132-460: The Works may refer to: Music [ edit ] The Works (Queen album) , 1984 album by the British rock band Queen The Works (Nik Kershaw album) , 1989 album by singer-songwriter Nik Kershaw The Works (Saga album) , 1991 greatest hit compilation The Works (Phil Beer album) , 1998 folk music album The Works (Jon Stevens album) ,
264-596: A 2005 acoustic album The Works (The Corrs album) , 2007 compilation album The Works (Bananarama album) , 2007 retrospective of Bananarama's music The Works (Faith No More album) , 2008 compilation of Faith No More songs The Works (The Wildhearts album) , 2008 compilation album The Works (Echo & the Bunnymen album) , 2008 boxed set compilation album The Works (Jonatha Brooke album) , 2008 folk-rock album The Works (Spiers and Boden album) , 2011 folk music album The Works Recording Studio ,
396-458: A 3-star review for Sounds , wrote "This time around, Queen have played it safe." In a retrospective review, Greg Prato of AllMusic felt that "while the songwriting had definitely improved" from its predecessor Hot Space , he also believed "the album sonically lacked the punch of such earlier releases as News of the World and The Game ". All lead vocals by Freddie Mercury . Information
528-509: A certain degree doesn't care if it's popular. — Bill Wyman in Vulture (2016) The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of electric blues guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in
660-514: A fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the field report ." Writing in Christgau's Record Guide: The '80s (1990), he said this sensibility is evident in the music of folk singer-songwriter Michelle Shocked , rapper LL Cool J , and synth-pop duo Pet Shop Boys —"all kids working out their identities"—as much as it
792-477: A foundation of simple syncopated rhythms in a 4 meter , with a repetitive snare drum back beat on beats two and four. Melodies often originate from older musical modes such as the Dorian and Mixolydian , as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s, and particularly from
924-609: A frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction. The Pretty Things ' SF Sorrow (1968), the Kinks' Arthur (Or the Decline and Fall of the British Empire) (1969), and the Who 's Tommy (1969) introduced
1056-416: A glass slide for his guitar solo. Taylor sang all the backing vocals, and used a Vocoder throughout the song. Most of the song is made out of electronics and synthesisers. "Tear It Up" was written by Brian May as an attempt to revive Queen's old sound, notably featuring riffs from the intro to the song " Liar ". When performed live during The Magic Tour , May would skip to the intro from "Liar" then go into
1188-612: A key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper's Lonely Hearts Club Band , including the controversial track " Lucy in the Sky with Diamonds ", the Rolling Stones responded later that year with Their Satanic Majesties Request , and Pink Floyd debuted with The Piper at
1320-568: A loud amplified sound, often centered on the electric guitar, based on the Chicago blues , particularly after the tour of Britain by Muddy Waters in 1958, which prompted Cyril Davies and guitarist Alexis Korner to form the band Blues Incorporated . The band involved and inspired many of the figures of the subsequent British blues boom, including members of the Rolling Stones and Cream , combining blues standards and forms with rock instrumentation and emphasis. The other key focus for British blues
1452-572: A mainstream audience with hits including " Blowin' in the Wind " (1963) and " Masters of War " (1963), which brought " protest songs " to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun " (1964), which
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#17328765286351584-485: A major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia . By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and Deep Purple , and the lines between blues rock and hard rock "were barely visible", as bands began recording rock-style albums. The genre
1716-429: A major influence on subsequent electronic rock . With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as Siouxsie and
1848-725: A mixed-use development in Atlanta, Georgia The Works (retailer) , a UK-based discount book retailer The Works (science museum) , a science museum in Bloomington, Minnesota The Works Art & Design Festival , a festival in Edmonton, Canada A fictional location in the Star Wars prequel era An alternate name for supreme pizza , which consists of a mix of meat and vegetable toppings. See also [ edit ] Works (disambiguation) Work (disambiguation) Topics referred to by
1980-410: A more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock. In 1966 Bob Dylan went to Nashville to record the album Blonde on Blonde . This, and subsequent more clearly country-influenced albums, such as Nashville Skyline , have been seen as creating the genre of country folk ,
2112-481: A multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the Bee Gees became more popular than the Beatles, but they were never more popular than Jesus ", he said. "Insofar as the music retained any mythic power, the myth was self-referential – there were lots of songs about the rock and roll life but very few about how rock could change
2244-520: A national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965. By the end of 1962, what would become the British rock scene had started with beat groups like the Beatles , Gerry & the Pacemakers and
2376-456: A preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end. Rock quickly spread out from its origins in the US, associated with the rapid Americanization that
2508-444: A prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of pomp or arena rock , which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical rock festivals as major live venues in the 1990s. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bells (1973),
