146-574: The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans , jazz played a significant part in wider cultural changes in this period, and its influence on popular culture continued long afterwards. The Jazz Age
292-451: A "form of art music which originated in the United States through the confrontation of the Negro with European music" and arguing that it differs from European music in that jazz has a "special relationship to time defined as 'swing ' ". Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror
438-526: A coherent tradition". Duke Ellington , one of jazz's most famous figures, said, "It's all music." Although jazz is considered difficult to define, in part because it contains many subgenres, improvisation is one of its defining elements. The centrality of improvisation is attributed to the influence of earlier forms of music such as blues , a form of folk music which arose in part from the work songs and field hollers of African-American slaves on plantations. These work songs were commonly structured around
584-505: A countercultural type of music to fit in with the illicit environment and events going on. Jazz artists were therefore hired to play at speakeasies. Al Capone , the famous organized crime leader, gave jazz musicians previously living in poverty a steady and professional income. Thaddeus Russell, in A Renegade History of the United States , states: "The singer Ethel Waters fondly recalled that Capone treated her 'with respect, applause, deference, and paid in full.'" Also from A Renegade History of
730-587: A deadline in the case of Dillon v. Gloss (1921). The Supreme Court also upheld the ratification by the Ohio legislature in Hawke v. Smith (1920), despite a petition requiring that the matter proceed to ballot. This was not the only controversy around the amendment. The phrase "intoxicating liquor " was widely understood to exclude beer and wine (as they are not distilled), and their inclusion in Prohibition surprised many in
876-452: A decline in alcohol consumption in the United States, nationwide enforcement of Prohibition proved difficult, particularly in cities. Alcohol smuggling (known as rum-running or bootlegging) and illicit bars ( speakeasies ) became popular in many areas. Public sentiment began to turn against Prohibition during the 1920s, and 1932 Democratic presidential nominee Franklin D. Roosevelt called for its repeal. Section 1. After one year from
1022-467: A drum made by stretching skin over a flour-barrel. Lavish festivals with African-based dances to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843. There are historical accounts of other music and dance gatherings elsewhere in the southern United States. Robert Palmer said of percussive slave music: Usually such music was associated with annual festivals, when
1168-423: A frequent location for smuggling operations because of a shipping point nearly three miles offshore that officials could not investigate, further complicating enforcement. The Coast Guard was not well-equipped to chase down bootlegging vessels but began searching ships at sea instead of when they arrived at port, and upgraded its boats to facilitate more efficient and consistent arrests. One complication that plagued
1314-399: A grey undistinguished tone quality." The following example shows a short excerpt of the straight melody of "Mandy, Make Up Your Mind" by George W. Meyer and Arthur Johnston (top), compared with Armstrong's solo improvisations (below) (recorded 1924). (The example approximates Armstrong's solo, as it does not convey his use of swing.) Armstrong's solos were a significant factor in making jazz
1460-522: A household name for her militancy, such as vandalizing saloon property. Many state legislatures had already enacted statewide prohibition prior to the ratification of the Eighteenth Amendment but did not ban the consumption of alcohol in most households. By 1916, 23 of 48 states had already passed laws against saloons, some even banning the manufacture of alcohol. On August 1, 1917, the Senate passed
1606-410: A limited melodic range, sounding like a field holler, and the guitar accompaniment was slapped rather than strummed, like a small drum which responded in syncopated accents, functioning as another "voice". Handy and his band members were formally trained African-American musicians who had not grown up with the blues, yet he was able to adapt the blues to a larger band instrument format and arrange them in
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#17328805133401752-405: A lock and open the door. As to where speakeasies obtained alcohol, there were rum runners and bootleggers. Rum running, in this case, was the organized smuggling of liquor by land or sea into the U.S. Decent foreign liquor was high-end alcohol during prohibition, and William McCoy had some of the best of it. Bill McCoy was in the rum-running business, and at certain points of time was ranked among
1898-462: A major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of Black-American and European-American musical parentage with a performance orientation. From African traditions, jazz derived its rhythm, "blues", and traditions of playing or singing in one's own expressive way. From European traditions, jazz derived its harmony and instruments. Louis Armstrong brought
2044-535: A massive increase in organized crime. The act defined the terms and enforcement methods of Prohibition until the ratification of the Twenty-first Amendment repealed it in 1933. The proposed amendment was the first to contain a provision setting a deadline for its ratification. That clause of the amendment was challenged, with the case reaching the Supreme Court , which upheld the constitutionality of such
2190-460: A multi- strain ragtime march with four parts that feature recurring themes and a bass line with copious seventh chords . Its structure was the basis for many other rags, and the syncopations in the right hand, especially in the transition between the first and second strain, were novel at the time. The last four measures of Scott Joplin's "Maple Leaf Rag" (1899) are shown below. African-based rhythmic patterns such as tresillo and its variants,
2336-404: A new style/genre was formed called Marabi . In the 1940s, the genre had taken the country by storm, and by the 1950s, another style of South African jazz was formed called Kwela with an addition of the modern or traditional pennywhistle . South African jazz has created many stars of which some became famous worldwide e.g. Miriam Makeba , Hugh Masekela . During this period, jazz began to get
2482-428: A nightlife for black people who were living in these slums. During this period in the early 20th century, American jazz was introduced on South African radios , and it became the most popular style of music in the urban areas of South Africa. The biggest consumer of jazz music was the newly black urban class in these shebeens based on the slums of South Africa. Therefore, jazz got fused with African Traditional Music and
2628-498: A platform for rebellion on multiple fronts. In dance halls, jazz clubs, and speakeasies, women found refuge from societal norms that confined them to conventional roles. These spaces offered them more freedom in their speech, attire, and behavior. Reflecting the prevalent Freudian psychology of the 1920s, jazz promoted "childlike" behavior, with frequenters known as Flappers often called "Jazz Babies." The uninhibited and spontaneous nature of jazz encouraged primal and sensual expression. As
2774-652: A popular music form. Handy wrote about his adopting of the blues: The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect ... by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key
