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42-469: In San Francisco, sous-chef Tom, and PhD graduate Violet, are happily engaged. Their wedding plans are interrupted when Tom's best friend Alex gets Violet's sister Suzie pregnant at Tom and Violet's engagement party, and Alex and Suzie quickly marry. When Violet is accepted into the University of Michigan 's two-year post-doctorate psychology program, Tom agrees to move with her and delay their wedding, but

84-412: A "winning cast in an uneven but often brilliant and weird comedy." Sous-chef A sous-chef is a chef who is second in command of a kitchen, ranking directly below the head chef . In large kitchens, sous-chefs generally manage members of the kitchen on behalf of the head chef, who is usually preoccupied with other tasks. The sous-chef has many responsibilities, because the executive chef has

126-532: A carriage ride with the newly-wedded couple. Parts of the movie take place in Ann Arbor, Michigan , and scenes were filmed there and in nearby Ypsilanti in June 2011. The Five Year Engagement: Music From The Motion Picture is the soundtrack of the film. It was released on April 17, 2012 with Michael Andrews as composer and Jonathan Karp as Music Supervisor . The Five-Year Engagement debuted at number 5 in

168-465: A climax when Winton comes to their rehearsal dinner to apologize. Tom chases Winton away and leaves to get drunk alone. He runs into Margaret, an amorous co-worker, but opts not to have sex with her, and wakes up half-naked in the snow with a frostbitten toe, which is amputated. Violet visits Tom at the hospital, and they call off their engagement once they arrive home. Violet starts a relationship with Winton but often reminisces about Tom, who wishes her

210-408: A growing responsibility on the music supervisor. Over the past decade, synchronization licensing has become one of the most significant ways for an artist to gain exposure and to earn money. Finding a way to a music supervisor can give an artist the opportunity to spread their music on a platform that would expose them to a much larger audience than they may have been able to find on their own. One of

252-468: A happy birthday via email, including a video of Ming's ridiculous experiment on his friend Tarquin. Violet calls Tom, who has returned to San Francisco, working as a sous-chef under Alex and dating the hostess, Audrey. Their friendly-but-awkward conversation takes a turn as they argue over Violet's stale donuts experiment as a metaphor for their relationship, and both end the call upset. Realizing Tom's unhappiness, Alex fires him out of love, telling him that he

294-427: A legal background is an excellent qualification. Some supervisors are musicians, producers, agents, or managers – experience with the music or film/television industries is a strong background upon which to build. Despite common misconceptions, musical knowledge (writing, reading, performing, composing) is not nearly as important as a familiarity with a broad range of music, including popular styles and artists, as well as

336-410: A liaison between the creative and business ends of the process. Once a song is approved, they approach the rights holders of that song to seek permission to license (usually creating master recording licenses and synchronization licenses ) and to work out the financial details of the song's use. In many instances, the artist or songwriter of the recorded song is given the opportunity to accept or decline

378-463: A more overarching role. Sous-chefs must plan and direct how the food is presented on the plate, keep their kitchen staff in order, train new chefs, create the work schedule, and make sure all the food that goes to customers is of the best quality to maintain high standards. Sous-chefs are in charge of making sure all kitchen equipment is in working order. They must thoroughly understand how to use and troubleshoot all appliances and cooking instruments in

420-537: A more stable understanding for the director and producer of the film what music was going to be used in the scene. Instead of having to wait for new instrumental music to be commissioned, they could have an understanding of what recording would be used before the film was finalized. This led to an emerging need for selecting and licensing songs, which is how the position of music supervisor developed. Taking advantage of this musical component has become an increasingly feasible marketing strategy for these media outlets, placing

462-404: A movie included a hit song, more people were likely to see it, and as a result of that, more people were likely to purchase the song recording. The demand for music supervisors in the production process solidified in the 1980s, and has continued to grow with the popularity of media soundtracks. While the use of songs not originally composed for the film did not save money, licensing a song made for

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504-535: A music supervision firm, to upwards of $ 250,000 for a freelance supervisor per feature film (Austin). Music supervisors also have the opportunity to continue receiving funds through soundtrack royalties. It is generally more profitable (assuming one will be regularly hired) to work freelance jobs than to work for a larger corporation. However, some supervisors may choose to work within a music supervision company. In addition, music supervisors who work "in house" within an entertainment, such as an advertising agency or within

546-408: A music supervisor is to meet the needs of a project's director and producer. This means catering to the creative goals of a project under a strict budget: often less than 5% of a project's total budget. The director/producer will discuss their vision for the project with the music supervisor, and how they expect the music to enhance this vision. The visual media will then be spotted by the supervisor –

588-537: A music supervisor's job revolves around music clearance alone. When it comes to royalty collections, a music supervisor will sometimes be in charge of arranging this source of the selected artist's revenue. Royalties for music placements are paid out by Performance Rights Organizations (such as ASCAP, BMI, and SESAC in the United States). In order to detect the placements an artist has made with visual media, these companies need to be aware of their placement. Depending on