2640-446: A rigidly delineated musical definition." In the opinion of music journalist Robert Christgau , "the best rock jolts folk-art virtues—directness, utility, natural audience—into the present with shots of modern technology and modernist dissociation ". Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast
2772-625: A rock-informed album era in the music industry for the next several decades. By the late 1960s " classic rock " period, a few distinct rock music subgenres had emerged, including hybrids like blues rock , folk rock , country rock , Southern rock , raga rock , and jazz rock , which contributed to the development of psychedelic rock , influenced by the countercultural psychedelic and hippie scene . New genres that emerged included progressive rock , which extended artistic elements, heavy metal , which emphasized an aggressive thick sound, and glam rock , which highlighted showmanship and visual style. In
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#17328765286352904-695: A route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group the Band and the California-based Creedence Clearwater Revival , both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder , Bonnie Raitt and Lowell George , and influenced
3036-478: A slogan one only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock . Rock saw greater commodification during this decade, turning into
3168-550: A studio near Manchester, UK Television [ edit ] The Works (1990s TV series) , RTÉ show presented by Mary Kingston The Works (Irish TV programme) , an Irish arts television programme presented by John Kelly that has aired on RTÉ since 2011 The Works (U.S. TV program) , a 2008 American television program that aired on History Channel The Works (TV network) , a movie channel from MGM Other uses [ edit ] The Works (film) , an uncompleted animated film The Works (mixed-use development) ,
3300-460: A variety of directions, including Dylan and the Byrds, who began to develop country rock . However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". Psychedelic music's LSD -inspired vibe began in
3432-522: A variety of sources such as the Tin Pan Alley pop tradition, folk music , and rhythm and blues . Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise ." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for
3564-501: A young, white and largely male audience. As a result, it has also been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it
3696-661: Is a broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues , rhythm and blues , and country music . Rock also drew strongly from genres such as electric blues and folk , and incorporated influences from jazz and other musical styles. For instrumentation, rock
3828-688: Is based on Queen's Complete Works and on the album's Liner Notes Track numbering refers to CD and digital releases of the album. Queen Additional personnel For the first and only time in their career, all the songs (and one non-album track, "I Go Crazy") from a Queen album were used as either A-sides or B-sides on singles. Starting with this album, the group began issuing singles in the UK under their own catalogue numbers. Sales figures based on certification alone. Shipments figures based on certification alone. Sales+streaming figures based on certification alone. Rock music Rock
3960-430: Is best known because of its video, featuring all four Queen members crossdressed as women, in a parody of the British soap opera Coronation Street . The idea for the clip was Taylor's. Mercury commented that 'Everybody ran into their frocks'. Deacon, the song's author, insisted he didn't want a guitar solo on the track so a synth solo was played by Mandel – live, however, May played the solo on guitar. The version used for
4092-423: Is centered on the electric guitar , usually as part of a rock group with electric bass guitar , drums , and one or more singers. Usually, rock is song-based music with a 4 time signature using a verse–chorus form , but the genre has become extremely diverse. Like pop music , lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock
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4224-536: Is credited with first using the phrase "rock and roll" to describe the music. Four years later, Bill Haley 's " Rock Around the Clock " (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Fats Domino , Little Richard , Jerry Lee Lewis , and Gene Vincent . Soon rock and roll
4356-429: Is different from Wikidata All article disambiguation pages All disambiguation pages The Works (Queen album) The Works is the eleventh studio album by the British rock band Queen . It was released on 27 February 1984 by EMI Records just shortly after recording for the album had been completed in the United Kingdom and it is the band's first studio album to be released by Capitol Records in
4488-464: Is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft . New styles had evolved to replace garage rock. Although the first impact of the British Invasion on American popular music was through beat and R&B based acts,
4620-544: Is in the music of Chuck Berry , the Ramones , and the Replacements . The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music , with country and western . Debate surrounds
4752-584: Is known about the track, or even whether a complete version exists. This track, written by May and Taylor, was eventually released as a Christmas single in 1984, and later appeared as the B-side to the " A Winter's Tale " single in 1995. It was also released as part of the 1999 compilation Greatest Hits III . It was the only Christmas song Queen recorded. Written by Mercury, this song was originally recorded by Mercury and Michael Jackson before being re-recorded by Queen in 1981 for their Hot Space album. The track
