121-661: The Tremeloes (formerly Brian Poole and The Tremeloes ) are an English beat group founded in 1958 in Dagenham , England. They initially found success in the British Invasion era with lead singer Brian Poole , scoring a UK chart-topper in 1963 with " Do You Love Me ". The band achieved their greatest success after Poole's departure in 1966. The band reformed as a four-piece that year with Chip Hawkes on bass, Rick Westwood on lead guitar, Alan Blakely on rhythm guitar, and Dave Munden on drums. All four members sang, with most of
242-655: A mod following during the Swinging London period of the mid to late 1960s. Freakbeat bridges "British Invasion mod/ R&B /pop and psychedelia ". The term was coined by English music journalist Phil Smee . AllMusic writes that "freakbeat" is loosely defined, but generally describes the more obscure but hard-edged artists of the British Invasion era such as the Creation , the Pretty Things or Denny Laine 's early solo work. Other bands often mentioned as Freakbeat are
363-978: A policeman's beat and not that of the music". The band the Pacifics were renamed the Mersey Beats in February 1962 by Bob Wooler , MC at the Cavern Club , and in April that year they became the Merseybeats . With the rise of the Beatles in 1963, the terms Mersey sound and Merseybeat were applied to bands and singers from Liverpool, the first time in British pop music that a sound and a location were linked together. The equivalent scenes in Birmingham and London were described as Brum Beat and
484-659: A $ 500,000 investment which subsequently earned the company some $ 32 million in profits. In October 1958, Columbia, in time for the Christmas season, put out a series of "Greatest Hits" packages by such artists as Johnny Mathis, Doris Day, Guy Mitchell, Johnnie Ray, Jo Stafford , Tony Bennett, Rosemary Clooney, Frankie Laine and the Four Lads ; months later, it put out another Mathis compilation as well as that of Marty Robbins . Only Mathis' compilations charted, since there were only 25 positions on Billboard ' s album charts at
605-587: A brilliant blue laminated product with matching label. Royal Blue issues, made from late 1932 through 1935, are particularly popular with collectors for their rarity and musical interest. The Columbia plant in Oakland, California, did Columbia's pressings for sale west of the Rockies and continued using the Royal Blue material for these until about mid-1936. As southern gospel developed, Columbia had astutely sought to record
726-414: A catalog of blues and jazz artists, including Bessie Smith in their 14000-D Race series. Columbia also had a successful "Hillbilly" series (15000-D) with Dan Hornsby among others. By 1927, the "Sweet Jazz" bandleader Guy Lombardo also joined Columbia and recorded forty five 78 rpm's by 1931. In 1928, Paul Whiteman , the nation's most popular orchestra leader, left Victor to record for Columbia. During
847-463: A distribution deal with Philips Records to market Columbia recordings outside North America. EMI continued to distribute Okeh and later Epic label recordings until 1968. EMI also continued to distribute Columbia recordings in Australia and New Zealand. American Columbia was not happy with EMI's reluctance to introduce long playing records. Columbia became the most successful non-rock record company in
968-465: A high executive with RCA Victor from 1932 thru 1938, was asked to comment on ARC. "The chief value was that the record industry had come back tremendously, especially in the case of two other record companies; and the American Record Company, with all its facilities, had not, so far as I could learn, increased its business in any degree at all in the previous six years." On December 17, 1938,
1089-554: A molded brown wax record, to use up old stock. Columbia introduced black wax records in 1903. According to one source, they continued to mold brown waxes until 1904 with the highest number being 32601, "Heinie", which is a duet by Arthur Collins and Byron G. Harlan . The molded brown waxes may have been sold to Sears for distribution (possibly under Sears' Oxford trademark for Columbia products). Columbia began selling disc records , invented and patented by Victor Talking Machine Company's Emile Berliner , and phonographs in addition to
1210-679: A new single called "She's Not My Child". Brian Poole, Chip Hawkes and the Tremeloes toured the UK as part of their 40th anniversary reunion in September 2006. In November 2015, Westwood and Hawkes were both charged with sexual assault relating to a case from 1968. They were acquitted in July 2016. In 2019 two separate entities were touring—the latest incarnation of the original Tremeloes with Westwood, Clarke and Hawkes, along with Hawkes' son Jodie and Richard Marsh, and
1331-844: A press release, "The American Record Co. tag is discarded". Columbia Records was actually reborn on May 22, 1939, as "Columbia Recording Corporation, Inc.", a Delaware corporation. The NYDOS shows a later incorporation date of April 4, 1947. This corporation changed its name to Columbia Records, Inc. on October 11, 1954, and reverted to Columbia Recording Corporation on January 2, 1962. The Columbia trademark remained under Columbia Records, Inc. of Delaware, filed back in 1929. Brothers Ike and Leon Levy owned stakes in CBS. In February 1939, NYC Studios moved from ARC headquarters at 1776 Broadway, to 799 7th Avenue, 6th&7th flrs, New York City ("Studio A"). Corporate offices, studio and Pressing Plant would also continue at 1473 Barnum Avenue, Bridgeport, CT. John Hammond
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#17330849453841452-458: A set of CDs devoted to Columbia's Broadway albums. Over the years, Columbia joined Decca and RCA Victor in specializing in albums devoted to Broadway musicals with members of the original casts. In the 1950s, Columbia also began releasing LPs drawn from the soundtracks of popular films. Many album covers put together by Columbia and the other major labels were put together using one piece of cardboard (folded in half) and two paper "slicks", one for
1573-521: A skilled modernist composer himself, Columbia cemented contracts with jazz composer/musicians Thelonious Monk and Charles Mingus , while Macero became a significant figure in Miles Davis career from an explorer of the art of modal jazz from Davis' sextets 1958 album Milestones to innovator and avatar of the marriage of jazz with rock and electronic sounds—commonly known as jazz fusion . In 1954, Columbia embraced small-group modern jazz by signing of
