Misplaced Pages

Tom Jans

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
#782217

107-486: Tom Jans (February 9, 1948 – March 25, 1984) was an American folk singer-songwriter and guitarist from San Jose, California . He is perhaps best known for his song " Loving Arms " (also known as "Lovin' Arms"), which was recorded initially by Kris Kristofferson and Rita Coolidge , and notably covered by Dobie Gray , Elvis Presley and Petula Clark . The son of a farmer, Tom Jans was raised near San Jose. Jans's paternal grandmother had been involved in music, playing in

214-532: A Don Grusin -produced album that was released in Japan only. Jans suffered serious injuries, especially to his kidneys, in a motorcycle accident in 1983. He died at age 36 of a suspected drug overdose in 1984. Mentor Williams's brother Paul sang "Loving Arms" at Jans's funeral. Tom Waits dedicated a song to Jans, whom he and his wife had befriended, "Whistle Down the Wind (For Tom Jans)" from Bone Machine . Waits said of

321-675: A Grammy award for Best Country & Western Performance at the awards' inaugural ceremony in 1959. At the time, no folk-music category existed in the Grammy's scheme. The next year, largely as a result of The Kingston Trio album and "Tom Dooley", the National Academy of Recording Arts and Sciences instituted a folk category and the Trio won the first Grammy Award for Best Ethnic or Traditional Folk Recording for its second studio album At Large . At one point, The Kingston Trio had four records at

428-482: A chuigushou . Ensembles consisting of mouth organs ( sheng ), shawms ( suona ), flutes ( dizi ) and percussion instruments (especially yunluo gongs ) are popular in northern villages; their music is descended from the imperial temple music of Beijing, Xi'an , Wutai shan and Tianjin . Xi'an drum music, consisting of wind and percussive instruments, is popular around Xi'an, and has received some commercial popularity outside of China. Another important instrument

535-605: A pipa , as well as other traditional instruments. The music is generally sorrowful and typically deals with love-stricken people. Further south, in Shantou , Hakka and Chaozhou , zheng ensembles are popular. Sizhu ensembles use flutes and bowed or plucked string instruments to make harmonious and melodious music that has become popular in the West among some listeners. These are popular in Nanjing and Hangzhou , as well as elsewhere along

642-474: A tune is a short instrumental piece , a melody , often with repeating sections , and usually played a number of times. A collection of tunes with structural similarities is known as a tune-family . America's Musical Landscape says "the most common form for tunes in folk music is AABB, also known as binary form ." In some traditions, tunes may be strung together in medleys or " sets ." Throughout most of human history, listening to recorded music

749-512: A "Traditional music" category that subsequently evolved into others. The term "folk", by the start of the 21st century, could cover singer-songwriters, such as Donovan from Scotland and American Bob Dylan , who emerged in the 1960s and much more. This completed a process to where "folk music" no longer meant only traditional folk music. Traditional folk music often includes sung words , although folk instrumental music occurs commonly in dance music traditions. Narrative verse looms large in

856-624: A big hit in 1950 with the single of Lead Belly 's " Goodnight, Irene ". This was number one on the Billboard charts for thirteen weeks. On its flip side was " Tzena, Tzena, Tzena ", an Israeli dance song that concurrently reached number two on the charts. This was followed by a string of Weaver hit singles that sold millions, including " "So Long It's Been Good to Know You" ("Dusty Old Dust") (by Woody Guthrie) and " Kisses Sweeter Than Wine ". The Weavers' career ended abruptly when they were dropped from Decca 's catalog because Pete Seeger had been listed in

963-401: A class dynamic to popular understandings of American folk music. This was the final element of the foundation upon which the early folk music revivalists constructed their own view of Americanism. Sandburg's working-class Americans joined with the ethnically , racially , and regionally diverse citizens that other scholars, public intellectuals, and folklorists celebrated their own definitions of

1070-518: A college club called the Cracked Pot by Frank Werber , who became their manager and secured them a deal with Capitol Records . Their first hit was a rewritten rendition of an old-time folk murder ballad, " Tom Dooley ", which had been sung at Lead Belly 's funeral concert. This went gold in 1958 and sold more than three million copies. The success of the album and the single earned the Kingston Trio

1177-536: A country hit for Gary Stewart . The song "Struggle in Darkness" was also a minor hit on FM radio , but the album was not a commercial success. His next album on Columbia Records, Dark Blonde (1976), also did not generate high sales, and Jans moved to Europe. When the Columbia releases failed to find an audience, his career lost momentum and although Jans continued to perform, he issued no recordings until 1982's Champion ,

SECTION 10

#1733086076783

1284-496: A duo with her late husband Richard Fariña . Fariña had begun writing new songs and was looking for a partner to perform them with; Jans seemed to be a similar collaborator and the two formed a new duo. The duo played San Francisco Bay Area clubs and received notice from their performance at the Big Sur Folk Festival . The group then toured extensively as a supporting act for Cat Stevens and then James Taylor . They received