4884-482: Is known about the track. Written by Mercury and Giorgio Moroder , "Love Kills" was originally recorded for The Works , but was ultimately rejected. It was then reworked as a Mercury solo track for inclusion in Moroder's 1984 restoration and edit of the 1927 silent film Metropolis , and was also released as a single. The track was later remade into a Queen ballad and released on the 2014 album Queen Forever . This song
5016-411: Is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development. According to Simon Frith , rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with
5148-399: Is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio ) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or another instrumentalist. Rock music is traditionally built on
5280-528: The Billboard Hot 100 . The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often surf or hot rod groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial failures. It
5412-463: The Star Fleet Project , whilst Roger Taylor and Freddie Mercury began work on their solo albums, Strange Frontier and Mr. Bad Guy respectively. By August 1983, the band reunited and began work on their eleventh studio album. It would be Queen's first album for EMI Records (and its US affiliate Capitol Records ) worldwide after the band nullified its recording deal with Elektra for
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5544-519: The American folk music revival had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics . In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach
5676-575: The UK Albums Chart , the longest for a Queen studio album. The Works has sold over 6 million copies worldwide. Following the release and subsequent touring of the 1982 album Hot Space , Queen opted to take a break the following year. While a spring tour of South America had been an early possibility, especially in light of the band's success there two years earlier, equipment and promotional problems brought an end to these plans. During this period, Brian May worked with Eddie Van Halen and others on
5808-422: The garage rock / post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. Rock has also embodied and served as
5940-417: The protest song , rock music has been associated with political activism , as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity . At the same time, it has been commercially highly successful, leading to accusations of selling out . A good definition of rock, in fact, is that it's popular music that to
6072-454: The 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray , and Scotty Moore . The use of distortion , pioneered by Western swing guitarists such as Junior Barnard and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s. The use of power chords , pioneered by Francisco Tárrega and Heitor Villa-Lobos in
6204-461: The 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s. Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become
6336-472: The Banshees , Ultravox , and Simple Minds , showed the influence of progressive rock, as well as their more usually recognized punk influences. In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz. AllMusic states that the term jazz-rock "may refer to
6468-609: The Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on The Freewheelin' Bob Dylan (1963). Folk rock particularly took off in California, where it led acts like the Mamas & the Papas and Crosby, Stills, and Nash to move to electric instrumentation, and in New York, where it spawned performers including
6600-596: The Byrds ' shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company , the Grateful Dead and Jefferson Airplane . The Jimi Hendrix Experience 's lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became
6732-431: The Byrds adopted rock instrumentation, including drums and 12-string Rickenbacker guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the outrage of many folk purists, with his " Like a Rolling Stone " becoming a US hit single. According to Ritchie Unterberger , Dylan (even before his adoption of electric instruments) influenced rock musicians like
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#17328765286356864-578: The Dominos , followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie , formed Peter Green's Fleetwood Mac , who enjoyed some of the greatest commercial success in the genre. In the late 1960s Jeff Beck , also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band,
6996-499: The Gates of Dawn . Key recordings included Jefferson Airplane's Surrealistic Pillow and the Doors ' self-titled debut album . These trends peaked in the 1969 Woodstock festival , which saw performances by most of the major psychedelic acts. Sgt. Pepper was later regarded as the greatest album of all time and a starting point for the album era , during which rock music transitioned from
7128-464: The Jeff Beck Group . The last Yardbirds guitarist was Jimmy Page , who went on to form The New Yardbirds which rapidly became Led Zeppelin . Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. In America, blues rock had been pioneered in the early 1960s by guitarist Lonnie Mack , but the genre began to take off in
7260-498: The Joint " (1949), also covered by Bill Haley & His Comets in 1952; and " Rocket 88 " by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm ), recorded by Sam Phillips for Chess Records in 1951. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed " race music ") for a multi-racial audience, and
7392-499: The Lovin' Spoonful and Simon and Garfunkel , with the latter's acoustic " The Sounds of Silence " (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and Fairport Convention . In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock
7524-476: The Rolling Stones and the Yardbirds , were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in
7656-573: The Searchers from Liverpool and Freddie and the Dreamers , Herman's Hermits and the Hollies from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast , and particularly those from London like
7788-650: The Seeds ) to near-studio musician quality (including the Knickerbockers , the Remains , and the Fifth Estate ). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by
7920-676: The US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the British Invasion . The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through
8052-604: The USSR and South Africa from 1955 to 1957, influencing the globalisation of rock. Johnny O'Keefe 's 1958 record " Wild One " was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. In the late 1950s and early 1960s, American blues music and blues rock artists, who had been surpassed by
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#17328765286358184-523: The United States, Canada, Australia and Japan. Recording commenced at Record Plant Studios in Los Angeles—Queen's only time recording in the United States — and Musicland Studios in Munich. Also during this time, their manager Jim Beach offered them the opportunity to compose the soundtrack for the film The Hotel New Hampshire . The band agreed, but soon discovered much of their time was being spent on
8316-632: The United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor 's rock sound, while still incorporating the early 80s retro futuristic electronic music (at the behest of Freddie Mercury ) and New York funk scenes ( John Deacon 's topic of interest). Recorded at the Record Plant Studios in Los Angeles , California , and Musicland Studios in Munich , Germany , from August 1983 to January 1984,
8448-722: The Wailers and " Louie Louie " by the Kingsmen (1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including Paul Revere and the Raiders (Boise), the Trashmen (Minneapolis) and the Rivieras (South Bend, Indiana). Other influential garage bands, such as the Sonics (Tacoma, Washington), never reached
8580-527: The advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various dance crazes of the early 1960s, started by Chubby Checker 's record " The Twist " (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including
8712-534: The album's title comes from a comment Taylor made as recording began – "Let's give them the works!". During the decade, after a negative reaction to the music video for " I Want to Break Free " in the United States, the band decided not to tour in North America and lost the top spot in US sales, but sales around the world would be much better, especially in Europe. Despite failing to reach number one, it spent 94 weeks on
8844-468: The album, but many of those remaining have been released in other forms. Believed to originate from the Works sessions, this is a fast-paced track dominated by the piano and drums. Two versions of the demo exist and very little is known about the track. It is about a minute and a half long. At the end of the track, Mercury can be heard to say: "very good, ha, ha. It's gotta go somewhere, but it just, er, wasn't";
8976-497: The band opted for the Christmas single " Thank God It's Christmas ", on which the song appears as a B-side. "Machines (Or 'Back to Humans')" came about as an idea by Taylor, and May collaborated with him and finished it. Producer Reinhold Mack programmed the synth-"demolition" using a Fairlight CMI II Sampler, and all the vocals are sung by the group's three vocalists, including Mercury and May singing in harmony and Taylor performing
9108-415: The band released a completed version of the song which features elements from a number of Queen demos of the track, with new backing vocals from May and Taylor, and new guitars from May on the album Queen Forever . "Let Me Live" was originally recorded by the band in 1983 as a duet between Mercury and Rod Stewart . It originally also featured Jeff Beck on guitar. The song was never released, although it
9240-416: The band's manager Jim Beach, who changed it in order to suit the album mood better. Mercury played piano and synths and wrote the lyrics after reading the quote in the book. "Hammer to Fall" is May's other rock song on the album. Live versions were considerably faster and he sang it in his solo tours as well. Synths are played by Mandel and most of vocal harmonies were recorded by May himself, particularly in
9372-522: The beginning of the song. It features stomping percussion similar to " We Will Rock You ". The demo features May doing the vocals instead of Mercury. "It's a Hard Life" was written by Mercury. May and Taylor have stated it as one of their favourite songs of Mercury's, although Taylor admitted his vast displeasure with the video. May contributed with some of the lyrics, and the intro was based on Ruggiero Leoncavallo 's " Vesti la giubba ", an aria from his opera Pagliacci . Mercury played piano and did most of
9504-575: The biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with Peter and Gordon , the Animals, Manfred Mann , Petula Clark , Freddie and the Dreamers, Wayne Fontana and the Mindbenders , Herman's Hermits, the Rolling Stones, the Troggs , and Donovan all having one or more number one singles. Other major acts that were part of
9636-473: The bridge, except for the lyric "oh no" which is Taylor. The song harks back to Queen's old sound, with a song being built around a hard angular and muscular riff. The song features Mercury on lead vocals, doing a call and response with May, who sings the chorus. The song's music video, directed by David Mallet , contains footage of a performance of the song in Brussels. "Hammer to Fall" was a concert favourite, and
