Misplaced Pages

The Shadow Box

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

The Shadow Box is a play written by actor Michael Cristofer . The play made its Broadway debut on March 31, 1977. It is the winner of the 1977 Pulitzer Prize for Drama and Tony Award for Best Play . The play was made into a telefilm, directed by Paul Newman in 1980.

#837162

25-463: The play takes place over 24 hours in three separate cottages on the grounds of a large hospital in the United States. Within the three cabins are three patients: Joe, Brian and Felicity, who are to live with their respective families as they have reached the end of their treatment. They have agreed to be part of a psychological program where they live within the hospital grounds and have interviews with

50-536: A Los Angeles Film Critics Association Award , and a Golden Globe . Earlier she had won the 1989 National Society of Film Critics Award for Best Supporting Actress for her performance in Married to the Mob . She played KACL station manager Kate Costas in five episodes of Frasier , and had a major role in the made-for-TV film All-American Girl: The Mary Kay Letourneau Story . In 2005, she (along with Esai Morales ) received

75-458: A 1991 Tony Award as Best Actress (Play) for Neil Simon 's Lost in Yonkers and continued her role in the show during its tour with co-star Mercedes McCambridge . Her performances in two other plays earned her two other Tony nominations: in 1995, as Best Actress (Featured Role – Play) for a revival of The Shadow Box ; and in 2002, as Best Actress (Play) for Edward Albee's The Goat, or Who

100-526: A book by Morosco and a score by Earl Carroll . The Shuberts lost the building in the Great Depression , and City Playhouses, Inc. bought it at auction in 1943. It was sold in 1968 to Bankers Trust Company and, after a massive "Save the Theatres" protest movement led by Joe Papp and supported by various actors and other theatrical folk failed, it was razed in 1982, along with the first Helen Hayes ,

125-415: A daughter who in fact is long dead." It is a normal day for each of these characters; getting to learn their individuality is the heart of the play. The act flows between the serious and the humorous. The first act reveals that each of the three characters is radically different. They are connected by their futures, whether they are terminal or not. As the act ends, Joe and Maggie are beginning to talk, Agnes

150-484: A deeper conversation about their future. Agnes reveals a secret about her sister Claire. We learn that she died some years ago in an accident in Louisiana. Over the past two years, Agnes has been writing letters to her mother from her sister, and the interviewer presents her with some hard questions. More is learned about the characters' lives before they became ill, material that makes their current situation more poignant. By

175-456: A planned high school production of the play in Tucson, Arizona was cancelled due to the play's "language." Critics of the move charged that the play was being censored for its treatment of homosexuality. In response, actors including William Baldwin , Christopher Reeve , Mercedes Ruehl , Harry Hamlin , Blair Brown and Estelle Parsons staged a reading of the play in Tucson produced by People For

200-414: A psychiatrist. It is morning, and Joe is sitting in the interview area talking to the interviewer. We are introduced to the idea that he is dying and that his family is about to arrive, whom he hasn’t seen for most of his treatment. The interviewer acts as a tool for each of the patients and their families to relay their feelings about their situation; the characters speak bluntly to the interviewer. Each of

225-533: Is Sylvia? . In 1996, she was mentioned in the Sheryl Crow song A Change Would Do You Good . In 1999, they co-starred together in the movie The Minus Man . Her most acclaimed film role was in The Fisher King ; her performance as a strong-willed and pragmatic video store owner earned her the 1991 Academy Award for Best Supporting Actress , American Comedy Award , Boston Society of Film Critics Award ,

250-464: Is on the faculty of HB Studio in New York City. In 1999, Ruehl married painter David Geiser with whom she had adopted a son, Jake (born 1995). She had another son, Christopher, whom she placed for adoption in 1976 when she was 28. They were reunited in the late 1990s when he turned 21, and later Christopher became Jake's godfather. Ruehl and Geiser put their Hampton house on the market in 2017;

275-595: Is struggling to connect to her mother, and Brian and Beverly are dancing. It is nearing evening. Joe is still coaxing Maggie to come into the cabin, Brian and Beverly are reminiscing, Mark is becoming frustrated by his lover's jollity, and Agnes is beginning to talk to the interviewer. As the act continues, cracks are shown in Brian’s brutal forthrightness about his illness and Mark's feelings about his impending death. Beverly provides some raw insight within her seemingly scattered exterior. Joe and Maggie continue to struggle to have

SECTION 10

#1732884183838

300-399: Is the recipient of several accolades, including an Academy Award , a Golden Globe Award , a Tony Award , a Drama Desk Award , two Obie Awards , and two Outer Critics Circle Awards . Ruehl is known for her leading performance in the play Lost in Yonkers (1990) and supporting performance in the film The Fisher King (1991). Her other film credits include Big (1988), Married to

325-565: The Bijou , and remnants of the Astor and the Gaiety theaters; it was replaced by the 49-story Marriott Marquis hotel and Marquis Theatre . Source: Notes [REDACTED] Media related to Morosco Theatre (New York City) at Wikimedia Commons Mercedes Ruehl Mercedes J. Ruehl ( / r uː l / ROOL ; born February 28, 1948) is an American screen, stage, and television actress. She

