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An independent film , independent movie , indie film , or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.

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131-424: The Cake Eaters is a 2007 American independent drama film about two small-town families who must confront old issues with the return of one family's son. The film was directed by Mary Stuart Masterson (in her feature film directorial debut ), and stars Kristen Stewart , Aaron Stanford , Bruce Dern and Jayce Bartok. Stewart plays Georgia, a young girl with Friedreich's ataxia , a rare disease for which there

262-478: A wide release . Independent films are often screened at local, national, or international film festivals before distribution (theatrical or retail release). An independent film production can rival a mainstream film production if it has the necessary funding and distribution. In 1908, the Motion Picture Patents Company or "Edison Trust" was formed as a trust . The Trust was a cartel that held

393-1058: A US federal court to seven counts of making threatening communications in interstate commerce. Appearing in the Sunday paper almost every week is The Boston Globe Magazine . As of 2018 , Veronica Chao is the editor, and contributors include Neil Swidey and Meredith Goldstein . Since 2004, the December issue features a Bostonian of the Year . Past winners include Red Sox general manager Theo Epstein (2004), retired judge and Big Dig whistleblower Edward Ginsburg (2005), governor Deval Patrick (2006), Neighborhood Assistance Corporation of America founder and CEO Bruce Marks (2007), NBA champion Paul Pierce (2008), professor Elizabeth Warren (2009), Republican politician Scott Brown (2010), U.S. attorney Carmen Ortiz and ArtsEmerson executive director Robert Orchard (2011), Olympic gold medalists Aly Raisman and Kayla Harrison (2012), three people who were near

524-424: A big budget adaptation of Frank Herbert 's science fiction novel Dune for Italian producer Dino De Laurentiis 's De Laurentiis Entertainment Group , on the condition that the company release a second Lynch project, over which the director would have complete creative control. Although De Laurentiis hoped it would be the next Star Wars , Lynch's Dune (1984) was a critical and commercial flop, grossing

655-410: A billion-dollar deal, acquired New Line Cinema, Fine Line Features , and Castle Rock Entertainment in 1994. The acquisitions proved to be a good move for Turner Broadcasting as New Line released The Mask and Dumb & Dumber , Castle Rock released The Shawshank Redemption , and Miramax released Pulp Fiction , all in 1994. The acquisitions of the smaller studios by conglomerate Hollywood

786-508: A blog made up of posts from the paper's opinion writers. In September 2011, The Boston Globe launched a dedicated, subscription-based website at bostonglobe.com. Starting in 2012, the Globe provided a printing and circulating service for the Boston Herald , and by 2013, was handling its rival's entire press run. This arrangement remained in place until 2018, ending after the acquisition of

917-468: A built-in national rating, in order to avoid presenting movies to inappropriately young audiences. Following the advent of television and the Paramount Case , the major studios attempted to lure audiences with spectacle. Widescreen processes and technical improvements, such as Cinemascope , stereo sound, 3-D and others, were developed in an attempt to retain the dwindling audience by giving them

1048-453: A centralized archive. Founded in 1962 by Jonas Mekas , Stan Brakhage , Shirley Clarke , Gregory Markopoulos , and others, the Cooperative provided an important outlet for many of cinema's creative luminaries in the 1960s, including Jack Smith and Andy Warhol . When he returned to America, Ken Anger would debut many of his most important works there. Mekas and Brakhage would go on to found

1179-415: A contract to be general manager of the paper for two years. He would serve as the first publisher of The Boston Globe until his death in 1921, and was succeeded by four of his descendants until 1999. Originally a morning daily, the Globe began its Sunday edition in 1877. A weekly edition called The Boston Weekly Globe , catering to mail subscribers outside the city, was published from 1873 until it

1310-533: A coordinated campaign for newspapers nationwide to respond to President Donald Trump's "enemy of the people" attacks and " fake news " rants against the media by publishing locally produced editorial responses on Thursday, August 16. Within a couple of days, an estimated 100+ newspapers had pledged to join the campaign, jumping to roughly 200 a few days later. On August 13, the Radio Television Digital News Association and its Voice of

1441-481: A costly distribution system or concede defeat. The veteran producer Joseph Schenck was hired as president. Not only had he been producing pictures for a decade, but he brought along commitments for films starring his wife, Norma Talmadge , his sister-in-law, Constance Talmadge , and his brother-in-law, Buster Keaton . Contracts were signed with a number of independent producers, especially Samuel Goldwyn , Howard Hughes and later Alexander Korda . Schenck also formed

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1572-490: A crowd of like-minded avant-garde filmmakers who were interested in creating films as works of art rather than entertainment. Based upon a common belief that the "official cinema" was "running out of breath" and had become "morally corrupt, aesthetically obsolete, thematically superficial, [and] temperamentally boring", this new crop of independents formed The Film-Makers' Cooperative , an artist-run, non-profit organization which they would use to distribute their films through

1703-482: A decade. Unlike the former, John Waters released most of his films during his early life through his own production company, Dreamland Productions . In the early 1980s, New Line Cinema agreed to work with him on Polyester (1981). During the 1980s, Waters would become a pillar of the New York–based independent film movement known as the " Cinema of Transgression ", a term coined by Nick Zedd in 1985 to describe

1834-501: A fellow studio convert, George Lucas , a fan of Eraserhead and now the darling of the studios, offered Lynch the opportunity to direct his next Star Wars sequel, Return of the Jedi (1983). However, Lynch had seen what had happened to Lucas and his comrades in arms after their failed attempt to do away with the studio system. He refused the opportunity, stating that he would rather work on his own projects. Lynch instead chose to direct

1965-535: A few dozen or possibly a few hundred screens in select urban markets. Films like these usually cost less than $ 10 million, but frequently less than $ 5 million, with small marketing budgets that escalate if and when a particular film performs. The independent film industry exists globally. Many of the most prestigious film festivals are hosted in various cities around the world. The Berlin International Film Festival attracts over 130 countries, making it

2096-405: A larger-than-life experience. The 1950s and early 1960s saw a Hollywood dominated by musicals, historical epics, and other films which benefited from these advances. This proved commercially viable during most of the 1950s. However, by the late 1960s, audience share was dwindling at an alarming rate. Several costly flops, including Cleopatra (1963) and Hello, Dolly! (1969) put severe strain on

