The Slumber Party Massacre (also known as The Slumber Party Murders in the United Kingdom) is a 1982 American slasher film produced and directed by Amy Jones and written by Rita Mae Brown . It is the first installment in the Slumber Party Massacre series , and stars Michelle Michaels, Robin Stille , and Michael Villella . The film follows a high school senior who gathers her friends for a slumber party, unaware that an escaped power drill-wielding killer is loose in the neighborhood.
85-410: The film was originally written by Brown as a parody of the slasher genre but was shot as a straightforward horror film instead. As a result, it contains more humor, both intended and unintended, than usual for the genre at the time. The Slumber Party Massacre grossed $ 3.6 million at the box office on a budget of $ 220,000, and received mixed reviews from critics. Despite the reception, it has obtained
170-662: A Star Wars spoof). The British comedy group Monty Python is also famous for its parodies, for example, the King Arthur spoof Monty Python and the Holy Grail (1974), and the Jesus satire Life of Brian (1979). In the 1980s the team of David Zucker , Jim Abrahams and Jerry Zucker parodied well-established genres such as disaster, war and police movies with the Airplane! , Hot Shots! and Naked Gun series respectively. There
255-480: A "serious" slasher film against her wishes. Amy Holden Jones, a film editor, wanted to direct and asked Frances Doel for advice. Doel gave Jones a number of scripts. Jones chose the script that would become The Slumber Party Massacre , then going by the title of Don't Open the Door , and decided to film the first three scenes. Her husband, cinematographer Michael Chapman , acquired equipment and film and hired actors from
340-474: A 200-mile-long creature generally interpreted as being a whale. This is a parody of Ctesias ' claims that India has a one-legged race of humans with a single foot so huge it can be used as an umbrella, Homer 's stories of one-eyed giants, and so on. Parody exists in the following related genres: satire , travesty, pastiche , skit , burlesque . Satires and parodies are both derivative works that exaggerate their source material(s) in humorous ways. However,
425-422: A 20th-century Irish context, and T. S. Eliot 's The Waste Land , which incorporates and recontextualizes elements of a vast range of prior texts, including Dante 's The Inferno . The work of Andy Warhol is another prominent example of the modern "recontextualizing" parody. According to French literary theorist Gérard Genette , the most rigorous and elegant form of parody is also the most economical, that
510-569: A chamber pot. We have 'Research on Why Men Have Beards and Women Don't,' 'A Telegram from the Thunder God to His Mother Resigning His Post,' and 'A Public Notice from the King of Whoring Prohibiting Playboys from Skipping Debts.'" Jorge Luis Borges 's (1939) short story " Pierre Menard, Author of the Quixote ", is often regarded as predicting postmodernism and conceiving the ideal of the ultimate parody. In
595-463: A critique or commentary upon it. In Campbell v. Acuff-Rose Music, Inc. , the Supreme Court ruled that a rap parody of " Oh, Pretty Woman " by 2 Live Crew was fair use, as the parody was a distinctive, transformative work designed to ridicule the original song, and that "even if 2 Live Crew's copying of the original's first line of lyrics and characteristic opening bass riff may be said to go to
680-530: A different, often incongruous, context. Musical parodies may imitate or refer to the peculiar style of a composer or artist, or even a general style of music. For example, "The Ritz Roll and Rock", a song and dance number performed by Fred Astaire in the movie Silk Stockings , parodies the rock and roll genre. Conversely, while the best-known work of "Weird Al" Yankovic is based on particular popular songs, it also often utilises wildly incongruous elements of pop culture for comedic effect. The first usage of
765-501: A famous example of which is the Silloi by Pyrrhonist philosopher Timon of Phlius which parodied philosophers living and dead. The style was a rhetorical mainstay of the Cynics and was the most common tone of the works made by Menippus and Meleager of Gadara . In the 2nd century CE, Lucian of Samosata created a parody of travel texts such as Indica and The Odyssey . He described
850-636: A glutton and the God of Drama Dionysus as cowardly and unintelligent. The traditional trip to the Underworld story is parodied as Dionysus dresses as Heracles to go to the Underworld, in an attempt to bring back a poet to save Athens. The Ancient Greeks created satyr plays which parodied tragic plays , often with performers dressed like satyrs . Parody was used in early Greek philosophical texts to make philosophical points. Such texts are known as spoudaiogeloion ,
