96-450: Thanthania Kalibari is a Kali temple on Bidhan Sarani in Kolkata , West Bengal , India. The deity in the temple is known as Siddheshwari. On the occasion of Kali Puja , devotees gather at the temple for worship. The Thanthania Kalibari was founded by Shankar Ghosh (whose grandson was Swami Subhodhananda , a direct disciple of 19th century mystic Ramakrishna ) in 1803, as mentioned in
192-699: A "forbidden thing", or even death itself. In the Pancatattva ritual, the sadhaka boldly seeks to confront Kali, and thereby assimilates and transforms her into a vehicle of salvation. This is clear in the work of the Karpuradi-stotra , short praise of Kāli describing the Pancatattva ritual unto her, performed on cremation grounds . ( Samahana-sadhana ); He, O Mahākāli who in the cremation-ground, who wear skull garland and skirt of bones and with dishevelled hair, intently meditates upon Thee and recites Thy mantra, and with each recitation makes offering to Thee of
288-399: A dream and told him to popularize her in a particular form that would appear to him the following day. The next morning he observed a young woman making cow dung patties. While placing a patty on a wall, she stood in the alidha pose, with her right foot forward. When she saw Krishnananda watching her, she was embarrassed and put her tongue between her teeth, Agamavagisha realized that this was
384-404: A giant sickle), a trishul (trident), a severed head, and a bowl or skull-cup ( kapāla ) collecting the blood of the severed head. Two of these hands (usually the left) are holding a sword and a severed head. The sword signifies divine knowledge and the human head signifies human ego which must be slain by divine knowledge in order to attain moksha . The other two hands (usually the right) are in
480-673: A greater form of Kali, identified with the Ultimate reality of Brahman . It can also be used as an honorific of the Goddess Kali, signifying her greatness by the prefix "Mahā-". Mahakali, in Sanskrit, is etymologically the feminized variant of Mahakala or Great Time (which is interpreted also as Death ), an epithet of the God Shiva in Hinduism. Mahakali is the presiding Goddess of the first episode of
576-429: A herculean task of establishing his reach and form, then with his first step covers the earth, with second the ether, and the third entire heaven. विष्णोर्नु कं वीर्याणि प्र वोचं यः पार्थिवानि विममे रजांसि । यो अस्कभायदुत्तरं सधस्थं विचक्रमाणस्त्रेधोरुगायः ॥१॥… viṣṇōrnu kaṃ vīryāṇi pra vōcaṃ yaḥ pārthivāni vimamē rajāṃsi | yō askabhāyaduttaraṃ sadhasthaṃ vicakramāṇastrēdhōrugāyaḥ ||1|| I will now proclaim
672-541: A more benign dimension. She is described as young and beautiful, has a gentle smile, and makes gestures with her two right hands to dispel any fear and offer boons. The more positive features exposed offer the distillation of divine wrath into a goddess of salvation, who rids the sadhaka of fear. Here, Kali appears as a symbol of triumph over death. Kali is a central figure in late medieval Bengal devotional literature, with such notable devotee poets as Kamalakanta Bhattacharya (1769–1821), Ramprasad Sen (1718–1775). With
768-468: A mother should and that she ignores his pleas. To be a child of Kāli, Rāmprasād asserts, is to be denied of earthly delights and pleasures. Kāli is said to refrain from giving that which is expected. To the devotee, it is perhaps her very refusal to do so that enables her devotees to reflect on dimensions of themselves and of reality that go beyond the material world. A significant portion of Bengali devotional music features Kāli as its central theme and
864-423: A mudra saying "fear not" ( abhayamudra ), the other conferring boons. Her left hands hold a severed head and blood-covered sword. The sword severs the bondage of ignorance and ego ( tamas ), represented by the severed head. One interpretation of Kali's tongue is that the red tongue symbolizes the rajasic nature being conquered by the white (symbolizing sattvic ) nature of the teeth. Her blackness represents that she
960-571: A special form of Vishnu. Each of these special forms is given a special name in texts such as the Agni Purana and the Padma Purana . These texts, however, are inconsistent. Rarely, Vishnu is depicted bearing the bow Sharanga or the sword Nandaka . He is depicted with the Kaustubha gem in a necklace and wearing Vaijayanti , a garland of forest flowers. The shrivatsa mark is depicted on his chest in
1056-461: A thousand Akanda flowers with seed, becomes without any effort a Lord of the earth. Oh Kāli, whoever on Tuesday at midnight, having uttered Thy mantra, makes offering even but once with devotion to Thee of a hair of his Shakti [his energy/female companion] in the cremation-ground, becomes a great poet, a Lord of the earth, and ever goes mounted upon an elephant. The Karpuradi-stotra , dated to approximately 10th century CE, clearly indicates that Kāli
SECTION 10
#17330846830801152-462: A tiger's skin and armed with a sword and noose. She has deep, red eyes with tongue lolling out as she catches drops of Raktabīja's blood before they fall to the ground and create duplicates. Kali consumes Raktabīja and his duplicates, and dances on the corpses of the slain. In the Devi Mahatmya version of this story, Kali is also described as a Matrika and as a Shakti or power of Devi . She