2227-472: A loose-knit group of like-minded New York artists using shock value and humor in their Super 8 mm films and video art . Other key players in this movement included Kembra Pfahler , Casandra Stark , Beth B , Tommy Turner, Richard Kern and Lydia Lunch . Rallying around such institutions as the Film-Makers' Cooperative and Anthology Film Archives, this new generation of independents devoted themselves to

2358-526: A mere $ 27.4 million domestically against a $ 45 million budget. De Laurentiis, furious that the film had been a commercial disaster, was then forced to produce any film Lynch desired. He offered Lynch only $ 6 million in order to minimize the risk if the film had failed to recoup its costs; however, the film, Blue Velvet (1986), was a resounding success, earning him another Academy Award for Best Director nod. Lynch subsequently returned to independent filmmaking, and did not work with another major studio for over

2489-425: A monopoly on film production and distribution comprising all the major film companies of the time ( Edison , Biograph , Vitagraph , Essanay , Selig , Lubin , Kalem , American Star , American Pathé ), the leading distributor ( George Kleine ) and the biggest supplier of raw film, Eastman Kodak . A number of filmmakers declined or were refused membership to the trust and came to be described as "independent". At

2620-450: A number of young film makers began to experiment with transgression not as a box-office draw, but as an artistic act . Directors such as John Waters and David Lynch would make a name for themselves by the early 1970s for the bizarre and often disturbing imagery which characterized their films. When Lynch's first feature film, Eraserhead (1977), brought Lynch to the attention of producer Mel Brooks , he soon found himself in charge of

2751-482: A practice ended by editor Thomas Winship in 1966. In March 1980, the Globe published an editorial about a speech by President Jimmy Carter , which included the accidental headline " Mush from the Wimp " during part of the press run, drawing national attention. Since 1981, the editorial pages of the Globe have been separate from the news operation, as is frequently customary in the news industry . Editorials represent

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2882-698: A prominent former Boston ad executive, to be CEO. As of January 2017 , Doug Franklin replaced Mike Sheehan as CEO, then Franklin resigned after six months in the position, in July 2017, as a result of strategic conflicts with owner Henry. In July 2016, the 815,000-square-foot headquarters in Dorchester was sold to an unknown buyer for an undisclosed price. The Globe moved its printing operations in June 2017 to Myles Standish Industrial Park in Taunton, Massachusetts . Also in June 2017,

3013-474: A regional paper of national distinction. He served as editor until 1984, during which time the paper won a dozen Pulitzer Prizes , the first in the paper's history. The Boston Globe was a private company until 1973 when it went public under the name Affiliated Publications . It continued to be managed by the descendants of Charles Taylor. In 1993, The New York Times Company purchased Affiliated Publications for US$ 1.1   billion, making The Boston Globe

3144-613: A result of the falling cost of technology to make, edit and digitally distribute films, filmmaking is more widely accessible than ever before. Full-length films are often showcased at film festivals such as the Sundance Film Festival, Slamdance Film Festival, South by Southwest Festival, Raindance Film Festival, Telluride Film Festival, and Palm Springs Film Festival. Award winners from these exhibitions are more likely to get picked up for distribution by major film distributors. Film festivals and screenings like these are just one of

3275-501: A separate partnership with Pickford and Chaplin to buy and build theaters under the United Artists name. Still, even with a broadening of the company, UA struggled. The coming of sound ended the careers of Pickford and Fairbanks. Chaplin, rich enough to do what he pleased, worked only occasionally. Schenck resigned in 1933 to organize a new company with Darryl F. Zanuck , Twentieth Century Pictures , which soon provided four pictures

3406-581: A story about two cancer patients, and Barnicle was forced to resign. Columnist Jeff Jacoby was suspended by the Globe in 2000 for failing to credit non-original content used in his column. In 2004, the Globe apologized for printing graphic photographs that the article represented as showing U.S. soldiers raping Iraqi women during the Iraq War from a city councilor's presentation before they were verified. The photos had already been found by other news organizations to be from an internet pornography site. In

3537-564: A studio's ability to package and release their work. This table lists the companies active in late 1935 illustrates the categories commonly used to characterize the Hollywood system. The studio system quickly became so powerful that some filmmakers once again sought independence. On May 24, 1916, the Lincoln Motion Picture Company was formed, the first movie studio owned and controlled by independent filmmakers. In 1919, four of

3668-515: A vacant lot near Georgia Street in downtown Los Angeles . While there, the company decided to explore new territories, traveling several miles north to Hollywood , a little village that was friendly and positive about the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 1800s, while it belonged to Mexico. Griffith stayed there for months and made several films before returning to New York. During

3799-652: A wholly owned subsidiary of The New York Times ' parent. The Jordan and Taylor families received substantial The New York Times Company stock, but by 1999 the last Taylor family members had left management. Boston.com , the online edition of The Boston Globe , was launched on the World Wide Web in 1995. Consistently ranked among the top ten newspaper websites in America, it has won numerous national awards and took two regional Emmy Awards in 2009 for its video work. The Boston Globe has consistently been ranked in

3930-403: A year to UA's schedule. He was replaced as president by sales manager Al Lichtman who himself resigned after only a few months. Pickford produced a few films, and at various times Goldwyn, Korda, Walt Disney , Walter Wanger , and David O. Selznick were made "producing partners" (i.e., sharing in the profits), but ownership still rested with the founders. As the years passed and the dynamics of

4061-472: Is also more of a push from EU National governments to fund all aspects of the arts, including film. The European Commission for Culture has an Audiovisual sector, for example, whose role is most notably to help distribute and promote films and festivals across Europe. Additionally, the Commission organizes policymaking, research, and reporting on "media literacy" and "digital distribution." As with other media,

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4192-638: Is finally exposed to the Kimbrough children; and Guy discovers that in his absence his high school sweetheart, Stephanie, has moved on and started a family of her own. Consequently, The Kimbroughs and Kaminskis manage to establish new beginnings while facing their varied relationships. Principal photography of this film began in May 2006 in New York . In an interview at the Austin Film Festival in 2007, Jayce Bartok,