2920-439: A repetitive call-and-response pattern, but early blues was also improvisational. Classical music performance is evaluated more by its fidelity to the musical score , with less attention given to interpretation, ornamentation, and accompaniment. The classical performer's goal is to play the composition as it was written. In contrast, jazz is often characterized by the product of interaction and collaboration, placing less value on
3066-491: A reputation as being immoral, and many members of the older generations saw it as threatening the old cultural values and promoting the new decadent values of the Roaring Twenties . Professor Henry van Dyke of Princeton University wrote: "[I]t is not music at all. It's merely an irritation of the nerves of hearing, a sensual teasing of the strings of physical passion." The media also spoke ill of it. The New York Times in
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#17328805133403212-550: A resolution containing the language of the amendment to be presented to the states for ratification. The vote was 65 to 20, with the Democrats voting 36 in favor and 12 in opposition and the Republicans voting 29 in favor and 8 in opposition. The House of Representatives passed a revised resolution on December 17, 1917. This was the first amendment to impose a deadline date for ratification. If ratification did not occur before
3358-492: A single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands , Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near
3504-416: A soloist is supported by a rhythm section of one or more chordal instruments (piano, guitar), double bass, and drums. The rhythm section plays chords and rhythms that outline the composition structure and complement the soloist. In avant-garde and free jazz , the separation of soloist and band is reduced, and there is license, or even a requirement, for the abandoning of chords, scales, and meters. Since
3650-456: A total of nine breweries. Finally, some racketeers stole industrial grain alcohol and redistilled it to sell in speakeasies. From 1919, Kid Ory 's Original Creole Jazz Band of musicians from New Orleans played in San Francisco and Los Angeles, where in 1922 they became the first black jazz band of New Orleans origin to make recordings. The year also saw the first recording by Bessie Smith ,
3796-492: A true 20th-century language. After leaving Henderson's group, Armstrong formed his virtuosic Hot Five band, which included instrumentalist's Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), and wife Lil on piano, where he popularized scat singing . Jelly Roll Morton recorded with the New Orleans Rhythm Kings in an early mixed-race collaboration, then in 1926 formed his Red Hot Peppers . There
3942-562: A vehicle for the popularization of jazz music in America. Although jazz was taken over by the white middle-class population, it facilitated the mesh of African American traditions and ideals with white middle-class society. By the 1920s jazz had spread around the world. According to The New York Times in 1922: Jazz latitude is marked as indelibly on the globe as the heavy line of the equator. It runs from Broadway along Main Street to San Francisco: to
4088-462: A willingness to talk about sex freely, and radio concerts. Dances like the Charleston , developed by African Americans, suddenly became popular among the youth. Traditionalists were aghast at what they considered the breakdown of morality. Some urban middle-class African Americans perceived jazz as "devil's music", and believed the improvised rhythms and sounds were promoting promiscuity. Jazz served as
4234-492: Is a music genre that originated in the African-American communities of New Orleans , Louisiana , in the late 19th and early 20th centuries, with its roots in blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . Since the 1920s Jazz Age , it has been recognized as a major form of musical expression in traditional and popular music . Jazz
4380-519: Is a "white jazz" genre that expresses whiteness . White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine , who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". The Original Dixieland Jazz Band , whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of
4526-663: Is a fundamental rhythmic figure heard in many different slave musics of the Caribbean, as well as the Afro-Caribbean folk dances performed in New Orleans Congo Square and Gottschalk's compositions (for example "Souvenirs From Havana" (1859)). Tresillo (shown below) is the most basic and most prevalent duple-pulse rhythmic cell in sub-Saharan African music traditions and the music of the African Diaspora . Tresillo
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4672-469: Is characterized by swing and blue notes , complex chords , call and response vocals , polyrhythms and improvisation . As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation . However, jazz did not begin as
4818-420: Is easy to see the inspiration taken from Paul Whiteman since his style was also a fusion of the two. Belgian guitarist Django Reinhardt popularized gypsy jazz , a mix of 1930s American swing, French dance hall " musette ", and Eastern European folk with a languid, seductive feel; the main instruments were steel-stringed guitar, violin, and double bass. Solos pass from one player to another as guitar and bass form
4964-486: Is heard prominently in New Orleans second line music and in other forms of popular music from that city from the turn of the 20th century to present. "By and large the simpler African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions," jazz historian Gunther Schuller observed. "Some survived, others were discarded as the Europeanization progressed." In
5110-605: Is often referred to in conjunction with the Roaring Twenties , and overlapped in significant cross-cultural ways with the Prohibition Era . The movement was largely affected by the introduction of radios nationwide. During this time, the Jazz Age was intertwined with the developing youth culture . The movement would also help in introducing jazz culture to Europe. The term jazz age was in popular usage prior to 1920. In 1922, American writer F. Scott Fitzgerald further popularized
5256-400: Is that jazz can absorb and transform diverse musical styles. By avoiding the creation of norms, jazz allows avant-garde styles to emerge. For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions". Amiri Baraka argues that there
5402-468: Is well documented. It is believed to be related to jasm , a slang term dating back to 1860 meaning ' pep, energy ' . The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described a pitch which he called a 'jazz ball' "because it wobbles and you simply can't do anything with it". The use of the word in a musical context
5548-496: The Anti-Saloon League (ASL) started in 1906 a campaign to ban the sale of alcohol at the state level. Their speeches, advertisements, and public demonstrations claimed that prohibition of alcohol would eliminate poverty and ameliorate social problems such as immoral sexual behavior and violence. The ASL argued that prohibition would inspire new forms of sociability, create happier families, reduce workplace accidents, and improve
5694-620: The Atlantic slave trade had brought nearly 400,000 Africans to North America. The slaves came largely from West Africa and the greater Congo River basin and brought strong musical traditions with them. The African traditions primarily use a single-line melody and call-and-response pattern, and the rhythms have a counter-metric structure and reflect African speech patterns. An 1885 account says that they were making strange music (Creole) on an equally strange variety of 'instruments'—washboards, washtubs, jugs, boxes beaten with sticks or bones and
5840-577: The Great Depression only hastened its demise, as opponents argued that the ban on alcohol denied jobs to the unemployed and much-needed revenue to the government. The efforts of the nonpartisan Association Against the Prohibition Amendment (AAPA) added to public disillusionment. In 1932, the platform of Democratic presidential candidate Franklin D. Roosevelt included a plank for repealing the 18th Amendment, and his victory that November led to