1248-454: A variety of weapons in an attempt to destroy him. They soon find that they have worsened the situation for with every drop of blood that drips from Raktabīja, he reproduces a duplicate of himself. The battlefield becomes increasingly filled with his duplicates. Durga summons Kāli to combat the demons. This episode is described in the Devi Mahatmyam , Kali is depicted as being fierce, clad in
1344-524: A well-dressed jewelled man. He is typically shown with four arms, but two-armed representations are also found in Hindu texts on artworks. The historic identifiers of his icon include his image holding a conch shell ( shankha named Panchajanya ) between the first two fingers of one hand (left back), a war discus ( chakra named Sudarshana ) in another (right back). The conch shell is spiral and symbolizes all of interconnected spiraling cyclic existence, while
1440-460: Is nirguna , beyond all qualities of nature, and transcendent. Kali's lolling tongue is interpreted as her being angry, enraged; while many in India interpret it as "biting the tongue" in shame. The most widespread interpretation of Kali's extended tongue involve her embarrassment over the sudden realization that she has stepped on her husband's chest. Kali's sudden "modesty and shame" over that act
1536-470: Is Mahakali, who appears from the body of sleeping Vishnu as goddess Yoga Nidra to wake him up in order to protect Brahma and the world from two asuras (demons), Madhu-Kaitabha . When Vishnu woke up he started a war against the two asuras. After a long battle with Vishnu, the two demons were undefeated and Mahakali took the form of Mahamaya to enchant the two asuras. When Madhu and Kaitabha were enchanted by Mahakali, Vishnu killed them. In later chapters,
1632-454: Is Vishnu is the all. Vishnu is described to be permeating all object and life forms, states S. Giora Shoham, where he is "ever-present within all things as the intrinsic principle of all", and the eternal, transcendental self in every being. The Vedic literature, including its Brahmanas layer, while praising Vishnu do not subjugate others gods and goddesses. They present an inclusive pluralistic henotheism . According to Max Muller , "Although
1728-500: Is a central figure in the goddess-centric traditions of Hinduism as well as in Shaivism . The term Kali is derived from Kala , which is mentioned quite differently in Sanskrit . The homonym kālá (time) is distinct from kāla (black), but these became associated through popular etymology . Kali is then understood as "she who is the ruler of time", or "she who is black". Kālī
1824-898: Is a corpse—unable to act. Kali could be considered a general concept, like Durga, and is primarily worshipped in the Kali Kula sect of worship. The closest way of direct worship is Maha Kali or Bhadrakali (Bhadra in Sanskrit means 'gentle'). Kali is worshipped as one of the 10 Mahavidya forms of Adi Parashakti. One mantra for worship to Kali is: सर्वमङ्गलमाङ्गल्ये शिवे सर्वार्थसाधिके । शरण्ये त्र्यम्बके गौरि नारायणि नमोऽस्तु ते ॥ ॐ जयंती मंगला काली भद्रकाली कपालिनी । दुर्गा क्षमा शिवा धात्री स्वाहा स्वधा नमोऽस्तुते ॥ Sarvamangal-māngalyē śivē sarvārthasādhikē. Śaraṇyē tryambakē Gauri nārāyaṇi namō'stu tē. Oṃ jayantī mangala kālī bhadrakālī kapālinī . Durgā kṣamā śivā dhātrī svāhā svadhā namō'stutē. ॐ काली काली महाकाली कालिके परमेश्वरी । सर्वानन्दकरी देवी नारायणि नमोऽस्तुते ।। Goddesses play an important role in
1920-451: Is because Kali likes devotees who have childlike qualities in them. The forehead of Kali is seen to be as luminous as the full moon and eternally giving out ambrosia. Kali is often shown standing with her right foot on Shiva's chest. This represents an episode where Kali was out of control on the battlefield, such that she was about to destroy the entire universe. Shiva pacified her by laying down under her foot to pacify and calm her. Shiva
2016-424: Is disheveled, small fangs sometimes protrude out of her mouth, and her tongue is lolling. Sometimes she dons a skirt made of human arms and a garland of human heads . Other times, she is seen wearing a tiger skin. She is also accompanied by serpents and a jackal while standing on the calm and prostrate Shiva, usually right foot forward to symbolize the more popular dakṣiṇācāra ("right-hand path"), as opposed to
SECTION 20
#17330846830802112-458: Is equivalent and produce the sun, with the verses asserting that this sun is the source of all energy and light for all. In other hymns of the Rigveda, Vishnu is a close friend of Indra. Elsewhere in Rigveda, Atharvaveda and Upanishadic texts, Vishnu is equivalent to Prajapati, both are described as the protector and preparer of the womb, and according to Klaus Klostermaier, this may be the root behind
2208-565: Is everything and inside everything'. Vedanga scholar Yaska (4th century BCE) in the Nirukta defines Vishnu as viṣṇur viṣvater vā vyaśnoter vā ('one who enters everywhere'); also adding atha yad viṣito bhavati tad viṣnurbhavati ('that which is free from fetters and bondage is Vishnu'). In the tenth part of the Padma Purana (4-15th century CE), Danta (Son of Bhīma and King of Vidarbha ) lists 108 names of Vishnu (17.98–102). These include