4323-471: Is no cure. The Cake Eaters premiered at the Tribeca Film Festival on April 29, 2007, and earned a theatrical release on March 13, 2009. The film earned mixed reviews from critics, who praised Masterson's direction and the performances but criticized the screenplay. The Cake Eaters is a small-town, ensemble drama that explores the lives of two interconnected families coming to terms with love in

4454-429: Is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film, they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in

4585-410: Is said to have observed, "The inmates are taking over the asylum." The four partners, with advice from McAdoo (son-in-law and former Treasury Secretary of then-President Woodrow Wilson ), formed their distribution company, with Hiram Abrams as its first managing director. The original terms called for Pickford, Fairbanks, Griffith, and Chaplin to independently produce five pictures each year, but by

4716-570: Is the Boston Herald , whose circulation is smaller and is shrinking faster. The newspaper is "one of the nation's most prestigious papers". In 1967, The Boston Globe became the first major paper in the U.S. to oppose the Vietnam War . The paper's 2002 coverage of the Roman Catholic Church sex abuse scandal received international media attention and served as the basis for the 2015 American drama film Spotlight . Since February 2023,

4847-701: The Chicago Sun-Times , who gave it three out of four stars, praised Masterson for a good debut. Stephen Holden of The New York Times called it a "small, overcrowded ensemble piece" that is "elevated" by "superior acting" into "something deeper". Other critics, such as Rex Reed of the New York Observer , Bill Goodykoontz of the Arizona Republic , and V.A. Musetto of the New York Post , also gave favorable reviews, with Musetto, in particular, lamenting

4978-677: The Philadelphia Bulletin , to form the Associated Newspapers syndicate. In the early 1900's Charles H. Taylor was responsible for making the Globe the most used Newspaper in New England. He went into greater details regarding social movements such as the Women's Suffrage Movement . While other competitors such as The Boston Post did not shine as much light on these social movements. In

5109-538: The de facto ban on small productions; the independent filmmakers who had fled to Southern California during the enforcement of the trust had already laid the groundwork for the studio system of classical Hollywood cinema . In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of performers Blanche Sweet , Lillian Gish , Mary Pickford , Lionel Barrymore , and others. They began filming on

5240-402: The 1940 Massachusetts gubernatorial election , the Globe correctly projected the re-election of Republican incumbent Leverett Saltonstall , using methods first established by Taylor; rival The Boston Post called the race incorrectly for Democrat Paul A. Dever . In 1955, Laurence L. Winship was named editor, ending a 75-year period of the role being held by the paper's publishers. In

5371-534: The 2020 presidential election , but has sometimes endorsed Republicans in state and local elections, such as Charlie Baker for governor. Describing the political position of The Boston Globe editorial page in 2001, former editorial page editor Renée Loth told the Boston University alumni magazine: The Globe has a long tradition of being a progressive institution, and especially on social issues. We support woman's rights; We are pro-choice; we're against

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5502-622: The American Civil Liberties Union . Following on the heels of Easy Rider shortly afterward was the revived United Artists' Midnight Cowboy (also 1969), which, like Easy Rider , took numerous cues from Kenneth Anger and his influences in the French New Wave. It became the first and only X rated film to win the Academy Award for Best Picture. Midnight Cowboy also held the distinction of featuring cameo roles by many of

5633-545: The Anthology Film Archives in 1970, which would likewise prove essential to the development and preservation of independent films, even to this day. Not all low-budget films existed as non-commercial art ventures. The success of films like Little Fugitive , which had been made with low (or sometimes non-existent ) budgets encouraged a huge boom in popularity for non-studio films. Low-budget film making promised exponentially greater returns (in terms of percentages) if

5764-504: The Boston Marathon bombing , Dan Marshall, Natalie Stavas, and Larry Hittinger (2013), Market Basket employees (2014), and neuropathologist Ann McKee (2017). On October 23, 2006, The Boston Globe announced the publication of Design New England: The Magazine of Splendid Homes and Gardens . The glossy oversized magazine was published six times per year. The magazine ceased publication in 2018. The Globe uses "editor" as

5895-616: The Globe in January 1884, hired by Charles H. Taylor. Source: In 1998, columnist Patricia Smith was forced to resign after it was discovered that she had fabricated people and quotations in several of her columns. In August of that year, columnist Mike Barnicle was discovered to have copied material for a column from a George Carlin book, Brain Droppings . He was suspended for this offense, and his past columns were reviewed. The Boston Globe editors found that Barnicle had fabricated

6026-472: The Globe moved its headquarters to Exchange Place in Boston's Financial District . In July 2022, James Dao, a senior editor with 30 years of experience at The New York Times, was named the editorial page editor, succeeding Bina Venkataraman. In November 2022, The Boston Globe announced that NPR news chief Nancy Barnes would replace Brian McGrory as editor. From September 1, 2022, to August 31, 2023,

6157-592: The Herald by Digital First Media . In February 2013, The New York Times Company announced that it would sell its New England Media Group , which encompasses the Globe ; bids were received by six parties, including John Gormally, then-owner of WGGB-TV in Springfield, Massachusetts , another group included members of former Globe publishers, the Taylor family, and Boston Red Sox principal owner John W. Henry , who bid for

6288-607: The Mirisch brothers, Billy Wilder , Joseph E. Levine and others. By the late 1950s, RKO had ceased film production, and the remaining four of the big five had recognized that they did not know how to reach the youth audience. In an attempt to capture this audience, the Studios hired a host of young filmmakers (many of whom were mentored by Roger Corman ) and allowed them to make their films with relatively little studio control. Warner Brothers offered first-time producer Warren Beatty 40% of

6419-496: The Pulitzer Prize for National Reporting . On April 2, 2009, The New York Times Company threatened to close the paper if its unions did not agree to $ 20 million of cost savings. Some of the cost savings include reducing union employees' pay by 5%, ending pension contributions, ending certain employees' tenures. The Boston Globe eliminated the equivalent of 50 full-time jobs; among buy-outs and layoffs, it swept out most of