1694-442: A solo career before going into business as a butcher with his brother. (He returned to making music professionally many years later.) Poole and Howard were both replaced by bassist-singer Len "Chip" Hawkes . Their first single as a four-piece, released on Decca, was a cover of Paul Simon's song "Blessed", which failed to chart. After switching from Decca to CBS Records , with Mike Smith producing, The Tremeloes' first single on CBS
1815-498: A stylus (the legs) on a record (the eye); however, the "eye" also subtly refers to CBS's main business in television , and that division's iconic Eye logo. Columbia continued to use the "notes and mike" logo on record labels and even used a promo label showing both logos until the "notes and mike" was phased out (along with the 78 in the US) in 1958. In Canada, Columbia 78s were pressed with the "Walking Eye" logo in 1958. The original Walking Eye
1936-413: A time when the economy was bad enough that many of them would not have had the opportunity to enter a studio and play real jazz (a handful of these in this special series were issued in the US). Hammond's work for Columbia was interrupted by his service during World War II , and he had less involvement with the music scene during the bebop era, but when he returned to work as a talent scout for Columbia in
2057-572: A tribute band "The Trems" with Gillingham, Brown, Twynham and Phil Wright (of the band Paper Lace ). Hawkes stated in an interview that Munden had retired following knee issues resulting from a fall. Brian Poole toured with the band again in 2016, and played with his own band Brian Poole & Electrix. As of 2019 he appeared to no longer be actively performing. Original drummer Dave Munden (born on 2 December 1943) died on 15 October 2020, at age 76. In 2021, Chip Hawkes, Rick Westwood, Mick Clarke, Jodie Hawkes and Richard Marsh were still performing live as
2178-575: A very different effect from the monolithic character of rock, in that the beat was given not by the duplication of one instrument in the rhythm section by another, but by an interplay between all three. This flexibility also meant that beat music could cope with a greater range of time-signatures and song shapes than rock & roll had been able to". Beat groups usually had simple guitar -dominated line-ups, with vocal harmonies and catchy tunes. The most common instrumentation of beat groups featured lead, rhythm and bass guitars plus drums, as popularised by
2299-553: Is Riccardo Del Turco 's " Uno tranquillo " ("One quiet man"), "I'm Gonna Try", which is Riccardo Del Turco's 1968 hit " Luglio " ("July"), and " My Little Lady ", based on Orietta Berti 's " Non illuderti mai " ("Never deceive yourself"); and their number one recording of a Four Seasons B-side " Silence Is Golden ". Both this last single and "Here Comes My Baby" also entered the Top 20 of the U.S. Billboard Hot 100 on Epic Records , co-owned by CBS. All members shared vocals, though most of
2420-425: Is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI 's Columbia Graphophone Company . Columbia is one of Sony Music's four flagship record labels: Epic Records , and former longtime rivals, RCA Records and Arista Records as
2541-557: The Dutch Top 10 , reaching No. 9 after the Dutch service of Radio North Sea International promoted it as its weekly Treiterschijf . They also released another three albums of original material, including Shiner (1974) and Don't Let the Music Die (1975). Their music is still available on compact disc, and they quite often play concerts and are part of the pop-revival shows that constantly tour
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#17330849453842662-514: The Eastman School of Music in the 1930s.) Miller quickly signed up Mercury's biggest artist at the time, Frankie Laine , and discovered several of the decade's biggest recording stars including Tony Bennett , Mahalia Jackson , Jimmy Boyd , Guy Mitchell (whose stage surname was taken from Miller's first name), Johnnie Ray , The Four Lads , Rosemary Clooney , Kay Lande , Ray Conniff , Jerry Vale and Johnny Mathis . He also oversaw many of
2783-650: The Metropolitan Opera in New York to make a highly touted series of Grand Opera Records. These stars included Marcella Sembrich , Lillian Nordica , Antonio Scotti , and Edouard de Reszke , but the technical standard of Columbia's Grand Opera series was not considered to be as high as the results achieved with opera singers during the pre–World War I period by Victor, Edison, England's His Master's Voice (The Gramophone Company Ltd.) or Italy's Fonotipia Records . After an abortive attempt in 1904 to manufacture discs with
2904-542: The Tottenham Sound respectively. The most distinctive characteristic of beat music was its strong beat, using the backbeat common to rock and roll and rhythm and blues , but often with a driving emphasis on all the beats of 4/4 bar. The rhythm itself—described by Alan Clayson as "a changeless four-four offbeat on the snare drum"—was developed in the clubs in Hamburg , West Germany, where many English groups, including
3025-656: The Westminster Choir conducted by Leonard Bernstein (recorded on December 31, 1956, on 1 ⁄ 2 -inch tape, using an Ampex 300-3 machine). Bernstein combined the Nativity and Resurrection sections, and ended the performance with the death of Christ. As with RCA Victor, most of the early stereo recordings were of classical artists, including the New York Philharmonic Orchestra conducted by Bruno Walter , Dimitri Mitropoulos , and Leonard Bernstein , and
3146-499: The swing music era, Hammond had already been of great help to Columbia in 1932–33. Through his involvement in the UK music paper Melody Maker , Hammond had arranged for the struggling US Columbia label to provide recordings for the UK Columbia label, mostly using the specially created Columbia W-265000 matrix series. Hammond recorded Fletcher Henderson , Benny Carter , Joe Venuti , Roger Wolfe Kahn and other jazz performers during
3267-724: The "Magic Notes" logo—a pair of sixteenth notes (semiquavers) in a circle—both in the United States and overseas (where this particular logo would never substantially change). In 1908, Columbia ceased the recording and manufacturing of wax cylinder records after arranging to issue celluloid cylinder records made by the Indestructible Record Company of Albany, New York , as "Columbia Indestructible Records". In July 1912, Columbia decided to concentrate exclusively on disc records and ended production of cylinder phonographs, although Indestructible cylinders continued to be sold under
3388-539: The 10th anniversary of the introduction of the LP, in 1958 Columbia initiated the "Adventures in Sound" series that showcased music from around the world. As far as the catalog numbering system went, there was no correlation between mono and stereo versions for the first few years. Columbia started a new CS 8000 series for pop stereo releases, and figuring the stereo releases as some sort of specialty niche records, didn't bother to link
