46-739: Gebrüder Thonet or the Thonet Brothers was a European furniture manufacturer. Three firms descended from the original company remain active today, in Germany (Thonet GmbH), Austria (Thonet Vienna) and the Czech Republic (TON). Gebrüder Thonet were particularly known for their manufacture of bentwood furniture, for which they had developed the first industrial-scale production processes. These replaced previous individual craft skills with an investment in machinery that allowed any worker to produce accurate and repeatable bent components. Although steam bending
92-644: A lack of official approval. After a MAK exhibition about Josef Hoffmann in 1992 in his house of birth in Brtnice/Pirnitz ( Czech Republic ), contact with the Moravian Gallery in Brno (Czech Republic) has been intensified. Finally, since 2006 both institutions have managed Hoffmann's birthplace as a joint branch—the Josef Hoffmann Museum . The museum presents its collection in a permanent exhibition and, at
138-588: A large furniture collection and shows in its permanent exhibition an overview of one hundred years of Thonet production as well as that of the Kohn brothers and the furniture factory Danhauser. The Hofmobiliendepot (Imperial Furniture Collection) in Vienna also shows selected objects from Thonet, including the graceful Michael Thonet running chair from 1843/48 for the Vienna Stadtpalais Liechtenstein. To mark
184-712: A repositioning of the Permanent Collection Carpets with an artistic intervention by Füsun Onur and a repositioning of the Permanent Collection Asia, whose artistic design was entrusted to Tadashi Kawamata in 2014 and 2016, took place. The building in the Weiskirchnerstraße is reserved for temporary exhibitions, while the rooms at Stubenring host the permanent collections and the MAK DESIGN LAB. In accordance with its historical justification,
230-584: A wide range of digital offerings. Data on the collection or the in-house publications are released for research and formats such as the MAK-Digistories or the MAK-Blog provide information on a wide variety of topics. The audio guide is provided free of charge in the form of a web-based app. With its MAK Collection Online the MAK makes large parts of its collection accessible to the public: With over 300.000 objects,
276-439: Is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt . Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art . The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell . In 2015
322-480: Is steamed and bent to form a box. Traditional uses of the boxes varied - they included storage of food goods and of clothing, and for burial. They were often without decoration while others were decorated elaborately. Today many are made for collectors and can be purchased from museums, gift shops and online sites as well as directly commissioned from the artists. The Aleut or Unangan People of Alaska made hunting visors , called chagudax , out of driftwood using
368-593: Is the No. 14 chair , the iconic chair of Parisian cafes which the designer Japer Morrison described as "refined to the point where there is no way to improve it." Gebrüder Thonet merged with Mundus AG in 1921 to become the world's largest furniture manufacturer. The buyback of the shares in the Thonet Mundus AG by the Thonet family followed in 1938. In the aftermath of World War II, Thonet lost all of its production facilities in
414-477: The AIT Austrian Institute of Technology as a non-university research partner. The second Vienna Biennale took place from 21 June to 1 October 2017. The third Vienna Biennale took place from 29 May until 6 October 2019, the fourth from 28 May until 3 October 2021. In 2016, Christoph Thun-Hohenstein was appointed Director or rather General Director and artistic director of the MAK for another 5 years. At
460-570: The Helmut Lang Archive, which shows the artistic highlights with selected designs. The newly created passageways and modular units lead to a connecting spatial experience and allow rapid adaptation to changing requirements. The MAK Forum forms a flexibly usable space, which is used as a meeting place as well as an experimental area for exhibitions and mediation formats. In the MAK Works on Paper Room temporary exhibitions take place—mostly from
506-470: The 15th century until today. The Works on Paper Collection comprises ornamental engravings, posters, photos, hand drawings, watercolors, and plans as well as hand drawings from the archives of the Wiener Werkstätte. The MAK Contemporary Art Collection serves as a presentation room for contemporary projects by international artists, i. a. engaging with topics from the fin de siècle period. The MAK has
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#1733084747613552-509: The 200th anniversary of the Thonet company, the Museum of Applied Arts, Vienna (MAK Vienna) presented a comprehensive exhibition of Thonet designs, featuring items from MAK's permanent collection, running from December 2019 to September 2020. Bentwood Bentwood objects are made by wetting wood (either by soaking or by steaming), then bending it and letting it harden into curved shapes and patterns. Furniture-makers often use this method in
