128-484: Arulmigu Murugan Temple, Thiruparankundram is a Hindu temple dedicated to the god Murugan (also known as Kartikeya) at Thiruparankundram , Tamilnadu , India. It is regarded as one of the " First Houses of Murugan ". The temple uses rock-cut architecture and is believed to have been built by the Pandyas during the 6th century. According to legend, Murugan slayed the demon Surapadman and married his consort Devasena at
256-444: A Vishnu temple, Krishna temple, Rama temple, Narayana temple, Shiva temple, Lakshmi temple, Ganesha temple, Durga temple, Hanuman temple, Surya temple, etc. It is this garbha-griya which devotees seek for darsana (literally, a sight of knowledge, or vision ). Above the vastu-purusha-mandala is a superstructure with a dome called Shikhara in north India, and Vimana in south India, that stretches towards
384-422: A Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors). While the temple is under construction, all those working on the temple were revered and considered sacerdotal by
512-602: A Hindu yogin, states Gopinath Rao, one who has realised the Self and the Universal Principle within himself, there is no need for any temple or divine image for worship. However, for those who have yet to reach this height of realization, various symbolic manifestations through images, murtis and icons as well as mental modes of worship are offered as one of the spiritual paths in the Hindu way of life. Some ancient Hindu scriptures like
640-494: A UNESCO World Heritage site. The Indian rock-cut architecture evolved in Maharashtran temple style in the 1st millennium CE. The temples are carved from a single piece of rock as a complete temple or carved in a cave to look like the interior of a temple. Ellora Temple is an example of the former, while The Elephanta Caves are representative of the latter style. The Elephanta Caves consist of two groups of caves—the first
768-507: A bed and meal to pilgrims. They relied on any voluntary donation the visitor may leave and to land grants from local rulers. Some temples have operated their kitchens on a daily basis to serve the visitor and the needy, while others during major community gatherings or festivals. Examples include the major kitchens run by Hindu temples in Udupi (Karnataka), Puri (Odisha) and Tirupati (Andhra Pradesh). The tradition of sharing food in smaller temple
896-483: A brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith and Silpa Ratnakara compiled by Narmada Sankara provide a more extensive list of Hindu temple types. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building
1024-456: A demon-slaying goddess was likely well established by the time the classic Hindu text called Devi Mahatmya was composed, which scholars variously estimate to between 400 and 600 CE. The Devi Mahatmya and other mythologies describe the nature of demonic forces symbolised by Mahishasura as shape-shifting and adapting in nature, form and strategy to create difficulties and achieve their evil ends, while Durga calmly understands and counters
1152-586: A fire-like flickering tongue, before the text begins presenting its thesis that one must seek self-knowledge and the knowledge of the eternal Brahman . Durga, in her various forms, appears as an independent deity in the Epics period of ancient India, that is the centuries around the start of the common era. Both Yudhisthira and Arjuna characters of the Mahabharata invoke hymns to Durga . She appears in Harivamsa in
1280-436: A garland of lemons. The goddess announced that Kamsa's slayer had already been born, before vanishing. Durga is often conceptualised in this role as a sister of Vishnu. Durga is a warrior goddess, and she is depicted to express her martial skills. Her iconography typically resonates with these attributes, where she rides a lion or a tiger, has between eight and eighteen hands, each holding a weapon to destroy and create. She
1408-582: A granite cave in Mamallapuram , Tamil Nadu there is a large relief of Durga slaying Mahisasura, carved around 630–674 CE. Durga iconography in some temples appears as part of Mahavidyas or Saptamatrkas (seven mothers considered forms of Durga). Her icons in major Hindu temples such as in Varanasi include relief artworks that show scenes from the Devi Mahatmya . In Vaishnavism , Durga and her mount of
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#17328877848541536-498: A house or a palace. A house-themed temple is a simple shelter that serves as a deity's home. The temple is a place where the devotee visits, just like he or she would visit a friend or relative. The use of moveable and immoveable images is mentioned by Pāṇini . In the Bhakti school of Hinduism, temples are venues for puja , which is a hospitality ritual, where the deity is honored, and where devotee calls upon, attends to and connects with
1664-584: A lion, is considered one of the three aspects or forms of Goddess Lakshmi , the other two being Sri and Bhu, in place of Niladevi . According to professor Tracy Pintchman, "When the Lord Vishnu created the gunas of prakriti , there arose Lakshmi in her three forms, Sri , Bhu and Durga . Sri consisted of sattva , Bhu as rajas and Durga as tamas ". Durga appears in Hindu traditions in numerous forms and names, but ultimately all these are different aspects and manifestations of one goddess. She
1792-446: A main temple surrounded by smaller temples and shrines, but these are still arranged by principles of symmetry, grids and mathematical precision. An important principle found in the layout of Hindu temples is mirroring and repeating fractal-like design structure, each unique yet also repeating the central common principle, one which Susan Lewandowski refers to as "an organism of repeating cells". The ancient texts on Hindu temple design,
1920-596: A natural source of water is not present. Here too, they recommend that a pond be built preferably in front or to the left of the temple with water gardens. If water is neither present naturally nor by design, water is symbolically present at the consecration of the temple or the deity. Temples may also be built, suggests Visnudharmottara in Part III of Chapter 93, inside caves and carved stones, on hill tops affording peaceful views, on mountain slopes overlooking beautiful valleys, inside forests and hermitages, next to gardens, or at
2048-400: A noose. These weapons are considered symbolic by Shakta Hindus, representing self-discipline, selfless service to others, self-examination, prayer, devotion, remembering her mantras, cheerfulness and meditation. Durga herself is viewed as the "Self" within and the divine mother of all creation. She has been revered by warriors, blessing their new weapons. Durga iconography has been flexible in