5986-495: The Hot Seven . It was not until the 1930s and 1940s that many women jazz singers, such as Bessie Smith and Billie Holiday, were recognized as successful artists in the music world. Another famous female vocalist who attained stardom at the tail-end of the Jazz Age was Ella Fitzgerald, one of the more popular female jazz singers in the United States for more than half a century and later dubbed "The First Lady of Song". She worked with all
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6132-582: The National Prohibition Act was conceived and introduced by Wayne Wheeler , a leader of the Anti-Saloon League , a group that found alcohol responsible for almost all of society's problems and that also ran many campaigns against the sale of alcohol. The law was strongly supported by the powerful Minnesota Republican congressman Andrew Volstead , chairman of the House Judiciary Committee , whose name came to be informally associated with
6278-652: The Waldorf-Astoria Hotel (1959), and Shep Fields 's Rippling Rhythm Orchestra at Chicago's landmark Palmer House Hotel (1936), New York City's "Star-light Roof" in the Waldorf-Astoria Hotel (1937), and the Copacabana nightclub. Young people in the 1920s used the influence of jazz to rebel against the traditional culture of previous generations. This youth rebellion of the 1920s included such things as flapper fashions, women who smoked cigarettes in public,
6424-471: The swing era of the 1920s–40s, big bands relied more on arrangements which were written or learned by ear and memorized. Soloists improvised within these arrangements. In the bebop era of the 1940s, big bands gave way to small groups and minimal arrangements in which the melody was stated briefly at the beginning and most of the piece was improvised. Modal jazz abandoned chord progressions to allow musicians to improvise even more. In many forms of jazz,
6570-586: The 1920s intimated that jazz was responsible for the decline of Western civilization and of the quality of Italian tenors, a poor trade balance with Hungary, a classical musician's fatal heart attack, and frightening bears in Siberia . As jazz flourished, American elites who preferred classical music sought to expand the listenership of their favored genre, hoping that jazz would not become mainstream. Conversely, jazz became an influence on composers as diverse as George Gershwin and Herbert Howells . Jazz Jazz
6716-399: The 1920s, the laws were widely disregarded, and tax revenues were lost. Well-organized criminal gangs took control of the beer and liquor supply for many cities, unleashing a crime wave that shocked the U.S. This prohibition was taken advantage of by gangsters such as Al Capone , and approximately $ 60 million (equivalent to $ 1,271,666,667 in 2023) in illegal alcohol was smuggled across
6862-943: The 1920s. The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough . Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s. Many bands included both Black and white musicians. These musicians helped change attitudes toward race in the U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter , Ella Fitzgerald , Adelaide Hall , Billie Holiday , Peggy Lee , Abbey Lincoln , Anita O'Day , Dinah Washington , and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong , trumpeter Valaida Snow , and songwriters Irene Higginbotham and Dorothy Fields . Women began playing instruments in jazz in
7008-418: The 1920s. Chicago's Al Capone emerged as the most notorious example, earning an estimated $ 60 million annually from his bootlegging and speakeasy operations. Gambling and prostitution also reached new heights, and a growing number of Americans came to blame Prohibition and to condemn it as a dangerous infringement of individual freedom. Public sentiment turned against Prohibition by the late 1920s, and
7154-436: The 1930s, Kansas City Jazz as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music and blues chord progressions, drawing on boogie-woogie from the 1930s. The introduction of large-scale radio broadcasts enabled the rapid national spread of jazz in 1932. The radio
7300-451: The 1950s, many women jazz instrumentalists were prominent, some sustaining long careers. Some of the most distinctive improvisers, composers, and bandleaders in jazz have been women. Trombonist Melba Liston is acknowledged as the first female horn player to work in major bands and to make a real impact on jazz, not only as a musician but also as a respected composer and arranger, particularly through her collaborations with Randy Weston from
7446-504: The BBC. Thereafter jazz became an important element in many leading dance orchestras, and jazz instrumentalists became numerous. Very soon, the resulting music craze in the United Kingdom led to a moral panic in which the threat of jazz to society was exemplified by Scottish artist John Bulloch Souter 's controversial 1926 painting The Breakdown . The painting has been described as embodying
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#17328805133407592-499: The Black middle-class. Blues is the name given to both a musical form and a music genre, which originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from their spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads . The African use of pentatonic scales contributed to
7738-460: The Caribbean. African-based rhythmic patterns were retained in the United States in large part through "body rhythms" such as stomping, clapping, and patting juba dancing . In the opinion of jazz historian Ernest Borneman , what preceded New Orleans jazz before 1890 was "Afro-Latin music", similar to what was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo
7884-608: The Constitution by the legislatures of the several States, as provided in the Constitution, within seven years from the date of the submission hereof to the States by the Congress. The Eighteenth Amendment was the result of decades of effort by the temperance movement in the United States and at the time was generally considered a progressive amendment. Founded in 1893 in Saratoga, New York,
8030-554: The Eighteenth Amendment repealed, which was done by adoption of the Twenty-first Amendment on December 5, 1933. Following ratification in 1919, the amendment's effects were long-lasting, leading to increases in crime in many large cities, such as Chicago, New York and Los Angeles. Along with this came many separate forms of illegal alcohol distribution, such as speakeasies, bootlegging and illegal distilling operations. Bootlegging started in towns bordering Mexico and Canada as well as in areas with multiple ports and harbors. The alcohol
8176-544: The Eighteenth Amendment's adoption, there was a significant reduction in alcohol consumption among the general public and particularly among low-income groups. There were fewer hospitalizations for alcoholism and likewise fewer liver-related medical problems. However, consumption soon climbed as underworld entrepreneurs began producing dangerous "rotgut" alcohol. With the rise of home-distilled alcohol, careless distilling led to as many as 10,000 deaths attributed to wood alcohol ( methanol ) poisoning. However, during Prohibition,
8322-576: The Hawaiian Islands, which it has lyricized to fame; to Japan, where it is hurriedly adopted as some new Western culture; to the Philippines, where it is royally welcomed back as its own; to China where the mandarins and even the coolies look upon it as a helpful sign that the Occident at last knows what is music; to Siam, where the barbaric tunes strike a kindred note and come home to roost; to India, where