3509-487: The 1931 Brunswick lease agreement, so they discontinued Vocalion in June 1940, and fired up Okeh. By July, it was releasing new Hillbilly platters by Gene Autry and Bob Wills, and re-issuing past Vocalion discs, using the same catalogue numbers with a leading zero added. When a January 1941 audit found that not more than 150,000 Brunswick records had sold during the period from December 1, 1939, through December 31, 1940, control of
3630-504: The 1950s after it lured producer and bandleader Mitch Miller away from the Mercury label in 1950. Despite its many successes, Columbia remained largely uninvolved in the teenage rock'n'roll market until the mid-1960s, despite a handful of crossover hits, largely because of Miller's frequently expressed loathing of rock'n'roll. (Miller was a classically trained oboist who had been a friend of Columbia executive Goddard Lieberson since their days at
3751-436: The 1950s, his career proved to be of incalculable historical and cultural importance – the list of superstar artists he would discover and sign to Columbia over the course of his career included Charlie Christian , Count Basie , Teddy Wilson , Pete Seeger , Bob Dylan , Leonard Cohen , Aretha Franklin , Bruce Springsteen and Stevie Ray Vaughan , and in the early 1960s Hammond would also exert an enormous cultural effect on
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3872-438: The 1956 Newport Jazz Festival , which proved a boost to a bandleader whose career had stalled. Under new head producer George Avakian , Columbia became the most vital label to the general public's appreciation and understanding (with help from Avakian's prolific and perceptive play-by-play liner notes) of jazz, releasing a series of LP's by Louis Armstrong , but also signing to long-term contracts Dave Brubeck and Miles Davis ,
3993-571: The ARC, including the Columbia label in the U.S., was acquired by William S. Paley of the Columbia Broadcasting System, Inc. for US$ 700,000, ten times the price ARC paid in 1934, which would later spark lawsuits by disgruntled shareholders. (Columbia Records had originally co-founded CBS in 1927 along with New York talent agent Arthur Judson , but soon cashed out of the partnership leaving only
4114-625: The Action , the Move , the Smoke , the Sorrows , and Wimple Winch . By 1967, beat music was beginning to sound out of date, particularly compared with the "harder edged" blues rock that was beginning to emerge. Most of the groups that had not already disbanded by 1967, like the Beatles, moved into different forms of rock music and pop music , including psychedelic rock and eventually progressive rock . Beat
4235-682: The Animals from Newcastle and Them from Belfast . From London, the term Tottenham Sound was largely based around the Dave Clark Five , but other London-based British rhythm and blues and rock bands who benefited from the beat boom of this era included the Rolling Stones , the Kinks and the Yardbirds . The Beatles' appearance on The Ed Sullivan Show soon after led to chart success. During
4356-475: The Beatles , the Searchers , and others. Beat groups—even those with a separate lead singer—often sang both verses and choruses in close harmony , resembling doo wop , with nonsense syllables in the backing vocals. In the late 1950s, a flourishing culture of groups began to emerge, often out of the declining skiffle scene, in major urban centres in the UK like Liverpool, Manchester, Birmingham and London. This
4477-558: The Beatles derived their name, combining it with a pun on the beat in their music), and to a lesser extent by British rock and roll groups such as the Shadows . After the national success of the Beatles in Britain from 1962, a number of Liverpool performers were able to follow them into the charts, including Gerry & The Pacemakers (who achieved a number one hit in the UK before the Beatles),
4598-441: The Beatles, performed in the early 1960s and where it was known as the mach schau (make show) beat. The 8/8 rhythm was flexible enough to be adopted for songs from a range of genres. In addition, according to music writer Dave Laing , "[T]he chord playing of the rhythm guitar was broken up into a series of separate strokes, often one to the bar, with the regular plodding of the bass guitar and crisp drumming behind it. This gave
4719-463: The Columbia Records name because EMI operated a separate record label by that name, Columbia Graphophone Company , outside North America. This was the result of legal maneuvers which led to the creation of EMI in the early 1930s. While this happened, starting in late 1961, both the mono and the stereo labels of domestic Columbia releases started carrying a small "CBS" at the top of the label. This
4840-550: The Columbia label for a few more years. Columbia was split into two companies, one to make records and one to make players. Columbia Phonograph relocated to Bridgeport, Connecticut , and Edward Easton went with it. Eventually it was renamed the Dictaphone Corporation . In late 1922, Columbia entered receivership. The company was bought by its UK subsidiary, the Columbia Graphophone Company , in 1925 and
4961-534: The Columbia name. During the 1940s, Frank Sinatra recorded for Columbia and helped to substantially boost the company's revenue. Sinatra recorded over 200 songs for Columbia which include his most popular songs from his early years. Other popular artists on Columbia at this time included Benny Goodman (signed from RCA Victor in 1939), Count Basie , Jimmie Lunceford (both signed from Decca), Eddy Duchin , Ray Noble (both moved to Columbia from Brunswick), Kate Smith , Mildred Bailey , and Will Bradley . In 1947,
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5082-547: The Dave Brubeck Quartet, which resulted in the release of the on-location, best-selling jazz album (up to this time), Jazz Goes to College . Contemporaneously with Columbia's first release of modern jazz by a small group, which was also the Brubeck Quartet's debut on the label, was a Time magazine cover story on the phenomenon of Brubeck's success on college campuses. The humble Dave Brubeck demurred, saying that
5203-556: The Gramophone Company (HMV) was now a wholly owned subsidiary of Victor, and Columbia in America was a subsidiary of UK Columbia, Victor now technically owned its largest rival in the US. To avoid antitrust legislation, EMI had to sell off its US Columbia operation, which continued to release pressings of matrices made in the UK. In December, 1931, the U.S. Columbia Phonograph Company, Inc.