1391-579: A great body of English rural traditional song, music and dance, under the aegis of what became and remains the English Folk Dance and Song Society (EFDSS). Sharp campaigned with some success to have English traditional songs (in his own heavily edited and expurgated versions) to be taught to school children in hopes of reviving and prolonging the popularity of those songs. Throughout the 1960s and early to mid-1970s, American scholar Bertrand Harris Bronson published an exhaustive four-volume collection of

1498-564: A handful of artists releasing records. Barred from mainstream outlets, artists like Seeger were restricted to performing in schools and summer camps, and the folk-music scene became a phenomenon associated with vaguely rebellious bohemianism in places like New York (especially Greenwich Village ) and San Francisco 's North Beach , and in the college and university districts of cities like Chicago , Greater Boston (especially Cambridge, Massachusetts ), Denver , Minneapolis and elsewhere. Ron Eyerman and Scott Baretta speculate that: [I]t

1605-675: A host of groups that were similar in some respects like the Brothers Four , Peter, Paul and Mary , The Limeliters , The Chad Mitchell Trio , The New Christy Minstrels , and more. As noted by critic Bruce Eder in the All Music Guide , the popularity of the commercialized version of folk music represented by these groups emboldened record companies to sign, record, and promote artists with more traditionalist and political sensibilities. The Kingston Trio's popularity would be followed by that of Joan Baez , whose debut album Joan Baez reached

1712-432: A new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times, but the term folk music has typically not been applied to

1819-404: A particular interest in folklore. Carl Sandburg often traveled the U.S. as a writer and a poet. He also collected songs in his travels and, in 1927, published them in the book The American Songbag . Rachel Donaldson, a historian who worked for Vanderbilt, later stated this about The American Songbird in her analysis of the folk music revival. "In his collections of folk songs, Sandburg added

1926-673: A possible better system, through the lens of the Great Depression. Woody Guthrie exemplifies songwriters and artists with such an outlook. Folk music festivals proliferated during the 1930s. President Franklin Roosevelt was a fan of folk music, hosted folk concerts at the White House , and often patronized folk festivals. One prominent festival was Sarah Gertrude Knott 's National Folk Festival , established in St. Louis, Missouri in 1934. Under

2033-446: A recording contract from A&M Records , releasing the album Take Heart in 1971. However, the album received little notice and the duo split up in 1972. Jans moved to Nashville to pursue work as a songwriter, working for the publishing house Irving/Almo. His first hit as a writer was the song " Loving Arms ", initially recorded by Kris Kristofferson and Rita Coolidge and then by Dobie Gray and Elvis Presley in 1973. Jans put

2140-597: A reference to beautiful women, while in the past they were notorious for their erotic content. The village "mountain songs" ( shan'ge ) of Jiangsu province were also well known for their amorous themes. Other regional song traditions include the "strummed lyrics" ( tanci ) of the Lower Yangtze Delta, the Cantonese Wooden Fish tradition ( muyu or muk-yu ) and the Drum Songs ( guci ) of north China. In

2247-537: A revolutionary tool to preserve vanishing musical forms. The earliest American folk music scholars were with the American Folklore Society (AFS), which emerged in the late 1800s. Their studies expanded to include Native American music , but still treated folk music as a historical item preserved in isolated societies as well. In North America, during the 1930s and 1940s, the Library of Congress worked through

SECTION 20

#1733086076783

2354-604: A rich soprano with vibrato. Her popularity (and that of the folk revival itself) would place Baez on the cover of Time magazine in November 1962. Unlike the Kingston Trio, Baez was openly political, and as the civil rights movement gathered steam, she aligned herself with Pete Seeger, Guthrie and others. Baez was one of the singers with Seeger, Josh White , Peter, Paul and Mary , and Bob Dylan who appeared at Martin Luther King's 1963 March on Washington and sang " We Shall Overcome ",

2461-441: A rock-band line-up. Before long, the public appetite for the more acoustic music of the folk revival began to wane. "Crossover" hits ("folk songs" that became rock-music-scene staples) happened now and again. One well-known example is the song " Hey Joe ", copyrighted by folk artist Billy Roberts and recorded by rock singer/guitarist Jimi Hendrix just as he was about to burst into stardom in 1967. The anthem " Woodstock ", which

2568-472: A simple distinction of economic class yet for him, true folk music was, in Charles Seeger 's words, "associated with a lower class" in culturally and socially stratified societies. In these terms, folk music may be seen as part of a "schema comprising four musical types: 'primitive' or 'tribal'; 'elite' or 'art'; 'folk'; and 'popular'." Music in this genre is also often called traditional music. Although

2675-554: A song that had been introduced by People's Songs. Harry Belafonte was also present on that occasion, as was Odetta , whom Martin Luther King introduced as "the queen of folk music" when she sang "Oh, Freedom". ( Odetta Sings Folk Songs was one of 1963's best-selling folk albums). Also on hand were the SNCC Freedom Singers , the personnel of which went on to form Sweet Honey in the Rock . The critical role played by Freedom Songs in