598-667: The Anatomical Institute of the Medical University of Vienna which was newly constructed in 1886). Only after the construction of an extension next to the Imperial Royal Austrian Museum of Art and Industry , did the school move to Stubenring 3 in 1877. 1897, Arthur von Scala, until then director of the Royal Middle Eastern Museum (later Royal Austrian Trade Museum ), takes over as director of
644-519: The Ballhaus building next to the Vienna Hofburg, which were adapted for the purpose of the museum by architect Heinrich von Ferstel . With the establishment of the k.k. Wiener Kunstgewerbeschule (Vienna School of Arts and Crafts) in 1867, theoretical and practical training was united. At first, the school was housed in the former gun factory at Währinger Straße 11–13/Schwarzspanierstraße 17 (nowadays
690-533: The Eastern Bloc states through expropriation, and the sales office at Viennas Stephansplatz had been destroyed during the war. From 1945 to 1953, Georg Thonet, the great grandson of company founder, Michael Thonet, rebuilt the completely destroyed facilities in Frankenberg, Hesse , in the north of Hesse , where Thonet GmbH's head office and production facilities remain until today. Economic success returned quickly and
736-573: The MAK Design Lab, almost 2,000 exhibits – divided into themed islands – have created a newly conceived showcase in the entire basement of the museum for lifelike references between historical arts and crafts and contemporary design. Interactive thematic areas form an illustrative course on areas such as cooking (including a replica of Margarete Schütte-Lihotzky 's Frankfurt kitchen ), eating and drinking, sitting, artistic, industrial and alternative production, transporting, communicating and ornament, and
782-804: The MAK Permanent collection is divided into different sections according to its functional purpose. Highlights of the collection are the holdings of the Wiener Werkstätte , chairs by Thonet and Kohn , furniture by Danhauser , Gustav Klimt 's cartoons for the Mosaic Frieze of Stoclet Palace , Du Paquier's Porcelain Cabinet chamber from Dubsky Palace, a collection of Bohemian and Venetian glass, Flemish and Italian lace, silver, porcelain and carpets as well as Chinese porcelain, Japanese colored woodcuts ( Ukiyo-e ) and Japanese printing stencils ( Katagami ). On
828-557: The MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of van den Dorpel . With over 300,000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app. On 7 March 1863, the Imperial Royal Austrian Museum of Art and Industry – today's MAK—was founded by Emperor Franz Joseph I. Rudolf von Eitelberger ,
874-560: The MAK shows the largest online collection within the Austrian Federal Museums. Over 50.000 pages of the MAK's journals are available online . Since May 2017, the MAK with its collection highlights can also be visited virtually on Google Arts & Culture : Gigapixel images of Gustav Klimt 's design drawings for the execution of a frieze in the dining room of the Stoclet Palace in Brussels (1910–1911) can be seen as well as parts of
920-631: The Museum of Art and Industry also published the magazine Mittheilungen des k. k. Österreichischen Museums für Kunst und Industrie (Transactions of the Imperial Royal Austrian Museum of Art and Industry). From 1898 to 1921, however, the Museum Journal was published with the new name Kunst und Kunsthandwerk and soon gained international reputation. The museum began publishing the periodical alte und moderne kunst (old and modern art). After
966-554: The Museum of Art and Industry, bringing Otto Wagner , Felician von Myrbach , Koloman Moser , Josef Hoffmann and Alfred Roller on board to work at the museum and at the School of Arts and Crafts. Due to conflicts between Scala and the Arts and Crafts Association (founded in 1884), who sees his influence on the museum beginning to wane, Archduke Rainer resigns 1898 as the museum's protector. New statutes were drawn up. Two years later, around 1900,
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#17330847476131012-518: The bentwood method. Hunters in kayaks used the visors - they are said to help keep sea spray off the face as well as to improve hearing. They were often decorated with paints, beads, sea-lion whiskers and ivory figurines. Andrew Gronholdt revived the art of chagudax in the 1980s. Present-day Unangan artists create chagudax for ceremonial purposes and offer them for sale to the public as well. Museum of Applied Arts, Vienna The MAK – Museum of Applied Arts (German: Museum für angewandte Kunst )
1058-653: The company sought the cooperation of outstanding designers. The list of designers who have worked with Thonet over the past 60 years is long and filled with top caliber names: Egon Eiermann , Verner Panton , Eddie Harlis , Hanno von Gustedt , Rudolf Glatzel , Pierre Paulin , Gerd Lange , Hartmut Lohmeyer , Ulrich Böhme and Wulf Schneider , Alfredo Häberli , Christophe Marchand , Lord Norman Foster , Delphin Design , Glen Oliver Löw , James Irvine , Piero Lissoni , Stefan Diez , Lievore Altherr Molina , Lepper Schmidt Sommerlade , Hadi Teherani , Läufer + Keichel . Moreover,