2304-724: Is freedom and life. The Shatapatha Brahmana elaborates this theme of Vishnu, as his herculean effort and sacrifice to create and gain powers that help others, one who realizes and defeats the evil symbolized by the Asuras after they had usurped the three worlds, and thus Vishnu is the saviour of the mortals and the immortals ( Devas ). To what is One Seven germs unripened yet are heaven's prolific seed: their functions they maintain by Vishnu's ordinance. Endued with wisdom through intelligence and thought, they compass us about present on every side. What thing I truly am I know not clearly: mysterious, fettered in my mind I wonder. When
2400-480: Is given the epithet Cāṃuṇḍā ( Chamunda ), i.e. the slayer of the demons Chanda and Munda . Chamunda is very often identified with Kali and is very much like her in appearance and habit. The goddess has two depictions: the popular four-armed form and the ten-armed Mahakali avatar. In both, she is described as being black in colour, though she is often seen as blue in popular Indian art. Her eyes are described as red with intoxication and rage. Her hair
2496-544: Is greatly offended. Parvati performs austerities to lose her dark complexion and becomes Gauri, the golden one. Her dark sheath becomes Kaushiki , who while enraged, creates Kali. In the Devi Bhagavata Purana , Kali turns black out of rage, while battling the demons Shumbha and Nishumbha . In Kāli's most famous legend, Durga and her assistants, the Matrikas , wound the demon Raktabīja , in various ways and with
2592-465: Is known as Shyama Sangeet . Vishnu Vishnu ( / ˈ v ɪ ʃ n uː / ; Sanskrit : विष्णु , lit. 'All Pervasive', IAST : Viṣṇu , pronounced [ʋɪʂɳʊ] ), also known as Narayana and Hari , is one of the principal deities of Hinduism . He is the supreme being within Vaishnavism , one of the major traditions within contemporary Hinduism . Vishnu
2688-538: Is known as The Preserver within the Trimurti , the triple deity of supreme divinity that includes Brahma and Shiva . In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the universe . Tridevi is stated to be the energy and creative power ( Shakti ) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of
2784-410: Is more than a terrible, vicious, slayer of demons who serves Durga or Shiva . Here, she is identified as the supreme mother of the universe, associated with the five elements. In union with Lord Shiva, she creates and destroys worlds. Her appearance also takes a different turn, befitting her role as ruler of the world and object of meditation. In contrast to her terrible aspects, she takes on hints of
2880-430: Is no association with Shiva. The Kalika Purana describes Kali as "possessing a soothing dark complexion, as perfectly beautiful, riding a lion, four-armed, holding a sword and blue lotus, her hair unrestrained, body firm and youthful". Classic depictions of Kali share several features, as follows: Kali's most common four armed iconographic image shows each hand carrying variously a Khadga (crescent-shaped sword or
2976-485: Is rendered to mean "black", translates to Japanese as Daikoku (大黒) . Dakshinakali is the most popular form of Kali in Bengal. She is the benevolent mother, who protects her devotees and children from mishaps and misfortunes. There are various versions for the origin of the name Dakshinakali . Dakshina refers to the gift given to a priest before performing a ritual or to one's guru. Such gifts are traditionally given with
Thanthania Kalibari - Misplaced Pages Continue
3072-415: Is said to have 8, 12, or 21 different forms according to different traditions. The popular forms are Adya Kali, Chintamani Kali, Sparshamani Kali, Santati Kali, Siddhi Kali , Dakshina Kali, Rakta Kali , Bhadra Kali, Smashana Kali, Adharvana Bhadra Kali, Kamakala Kali, Guhya Kali, Hamsa Kali, Shyama Kali, and Kalasankarshini Kali. In Gujarat , Khodiyar is a regional form of Mahakali . Interpretations of
3168-420: Is shown as very dark as she is Brahman in its supreme unmanifest state. She has no permanent qualities—she will continue to exist even when the universe ends. It is therefore believed that the concepts of color, light, good, and bad do not apply to her. Mahakali ( Sanskrit : Mahākālī, Devanagari : महाकाली, Bengali : মহাকালী, Gujarati : મહાકાળી), literally translated as "Great Kali", is sometimes considered as
3264-405: Is sometimes shown with a blissful smile on his face. She is typically shown with a garland of severed heads, often numbering fifty. This can symbolize the letters of the Sanskrit alphabet and therefore as the primordial sound of Aum from which all creation proceeds. The severed arms which make up her skirt represent her devotee's karma that she has taken on. There are several interpretations of
3360-648: Is the Kali of death, destruction and is worshipped by tantrics. As Samhara Kali she gives death and liberation. According to the Mahakala Samhita, Samhara Kali is two armed and black in complexion. She stands on a corpse and holds a freshly cut head and a plate to collect the dripping blood. She is worshipped by warriors, tantrics – the followers of Tantra . Other forms of Kali popularly worshipped in Bengal include Raksha Kali (form of Kali worshipped for protection against epidemics and drought), Bhadra Kali and Guhya Kali. Kali
3456-441: Is the bond to the wide-striding one: the wellspring of honey in the highest step of Viṣṇu. आहं पितॄन्सुविदत्राँ अवित्सि नपातं च विक्रमणं च विष्णोः । बर्हिषदो ये स्वधया सुतस्य भजन्त पित्वस्त इहागमिष्ठाः ॥३॥ ऋग्वेद १०-१५-३ 3. I have found here the forefathers good to find and the grandson and the wide stride of Viṣṇu. Those who, sitting on the ritual grass, share in the pressed soma and the food at (the cry of) "svadhā", they are