935-520: A lack of independence while embracing codependency . In Flann O'Brien 's novel At Swim-Two-Birds , for example, mad King Sweeney , Finn MacCool , a pookah , and an assortment of cowboys all assemble in an inn in Dublin : the mixture of mythic characters, characters from genre fiction, and a quotidian setting combine for a humor that is not directed at any of the characters or their authors. This combination of established and identifiable characters in
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#17328762630531020-530: A large cult following since its release. Two direct sequels , Slumber Party Massacre II and Slumber Party Massacre III , followed in 1987 and 1990, respectively, with a fourth film following in 2021. Two spin-off film series forming a wider Massacre franchise were also produced: the Sorority House Massacre trilogy (1986–1990), and the Cheerleader Massacre films (2003–2011),
1105-444: A maniac who wields a power drill. At the end of the movie, a woman who has miraculously survived the carnage breaks his drill in half. That's feminism for you, and symbolism too". Time Out gave the film a middling review, noting: "Despite the unlikely script credit for Rita Mae Brown, Jones's debut feature is little more than a Halloween clone, reliant on buckets of blood and sudden surprise rather than suspense." David Hinckley of
1190-466: A natural development in the life cycle of any genre ; this idea has proven especially fruitful for genre film theorists. Such theorists note that Western movies , for example, after the classic stage defined the conventions of the genre, underwent a parody stage, in which those same conventions were ridiculed and critiqued. Because audiences had seen these classic Westerns, they had expectations for any new Westerns, and when these expectations were inverted,
1275-412: A new setting is not the same as the post-modernist trope of using historical characters in fiction out of context to provide a metaphoric element. Sometimes the reputation of a parody outlasts the reputation of what is being parodied. For example, Don Quixote , which mocks the traditional knight errant tales, is much better known than the novel that inspired it, Amadis de Gaula (although Amadis
1360-445: A parody, pastiche is neither transformative of the original work, nor is it humorous. Literary critic Fredric Jameson has referred to the pastiche as a "blank parody", or "parody that has lost its sense of humor". Skits imitate works "in a satirical regime". But unlike travesties, skits do not transform the source material. The burlesque primarily targets heroic poems and theater to degrade popular heroes and gods, as well as mock
1445-420: A pre-existing, copyrighted work, some countries have ruled that parodies can fall under copyright limitations such as fair dealing , or otherwise have fair dealing laws that include parody in their scope. Parodies are protected under the fair use doctrine of United States copyright law , but the defense is more successful if the usage of an existing copyrighted work is transformative in nature, such as being
1530-609: A relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature , music , theater , television and film , animation , and gaming . The writer and critic John Gross observes in his Oxford Book of Parodies , that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with
1615-409: A reworking of one kind of composition into another (for example, a motet into a keyboard work as Girolamo Cavazzoni , Antonio de Cabezón , and Alonso Mudarra all did to Josquin des Prez motets ). More commonly, a parody mass ( missa parodia ) or an oratorio used extensive quotation from other vocal works such as motets or cantatas ; Victoria , Palestrina , Lassus , and other composers of
1700-515: A satire is meant to make fun of the real world, whereas a parody is a derivative of a specific work ("specific parody") or a general genre ("general parody" or "spoof"). Furthermore, satires are provocative and critical as they point to a specific vice associated with an individual or a group of people to mock them into correction or as a form of punishment. In contrast, parodies are more focused on producing playful humor and do not always attack or criticize its targeted work and/or genre. Of course, it
1785-533: A satirical comedy about Adolf Hitler with the film The Great Dictator , following the first-ever Hollywood parody of the Nazis, the Three Stooges ' short subject You Nazty Spy! . About 20 years later Mel Brooks started his career with a Hitler parody as well. After his 1967 film The Producers won both an Academy Award and a Writers Guild of America Award for Best Original Screenplay, Brooks became one of
