed. The sub-variety of Gothic design most frequently employed is floral Venetian Gothic , as seen in the Doge's Palace courtyard, built in the 1480s. A common Baroque feature introduced into the Renaissance Revival styles was the "imperial staircase" (a single straight flight dividing into two separate flights). The staircase at Mentmore Towers designed by Joseph Paxton, and

5986-417: The whims of architects and patrons, an approach typical of the mid and late 19th century. Modern scholarship defines the styles following the Renaissance as Mannerist and Baroque , two very different, even opposing styles of architecture , but the architects of the mid 19th century understood them as part of a continuum, often simply called 'Italian', and freely combined them all, as well as Renaissance as it

6068-545: Was a successful businessman and was president of the All-Steel Equipment Company for forty years. The twenty-year lease to the railroad ended in 1935, but the Traction Terminal name stuck with the building. It continued to house small businesses on the ground floor and practices on upper floors. Storefront windows were installed in 1937. The building prospered through the 1950s, until new highways diminished

6150-556: Was employed in varying forms abroad long after its decline in popularity in Britain. For example, from the late 1840s to 1890, it achieved huge popularity in the United States , where it was promoted by the architect Alexander Jackson Davis . Key visual components of this style include: A late intimation of John Nash 's development of the Italianate style was his 1805 design of Sandridge Park at Stoke Gabriel in Devon . Commissioned by

6232-407: Was erected in 1809 designed by Peter Speeth . It included a heavily rusticated ground floor, alleviated by one semicircular arch, with a curious Egyptian style miniature portico above, high above this were a sequence of six tall arched windows and above these just beneath the slightly projecting roof were the small windows of the upper floor. This building foreshadows similar effects in the work of

6314-472: Was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature." The Italianate style was first developed in Britain in about 1802 by John Nash , with the construction of Cronkhill in Shropshire . This small country house

6396-488: Was first practiced in other countries. Thus Italian, French and Flemish Renaissance coupled with the amount of borrowing from these later periods can cause great difficulty and argument in correctly identifying various forms of 19th-century architecture. Differentiating some forms of French Neo-Renaissance buildings from those of the Gothic revival can at times be especially tricky, as both styles were simultaneously popular during

6478-606: Was further elaborated by architects of the Vladimir Palace (1867–1872) and culminated in the Stieglitz Museum (1885–1896). In Moscow , the Neo-Renaissance was less prevalent than in the Northern capital, although interiors of the neo-Muscovite City Duma (1890–1892) were executed with emphasis on Florentine and Venetian décor. While the Neo-Renaissance is associated primarily with secular buildings, Princes Yusupov commissioned

6560-504: Was in fact a truly internal feature. Further and more adventurous use of glass also enabled the open and arcaded Renaissance courtyards to be reproduced as lofty halls with glazed roofs. This was a feature at Mentmore Towers and on a far larger scale at the Warsaw University of Technology , where the large glazed court contained a monumental staircase. The "Warsaw University of Technology staircase", though if Renaissance in spirit at all,

6642-429: Was so common that today one finds "Renaissance Italian Palazzi" serving as banks or municipal buildings in the centres of even the smallest towns. It has been said " It is a well-known fact that the nineteenth century had no art style of its own. " While to an extent this may be true, the same could be said of most eras until the early 20th century, the Neo-Renaissance in the hands of provincial architects did develop into

6724-431: Was to become one of the features of Neo-Renaissance design. It became a common feature for the staircase to be not just a feature of the internal architecture but also the external. But whereas at Blois the stairs had been open to the elements in the 19th century new and innovative use of glass was able to give protection from the weather, giving the staircase the appearance of being in the true renaissance open style, when it

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