2176-455: A number of ways. For example, one method of classification is the dimensionality of completion: Another way of classification is by the expressive state of the image: A Hindu temple may or may not include a murti or images, but larger temples usually do. Personal Hindu temples at home or a hermitage may have a pada for yoga or meditation, but be devoid of anthropomorphic representations of god. Nature or others arts may surround him or her. To
2304-448: A sacred space. It represents the triple-knowledge (trayi- vidya ) of the Vedic vision by mapping the relationships between the cosmos ( brahmaṇḍa ) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. In ancient Indian texts, a temple
2432-714: A sage, and one who knows Brahman. I bend the bow for Rudra, that his arrow may strike, and slay the hater of devotion. I rouse and order battle for the people, I created Earth and Heaven and reside as their Inner Controller. On the world's summit I bring forth sky the Father: my home is in the waters, in the ocean as Mother. Thence I pervade all existing creatures, as their Inner Supreme Self, and manifest them with my body. I created all worlds at my will, without any higher being, and permeate and dwell within them. The eternal and infinite consciousness
2560-437: A social meaning. Some temples have served as a venue to mark festivals, to celebrate arts through dance and music, to get married or commemorate marriages, the birth of a child, other significant life events or the death of a loved one. In political and economic life, Hindu temples have served as a venue for succession within dynasties and landmarks around which economic activity thrived. Almost all Hindu temples take two forms:
2688-400: A symbolic product of knowledge and human thought, while the circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 (or in some cases 81) sub-squares called padas. Each pada is conceptually assigned to a symbolic element, sometimes in the form of a deity. The central square(s) of
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#17328877848542816-496: A temple). Manasara , a text of South Indian origin, estimated to be in circulation by the 7th century CE, is a guidebook on South Indian temple design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of temple building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing
2944-456: A warrior woman with many arms. Himavan , the personification of the Himalayas, gifted a lion as her mount. Durga, on her lion, appeared before Mahishasura where the demon took on different forms and attacked the goddess. Each time, Durga would destroy his forms. At last, Durga slew Mahishasura with her trident when he was transforming as a buffalo demon. According to Vaishnava tradition, Durga
3072-421: A while and asked a boon that only a woman could be able to kill him. Brahma granted the boon and disappeared. Mahishasura started to torture innocent people. He captured Svarga and was not in any kind of fear, as he thought women to be powerless and weak. The devas were worried and they went to Trimurti . The Trimurti combined their power, and gave a physical form to the sum of their divine energy, Adi Shakti ,
3200-517: Is I, it is my greatness dwelling in everything. – Devi Sukta, Rigveda 10.125.3 – 10.125.8 , Devi's epithets synonymous with Durga appear in Upanishadic literature, such as Kali in verse 1.2.4 of the Mundaka Upanishad dated to about the 5th century BCE. This single mention describes Kali as "terrible yet swift as thought", very red and smoky coloured manifestation of the divine with
3328-416: Is a yantra , a design laying out a Hindu temple in a symmetrical, self-repeating structure derived from central beliefs, myths, cardinality and mathematical principles. The four cardinal directions help create the axis of a Hindu temple, around which is formed a perfect square in the space available. The circle of the mandala circumscribes the square. The square is considered divine for its perfection and as
3456-554: Is a large group of five Hindu caves and the second is a smaller group of two Buddhist caves. The Hindu caves contain rock-cut stone sculptures, representing the Shaiva Hindu sect, dedicated to the god Shiva. A typical, ancient Hindu temple has a profusion of arts—from paintings to sculpture, from symbolic icons to engravings, from thoughtful layout of space to fusion of mathematical principles with Hindu sense of time and cardinality. Ancient Sanskrit texts classify murtis and images in
3584-457: Is a place of pilgrimage, known in India as a Tirtha . It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are feminine or masculine to those that are everlasting and universal. Susan Lewandowski states that
3712-474: Is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to
3840-778: Is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and the economy have flourished. Hindu temple architecture are presented in many styles, are situated in diverse locations, deploy different construction methods, are adapted to different deities and regional beliefs, and share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal , Bangladesh , Pakistan , Sri Lanka , in Southeast Asian countries such as Cambodia , Vietnam , Malaysia , and Indonesia , and countries such as Canada , Fiji , France , Guyana , Kenya , Mauritius ,
3968-462: Is also celebrated and the goddess is dressed each day as a different Devi, all considered equivalent but another aspect of Durga. In Bangladesh , the four-day-long Sharadiya Durga Puja is the most important religious festival for the Hindus and celebrated across the country with Vijayadashami being a national holiday. In Sri Lanka, Durga in the form of Vaishnavi, bearing Vishnu's iconographic symbolism
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4096-568: Is also celebrated as a festival. Karthigai Deepam festival is also celebrated during the Tamil month of Karthigai by lighting a lamp on top of the hill. Vaikasi Visakam, and the float festival in Thai (Tamil month) are the other festivals celebrated in the temple. Since the image of Vishnu is in the temple, Vaikunta Ekadashi is also celebrated. Hindu temple Traditional A Hindu temple , also known as Mandir , Devasthanam , Pura , or Kovil ,
4224-441: Is among the various epithets and avatars of Yogamaya , the personification of the illusory power of Vishnu. Vishnu offers Durga the task of transferring the seventh child of Devaki into the womb of Rohini , as well as being born on earth as the infant daughter of Yashoda and Nanda , so that she could be swapped with Krishna . When Kamsa attempted to slay her, she manifested her true form of an eighteen-armed goddess, wearing