3552-575: Is the goddess of time or death and the consort of Shiva. She is called Kali Mata ("the dark mother") and also kālī , which can be read here either as a proper name or as a description: "the dark (or black) one". Although the word Kālī appears as early as the Atharva Veda , the first use of it as a proper name is in the Kathaka Grhya Sutra (19.7). Kali originated as a tantric and non-Vedic goddess. Her roots are most probably connected to
3648-400: Is the prevalent interpretation among Odia Hindus . The biting of the tongue conveys the emotion of lajja or modesty, an expression that is widely accepted as the emotion being expressed by Kali. In Bengal also, Kali's protruding tongue is "widely accepted... as a sign of speechless embarrassment: a gesture very common among Bengalis." The twin earrings of Kali are small embryos. This
3744-616: Is the primary focus of the Vaishnavism-focused Puranas genre of Hindu texts . Of these, according to Ludo Rocher , the most important texts are the Bhagavata Purana , Vishnu Purana , Nāradeya Purana , Garuda Purana and Vayu Purana . The Purana texts include many versions of cosmologies, mythologies, encyclopedic entries about various aspects of life, and chapters that were medieval era regional Vishnu temples-related tourist guides called mahatmyas . One version of
3840-506: Is typically portrayed as a benign and friendly goddess. The Linga Purana describes Shiva asking Parvati to defeat the asura Daruka , who received a boon that would only allow a female to kill him. Parvati merges with Shiva's body, reappearing as Kali to defeat Daruka and his armies. Her bloodlust gets out of control, only calming when Shiva intervenes. The Vamana Purana has a different version of Kali's relationship with Parvati. When Shiva addresses Parvati as Kali, "the dark blue one", she
3936-577: The Devi Mahatmya . Here, she is depicted as Devi in her universal form as Shakti . Here Devi serves as the agent who allows the cosmic order to be restored. Kali is depicted in the Mahakali form as having ten heads, ten arms, and ten legs. Each of her ten hands is carrying a various implement which varies in different accounts, but each of these represents the power of one of the Devas or Hindu Gods and are often
Thanthania Kalibari - Misplaced Pages Continue
4032-638: The Garuda Purana Saroddhara ) . Perumal ( Tamil : பெருமாள் )—also known as Thirumal (Tamil: திருமால் ), or Mayon (as described in the Tamil scriptures)— was accepted as a manifestation of Vishnu during the process of the syncretism of South Indian deities into mainstream Hinduism. Mayon is indicated to be the deity associated with the mullai tiṇai (pastoral landscape) in the Tolkappiyam . Tamil Sangam literature (200 BCE to 500 CE) mentions Mayon or
4128-702: The Garuda Purana Saroddhara , a commentary or 'extracted essence' written by Navanidhirama about the Garuda Purana (i.e. not the Purana itself, with which it seems to be confused): The Fish , the Tortoise , the Boar , the Man-Lion , the Dwarf , Parasurama , Rama , Krisna , Buddha , and also Kalki : These ten names should always be meditated upon by the wise. Those who recite them near
4224-640: The Mahadevi . In the Mahanirvana-tantra , Kāli is one of the epithets for the primordial ṥakti . She is praised by Shiva, in the text, who refers to her as the Supreme Primordial Kālika, Adya (the Primordial One), as one who is ineffable and inconceivable, and the beginning of creation. The figure of Kāli conveys death, destruction, and the consuming aspects of reality. As such, she is also
4320-457: The Muktika anthology of 108 Upanishads . It is unclear when these texts were composed, and estimates vary from the 1st-century BCE to 17th-century CE for the texts. These Upanishads highlight Vishnu, Narayana , Rama or one of his avatars as the supreme metaphysical reality called Brahman in Hinduism. They discuss a diverse range of topics, from ethics to the methods of worship. Vishnu
4416-461: The Puranas in the table below. However, this is a complicated process, and the lists are unlikely to be exhaustive because: The Dashavatara is a list of the so-called Vibhavas , or '10 [primary] Avatars ' of Vishnu. The Agni Purana , Varaha Purana , Padma Purana , Linga Purana , Narada Purana , Garuda Purana , and Skanda Purana all provide matching lists. The same Vibhavas are also found in
4512-499: The Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities ( Saguna ), and has definite form, but is limitless, transcendent and unchanging absolute Brahman , and the primal Atman (Self) of the universe. There are both benevolent and fearsome depictions of Vishnu. In benevolent aspects, he is depicted as an omniscient being sleeping on the coils of the serpent Shesha (who represents time) floating in
4608-583: The Sri Vaishnava denomination of Hinduism, Perumal is venerated in popular tradition as Venkateshwara at Tirupati , and Sri Ranganathaswamy at Srirangam . Vishnu is a Rigvedic deity , but not a prominent one when compared to Indra , Agni and others. Just 5 out of 1028 hymns of the Rigveda are dedicated to Vishnu, although he is mentioned in other hymns. Vishnu is mentioned in the Brahmana layer of text in