8468-644: The National Prohibition Act, better known as the Volstead Act , on October 28, 1919. President Woodrow Wilson vetoed that bill, but the House of Representatives immediately voted to override the veto and the Senate followed suit the next day. The Volstead Act set the starting date for nationwide prohibition as January 17, 1920, the earliest date allowed by the Eighteenth Amendment. This legislation that would become
8614-658: The Starlight Roof at the famed Waldorf-Astoria Hotel . He entertained audiences with a light elegant musical style which remained popular with audiences for nearly three decades from the 1930s until the late 1950s. Jazz originated in the late-19th to early-20th century. It developed out of many forms of music, including blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . It also incorporated interpretations of American and European classical music, entwined with African and slave folk songs and
8760-667: The U.S. His success was based on a "rhetoric of domestication" according to which he had elevated and rendered valuable a previously inchoate kind of music. Other influential large ensembles included Fletcher Henderson's band, Duke Ellington's band (which opened an influential residency at the Cotton Club in 1927) in New York, and Earl Hines ' Band in Chicago (who opened in The Grand Terrace Cafe there in 1928). All significantly influenced
8906-572: The United States Constitution The Eighteenth Amendment ( Amendment XVIII ) to the United States Constitution established the prohibition of alcohol in the United States . The amendment was proposed by Congress on December 18, 1917, and ratified by the requisite number of states on January 16, 1919. The Eighteenth Amendment was repealed by the Twenty-first Amendment on December 5, 1933, making it
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#17328805133409052-490: The United States, "The pianist Earl Hines remembered that 'Scarface [Al Capone] got along well with musicians. He liked to come into a club with his henchmen and have the band play his requests. He was very free with $ 100 tips." The illegal culture of speakeasies led to what was known as "black and tan" clubs which had multiracial crowds. There were many speakeasies, especially in Chicago and New York City . New York City had, at
9198-405: The act. The act laid the groundwork for Prohibition, defining the procedures for banning the distribution of alcohol, including production and distribution. Volstead had previously introduced an early version of the law to Congress. It was first brought to the floor on May 27, 1919, but met heavy resistance from Democratic senators. Instead, the so-called "wet law" was introduced, an attempt to end
9344-412: The amendment was ratified, Congress passed the Volstead Act to provide for the federal enforcement of Prohibition. The Volstead Act declared that liquor , wine and beer qualified as intoxicating liquors, and were therefore prohibited. Under the terms of the Eighteenth Amendment, Prohibition began on January 17, 1920, one year after the amendment was ratified. Although the Eighteenth Amendment led to
9490-415: The best. To avoid being caught, he sold liquor just outside the territorial waters of the United States. Buyers would come to him to pick up his booze as a precaution for McCoy. McCoy's liquor specialty was selling high-quality whiskey without diluting the alcohol. Bootlegging was making and or smuggling alcohol around the U.S. As selling the alcohol could make plenty of money, there are several major ways this
9636-552: The blues are undocumented, though they can be seen as the secular counterpart of the spirituals. However, as Gerhard Kubik points out, whereas the spirituals are homophonic , rural blues and early jazz "was largely based on concepts of heterophony ". During the early 19th century an increasing number of black musicians learned to play European instruments, particularly the violin, which they used to parody European dance music in their own cakewalk dances. In turn, European American minstrel show performers in blackface popularized
9782-480: The borders of Canada and the United States. The resulting illicit speakeasies that grew from this era became lively venues of the "Jazz Age", hosting popular music that included current dance songs, novelty songs and show tunes. By the late 1920s, a new opposition mobilized across the U.S. Anti-prohibitionists, or "wets", attacked prohibition as causing crime, lowering local revenues, and imposing rural Protestant religious values on urban America. Prohibition ended with
9928-431: The city/town in order to earn an income. Due to discriminative laws that forbade black people from living in the suburbs and owning property, most of them ended up living in slums which became townships. In these slums, shebeens were opened by black women with the purpose of selling home-made, Traditional African beer (locally known as ' Umqombothi ') in order to earn an income. Eventually, these shebeens would provide
10074-598: The conclusion of World War I, the onset of women's suffrage, and Prohibition, and ultimately crumbled with the Great Crash of 1929. The 1930s belonged to popular swing big bands, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie , Cab Calloway , Jimmy and Tommy Dorsey , Duke Ellington , Benny Goodman , Fletcher Henderson , Earl Hines , Harry James , Jimmie Lunceford , Glenn Miller and Artie Shaw . Although it
10220-473: The contribution of the composer, if there is one, and more on the performer. The jazz performer interprets a tune in individual ways, never playing the same composition twice. Depending on the performer's mood, experience, and interaction with band members or audience members, the performer may change melodies, harmonies, and time signatures. In early Dixieland , a.k.a. New Orleans jazz, performers took turns playing melodies and improvising countermelodies . In
10366-416: The deadline date, the amendment would be discarded. In the House, the vote was 282 to 128, with the Democrats voting 141 in favor and 64 in opposition and the Republicans voting 137 in favor and 62 in opposition. Four independents in the House voted in favor and two voted against the amendment. It was officially proposed by the Congress to the states when the Senate passed the resolution by a vote of 47 to 8
10512-541: The development of blue notes in blues and jazz. As Kubik explains: Many of the rural blues of the Deep South are stylistically an extension and merger of basically two broad accompanied song-style traditions in the west central Sudanic belt: W. C. Handy became interested in folk blues of the Deep South while traveling through the Mississippi Delta. In this folk blues form, the singer would improvise freely within
10658-586: The development of big band-style swing jazz. By 1930, the New Orleans-style ensemble was a relic, and jazz belonged to the world. Several musicians grew up in musical families, where a family member would often teach how to read and play music. Included in this group was the bandleader Guy Lombardo , who collaborated with his brothers Carmen and Lebert in Canada to form the Royal Canadians Orchestra in
10804-404: The development of the active musical environment of the city . In New Orleans, the development of jazz was influenced by Creole music , ragtime , and blues . Jazz is seen by many as "America's classical music". The earliest Jazz styles, which emerged in New Orleans, Chicago, and New York in the early 1920s, are sometimes referred to as " dixieland jazz." In the 1920s, jazz became recognized as
10950-513: The distribution of alcohol, as well as those arrested being charged with small fines rather than prison time. The murder rate fell for two years, but then rose to record highs due to gangland killings, a trend that reversed the very year prohibition ended. The homicide rate increased from six per 100,000 population in the pre-Prohibition period to nearly ten. Overall, crime rose 24%, including increases in assault and battery, theft, and burglary. Anti-prohibition groups were formed and worked to have
