The Telluride Horror Show is a film festival that takes place in the mountain resort town of Telluride, Colorado .
155-666: Over a three day weekend each mid-October, the festival exhibits horror , dark fantasy films, sci-fi films , and thriller films from around the world and attendees from all over the United States. Founded in 2010, the Telluride Horror Show is Colorado's first and longest-running genre film festival. Films are shown in three theaters: the Palm, the Nugget Theater, and the historic Sheridan Opera House. Additional events include
310-516: A 2006 documentary, the movie "became the flashpoint, igniting protests across the nation". Protesters picketed theaters playing the film with placards reading, "Deck the hall with holly – not bodies!" Released in November 1984 by TriStar Pictures , persistent carol -singers forced one Bronx cinema to pull Silent Night, Deadly Night a week into its run. The widespread outrage led to the film's removal, with only 741,500 tickets sold. As interest in
465-796: A British erotic horror film series is Hellraiser . Alien features heavy erotic imagery, with the design of the Xenomorph by H. R. Giger featuring both phallic and vaginal imagery, intended to symbolize patriarchal guilt as well as sex, rape, and pregnancy. Folk horror uses elements of folklore or other religious and cultural beliefs to instil fear in audiences. Folk horror films have featured rural settings and themes of isolation, religion and nature. Frequently cited examples are Witchfinder General (1968), The Blood on Satan's Claw (1971), The Wicker Man (1973), The Witch (2015), and Midsommar (2019). Local folklore and beliefs have been noted as being prevalent in horror films from
620-534: A brief period. Jamie Lee Curtis , daughter of Janet Leigh , was cast as the heroine Laurie Strode while veteran actor Donald Pleasence was cast as Dr. Sam Loomis , an homage to John Gavin 's character in Psycho . Halloween 's opening tracks a six-year-old's point-of-view as he kills his older sister, a scene emulated in numerous films such as Blow Out (1981) and The Funhouse (1981). Carpenter and Hill deny writing sexually active teens to be victims in favor of
775-489: A budget of just $ 1.8 million, the film was a commercial success, grossing more than $ 25.5 million (7.6 million admissions) in North America and launched one of the most successful film series in history. A Nightmare on Elm Street provided the success that New Line Cinema needed to become a major Hollywood company. To this day, New Line is referred to as "The House That Freddy Built". The final slasher film released during
930-443: A co-production with Australia and Death Warmed Up (1984) a single production. Early features such as Melanie Read 's Trial Run (1984) where a mother is sent to remote cottage to photograph penguins and finds it habitat to haunted spirits, and Gaylene Preston's Mr. Wrong (1984) purchases a car that is haunted by its previous owner. Other films imitate American slasher and splatter films with Bridge to Nowhere (1986), and
1085-423: A crime from the past committed (an accidental drowning, infidelity, a scorned lover) and a ready made group of victims (camp counselors, students, wedding parties). The genre was derided by several contemporary film critics of the era such as Ebert, and often were highly profitable in the box office. The release of Scream (1996), led to a brief revival of the slasher films for the 1990s. Other countries imitated
1240-504: A device used in subsequent films Prom Night (1980) and Graduation Day (1981). Early examples include a maniac seeking revenge in The Terror (1928), based on the play by Edgar Wallace . B-movie mogul Val Lewton produced The Leopard Man (1943), about a murderer framing his crimes against women on an escaped show leopard . Basil Rathbone 's The Scarlet Claw (1944) sees Sherlock Holmes investigate murders committed with
1395-434: A dislike for dissonance. Skin conductance responses (SCRs), heart rate (HR), and electromyographic (EMG) responses vary in response to emotional stimuli, showing higher for negative emotions in what is known as the "negative bias." When applied to dissonant music, HR decreases (as a bodily form of adaptation to harsh stimulation), SCR increases, and EMG responses in the face are higher. The typical reactions go through
1550-415: A family death but are murdered one by one. William Castle 's Homicidal (1961) features gore in its murder scenes, something both Psycho and Peeping Tom had edited out. Richard Hillard's Violent Midnight (1963) showed a black-gloved killer's point of view as they pull down a branch to watch a victim and also featured a skinny-dipping scene. Crown International 's Terrified (1963) features
1705-414: A few years earlier, had been very profitable. Many 1984 slasher films with brief theatrical runs found varying degrees of success on home video, such as Splatter University , Satan's Blade , Blood Theatre , Rocktober Blood and Fatal Games . Movies like The Prey and Evil Judgement were filmed years prior and finally were given small theatrical releases. Silent Madness used 3D to ride