2782-567: A traditional song would undergo a process of improvement akin to biological natural selection : only those new variants that were the most appealing to ordinary singers would be picked up by others and transmitted onward in time. Thus, over time we would expect each traditional song to become more aesthetically appealing, due to incremental community improvement. Literary interest in the popular ballad form dates back at least to Thomas Percy and William Wordsworth . English Elizabethan and Stuart composers had often evolved their music from folk themes,

2889-434: A tragic or regretful nature, prominently figures in many folk traditions. Nursery rhymes , children's songs and nonsense verse used to amuse or quiet children also are frequent subjects of traditional songs. Music transmitted by word of mouth through a community, in time, develops many variants, since this transmission cannot produce word-for-word and note-for-note accuracy. In addition, folk singers may choose to modify

2996-408: Is an ancient folk song from India, a country of Asia, of Meiteis of Manipur , that is an example of Asian folk music, and how they put it into its own genre. Archaeological discoveries date Chinese folk music back 7000 years; it is largely based on the pentatonic scale . Han traditional weddings and funerals usually include a form of oboe called a suona , and apercussive ensembles called

3103-515: Is generally no "authoritative" version of song. Researchers in traditional songs have encountered countless versions of the Barbara Allen ballad throughout the English-speaking world, and these versions often differ greatly from each other. The original is not known; many versions can lay an equal claim to authenticity. Influential folklorist Cecil Sharp felt that these competing variants of

3210-594: Is interesting to consider that had it not been for the explicit political sympathies of the Weavers and other folk singers or, another way of looking at it, the hysterical anti-communism of the Cold War, folk music would very likely have entered mainstream American culture in even greater force in the early 1950s, perhaps making the second wave of the revival nearly a decade later [i.e., in the 1960s] redundant. The media blackout of performers with alleged communist sympathies or ties

3317-417: Is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore , or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles . The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century,

Tom Jans - Misplaced Pages Continue

3424-486: Is simply "Folk music is what the people sing." For Scholes, as well as for Cecil Sharp and Béla Bartók , there was a sense of the music of the country as distinct from that of the town. Folk music was already, "...seen as the authentic expression of a way of life now past or about to disappear (or in some cases, to be preserved or somehow revived)," particularly in "a community uninfluenced by art music" and by commercial and printed song. Lloyd rejected this in favor of

3531-402: Is the sheng , a type of Chinese pipe , an ancient instrument that is ancestor of all Western free reed instruments, such as the accordion . Parades led by Western-type brass bands are common, often competing in volume with a shawm/chuigushou band. In southern Fujian and Taiwan , Nanyin or Nanguan is a genre of traditional ballads. They are sung by a woman accompanied by a xiao and

3638-652: Is the provenance of the American Folklife Center" at the library of Congress. Africa is a vast continent and its regions and nations have distinct musical traditions. The music of North Africa for the most part has a different history from Sub-Saharan African music traditions . The music and dance forms of the African diaspora , including African American music and many Caribbean genres like soca , calypso and Zouk ; and Latin American music genres like

3745-475: Is understood that folk music is the music of the people, observers find a more precise definition to be elusive. Some do not even agree that the term folk music should be used. Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of "old songs, with no known composers," another is that of music that has been submitted to an evolutionary "process of oral transmission ...

3852-466: The Great Depression . Regionalism and cultural pluralism grew as influences and themes. During this time folk music began to become enmeshed with political and social activism themes and movements. Two related developments were the U.S. Communist Party's interest in folk music as a way to reach and influence Americans, and politically active prominent folk musicians and scholars seeing communism as

3959-576: The House Un-American Activities Committee in 1955. Despite this, a Christmas Weaver reunion concert organized by Harold Leventhal in 1955 was a smash success and the Vanguard LP album of that concert, issued in 1957, was one of the top sellers of that year, followed by other successful albums. Folk music, which often carried the stigma of left-wing associations during the 1950s Red Scare , was driven underground and carried along by

4066-745: The PRC . Folk songs have been recorded since ancient times in China. The term Yuefu was used for a broad range of songs such as ballads, laments, folk songs, love songs, and songs performed at court. China is a vast country, with a multiplicity of linguistic and geographic regions. Folk songs are categorized by geographic region, language type, ethnicity, social function (e.g. work song, ritual song, courting song) and musical type. Modern anthologies collected by Chinese folklorists distinguish between traditional songs, revolutionary songs, and newly invented songs. The songs of northwest China are known as "flower songs" ( hua'er ),

4173-482: The Reverend Gary Davis , and Bill Monroe came to have something more than a regional or ethnic reputation. The revival turned up a tremendous wealth and diversity of music and put it out through radio shows and record stores . Living representatives of some of the varied regional and ethnic traditions, including younger performers like Southern-traditional singer Jean Ritchie , who had first begun recording in

4280-475: The Traditional 18 Dances display the dancing of birds and animals. For example: Musical types include: The classical Sinhalese orchestra consists of five categories of instruments, but among the percussion instruments, the drum is essential for dance. The vibrant beat of the rhythm of the drums form the basic of the dance. The dancers' feet bounce off the floor and they leap and swirl in patterns that reflect