350-527: The Denver Center Theatre Company . In 1980, she was nearly cast in the sixth season of Saturday Night Live , losing her slot to Denny Dillon . Her first starring role on Broadway came in 1984's I'm Not Rappaport . She then went on to win the 1984 Obie Award for her performance in The Marriage of Bette and Boo and twenty years later, an Obie for Woman Before a Glass . She also received

375-974: The Rita Moreno HOLA Award for Excellence from the Hispanic Organization of Latin Actors . She later played the mother of main character Vincent Chase in HBO 's Entourage . In 2009, she returned to the stage in Manhattan Theater Club 's production of Richard Greenberg 's The American Plan playing the role of Eva Adler. The production opened at the Samuel J. Friedman Theatre and the limited engagement ran From January 22 until March 22. In his rave review in The New York Times , Ben Brantley called Ruehl's performance "masterly". Ruehl next appeared in

400-547: The American Way . Cristofer adapted the play for a television movie in 1980, directed by Paul Newman . The cast featured John Considine (Interviewer), James Broderick (Joe), Valerie Harper (Maggie), Christopher Plummer (Brian), Ben Masters (Mark), Joanne Woodward (Beverly), Melinda Dillon (Agnes), and Sylvia Sidney (Felicity). The film premiered at the Deauville Film Festival on September 9, 1980. It

425-566: The FBI, and lived in other states including Silver Spring, Maryland . She and her brother, Peter , were raised Catholic. She attended the College of New Rochelle and graduated in 1969 with a BA in English. Ruehl began her acting career in New York City appearing in various off-off Broadway productions while working a variety of temping and waitressing jobs. She established herself in regional theatre with

450-792: The Mark Taper Forum). The play opened on Broadway on March 31, 1977 at the Morosco Theatre and closed on December 31, 1977, after 315 performances. The play was directed by Gordon Davidson with scenery by Ming Cho Lee , costumes by Bill Walker, and lighting by Ronald Wallace. The cast featured Josef Sommer (Interviewer), Simon Oakland (Joe), Vincent Spano (Steve), Joyce Ebert (Maggie), Laurence Luckinbill (Brian), Mandy Patinkin (Mark), Patricia Elliott (Beverly), Rose Gregorio (Agnes), and Geraldine Fitzgerald (Felicity). Mary Carver replaced Fitzgerald on April 30, 1977, and Clifton James replaced Oakland on May 23, 1977. In 1993,

475-539: The Mob (1988), Last Action Hero (1993), Roseanna's Grave (1997), Gia (1998), The Minus Man (1999) and Hustlers (2019). Ruehl was born February 28, 1948, in Jackson Heights, Queens , New York City, to Mercedes J. Ruehl, a schoolteacher, and Vincent Ruehl, an FBI agent. Her father was of German and Irish descent and her mother was of Cuban and Irish descent. The family frequently moved during her childhood owing to Vincent Ruehl's assignments with

500-575: The Morosco Theatre was designed by architect Herbert J. Krapp for the Shubert family , who constructed it for Oliver Morosco in gratitude for his helping them break the monopoly of the Theatrical Syndicate . It had approximately 955 seats. After an invitation-only preview performance on February 4, 1917, it opened to the public the next day with a production of Canary Cottage , a musical with

525-642: The drama/horror film What Ever Happened to Barker Daniels? , which was released in 2009. In January 2011, Ruehl starred in Sarah Treem's play The How and The Why , directed by Emily Mann at McCarter Theatre of Princeton University . Ruehl appeared in the role of Ma in Harvey Fierstein's revamped and renamed revival of his play Torch Song Off-Broadway at Second Stage Theater. The play began previews on September 26, and opened officially on October 19, 2017. The production later transferred to Broadway. Ruehl

SECTION 20

#1732884183838

550-602: The end of the act, no moral conclusions have been drawn, no one has died, and no one is going to live forever. The audience thinks not about each person's impending death but what to do with this "moment" that each has to live. The Shadow Box premiered in a production of the Center Theatre Group at the Mark Taper Forum in Los Angeles in the 1975-1976 season, and it was directed by Gordon Davidson (artistic director of

575-402: The families is introduced in this section of the play. When Joe’s wife Maggie and son Steve arrive, it quickly becomes apparent that Maggie is avoiding dealing with the prospect of her future without Joe. She refuses to enter their cabin, and Steve has no idea of his father’s impending death. Brian takes an aloof approach to his illness; he wants to live each day until the last. Rather than skirt

600-404: The issues, he confronts them with a dark humor. His young gay lover Mark is with him at the camp. Beverly, Brian's "trashy but devoted ex-wife," arrives. The third family is Felicity and her daughter Agnes. Felicity is "an old woman who drifts between senility and combative lucidness." Her daughter Agnes is "a mousy, browbeaten spinster who tries to keep her mother happy with fictional letters from

625-501: Was nominated for a Golden Globe and three Emmy Awards : Outstanding Drama Special, Teleplay adaption (Cristofer), and Director (Newman). Source: PlaybillVault Morosco Theatre The Morosco Theatre was a Broadway theatre near Times Square in New York City from 1917 to 1982. It housed many notable productions and its demolition, along with four adjacent theaters, was controversial. Located at 217 West 45th Street,

#837162