4352-457: Is believed to have worshipped Shiva here as Parangirinathar. Inscriptional evidence in the temple points to a history as a Jain cave. Other theories suggest that the Murugan temple existed much before the 6th century, and was converted into a Jain shrine by Jain monks under the aegis of Pandya king Koon Pandiyan . The temple was later converted into a Hindu temple under the tutelage of Gajapathy,
4480-452: Is called as Sharadiya Durga Puja or Akal-Bodhan to differentiate it from the one celebrated originally in spring. The festival is celebrated by communities by making special colourful images of Durga out of clay, recitations of Devi Mahatmya text, prayers and revelry for nine days, after which it is taken out in procession with singing and dancing, then immersed in water. The Durga puja is an occasion of major private and public festivities in
4608-585: Is celebrated. This tradition has been continued by Sri Lankan diaspora. The Tantric Buddhist Vajrayana traditions adopted several Hindu deities into its fold, including Durga. Numerous depictions of Durgā Mahiṣāsuramardinī (Durgā slaying the buffalo demon) have been found at Buddhist temple sites (c. 8th–11th century) in Afghanistan , Indonesia and northeastern India. Durga statues have also been found in major Buddhist sites like Nalanda and Vikramashila . In Bengal , late Indian Mahayana Buddhists during
4736-656: Is commonly known as Mahishasura-mardini for slaying the half-buffalo demon Mahishasura. She is also known as Vindhyavasini (she who dwells in the Vindhya Mountains). Her other epithets include Mahamoha (great delusion), Mahasuri (the great demoness), Tamasi (the great night, the night of delusion). There are many epithets for Durga in Shaktism and her nine appellations are ( Navadurga ): Shailaputri, Brahmacharini, Chandraghanta, Kushmanda, Skandamata, Katyayini, Kalaratri, Mahagauri and Siddhidatri. A list of 108 names of
4864-450: Is everywhere in a Hindu temple. Life principles such as the pursuit of joy, connection and emotional pleasure (kama) are fused into mystical, erotic and architectural forms in Hindu temples. These motifs and principles of human life are part of the sacred texts of the Hindus, such as its Upanishads; the temples express these same principles in a different form, through art and spaces. For example, Brihadaranyaka Upanisad (4.3.21) recites: In
4992-432: Is grand. In Hindu tradition, this is discarded in favor of an open and diffusive architecture, where the secular world was not separated from the sacred, but transitioned and flowed into the sacred. The Hindu temple has structural walls, which were patterned usually within the 64-grid, or other geometric layouts. Yet the layout was open on all sides, except for the core space with a single opening for darsana. The temple space
5120-519: Is imagined to be terrifying and destructive when she has to be, but benevolent and nurturing when she needs to be. While anthropomorphic icons of her, such as those showing her riding a lion and holding weapons, are common, the Hindu traditions use aniconic forms and geometric designs ( yantra ) to remember and revere what she symbolises. Durga is worshipped in Hindu temples across India and Nepal by Shakta Hindus. The Vedic Texts concluded Durga alone to be
5248-405: Is laid out in a series of courts ( mandapas ). The outermost regions may incorporate the negative and suffering side of life with the symbolism of evil, asuras and rakshashas ; but in small temples this layer is dispensed with. When present, this outer region diffuse into the next inner layer that bridges as human space, followed by another inner Devika padas space and symbolic arts incorporating
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5376-436: Is often shown in the midst of her war with Mahishasura, the buffalo demon, at the time she victoriously kills the demonic force. Her icon shows her in action, yet her face is calm and serene. In Hindu arts, this tranquil attribute of Durga's face is traditionally derived from the belief that she is protective and violent not because of her hatred, egotism or getting pleasure in violence, but because she acts out of necessity, for
5504-417: Is the name of six methods or alternate viewpoints of understanding truth. These are Nyaya, Vaisesika, Sankhya, Yoga, Mimamsa and Vedanta —which flowered into individual schools of Hinduism, each of which is considered a valid, alternate path to understanding truth and achieving self-realization in the Hindu way of life. From names to forms, from images to stories carved into the walls of a temple, symbolism
5632-415: Is typically called prasada . Hindu temples are found in diverse locations each incorporating different methods of construction and styles: In arid western parts of India, such as Rajasthan and Gujarat, Hindu communities built large walk-in wells that served as the only source of water in dry months but also served as social meeting places and carried religious significance. These monuments went down into
5760-519: The Lakshmi Tantra , Lakshmi has Durga as one of her forms and acquires the name Durga after killing the demon Durgamasura. These texts identify Durga as Vishnu's māyā ". The Mahishasura Mardini Stotra by Adi Shankara was written in her praise. The historian Ramaprasad Chanda stated in 1916 that Durga evolved over time in the Indian subcontinent. A primitive form of Durga, according to Chanda,
5888-584: The Mahabharata and section 4.27.16 of the Ramayana . These usages are in different contexts. For example, Durg is the name of an Asura who had become invincible to gods, and Durga is the goddess who intervenes and slays him. Durga and its derivatives are found in sections 4.1.99 and 6.3.63 of the Ashtadhyayi by Pāṇini , the ancient Sanskrit grammarian, and in the commentary of Nirukta by Yaska . Durga
6016-755: The Indian independence movement . The city of Kolkata is famous for Durga puja. In Nepal , the festival dedicated to Durga is called Dashain (sometimes spelled as Dasain), which literally means "the ten". Dashain is the longest national holiday of Nepal, and is a public holiday in Sikkim and Bhutan . During Dashain, Durga is worshipped in ten forms ( Shailaputri , Brahmacharini , Chandraghanta , Kushmanda , Skandamata , Katyayani , Kalaratri , Mahagauri , Mahakali and Durga) with one form for each day in Nepal. The festival includes animal sacrifice in some communities, as well as
6144-769: The Indus Valley civilisation . According to Asko Parpola , a cylindrical seal from Kalibangan shows "a Durgā-like goddess of war, who is associated with the tiger". Reverence for Devi , the feminine nature of God, first appears in the 10th Maṇḍala of Rig Veda , one of the scriptures of Hinduism. This hymn is also called the Devi Suktam hymn (abridged): I am the Queen, the gatherer-up of treasures, most thoughtful, first of those who merit worship. Thus gods have established me in many places with many homes to enter and abide in. Through me alone all eat