6550-440: The Roman Catholic Church sex abuse scandal in 2001–2003, especially in relation to Massachusetts churches. The Boston Globe was awarded the Pulitzer Prize for their work and the work of other staff, one of several the paper has received for its investigative journalism, and their work was dramatized in the 2015 Academy Award-winning film Spotlight , named after the paper's in-depth investigative division. The Boston Globe

6681-461: The U.S. domestic box office revenue was from independent studios. The 1990s saw the rise and success of independent films not only through the film festival circuit but at the box office as well while established actors, such as Bruce Willis , John Travolta , and Tim Robbins , found success themselves both in independent films and Hollywood studio films. Teenage Mutant Ninja Turtles in 1990 from New Line Cinema grossed over $ 100 million in

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6812-594: The World War I effort. Already veterans of Hollywood, the four film stars began to talk of forming their own company to better control their own work as well as their futures. They were spurred on by the actions of established Hollywood producers and distributors, who were making moves to tighten their control over their stars' salaries and creative license. With the addition of Griffith, planning began, but Hart bowed out before things had formalized. When he heard about their scheme, Richard A. Rowland , head of Metro Pictures ,

6943-404: The blockbuster Star Wars and Indiana Jones franchises. In fact, the only two movies of the movement which can be described as uncompromisingly independent are Easy Rider at the beginning, and Peter Bogdanovich 's They All Laughed , at the end. Peter Bogdanovich bought back the rights from the studio to his 1980 film and paid for its distribution out of his own pocket, convinced that

7074-709: The editor has been Nancy Barnes . The Boston Globe was founded in 1872 by six Boston businessmen who jointly invested $ 150,000 (equivalent to $ 3,815,000 in 2023). The founders included Eben Dyer Jordan of the Jordan Marsh department store, and Cyrus Wakefield of the Wakefield Rattan Company and namesake of the town of Wakefield, Massachusetts . The first issue was published on March 4, 1872, and sold for four cents (equivalent to $ 1.02 in 2023). In August 1873, Jordan hired Charles H. Taylor as temporary business manager; in December, Taylor signed

7205-648: The "prosumer" camera segment and film schools for those who are less autodidactic. Film programs in universities such as NYU in New York and USC in Los Angeles have benefited from this transitional growth. The economic side of filmmaking is also less of an obstacle than before, because the backing of a major studio is no longer needed to access necessary movie funding. Crowdfunding services like Kickstarter , Pozible , and Tubestart have helped people raise thousands of dollars; enough to fund their own, low-budget productions. As

7336-485: The $ 5 million film The Elephant Man (1980) for Paramount. Though Eraserhead was strictly an out-of-pocket, low-budget, independent film, Lynch made the transition with unprecedented grace. The film was a huge commercial success, and earned eight Academy Award nominations, including Best Director and Best Adapted Screenplay nods for Lynch. It also established his place as a commercially viable, if somewhat dark and unconventional, Hollywood director. Seeing Lynch as

7467-423: The 1950s progressed, the new low-budget paradigm of filmmaking gained increased recognition internationally, with films such as Satyajit Ray 's critically acclaimed Apu Trilogy (1955–1959). Unlike the films made within the studio system, these new low-budget films could afford to take risks and explore new artistic territory outside the classical Hollywood narrative. Maya Deren was soon joined in New York by

7598-474: The B-grade shlock film soon fell to the level of the Z movie , a niche category of films with production values so low that they became a spectacle in their own right. The cult audiences these pictures attracted soon made them ideal candidates for midnight movie screenings revolving around audience participation and cosplay . In 1968, a young filmmaker named George A. Romero shocked audiences with Night of

7729-598: The Edison era of the early 1900s, many Jewish immigrants had found jobs in the U.S. film industry. Under the Edison Trust, they were able to make their mark in a brand-new business: the exhibition of films in storefront theaters called nickelodeons . Within a few years, ambitious men like Samuel Goldwyn , Carl Laemmle , Adolph Zukor , Louis B. Mayer , and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to

7860-562: The First Amendment Task Force encouraged its 1,200 member organizations to join the campaign, while other media organizations also helped spread the call to action. Even as some right-leaning outlets portrayed the Globe ' s campaign as an attack on the president, rather than his rhetorical attacks on the Fourth Estate , some newspapers got a head start, releasing content on August 15, while 350 newspapers participated in

7991-405: The Globe ' s combined print and digital circulation for weekdays increased by 2.7%, to 346,944, and for Sundays it rose by 1.3%, to 408,974. There are more than 245,000 digital-only subscriptions, an increase of about 10,000 since February 2022. Starting with the Sunday edition in 1891, and expanded to weekday editions in 1913, each lead editorial in the Globe was signed "Uncle Dudley",

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8122-568: The Hollywood movie studios to sell their theater chains and to eliminate certain anti-competitive practices. This effectively brought an end to the studio system of Hollywood's Golden Age . By 1958, many of the reasons for creating the SIMPP had been corrected and SIMPP closed its offices. The efforts of the SIMPP and the advent of inexpensive portable cameras during World War II effectively made it possible for any person in America with an interest in making films to write, produce, and direct one without

8253-524: The Living Dead , a new kind of intense and unforgiving independent horror film. This film was released just after the abandonment of the production code, but before the adoption of the MPAA rating system . As such, it was the first and last film of its kind to enjoy a completely unrestricted screening, in which young children were able to witness Romero's new brand of highly realistic gore. This film would help to set

8384-515: The Pickford/Fairbanks Studio, but did not own a studio lot as such. Because of this, many of their films would be shot on location. Primarily acting as bankers, they offered money to independent producers. Thus UA did not have the overhead, the maintenance or the expensive production staff which ran up costs at other studios. UA went public in 1956, and as the other mainstream studios fell into decline, UA prospered, adding relationships with

8515-505: The United States . The Hollywood oligopoly replaced the Edison monopoly. Within this new system, a pecking order was soon established which left little room for any newcomers. By the mid-1930s, at the top were the five major studios, 20th Century Fox , Metro-Goldwyn-Mayer , Paramount Pictures , RKO Pictures , and Warner Bros. Then came three smaller companies, Columbia Pictures , United Artists , and Universal Studios . Finally there