5324-492: The LP record was officially demonstrated, Columbia offered to share the new speed with rival RCA Victor, who initially rejected it and soon introduced their new competitive 45 RPM record. When it became clear that the LP was the preferred format for classical recordings, RCA Victor announced that the company would begin releasing its own LPs in January 1950. This was quickly followed by the other major American labels. Decca Records in
5445-627: The Philadelphia Orchestra conducted by Eugene Ormandy , who also recorded an abridged Messiah for Columbia. Some sessions were made with the Columbia Symphony Orchestra, an ensemble drawn from leading New York musicians, which had first made recordings with Sir Thomas Beecham in 1949 in Columbia's New York City studios. George Szell and the Cleveland Orchestra recorded mostly for Epic. When Epic dropped classical music,
5566-549: The Searchers , and Cilla Black . Outside of Liverpool many local scenes were less influenced by rock and roll and more by the rhythm and blues and later directly by the blues . These included bands from Birmingham who were often grouped with the beat movement, the most successful being the Spencer Davis Group and the Moody Blues . Similar blues influenced bands who broke out from local scenes to national prominence were
5687-527: The Tremeloes on the UK nostalgia circuits, whilst in 2022, Chesney Hawkes joined his brother Jodie as a member, becoming the band's singer for a series of dates. Beat group Beat music , British beat , or Merseybeat is a British popular music genre and developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll , rhythm and blues , skiffle , traditional pop and music hall . It rose to mainstream popularity in
5808-526: The Tremeloes over the Beatles, reportedly, in part, based on location – the Tremeloes were from the London area, making them more accessible than the Liverpool-based Beatles. The original quintet consisted of lead vocalist Brian Poole , lead guitarist Rick Westwood , rhythm guitarist/keyboardist Alan Blakley , bassist Alan Howard and drummer Dave Munden. Brian Poole and the Tremeloes first charted in
5929-446: The Tremeloes where he remained until 1988. Chip left the Tremeloes to focus on managing his son, Chesney , who had a number one hit record entitled "The One and Only". By 1992 Hawkes was touring once again as a solo artist. In 1983 they covered Europop tune " Words ", originally by F. R. David . As a soloist, Poole failed to chart with subsequent records, but pursued a successful cabaret career. His daughters, Karen and Shelly, hit
6050-522: The Tremoloes (the spelling " tremoloes " was soon changed because of a spelling mistake in an East London newspaper ) influenced by Buddy Holly and the Crickets . On New Year's Day, 1962, Decca , looking for a beat group, auditioned two promising young bands: Brian Poole and the Tremeloes and another combo (also heavily influenced by Buddy Holly) from Liverpool , the Beatles . Decca chose Brian Poole and
6171-531: The U.K. was the first to release LPs in Europe, beginning in 1949. EMI would not fully adopt the LP format until 1955. An "original cast recording" of Rodgers & Hammerstein 's South Pacific with Ezio Pinza and Mary Martin was recorded in 1949. Both conventional metal masters and tape were used in the sessions in New York City. For some reason, the taped version was not used until Sony released it as part of
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#17330849453846292-473: The U.S. Columbia material was issued in Australia and New Zealand on the CBS Coronet label. In the same year, former Columbia A&R manager Goddard Lieberson was promoted to President of the entire CBS recording division, which included Columbia and Epic, as well as the company's various international divisions and licensees. Under his leadership the corporation's music division soon overtook RCA Victor as
6413-404: The UK and Europe by 1963 before spreading to North America in 1964 with the British Invasion . The beat style had a significant impact on popular music and youth culture from 1960s movements such as garage rock , folk rock and psychedelic music . The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which
6534-438: The UK in 1964 with covers of Roy Orbison 's B-side " Candy Man " and a previously obscure Crickets B-side ballad , " Someone, Someone ": both entered the UK top ten , the latter peaking at No. 2. Other Decca-era chart singles included " Three Bells " and a version of " I Want Candy ". Poole and Howard both left the band in 1966. Howard left the music business altogether. Poole made a brief and not very successful attempt at
6655-578: The UK in July 1963 with a pop rock cover version of " Twist and Shout ", a song previously popularised in America by the Isley Brothers , and already released by the Beatles in the UK in March 1963 on their first British LP, Please Please Me . They released a pop cover version of US hit " Do You Love Me " in the same year, and the song reached No. 1 on the UK Singles Chart . The group also had success in
6776-450: The UK. Their line-up changed several times from 1973 onwards, the first new entrants being Bob Benham and a year later Aaron Woolley (replacing Blakley and Hawkes, both of whom later returned to the band). Munden remained the only constant member. Hawkes pursued a solo career for a while producing two albums for RCA Records in Nashville, Tennessee . In 1979 he returned to England and rejoined
6897-602: The Worm' sold 2.5 million copies. In 1929, Ben Selvin became house bandleader and A. & R. director. Other favorites in the Viva-tonal era included Ruth Etting , Paul Whiteman, Fletcher Henderson , Ipana Troubadours (a Sam Lanin group), and Ted Lewis . Columbia used acoustic recording for "budget label" pop product well into 1929 on the labels Harmony, Velvet Tone (both general purpose labels), and Diva (sold exclusively at W.T. Grant stores). When Edison Records folded, Columbia
7018-644: The aegis of the Mull Singing Convention of the Air sponsored on radio (and later television) by southern gospel broadcaster J. Bazzel Mull (1914–2006). In 1935, Herbert M. Greenspon, an 18-year-old shipping clerk, led a committee to organize the first trade union shop at the main manufacturing factory in Bridgeport, Connecticut. Elected as president of the Congress of Industrial Unions (CIO) local, Greenspon negotiated
7139-620: The artists associated with the emerging genre; for example, Columbia was the only company to record Charles Davis Tillman . Most fortuitously for Columbia in its Depression Era financial woes, in 1936 the company entered into an exclusive recording contract with the Chuck Wagon Gang , a hugely successful relationship which continued into the 1970s. A signature group of southern gospel, the Chuck Wagon Gang became Columbia's bestsellers with at least 37 million records, many of them through