4704-672: The Trivikrama , which is one of the lasting mythologies in Hinduism since the Vedic times. It is an inspiration for ancient artwork in numerous Hindu temples such as at the Ellora Caves , which depict the Trivikrama legend through the Vamana avatar of Vishnu. Trivikrama refers to the celebrated three steps or "three strides" of Vishnu. Starting as a small insignificant looking being, Vishnu undertakes
4800-441: The abhaya (fearlessness) and varada (blessing) mudras , which means her initiated devotees (or anyone worshipping her with a true heart) will be saved as she will guide them here and in the hereafter. She wears a garland of human heads , variously enumerated at 108 (an auspicious number in Hinduism and the number of countable beads on a japa mala or rosary for repetition of mantras ) or 51, which represents Varnamala or
4896-682: The "dark one" and as the Supreme deity who creates, sustains, and destroys the universe and was worshipped in the plains and mountains of Tamilakam . The verses of Paripadal describe the glory of Perumal in the most poetic of terms. Many Poems of the Paripadal consider Perumal as the Supreme god of Tamils . He is a popular Hindu deity among Tamilians in Tamil Nadu , as well among the Tamil diaspora . Revered by
SECTION 50
#17330846830804992-587: The Bengali devotee adopts the attitude of a child, coming to love her unreservedly. In both cases, the goal of the devotee is to become reconciled with death and to learn acceptance of the way that things are. These themes are addressed in Rāmprasād's work. Rāmprasād comments in many of his other songs that Kāli is indifferent to his wellbeing, causes him to suffer, brings his worldly desires to nothing and his worldly goods to ruin. He also states that she does not behave like
5088-493: The Garland of letters of the Sanskrit alphabet, Devanagari . Hindus believe Sanskrit is a language of dynamism , and each of these letters represents a form of energy, or a form of Kali. Therefore, she is generally seen as the mother of language, and all mantras . She is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure ( nirguna ) being-consciousness-bliss and far above Prakriti. She
5184-564: The Pre-Aryan period. According to Indologist Wendy Doniger , Kali's origins can be traced to the deities of the Pre-Vedic village, tribal, and mountain cultures of South Asia who were gradually appropriated and transformed by the Sanskritic traditions. Her most well-known appearance is on the battlefield in the sixth century text Devi Mahatmyam . The deity of the first chapter of Devi Mahatmyam
5280-674: The Vedas, thereafter his profile rises and over the history of Indian scriptures, states Jan Gonda , Vishnu becomes a divinity of the highest rank, one equivalent to the Supreme Being. Though a minor mention and with overlapping attributes in the Vedas, he has important characteristics in various hymns of the Rig Veda, such as 1.154.5, 1.56.3 and 10.15.3. In these hymns, the Vedic scriptures assert that Vishnu resides in that highest home where departed Atman (Self) reside, an assertion that may have been
5376-427: The Vedic texts, the deity or god referred to as Vishnu is Surya or Savitr (Sun god), who also bears the name Suryanarayana . Again, this link to Surya is a characteristic Vishnu shares with fellow Vedic deities named Mitra and Agni, wherein in different hymns, they too "bring men together" and cause all living beings to rise up and impel them to go about their daily activities. In hymn 7.99 of Rigveda, Indra-Vishnu
5472-635: The avatar (or incarnation) within Hinduism is most often associated with Vishnu, the preserver or sustainer aspect of God within the Hindu Trimurti . The avatars of Vishnu descend to empower the good and to destroy evil, thereby restoring Dharma and relieving the burden of the Earth. An oft-quoted passage from the Bhagavad Gita describes the typical role of an avatar of Vishnu: Whenever righteousness wanes and unrighteousness increases I send myself forth. For
5568-658: The cosmology, for example, states that Vishnu's eye is at the Southern Celestial Pole from where he watches the cosmos. In another version found in section 4.80 of the Vayu Purana, he is the Hiranyagarbha , or the golden egg from which were simultaneously born all feminine and masculine beings of the universe. The Vishnu Purana presents Vishnu as the central element of its cosmology, unlike some other Puranas where Shiva or Brahma or goddess Shakti are. The reverence and
5664-494: The devotees at 3:00 p.m. and closes for the day at 8:00 p.m. Since the temple is a Tantrik temple, animal sacrifice is still continued on all no moon nights and during Kali Puja. Kali Traditional Kali ( / ˈ k ɑː l iː / ; Sanskrit : काली , IAST : Kālī ), also called Kalika , is a major goddess in Hinduism , primarily associated with time, death and destruction. The origins of Kali can be traced to
5760-485: The discus symbolizes him as that which restores dharma with war if necessary when cosmic equilibrium is overwhelmed by evil. One of his arms sometimes carries a club or mace ( gada named Kaumodaki ) which symbolizes authority and power of knowledge. In the fourth arm, he holds a lotus flower ( padma ) which symbolizes purity and transcendence. The items he holds in various hands vary, giving rise to twenty four combinations of iconography, each combination representing