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#17330933280971860-583: A five-pronged garden weeder that the killer would raise in the air and bring down on the victim repeatedly, an editing technique that became familiar in the genre. Robert Siodmak 's The Spiral Staircase (1946), based on Ethel White 's novel Some Must Watch , stars Ethel Barrymore as a sympathetic woman trying to survive black-gloved killers. The Spiral Staircase also features an early use of jump scares . British writer Agatha Christie 's particularly influential 1939 novel Ten Little Indians (adapted in 1945 as And Then There Were None ), centers on
2015-428: A good film." Shelley called these films derivative of "American films and presenting generic American material". These films included the horror film productions of Antony I. Ginnane . While Australia would have success with international films between the mid-1980s and the 2000s, less than five horror films were produced in the country between 1993 and 2000. It was only after the success of Wolf Creek (2005) that
2170-594: A group of people with secret pasts who are killed one-by-one on an isolated island. Each of the murders mirrors a verse from a nursery rhyme , merging the themes of childhood innocence and vengeful murder. House of Wax (1953), The Bad Seed (1956), Screaming Mimi (1958), Jack the Ripper (1959), and Cover Girl Killer (1959) all incorporated Christie's literary themes. Alfred Hitchcock 's Psycho (1960) used visuals that had been deemed unacceptable by movie studios, including scenes of violence, sexuality, and
2325-664: A home on VHS. Paul Lynch 's Humongous was released through AVCO Embassy Pictures , but a change in management severely limited the film's theatrical release. Films such as Hospital Massacre and Night Warning enjoyed strong home rentals from video stores, though Dark Sanity , The Forest , Unhinged , Trick or Treats , and Island of Blood fell into obscurity with little theatrical releases and only sub-par video transfers. Supernatural slasher films continued to build in popularity with The Slayer , The Incubus , Blood Song , Don't Go to Sleep and Superstition (the supernatural-themed Halloween III: Season of
2480-506: A jump scare in a mirror can further build tension. Tight framing and close-ups are also commonly used; these can build tension and induce anxiety by not allowing the viewer to see beyond what is around the protagonist . The interaction between horror films and their audiences is another significant aspect discussed by Rhodes. He notes that horror films often serve as a safe space for viewers to confront and process their fears. This cathartic experience can provide psychological relief and
2635-459: A killer or a group of killers stalking and murdering a group of people, usually by use of bladed or sharp tools. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies , splatter films , supernatural and psychological horror films. Critics cite
2790-422: A lower phonation frequency range). Another study by Baliatsas et al. observed that there is a correlation between exposure to infrasound and low-frequency noises and sleep-related problems. Though most horror films keep the audio around 20–30 Hz, the noise can still be unsettling in long durations. Another technique used in horror films to provoke a response from the audience is cognitive dissonance , which
2945-861: A masked killer. Spain's The House That Screamed (1969) features violent murders and preempted later campus-based slashers. Subgenres that influenced slasher films include splatter films , Krimi films, and giallo films. Splatter films focus on gratuitous gore. Herschell Gordon Lewis 's Blood Feast (1963) was a hit at drive-in theaters and is often considered the first splatter film. Lewis followed with gory films Two-Thousand Maniacs! (1964), Color Me Blood Red (1965), The Gruesome Twosome (1967) and The Wizard of Gore (1970). This grotesque style translated to Andy Milligan 's The Ghastly Ones (1969), Twisted Nerve (1968), Night After Night After Night (1969) as well as The Haunted House of Horror (1969). Post-World War II Germany adapted British writer Edgar Wallace 's crime novels into
3100-410: A modern setting and made other horror material which pushed the erotic content of their vampire films that was initiated by Black Sunday . In the 1980s, the older horror characters of Dracula and Frankenstein's monster rarely appeared, with vampire themed films continued often in the tradition of authors like Anne Rice where vampirism becomes a lifestyle choice rather than plague or curse. Following
3255-475: A movie on home video, resulting in shot-on-video slashers Blood Cult (1985), The Ripper (1985), Spine (1986), Truth or Dare? (1986), Killer Workout (1987), and Death Spa (1989). Lesser-known horror properties Sleepaway Camp , The Slumber Party Massacre and Silent Night, Deadly Night became series on home video. The Hills Have Eyes Part 2 (1985) and Friday the 13th: A New Beginning (1985) were theatrically released but neither film
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#17330933280973410-402: A much healthier life on home video. The Dorm That Dripped Blood and Honeymoon Horror , each made for between $ 50–90,000, became successful in the early days of VHS . Because of this change, independent productions began having difficulties finding theatrical distribution. Girls Nite Out had a very limited release in 1982 but was re-released in 1983 in more theaters until finally finding