7260-408: The band, which is still together as of 2023. Two band members had children who become pop stars in their own right. Poole's daughters Karen and Shelly Poole made several hit records as " Alisha's Attic " between 1996 and 2001. Hawkes's son Chesney Hawkes is a successful singer-songwriter who has also toured for a number of years as a member of the Tremeloes. They were formed as Brian Poole and
7381-630: The bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shortened to "beat", became a live dance alternative to the balladeers like Tommy Steele , Marty Wilde , and Cliff Richard who were dominating the charts. The German anthropologist and music critic Ernest Borneman , who lived in England from 1933 to 1960, claimed to have coined
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#17330849453847502-537: The blues-R&B label, and the exclusive outlet for Bob Wills and His Texas Playboys , a phenomenal mid-1930s Western Swing band, which drew 10,000+ customers nightly to dance. Columbia was added in mid-1932, relegated to slower sellers such as the Hawaiian music of Andy Iona , the Irving Mills stable of artists and songs, and the still unknown Benny Goodman . It tried a marketing ploy, the Columbia "Royal Blue Record",
7623-540: The bottom to the back and "pasted over" by the back slick. Conversely, for a mono album, they moved the slick up so the mono information showed at the bottom, and the stereo information was pasted over. Soon, other record companies had adopted the paste-over method. In 1951, Columbia US began issuing records in the 45 rpm format RCA Victor had introduced two years earlier. The same year, Ted Wallerstein retired as Columbia Records chairman; and Columbia US also severed its decades-long distribution arrangement with EMI and signed
7744-489: The case). The blue Columbia label was retained for its classical music Columbia Masterworks Records series until it was later changed to a green label before switching to a gray label in the late 1950s, and then to the bronze that is familiar to owners of Columbia/CBS classical and Broadway albums. Columbia Phonograph Company of Canada did not survive the Great Depression , so CBS made a distribution deal with Sparton Records in 1939 to release Columbia records in Canada under
7865-431: The catalog were in the 10 inch format starting with ML 2001 for the light classics, CL 6001 for popular songs and JL 8001 for children's records. The Library of Congress in Washington DC now holds the Columbia Records Paperwork Archive which shows the Label order for ML 4001 being written on March 1, 1948. One can infer that Columbia was pressing the first LPs for distribution to their dealers for at least 3 months prior to
7986-419: The charts in 1996 as Alisha's Attic . Blakley died from cancer in June 1996, leaving Munden and Westwood to continue in concert with newer recruits Dave Fryer (bass) and Joe Gillingham (keyboards). Jeff Brown, former bass player and lead vocals for The Sweet, replaced Fryer in 2005. Dave Fryer retired to live in Germany after leaving the band, and continues to write music and play occasionally. In April 2004, at
8107-401: The collaborative effort, but Wallerstein credits engineer William Savory with the technical prowess that brought the long-playing disc to the public. By the early 1940s, Columbia had been experimenting with higher fidelity recordings, as well as longer masters, which paved the way for the successful release of the LPs in 1948. One such record that helped set a new standard for music listeners
8228-448: The company was renamed Columbia Records Inc. and founded its Mexican record company, Discos Columbia de Mexico. 1948 saw the first classical LP Nathan Milstein's recording of the Mendelssohn Violin Concerto . Columbia's new 33 rpm format quickly spelled the death of the classical 78 rpm record and for the first time in nearly fifty years, gave Columbia a commanding lead over RCA Victor Red Seal . Columbia's president Edward Wallerstein
8349-432: The cover of Time magazine were all Columbia artists. (In the early 1960s Columbia jazz artist Thelonious Monk would be afforded the same honor.) Columbia changed distributors in Australia and New Zealand in 1956 when the Australian Record Company picked up distribution of U.S. Columbia product to replace the Capitol Records product which ARC lost when EMI bought Capitol. As EMI owned the Columbia trademark at that time,
8470-424: The cylinder system in 1901, preceded only by their "Toy Graphophone" of 1899, which used small, vertically cut records. For a decade, Columbia competed with both the Edison Phonograph Company cylinders and Victor Talking Machine Company disc records as one of the top three names in American sound recording. In 1903, to add prestige to its early catalog of artists, Columbia contracted several prominent singers from
8591-444: The delight of many, this did not happen, and Art went on to many more successful years supervising all aspects of Columbia's Hillbilly/Country artists and sessions. On August 30, 1939, Columbia replaced its $ .75 Brunswick record for a $ .50 Columbia label. Brunswick was gradually phased out, the final issue being Brunswick 8520, in April 1940. Wallerstein and Paley knew in advance that their course of action would lead to violation of
8712-433: The early numbers with the "ledge" variation (i.e., no deep groove), had the small "CBS". This text would be used on the Columbia labels until June 1962. Columbia's Mexican unit, Discos Columbia, was renamed Discos CBS. With the formation of CBS Records International, CBS started establishing its own distribution in the early 1960s, beginning in Australia. In 1960 CBS took over its distributor in Australia and New Zealand,
8833-846: The early singles by the label's top female recording star of the decade, Doris Day . In 1953, Columbia formed a new subsidiary label Epic Records . 1954 saw Columbia end its distribution arrangement with Sparton Records and form Columbia Records of Canada. To enhance its country music stable, which already included Marty Robbins , Ray Price and Carl Smith , Columbia bid $ 15,000 for Elvis Presley 's contract from Sun Records in 1955. Presley's manager, Colonel Tom Parker , turned down their offer and signed Presley with RCA Victor. However, Columbia did sign two Sun artists in 1958: Johnny Cash and Carl Perkins . With 1954, Columbia U.S. decisively broke with its past when it introduced its new, modernist -style "Walking Eye" logo, designed by Columbia's art director S. Neil Fujita . This logo actually depicts
8954-532: The emerging rock music scene thanks to his championing of reissue LPs of the music of blues artists Robert Johnson and Bessie Smith . By 1937–38, the record business in America was finally recovering from the near-death blow of the Great Depression, at least for RCA Victor and Decca, but privately, there were doubts about the survival of ARC. In a 1941 court case brought by unhappy shareholders of Columbia Broadcasting System, Inc. ("CBS"), Edward Wallerstein,