6272-589: The Netherlands , South Africa , Suriname , Tanzania , Trinidad and Tobago , Uganda , the United Kingdom , the United States , Australia , New Zealand , and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since
6400-631: The Tamil month of Aippasi (October - November) is the most prominent festival of the temple. Murugan killing Surapadman is enacted during the last of the six days and the festive image of Murugan is taken in different mounts around the streets of the temple during the festival. Brahmotsavam here falls in the Tamil month of Panguni . The Vishnu named Pavalakanivai Perumal, and Murugan are taken in procession to Madurai to celebrate Minakshi 's wedding ( Chittirai festival ), with residents of Madurai dressed in festive clothing. Nakkirar's association with this temple
6528-552: The Telika Mandir in Gwalior , built in the 8th century CE, is not a square but a rectangle in 2:3 proportion. Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation. Other examples of non-square harmonic ratios are found at
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#17328877848546656-523: The Vāstu-puruṣa-mandala and Vastu Śāstras , do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature. A predominant number of Hindu temples exhibit the perfect-square grid principle. However, there are some exceptions. For example,
6784-419: The garbha-griya (literally, "womb house")—a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a cult image—which, though many Indians may refer to casually as an idol, is more formally known as a murti, or the main worshippable deity, who varies with each temple. Often this murti gives the temple a local name, such as
6912-504: The 10th-century attached medical care along with their religious and educational roles. This is evidenced by various inscriptions found in Bengal, Andhra Pradesh and elsewhere. An inscription dated to about 930 CE states the provision of a physician to two matha to care for the sick and destitute. Another inscription dated to 1069 at a Vishnu temple in Tamil Nadu describes a hospital attached to
7040-574: The 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey , between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. A Hindu temple reflects a synthesis of arts, the ideals of dharma , beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puruṣa in
7168-462: The 16th century. The 11th or 12th century Jainism text Yasatilaka by Somadeva mentions a festival and annual dates dedicated to a warrior goddess, celebrated by the king and his armed forces, and the description mirrors attributes of a Durga puja. The prominence of Durga puja increased during the British Raj in Bengal. After the Hindu reformists identified Durga with India, she became an icon for
7296-726: The 17th century worshiped Durga during traditional Yogini Puja celebrations, and some traces of these Mahayana Durga rites survive today, even though the Bengalis who perform them are no longer Buddhist. Images of the Buddhist Durga have also been found in Bali (surrounded with images of Buddhas and bodhisattvas) and date from the 10th and 11th centuries. Durga also appears in the Sarvadurgatipariśodhana tantra , though in this text, she appears not in her demon slaying form, but mounted on
7424-676: The 276 temples that find mention in the Saiva canon. The temple is counted as the third in the series of the temples on bank of river Vaigai . Sambandar met the three Tamil chiefs, the Chera , the Chola and the Pandya in this temple and blessed them. Sundarar and Sambandar composed the Tevaram Pathigam here. Nakkirar composed many poems on the Murugan icon. Tiruppugazh , Kandapuranam and other works speak of
7552-511: The 4th century CE suggest the existence of schools around Hindu temples, called Ghatikas or Mathas , where the Vedas were studied. In south India, 9th century Vedic schools attached to Hindu temples were called Calai or Salai , and these provided free boarding and lodging to students and scholars. The temples linked to Bhakti movement in the early 2nd millennium, were dominated by non-Brahmins. These assumed many educational functions, including
7680-623: The 64- or 81-grid is dedicated to Brahman (not to be confused with brahmin, the scholarly and priestly class in India), and are called Brahma padas . The 49-grid design is called Sthandila and is of great importance in creative expressions of Hindu temples in South India, particularly in Prakaras . The symmetric Vastu-purusa-mandala grids are sometimes combined to form a temple superstructure with two or more attached squares. The temples face sunrise, and
7808-408: The 6th century CE. Vastu-Sastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice,
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#17328877848547936-410: The Hindu traditions, where for example some intellectuals place a pen or other writing implements in her hand since they consider their stylus as their weapon. Archeological discoveries suggest that these iconographic features of Durga became common throughout India by about the 4th century CE, states David Kinsley – a professor of religious studies specialising on Hindu goddesses. In the north wall of
8064-517: The Jabaladarshana Upanishad appear to endorse this idea Durga Traditional Durga ( Sanskrit : दुर्गा , IAST : Durgā ) is a major Hindu goddess , worshipped as a principal aspect of the mother goddess Mahadevi . She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma , representing
8192-556: The Madurai - Tenkasi road. The temple is constructed with rock-cut architecture dating back to the Pandya period of 6th century and the life sized sculptures in the mandapa s of the Nayaka period during the 16th century. An Aasthaana Mandapa with several artistically carved pillars lead one to the towering 150 feet (46 m) high seven-tiered rajagopuram at the entrance. The granite hill behind
8320-573: The Markandeya Purana, Durga Puja can be performed either for 9 days or 4 days (last four in sequence). The four-day-long Durga Puja is a major annual festival in Bengal , Odisha , Assam , Jharkhand and Bihar . It is scheduled per the Hindu luni-solar calendar in the month of Ashvina , and typically falls in September or October. Since it is celebrated during Sharad (literally, season of weeds), it
8448-612: The Naresar temple site of Madhya Pradesh and at the Nakti-Mata temple near Jaipur , Rajasthan. Michael Meister suggests that these exceptions mean that the ancient Sanskrit manuals for temple building were guidelines, and Hinduism permitted its artisans flexibility in expression and aesthetic independence. A Hindu temple is a symbolic reconstruction of the universe and the universal principles that enable everything in it to function. The temples reflect Hindu philosophy and its diverse views on