9768-456: The chart. Their first appearance on The Ed Sullivan Show on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the Billboard Hot 100 singles chart, including the entire top five. The Beatles went on to become
9900-458: The chords and made small lyrical contributions. The song was recorded with an Ovation guitar, although when playing live May used Taylor's Gibson Chet Atkins CE nylon-stringed guitar. A piano was tracked at the recording sessions for this song, but ultimately not included in the final mix. The sessions for The Works were highly productive, resulting in an overwhelmingly large body of material written and recorded. Only nine of these were used on
10032-424: The delights and limitations of the regional , and to deal with the depredations and benefits of mass culture itself. — Robert Christgau in Christgau's Record Guide (1981) Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. These themes were inherited from
10164-451: The early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant Canterbury scene saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including Caravan , Hatfield and the North , Gong , and National Health . The French group Magma around drummer Christian Vander almost single-handedly created
10296-455: The early 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over,"
10428-457: The early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts. " I Want to Hold Your Hand " was the Beatles' first number one hit on the Billboard Hot 100 , spending seven weeks at the top and a total of 15 weeks on
10560-510: The electronic treatment of sound by such innovators as Joe Meek , and the elaborate production methods of the Wall of Sound pursued by Phil Spector . The instrumental rock and roll of performers such as Duane Eddy , Link Wray and the Ventures was further developed by Dick Dale , who added distinctive "wet" reverb , rapid alternate picking, and Middle Eastern and Mexican influences. He produced
10692-512: The example set by the Beatles ' 1965 LP Rubber Soul in particular, other British rock acts released rock albums intended as artistic statements in 1966, including the Rolling Stones ' Aftermath , the Beatles' own Revolver , and the Who 's A Quick One , as well as American acts in the Beach Boys ( Pet Sounds ) and Bob Dylan ( Blonde on Blonde ). Garage rock was a raw form of rock music, particularly prevalent in North America in
10824-491: The first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Focus (band) and Faust to circumvent the language barrier. Their synthesiser-heavy " krautrock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be
10956-451: The folk scene. The first group to advertise themselves as psychedelic rock were the 13th Floor Elevators from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback , the Indian sitar and backmasking sound effects . Psychedelic rock particularly took off in California's emerging music scene as groups followed
11088-503: The format of rock operas and opened the door to concept albums , often telling an epic story or tackling a grand overarching theme. King Crimson 's 1969 début album, In the Court of the Crimson King , which mixed powerful guitar riffs and mellotron , with jazz and symphonic music , is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in
11220-453: The impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American blues , including the Rolling Stones and the Yardbirds . British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as Lead Belly , who was a major influence on the Skiffle craze, and Robert Johnson . Increasingly they adopted
11352-460: The invasion included the Kinks and the Dave Clark Five . The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols , that had dominated the American charts in
11484-511: The label were R&B oriented white rock bands that made use of jazzy horn sections, like Electric Flag , Blood, Sweat & Tears and Chicago , to become some of the most commercially successful acts of the later 1960s and the early 1970s. British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus and the Graham Bond and John Mayall spin-off Colosseum . From
11616-446: The late 1950s and 1960s. It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as singer-songwriters. Following
11748-410: The loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into
11880-476: The many recordings which have been suggested as "the first rock and roll record ". Contenders include " Strange Things Happening Every Day " by Sister Rosetta Tharpe (1944); " That's All Right " by Arthur Crudup (1946), which was later covered by Elvis Presley in 1954; " The House of Blue Lights " by Ella Mae Morse and Freddie Slack (1946); Wynonie Harris ' " Good Rocking Tonight " (1948); Goree Carter 's "Rock Awhile" (1949); Jimmy Preston 's " Rock
12012-669: The mid-1950s by white singers such as Carl Perkins , Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley . Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest ; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country- western within traditional New Mexico music . In addition,
12144-603: The mid-1960s the Left Banke , the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of harpsichords , wind , and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum 's " A Whiter Shade of Pale " (1967), with its Bach -inspired introduction. The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were
12276-479: The mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like
12408-435: The mid-1960s as acts developed a sound similar to British blues musicians. Key acts included Paul Butterfield (whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), Canned Heat , the early Jefferson Airplane , Janis Joplin , Johnny Winter , the J. Geils Band and Jimi Hendrix with his power trios , the Jimi Hendrix Experience (which included two British members, and