5856-602: The diseased are called relatives. Apparent disagreements concerning the placement of either the Buddha or Balarama in the Dashavarara seems to occur from the Dashavarara list in the Shiva Purana (the only other list with ten avatars including Balarama in the Garuda Purana substitutes Vamana, not Buddha). Regardless, both versions of the Dashavarara have a scriptural basis in the canon of authentic Vedic literature (but not from
SECTION 60
#17330846830805952-430: The divine form of maa kali he was looking for. Krishnananda Agamavagisha was also the guru of the Kali devotee and poet Ramprasad Sen . Samhara Kali, also called Vama Kali, is the embodiment of the power of destruction. The chief goddess of Tantric texts, Samhara Kali is the most dangerous and powerful form of Kali. Samhara Kali takes form when Kali steps out with her left foot holding her sword in her right hand. She
6048-418: The empirically perceived universe. In this Brahmana, states Klaus Klostermaier, Purusha Narayana (Vishnu) asserts, "all the worlds have I placed within mine own self, and my own self has I placed within all the worlds." The text equates Vishnu to all knowledge there is (Vedas), calling the essence of everything as imperishable, all Vedas and principles of universe as imperishable, and that this imperishable which
6144-406: The entire universe. Shiva saw only one solution to prevent Kali's endless destruction. Shiva lay down on the battlefield so that Goddess Mahakali would have to step on him. When she saw her consort under her foot, Kali realized that she had gone too far. Filled with grief for the damage she had done, her blood-red tongue hung from her mouth, calming her down. In some interpretations of the story, Shiva
6240-470: The even more fearsome Vamakali. Vamakali is usually worshipped by non-householders. The pose shows the conclusion of an episode in which Kali was rampaging out of control after destroying many demons. Vishnu confronted Kali in an attempt to cool her down. She was unable to see beyond the limitless power of her rage and Vishnu had to move out of her way. Seeing this the devas became more fearful, afraid that in her rampage, Kali would not stop until she destroyed
6336-506: The exception of being associated with Parvati as Shiva 's consort, Kāli is rarely pictured in Hindu legends and iconography as a motherly figure until Bengali devotions beginning in the early eighteenth century. Even in Bengāli tradition her appearance and habits change little, if at all. The Tantric approach to Kāli is to display courage by confronting her on cremation grounds in the dead of night, despite her terrible appearance. In contrast,
6432-424: The first-born of holy Law approached me, then of this speech, I first obtain a portion. (...) They call him Indra, Mitra, Varuna, Agni, and he is heavenly-winged Garutman. To what is One, sages give many a title. The Shatapatha Brahmana contains ideas which Vaishnavism tradition of Hinduism has long mapped to a pantheistic vision of Vishnu as supreme, he as the essence in every being and everything in
6528-469: The form of a curl of hair. He generally wears yellow garments. He wears a crown called the Kiritamukuta . Vishnu iconography shows him either in standing pose, seated in a yoga pose, or reclining. A traditional depiction of Vishnu is as Narayana , showing him reclining on the coils of the serpent Shesha floating over the divine ocean Kshira Sagara , accompanied by his consort Lakshmi , as he "dreams
6624-463: The forms of a swan [Hamsa], a tortoise [ Kurma ], a fish [ Matsya ], O foremost of regenerate ones, I shall then display myself as a boar [ Varaha ], then as a Man-lion ( Nrisingha ), then as a dwarf [ Vamana ], then as Rama of Bhrigu's race, then as Rama , the son of Dasaratha, then as Krishna the scion of the Sattwata race, and lastly as Kalki . Specified avatars of Vishnu are listed against some of
6720-650: The goddess Durga 's fury to defeat the demon Raktabija . She is stated to destroy evil and defend the innocent. Kali is worshipped as the Divine Mother, Mother of the Universe, and Divine feminine energy . Shakta and Tantric sects additionally worship Kali as the ultimate reality or Brahman . She is also seen as the divine protector and bestower of moksha (liberation). Worshipped throughout South Asia but particularly in Nepal, Southern India, Bengal, and Assam, Kali
6816-646: The gods Brahma , Vishnu , and Shiva all arise from her like bubbles in the sea, ceaselessly arising and passing away, leaving their original source unchanged. The Niruttara-tantra and the Picchila-tantra declare all of Kāli's mantras to be the greatest and the Yogini-tantra , Kamakhya-tantra and the Niruttara-tantra all proclaim Kāli vidyas (manifestations of Mahadevi , or "divinity itself"). They declare her to be an essence of her own form ( svarupa ) of
6912-596: The gods are sometimes distinctly invoked as the great and the small, the young and the old (Rig Veda 1:27:13), this is only an attempt to find the most comprehensive expression for the divine powers and nowhere is any of the gods represented as the subordinate to others. It would be easy to find, in the numerous hymns of the Veda, passages in which almost every single god is represented as supreme and absolute." The Vaishnava Upanishads are minor Upanishads of Hinduism , related to Vishnu theology. There are 14 Vaishnava Upanishads in