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#17328762630531870-430: A serious film, but decided that it would not be able to compete with the established series of Bond films. Hence, he decided to parody the series. Kenneth Baker considered poetic parody to take five main forms. A further, more constructive form of poetic parody is one that links the contemporary poet with past forms and past masters through affectionate parodying – thus sharing poetic codes while avoiding some of
1955-404: A swimming pool and sinks beneath the water, only to emerge moments later and attack them once more, but Valerie finally kills him with the machete. Valerie and Trish break down in tears as Courtney looks on in shock . Author and feminist activist Rita Mae Brown wrote the original screenplay, titled Sleepless Nights , as a parody of the slasher film . Producers repurposed Brown's script to make
2040-507: A telephone repair woman and steals her van. Trish meets up with her friends Kim, Jackie, and Diane. She invites the new girl, Valerie, to the party but she declines the offer. After school, one of their classmates, Linda, goes back into the school to retrieve a book but gets locked inside. She is attacked and presumably killed by Russ, armed with a power drill . As the party begins that night, the girls smoke marijuana and drink alcohol , while Valerie babysits her younger sister, Courtney, across
2125-402: A third series: Cheerleader Massacre (2003) and Cheerleader Massacre 2 (2011), the former filmed as Slumber Party Massacre 4 before being renamed during post-production. Shout! Studios produced a stand-alone sequel /re-imagining of the film, with director Danishka Esterhazy and written by Suzanne Keilly. The film premiered on Syfy on October 16, 2021. Parody A parody
2210-597: A work for humorous or satirical effect. See also Fair dealing in United Kingdom law . Some countries do not like parodies and the parodies can be considered insulting. The person who makes the parody can be fined or even jailed. For instance in the UAE and North Korea, this is not allowed. Parody is a prominent genre in online culture, thanks in part to the ease with which digital texts may be altered, appropriated, and shared. Japanese kuso and Chinese e'gao are emblematic of
2295-411: Is a minimal parody , the one that literally reprises a known text and gives it a new meaning. Blank parody, in which an artist takes the skeletal form of an art work and places it in a new context without ridiculing it, is common. Pastiche is a closely related genre , and parody can also occur when characters or settings belonging to one work are used in a humorous or ironic way in another, such as
2380-621: Is a 1989 film parody from Spain of the TV series The A-Team called El equipo Aahhgg directed by José Truchado. More recently, parodies have taken on whole film genres at once. One of the first was Don't Be a Menace to South Central While Drinking Your Juice in the Hood and the Scary Movie franchise. Other recent genre parodies include. Shriek If You Know What I Did Last Friday The 13th , Not Another Teen Movie , Date Movie , Epic Movie , Meet
2465-526: Is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation . Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture ). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides
2550-521: Is also seen as catalyzing the computerization of hip-hop music, which was, like reggae, an analog musical tradition until the mid-1980s. Given the lasting consequences of the Sleng Teng riddim, the MT-40's "rock" preset has been the subject of considerable speculation. The famous preset was composed for Casio in 1980 by a then newly-hired music engineer, Hiroko Okuda . She was assigned to create several of
2635-419: Is clearly aimed at a popular (and usually lucrative) subject. The spy film craze of the 1960s, fuelled by the popularity of James Bond is such an example. In this genre a rare, and possibly unique, example of a parody film taking aim at a non-comedic subject over which it actually holds copyright is the 1967 James Bond spoof Casino Royale . In this case, producer Charles K. Feldman initially intended to make
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2720-455: Is mentioned in the book). Another case is the novel Shamela by Henry Fielding (1742), which was a parody of the gloomy epistolary novel Pamela, or Virtue Rewarded (1740) by Samuel Richardson . Many of Lewis Carroll 's parodies of Victorian didactic verse for children, such as " You Are Old, Father William ", are much better known than the (largely forgotten) originals. Stella Gibbons 's comic novel Cold Comfort Farm has eclipsed