8646-404: The United States making it the most successful indie film in box-office history to that point. Miramax Films had a string of hits with Sex, Lies, and Videotape , My Left Foot , and Clerks , putting Miramax and New Line Cinema in the sights of big companies looking to cash in on the success of independent studios. In 1993, Disney bought Miramax for $ 60 million. Turner Broadcasting , in

8777-525: The aid of any major film studio . These circumstances soon resulted in a number of critically acclaimed and highly influential works, including Maya Deren 's Meshes of the Afternoon in 1943, Kenneth Anger's Fireworks in 1947, and Morris Engel, Ruth Orkin and Ray Abrashkin's Little Fugitive in 1953. Filmmakers such as Ken Jacobs , with little or no formal training, began to experiment with new ways of making and shooting films. Little Fugitive became

8908-411: The availability of new technologies has fueled the democratization of filmmaking and the growth of independent film. In the late forties and fifties, new inexpensive portable cameras made it easier for independent filmmakers to produce content without studio backing. The emergence of camcorders in the eighties broadened the pool of filmmakers experimenting with the newly available technology. More recently,

9039-433: The business changed, these "producing partners" drifted away. Goldwyn and Disney left for RKO , Wanger for Universal Pictures , Selznick and Korda for retirement . By the late 1940s, United Artists had virtually ceased to exist as either a producer or distributor. In 1941, Mary Pickford , Charles Chaplin , Walt Disney , Orson Welles , Samuel Goldwyn , David O. Selznick , Alexander Korda , and Walter Wanger —many of

9170-536: The climate of independent horror for decades to come, as films like The Texas Chain Saw Massacre (1974) and Cannibal Holocaust (1980) continued to push the envelope. With the production code abandoned and violent and disturbing films like Romero's gaining popularity, Hollywood opted to placate the uneasy filmgoing public with the MPAA ratings system, which would place restrictions on ticket sales to young people. Unlike

9301-528: The course of the story… find their 'cake.' They find some love, happiness, peace…." The term was widely popularized as a quote from the 1992 film The Mighty Ducks . The Cake Eaters opened at the Tribeca Film Festival on April 29, 2007, and made the rounds of the independent film circuit, premiering at various film festivals such as the Woodstock Film Festival , Lone Star International Film Festival, Fort Lauderdale International Film Festival. It

9432-569: The craft. Aspiring filmmakers can range from those simply with access to a smartphone or digital camera, to those who write "spec" scripts (to pitch to studios), actively network, and use crowdsourcing and other financing to get their films professionally produced. Oftentimes, aspiring filmmakers have other day-jobs to support themselves financially while they pitch their scripts and ideas to independent film production companies, talent agents, and wealthy investors. This recent technology-fueled renaissance has helped fuel other supporting industries such as

9563-418: The death penalty; we're for gay rights. But if people read us carefully, they will find that on a whole series of other issues, we are not knee-jerk. We're for charter schools ; we're for any number of business-backed tax breaks. We are a lot more nuanced and subtle than that liberal stereotype does justice to. James Dao became the editorial page editor in 2022. In August 2018, the editorial board launched

9694-536: The defiance of the now-establishment New Hollywood, proposing that "all film schools be blown up and all boring films never be made again." In 1978, Sterling Van Wagenen and Charles Gary Allison , with Chairperson Robert Redford , (veteran of New Hollywood and star of Butch Cassidy and the Sundance Kid ) founded the Utah/US Film Festival in an effort to attract more filmmakers to Utah and showcase what

9825-515: The distance from Edison's home base of New Jersey made it more difficult for the MPPC to enforce its patents. The Edison Trust was soon ended by two decisions of the Supreme Court of the United States : one in 1912, which canceled the patent on raw film, and a second in 1915, which cancelled all MPPC patents. Though these decisions succeeded at legalizing independent film, they would do little to remedy

9956-479: The eldest son, Guy, has been away from the family for years while pursuing his rock star dream in the big city until the day he learns of his mother's death and that he has missed the funeral. Upon Guy's return home, relationships between the characters begin to unravel: Beagle's pent-up emotions connect with Georgia Kaminski, a terminally ill teenage girl wanting to experience love before it is too late; Easy's long-time affair with Marg, Georgia's eccentric grandmother,

10087-454: The event on August 16. From August 10 to 22, approximately 14 threatening phone calls were made to Boston Globe offices. The caller stated that the Globe was the "enemy of the people" and threatened to kill newspaper employees. On August 30, California resident Robert Chain was arrested by an FBI SWAT team and charged with a single count of making a threatening communication in interstate commerce. In May 2019, Chain pleaded guilty in

10218-432: The face of loss. Living in rural America, the Kimbrough family is a conflicted bunch: Easy, the patriarch and local butcher, is grieving over the recent loss of his wife, Ceci, while hiding a secret ongoing affair for years; Beagle, his youngest son who was left to care for his ailing mother, works in the local high school cafeteria by day but has a burning passion inside that manifests itself through painting street signs; and

10349-607: The fact that it had taken two years for the film to be released theatrically. Not all reception was positive however, with Erin Trahan of the Boston Globe , Gary Goldstein of the Los Angeles Times , and Aaron Hillis of Village Voice , among others, giving it negative reviews. Goldstein, in particular, was sharply critical of what he described as "a bland ensemble drama with an unremarkable script." Independent film It

10480-489: The features released in the United States and usually cost between $ 5 and $ 10 million to produce. Hollywood was producing these three different classes of feature films by means of three different types of producers. The superior products were the large, budget blockbusters and high-cost star vehicles marketed by the six major studio producer-distributors. Budgets on the major studios' pictures averaged $ 100 million, with approximately one-third of it spent on marketing because of

10611-406: The film could have a successful run in the theaters. During this time, independent producer/director Roger Corman began a sweeping body of work that would become legendary for its frugality and grueling shooting schedule. Until his so-called "retirement" as a director in 1971 (he continued to produce films even after this date), he would produce up to seven movies a year, matching and often exceeding

10742-428: The filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them. Film critic Manohla Dargis described this era as the "halcyon age" of the decade's filmmaking that "was less revolution than business as usual, with rebel hype". She also pointed out in her New York Times article that enthusiasts insisted this era