7008-442: The heroic deeds of Visnu, who has measured out the terrestrial regions, who established the upper abode having, wide-paced, strode out triply… The Vishnu Sukta 1.154 of Rigveda says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to the mortals and the third is the realm of the immortals. The Trivikrama describing hymns integrate salvific themes, stating Vishnu to symbolize that which
7104-465: The identifying weapon or ritual item of a given Deva. The implication is that Mahakali subsumes and is responsible for the powers that these deities possess and this is in line with the interpretation that Mahakali is identical with Brahman. While not displaying ten heads, an "ekamukhi" or one headed image may be displayed with ten arms, signifying the same concept: the powers of the various Gods come only through her grace . The name Mahakali , when kali
7200-568: The latter encompassing the Bhagavad Gita ), and Rama (most notably in the Ramayana ). Krishna in particular is venerated in Vaishnavism as the ultimate, primeval, transcendental source of all existence, including all the other demigods and gods, such as Vishnu. In the Mahabharata , Vishnu (as Narayana ) states to Narada that He will appear in the following ten incarnations: Appearing in
7296-443: The more infamous and transgressive vamachara ("left-hand path"). These serpents and jackals are shown to drink Raktabīja 's blood as it drips out of his head while the goddess carries the head in her hand, preventing it from falling on the ground. In the ten-armed form of Mahakali, she is depicted as shining like a blue stone. She has ten faces, ten feet, and three eyes for each head. She has ornaments decked on all her limbs. There
7392-485: The most welcome arrivals here. In the Vedic hymns, Vishnu is invoked alongside other deities, especially Indra, whom he helps kill the symbol of evil named Vritra . His distinguishing characteristic in the Vedas is his association with light. Two Rigvedic hymns in Mandala 7 refer to Vishnu. In section 7.99 of the Rigveda, Vishnu is addressed as the god who separates heaven and earth, a characteristic he shares with Indra. In
7488-593: The post-Vedic fusion of all the attributes of the Vedic Prajapati unto the avatars of Vishnu. In the Yajurveda , Taittiriya Aranyaka (10.13.1), " Narayana sukta ", Narayana is mentioned as the supreme being. The first verse of "Narayana Suktam" mentions the words paramam padam , which literally mean 'highest post' and may be understood as the 'supreme abode for all Selfs'. This is also known as Param Dhama , Paramapadam , or Vaikuntha . Rigveda 1.22.20 also mentions
7584-570: The pre-Vedic and Vedic era Goddess worship traditions in Ancient India . Kali is the first of the ten Mahavidyas in the Hindu tantric tradition and is the supreme deity in the Kalikula worship tradition. The first major appearance of Kali in the Sanskrit literature was in the sixth-century CE text Devi Mahatmya . Kali appears in numerous stories, with her most famous being when she sprang from
7680-527: The primeval ocean of milk called Kshira Sagara with his consort, Lakshmi. Whenever the world is threatened with evil, chaos, and destructive forces, Vishnu descends in the form of an Avatar (incarnation) to restore the cosmic order and protect dharma . The Dashavatara are the ten primary avatars of Vishnu. Out of these ten, Rama and Krishna are the most important. Vishnu (also spelled Viṣṇu, Sanskrit : विष्णु ) means 'all pervasive' and, according to Medhātith ( c. 1000 CE), 'one who
7776-552: The protection of the good and for the destruction of evil, and for the establishment of righteousness, I come into being age after age. Vedic literature, in particular the Puranas (ancient; similar to encyclopedias ) and Itihasa (chronicle, history, legend), narrate numerous avatars of Vishnu. The most well-known of these avatars are Krishna (most notably in the Vishnu Purana , Bhagavata Purana , and Mahabharata ;
7872-402: The reason for his increasing emphasis and popularity in Hindu soteriology . He is also described in the Vedic literature as the one who supports heaven and earth. तदस्य प्रियमभि पाथो अश्यां नरो यत्र देवयवो मदन्ति । उरुक्रमस्य स हि बन्धुरित्था विष्णोः पदे परमे मध्व उत्सः ॥५॥ ऋग्वेद १-१५४-५ 5. Might I reach that dear cattle-pen of his, where men seeking the gods find elation, for exactly that
7968-507: The right hand. Dakshinakali's two right hands are usually depicted in gestures of blessing and giving of boons. One version of the origin of her name comes from the story of Yama , lord of death, who lives in the south ( dakshina ). When Yama heard Kali's name, he fled in terror, and so those who worship Kali are said to be able to overcome death itself. Dakshinakali is typically shown with her right foot on Shiva 's chest—while depictions showing Kali with her left foot on Shiva's chest depict
8064-522: The same paramam padam . In the Atharvaveda , the mythology of a boar who raises goddess earth from the depths of cosmic ocean appears, but without the word Vishnu or his alternate avatar names. In post-Vedic mythology, this legend becomes one of the basis of many cosmogonic myth called the Varaha legend, with Varaha as an avatar of Vishnu. Several hymns of the Rigveda repeat the mighty deed of Vishnu called
8160-460: The same battle, the asura Raktabija is undefeated because of his ability to reproduce himself from every drop of his blood that reaches the ground. Countless Raktabija clones appear on the battlefield. Kali eventually defeats him by sucking his blood before it can reach the ground, and eating the numerous clones. Kinsley writes that Kali represents "Durga's personified wrath, her embodied fury". Other origin stories involve Parvati and Shiva. Parvati