630-399: A process of choosing where selected music will be inserted. Traditional spots include the main title, opening credits, and closing credits, while additional spots are incorporated to trigger emotional responses from viewers. Scores, or background music, are also an important consideration for enhancing visual media. Scores can range from the background to a dramatic scene to television bumpers –

672-457: A project, however it varies from project to project. For example, music supervisors can be hired at an entertainment company as an “in house” staff member to manage the supervision for several projects (such as at an advertising agency). A production company may also hire a supervisor on a project-by-project basis (such as hiring one supervisor for an entire television series as seen with Gossip Girl or The O.C.). Music supervisors may also be hired on

714-484: A show-by-show basis (ex. AMC's Mad Men, which has used multiple music supervisors). A music supervisor must have a wide knowledge of music and a passion for musical research. There is no set educational or career path to become a music supervisor. Educational backgrounds range from Bachelor of Fine Arts in music to business degrees to no higher education at all. Because the majority of the position involves music negotiations, clearances, publishing/performing deals, etc.,

756-528: Is a person who combines music and visual media. According to the Guild of Music Supervisors, a music supervisor is “a qualified professional who oversees all music related aspects of film, television, advertising, video games and other existing or emerging visual media platforms as required.” In the musical theatre industry, a music supervisor is often responsible for managing a team of music directors working on any number of musical productions. In visual productions,

798-690: Is disheartened to learn his boss planned to make him a head chef. Unable to find a suitable chef's position in Michigan, Tom is resigned to working at Zingerman's deli and takes up hunting with Bill, a fellow university faculty spouse. Violet settles into her new job under professor Winton Childs, working with Doug, Ming, and Vaneetha. A prank results in Violet being chosen to lead the team's research project, studying people who choose to eat stale donuts rather than wait for fresh donuts to arrive. Tom and Violet's nuptials are further delayed when Winton receives funding from

840-456: Is the better chef and should open his own franchise, and Tom launches a popular taco truck. Violet receives an assistant professorship but learns she was hired because she is dating Winton, and breaks up with him. After lunch with his parents, Tom decides to win Violet back and breaks up with Audrey. He surprises Violet at her grandparents' funeral in England, and they agree to spend the remainder of

882-505: The National Institutes of Health with Violet's help and extends her program. Tom is upset by the news, and he and Violet fight over his unhappiness with their new life. As years pass, Tom becomes disillusioned and obsessed with hunting. Alex, Suzie, and their daughter Vanessa visit, and reveal Suzie is pregnant again. Tom responds that he no longer wants to have a child, surprising Violet, who offers to look after Vanessa with Tom, but

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924-426: The ability to improvise when a problem arises while the restaurant is busy. They must also ensure safety precautions and sanitary provisions are taken to ensure a safe and clean working environment. Many sous-chefs get to their position via promotion, after training and experience in the culinary profession. In Canada, one way to advance to the sous-chef position is by getting a specialized college diploma, acquiring

966-426: The airport. They head to Alamo Square , where Violet has organized their family and friends for an impromptu wedding. Tom chooses between Violet's various options for the officiant, clothing, and music, and they finally marry. Tom and Violet share their first kiss as a married couple, and the film flashes back to their first kiss when they first met at a New Year's Eve party. Alex and Suzie sing " Cucurrucucú paloma " on

1008-639: The box office. It grossed $ 11,157,000 on its first weekend in US and Canada. As of May 20, 2012 it has grossed $ 27,068,000 in U.S. and Canada and $ 4,700,000 in Australia and New Zealand bringing to a total of $ 31,768,000. The movie's budget was $ 30,000,000. As of June 21, 2012 its worldwide gross was $ 53,909,751. The film was released on 22 June in the UK. By August it had grossed $ 7,743,125 in the United Kingdom. On Rotten Tomatoes

1050-582: The craft of music supervision. Since 2011 guild has granted awards for excellence in the position. They encourage other institutions, such as the Hollywood Music and Media Awards, to acknowledge accomplishments in the field. Since 2017, the role has been honored by the Academy of Television Arts & Sciences with the Primetime Emmy Award for Outstanding Music Supervision , which was first presented at

1092-552: The event of a malfunctioning cooking device. Sous-chefs are in charge of disciplining any kitchen staff who may have acted against restaurant policy. Incentive programs are commonly used among sous-chefs to encourage their staff to abide by rules and regulations, and motivate them to work efficiently at all times. Under the oversight of the sous-chef, downtime should be used for prepping, cleaning and other kitchen duties. They are responsible for inventory, product and supply rotation, and menu tasting. Sous-chefs need to be responsive and have

1134-405: The field now accommodates many career professionals. Because of the massive expansion in the field, many colleges and universities offer courses in music supervision. For example, NYU Steinhardt's Music Business program offers a course titled “Strategic Music and Branding”. Music supervisor salaries vary depending upon the project and the hiring process. Salaries can range from $ 35,000 annually at

1176-425: The film a grade B− on scale of A to F. Owen Gleiberman Entertainment Weekly gave the film a grade of a B+ and called it "A lively, original, and scattershot-hilarious ramble of a Judd Apatow production." Elizabeth Weitzman, from New York Daily News wrote: "Blunt has never been more relaxed, and she and Segel have a believably warm chemistry." Richard Roeper gave the film a grade of a B+, saying that it featured