12540-401: The mid-1960s onwards, rock music often used the verse–chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to
12672-461: The new music genre zeuhl with their first albums in the early 1970s. Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with The Dark Side of the Moon (1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with Yes showcasing
12804-591: The new music. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Cream , had emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based the Free Spirits with Out of Sight and Sound (1966). The first group of bands to self-consciously use
12936-465: The psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davis , particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew (1970). It
13068-628: The regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones , most early surf bands were formed in Southern California, including the Bel-Airs , the Challengers , and Eddie & the Showmen . The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune
13200-516: The rest of the dialogue is inaudible. When Queen wanted to write a Christmas single in 1984, Taylor wrote the basics of " Thank God It's Christmas " while May wrote "I Dream of Christmas". The group then had to choose between the two, and opted for "Thank God It's Christmas", which May and Taylor then wrote together. It is rumoured that "I Dream of Christmas" was recorded by the band, though nothing has ever been confirmed. May later worked on "I Dream of Christmas" with his future wife Anita Dobson , which
13332-400: The rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours. Lonnie Donegan 's 1955 hit " Rock Island Line " was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon 's Quarrymen (later the Beatles ), moved on to play rock and roll. While former rock and roll market in
13464-410: The robotic voices (using a Roland VP-330 Vocoder). The instrumental remix of the song samples parts of "Ogre Battle" from Queen's second album Queen II , " Flash " and Larry Lurex 's " Goin' Back ". This song, along with "Radio Ga Ga", are some of the heaviest uses of electronics on the album. It was released as a digital single on 10 November 2023. "I Want to Break Free", written by John Deacon,
13596-475: The romantic concept of art as artistic expression, original and sincere". In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae music , soul music , and even hip hop , which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and semipopular music that caters to his sensibility as "a rock-and-roller", including
13728-517: The same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ , and the synthesizer. The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music
13860-415: The same term [REDACTED] This disambiguation page lists articles associated with the title The Works . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=The_Works&oldid=1221978248 " Category : Disambiguation pages Hidden categories: Short description
13992-555: The second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave , post-punk and eventually alternative rock . From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge , Britpop , and indie rock . Further fusion subgenres have since emerged, including pop-punk , electronic rock , rap rock , and rap metal . Some movements were conscious attempts to revisit rock's history, including
14124-466: The single and the promotional video includes an opening and instrumental bridge (after the synth solo) not part of the original mix. "Keep Passing the Open Windows" was written by Mercury in 1983 for the film The Hotel New Hampshire , based on the novel by John Irving . The phrase is mentioned on a number of occasions throughout the film and was, according to the opening credits, also co-produced by
14256-543: The singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. Progressive rock, a term sometimes used interchangeably with art rock , moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From
14388-413: The skills of both guitarist Steve Howe and keyboard player Rick Wakeman , while Emerson, Lake & Palmer were a supergroup who produced some of the genre's most technically demanding work. Jethro Tull and Genesis both pursued very different, but distinctly English, brands of music. Renaissance , formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring
14520-529: The soundtrack instead of the upcoming album, and the soundtrack project fell through. Only one song written for the film—"Keep Passing the Open Windows"—made it onto The Works . By November 1983, Roger Taylor's " Radio Ga Ga " was chosen as the first single from the album. The Works opens with "Radio Ga Ga", written and composed on keyboards by Roger Taylor after he heard his 3-year-old son Felix say "radio ca ca". He wrote it in Los Angeles and locked himself in
14652-407: The studio with a Roland Jupiter 8 and a drum machine . Afterwards John Deacon came up with a suitable bass line. Freddie Mercury reconstructed the track, both musically and lyrically. It was still credited to Taylor since Mercury was an arranger rather than a co-writer. Fred Mandel , their session keyboardist, put together an additive track with piano, synth and a temporary bass part. Brian May used
14784-610: The three-octave voice of Annie Haslam . Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative Frank Zappa , Captain Beefheart and Blood, Sweat & Tears , to more pop rock orientated bands like Boston , Foreigner , Kansas , Journey , and Styx . These, beside British bands Supertramp and ELO , all demonstrated
14916-409: The vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth , punk, and emo subcultures. Inheriting the folk tradition of