2805-405: Is not required under law to get permission to parody; as a personal rule, however, he does seek permission to parody a person's song before recording it. Several artists, such as rapper Chamillionaire and Seattle-based grunge band Nirvana stated that Yankovic's parodies of their respective songs were excellent, and many artists have considered being parodied by him to be a badge of honor. In
2890-408: Is often used to make a social or political statement. Examples include Swift 's " A Modest Proposal ", which satirized English neglect of Ireland by parodying emotionally disengaged political tracts; and, recently, The Daily Show , The Larry Sanders Show and The Colbert Report , which parody a news broadcast and a talk show to satirize political and social trends and events. On the other hand,
2975-424: Is possible for a parody to maintain satiric elements without crossing into satire itself, as long as its "light verse with modest aspirations" ultimately dominates the work. A travesty imitates and transforms a work, but focuses more on the satirization of it. Because satire is meant to attack someone or something, the harmless playfulness of parody is lost. A pastiche imitates a work as a parody does, but unlike
3060-564: Is protection for Fair Dealing , there is no explicit protection for parody and satire. In Canwest v. Horizon , the publisher of the Vancouver Sun launched a lawsuit against a group which had published a pro- Palestinian parody of the paper. Alan Donaldson, the judge in the case, ruled that parody is not a defence to a copyright claim. As of the implementation of the Copyright Modernization Act 2012, "Fair dealing for
3145-418: Is set against the original. The Oxford English Dictionary , for example, defines parody as imitation "turned as to produce a ridiculous effect". Because par- also has the non-antagonistic meaning of beside , "there is nothing in parodia to necessitate the inclusion of a concept of ridicule." In Greek Old Comedy even the gods could be made fun of. The Frogs portrays the hero-turned-god Heracles as
3230-650: The Chicago Reader also gave the film a positive review, noting its even pacing and direction by Jones. Leonard Klady of the Los Angeles Times also noted the film's pacing, writing in a retrospective that the film boasted a "darkly humorous vision and a breathtaking pace". Dale Schenck of The Morning Call deemed the film a "rousing thriller" that "delivers as many vicarious thrills as one could want from this sort of cinematic mayhem". Review aggregator website Rotten Tomatoes reports that 48% of 23 critics gave
3315-475: The New York Daily News awarded the film 1.5 stars out of 4, noting that the performances are "uneven" and "the special effects are not special". Variety ' s published review, however, praised the film: "Besides its obviously catchy title, Slumber Party Massacre is an entertaining terror thriller, with the switch that distaff filmmakers handle the 'young women in jeopardy' format." Dave Kehr of
3400-594: The Copyright, Designs and Patents Act 1988 , now provides an exception to infringement where there is fair dealing of the original work for the purpose of parody (or alternatively for the purpose of caricature or pastiche). The legislation does not define what is meant by "parody", but the UK IPO ;– the Intellectual Property Office (United Kingdom) – suggests that a "parody" is something that imitates
3485-497: The Grass-Mud Horse Lexicon . Parody generators are computer programs which generate text that is syntactically correct , but usually meaningless , often in the style of a technical paper or a particular writer. They are also called travesty generators and random text generators. Their purpose is often satirical , intending to show that there is little difference between the generated text and real examples. Parody
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3570-656: The Ninth Circuit Court of Appeals denied a fair use defense in the Dr. Seuss Enterprises v. Penguin Books case. Citing the Campbell v. Acuff-Rose decision, they found that a satire of the O.J. Simpson murder trial and parody of The Cat in the Hat had infringed upon the children's book because it did not provide a commentary function upon that work. Under Canadian law , although there
3655-630: The University of California, Los Angeles , and they shot the scenes at their house over a weekend for $ 1,000. She showed the result to Roger Corman , who agreed to finance the film. Jones had to turn down a job editing Steven Spielberg 's E.T. (1982) as a result. The soundtrack was composed on a Casio MT-40 . Filming began in the summer of 1981. The film was shot on location in Los Angeles, California , mainly in Venice . Distributed by New World Pictures ,