9075-408: The first contract between factory workers and Columbia management. In a career with Columbia that lasted 30 years, Greenspon retired after achieving the position of executive vice president of the company. Columbia also hired talent scout, music writer, producer, and impresario John Hammond in 1937. Alongside his significance as a discoverer, promoter, and producer of jazz, blues, and folk artists during
9196-457: The front and one for the back. The front slick bent around the top, bottom, and left sides (the right side is open for the record to be inserted into the cover) and glued the two halves of cardboard together at the top and bottom. The back slick is pasted over the edges of the pasted-on front slick to make it appear that the album cover is one continuous piece. Columbia discovered that printing two front cover slicks, one for mono and one for stereo,
9317-531: The influence of which has been detected in Beat music. It was also a major port with links to America, particularly through the Cunard Yanks , which made for much greater access to American records and instruments like guitars, which could not easily be imported due to trade restrictions. As a result, Beat bands were heavily influenced by American groups of the era, such as Buddy Holly and the Crickets (from which group
9438-490: The instrumental "Instant Whip". Their more commercial songs, such as "Even the Bad Times Are Good" (UK No. 4, 1967), " Helule Helule " (UK No. 14, 1967), "Suddenly You Love Me" and "My Little Lady" (both UK No. 8 in 1968), proved to be more popular than the falsetto-led "Be Mine" sung by Rick Westwood, which stalled in the lower top 40, or a string-accompanied cover of Bob Dylan's "I Shall Be Released" (UK No. 29, 1969), but
9559-730: The introduction of the LP on June 21, 1948. The catalog numbering system has had minor changes ever since. Columbia's LPs were particularly well-suited to classical music's longer pieces, so some of the early albums featured such artists as Eugene Ormandy and the Philadelphia Orchestra , Bruno Walter and the New York Philharmonic Orchestra , and Sir Thomas Beecham and the Royal Philharmonic Orchestra . The success of these recordings persuaded Capitol Records to begin releasing LPs in 1949. Even before
9680-437: The label, record numbering system, and recording process changed. On February 25, 1925, Columbia began recording with the electric recording process licensed from Western Electric . "Viva-tonal" records set a benchmark in tone and clarity unequaled on commercial discs during the 78-rpm era. The first electrical recordings were made by Art Gillham , the "Whispering Pianist". In a secret agreement with Victor, electrical technology
9801-532: The latter half of 1961, Columbia started using pressing plants with newer equipment. The "deep groove" pressings were made on older pressing machines, where the groove was an artifact of the metal stamper being affixed to a round center "block" to assure the resulting record would be centered. Newer machines used parts with a slightly different geometry, that only left a small "ledge" where the deep groove used to be. This changeover did not happen all at once, as different plants replaced machines at different times, leaving
9922-641: The latter two were originally owned by BMG before its 2008 relaunch after Sony's acquisition alongside other BMG labels. The Columbia Phonograph Company was founded on January 15, 1889, by stenographer, lawyer, and New Jersey native Edward D. Easton (1856–1915) and a group of investors. It derived its name from the District of Columbia , where it was headquartered. At first it had a local monopoly on sales and service of Edison phonographs and phonograph cylinders in Washington, D.C. , Maryland , and Delaware . As
10043-459: The leads being sung by Hawkes and Munden. The quartet had 13 top 40 hits on the UK Singles Chart between 1967 and 1971 including " Here Comes My Baby ", " Even the Bad Times Are Good ", " (Call Me) Number One ", " Me and My Life " and their most successful single, " Silence Is Golden " (1967). Various other musicians came and went after 1974, but all members of the 1966–1973 quartet, along with Poole, have at some point performed with later versions of
10164-499: The loaned trademarks and catalog of master recordings made prior to December 3, 1931, reverted to Warner Bros. Pictures. The Columbia trademark from this point until the late 1950s was two overlapping circles with the Magic Notes in the left circle and a CBS microphone in the right circle. The Royal Blue labels were dropped in favor of a deep red, which caused RCA Victor to claim infringement on its famous Red Seal trademark (RCA lost
10285-499: The low 2000s. Columbia's engineering department developed a process for emulating stereo from a mono source. They called this process "Electronically Rechanneled for Stereo". In the June 16, 1962, issue of Billboard magazine (page 5), Columbia announced it would issue "rechanneled" versions of greatest hits compilations that had been recorded in mono, including albums by Doris Day, Frankie Laine, Percy Faith, Mitch Miller, Marty Robbins, Dave Brubeck, Miles Davis, and Johnny Mathis. By
10406-457: The mono and stereo numbers for two years. Masterworks classical LPs had an MS 6000 series, while showtunes albums on Masterworks were OS 2000. Finally, in 1960, the pop stereo series jumped from 8300 to 8310 to match Lambert, Hendricks & Ross Sing Ellington , the Lambert, Hendricks & Ross album issued as CL-1510. From that point, the stereo numbers on pop albums were exactly 6800 higher than
10527-402: The mono; stereo classical albums were the mono number plus 600; and showtunes releases were the mono number MINUS 3600. Only the last two digits in the respective catalog series' matched. Pop stereo LPs got into the high 9000s by 1970, when CBS Records revamped and unified its catalog numbering system across all its labels. Masterworks classical albums were in the 7000s, while showtunes stayed in
10648-423: The more ambitious group-composed "(Call Me) Number One" reached No. 2 in the UK in 1969. Altogether, without Poole the group had nine UK Top 20 hits. Westwood and Blakley were dual lead guitarists with guitar/sitar and banjo, pedal steel guitar and keyboards featured on their songs. Hawkes could play drums in addition to bass guitar. Their cover version of Jeff Christie's song "Yellow River" (sung by Dave Munden)
10769-488: The name; Paley acquired the fledgling radio network in 1928.) On January 3, 1939, Wallerstein left RCA Victor to become president of the CBS phonograph subsidiary, a position he would hold for twelve years. CBS kept the ARC name for three months. then on April 4, it amended the New York Department of State record of "Columbia Phonograph Company, Inc.," naming several of its own employees to directorships, and announced in