1218-463: The film has a score of 64% based on reviews from 179 critics, and an average rating of 6.2/10. The website's critical consensus reads, "While certainly overlong, The Five-Year Engagement benefits from the easy chemistry of its leads and a funny, romantic script with surprising depth and intelligence." On Metacritic the film has a score of 62 out of 100 based on 38 reviews, indicating "generally favorable reviews". Audiences surveyed by CinemaScore gave

1260-786: The knowledge necessary to qualify to take the Red Seal for the Journeyman Cook exam. A year after completing the exam, it is possible to enroll in the Chef Program to take an exam with the Canadian Culinary Foundation. Then, after four to five years of working experience, one can apply to the Certified Chef de Cuisine program. This job-, occupation-, or vocation-related article is a stub . You can help Misplaced Pages by expanding it . Music Supervisor A music supervisor

1302-483: The most notable synchronization collaborations was with Moby's 1999 album Play, which was the first ever to have all of its tracks linked to a synchronization license. The job of a music supervisor has only recently become increasingly significant and the importance of this position continues to grow. Institutions such as the Guild of Music Supervisors are promoting the understanding of music supervision. In 2007 several supervisors, in order to promote, pursue and recognize

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1344-425: The music department of a production company, will earn a salary based upon their ranking and company earnings. While staff jobs with a network, studio, or production company offer more security, the recognition and pay are significantly lower. Despite the environment, a music supervisor should always work out a contract including expectations, responsibilities, and payment before beginning a project. Originally, music

1386-407: The music signifying leading into or coming back from a commercial break. After being given or creating a budget, the supervisor must select appropriate music for the project – either by licensing existing songs/scores, or creating new songs/scores. In the selection process, a music supervisor may choose to seek the help of a third party licensing company or a music publisher, which will pitch songs to

1428-513: The music supervisor usually works with the directors, writers or producers to choose which songs are best suited for the scenes. A music supervisor is somebody with a broad and encyclopedic music expertise and a sophisticated knowledge of music licensing and negotiation. Typically, a music supervisor proposes previously recorded songs to the director or producer of a film, advertisement, television show, trailer, promo, video game, or any other form of visual media. A music supervisor will usually act as

1470-431: The night turns into a disaster after Vanessa shoots Violet with Tom's crossbow. Tom's downward spiral becomes evident when Violet sees him eat a stale donut. At a bar with colleagues, a drunken Violet and Winton kiss, which Violet instantly regrets. She tells Tom that she wants to plan their wedding immediately, and he happily agrees. When Violet confesses to kissing Winton, Tom loses faith in their relationship, which reaches

1512-495: The production/negotiating process itself. Author of Music Business Handbook and Career Guide David Baskerville notes "This is one of the few production specialties that has almost unlimited growth potential, because there [is] no universally accepted job description. The field remains wide open to people with connections and the ability to get the job done." The proliferation of video technology has resulted in an increased demand for production companies needing to license music, and

1554-509: The rights holders of the recorded music involved and the director of the project they have been hired to work on. In addition, they advise, generate and work within financial parameters of the project they are hired to work on. They must deliver musical elements within a timely manner and secure legal rights of the song before it is used. The music supervisor will gather the appropriate information to list credits and, in certain cases, will manage royalty collection. The overarching responsibility of

1596-468: The summer together in San Francisco, rekindling their relationship while sharing an apartment and working in the taco truck. Driving Violet to the airport, Tom offers to take his truck to Michigan and continue their relationship. Violet proposes to Tom at the side of the road, just as he did five years before, and Tom reveals the ring he originally gave her, explaining that he was planning to re-propose at

1638-449: The supervisor from within their library of music. If creating new music, the supervisor may become responsible for additional roles, including securing artists or composers, facilitating the production and recording process, overseeing finances, and finalizing post-theatrical uses of the soundtrack. When using pre-existing music, the supervisor's duties focus on the legal and financial aspects of licensing and negotiating. A large percentage of

1680-419: The synchronization of their song. This position is most active within media-based industries, including live events, television, film, advertising, theatre, and video gaming. Music supervisors may work within production companies, film studios, networks, music supervision companies, or do freelance work. A supervisor's responsibilities are to locate, secure and oversee music-related talent. They liaise between

1722-407: The type of project (ad placement, television show, etc.). the music supervisor will have to either make sure the artist is credited properly, send video clips of the placement to the publisher (which will then be sent to the proper Performance Rights Organization),or create a cue sheet of all of the songs used in the project Many directors and producers will choose to work with a single supervisor for

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1764-456: Was used in silent films to hide mechanical noises within a theatre, like the projector. Often a musician would be present to play improvised or pre-selected pieces along with the visual images on screen. This led to the establishment of the soundtrack, and an emphasis on accompanying silent visual media with music. Over time, films began hiring composers to create instrumental soundtracks to accompany films. It became apparent to studios that when

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