3740-472: The anxiety of influence . More aggressive in tone are playground poetry parodies, often attacking authority, values and culture itself in a carnivalesque rebellion: "Twinkle, Twinkle little star,/ Who the hell do you think you are?" A subset of parody is self-parody in which artists parody their own work (as in Ricky Gervais 's Extras ). Although a parody can be considered a derivative work of
3825-525: The 16th century used this technique. The term is also sometimes applied to procedures common in the Baroque period , such as when Bach reworks music from cantatas in his Christmas Oratorio . The musicological definition of the term parody has now generally been supplanted by a more general meaning of the word. In its more contemporary usage, musical parody usually has humorous, even satirical intent, in which familiar musical ideas or lyrics are lifted into
3910-550: The 1910s and 1920s, writers in China's entertainment market parodied anything and everything.... They parodied speeches, advertisements, confessions, petitions, orders, handbills, notices, policies, regulations, resolutions, discourses, explications, sutras, memorials to the throne, and conference minutes. We have an exchange of letters between the Queue and the Beard and Eyebrows. We have a eulogy for
3995-474: The MT-40 from the technical definition of synthesizer , a machine in which sounds are generated by manipulating the output of audio frequency generators rather than recordings of those manipulations. The successor of the MT-40 was an otherwise identical machine that came in a gray case, sold as the MT-41 beginning in 1983. The MT-40 has a built-in bassline (internally referred to as the "rock" preset) that, along with
4080-526: The MT-40 through a Small Stone phase shifter to create an ethereal tone to accompany her delay-enhanced vocals. In the UK the Farmer's Boys used it on a number of singles and album tracks. Post-punk band Standing Ovation use the MT-40 for synth pad and stabs on their cassette release "What Meaning" in 1983, re-released on vinyl in 2019 In 2015, Japanese musician Tentenko (formerly of BiS ) released an album recorded using
4165-576: The Spartans , Superhero Movie , Disaster Movie , Vampires Suck , and The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It , all of which have been critically panned. Many parody films have as their target out-of-copyright or non-copyrighted subjects (such as Frankenstein or Robin Hood) whilst others settle for imitation which does not infringe copyright, but
4250-581: The Stereo". California-based indie rock group Picture Atlantic used a mixture of the MT-40's organ sound and bass notes for their tracks "Circe", "Anytime/Coats of Armor", and "....That's Just Me" on their album Kleos . San Francisco indie rock duo Casy and Brian exclusively used the Casio MT-40 for three of their four releases, altering its sound with effects such as overdrive pedals to accompany drums. Former Boston/San Francisco street musician The Space Lady plays
4335-538: The US legal system the point that in most cases a parody of a work constitutes fair use was upheld in the case of Rick Dees , who decided to use 29 seconds of the music from the song When Sonny Gets Blue to parody Johnny Mathis ' singing style even after being refused permission. An appeals court upheld the trial court's decision that this type of parody represents fair use. Fisher v. Dees 794 F.2d 432 (9th Cir. 1986) Some genre theorists , following Bakhtin , see parody as
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#17328762630534420-691: The advantages of a new parody exception were sufficient to override the disadvantages to the creators and owners of the underlying work. There is therefore no proposal to change the current approach to parody, caricature and pastiche in the UK." However, following the Hargreaves Review in May 2011 (which made similar proposals to the Gowers Review) the Government broadly accepted these proposals. The current law (effective from 1 October 2014), namely Section 30A of
4505-537: The audience laughed. An early parody film was the 1922 movie Mud and Sand , a Stan Laurel film that made fun of Rudolph Valentino 's film Blood and Sand . Laurel specialized in parodies in the mid-1920s, writing and acting in a number of them. Some were send-ups of popular films, such as Dr. Jekyll and Mr. Hyde —parodied in the comic Dr. Pyckle and Mr. Pryde (1926). Others were spoofs of Broadway plays, such as No, No, Nanette (1925), parodied as Yes, Yes, Nanette (1925). In 1940 Charlie Chaplin created