8576-604: The Supreme and the Absolute facet of Brahman, as stated in the Devi-Atharvashirsha यस्याः परतरं नास्ति सैषा दुर्गा प्रकीर्तिता ॥२४॥ She who is renowned by the name "Durga" is the being superior to whom, no one exists. – Devi Atharvashirhsa Upanishad , 24. Her temples, worship and festivals are particularly popular in eastern and northeastern parts of Indian subcontinent during Durga puja, Dashain and Navaratri. As per
8704-637: The Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda . A deity named Durge appears in section 10.1.7 of the Taittiriya Aranyaka . While the Vedic literature uses the word Durga , the description therein lacks the legendary details about her that is found in later Hindu literature. The word is also found in ancient post-Vedic Sanskrit texts such as in section 2.451 of
8832-479: The age of 25. Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography. Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do. According to Silparatna,
8960-409: The ancient Sanskrit texts of India (for example, the Vedas and Upanishads ), while their structural rules are described in various ancient Sanskrit treatises on architecture ( Bṛhat Saṃhitā , Vāstu Śāstras ). The layout, the motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism. A Hindu temple
9088-617: The artworks and sculptures within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number, and Vidya (science) that were of 32 types. The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till
9216-602: The central space typically is surrounded by an ambulatory for the devotee to walk around and ritually circumambulate the Purusa, the universal essence. Often this space is visually decorated with carvings, paintings or images meant to inspire the devotee. In some temples, these images may be stories from Hindu Epics; in others, they may be Vedic tales about right and wrong or virtues and vice; in yet others, they may be murtis of locally worshipped deities. The pillars, walls and ceilings typically also have highly ornate carvings or images of
9344-460: The centre of the temple, typically below and sometimes above or next to the deity , is mere hollow space with no decoration, symbolically representing Purusa , the Supreme Principle, the sacred Universal, one without form, which is omnipresent, connects everything, and is the essence of everyone. A Hindu temple is meant to encourage reflection, facilitate purification of one's mind, and trigger
9472-570: The cosmos and on truth. Hinduism has no traditional ecclesiastical order, no centralized religious authorities, no governing body, no prophet nor any binding holy book save the Vedas; Hindus can choose to be polytheistic , pantheistic , monistic , or atheistic . Within this diffuse and open structure, spirituality in Hindu philosophy is an individual experience, and referred to as kṣaitrajña ( Sanskrit : क्षैत्रज्ञ ) ). It defines spiritual practice as one's journey towards moksha , awareness of self,
9600-521: The deity. In other schools of Hinduism, the person may simply perform japa , or meditation, or yoga , or introspection in his or her temple. Palace-themed temples often incorporate more elaborate and monumental architecture. The appropriate site for a temple, suggests ancient Sanskrit texts, is near water and gardens, where lotus and flowers bloom, where swans, ducks and other birds are heard, and where animals rest without fear of injury or harm. These harmonious places were recommended in these texts with
9728-604: The demon, who remained unmoved. A severe battle was fought in Thiruchendur where Murugan killed all the sons of the Surapadman except Iraniyan. Surapadman hid under the sea. Murugan split him into two pieces, which went on to become the god's divine vehicles, peacock and rooster. The day when Murugan slayed Surapadman is celebrated as Skanda Sashti festival in all the Murugan temples. In gratitude, Indra married his daughter Devasena (Deivayanai) to Murugan at Thiruparamkundram. Murugan
9856-404: The design and construction of Nagara style of Hindu temples. A Hindu temple design follows a geometrical design called vastu-purusha-mandala . The name is a composite Sanskrit word with three of the most important components of the plan. Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure. The Vastu-purusha-mandala
9984-432: The discovery of higher truths, true nature of reality, and a consciousness that is liberated and content. A Hindu temple reflects these core beliefs. The central core of almost all Hindu temples is not a large communal space; the temple is designed for the individual, a couple or a family—a small, private space to allow visitors to experience darsana . Darsana is itself a symbolic word. In ancient Hindu scripts, darsana
10112-883: The donations (melvarum) they collected from devotees. According to James Heitzman, these donations came from a wide spectrum of the Indian society, ranging from kings, queens, officials in the kingdom to merchants, priests and shepherds. Temples also managed lands endowed to it by its devotees upon their death. They would provide employment to the poorest. Some temples had large treasury, with gold and silver coins, and these temples served as banks. Hindu temples over time became wealthy from grants and donations from royal patrons as well as private individuals. Major temples became employers and patrons of economic activity. They sponsored land reclamation and infrastructure improvements, states Michell, including building facilities such as water tanks, irrigation canals and new roads. A very detailed early record from 1101 lists over 600 employees (excluding
10240-714: The earth towards subterranean water, up to seven storeys, and were part of a temple complex. These vav (literally, stepwells) had intricate art reliefs on the walls, with numerous murtis and images of Hindu deities, water spirits and erotic symbolism. The step wells were named after Hindu deities; for example, Mata Bhavani's Stepwell , Ankol Mata Vav, Sikotari Vav and others. The temple ranged from being small single pada (cell) structure to large nearby complexes. These stepwells and their temple compounds have been variously dated from late 1st millennium BCE through 11th century CE. Of these, Rani ki vav , with hundreds of art reliefs including many of Vishnu deity avatars , has been declared
10368-706: The eastern and northeastern states of India. The day of Durga's victory is celebrated as Vijayadashami (Bijoya in Bengali), Dashain (Nepali) or Dussehra (in Hindi) – these words literally mean "the victory on the Tenth (day)". This festival is an old tradition of Hinduism, though it is unclear how and in which century the festival began. Surviving manuscripts from the 14th century provide guidelines for Durga puja, while historical records suggest royalty and wealthy families were sponsoring major Durga puja public festivities since at least