1104-501: The company's own design team regularly adds new designs to Thonet's portfolio. In 1976 Gebrüder Thonet was divided into a German (Gebrüder Thonet) and an Austrian company (Thonet Vienna). The two companies are independent of each other. In 2006 Gebrüder Thonet becomes Thonet GmbH. Today, Thorsten Muck runs the company with its head offices and production facilities in Frankenberg/Eder (Germany). Michael Thonet's direct descendants in
1150-603: The diversity of Biedermeier interior decorating until today. The Arenbergpark Flak Tower—one of the six flak towers erected in Vienna during World War II —became an additional branch of the museum in 1994 and since 1995 has served as the MAK Contemporary Art Depot (MAK Tower), which hosts major parts of the Contemporary Art Collection of the museum. Currently, the MAK Tower is closed to the public due to
1196-559: The ends. The company was founded by Michael Thonet in Vienna by transferring the company Thonet to his sons under the new name Gebrüder Thonet in 1853. In 1856 the brothers expanded with a furniture factory in Koryčany and in the next years, five more Central European production sites were established in Bystřice pod Hostýnem (1861), Veľké Uherce (1866), Vsetín (1867), Halenkov (1867) and Radomsko (1880). The company's best known design
1242-711: The establishment of the First Republic, the holdings previously in the possession of the Habsburgs—e.g. oriental carpets—were handed over to the Museum. In 1936 and 1940, the Museum on Stubenring gave part of its sculpture collection to the Kunsthistorisches Museum [Museum of Art History]. In exchange, it received the arts and crafts section of the collections of Albert Figdor and of the Kunsthistorisches Museum. Following Austria's annexation by Nazi Germany,
1288-421: The fields of fine arts and architecture which are expedited through scholarships and projects and are expanded through temporary exhibitions. One important sphere of influence of the MAK is its presentation in public space. The museum actively supports contemporary artists, whose works are mostly presented in an exhibition in the MAK building and later as works of art in Vienna's urban space in order to mediate at
1334-583: The fifth and sixth generation remain involved in the company's business as associates and sales partners. The collection still comprises famous bentwood furniture, tubular steel classics from the Bauhaus era, and current designs by famous contemporary architects and designers. In 1989 a museum was opened in Frankenberg, which is located on the company premises and shows historical exhibits on 700 square meters of exhibition space. The Museum of Applied Arts Vienna has
1380-464: The figures on the outer façade were recreated by students of Karl Karger of the School of Applied Arts. In 1875 the Austrian Museum was joined by an adjacent new building for the School of Applied Arts at Stubenring 3, whose plans were also drawn up by Heinrich von Ferstel. It was opened in 1877. In 1906, Ludwig Baumann designed an extension building for the museum located at Weiskirchnerstraße 3, it
1426-514: The first Professor of art history at the University of Vienna , was appointed director. Following the example of London's South Kensington Museum (today's Victoria and Albert Museum ) which was founded in 1852, the museum aims at serving as an exemplary collection for artists, industrialists, and the public and as an institution for education and training of designers and craftspeople. The museum opened on 12 May 1864, at first provisionally in rooms of
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1472-535: The holdings of the Library and the Works on Paper Collection—with a richness of topics presenting posters, architecture projects, style imitations, and Japanese woodblock prints, for example. The MAK Library and Works on Paper Collection conveys information about all areas of applied art. The literature encompasses the time from the 16th century up to the present with some manuscripts, incunabulas, and printed works ranging from
1518-593: The interface between art and public space. International artists such as James Turrell (MAKlite, Permanent installation on the façade of the MAK since 2004, Stubenring 5, 1010 Vienna ), Michael Kienzer (Stylit, 2005, Stubenring/Weiskirchnerstraße, 1010 Vienna ), Franz West (4 Larvae (Lemur Heads) 2001, Stubenbrücke, 1010 Vienna ), Donald Judd (Stage Set, 1996, Stadtpark, 1030 Vienna ) and Philip Johnson (Wiener Trio, 1998, Franz-Josefs-Kai/Schottenring, opposite Ringturm , 1010 Vienna ) have been represented. In 2000, Austria's federal museums were removed from state administration;
1564-609: The museum and the School of Arts and Crafts each received their own separate administration, although their final separation did not take place until 1909: The museum was placed under the aegis of the Ministry of Culture and Education, the school stayed at the Royal Ministry of Cultus and Education. In 1907, the Museum of Art and Industry took over most of the collection of the Royal Austrian Trade Museum. From 1865 to 1897,
1610-627: The museum became a "public-law academic institution". In 2015, the MAK initiated the Vienna Biennale , the first Biennale to combine art, design and architecture. It lasted from 11 June to 4 October 2015 and was initiated by the MAK in partnership with the University of Applied Arts Vienna , Kunsthalle Wien , the Architekturzentrum Wien , and the Vienna Business Agency, creative center departure, and organized with support from