11096-519: The distribution process, such as concealed brewing and storage, operation of speakeasys, and selling alcohol in restaurants and nightclubs run by crime syndicates. With organized crime becoming a rising problem, control of specific territories was a key objective among gangs, leading to many violent confrontations such as the Saint Valentine's Day Massacre ; as a result, murder rates and burglaries dramatically increased between 1920 and 1933. Bootlegging
11242-506: The early 1920s, drawing particular recognition on piano. When male jazz musicians were drafted during World War II, many all-female bands replaced them. The International Sweethearts of Rhythm , which was founded in 1937, was a popular band that became the first all-female integrated band in the U.S. and the first to travel with the USO , touring Europe in 1945. Women were members of the big bands of Woody Herman and Gerald Wilson . Beginning in
11388-557: The early 1920s. By 1929 their "sweet" big band appeared regularly at the landmark Roosevelt Hotel in New York City and later in 1959 at the Waldorf-Astoria Hotel , where they entertained audiences nationwide for decades with a velvety-smooth interpretation of the "sweetest music this side of heaven". Despite Benny Goodman 's claim that "sweet" music was a "weak sister" as compared to the "real music" of America, Lombardo's band enjoyed widespread popularity which crossed racial divides and
11534-480: The education of freed African Americans. Although strict segregation limited employment opportunities for most blacks, many were able to find work in entertainment. Black musicians were able to provide entertainment in dances, minstrel shows , and in vaudeville , during which time many marching bands were formed. Black pianists played in bars, clubs, and brothels, as ragtime developed. Ragtime appeared as sheet music, popularized by African-American musicians such as
11680-588: The emergence of bebop, forms of jazz that are commercially oriented or influenced by popular music have been criticized. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". Regarding the Dixieland jazz revival of the 1940s, Black musicians rejected it as being shallow nostalgia entertainment for white audiences. On the other hand, traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal. An alternative view
11826-519: The end of Prohibition. In February 1933, Congress adopted a resolution proposing the Twenty-first Amendment , which repealed the 18th Amendment and modified the Volstead Act to permit the sale of beer. The resolution required state conventions, rather than the state legislatures, to approve the amendment, effectively reducing the process to a one-state, one-vote referendum rather than a popular vote. A few states continued statewide prohibition after 1933, but by 1966 they all had abandoned it. Just after
11972-525: The end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. The mid-1950s saw the emergence of hard bop , which introduced influences from rhythm and blues , gospel , and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode , or musical scale, as the basis of musical structure and improvisation, as did free jazz , which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in
12118-556: The entertainer Ernest Hogan , whose hit songs appeared in 1895. Two years later, Vess Ossman recorded a medley of these songs as a banjo solo known as "Rag Time Medley". Also in 1897, the white composer William Krell published his " Mississippi Rag " as the first written piano instrumental ragtime piece, and Tom Turpin published his "Harlem Rag", the first rag published by an African-American. Classically trained pianist Scott Joplin produced his " Original Rags " in 1898 and, in 1899, had an international hit with " Maple Leaf Rag ",
12264-538: The fears of Western civilization towards jazz music, and the painting was later destroyed by its author to placate critics who insisted the work should be burned. The European style of jazz entered full swing in France with the Quintette du Hot Club de France , which began in 1934. Much of this French jazz was a combination of African-American jazz and the symphonic styles in which French musicians were well-trained; in this, it
12410-415: The first written music which was rhythmically based on an African motif (1803). From the perspective of African-American music, the "habanera rhythm" (also known as "congo"), "tango-congo", or tango . can be thought of as a combination of tresillo and the backbeat . The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States and reinforced and inspired
12556-465: The general public as well as producers of wine and beer. This controversy caused many Northern states to refuse to abide by the amendment. Under Prohibition, illegal importation and production of alcoholic beverages (such as rum-running and bootlegging) occurred on a large scale nationwide. In urban areas, where the majority of the population tended to oppose Prohibition, enforcement was generally much weaker than in rural areas and smaller towns. Perhaps
12702-742: The germ; to Monte Carlo and the Riviera, where the jazz idea has been adopted as its own enfant-chéri; to Paris, which has its special versions of jazz; to London, which long has sworn to shake off the fever, but still is jazzing; and back again to Tinpan Alley, where each day, nay, each hour, adds some new inspiration that will slowly but surely meander along jazz latitude. As only a limited number of American jazz records were released in Europe, European jazz traces many of its roots to American artists such as James Reese Europe, Paul Whiteman, Mike Danzi and Lonnie Johnson , who visited Europe during and after World War I. It
12848-467: The government's enforcement efforts involved forged prescriptions for alcoholic beverages. Many forms of alcohol were sold over the counter purportedly for medical purposes, but some manufacturers falsified evidence that their products were of medicinal value. Bootlegging was the leading factor in the development of organized-crime rings in large cities, as controlling and distributing liquor was very difficult. Many profitable gangs controlled every aspect of
12994-532: The habanera rhythm and cinquillo , are heard in the ragtime compositions of Joplin and Turpin. Joplin's " Solace " (1909) is generally considered to be in the habanera genre: both of the pianist's hands play in a syncopated fashion, completely abandoning any sense of a march rhythm. Ned Sublette postulates that the tresillo/habanera rhythm "found its way into ragtime and the cakewalk," whilst Roberts suggests that "the habanera influence may have been part of what freed black music from ragtime's European bass". In
13140-401: The height of Prohibition, 32,000 speakeasies. At speakeasies, both payoffs and mechanisms for hiding alcohol were used. Charlie Burns, in recalling his ownership of several speakeasies employed these strategies as a way to preserve his and Jack Kriendler's illegal clubs. This includes forming relationships with local police. Mechanisms that a trusted engineer created include one that when a button
13286-455: The immense cultural shift the popularity of jazz music generated. Jazz aimed to cultivate empathy by initially challenging established norms and those who adhered to them, before captivating them with its ethereal and enchanting allure. It sought to blur the societal divides of race, class, and political allegiance, as illustrated in James Baldwin's renowned short story, "Sonny's Blues," where
13432-422: The improvisational solo to the forefront of a piece, replacing the original polyphonic ensemble style of New Orleans jazz. Jazz is generally characterized by swing and blue notes , call and response vocals , polyrhythms and improvisation . Prohibition in the United States was a nationwide constitutional ban on the production, importation, transportation, and sale of alcoholic beverages from 1920 to 1933. In