10873-594: The first independent film to be nominated for Academy Award for Best Original Screenplay at the American Academy Awards . It also received Silver Lion at Venice . Both Engel and Anger's films won acclaim overseas from the burgeoning French New Wave , with Fireworks inspiring praise and an invitation to study under him in Europe from Jean Cocteau , and François Truffaut citing Little Fugitive as an essential inspiration to his seminal work, The 400 Blows . As

11004-401: The five-per-year schedule that the executives at United Artists had once thought impossible. Like those of the avant-garde, the films of Roger Corman took advantage of the fact that unlike the studio system, independent films had never been bound by its self-imposed production code . Corman's example (and that of others like him) would help start a boom in independent B-movies in the 1960s,

11135-508: The following year, two New Hollywood directors had become sufficiently established for Coppola to be offered oversight of Paramount's The Godfather (1972) and Lucas had obtained studio funding for American Graffiti (1973) from Universal. In the mid-1970s, the major Hollywood studios continued to tap these new filmmakers for both ideas and personnel, producing films such as Paper Moon (1973) and Taxi Driver (1976), all of which met with critical and commercial success. These successes by

11266-704: The forefront of American journalism. Time magazine listed it as one of the ten best US daily newspapers in 1974 and 1984, and the Globe tied for sixth in a national survey of top editors who chose "America's Best Newspapers" in the Columbia Journalism Review in 1999. Under two editors, Martin Baron and then Brian McGrory , the Globe shifted away from coverage of international news in favor of Boston-area news. Globe reporters Michael Rezendes , Matt Carroll, Sacha Pfeiffer and Walter Robinson , and editor Ben Bradlee Jr. were instrumental in uncovering

11397-646: The game. Though the eventual breakup of the studio system and its restrictive chain-theater distribution network would leave independent movie houses eager for the kind of populist, seat-filling product of the Poverty Row studios, that same paradigm shift would also lead to the decline and ultimate disappearance of "Poverty Row" as a Hollywood phenomenon. While the kinds of films produced by Poverty Row studios only grew in popularity, they would eventually become increasingly available both from major production companies and from independent producers who no longer needed to rely on

11528-431: The government 60 days' notice that it intended to close the paper. Despite the cuts helping to "significantly [improve]" its financial performance by October of that year, the Globe 's parent company indicated that it was considering strategic alternatives for the paper, but did not plan to sell it. As of 2010, the Globe hosted 28 blogs covering a variety of topics, including Boston sports , local politics, and

11659-526: The gross on his film Bonnie and Clyde (1967) instead of a minimal fee. The movie had grossed over $ 70 million worldwide by 1973. These initial successes paved the way for the studio to relinquish almost complete control to the film school generation and began what the media dubbed " New Hollywood ." Dennis Hopper , the American actor, made his writing and directing debut with Easy Rider (1969). Along with his producer/co-star/co-writer Peter Fonda , Hopper

11790-467: The highest title; other newspapers may call this role editor-in-chief . The role of editor was held by three people in the earliest years of the paper, then from 1880 to 1955 by the publishers. The extended period of a publisher-editor ended in 1955, when Laurence L. Winship was named editor by publisher William Davis Taylor. Winship became the paper's top editor following the death of James Morgan, longtime de facto executive editor. Morgan had joined

11921-487: The large release campaigns. Another class of Hollywood feature film included art films, specialty films, and other niche-market fare controlled by the conglomerates' indie subsidiaries. Budgets on these indie films averaged $ 40 million per release in the early 2000s, with $ 10 million to $ 15 million spent on marketing (MPA, 2006:12). The final class of film consisted of genre and specialty films whose release campaigns were administered by independent producer-distributors with only

12052-750: The largest film festival in the world. Other large events include the Toronto International Film Festival , Hong Kong International Film Festival , and the Panafrican Film and TV Festival of Ouagadougou . The European Union , specifically through the European Cinema and VOD Initiative (ECVI), has established programs that attempt to adapt the film industry to an increasing digital demand for film on video on demand services, outside of theatrical screenings. With this program, VOD offerings are paired with traditional movie screenings. There

12183-427: The leading figures in American silent cinema ( Mary Pickford , Charles Chaplin , Douglas Fairbanks , and D. W. Griffith ) formed United Artists. Each held a 20% stake, with the remaining 20% held by lawyer William Gibbs McAdoo . The idea for the venture originated with Fairbanks, Chaplin, Pickford, and cowboy star William S. Hart a year earlier as they were traveling around the U.S. selling Liberty bonds to help

12314-466: The members of New Hollywood led each of them, in turn, to make more and more extravagant demands, both on the studio and eventually on the audience. While most members of the New Hollywood generation were, or started out as, independent filmmakers, a number of their projects were produced and released by major studios. The New Hollywood generation soon became firmly entrenched in a revived incarnation of

12445-507: The movie's screenwriter, was asked about the title's meaning. Bartok is quoted as saying, "The Cake Eaters is a term I grew up with in Pennsylvania. My mom used to use it to describe those who had it made, had their lives mapped out for them, were the most likely to succeed… 'The Cake Eaters.' I thought it was an interesting metaphor for this group of misfits who begin the story searching and longing for love, trying to overcome grief, and through

12576-654: The nation as of 2023. Founded in 1872, the paper was mainly controlled by Irish Catholic interests before being sold to Charles H. Taylor and his family. After being privately held until 1973, it was sold to The New York Times in 1993 for $ 1.1   billion, making it one of the most expensive print purchases in United States history . The newspaper was purchased in 2013 by Boston Red Sox and Liverpool F.C. owner John W. Henry for $ 70   million from The New York Times Company , having lost over 90% of its value in 20 years. The chief print rival of The Boston Globe

12707-468: The next decade, the Globe rose from third to first in the competitive field of what was then eight Boston newspapers. In 1958, the Globe moved from its original location on Washington Street in downtown Boston to Morrissey Boulevard in the Dorchester neighborhood. In 1965, Thomas Winship succeeded his father as editor. The younger Winship transformed the Globe from a mediocre local paper into

12838-458: The official view of The Boston Globe as a community institution. The publisher reserves the right to veto an editorial and usually determines political endorsements for high office. The Globe made its first political endorsement in 1967, supporting Kevin White in that year's Boston mayoral election . The Globe has consistently endorsed Democratic presidential candidates, such as Joe Biden in