1656-571: The museum was renamed " Staatliches Kunstgewerbemuseum in Wien " (State Arts and Crafts Museum in Vienna). Between 1939 and 1945, Austria's museums take over several confiscated private collections. The collection of the "State Arts and Crafts Museum" also expanded in this way. Since 1998, numerous works of art have been restituted to their owners as a result of provenance research. In 1947, the " Staatliches Kunstgewerbemuseum in Wien " (State Arts and Crafts Museum)
1702-717: The occasion of its 150th anniversary, the MAK positioned itself more clearly than ever before as a museum for arts and the everyday world. Until 2014, the MAK Study Collection presented part of its extensive holdings in a material-specific technological order. In the course of this repositioning of the former study collection, MAK cooperated with the Austrian design team EOOS and the IDRV – Institute of Design Research Vienna in order to make cross-links between 21st century art and earlier epochs directly tangible. Since its transformation into
1748-462: The production of rocking chairs , cafe chairs, and other light furniture. The iconic No. 14 chair (also known as the "Vienna chair"), developed in the 1850s in the Austrian Empire by Thonet , is a well-known design based on the technique. The process is in widespread use for making casual and informal furniture of all types, particularly seating and table forms. It is also a popular technique in
1794-545: The same time, Teresa Mitterlehner-Marchesani—in the course of the introduction of joint management of the Austrian Federal Museums—was appointed managing director. In 2021 Lilli Hollein was appointed General Director and Artistic Director – she is the first female director in the MAK's history. From 1869, a new museum complex for the Imperial Royal Museum of Art and Industry was built at Stubenring 5 in
1840-554: The same time, temporary exhibitions about Josef Hoffmann and his contemporaries. In 1994, the MAK founded the branch MAK Center for Art and Architecture in Los Angeles, USA. The center is located in three important buildings of the Viennese architect Rudolph M. Schindler in Los Angeles ( Rudolph Schindler House , Pearl M. Mackey Apartment House, Fitzpatrick-Leland House). The focus is on new trends and interdisciplinary developments in
1886-533: The style of the Neo-Renaissance , according to plans by Heinrich von Ferstel . The painter Ferdinand Laufberger made a frieze in sgraffito and the fresco paintings on the mirror vault of the staircase. On 15 November 1871, the museum opened to the public within a big opening. It was the first museum building on the Vienna Ring Road. Laufberger's cartoons were lost, and so around 1893 the mural painting of
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1932-483: The time between 1750 and the second half of the 19th century) as well as furniture from the years 1800 to 1840. In the late 1980s, parts of the wall paintings were returned to their original state in the course of the renovation of the façade. The subsequent rearrangement of the furniture and the extraordinary clock collection in the rooms of the Geymüllerschlössel have provided visitors with an authentic insight into
1978-579: The worldwide production of furniture with frames made of heavy cane, which is commonly imported into European and Western shops. Bentwood boxes are a traditional item made by the First Nations people of the North American west coast including the Haida , Gitxsan , Tlingit , Tsimshian , Sugpiaq , Unangax , Yup'ik , Inupiaq and Coast Salish . These boxes are generally made out of one piece of wood that
2024-598: Was completed in 1908. After World War II repair of war-related damage to the museum building lasted until 1949. In 1989, a complete renovation of the museum's old buildings and construction of both a two-story underground depot and a connecting wing by with a generous storage facility and additional exhibition space began. After this renovation, the museum opened in 1993. Its showrooms were designed by artists such as Barbara Bloom , Eichinger or Knechtl, Günther Förg , Gangart, Franz Graf, Jenny Holzer , Donald Judd , Peter Noever , Manfred Wakolbinger and Heimo Zobernig . In 2014,
2070-456: Was long established for pieces such as the Windsor chair , these older pieces had used the bending of a raw billet that would then be shaped to size afterwards. Thonet's more precise process allowed timber to be machined with a surface finish as raw stock (usually as thick circular dowel), steam bent to shape, then used as a component almost immediately, without further machining other than to trim
2116-473: Was renamed " Österreichisches Museum für angewandte Kunst " (Austrian Museum of Applied Arts). In 1949, the museum reopened following the repair of war-related damage. In 1965, the Geymüllerschlössel in Vienna's 18th district was affiliated to the museum and became a new branch. At the same time as the building, the MAK also acquired Dr. Franz Sobek's important clock collection (160 Old-Viennese clocks from
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