8256-400: The story of two asuras who were destroyed by Kali can be found. Chanda and Munda attack the goddess Kaushiki . Kaushiki responds with such anger that it causes her face to turn dark, resulting in Kali appearing out of her forehead. Kali's appearance is dark blue, gaunt with sunken eyes, wearing a tiger skin sari and a garland of human heads . She immediately defeats the two asuras. Later in
8352-493: The study and practice of Tantra Yoga, and are affirmed to be as central to discerning the nature of reality as are the male deities. Although Parvati is often said to be the recipient and student of Shiva 's wisdom in the form of Tantras , it is Kali who seems to dominate much of the Tantric iconography, texts, and rituals. In many sources Kāli is praised as the highest reality or greatest of all deities. The Nirvana-tantra says
8448-561: The surrender of his ego, or in hopes of gaining moksha by her touch." In fact, Shiva is said to have become so enchanted by Kali that he performed austerities to win her, and having received the treasure of her feet, held them against his heart in reverence. The popularity of the worship of the Dakshinakali form of Goddess Kali is often attributed to Krishnananda Agamavagisha . He was a noted 17th-century Bengali Tantra thinker and author of Tantrasara . Devi Kali reportedly appeared to him in
8544-407: The symbolic meanings of Kali's appearance vary depending on Tantric or devotional approach, and on whether one views her image in a symbolic, allegorical or mystical fashion. There are many varied depictions of the different forms of Kali. The most common form shows her with four arms and hands, showing aspects of both creation and destruction. The two right hands are often held out in blessing, one in
8640-690: The symbolism behind the commonly represented image of Kali standing on Shiva's supine form. A common interpretation is that Shiva symbolizes purusha , the universal unchanging aspect of reality, or pure consciousness. Kali represents Prakriti , nature or matter, sometimes seen as having a feminine quality of creation of life. The merging of these two qualities represent ultimate reality. A tantric interpretation sees Shiva as consciousness and Kali as power or energy. Consciousness and energy are dependent upon each other, since Shiva depends on Shakti, or energy, in order to fulfill his role in creation, preservation, and destruction. In this view, without Shakti, Shiva
8736-493: The temple building itself. However, according to a different tradition it was built in 1703. The image of the presiding deity Siddheshwari is made of clay and the idol is painted every year with the colors red and black. Tuesdays and Saturdays are considered auspicious for a visit to the temple. The temple is 300+ years old and the idol is even older. The Temple opens for seven days in a week. Daily it opens its door at 6:00 a.m. and remains open till 11:00 a.m. It reopens its door for
8832-588: The ten primary avatars (see Dashavarara , below ) and descriptions of the qualities, attributes, or aspects of God. The Garuda Purana (chapter XV) and the " Anushasana Parva " of the Mahabharata both list over 1000 names for Vishnu, each name describing a quality, attribute, or aspect of God. Known as the Vishnu Sahasranama , Vishnu here is defined as 'the omnipresent'. Other notable names in this list include : Vishnu iconography shows him with dark blue, blue-grey or black coloured skin, and as
8928-525: The universe into reality." His abode is described as Vaikuntha and his mount ( vahana ) is the bird king Garuda . Vishnu was associated with the sun because he used to be "a minor solar deity but rose in importance in the following centuries." Particularly in Vaishnavism , the Trimurti (also known as the Hindu Triad or Great Trinity ) represents the three fundamental forces ( guṇas ) through which
9024-474: The universe is created, maintained, and destroyed in cyclic succession . Each of these forces is represented by a Hindu deity: The trimurti themselves are beyond three gunas and are not affected by it. In Hindu tradition, the trio is often referred to as Brahma-Vishnu-Mahesh . All have the same meaning of three in one; different forms or manifestations of One person the Supreme Being . The concept of
9120-472: The worship of Vishnu is described in 22 chapters of the first part of Vishnu Purana, along with the profuse use of the synonymous names of Vishnu such as Hari, Janardana, Madhava, Achyuta, Hrishikesha and others. The Vishnu Purana also discusses the Hindu concept of supreme reality called Brahman in the context of the Upanishads ; a discussion that the theistic Vedanta scholar Ramanuja interprets to be about
9216-466: Was attempting to receive Kali's grace by receiving her foot on his chest. There are many different interpretations of the pose held by Dakshinakali, including those of the 18th and 19th-century bhakti poet-devotees such as Ramprasad Sen . Some have to do with battle imagery and tantric metaphysics. The most popular is a devotional view. According to Rachel Fell McDermott, the poets portrayed Shiva as "the devotee who falls at [Kali's] feet in devotion, in
#79920