4387-439: The samba , Cuban rumba , salsa ; and other clave (rhythm) -based genres, were founded to varying degrees on the music of enslaved Africans , which has in turn influenced African popular music . Many Asian civilizations distinguish between art /court/classical styles and "folk" music. For example, the late Alam Lohar is an example of a South Asian singer who was classified as a folk singer. Khunung Eshei/Khuland Eshei

Tom Jans - Misplaced Pages Continue

4494-508: The 1920s and 1930s were published by major record labels. The expanding market in LP records increased the availability of folk-music field recordings originally made by John and Alan Lomax , Kenneth S. Goldstein , and other collectors during the New Deal era of the 1930s and 40s. Small record labels, such as Yazoo Records , grew up to distribute reissued older recordings and to make new recordings of

4601-493: The 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White , Burl Ives , Woody Guthrie , Lead Belly , Big Bill Broonzy , Richard Dyer-Bennet , Oscar Brand , Jean Ritchie , John Jacob Niles , Susan Reed , Paul Robeson , Bessie Smith , Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to

4708-523: The 1940s, also enjoyed a resurgence of popularity through enthusiasts' widening discovery of this music and appeared regularly at folk festivals. Ethnic folk music from other countries also had a boom during the American folk revival. The most successful ethnic performers of the revival were the Greenwich Village folksingers, the Clancy Brothers and Tommy Makem , whom Billboard magazine listed as

4815-657: The 1963 and 64 Newport Folk Festivals . For example, traditionalist Clarence Ashley introduced folk revivalists to the music of friends of his who still actively played the older music, such as Doc Watson and The Stanley Brothers . During the 1950s, the growing folk-music crowd that had developed in the United States began to buy records by older, traditional musicians from the Southeastern hill country and from urban inner-cities. New LP compilations of commercial 78-rpm race and hillbilly studio recordings stretching back to

4922-432: The American folk, definitions that the folk revivalists used in constructing their own understanding of American folk music, and an overarching American identity". Prior to the 1930s, the study of folk music was primarily the province of scholars and collectors. The 1930s saw the beginnings of larger scale themes, commonalities, and linkages in folk music developing in the populace and practitioners as well, often related to

5029-560: The Association for Cultural Equity, is "distinct from the thousands of earlier recordings on acetate and aluminum discs he made from 1933 to 1942 under the auspices of the Library of Congress. This earlier collection—which includes the famous Jelly Roll Morton, Woody Guthrie, Lead Belly, and Muddy Waters sessions, as well as Lomax's prodigious collections made in Haiti and Eastern Kentucky (1937) —

5136-464: The Kingston Trio, Peter, Paul and Mary, The Chad Mitchell Trio , The Limeliters , The Brothers Four , The Highwaymen , and others, featured songs in Spanish (often from Mexico), Polynesian languages, Russian, French, and other languages in their recordings and performances. These groups also sang many English-language songs of foreign origin. The British Invasion of the mid-1960s helped bring an end to

5243-682: The Rocky Mountain Five jazz group. His influences ranged from Hank Williams to flamenco (his mother was from Spain) to the Beatles . He studied English literature at the University of California at Davis , but rejected a graduate scholarship to Columbia University to seek a career in music. Playing coffeehouses in San Francisco, Jans met Joan Baez , who introduced him to her sister Mimi Fariña in 1970. Fariña had achieved cult status as part of

5350-516: The United States and bore little resemblance to its folk origins. After Bob Dylan began to record with a rocking rhythm section and electric instruments in 1965 (see Electric Dylan controversy ), many other still-young folk artists followed suit. Meanwhile, bands like The Lovin' Spoonful and the Byrds , whose individual members often had a background in the folk-revival coffee-house scene, were getting recording contracts with folk-tinged music played with

5457-404: The Wind ". That trio also brought Pete Seeger's and the Weavers' " If I Had a Hammer " to nationwide audiences, as well as covering songs by other artists such as Dylan and John Denver . It was not long before the folk-music category came to include less traditional material and more personal and poetic creations by individual performers, who called themselves "singer-songwriters". As a result of

SECTION 50

#1733086076783

5564-538: The banjo on their Grammy-nominated 1961 album, A Spontaneous Performance Recording , and Bob Dylan later cited the group as a major influence on him. The Clancy Brothers and Tommy Makem also sparked a folk-music boom in Ireland in the mid-1960s, illustrating the world-wide effects of the American folk-music revival. Books such as the popular best seller, the Fireside Book of Folk Songs (1947), which contributed to

5671-452: The career of The Weavers , formed in November 1948 by Pete Seeger , Lee Hays , Fred Hellerman , and Ronnie Gilbert of People's Songs , of which Seeger had been president and Hays executive secretary. People's Songs, which disbanded in 1948–49, had been a clearing house for labor movement songs (and in particular the CIO , which at the time was one of the few if not the only union federation that

5778-458: The classical suite was based upon stylised folk-dances, and Joseph Haydn 's use of folk melodies is noted. But the emergence of the term "folk" coincided with an "outburst of national feeling all over Europe" that was particularly strong at the edges of Europe, where national identity was most asserted. Nationalist composers emerged in Central Europe, Russia, Scandinavia, Spain and Britain:

5885-433: The complex rhythms of the drum beat. This drum beat may seem simple on the first hearing but it takes a long time to master the intricate rhythms and variations, which the drummer sometimes can bring to a crescendo of intensity. There are six common types of drums falling within 3 styles (one-faced, two-faced, and flat-faced): Other instruments include: Folk revival The American folk music revival began during

5992-466: The development of country and western , blues , jazz , and rock and roll music. The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espoused by instructors such as Margot Mayo , which gave musicians such as Pete Seeger popular exposure. The folk revival more generally as a popular and commercial phenomenon begins with

6099-541: The elements of nature, and have been enjoyed and developed in the Buddhist environment. The music is of several types and uses only a few types of instruments. The folk songs and poems were used in social gatherings to work together. The Indian influenced classical music has grown to be unique. The traditional drama, music and songs of Sinhala Light Music are typically Sri Lankan. The temple paintings and carvings feature birds, elephants, wild animals, flowers, and trees, and

6206-512: The eleventh best-selling folk musicians in the United States. The group, which consisted of Paddy Clancy , Tom Clancy , Liam Clancy , and Tommy Makem , predominantly sang English-language, Irish folk songs, as well as an occasional song in Irish Gaelic . Paddy Clancy also started and ran the folk-music label Tradition Records , which produced Odetta's first solo LP and initially brought Carolyn Hester to national prominence. Pete Seeger played

6313-475: The end of the 1930s these and others had turned American folk music into a social movement. Sometimes folk musicians became scholars and advocates themselves. For example, Jean Ritchie (1922–2015) was the youngest child of a large family from Viper, Kentucky that had preserved many of the old Appalachian traditional songs. Ritchie, living in a time when the Appalachians had opened up to outside influence,

6420-505: The fashioning and re-fashioning of the music by the community that give it its folk character." Such definitions depend upon "(cultural) processes rather than abstract musical types...", upon " continuity and oral transmission ...seen as characterizing one side of a cultural dichotomy , the other side of which is found not only in the lower layers of feudal, capitalist and some oriental societies but also in 'primitive' societies and in parts of 'popular cultures'". One widely used definition

6527-630: The financial success of high-profile commercial folk artists, record companies began to produce and distribute records by a new generation of folk revival and singer-songwriters— Phil Ochs , Tom Paxton , Eric von Schmidt , Buffy Sainte-Marie , Dave Van Ronk , Judy Collins , Tom Rush , Fred Neil , Gordon Lightfoot , Billy Ed Wheeler , John Denver , John Stewart , Arlo Guthrie , Harry Chapin , and John Hartford , among others. Some of this wave had emerged from family singing and playing traditions, and some had not. These singers frequently prided themselves on performing traditional material in imitations of

SECTION 60

#1733086076783

6634-405: The folk song revival, featured some material in languages other than English, including German, Spanish, Italian, French, Yiddish, and Russian. The repertoires of Theodore Bikel , Marais and Miranda , and Martha Schlamme also included Hebrew and Jewish material, as well as Afrikaans . The Weavers' first big hit, the flipside of Lead Belly's " Good Night Irene ", and a top seller in its own right,

6741-490: The folk song-like sentimental ballad "Scarlet Ribbons" (composed in 1949). The Kingston Trio , a group originating on the West Coast, were directly inspired by the Weavers in their style and presentation and covered some of the Weavers' material, which was predominantly traditional. The Kingston Trio avoided overtly political or protest songs and cultivated a clean-cut collegiate persona. They were discovered while playing at

6848-418: The increasingly unpopular Vietnam War . Young singer-songwriter Bob Dylan , playing acoustic guitar and harmonica, had been signed and recorded for Columbia by producer John Hammond in 1961. Dylan's record enjoyed some popularity among Greenwich Village folk-music enthusiasts, but he was "discovered" by an immensely larger audience when Peter, Paul & Mary had a hit with a cover of his song " Blowin' in

6955-399: The laborers who sing them to coordinate their efforts in accordance with the rhythms of the songs. They are frequently, but not invariably, composed. In the American armed forces , a lively oral tradition preserves jody calls ("Duckworth chants") which are sung while soldiers are on the march. Professional sailors made similar use of a large body of sea shanties . Love poetry , often of

7062-556: The last 20 years of his life working on an Interactive Multimedia educational computer project he called the Global Jukebox , which included 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes , and 5,000 photographs. As of March 2012, this has been accomplished. Approximately 17,400 of Lomax's recordings from 1946 and later have been made available free online. This material from Alan Lomax's independent archive, begun in 1946, which has been digitized and offered by

7169-408: The loss of traditional music is slowed in nations or regions where traditional folk music is a badge of cultural or national identity. Much of what is known about folk music prior to the development of audio recording technology in the 19th century comes from fieldwork and writings of scholars, collectors and proponents. Starting in the 19th century, academics and amateur scholars, taking note of