10890-648: The next two years, the Animals , Petula Clark , the Dave Clark Five , the Rolling Stones , Donovan , Peter and Gordon , Manfred Mann , Freddie and the Dreamers , The Zombies , Wayne Fontana and the Mindbenders , Herman's Hermits , and the Troggs would have one or more number one singles in America. Freakbeat is a subgenre of rock and roll music developed mainly by harder-driving British groups, often those with
11011-454: The now accepted medium of the record business." Despite Wallerstein's stormy tenure, in June 1948, Columbia introduced the Long Playing "microgroove" LP record format (sometimes written "Lp" in early advertisements), which rotated at 33⅓ revolutions per minute , to be the standard for the gramophone record for forty years. CBS research director Dr. Peter Goldmark played a managerial role in
11132-512: The possibility that both deep groove and ledge varieties could be original pressings. The changeover took place starting in late 1961. In 1961, CBS ended its arrangement with Philips Records and formed its own international organization, CBS Records International , in 1962. This subsidiary label released Columbia recordings outside the US and Canada on the CBS label (until 1964 marketed by Philips in Britain). The recordings could not be released under
11253-443: The recording grooves stamped into both sides of each disc—not just one—in 1908 Columbia commenced successful mass production of what they called their "Double-Faced" discs, the 10-inch variety initially selling for 65 cents each. Columbia also introduced the internal-horn " Grafonola " to compete with the extremely popular " Victrola " introduced by the rival Victor Talking Machine Company in 1906. During this era, Columbia began to use
11374-549: The request of the Animals , who were about to do their 40th anniversary tour, Hawkes was asked to form a band to tour with the Animals. This he did, bringing together a supergroup including Mick Avory (ex- the Kinks ), Eric Haydock (ex- the Hollies ), who teamed up to perform as the Class of '64, also featuring guitarists, Telecaster Ted Tomlin and Graham Pollock. The band toured around the world and recorded an album of past band hits and
11495-400: The roster and catalogue was moved to Columbia Masterworks Records . Columbia released its first pop stereo albums in the summer of 1958. All of the first dozen or so were stereo versions of albums already available in mono. It was not until September 1958, that Columbia began simultaneous mono/stereo releases. Mono versions of otherwise stereo recordings were discontinued in 1968. To celebrate
11616-613: The same year, Columbia executive Frank Buckley Walker pioneered some of the first country music or "hillbilly" genre recordings with the Johnson City sessions in Tennessee, including artists such as Clarence Horton Greene and "Fiddlin'" Charlie Bowman . He followed that with a return to Tennessee the next year, as well as recording sessions in other cities of the South. Moran and Mack as The Two Black Crows 1926 recording 'The Early Bird Catches
11737-447: The second Time cover story on a jazz musician (the first featured Louis Armstrong 's picture) had been earned by Duke Ellington , not himself. Within two years Ellington's picture would appear on the cover of Time , following his success at the 1956 Newport Jazz Festival. Ellington at Newport , recorded on Columbia, was also the bandleader-composer-pianist's best-selling album. Moreover, this exclusive trinity of jazz giants featured on
11858-567: The songs featured either Hawkes or drummer Dave Munden as the lead singer. Guitarist Rick Westwood sang falsetto co-lead vocal with Hawkes' lower range vocal and group harmonies also featured on "Silence Is Golden". Their regular hits were accompanied by frequent appearances on BBC 's Top of the Pops TV programme. Their songs were popular with younger music fans and parents rather than rock music fans, although their albums and B-sides included more rock-styled tracks such as band compositions "Try Me" and
11979-520: The term in a column in Melody Maker magazine to describe the British imitation of American rock'n'roll, rhythm & blues and skiffle bands. The 'Mersey' of 'Merseybeat' refers to the River Mersey . Liverpool lies on the eastern side of the river's estuary. The name Mersey Beat was used for a Liverpool music magazine founded in 1961 by Bill Harry . Harry claims to have coined the term "based on
12100-505: The time, but the Tremeloes never played hard rock and they had no British hits after "Hello Buddy" (No. 32) in 1971. Nevertheless they recorded several more singles throughout the decade, with further chart singles in Europe, including "Blue Suede Tie" (No. 38, Germany), "Too Late to Be Saved" (No. 33, Germany), "Ride On" (No. 16, Germany), "Say O.K. (Say Ole You Love Me)", and "Do I Love You", some of which received heavy airplay, particularly on Radio Luxembourg . "I Like It That Way" even made
12221-493: The time. However, the compilations were so successful that they led to Columbia doing such packages on a widespread basis, usually when an artist's career was in decline. Although Columbia began recording in stereo in 1956, stereo LPs did not begin to be manufactured until 1958. One of Columbia's first stereo releases was an abridged and re-structured performance of Handel 's Messiah by the New York Philharmonic and
12342-528: The top recording company in the world, boasting a star-studded roster of artists and an unmatched catalogue of popular, jazz, classical and stage and screen soundtrack titles. Lieberson, who had joined Columbia as an A&R manager in 1938, was known for both his personal elegance and his dedication to quality, overseeing the release of many hugely successful albums and singles, as well as championing prestige releases that sold relatively poorly, and even some titles that had limited appeal, such as complete editions of
12463-454: The trademarks and masters of the Brunswick, Vocalion , and Melotone labels to ARC. WB would receive a portion of the sales of its catalogues, while ARC was free to use the labels for new recordings. Brunswick immediately became the premium $ .75 label, Melotone would release new hillbilly and other $ .35 dime-store discounted discs, and Vocalion, while re-releasing prior ARC records, would also be
12584-514: The two modern jazz artists who would in 1959 record albums that remain—more than sixty years later—among the best-selling jazz albums by any label—viz., Time Out by the Brubeck Quartet and, to an even greater extent, Kind of Blue by the Davis Sextet, which, in 2003, appeared as number 12 in Rolling Stone 's list of the "500 Greatest Albums Of All Time". With another producer, Teo Macero ,
12705-399: The works of Arnold Schoenberg and Anton von Webern . One of his first major successes was the original Broadway cast album of My Fair Lady , which sold over 5 million copies worldwide in 1957, becoming the most successful LP ever released up to that time. Lieberson also convinced long-serving CBS President William S. Paley to become the sole backer of the original Broadway production,