4590-516: The authors of such accounts as liars who had never traveled, nor ever talked to any credible person who had. In his ironically named book True History Lucian delivers a story which exaggerates the hyperbole and improbable claims of those stories. Sometimes described as the first science fiction , the characters travel to the Moon, engage in interplanetary war with the help of aliens they meet there, and then return to Earth to experience civilization inside
4675-598: The bassline was something I came up with myself. It wasn’t based on any other tune.” According to Okuda, there was some talk at the Casio corporation of attempting to defend their intellectual property from its free use in "Under Me Sleng Teng" with lawsuits. However, other voices at Casio (among them the head of the Musical Instrument division, co-founder of the company, and second-eldest Kashio brother, Toshio Kashio ) prevailed. Toshio Kashio in particular felt strongly that
4760-537: The broader sense of Greek parodia , parody can occur when whole elements of one work are lifted out of their context and reused, not necessarily to be ridiculed. Traditional definitions of parody usually only discuss parody in the stricter sense of something intended to ridicule the text it parodies. There is also a broader, extended sense of parody that may not include ridicule, and may be based on many other uses and intentions. The broader sense of parody, parody done with intent other than ridicule, has become prevalent in
4845-481: The case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre. A parody may also be known as a spoof , a satire , a send-up , a take-off , a lampoon , a play on ( something ), or a caricature . According to Aristotle ( Poetics , ii. 5), Hegemon of Thasos was the inventor of a kind of parody; by slightly altering
4930-523: The central and most representative artistic device, the catalysing agent of artistic creation and innovation. This most prominently happened in the second half of the century with postmodernism , but earlier modernism and Russian formalism had anticipated this perspective. For the Russian formalists, parody was a way of liberation from the background text that enables to produce new and autonomous artistic forms. Historian Christopher Rea writes that "In
5015-416: The common tropes within the genre. Simon Dentith has described this type of parody as "parodic anti-heroic drama". A parody imitates and mocks a specific, recognizable work (e.g. a book, movie, etc.) or the characteristic style of a particular author. A spoof mocks an entire genre by exaggerating its conventions and cliches for humorous effect. In classical music , as a technical term, parody refers to
5100-447: The company's mission ought to be “bringing the pleasure of playing a musical instrument to everyone.” Despite the minute size and financial importance of the Musical Instrument division compared to the company's calculator division, then its main breadwinner, Toshio Kashio's defence of free use set a decisive corporate precedent. To the present day Casio's response to clearance requests for the "rock" preset has been an acknowledgement that
5185-534: The film a positive review, with an average rating of 4.9 out of 10. Despite the critical reception, the film has a large cult following among slasher fans. It was later released on VHS and Betamax by Embassy Home Entertainment . The film has been released on DVD three times in North America. The first release came from New Concorde Home Entertainment in September 2000. The company subsequently re-released
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#17328762630535270-611: The film on Blu-ray in a limited edition steelbook with new extras in January 2020, followed by a double-feature set on 4K UHD Blu-ray alongside Slumber Party Massacre II on February 21, 2023. In the United Kingdom, the British Board of Film Classification (BBFC) re-titled the film The Slumber Party Murders , as the word "massacre" was felt to be too suggestive. In the U.K., it has had two releases on DVD, with both editions containing no special features. There have been two sequels to
5355-505: The film on a double feature DVD alongside Slumber Party Massacre II in July 2003. Both these versions are out of print . Shout! Factory released all three films in the series on a two-disc special edition DVD set in October 2010. Shout! Factory , under their subsidiary label Scream Factory , released The Slumber Party Massacre on Blu-ray on March 18, 2014. The company later re-released
5440-533: The film premiered in Los Angeles on September 10, 1982, and was given a limited release in New York City on November 12. It grossed $ 3.6 million at the box office on an estimated budget of $ 220,000. The Slumber Party Massacre received mixed reviews from critics. Janet Maslin of The New York Times wrote of the film: " The Slumber Party Massacre is just the usual cavalcade of corpses, all of them dispatched by