13578-507: The individuality of the performing jazz musician". A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes qualities such as swing, improvising, group interaction, developing an 'individual voice', and being open to different musical possibilities". Krin Gibbard argued that "jazz is a construct" which designates "a number of musics with enough in common to be understood as part of
13724-424: The influences of West African culture. Its composition and style have changed many times throughout the years with each performer's personal interpretation and improvisation, which is also one of the greatest appeals of the genre. By the 18th century, slaves in the New Orleans area gathered socially at a special market, in an area which later became known as Congo Square , famous for its African dances. By 1866,
13870-455: The instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition. These bands traveled in black communities in the deep south. Beginning in 1914, Louisiana Creole and African-American musicians played in vaudeville shows which carried jazz to cities in
14016-489: The jazz greats of the era, including Chick Webb , Duke Ellington, Count Basie, and Benny Goodman. These women were persistent in striving to make their names known in the music industry and to lead the way for many more women artists to come. The birth of jazz is credited to African Americans. But it was modified to become socially acceptable to middle-class white Americans. Those critical of jazz saw it as music from people with no training or skill. White performers were used as
14162-567: The late 1950s into the 1990s. Jewish Americans played a significant role in jazz. As jazz spread, it developed to encompass many different cultures, and the work of Jewish composers in Tin Pan Alley helped shape the many different sounds that jazz came to incorporate. Jewish Americans were able to thrive in Jazz because of the probationary whiteness that they were allotted at the time. George Bornstein wrote that African Americans were sympathetic to
14308-455: The late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz . The origin of the word jazz has resulted in considerable research, and its history
14454-874: The many top players he employed, such as George Brunies , Sharkey Bonano , and future members of the Original Dixieland Jass Band . During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws. Storyville brought jazz to a wider audience through tourists who visited the port city of New Orleans. Many jazz musicians from African-American communities were hired to perform in bars and brothels. These included Buddy Bolden and Jelly Roll Morton in addition to those from other communities, such as Lorenzo Tio and Alcide Nunez . Louis Armstrong started his career in Storyville and found success in Chicago. Storyville
14600-486: The most dramatic consequence of Prohibition was its effect on organized crime . As the production and sale of alcohol went further underground, it began to be controlled by the Mafia and other gangs that transformed into sophisticated criminal enterprises that reaped huge profits from the illicit liquor trade. Organized-crime syndicates became skilled at bribing police and politicians to overlook violations of Prohibition during
14746-505: The most famous of the 1920s blues singers. Chicago, meanwhile, was the main center developing the new " Hot Jazz ", where King Oliver joined Bill Johnson . Bix Beiderbecke formed The Wolverines in 1924. The same year, Louis Armstrong joined the Fletcher Henderson dance band as featured soloist, leaving in 1925. The original New Orleans style was polyphonic, with theme variation and simultaneous collective improvisation. Armstrong
14892-679: The music internationally, combining syncopation with European harmonic accompaniment. In the mid-1800s the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. New Orleans was the main nexus between the Afro-Caribbean and African American cultures. The Black Codes outlawed drumming by slaves, which meant that African drumming traditions were not preserved in North America, unlike in Cuba, Haiti, and elsewhere in
15038-578: The music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. Although the pattern is only half a clave , Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans music. Jelly Roll Morton called the rhythmic figure the Spanish tinge and considered it an essential ingredient of jazz. The abolition of slavery in 1865 led to new opportunities for
15184-557: The music of white American jazz singers. Other jazz vocalists include Bessie Smith and Florence Mills . In urban areas, such as Chicago and New York, African-American jazz was played on the radio more often than in the suburbs. Big-band jazz, like that of James Reese Europe and Fletcher Henderson in New York, attracted large radio audiences. Several "sweet jazz" dance orchestras also achieved national recognition in big band remote broadcasts including: Guy Lombardo 's Royal Canadian Orchestra, at New York City's Roosevelt Hotel (1929) and at
15330-525: The natives receive it dubiously, while the colonists seize upon it avidly; to the East Indies, where it holds sway in its elementary form — ragtime; to Egypt, where it sounds so curiously familiar and where it has set Cairo dance mad; to Palestine, where it is looked upon as an inevitable and necessary evil along with liberation; across the Mediterranean, where all ships and all shores have been inoculated with
15476-409: The next day, December 18. The amendment and its enabling legislation did not ban the consumption of alcohol outright but prohibited the sale, manufacture and distribution of alcohol in the United States. Those caught selling, manufacturing or distributing alcoholic beverages would be subject to arrest. The amendment superseded the many state and regional restrictions already in place. Ratification
15622-404: The northeastern United States, a "hot" style of playing ragtime had developed, notably James Reese Europe 's symphonic Clef Club orchestra in New York City, which played a benefit concert at Carnegie Hall in 1912. The Baltimore rag style of Eubie Blake influenced James P. Johnson 's development of stride piano playing, in which the right hand plays the melody, while the left hand provides
15768-596: The northern and western parts of the U.S. Jazz became international in 1914, when the Creole Band with cornettist Freddie Keppard performed the first ever jazz concert outside the United States, at the Pantages Playhouse Theatre in Winnipeg , Canada. In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band. He was known as "the father of white jazz" because of
15914-479: The older generation dismissed jazz, it became a vehicle for young women (and men) to challenge the values of their parents and grandparents. With women's suffrage —the right for women to vote—at its peak with the ratification of the Nineteenth Amendment on August 18, 1920, and the entrance of the free-spirited flapper, women began to take on a larger role in society and culture. With women now taking part in
16060-492: The only constitutional amendment in American history to be repealed. The Eighteenth Amendment was the product of decades of efforts by the temperance movement , which held that a ban on the sale of alcohol would ameliorate poverty and other societal problems. The Eighteenth Amendment declared the production, transport and sale of intoxicating liquors illegal, although it did not outlaw the actual consumption of alcohol. Shortly after