3565-462: A new bar for acceptable levels of on-screen violence. The criticisms that began with Friday the 13th would lead to the genre's eventual decline in subsequent years. The small-budget thrillers Silent Scream and Prom Night were box office hits with 3.2 and 5.5 million admissions, respectively. Jamie Lee Curtis starred in the independent Prom Night , as well studio films Terror Train and The Fog to earn her "scream queen" title. MGM 's
3720-515: A new generation of filmmakers would continuously make horror genre films in Australia that continued into the 2010s. By 2005, New Zealand has produced around 190 feature films, with about 88% of them being made after 1976. New Zealand horror film history was described by Philip Matthews of Stuff as making "po-faced gothic and now we do horror for laughs." Among the earliest known New Zealand horror films productions are Strange Behavior (1981),
3875-471: A new genre nature taking revenge on humanity with The Birds (1963) that was expanded into a trend into the 1970s. Following the success of Willard (1971), a film about killer rats, 1972 had similar films with Stanley (1972) and an official sequel Ben (1972). Other films followed in suit such as Night of the Lepus (1972), Frogs (1972), Bug (1975), Squirm (1976) and what Muir described as
4030-467: A nursing academy. Hands of the Ripper (1971) depicts the psychological trauma suffered by Jack the Ripper 's daughter, who continues the murderous reign of her father. Fright (1971) is based on the " babysitter and the man upstairs " urban legend while Tower of Evil (1972) features careless partying teens murdered in a remote island lighthouse. Pete Walker broke taboos by advertising his films' negative reviews to attract viewers looking for
4185-483: A person relates to that specific cultural from then on in their life. The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema , audience tastes and contemporary world events . Films prior to the 1930s , such as early German expressionist cinema and trick films , have been retrospectively described as horror films as
4340-445: A recurring theme in later horror films. Along with the "madman on the loose" plotline, these films employed several influences upon the slasher genre, such as lengthy point of view shots and a "sins of the father" catalyst to propel the plot's mayhem. George Archainbaud 's Thirteen Women (1932) tells the story of a sorority whose former members are set against one another by a vengeful peer who crosses out their yearbook photos,
4495-497: A saturation point in 1981, as heavily promoted movies like My Bloody Valentine and The Burning were box office failures. After the success of Friday the 13th , Paramount Pictures picked up My Bloody Valentine with hopes to achieve similar success. The film became the subject of intense scrutiny in the wake of John Lennon's murder , and was released heavily edited; lacking the draw of gore, My Bloody Valentine barely sold 2 million tickets in North America, much less than
4650-516: A sense of empowerment as viewers face and overcome their anxieties in a controlled environment. The communal experience of watching horror films in theaters or discussing them in fan communities also plays a crucial role in the genre's impact and popularity.[6] Music is a key component of horror films. In Music in the Horror Film (2010), Lerner writes "music in horror film frequently makes us feel threatened and uncomfortable" and intends to intensify
4805-909: A series. Three other spoofs , Evil Laugh (1986), The Texas Chainsaw Massacre 2 (1986) and Friday the 13th Part VI: Jason Lives (1986), were box office disappointments; Texas Chainsaw Massacre 2 sold just 2 million tickets while Jason Lives sold 5.2 million, both significantly down from their predecessors. The home video market saw the output of low-budget, tongue-in-cheek slashers like Stripped to Kill (1987), Return to Horror High (1987), and Killer Workout (1987), and previous franchises foregoing theaters for direct-to-video self-parody sequels in Hello Mary Lou: Prom Night II (1987), Silent Night, Deadly Night Part 2 (1987), Slumber Party Massacre II (1987), Sleepaway Camp II: Unhappy Campers (1988), and Sleepaway Camp III: Teenage Wasteland (1989). Trying to cater
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4960-544: A similar route with a cameo in Maniac Cop 2 (1990) and no participation in Maniac Cop III: Badge of Silence (1993). The Nightmare on Elm Street series dominated the late 1980s horror wave, with A Nightmare on Elm Street 3: Dream Warriors (1987) selling 11.5 million tickets in North America, and A Nightmare on Elm Street 4: The Dream Master (1988) following another 12 million tickets. By comparison, Friday