10496-553: The eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in the Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa . Silpa Prakasa provides
10624-410: The embrace of the beloved, one forgets the whole world, everything both within and without; in the same way, one who embraces the Self knows neither within nor without. The architecture of Hindu temples is also symbolic. The whole structure fuses the daily life and its surroundings with the divine concepts, through a structure that is open yet raised on a terrace, transitioning from the secular towards
10752-400: The entrance for the devotee is typically this east side. The mandala pada facing sunrise is dedicated to Surya , the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to
10880-459: The evil in order to achieve her solemn goals. The most popular legend associated with the goddess is of her killing of Mahishasura . Mahishasura was a half-buffalo demon who did severe penance in order to please Brahma , the creator. After several years, Brahma, pleased with his devotion, appeared before him. The demon opened his eyes and asked the god for immortality. Brahma refused, stating that all must die one day. Mahishasura then thought for
11008-406: The explanation that such are the places where gods play, and thus the best site for Hindu temples. The gods always play where lakes are, where the sun's rays are warded off by umbrellas of lotus leaf clusters, and where clear waterpaths are made by swans whose breasts toss the white lotus hither and thither, where swans, ducks, curleys and paddy birds are heard, and animals rest nearby in
11136-553: The exposition, recitation and public discourses of Sanskrit and Vedic texts. Some temple schools offered wide range of studies, ranging from Hindu scriptures to Buddhist texts, grammar, philosophy, martial arts, music and painting. By the 8th century, Hindu temples also served as the social venue for tests, debates, team competition and Vedic recitals called Anyonyam . According to Kenneth G. Zysk—a professor specializing in Indology and ancient medicine, Hindu mathas and temples had by
11264-581: The festivals of Durga Puja , Durga Ashtami , Vijayadashami , Deepavali , and Navaratri . The word Durga (दुर्गा) literally means "impassable", "invincible, unassailable". It is related to the word Durg (दुर्ग) which means "fortress, something difficult to defeat or pass". According to Monier Monier-Williams , Durga is derived from the roots dur (difficult) and gam (pass, go through). According to Indologist Alain Daniélou , Durga means "beyond defeat". The word Durga and related terms appear in
11392-455: The food that feeds them, – each man who sees, breathes, hears the word outspoken. They know it not, yet I reside in the essence of the Universe. Hear, one and all, the truth as I declare it. I, verily, myself announce and utter the word that gods and men alike shall welcome. I make the man I love exceedingly mighty, make him nourished,
11520-592: The form of Vishnu's eulogy, and in Pradyumna prayer. Various Puranas from the early to late 1st millennium CE dedicate chapters of inconsistent legends associated with Durga . Of these, the Markandeya Purana and the Devi-Bhagavata Purana are the most significant texts on Durga . The Devi Upanishad and other Shakta Upanishads , mostly dated to have been composed in or after the 9th century, present
11648-424: The four just and necessary pursuits of life—kama, artha, dharma and moksa. This walk around is called pradakshina . Large temples also have pillared halls, called mandapa —one of which, on the east side, serves as the waiting room for pilgrims and devotees. The mandapa may be a separate structure in older temples, but in newer temples this space is integrated into the temple superstructure. Mega-temple sites have
11776-735: The glory of this shrine. The temple priests daily perform the puja (rituals). The temple rituals are performed three times a day; Kalasanthi at 8:00 a.m., Uchikalam at 12:00 a.m. and Sayarakshai at 6:00 p.m. Each ritual comprises four steps: abhisheka (sacred bath), alangaram (decoration), naivethanam (food offering) and deepa aradanai (waving of lamps) for Uchinathar (Shiva) and Uchinayagi (Parvati). There are weekly rituals like somavaram (Monday) and sukravaram (Friday), fortnightly rituals like pradosham , and monthly festivals like amavasai (new moon day), kiruthigai , pournami (full moon day) and sathurthi . Skanda Shashti festival celebrated during
11904-456: The god Shiva due to severe penance . He started ruling the world on account of the power attained. He married Padumakomalai and had several sons. Viramkendiram, a city created in the seas, became his capital, and he started troubling the devas (the gods). He imprisoned Indra (the king of the gods) and also desired Indra's wife Indrani . Indra sought the help of Shiva's son and the god of war Murugan. Murugan sent his messenger Viravaku thevar to
12032-436: The goddess is recited in order to worship her and is popularly known as the "Ashtottarshat Namavali of Goddess Durga". Other meanings may include: "the one who cannot be accessed easily", "the undefeatable goddess". Durga is also known as Durgati Nashini, meaning one who eliminates suffering. Her other names include Chandika, Sharada, Ambika, Vaishnavi etc. Evidence of Durga-like images can probably be traced back to
12160-619: The hall. There are five water bodies, namely, Saravana Poigai, Lakshmi Theertham, Saniyasi Kinaru (well), Kasi Sunai, and Sathiya Koopam. The 7th-century Shaiva saint Sambandar visited Thirupparamkunram and praised the Shiva icon of the temple Uchinathar in ten verses in Tevaram , compiled as the First Tirumurai . As the temple is revered in Tevaram , it is classified as Paadal Petra Sthalam , one of
12288-650: The head of a town street. Ancient builders of Hindu temples created manuals of architecture, called Vastu-Sastra (literally "science" of dwelling; vas-tu is a composite Sanskrit word; vas means "reside", tu means "you"); these contain Vastu-Vidya (literally, knowledge of dwelling) and Sastra meaning system or knowledge in Sanskrit. There exist many Vastu-Sastras on the art of building temples, such as one by Thakkura Pheru , describing where and how temples should be built. Sanskrit manuals have been found in India since
12416-454: The love of the good, for liberation of those who depend on her, and a mark of the beginning of soul's journey to creative freedom. Durga traditionally holds the weapons of various male gods of Hindu mythology, which they give her to fight the evil forces because they feel that she is shakti (energy, power). These include the chakra (divine discus), conch, bow, arrow, sword, javelin, trishula trident, shield, mace, pink Lotus Flower and