12969-536: The old studios from financial ruin by providing them with a new formula for success. Indeed, it was during this period that the very definition of an independent film became blurred. Though Midnight Cowboy was financed by United Artists, the company was certainly a studio. Likewise, Zoetrope was another "independent studio" which worked within the system to make a space for independent directors who needed funding. George Lucas would leave Zoetrope in 1971 to create his own independent studio, Lucasfilm , which would produce

13100-464: The options in which movies can be independently produced/released. Boston Globe The Boston Globe, also known locally as the Globe , is an American daily newspaper founded and based in Boston, Massachusetts . The newspaper has won a total of 27 Pulitzer Prizes . The Boston Globe is the oldest and largest daily newspaper in Boston and tenth-largest newspaper by print circulation in

13231-663: The paper through the New England Sports Network , which was majority owned by Fenway Sports Group and the Boston Bruins . However, after the NESN group dropped out of the running to buy the paper, Henry made his separate bid to purchase the Globe in July 2013. On October 24, 2013, he took ownership of the Globe , at a $ 70   million purchase price, and renamed the venture Boston Globe Media . On January 30, 2014, Henry named himself publisher and named Mike Sheehan,

13362-508: The part-time employees in the editorial sections. However, early on the morning of May 5, 2009, The New York Times Company announced it had reached a tentative deal with the Boston Newspaper Guild, which represents most of the Globe 's editorial staff, that allowed it to get the concessions it demanded. The paper's other three major unions had agreed to concessions on May 3, 2009, after The New York Times Company threatened to give

13493-628: The picture was better than what the studio believed — he eventually went bankrupt because of this. In retrospect, it can be seen that Steven Spielberg 's Jaws (1975) and George Lucas 's Star Wars (1977) marked the beginning of the end for the New Hollywood. With their unprecedented box-office successes, these movies jump-started Hollywood's blockbuster mentality, giving studios a new paradigm as to how to make money in this changing commercial landscape. The focus on high-concept premises, with greater concentration on tie-in merchandise (such as toys), spin-offs into other media (such as soundtracks), and

13624-431: The potential of independent film could be. At the time, the main focus of the event was to present a series of retrospective films and filmmaker panel discussions; however it also included a small program of new independent films. The jury of the 1978 festival was headed by Gary Allison , and included Verna Fields , Linwood Gale Dunn , Katherine Ross , Charles E. Sellier Jr. , Mark Rydell , and Anthea Sylbert . In 1981,

13755-485: The principal aim of which was to bring in the youth market which the major studios had lost touch with. By promising sex , wanton violence , drug use , and nudity , these films hoped to draw audiences to independent theaters by offering to show them what the major studios could not. Horror and science fiction films experienced a period of tremendous growth during this time. As these tiny producers, theaters, and distributors continued to attempt to undercut one another,

13886-638: The production code, this rating system posed a threat to independent films in that it would affect the number of tickets they could sell and cut into the grindhouse theaters' share of the youth market. This change would further widen the divide between commercial and non-commercial films. However, having a film audience-classified is strictly voluntary for independents and there is no legal impediment to releasing movies on an unrated basis. However, unrated movies face obstacles in marketing because media outlets, such as TV channels, newspapers and websites, often place their own restrictions on movies that do not come with

14017-434: The production side of the business. After hearing about Biograph's success in Hollywood, in 1913 many such would-be movie-makers headed west to avoid the fees imposed by Edison. Soon they were the heads of a new kind of enterprise: the movie studio . By establishing a new system of production, distribution, and exhibition which was independent of The Edison Trust in New York, these studios opened up new horizons for cinema in

14148-575: The production, distribution, and exhibition of films. In 1942, the SIMPP filed an antitrust suit against Paramount's United Detroit Theatres. The complaint accused Paramount of conspiracy to control first-run and subsequent-run theaters in Detroit. It was the first antitrust suit brought by producers against exhibitors alleging monopoly and restraint of trade. In 1948, the United States Supreme Court Paramount Decision ordered

14279-461: The same people who were members of United Artists—founded the Society of Independent Motion Picture Producers . Later members included William Cagney , Sol Lesser , and Hal Roach . The Society aimed to preserve the rights of independent producers in an industry overwhelmingly controlled by the studio system. SIMPP fought to end monopolistic practices by the five major Hollywood studios which controlled

14410-551: The same time that the maverick film students of the American New Wave were developing the skills they would use to take over Hollywood, many of their peers had begun to develop their style of filmmaking in a different direction. Influenced by foreign and art house directors such as Ingmar Bergman and Federico Fellini , exploitation shockers (i.e. Joseph P. Mawra , Michael Findlay , and Henri Pachard ) and avant-garde cinema, ( Kenneth Anger , Maya Deren and Bruce Conner )

14541-545: The same year that United Artists, bought out by MGM after the financial failure of Michael Cimino 's Heaven's Gate (1980), ceased to exist as a venue for independent filmmakers, Sterling Van Wagenen left the film festival to help found the Sundance Institute with Robert Redford. In 1985, the now well-established Sundance Institute, headed by Sterling Van Wagenen, took over management of the US Film Festival, which

14672-483: The scripts were based on studio pitches and subsequently paid for by the studios, the production financing was from the studio, and the marketing and distribution of the films were designed and controlled by the studio's advertising agency. Though Coppola made considerable efforts to resist the influence of the studios, opting to finance his risky 1979 film Apocalypse Now himself rather than compromise with skeptical studio executives, he, and filmmakers like him, had saved

14803-417: The spring of 2005, the Globe retracted a story describing the events of a seal hunt near Halifax , Nova Scotia , that took place on April 12, 2005. Written by freelancer Barbara Stewart, a former New York Times staffer, the article described the specific number of boats involved in the hunt and graphically described the killing of seals and the protests that accompanied it. In reality, weather had delayed

14934-409: The studio system, which financed the development, production and distribution of their films. Very few of these filmmakers ever independently financed or independently released a film of their own, or ever worked on an independently financed production during the height of the generation's influence. Seemingly independent films such as Taxi Driver , The Last Picture Show and others were studio films:

15065-479: The studio system; or simply because they want to work with a particular director they admire. Examples of the latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction . Generally, the marketing of independent films is characterized by limited release , often at independent movie theaters , but they can also have major marketing campaigns and

15196-411: The studios. Meanwhile, in 1951, lawyers-turned-producers Arthur Krim and Robert Benjamin had made a deal with the remaining stockholders of United Artists which would allow them to make an attempt to revive the company and, if the attempt was successful, buy it after five years. The attempt was a success, and in 1955 United Artists became the first "studio" without an actual studio. UA leased space at

15327-408: The switch from film to digital cameras, inexpensive non-linear editing and the move to distribution via the internet have led to more people being able to make and exhibit movies of their own, including young people and individuals from marginalized communities. These people may have little to no formal technical or academic training, but instead are autodidactic filmmakers, using online sources to learn

15458-418: The time of the formation of the MPPC, Thomas Edison owned most of the major patents relating to motion pictures, including that for raw film . The MPPC vigorously enforced its patents, constantly bringing suits and receiving injunctions against independent filmmakers. Because of this, a number of filmmakers responded by building their own cameras and moving their operations to Hollywood, California , where

15589-407: The time the company got underway in 1920–1921, feature films were becoming more expensive and more polished, and running times had settled at around ninety minutes (or eight reels). It was believed that no one, no matter how popular, could produce and star in five quality feature films a year. By 1924, Griffith had dropped out and the company was facing a crisis: either bring in others to help support

15720-609: The top Warhol superstars , who had already become symbols of the militantly anti-Hollywood climate of NYC's independent film community. Within a month, another young Corman trainee, Francis Ford Coppola , made his debut in Spain at the Donostia-San Sebastian International Film Festival with The Rain People (1969), a film he had produced through his own company, American Zoetrope . Though The Rain People

15851-444: The use of sequels (which had been made more respectable by Coppola's The Godfather Part II ), all showed the studios how to make money in the new environment. On realizing how much money could potentially be made in films, major corporations started buying up the remaining Hollywood studios, saving them from the oblivion which befell RKO in the 50s. Eventually, even RKO was revived, the corporate mentality these companies brought to

15982-401: Was " Poverty Row ", a catch-all term used to encompass any other smaller studio that managed to fight their way up into the increasingly exclusive movie business. While the small studios that made up Poverty Row could be characterized as existing "independently" of any major studio, they utilized the same kind of vertically and horizontally integrated systems of business as the larger players in

16113-636: Was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)." During the 1970s, shifts in thematic depictions of sexuality and violence occurred in American cinema, prominently featuring heightened depictions of realistic sex and violence. Directors who wished to reach mainstream audiences of Old Hollywood quickly learned to stylize these themes to make their films appealing and attractive rather than repulsive or obscene. However, at

16244-522: Was a plan in part to take over the independent film industry and at the same time start "independent" studios of their own. The following are all "indie" studios owned by conglomerate Hollywood: By the early 2000s, Hollywood was producing three different classes of films: 1) big-budget blockbusters , 2) art films , specialty films and niche-market films produced by the conglomerate-owned "indies" and 3) genre and specialty films coming from true indie studios and producers. The third category comprised over half

16375-492: Was absorbed by the Sunday edition in 1892. In 1878, The Boston Globe started an afternoon edition called The Boston Evening Globe , which ceased publication in 1979. By the 1890s, The Boston Globe had become a stronghold, with an editorial staff dominated by Irish American Catholics . In 1912, the Globe was one of a cooperative of four newspapers, including the Chicago Daily News , The New York Globe , and

16506-445: Was eventually given a limited theatrical release on March 13, 2009, and debuted on DVD on March 24, 2009. The Cake Eaters holds a "fresh" rating of 64% at Rotten Tomatoes based on 25 reviews with an average rating of 6.01/10. The site's critics consensus reads, "Though light on theme and craftsmanship, The Cake Eaters relies on fine performances and brisk direction to provide an affecting tale of small-town life." Roger Ebert of

16637-473: Was experiencing financial difficulties. Gary Beer and Sterling Van Wagenen spearheaded production of the inaugural Sundance Film Festival which included Program Director Tony Safford and Administrative Director Jenny Walz Selby. In 1991, the festival was officially renamed the Sundance Film Festival, after Redford's famous role as The Sundance Kid . Through this festival the Independent Cinema movement

16768-645: Was largely overlooked by American audiences, Zoetrope would become a powerful force in New Hollywood. Through Zoetrope, Coppola formed a distribution agreement with studio giant Warner Bros., which he would exploit to achieve wide releases for his films without making himself subject to their control. These three films provided the major Hollywood studios with both an example to follow and a new crop of talent to draw from. Zoetrope co-founder George Lucas made his feature film debut with THX 1138 (1971), also released by Zoetrope through their deal with Warner Bros., announcing himself as another major talent of New Hollywood. By

16899-558: Was launched. Such notable figures as Kevin Smith , Robert Rodriguez , Quentin Tarantino , David O. Russell , Paul Thomas Anderson , Steven Soderbergh , James Wan , Hal Hartley , Joel and Ethan Coen and Jim Jarmusch garnered resounding critical acclaim and unprecedented box office sales. The significance of the Sundance Film Festival is documented in the work of Professor Emanuel Levy Cinema of Outsiders: The Rise of American Independent Film, (NYU Press, 1999; 2001). In 2005, about 15% of

17030-408: Was responsible for one of the first completely independent films of New Hollywood. Easy Rider debuted at Cannes and garnered the "First Film Award" ( French : Prix de la premiere oeuvre ) after which it received two Oscar nominations, one for best original screenplay and one for Corman-alum Jack Nicholson 's breakthrough performance in the supporting role of George Hanson, an alcoholic lawyer for

17161-566: Was the paper that allowed Peter Gammons to start his Notes section on baseball, which has become a mainstay in many major newspapers nationwide. In 2004, Gammons became the 56th recipient of the J. G. Taylor Spink Award for outstanding baseball writing, given by the BBWAA ; he was honored at the Baseball Hall of Fame on July 31, 2005. In 2007, Charlie Savage , whose reports on President Bush 's use of signing statements made national news, won

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