5115-905: A subgenre of their own called Krimi films. The Krimi films were released in the late 1950s through the early 1970s and featured villains in bold costumes accompanied by jazz scores from composers such as Martin Böttcher and Peter Thomas . Fellowship of the Frog (1959), about a murderer terrorizing London, was successful in America, leading to similar adaptations like The Green Archer (1961) and Dead Eyes of London (1961). The Rialto Studio produced 32 Krimi films between 1959 and 1970. Italy's giallo thrillers are crime procedurals or murder mysteries interlaced with eroticism and psychological horror. Giallo films feature unidentified killers murdering in grand fashions. Unlike most American slasher films
5270-694: A surprising 3.9 million admissions, making a hit erotic slasher-thriller that predates blockbusters Fatal Attraction (1987) and Basic Instinct (1992) by several years. Internationally, Australia released Next of Kin while Puerto Rico's Pieces was filmed in Boston and Madrid by an Italian-American producer with a Spanish director. Italian gialli saw slasher film influences in their releases for Sergio Martino 's The Scorpion with Two Tails , Lucio Fulci 's The New York Ripper and Dario Argento 's Tenebrae . Traditional slasher films saw less frequent output. The House on Sorority Row followed
5425-505: A two-step process of first orienting to the problem (the slowing of HR), then a defensive process (a stronger increase in SCR and an increase in HR). This initial response can sometimes result in a fight-or-flight response , which is the characteristic of dissonance that horror films rely on to frighten and unsettle viewers. Slasher film A slasher film is a subgenre of horror films involving
5580-452: A violent exploitation film, with Gene Siskel and Roger Ebert famously despising the film. Siskel, in his Chicago Tribune review, revealed the identity and fate of the film's killer in an attempt to hurt its box office, and provided the address of the chairman of Paramount Pictures for viewers to complain. The MPAA was criticized for allowing Friday the 13th an R rating, but its violence would inspire gorier films to follow, as it set
5735-527: A virginal " final girl " survivor, though subsequent filmmakers copied what appeared to be a "sex-equals-death" mantra. When shown an early cut of Halloween without a musical score, all major American studios declined to distribute it, one executive even remarking that it was not scary. Carpenter added music himself, and the film was distributed locally in four Kansas City theaters through Akkad's Compass International Pictures in October 1978. Word-of-mouth made
5890-416: A wave of "dream" slashers that included Dreamaniac (1986), Bad Dreams (1988), Deadly Dreams (1988), and Dream Demon (1988). Of those films, Bad Dreams was a minor hit with 2.4 million admissions. Paramount Pictures released the parody April Fool's Day (1986) with hopes to start a sister series to its Friday the 13th property, though the film's modest 3.5 million admissions never led to
6045-589: A wave of protest from the National Organization for Women (NOW), who picketed the film's screening on the University of Iowa campus. The year's most controversial slasher was William Lustig 's Maniac , about a schizophrenic serial killer in New York. Maniac was maligned by critics. Vincent Canby of The New York Times said that watching the film was like "watching someone else throw up." Lustig released
6200-809: A whole was a style like film noir and not bound to certain cinematic elements like the Western or science fiction film . The term "gothic" is frequently used to describe a stylized approach to showcasing location, desire, and action in film. Contemporary views of the genre associate it with imagery of castles at hilltops and labyrinth like ancestral mansions that are in various states of disrepair. Narratives in these films often focus on an audience's fear and attraction to social change and rebellion. The genre can be applied to films as early as The Haunted Castle (1896), Frankenstein (1910) as well as to more complex iterations such as Park Chan-wook 's Stoker (2013) and Jordan Peele 's Get Out (2017). The gothic style
6355-523: A young audience featuring teenage monsters grew popular in the 1950s with several productions from American International Pictures (AIP) and productions of Herman Cohen with I Was a Teenage Werewolf (1957) and I Was a Teenage Frankenstein (1957). This led to later productions like Daughter of Dr. Jekyll (1957) and Frankenstein's Daughter (1958). Teen horror cycle in the 1980s often showcased explicit gore and nudity, with John Kenneth Muir described as cautionary conservative tales where most of
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6510-491: Is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes . Broad elements include monsters , apocalyptic events , and religious or folk beliefs. Horror films have existed for more than a century . Early inspirations from before the development of film include folklore , religious beliefs and superstitions of different cultures, and
6665-427: Is a whodunit featuring a subplot depicting creative death sequences on a secluded lakeside setting, which greatly inspired Friday the 13th (1980), its 1981 sequel and subsequent slashers. Sergio Martino 's Torso (1973) featured a masked killer preying upon beautiful and promiscuous young women in retribution for a past misdeed. Torso 's edge-of-your-seat climax finds a sensible "final girl" facing off with