5525-539: The film, Slumber Party Massacre II (1987) and Slumber Party Massacre III (1990). Jason Paul Collum directed the documentary Sleepless Nights: Revisiting the Slumber Party Massacres (2010). Other films in the Massacre film series includes a second trilogy: Sorority House Massacre (1986), Sorority House Massacre II: Nighty Nightmare (1990), and Sorority House Massacre III: Hard to Die (1990), and
5610-441: The first film of the latter series having been filmed as Slumber Party Massacre 4 before being renamed. In Venice, Los Angeles , Trish Deveraux, an 18-year-old high school senior, decides to throw a slumber party while her parents are away. Their neighbor, Mr. David Contant, is given the job of checking on the girls. She awakes and gets dressed shortly before going to school. Meanwhile, Russ Thorn, an escaped serial killer, kills
5695-521: The house and murders Jackie. Trish and Kim barricade themselves in Trish's bedroom, but Russ enters through a window and kills Kim as Trish flees. Valerie and Courtney enter the house to find Kim dead, and hide from Russ. Coach Jana, having grown concerned over the phone call earlier, arrives and is confronted by Russ, who disembowels her with the drill. Valerie chases Russ with a machete, eventually severing his hand before slicing his stomach open. Russ falls into
5780-540: The importance of parody in online cultures in Asia. Video mash-ups and other parodic memes , such as humorously altered Chinese characters, have been particularly popular as a tool for political protest in the People's Republic of China, the government of which maintains an extensive censorship apparatus. Chinese internet slang makes extensive use of puns and parodies on how Chinese characters are pronounced or written, as illustrated in
5865-700: The keyboard's presets, among them a "rock" rhythm. Okuda had been hired fresh out of music school, where she had produced one of Japan's first graduate theses on reggae. In 2022 she described herself as having been immersed in reggae for several years before her 1980 hire by Casio (the previous year, during Bob Marley's only visit to Japan, Okuda had attended more than three performances from the tour). Okuda only learned of her part in "Under Me Sleng Teng"'s global success in August 1986, when she read an article titled “The Sleng Teng Flood” in Japan's Music Magazine . The article described
5950-413: The keyboard's suggested 1/16 note fill for that preset, formed the basis of a seminal reggae track, 1985's " Under Me Sleng Teng ". The track's riddim went on to spawn nearly 500 cover versions. This song's success is widely credited with single-handedly transitioning reggae from analog to computerized production. This transition to a music production that depended on digital instruments and sequencers
6035-531: The main keys, plus one note on the bass for a total of nine simultaneous voices. The bass section has one timbre, and the main section has 22, assignable to one of four presets. Like most small Casio keyboards the MT-40 has a drum section with 6 different beats, a tempo knob, and a "fill" button. The fill button plays sixteenth note pulses of either the "snare" or "kick" as long as it is held down. All tones and presets are recordings held on "voice chips" triggered by user input. This consumer-grade feature distinguishes
6120-452: The material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in
6205-535: The modern parody of the 20th century. In the extended sense, the modern parody does not target the parodied text, but instead uses it as a weapon to target something else. The reason for the prevalence of the extended, recontextualizing type of parody in the 20th century is that artists have sought to connect with the past while registering differences brought by modernity . Major modernist examples of this recontextualizing parody include James Joyce 's Ulysses , which incorporates elements of Homer 's Odyssey in
6290-550: The most famous film parodists and created spoofs in multiple film genres. Blazing Saddles (1974) is a parody of western films, History of the World, Part I (1981) is a historical parody, Robin Hood Men in Tights (1993) is Brooks' take on the classic Robin Hood tale, and his spoofs in the horror, sci-fi and adventure genres include Young Frankenstein (1974), and Spaceballs (1987,
6375-621: The original's 'heart,' that heart is what most readily conjures up the song for parody, and it is the heart at which parody takes aim." In 2001, the Eleventh Circuit Court of Appeals , in Suntrust v. Houghton Mifflin , upheld the right of Alice Randall to publish a parody of Gone with the Wind called The Wind Done Gone , which told the same story from the point of view of Scarlett O'Hara 's slaves, who were glad to be rid of her. In 2007,