12544-532: The manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramacandra Bhattaraka Kaulacara in the 9th or 10th centuries CE, is another Sanskrit treatise on Temple Architecture. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in
12672-531: The minister of a later Pandya King, during the latter part of the 8th century. The temple received several additions during the regime of Madurai Nayaks , who commissioned the pillared halls in the temple. As of 2021, the temple is maintained and administered by the Hindu Religious and Charitable Endowments Department of the Government of Tamil Nadu . The temple is located 8 km (5.0 mi) from Madurai, on
12800-462: The nine-day festival by devout Hindus. Durga is usually worshipped as a celibate goddess, but the Shaktism traditions includes the worship of Shiva along with Durga, who is considered to be his consort, in addition to Lakshmi , Saraswati , Ganesha and Kartikeya , who are considered to be Durga's children by Shaktas. Some Shaktas worship Durga's symbolism and presence as Mother Nature . In South India, especially Andhra Pradesh, Dussera Navaratri
12928-452: The patron as well as others witnessing the construction. Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament. For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut
13056-638: The philosophical and mystical speculations related to Durga as Devi and other epithets, identifying her to be the same as the Brahman and Atman (self, soul). In the Narada Purana , Durga is associated as a form of Lakshmi . In the Garuda Purana and the Vishnu Purana , Lakshmi is considered Prakriti (Mahalakshmi) and is identified with three forms — Sri, Bhu and Durga. In Pancharatra texts such as
13184-544: The positive and joyful side of life about the good and the gods. This divine space then concentrically diffuses inwards and lifts the guest to the core of the temple, where resides the main murti , as well as the space for the Purusa, and ideas held to be most sacred principles in Hindu tradition. The symbolism in the arts and temples of Hinduism, suggests Edmund Leach, is similar to those in Christianity and other major religions of
13312-674: The power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism , and has importance in other denominations like Shaivism and Vaishnavism . The most important texts of Shaktism, Devi Mahatmya and Devi Bhagavata Purana , revere Devi (the Goddess) as
13440-514: The priests) of the Brihadisvara Temple, Thanjavur , still one of the largest temples in Tamil Nadu . Most worked part-time and received the use of temple farmland as reward. For those thus employed by the temple, according to Michell, "some gratuitous services were usually considered obligatory, such as dragging the temple chariots on festival occasions and helping when a large building project
13568-568: The primordial creator of the universe and the Brahman (ultimate truth and reality). She is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. She is also considered to be the younger sister of Vishnu according to Bhagavata purana. Durga has a significant following all over Nepal , India , Bangladesh and many other countries. She is mostly worshipped after spring and autumn harvests, especially during
13696-503: The process of inner realization within the devotee. The specific process is left to the devotee's school of belief. The primary deity of different Hindu temples varies to reflect this spiritual spectrum. In Hindu tradition, there is no dividing line between the secular and the lonely sacred. In the same spirit, Hindu temples are not just sacred spaces; they are also secular spaces. Their meaning and purpose have extended beyond spiritual life to social rituals and daily life, offering thus
13824-408: The purchase of new clothes and gift giving. Traditionally, the festival is celebrated over 15 days, the first nine-day are spent by the faithful by remembering Durga and her ideas, the tenth day marks Durga's victory over Mahisura, and the last five days celebrate the victory of good over evil. During the first nine days, nine aspects of Durga known as Navadurga are meditated upon, one by one during
13952-448: The sacred, inviting the visitor inwards and upwards towards the Brahma pada, the temple's central core, a symbolic space marked by its spire ( shikhara, vimana ). The ancient temples had grand, intricately carved entrances but no doors, and they lacked a boundary wall. In most cultures, suggests Edmund Leach , a boundary and gateway separates the secular and the sacred, and this gateway door
14080-497: The sanctums of Murugan, Durga , Vinayaka , Shiva and Vishnu . All the statues are carved on the wall of the Parankundram rock. Shiva is worshipped as Parangirinathar with his wife Parvati as Aavudai Nayaki. Panels depicting Shiva's dance of bliss are seen outside the sanctum. A notable feature of this temple is that the Shiva and Vishnu face each other in the main shrine, considered a rare thing in ancient Hindu temples. Outside
14208-674: The shade of Nicula trees on the river banks. The gods always play where rivers have for their braclets the sound of curleys and the voice of swans for their speech, water as their garment, carps for their zone, the flowering trees on their banks as earrings, the confluence of rivers as their hips, raised sand banks as breasts and plumage of swans their mantle. The gods always play where groves are near, rivers, mountains and springs, and in towns with pleasure gardens. While major Hindu temples are recommended at sangams (confluence of rivers), river banks, lakes and seashore, Brhat Samhita and Puranas suggest temples may also be built where
14336-696: The sick and needy in the 1st millennium, but with the destruction of Buddhist centers after the 12th century, the Hindu religious institutions assumed these social responsibilities. According to George Michell, Hindu temples in South India were active charity centers and they provided free meal for wayfarers, pilgrims and devotees, as well as boarding facilities for students and hospitals for the sick. The 15th and 16th century Hindu temples at Hampi featured storage spaces (temple granary, kottara ), water tanks and kitchens. Many major pilgrimage sites have featured dharmashalas since early times. These were attached to Hindu temples, particularly in South India, providing
14464-459: The sky. Sometimes, in makeshift temples, the dome may be replaced with symbolic bamboo with few leaves at the top. The vertical dimension's cupola or dome is designed as a pyramid, a cone or other mountain-like shape, once again using the principle of concentric circles and squares. Scholars suggest that this shape is inspired by the cosmic mountain of Meru or Himalayan Kailasa, the abode of the gods, according to Vedic mythology. In larger temples,