6820-492: Is a "widespread and engrained acceptance of supernatural forces" in many Asian cultures, and suggests this is related to animist , pantheist and karmic religious traditions, as in Buddhism and Shintoism . Although Chinese , Japanese , Thai and Korean horror has arguably received the most international attention, horror also makes up a considerable proportion of Cambodian and Malaysian cinema. Ian Olney described
6975-510: Is a film subgenre that emerged in the 1970s with films such as Whoever Slew Auntie Roo? (1971) and Silent Night, Bloody Night (1972), which were soon followed by the influential Black Christmas (1974). Defining the Christmas horror genre has been described as challenging, as it has generally been regarded as a sub-genre of the slasher film . Adam Rockoff, in Rue Morgue , noted that
7130-499: Is a horror film trope , where an abrupt change in image accompanied with a loud sound intends to surprise the viewer. This can also be subverted to create tension, where an audience may feel more unease and discomfort by anticipating a jump scare. Mirrors are often used in horror films to create visual depth and build tension. Shelton argues mirrors have been used so frequently in horror films that audiences have been conditioned to fear them, and subverting audience expectations of
7285-483: Is a subgenre of horror fiction that blends sensual and sexual imagery with horrific themes for the sake of sexual arousal . Erotic horror has had influences on French and American horror cinema. The works of Jean Rollin , such as Le Viol du Vampire and Fascination , are considered quintessential erotic horror films, blending deeply sexual imagery with gore. American cinema has also featured notable erotic horror film franchises, such as Candyman . An example of
7440-459: Is a subgenre of horror film whose common themes are based on religion and focus heavily on supernatural beings, often with demons as the main antagonists that bring a sense of threat. Such films commonly use religious elements, including the crucifix or cross, holy water, the Bible, the rosary, the sign of the cross, the church, and prayer, which are forms of religious symbols and rituals used to depict
7595-428: Is applied to several films throughout the history of the horror film. This includes Universal Pictures' horror films of the 1930s, the revival of gothic horror in the 1950s and 1960s with films from Hammer, Roger Corman 's Poe-cycle, and several Italian productions. By the 1970s American and British productions often had vampire films set in a contemporary setting, such as Hammer Films had their Dracula stories set in
7750-551: Is discussed in film studies as being a young woman (occasionally a young man) left alone to face the killer's advances in the movie's end. Laurie Strode ( Jamie Lee Curtis ), the heroine in Halloween , is an example of a typical final girl. Final girls are often, like Laurie Strode, virgins among sexually active teens. Others have called the trope "self-mythologising" based on a handful of especially high-profile examples, asserting that its prominence has been overstated – particularly
7905-403: Is easier to view films as cycles opposed to genres, suggesting the slasher film viewed as a cycle would place it in terms of how the film industry was economically and production wise, the personnel involved in their respective eras, and how the films were marketed exhibited and distributed. Mark Jancovich in an essay, declared that "there is no simple 'collective belief' as to what constitutes
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#17330933280978060-513: Is envisioned and embedded into the public psyche as the main and most marketable/recognisable character, even if his screentime is dwarfed in any specific film by the nominal protagonists. The Scream film series is a rarity that follows its heroine Sidney Prescott ( Neve Campbell ) rather than masked killer Ghostface , whose identity changes from film to film, and is only revealed in each entry's finale. Another alleged trope frequently associated with slasher discourse - and horror more broadly -
8215-562: Is particularly prominent in the cinema of Japan , Korea , and Thailand , among other countries. Despite being the subject of social and legal controversy due to their subject matter, some horror films and franchises have seen major commercial success , influenced society and spawned several popular culture icons . The Dictionary of Film Studies defines the horror film as representing "disturbing and dark subject matter, seeking to elicit responses of fear , terror , disgust , shock, suspense , and, of course, horror from their viewers." In
8370-669: Is that of the "black character(s) dying first" (often formulated as " always dying first"). Actual analyses of the films, such as a 2013 investigative piece in Complex , have found that the trope is largely self-mythologising as opposed to being a statistical reality (per Complex, in only 10% of the fifty analysed movies, all containing one or more speaking black characters, did any of them die first). The appeal of watching people inflict violence upon each other dates back thousands of years to Ancient Rome , though fictionalized accounts became marketable with late 19th century horror plays produced at