12826-425: Was a cover of The Beatles Revolver song " Good Day Sunshine ". This also failed to chart, but established a new image of a more contemporary group in tune with the times, which set them up for future continued chart singles as they then started a successful hit run from 1967 onwards with Cat Stevens ' " Here Comes My Baby "; " Hello World "; three Italian hits translated into English: " Suddenly You Love Me ", which
12947-459: Was a major influence on the American garage rock and folk rock movements, and would be a source of inspiration for subsequent rock music subgenres, including Britpop in the 1990s. Columbia Records Columbia Records is an American record label owned by Sony Music Entertainment , a subsidiary of Sony Music Group , the American division of multinational conglomerate Sony . Columbia
13068-419: Was a shell corporation set up by Consolidated Films Industries, Inc. ("CFI") to hold the Columbia stock, while its subsidiary, American Record Corporation ("ARC"), operated the label. This assumption grew out of the ease which CFI later exhibited in selling Columbia in 1938. On December 3, 1931, CFI made a deal with Warner Brothers Pictures, Inc. ("WB") to lease Brunswick Record Corporation , which included
13189-527: Was acquired by the Grigsby-Grunow Company , the manufacturers of Majestic radios and refrigerators. When Grigsby-Grunow declared bankruptcy in November 1933, Columbia was placed in receivership, and in June 1934, the company was sold to Sacro Enterprises Inc. ("Sacro") for $ 70,000. Sacro was incorporated a few days before the sale in New York. Public documents do not contain any names. Many suspect that it
13310-746: Was also considered to be the first genuine concept album . Since the term "LP" has come to refer to the 12-inch 33 + 1 ⁄ 3 rpm vinyl disk, the first LP is the Mendelssohn Violin Concerto in E minor played by Nathan Milstein with Bruno Walter conducting the New York Philharmonic (then called the Philharmonic-Symphony Orchestra of New York), Columbia ML 4001, found in the Columbia Record Catalog for 1949, published in July 1948. The other "LP's" listed in
13431-465: Was hired by Wallerstein as "Associate Director Popular Recording" (at 7th Ave). Another executive from ARC, Art Satherley , was not expected to transition over as easily. "It is understood that CBS and the Levys are not interested in retaining American Record's hillbilly department, and that Art Satherly, who has been running this section for many years, will take it out of the company with him". Fortunately, to
13552-457: Was inefficient and therefore needlessly costly. Starting in the summer of 1959 with some of the albums released in August, they went to the "paste-over" front slick, which had the stereo information printed on the top and the mono information printed on the bottom. For stereo issues, they moved the front slick down so the stereo information was showing at the top, and the mono information was bent around
13673-483: Was instrumental in steering Paley towards the ARC purchase. He set his talents to his goal of hearing an entire movement of a symphony on one side of an album. Ward Botsford writing for the Twenty-Fifth Anniversary Issue of High Fidelity Magazine relates: "He was no inventor—he was simply a man who seized an idea whose time was ripe and begged, ordered, and cajoled a thousand men into bringing into being
13794-608: Was kept secret to avoid hurting sales of acoustic records. Louis Sterling, managing director of the Columbia Graphophone Company, had been the moving force behind bringing Western Electric's recording process, and the British takeover. Originally from New York, Sterling became Chairman of Columbia NY from 1925 until 1931, and oversaw stability and success. In 1926, Columbia acquired Okeh Records and its growing stable of jazz and blues artists, including Louis Armstrong and Clarence Williams . Columbia had already built
13915-412: Was not something that changed at a certain date, but rather, pressing plants were told to use up the stock of old (pre-CBS) labels first, resulting in a mixture of labels for some given releases. Some are known with the CBS text on mono albums, and not on stereo of the same album, and vice versa; diggings brought up pressings with the CBS text on one side and not on the other. Many, but certainly not all, of
14036-483: Was particularly true in Liverpool, where it has been estimated that there were around 350 different bands active, often playing ballrooms, concert halls and clubs. Liverpool was perhaps uniquely placed within Britain to be the point of origin of a new form of music. Commentators have pointed to a combination of local solidarity, industrial decline , social deprivation, and the existence of a large population of Irish origin,
14157-528: Was shelved at the time, but Christie's lead vocal set to their backing became a UK chart hit for Christie in 1970. The Tremeloes versions sung in both English and Spanish later were released on compact disc compilations. "Me and My Life", written by Blakley and Hawkes, was a No. 4 UK chart hit in 1970, while "By the Way" reached No. 35 that year. Their album Master , which they released a few weeks later, failed to sell well. Led Zeppelin and Deep Purple were popular at
14278-480: Was tall and solid; it was modified in 1961 to the familiar one still used today (pictured on this page), despite the fact that the Walking Eye was used only sporadically during most of the 1990s. Although the big band era had passed, Columbia had Duke Ellington under contract for several years, capturing the historic moment when Ellington's band provoked a post-midnight frenzy (followed by international headlines) at
14399-408: Was the 10" LP reissue of The Voice of Frank Sinatra , originally released on March 4, 1946, as an album of four 78 rpm records, which was the first pop album issued in the new LP format. Sinatra was arguably Columbia's hottest commodity and his artistic vision combined with the direction Columbia were taking the medium of music, both popular and classic, were well suited. The Voice of Frank Sinatra
14520-482: Was the custom of some of the regional phonograph companies, Columbia produced many commercial cylinder recordings of its own, and its catalog of musical records in 1891 was 10 pages. Columbia's ties to Edison were severed in 1894 with the North American Phonograph Company 's breakup. Thereafter, it sold only records and phonographs of its own manufacture. In 1902, Columbia introduced the "XP" record,
14641-548: Was the oldest surviving record label. The repercussions of the stock market Crash of 1929 and subsequent Great Depression led to the near collapse of the entire recording industry and, in March 1931, J.P Morgan, the major shareholder, steered the Columbia Graphophone Company (along with Odeon records and Parlophone , which it had owned since 1926) into a merger with the Gramophone Company ("His Master's Voice") to form Electric and Musical Industries Ltd ( EMI ). Since
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