7276-472: The mainstream popularity of American folk music as a wave of British bands overwhelmed most of the American music scene, including folk. Ironically, the roots of the British Invasion were in American folk, specifically a variant known as skiffle as popularized by Lonnie Donegan ; however, most of the British Invasion bands had been extensively influenced by rock and roll by the time their music had reached

7383-454: The modern movie Songcatcher . One strong theme amongst folk scholars in the early decades of the 20th century was regionalism , the analysis of the diversity of folk music (and related cultures) based on regions of the US rather than based on a given song's historical roots. Later, a dynamic of class and circumstances was added to this. The most prominent regionalists were literary figures with

7490-567: The music of Dvořák , Smetana , Grieg , Rimsky-Korsakov , Brahms , Liszt , de Falla , Wagner , Sibelius , Vaughan Williams , Bartók , and many others drew upon folk melodies. While the loss of traditional folk music in the face of the rise of popular music is a worldwide phenomenon, it is not one occurring at a uniform rate throughout the world. The process is most advanced "where industrialization and commercialisation of culture are most advanced" but also occurs more gradually even in settings of lower technological advancement. However,

7597-622: The musical traditions being lost, initiated various efforts to preserve the music of the people. One such effort was the collection by Francis James Child in the late 19th century of the texts of over three hundred ballads in the English and Scots traditions (called the Child Ballads ), some of which predated the 16th century. Contemporaneously with Child, the Reverend Sabine Baring-Gould and later Cecil Sharp worked to preserve

7704-472: The new music created during those revivals. This type of folk music also includes fusion genres such as folk rock , folk metal , and others. While contemporary folk music is a genre generally distinct from traditional folk music, in U.S. English it shares the same name, and it often shares the same performers and venues as traditional folk music. The terms folk music , folk song , and folk dance are comparatively recent expressions. They are extensions of

7811-408: The offices of traditional music collectors Robert Winslow Gordon , Alan Lomax and others to capture as much North American field material as possible. John Lomax (the father of Alan Lomax) was the first prominent scholar to study distinctly American folk music such as that of cowboys and southern blacks. His first major published work was in 1911, Cowboy Songs and Other Frontier Ballads . and

7918-700: The other. In the proliferation of popular music genres, some traditional folk music became also referred to as " World music " or "Roots music". The English term " folklore ", to describe traditional folk music and dance, entered the vocabulary of many continental European nations, each of which had its folk-song collectors and revivalists. The distinction between "authentic" folk and national and popular song in general has always been loose, particularly in America and Germany – for example, popular songwriters such as Stephen Foster could be termed "folk" in America. The International Folk Music Council definition allows that

8025-794: The outcomes of battles or lament tragedies or natural disasters . Sometimes, as in the triumphant Song of Deborah found in the Biblical Book of Judges , these songs celebrate victory. Laments for lost battles and wars, and the lives lost in them, are equally prominent in many traditions; these laments keep alive the cause for which the battle was fought. The narratives of traditional songs often also remember folk heroes such as John Henry or Robin Hood . Some traditional song narratives recall supernatural events or mysterious deaths. Hymns and other forms of religious music are often of traditional and unknown origin. Western musical notation

8132-449: The pace of many activities such as planting , weeding , reaping , threshing , weaving , and milling . In leisure time , singing and playing musical instruments were common forms of entertainment and history-telling—even more common than today when electrically enabled technologies and widespread literacy make other forms of entertainment and information-sharing competitive. Some believe that folk music originated as art music that

8239-400: The preservation of songs as artifacts of deceased cultures. "Functional" folklorists (e.g. Botkin and Alan Lomax) maintained that songs only retain relevance when used by those cultures which retain the traditions which birthed those songs. "Left-wing" folk revivalists (e.g. Charles Seeger and Lawrence Gellert) emphasized music's role "in 'people's' struggles for social and political rights". By

8346-463: The publication Red Channels as a probable subversive. Radio stations refused to play their records and concert venues canceled their engagements. A former employee of People's Songs, Harvey Matusow , himself a former Communist Party member, had informed the FBI that the Weavers were Communists, too, although Matusow later recanted and admitted he had lied. Pete Seeger and Lee Hays were called to testify before

8453-512: The same time among the top 10 selling albums for five consecutive weeks in November and December 1959 according to Billboard magazine's "Top LPs" chart, a record unmatched for more than 50 years and noted at the time by a cover story in Life magazine. The huge commercial success of the Kingston Trio, whose recordings between 1958 and 1961 earned more than $ 25 million for Capitol records or more than $ 250 million in 2024 dollars, spawned

8560-626: The so-called beatnik scene, and dedicated singers of folk songs (as well as folk-influenced original material) traveled through what was called "the coffee-house circuit" across the U.S. and Canada, home also to cool jazz and recitations of highly personal beatnik poetry. Two singers of the 1950s who sang folk material but crossed over into the mainstream were Odetta and Harry Belafonte , both of whom sang Lead Belly and Josh White material. Odetta, who had trained as an opera singer, performed traditional blues, spirituals, and songs by Lead Belly . Belafonte had hits with Jamaican calypso material as well as