8525-429: Is visually and thematically a precursor to John Carpenter 's Halloween (1978), as young women are terrorized in a previously safe environment during an iconic holiday. Like Halloween , Clark's film opens with a lengthy point-of-view , but it differs in the treatment of the killer's identity. Despite making $ 4,053,000 on a $ 620,000 budget, Black Christmas was initially criticized, with Variety complaining that it
8680-466: Is when someone experiences tension in themselves and is urged to relieve that tension. Dissonance is the clashing of unpleasant or harsh sounds. A study by Prete et al. identified that the ability to recognize dissonance relied on the left hemisphere of the brain, while consonance relied on the right half. There is a stronger preference for consonance; this difference is noticeable even in early stages of life. Previous musical experience also can influence
8835-597: The A Nightmare on Elm Street series, while others disassociate themselves from characters and series and focusing on genre auteur directors like Dario Argento , while others fans would deem Argento's films as too mainstream, having preferences more underground films . Andrew Tudor wrote in Monsters and Mad Scientists: A Cultural History of the Horror Movie suggested that "Genre is what we collectively believe it to be" In addition to these perspectives, Rhodes emphasizes
8990-615: The 1937 British film ) and Peter Cushing starred in Corruption (1968). Hammer Studios , a London-based company, followed Psycho 's success with Taste of Fear (1961), Maniac (1963), Paranoiac (1963), Nightmare (1964), Fanatic (1965), The Nanny (1965), and Hysteria (1965). Hammer's rival Amicus had Robert Bloch , author of 1959 Psycho novel , write the script for Psychopath (1968). Francis Ford Coppola 's debut, Dementia 13 (1963), takes place in an Irish castle where relatives gather to commemorate
9145-543: The AIDS crisis , the film's portrayal of the gay community fueled subsequent backlash once the virus became an epidemic. Low budget exploitative films New Year's Evil , Don't Go in the House and Don't Answer the Phone! were called-out for misogyny that dwelled on the suffering of females exclusively. Acclaimed filmmaker Brian De Palma 's Psycho -homage Dressed to Kill drew
9300-489: The Australian Film Commission to change its focus to being a more commercial operation. This closed in 1980 as its funding was abused by investors using them as tax avoiding measures. A new development known as the 10BA tax shelter scheme was developed ushering a slew of productions, leading to what Peter Shelley, author of Australian Horror Films , suggested meant "making a profit was more important than making
9455-578: The Gothic and horror literature of authors such as Edgar Allan Poe , Bram Stoker , and Mary Shelley . From origins in silent films and German Expressionism , horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror , comedy horror , erotic horror , slasher films , splatter films , supernatural horror and psychological horror . The genre has been produced worldwide, varying in content and style between regions. Horror
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#17330933280979610-664: The Grand Guignol . Maurice Tourneur 's The Lunatics (1912) used visceral violence to attract the Guignol's audience. In the United States, public outcry over films like this eventually led to the passage of the Hays Code in 1930. The Hays Code is one of the entertainment industry's earliest set of guidelines restricting sexuality and violence deemed unacceptable. Crime writer Mary Roberts Rinehart influenced horror literature with her novel The Circular Staircase (1908), adapted into
9765-432: The Halloween -clone He Knows You're Alone sold nearly 2 million tickets, though Paramount Pictures John Huston -directed Phobia only sold an estimated 22,000 tickets. Two high-profile slasher-thrillers were met with protest, William Friedkin 's Cruising and Gordon Willis ' Windows , both of which equate homosexuality with psychosis . Cruising drew protests from gay rights groups, and though it pre-dates
9920-631: The Son of Sam slayings, cashed-in on headlines and public fascination. Wes Craven modernized the Sawney Bean legend in The Hills Have Eyes (1977) by building upon themes presented in The Texas Chain Saw Massacre . The Hills Have Eyes was another huge financial success, relaunching Craven's career after it had been damaged by controversy surrounding his previous film, The Last House on
10075-496: The Southeast Asia region, including Thailand and Indonesia . The found footage horror film "technique" gives the audience a first person view of the events on screen, and presents the footage as being discovered after. Horror films which are framed as being made up of "found-footage" merge the experiences of the audience and characters, which may induce suspense, shock, and bafflement. Alexandra Heller-Nicholas noted that