15048-540: The vocals, and instructed May about the scales he should use for the solo, described by May in the guitar programme Star Licks as very " Bohemian Rhapsody "-esque. "Man on the Prowl" is a three-chord rockabilly Mercury composition. May played the solo using a Fender Telecaster whilst Mandel plays the piano ending. This was planned as the fifth and final single from the album, with a provisional release date of 19 November 1984. Promotional copies were pressed and sent out, but
15180-524: The work of the Beach Boys , formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen . The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze
15312-533: The work of established performers such as the Rolling Stones' Beggar's Banquet (1968) and the Beatles' Let It Be (1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration
15444-404: The world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to
15576-570: Was John Mayall ; his band, the Bluesbreakers , included Eric Clapton (after Clapton's departure from the Yardbirds) and later Peter Green . Particularly significant was the release of Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream, Blind Faith , and Derek and
15708-627: Was 1963's " Wipe Out ", by the Surfaris , which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " (1960) and " Kon-Tiki " (1961), while Swedish surf group the Spotnicks saw success in both Sweden and Britain. Surf music achieved its greatest commercial success as vocal pop music, particularly
15840-473: Was a major influence on subsequent rock-influenced jazz artists, including Herbie Hancock , Chick Corea and Weather Report . The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like Steely Dan , Frank Zappa and Joni Mitchell recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music. Reflecting on developments that occurred in rock music in
15972-424: Was continued in the 1970s by figures such as George Thorogood and Pat Travers , but, particularly on the British scene (except perhaps for the advent of groups such as Status Quo and Foghat who moved towards a form of high energy and repetitive boogie rock ), bands became focused on heavy metal innovation, and blues rock began to slip out of the mainstream. By the 1960s, the scene that had developed out of
16104-561: Was founded in Britain), and Band of Gypsys , whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the Allman Brothers Band , Lynyrd Skynyrd , and ZZ Top , incorporated country elements into their style to produce the distinctive genre Southern rock . Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be
16236-423: Was later re-recorded as a Mercury solo track and released on his 1985 solo album Mr. Bad Guy . "Man on Fire", written by Taylor, is believed to have been recorded in 1984 for The Works , before it was re-recorded and then released on Taylor's second solo album Strange Frontier that same year. An early promo cassette for The Works features a very different track listing, where its title appears. Nothing else
16368-535: Was released as a single in 1988 and also features John Deacon. Written by May some time in 1981, the song was recorded during the Hot Space album sessions but never made it onto the final cut. It was instead used as the B-side to the single release of " Radio Ga Ga ". Written by May, this song went through several rewrites and re-recordings before it was left unfinished and subsequently recorded by Anita Dobson, featuring May, for her 1988 album Talking of Love . In 2014,
16500-516: Was reworked by the band for inclusion in their 1995 studio album Made in Heaven , released after Mercury's death. The finished version features one verse and the chorus sung by Mercury, while the rest is sung by May and Taylor. It is unknown why the Stewart version was never used. Believed to originate from the Works sessions, this is an alternative piano version of "Coming on Far Too Strong". Nothing else
16632-515: Was taken up by bands including Pentangle , Steeleye Span and the Albion Band , which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band , Spencer's Feat and later Five Hand Reel , to use their traditional music to create a brand of Celtic rock in the early 1970s. Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in
16764-606: Was taking place globally in the aftermath of the Second World War . Cliff Richard is credited with one of the first rock and roll hits outside of North America with " Move It " (1959), effectively ushering in the sound of British rock . Several artists, most prominently Tommy Steele from the UK, found success with covers of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia,
16896-439: Was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " I'm a Loser " (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with the Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles,
17028-430: Was the major force in American record sales and crooners , such as Eddie Fisher , Perry Como , and Patti Page , who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in
17160-450: Was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated
17292-528: Was the third song the band performed at Live Aid in 1985. The song also features in both the setlist of the band's Works Tour and Magic Tour in 1986. The album concludes with "Is This the World We Created...?", which was written by Mercury and May in Munich after the two saw a news broadcast about poverty in Africa; the song was performed at Live Aid as an encore. Mercury wrote most of the lyrics and May wrote
17424-479: Was then going to be recorded to close The Works before Mercury and May wrote "Is This the World We Created...?". It was ultimately recorded as a solo track by Mercury and released on his 1985 solo album Mr. Bad Guy . In 2014, a reworked Queen version with a Mercury and Jackson duet was released on the album Queen Forever . Rolling Stone ' s Parke Puterbaugh described it as their "first real album in some time" and "a royal feast of hard rock". Sandy Robertson, in
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