8667-482: The song on his self-titled solo debut album on A&M Records in 1974. The album was produced by Mentor Williams and featured guitarists Lonnie Mack and Troy Seals . However, the record was a commercial failure and Jans opted to relocate to Los Angeles. After a period of isolation, Jans released a second album, The Eyes of an Only Child , on Columbia Records in 1975, executive produced by Lowell George . The album featured his song "Out of Hand", which later became

8774-507: The song, "It was written about another friend, but it was the kind of song that Tom Jans would have written. He was there in spirit". Folk music Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival . Some types of folk music may be called world music . Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that

8881-471: The songs they hear. For example, around 1970 the song Mullā Mohammed Jān spread from Herat to the rest of Afghanistan , and Iran where it was recorded. Due to its repetitive refrain and the predictability of the second half of each verse, it allowed for both its popularization, and for each singer to create their own version of the song without being overly-concerned for a melody or restrictive poetic rhythm. Because variants proliferate naturally, there

8988-492: The southern Yangtze area. Jiangnan Sizhu (silk and bamboo music from Jiangnan ) is a style of instrumental music, often played by amateur musicians in tea houses in Shanghai. Guangdong Music or Cantonese Music is instrumental music from Guangzhou and surrounding areas. The music from this region influenced Yueju (Cantonese Opera) music, which would later grow popular during the self-described "Golden Age" of China under

9095-630: The sponsorship of the Washington Post , the festival was held in Washington, DC at Constitution Hall from 1937 to 1942. The folk music movement, festivals, and the wartime effort were seen as forces for social goods such as democracy, cultural pluralism, and the removal of culture and race-based barriers. The American folk music revivalists of the 1930s approached folk music in different ways. Three primary schools of thought emerged: "Traditionalists" (e.g. Sarah Gertrude Knott and John Lomax ) emphasized

9202-468: The style of the source singers whom they had discovered, frequently by listening to Harry Smith 's celebrated LP compilation of forgotten or obscure commercial 78rpm "race" and "hillbilly" recordings of the 1920s and 30s, the Folkways Anthology of American Folk Music (1951). A number of the artists who had made these old recordings were still very much alive and had been "rediscovered" and brought to

9309-562: The survivors among these artists. This was how many urban white American audiences of the 1950s and 60s first heard country blues and especially Delta blues that had been recorded by Mississippi folk artists 30 or 40 years before. In 1952, Folkways Records released the Anthology of American Folk Music , compiled by anthropologist and experimental film maker Harry Smith . The Anthology featured 84 songs by traditional country and blues artists, initially recorded between 1927 and 1932, and

9416-524: The term folklore , which was coined in 1846 by the English antiquarian William Thoms to describe "the traditions, customs, and superstitions of the uncultured classes". The term further derives from the German expression Volk , in the sense of "the people as a whole" as applied to popular and national music by Johann Gottfried Herder and the German Romantics over half a century earlier. Though it

9523-558: The term "folk music": newly composed songs, fixed in form and by known authors, which imitated some form of traditional music. The popularity of "contemporary folk" recordings caused the appearance of the category "Folk" in the Grammy Awards of 1959; in 1970 the term was dropped in favor of "Best Ethnic or Traditional Recording (including Traditional Blues)", while 1987 brought a distinction between "Best Traditional Folk Recording" and "Best Contemporary Folk Recording". After that, they had

9630-485: The term can also apply to music that, "...has originated with an individual composer and has subsequently been absorbed into the unwritten, living tradition of a community. But the term does not cover a song, dance, or tune that has been taken over ready-made and remains unchanged." The post– World War II folk revival in America and in Britain started a new genre, Contemporary Folk Music , and brought an additional meaning to

9737-520: The term is usually only descriptive, in some cases people use it as the name of a genre. For example, the Grammy Award previously used the terms "traditional music" and "traditional folk" for folk music that is not contemporary folk music. Folk music may include most indigenous music . From a historical perspective, traditional folk music had these characteristics: As a side-effect, the following characteristics are sometimes present: In folk music,

9844-933: The texts of 217,996 Latvian folk songs, the Latvju dainas . In Norway the work of collectors such as Ludvig Mathias Lindeman was extensively used by Edvard Grieg in his Lyric Pieces for piano and in other works, which became immensely popular. Around this time, composers of classical music developed a strong interest in collecting traditional songs, and a number of composers carried out their own field work on traditional music. These included Percy Grainger and Ralph Vaughan Williams in England and Béla Bartók in Hungary. These composers, like many of their predecessors, both made arrangements of folk songs and incorporated traditional material into original classical compositions. The advent of audio recording technology provided folklorists with

9951-520: The then-known variations of both the texts and tunes associated with what came to be known as the Child Canon. He also advanced some significant theories concerning the workings of oral-aural tradition. Similar activity was also under way in other countries. One of the most extensive was perhaps the work done in Riga by Krisjanis Barons , who between the years 1894 and 1915 published six volumes that included