16206-495: The period 1820–1850. Some of the earliest [Mississippi] Delta settlers came from the vicinity of New Orleans, where drumming was never actively discouraged for very long and homemade drums were used to accompany public dancing until the outbreak of the Civil War. Another influence came from the harmonic style of hymns of the church, which black slaves had learned and incorporated into their own music as spirituals . The origins of
16352-487: The plight of the Jewish American and vice versa. As disenfranchised minorities themselves, Jewish composers of popular music saw themselves as natural allies with African Americans. The Jazz Singer with Al Jolson is one example of how Jewish Americans were able to bring jazz, music that African Americans developed, into popular culture. Benny Goodman was a vital Jewish American to the progression of Jazz. Goodman
16498-459: The post-Civil War period (after 1865), African Americans were able to obtain surplus military bass drums, snare drums and fifes, and an original African-American drum and fife music emerged, featuring tresillo and related syncopated rhythmic figures. This was a drumming tradition that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. "The snare and bass drummers played syncopated cross-rhythms ," observed
16644-623: The pre-jazz era and contributed to the codification of jazz through the publication of some of the first jazz sheet music. The music of New Orleans , Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville . In addition to dance bands, there were marching bands which played at lavish funerals (later called jazz funerals ). The instruments used by marching bands and dance bands became
16790-599: The rate of use and abuse of alcohol remained significantly lower than before enactment. Though Prohibition created a new category of crimes involving the production and distribution of alcohol, there was an initial reduction in crime associated with drunkenness. Those who continued to drink alcohol tended to turn to organized criminal syndicates. Law enforcement could not stop much illicit liquor; however, they used "sting" operations, such as Prohibition agent Eliot Ness famously using wiretapping to uncover secret breweries. The prisons became crowded, which led to fewer arrests for
16936-484: The ratification of the Twenty-first Amendment , which repealed the Eighteenth Amendment on December 5, 1933. Some states continued statewide prohibition, marking one of the latter stages of the Progressive Era . Formed as a result of the eighteenth amendment , speakeasies were places (often owned by organized criminals) where customers could drink alcohol and relax or speakeasy. Jazz was played in these speakeasies as
17082-517: The ratification of this article the manufacture, sale, or transportation of intoxicating liquors within, the importation thereof into, or the exportation thereof from the United States and all territory subject to the jurisdiction thereof for beverage purposes is hereby prohibited. Section 2. The Congress and the several States shall have concurrent power to enforce this article by appropriate legislation. Section 3. This article shall be inoperative unless it shall have been ratified as an amendment to
17228-410: The rhythm and bassline. In Ohio and elsewhere in the mid-west the major influence was ragtime, until about 1919. Around 1912, when the four-string banjo and saxophone came in, musicians began to improvise the melody line, but the harmony and rhythm remained unchanged. A contemporary account states that blues could only be heard in jazz in the gut-bucket cabarets, which were generally looked down upon by
17374-513: The rhythm section. Some researchers believe Eddie Lang and Joe Venuti pioneered the guitar-violin partnership characteristic of the genre which was brought to France after they had been heard live or on Okeh Records in the late 1920s. After the discovery of natural resources which boosted the country's economy during the late 19th century and early 20th century, South Africa became urbanised rapidly after its formation in 1910 with Black people leaving their native rural villages to go and work in
17520-620: The term with the publication of his short story collection Tales of the Jazz Age . Jazz is a music genre that originated in the Black-American communities of New Orleans, Louisiana , in the late 19th and early 20th centuries, and developed from roots in blues and ragtime . New Orleans provided a cultural humus in which jazz could germinate because it was a port city with many cultures and beliefs intertwined. In New Orleans, people of different cultures and races often lived close together which allowed for cultural interaction which facilitated
17666-419: The transformative power of jazz unites two estranged brothers through the deeply emotive melodies played by Sonny. In Fitzgerald's works and beyond, jazz acted as a leveling influence, fostering a degree of equality within both literature and society. In 1925, The Great Gatsby epitomized this phase of Fitzgerald's career, capturing the romanticism and superficial charm of the "Jazz Age." This era started with
17812-500: The twice-daily ferry between both cities to perform, and the habanera quickly took root in the musically fertile Crescent City. John Storm Roberts states that the musical genre habanera "reached the U.S. twenty years before the first rag was published." For the more than quarter-century in which the cakewalk , ragtime , and proto-jazz were forming and developing, the habanera was a consistent part of African-American popular music. Habaneras were widely available as sheet music and were
17958-566: The use of tresillo-based rhythms in African-American music. New Orleans native Louis Moreau Gottschalk 's piano piece "Ojos Criollos (Danse Cubaine)" (1860) was influenced by the composer's studies in Cuba: the habanera rhythm is clearly heard in the left hand. In Gottschalk's symphonic work "A Night in the Tropics" (1859), the tresillo variant cinquillo appears extensively. The figure was later used by Scott Joplin and other ragtime composers. Comparing
18104-543: The wartime prohibition laws put into effect much earlier. The debate over prohibition persisted for that entire session, as the House was divided among groups who become known as the "bone-drys" and the "wets." The Volstead Act finally passed the Republican-led House of Representatives on July 22, 1919, with 287 in favor and 100 opposed. However, the act was largely a failure, proving unable to prevent mass distribution of alcoholic beverages and also inadvertently causing
18250-469: The work force after the end of the First World War there were now many more possibilities for women in terms of social life and entertainment. Ideas such as equality and open sexuality were very popular during the time and women seemed to capitalize on these ideas during this period. The 1920s saw the emergence of many famous women musicians, including Bessie Smith. Bessie Smith gained attention because she
18396-572: The world overall. (Following the repeal of Prohibition, the group merged into the National Temperance League. ) Other groups, such as the Woman's Christian Temperance Union , also launched efforts to ban the sale, manufacture, and distribution of alcoholic beverages. Churches were also highly influential in gaining new members and support, garnering 6,000 local societies in several different states. The well-known reformer Carrie Nation became
18542-498: The writer Robert Palmer, speculating that "this tradition must have dated back to the latter half of the nineteenth century, and it could have not have developed in the first place if there hadn't been a reservoir of polyrhythmic sophistication in the culture it nurtured." African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza ) gained international popularity. Musicians from Havana and New Orleans would take
18688-493: The year's crop was harvested and several days were set aside for celebration. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion. There are quite a few [accounts] from the southeastern states and Louisiana dating from