6460-445: The pastoral novels of Mary Webb which largely inspired it. In more recent times, the television sitcom 'Allo 'Allo! is perhaps better known than the drama Secret Army which it parodies. Some artists carve out careers by making parodies. One of the best-known examples is that of "Weird Al" Yankovic . His career of parodying other musical acts and their songs has outlasted many of the artists or bands he has parodied. Yankovic
6545-579: The purpose of research, private study, education, parody or satire does not infringe copyright." In 2006 the Gowers Review of Intellectual Property recommended that the UK should "create an exception to copyright for the purpose of caricature, parody or pastiche by 2008". Following the first stage of a two-part public consultation, the Intellectual Property Office reported that the information received "was not sufficient to persuade us that
6630-641: The song “uses a sound file taken from a Casio MT-40”, and no fee. The preset is accessed by pressing the "synchro" button and then the "D" bass button (second from left) while the MT-40 rhythm slider is in the "rock" position. The MT-40 has also secured a niche in indie music, frequently used by the Magnetic Fields , and featured on most of Emperor X 's album Tectonic Membrane/Thin Strip on an Edgeless Platform . Its thin fuzz can be heard on lesser known Australian indie band Turnstyle 's top 20 single "Spray Water on
6715-557: The street. Two boys from school, Jeff and Neil, arrive and spy on the girls while they change clothes. Russ kills Mr. Contant outside with his power drill. Diane asks Trish permission to go with her boyfriend, and goes to his car to find him decapitated and is murdered as well. The girls order pizza and, while on the phone with their coach, Rachel Jana, the girls answer the door and find the pizza delivery man with his eyes drilled out. The teens arm themselves with knives as Jeff and Neil run for help, but both boys are killed. Russ gains entry to
6800-548: The transformation of minor characters Rosencrantz and Guildenstern from Shakespeare 's drama Hamlet into the principal characters in a comedic perspective on the same events in the play (and film) Rosencrantz and Guildenstern Are Dead . Similarly, Mishu Hilmy 's Trapped in the Netflix uses parody to deconstruct contemporary Netflix shows like Mad Men providing commentary through popular characters. Don Draper mansplaining about mansplaining, Luke Danes monologizing about
6885-564: The wave of dozens and dozens of reggae songs being produced in Jamaica, all based on a Casiotone keyboard preset. After the worldwide success of Sleng Teng many speculated as to the ultimate source of the "rock" preset. At first Eddie Cochran 's 1958 song " Somethin' Else " or the Sex Pistols ' 1976 track " Anarchy in the UK " were thought to be prime candidates, with "Somethin' Else" being widely accepted for decades by connoisseurs. In 2015 Okuda
6970-700: The word parody in English cited in the Oxford English Dictionary is in Ben Jonson , in Every Man in His Humour in 1598: "A Parodie, a parodie! to make it absurder than it was." The next citation comes from John Dryden in 1693, who also appended an explanation, suggesting that the word was in common use, meaning to make fun of or re-create what you are doing. Since the 20th century, parody has been heightened as
7055-516: The wording in well-known poems he transformed the sublime into the ridiculous. In ancient Greek literature , a parodia was a narrative poem imitating the style and prosody of epics "but treating light, satirical or mock-heroic subjects". Indeed, the components of the Greek word are παρά para "beside, counter, against" and ᾠδή oide "song". Thus, the original Greek word παρῳδία parodia has sometimes been taken to mean "counter-song", an imitation that
7140-469: The writer and frequent parodist Vladimir Nabokov made a distinction: "Satire is a lesson, parody is a game." Casio MT-40 The Casio Casiotone MT-40 is an electronic keyboard , formerly produced by Casio and originally developed for the consumer market. It was released in 1981, with the MT-41 gray version joining it in 1983. The keyboard has 37 main keys and 15 smaller bass keys. Its 9-voice polyphony means that eight notes may be played on
7225-482: Was quoted as saying the source was a track on an unnamed 1970's British rock album. This was later speculated to be David Bowie 's " Hang On to Yourself ", the 8th track on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars . However, referring to the question in 2022, Okuda said, “I did use to listen to a lot of British rock, so I’m sure there must have been songs that influenced me. But really,
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