10230-560: The counter-culture and traditional conservative values, with the film's squealing antagonist Leatherface carrying a chainsaw and wearing the faces of victims he and his family eat. The Texas Chain Saw Massacre spawned imitators and its false "based on a true story" advertisements gave way to reenactments of true crime . The Town That Dreaded Sundown (1976), based on the Phantom Killer case, and Another Son of Sam (1977), based on
10385-563: The drive-in success of The Texas Chain Saw Massacre (1974), The Toolbox Murders was quickly and cheaply shot but did not generate the interest of the former films. Exploitative Killer's Delight is a San Francisco-set serial killer story claiming to take inspiration from Ted Bundy and the Zodiac Killer . Leading up to Halloween 's October release were August's gialli -inspired Eyes of Laura Mars (written by John Carpenter) and September's " babysitter in peril " TV Movie Are You in
10540-501: The novel , play and the film's story relying on the supernatural . Newman discussed the genre in British Film Institute 's Companion to Horror where he noted that Horror films in the 1930s were easy to identify, but following that decade, "the more blurred distinctions become, and horror becomes less like a discrete genre than an effect which can be deployed within any number of narrative settings or narrative patterns". In
10695-403: The telekinesis -themed slasher Tourist Trap was initially unsuccessful, it has undergone a reappraisal by fans. 1979's most successful slasher was Fred Walton 's When a Stranger Calls , which sold 8.5 million tickets in North America. Its success has largely been credited to its opening scene, in which a babysitter ( Carol Kane ) is taunted by a caller who repeatedly asks, "Have you checked
10850-457: The "Fear of the Demonic" features graphic accounts of satanic rites , witchcraft , exorcisms outside traditional forms of worship, as seen in films like The Exorcist (1973) or The Omen (1976). Some critics have suggested horror films can be a vessel for exploring contemporary cultural, political and social trends. Jeanne Hall, a film theorist, agrees with the use of horror films in easing
11005-413: The "turning point" in the genre with Jaws (1975), which became the highest-grossing film at that point and moved the animal attacks genres "towards a less-fantastic route" with less giant animals and more real-life creatures such as Grizzly (1976) and Night Creature (1977), Orca (1977), and Jaws 2 (1978). The film is linked with the environmental movements that became more mainstream in
11160-457: The 13th Part III , the first slasher trilogy, was an enormous success, selling 12 million tickets and dethroning E.T.: The Extra Terrestrial from the top of the box office. The film's iconic hockey mask has grown to pop-culture iconography . Universal Pictures had a tiny release for Death Valley , while Columbia Pictures found modest success with Silent Rage . Independent distributor Embassy Pictures released The Seduction to
11315-639: The 13th Part VII: The New Blood (1988) and Halloween 4: The Return of Michael Myers (1988) sold approximately 4.5 million tickets each, less than half of the Elm Street films. The personality-driven appeal of Freddy Krueger was not lost on filmmakers, as characters like Chucky and Candyman were given ample dialogue and placed in urban settings that had largely been ignored by the Golden Age. Chucky's Child's Play (1988) and its 1990 sequel sold over 14.7 million tickets combined, while Candyman (1992) sold
11470-404: The 15 million sold by Friday the 13th the year beforehand. Thematically similar to My Bloody Valentine , The Prowler hoped to lure an audience with gore effects by Friday the 13th 's Tom Savini but large MPAA edits contributed to its failure to find a nationwide distributor. Suffering similar censorship was The Burning , which also employed Savini's special effects, though it does mark
11625-520: The 1940s, the horror film was viewed in different terms. Critic Siegfried Kracauer included The Lost Weekend among films described as "terror films" along with Shadow of a Doubt , The Dark Corner (1946), Gaslight (1944), Shock (1946), The Spiral Staircase (1946), The Stranger (1946) Spellbound (1945) while two years earlier, the New York Times described a new cycle of "horror" productions included Gaslight , The Woman in
11780-615: The 1960s and 1970s for horror films from Italy, France, Germany, the United Kingdom and Spain, as well as co-productions between these countries. Several productions, such as those in Italy, were co-productions due to the lack of international stars within the country. European horror films began developing strong cult following since the late 1990s. It is unknown when Australia's cinema first horror title may have been, with thoughts ranging from The Strangler's Grip (1912) to The Face at
11935-479: The 1970s and early 1980s such vegetarianism , animal rights movements , and organizations such as Greenpeace . Following Jaws , sharks became the most popular animal of the genre, ranging from similar such as Mako: The Jaws of Death (1976) and Great White (1981) to the Sharknado film series. James Marriott found that the genre had "lost momentum" since the 1970s while the films would still be made towards