18834-480: Was a Chicago-based bandleader, session musician (piano), composer, singer, and arranger during the 1920s classic blues era. She and Lil Hardin Armstrong often are ranked as two of the best female jazz blues piano players of the period. Piano player Lil Hardin Armstrong was originally a member of King Oliver's band with Louis, and went on to play piano in her husband's band the Hot Five and then his next group called
18980-552: Was a collective sound, swing also offered individual musicians a chance to "solo" and improvise melodic, thematic solos which could at times be complex "important" music. Over time, social strictures regarding racial segregation began to relax in America: white bandleaders began to recruit black musicians and black bandleaders recruit white ones. In the mid-1930s, Benny Goodman hired pianist Teddy Wilson , vibraphonist Lionel Hampton and guitarist Charlie Christian to join small groups. In
19126-459: Was a larger market for jazzy dance music played by white orchestras, such as Jean Goldkette 's orchestra and Paul Whiteman 's orchestra. In 1924, Whiteman commissioned Gershwin 's Rhapsody in Blue , premiered by Whiteman's Orchestra. Writer F. Scott Fitzgerald opined that Rhapsody in Blue idealized the youthful zeitgeist of the Jazz Age. By the mid-1920s, Whiteman was the most popular bandleader in
19272-459: Was a master of his hometown style, but by the time he joined Henderson's band, he was already a trailblazer in a new phase of jazz, with its emphasis on arrangements and soloists. Armstrong's solos went well beyond the theme-improvisation concept, and extemporized on chords, rather than melodies. According to Schuller, by comparison, the solos by Armstrong's bandmates (including a young Coleman Hawkins ), sounded "stiff, stodgy," with "jerky rhythms and
19418-415: Was achieved on January 16, 1919, when Nebraska became the 36th of the 48 states to ratify the amendment. On January 29, acting secretary of state Frank L. Polk certified the ratification. By 1922, 46 states had ratified the amendment. The following states ratified the amendment: Two states rejected the amendment: To define the language used in the amendment, Congress enacted enabling legislation called
19564-480: Was concert music by amateurs, usually volunteers. Big band dance music is played by professionals and was featured in remote broadcasts from nightclubs, dance halls, and ballrooms. Musicologist Charles Hamm described three types of jazz music at the time: black music for black audiences, black music for white audiences, and white music for white audiences. Jazz artists like Louis Armstrong originally received very little airtime because most stations preferred to play
19710-428: Was described as the "sound factory." Radio made it possible for millions to hear music for free — especially people who never attended expensive, distant big city clubs. These broadcasts originated from clubs in leading centers such as New York, Chicago, Kansas City, and Los Angeles. There were two categories of live music on the radio: concert music and big band dance music. The concert music was known as "potter palm" and
19856-488: Was documented as early as 1915 in the Chicago Daily Tribune . Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands". In an interview with National Public Radio , musician Eubie Blake offered his recollections of the slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It
20002-569: Was done. One strategy used by Frankie Yale and the Genna brothers gang (both involved in organized crime) was to give poor Italian Americans alcohol stills to make alcohol for them at $ 15 per day's work. Another strategy was to buy liquor from rumrunners. Racketeers would also buy closed breweries and distilleries and hire former employees to make alcohol. Another person famous for organized crime named Johnny Torrio partnered with two other mobsters and legitimate brewer Joseph Stenson to make illegal beer in
20148-465: Was even praised by Louis Armstrong as one of his favorites. Some musicians, like Pops Foster , learned on homemade instruments. Urban radio stations played African-American jazz more frequently than suburban stations, due to the concentration of African Americans in urban areas such as New York and Chicago. Younger demographics popularized the black-originated dances such as the Charleston as part of
20294-433: Was major ... , and I carried this device into my melody as well. The publication of his " Memphis Blues " sheet music in 1912 introduced the 12-bar blues to the world (although Gunther Schuller argues that it is not really a blues, but "more like a cakewalk"). This composition, as well as his later " St. Louis Blues " and others, included the habanera rhythm, and would become jazz standards . Handy's music career began in
20440-559: Was not only a great singer but also an African-American woman as well as an icon in the LGBTQ+ community. Throughout her musical career she was unapologetically herself, expressing the struggles of the Black working class, addressing issues such as poverty, racism, and sexism alongside themes of love and female sexuality in her lyrics. She has grown through the ages to be one of the most well respected singers of all time and inspired later performers such as Billie Holiday . Lovie Austin (1887–1972)
20586-505: Was often supplied by foreign distributors from nations such as Cuba and the Bahamas, and some even came from Newfoundland and islands under French rule. In response, the government employed the Coast Guard to search and detain ships transporting alcohol into the country, but caused several complications such as disputes over national jurisdiction areas at sea. Atlantic City, New Jersey became
20732-427: Was pushed, tongue blocks under shelves of liquor would drop, making the shelves drop back and liquor bottles fall down a chute, break, and drain the alcohol through rocks and sand. An alarm also went off if the button was pushed to alert customers of a raid. Another mechanism used by Burns was a wine cellar with a thick door flush with the wall. It had a small, almost unnoticeable hole for a rod to be pushed in to activate
20878-402: Was shut down by the U.S. government in 1917. Cornetist Buddy Bolden played in New Orleans from 1895 to 1906. No recordings by him exist. His band is credited with creating the big four: the first syncopated bass drum pattern to deviate from the standard on-the-beat march. As the example below shows, the second half of the big four pattern is the habanera rhythm. Eighteenth Amendment to
21024-647: Was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies." The American Dialect Society named it the Word of the 20th Century . Jazz is difficult to define because it encompasses a wide range of music spanning a period of over 100 years, from ragtime to rock -infused fusion . Attempts have been made to define jazz from the perspective of other musical traditions, such as European music history or African music. But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, defining jazz as
21170-529: Was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history". Shep Fields also helped to popularize "Sweet" Jazz music through his appearances and Big band remote broadcasts from such landmark venues as Chicago's Palmer House , Broadway's Paramount Theater and
21316-552: Was their live performances which inspired European audiences' interest in jazz, as well as the interest in all things American (and therefore exotic) which accompanied the economic and political woes of Europe during this time. The beginnings of a distinct European style of jazz began to emerge in this interwar period. British jazz began with a tour by the Original Dixieland Jazz Band in 1919 . In 1926, Fred Elizalde and His Cambridge Undergraduates began broadcasting on
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