14592-431: The temple is 1,050 ft (320 m) has a shrine of Kasi Viswanatha (Shiva) at the top. The image of Vinayaka (Ganesha) in the temple holds sugarcane and fruits. The inner rock cut image is made from a single stone. The Kambathadi Mandapam, Ardha Mandapam, and Mahamandapam, the three halls leading to the sanctum, are situated at varying elevations. The main shrine is an early rock-cut temple that has cells that house
14720-598: The temple there is a water tank , where the fishes are served with salt and rice flakes by the devotees. There is also a Vedic school on the banks of the temple pond. In front of the Dwajasthambam , the flag staff, there is a carved Nandi (bull), Mayil (peacock) and mouse, the vahana s (vehicles) of Shiva, Murugan and Vinayaka. There is a flight of six steps called the "Shadashara Padigal", before Ardha Mandapam. The rock carvings of Mahisshasura Mardini (Durga), Karpaga Vinayagar (Ganesha), Andarabaranar and Uggirar are seen in
14848-544: The temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm . A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma , artha , kama , moksha , and karma . The spiritual principles symbolically represented in Hindu temples are detailed in
14976-559: The temple, listing the nurses, physicians, medicines and beds for patients. Similarly, a stone inscription in Andhra Pradesh dated to about 1262 mentions the provision of a prasutishala (maternity house), vaidya (physician), an arogyashala (health house) and a viprasattra (hospice, kitchen) with the religious center where people from all social backgrounds could be fed and cared for. According to Zysk, both Buddhist monasteries and Hindu religious centers provided facilities to care for
15104-601: The temple, of which the Kantha Sashti festival during the Tamil month of Aippasi (October - November) is the most prominent. The temple is under the purview of the Hindu Religious and Charitable Endowments Department . Thiruparamkundram finds mention in the Skanda Puranam detailing the slaying of Surapadman by the god Murugan. According to Hindu legend, the demon king Surapadman once obtained boons, or favors, from
15232-448: The temple. Murugan is also said to have worshipped his father Shiva at the site as Parangirinathar. The temple is located 8 kilometres (5.0 mi) from Madurai in India . In the main shrine, apart from Murugan, the deities Shiva, Vishnu , Vinayaka (Ganesha) and Durga are housed. The temple follows Shaiva tradition of worship. Six daily rituals and three yearly festivals are held at
15360-763: The texts were copied when they wore out. In South India, temples and associated mathas served custodial functions, and a large number of manuscripts on Hindu philosophy , poetry, grammar and other subjects were written, multiplied and preserved inside the temples. Archaeological and epigraphical evidence indicates existence of libraries called Sarasvati-bhandara , dated possibly to early 12th-century and employing librarians, attached to Hindu temples. Palm-leaf manuscripts called lontar in dedicated stone libraries have been discovered by archaeologists at Hindu temples in Bali Indonesia and in 10th century Cambodian temples such as Angkor Wat and Banteay Srei . Inscriptions from
15488-594: The tree would be anointed with butter to minimize the hurt to the tree. Even in modern times, in some parts of India such as Odisha , Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials. Hindu temples served as nuclei of important social, economic, artistic and intellectual functions in ancient and medieval India. Burton Stein states that South Indian temples managed regional development function, such as irrigation projects, land reclamation, post-disaster relief and recovery. These activities were paid for by
15616-497: The underlying principle in a Hindu temple is the belief that all things are one, that everything is connected. The pilgrim is welcomed through 64-grid or 81-grid mathematically structured spaces, a network of art, pillars with carvings and statues that display and celebrate the four important and necessary principles of human life—the pursuit of artha (prosperity, wealth), of kama (pleasure, sex), of dharma (virtues, ethical life) and of moksha (release, self-knowledge). At
15744-401: The underworld. This vastu-purusha-mandala plan and symbolism is systematically seen in ancient Hindu temples on the Indian subcontinent as well as those in southeast Asia, with regional creativity and variations. Beneath the mandala's central square(s) is the space for the all-pervasive, all-connecting Universal Spirit, the highest reality , the purusha . This space is sometimes known as
15872-455: The word "Silpin". "Silpa", explains Stella Kramrisch, is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, "Shilpin", notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, and rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as
16000-503: The world. Indian texts call the craftsmen and builders of temples "Silpin" ( Sanskrit : शिल्पिन् ), derived from "Silpa". One of the earliest mentions of the Sanskrit word "Silpa" is in Atharvaveda , from about 1000 BCE; according to scholars, the word was used to denote any work of art. Some scholars suggest that the word "Silpa" has no direct or one-word translation in English, nor does
16128-609: Was built on the foundation of the Vedic religion, mythology and philosophy. There are total of nine avatars of Goddess Durga in Hinduism. Epigraphical evidence indicates that regardless of her origins, Durga is an ancient goddess. The 6th-century CE inscriptions in early Siddhamatrika script, such as at the Nagarjuni hill cave during the Maukhari era, already mention the legend of her victory over Mahishasura (buffalo-hybrid demon). Durga as
16256-553: Was the result of " syncretism of a mountain-goddess worshipped by the dwellers of the Himalaya and the Vindhyas ", a deity of the Abhiras conceptualised as a war-goddess. Durga then transformed into Kali as the personification of the all-destroying time, while aspects of her emerged as the primordial energy ( Adya Sakti ) integrated into the samsara (cycle of rebirths) concept and this idea
16384-626: Was undertaken". Temples also acted as refuge during times of political unrest and danger. Historically, the Scheduled Castes or Dalits were prohibited from the entry into temples. In contemporary times, the process of building a Hindu temple by emigrants and diasporas from South Asia has also served as a process of building a community, a social venue to network, reduce prejudice and seek civil rights together. John Guy and Jorrit Britschgi state Hindu temples served as centers where ancient manuscripts were routinely used for learning and where
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