10058-549: The top ten in late 1960 and remained on the Billboard charts for over two years. Baez's early albums contained mostly traditional material, such as the Scottish ballad " Mary Hamilton ", as well as many covers of melancholy tunes that had appeared in Harry Smith 's Anthology of American Folk Music , such as "The Wagoner's Lad" and "The Butcher Boy" . She did not try to imitate the singing style of her source material, however, but used

10165-478: The traditional folk music of many cultures. This encompasses such forms as traditional epic poetry , much of which was meant originally for oral performance, sometimes accompanied by instruments. Many epic poems of various cultures were pieced together from shorter pieces of traditional narrative verse, which explains their episodic structure, repetitive elements, and their frequent in medias res plot developments. Other forms of traditional narrative verse relate

10272-635: The twenty-first century many cherished Chinese folk songs have been inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity . In the process, songs once seen as vulgar are now being reconstructed as romantic courtship songs. Regional song competitions, popular in many communities, have promoted professional folk singing as a career, with some individual folk singers having gained national prominence. The art, music and dance of Sri Lanka derive from

10379-725: The voter registration drives, freedom rides, and lunch counter sit-ins during the Civil Rights Movement of the late 1950s and early '60s in the South gave folk music tremendous new visibility and prestige. The peace movement was likewise energized by the rise of the Campaign for Nuclear Disarmament in the UK, protesting the British testing of the H-bomb in 1958, as well as by the ever-proliferating arms race and

10486-529: Was arguably the most prominent US folk music scholar of his time, notably during the beginnings of the folk music revival in the 1930s and early 1940s. Cecil Sharp also worked in America, recording the traditional songs of the Appalachian Mountains in 1916–1918 in collaboration with Maud Karpeles and Olive Dame Campbell and is considered the first major scholar covering American folk music. Campbell and Sharp are represented under other names by actors in

10593-424: Was changed and probably debased by oral transmission while reflecting the character of the society that produced it. In many societies, especially preliterate ones, the cultural transmission of folk music requires learning by ear , although notation has evolved in some cultures. Different cultures may have different notions concerning a division between "folk" music on the one hand and of "art" and "court" music on

10700-557: Was credited with making a large amount of pre-War material accessible to younger musicians. (The Anthology was re-released on CD in 1997, and Smith was belatedly presented with a Grammy Award for his achievement in 1991.) Artists like the Carter Family , Robert Johnson , Blind Lemon Jefferson , Clarence Ashley , Buell Kazee , Uncle Dave Macon , Mississippi John Hurt , and the Stanley Brothers , as well as Jimmie Rodgers ,

10807-481: Was in Hebrew (" Tzena, Tzena, Tzena ") and they, and later Joan Baez, who was of Mexican descent, occasionally included Spanish-language material in their repertoires, as well as songs from Africa, India, and elsewhere. The commercially oriented folk-music revival as it existed in coffee houses, concert halls, radio, and TV was predominantly an English-language phenomenon, though many of the major pop-folk groups, such as

10914-405: Was not possible. Music was made by common people during both their work and leisure, as well as during religious activities. The work of economic production was often manual and communal. Manual labor often included singing by the workers, which served several practical purposes. It reduced the boredom of repetitive tasks, it kept the rhythm during synchronized pushes and pulls, and it set

11021-411: Was originally created to preserve the lines of Gregorian chant , which before its invention was taught as an oral tradition in monastic communities. Traditional songs such as Green grow the rushes, O present religious lore in a mnemonic form, as do Western Christmas carols and similar traditional songs. Work songs frequently feature call and response structures and are designed to enable

11128-495: Was racially integrated), and in 1948 had thrown all its resources to the failed presidential campaign of Progressive Party candidate Henry Wallace , a folk-music aficionado (his running mate was a country-music singer-guitarist). Hays and Seeger had formerly sung together as the politically activist Almanac Singers , a group which they founded in 1941 and whose personnel often included Woody Guthrie , Josh White , Lead Belly , Cisco Houston , and Bess Lomax Hawes . The Weavers had

11235-595: Was so effective that Israel Young , a chronicler of the 1960s Folk Revival who was drawn into the movement through an interest in folk dancing, communicated to Ron Eyerman that he himself was unaware for many years of the movement's 1930s and early '40s antecedents in left-wing political activism. In the early and mid-1950s, acoustic-guitar-accompanied folk songs were mostly heard in coffee houses , private parties, open-air concerts, and sing-alongs, hootenannies , and at college-campus concerts. Often associated with political dissent, folk music now blended, to some degree, with

11342-489: Was university educated and ultimately moved to New York City, where she made a number of classic recordings of the family repertoire and published an important compilation of these songs. In January 2012, the American Folklife Center at the Library of Congress , with the Association for Cultural Equity, announced that they would release Lomax's vast archive of 1946 and later recording in digital form. Lomax spent

11449-513: Was written and first sung by Joni Mitchell while her records were still nearly entirely acoustic and while she was labeled a "folk singer", became a hit single for Crosby, Stills, Nash & Young when the group recorded a full-on rock version. By the late 1960s, the scene had returned to being more of a lower-key, aficionado phenomenon, although sizable annual acoustic-music festivals were established in many parts of North America during this period. The acoustic music coffee-house scene survived at

#782217