12090-475: The 1990s teen horror cycle, Alexandra West described the general trend of these films is often looked down upon by critics, journals, and fans as being too glossy, trendy, and sleek to be considered worthwhile horror films. Horror films in Asia have been noted as being inspired by national, cultural or religious folklore , particularly beliefs in ghosts or spirits. In Asian Horror , Andy Richards writes that there
12245-605: The American slasher film revival, such as South Korea's early 2000s cycle with Bloody Beach (2000), Nightmare (2000) and The Record (2000). Supernatural horror films integrate supernatural elements , such as the afterlife , spirit possession and religion into the horror genre. Teen horror is a horror subgenre that victimizes teenagers while usually promoting strong, anti-conformity teenage leads, appealing to young generations. This subgenre often depicts themes of sex, under-aged drinking, and gore. Horror films aimed
12400-577: The Black Cat (1972) paying homage to Hitchcock's film. Gialli were popular in American cinemas and drive-in theaters . Thriller Assault (1971) and Spanish mystery A Dragonfly for Each Corpse (1974) share many traits with Italian gialli . Death Steps in the Dark (1977) spoofed the familiar conventions found in giallo films. Despite successes from Deep Red (1975) and The Blood-Stained Shadow (1978), giallo films gradually fell out of fashion by
12555-656: The Creepy Campfire Tales and book signing with an established author from the horror genre , the Pig Roast, the I Scream Social, the Killer Karaoke Party, and the Dread Central Horror Trivia competition. Since its inception, the festival's pulp magazine -style posters have been created by cartoonist/illustrator Mark Zingarelli. At the 2015 festival, writer/director producer Henry Selick settled
12710-585: The Golden Age of slasher films is 1978–1984, with some scholars citing over 100 similar films released over the six-year period. Despite most films receiving negative reviews, many Golden Age slasher films were extremely profitable and have established cult followings . Many films reused Halloween 's template of a murderous figure stalking teens, though they escalated the gore and nudity from Carpenter's restrained film. Golden Age slasher films exploited dangers lurking in American institutions such as high schools, colleges, summer camps, and hospitals. Cashing in on
12865-843: The Golden Age slasher waned, Wes Craven 's A Nightmare on Elm Street revitalized the genre by mixing fantasy and the supernatural in a cost-effective way. Craven had toyed with slasher films before in Deadly Blessing (1981), though he was frustrated that the genre he had helped create with The Last House on the Left (1972) and The Hills Have Eyes (1977) had not benefited him financially. Developing A Nightmare on Elm Street since 1981, Craven recognized time running out due to declining revenues from theatrical slasher film releases. A Nightmare on Elm Street and especially its villain Freddy Krueger ( Robert Englund ) became cultural phenomenons. On
13020-417: The Golden Age such as Too Scared to Scream (filmed in 1981, released in 1985), The Mutilator (filmed in 1984, released in 1985), Blood Rage (filmed in 1983, released in 1987), Killer Party (filmed in 1984, released in 1986) and Mountaintop Motel Massacre (filmed in 1983, released in 1986) found video distribution. Mirroring the punk rock movement, novice filmmakers proved anyone could make
13175-432: The Golden Age, The Initiation , was greatly overshadowed by A Nightmare on Elm Street (though both films feature dreams as plot points and a horribly burned "nightmare man"). The success of A Nightmare on Elm Street welcomed in a new wave of horror films that relied on special effects, almost completely silencing the smaller low-budget Golden Age features. Despite A Nightmare on Elm Street 's success, fatigue hit
13330-630: The House Alone? Of them, The Eyes of Laura Mars grossed $ 20 million against a $ 7 million budget. Influenced by the French New Wave 's Eyes Without a Face (1960), science fiction thriller Westworld (1973) and Black Christmas (1974), Halloween was directed, composed and co-written by Carpenter, and produced and co-written by Debra Hill on a budget of $ 300,000 provided by Syrian-American producer Moustapha Akkad . To minimize costs, locations were reduced and time took place over
13485-701: The Italian giallo films and psychological horror films such as Peeping Tom (1960) and Psycho (1960) as early influences. The genre hit its peak between 1978 and 1984 in an era referred to as the "Golden Age" of slasher films. Notable slasher films include The Texas Chain Saw Massacre (1974), Black Christmas (1974), Halloween (1978), Friday the 13th (1980), A Nightmare on Elm Street (1984), Child's Play (1988), Scream (1996), and I Know What You Did Last Summer (1997). Many slasher films released decades ago continue to attract cult followings . The slasher canon can be divided into three eras:
13640-549: The Latin-American market employing Mexican actors, Mexican horror films were produced throughout the 1930s and 1940s, often reflecting on the overarching theme of science vs. religion conflict . Ushered by the release of El vampiro , the Mexploitation horror film era started in 1957, with films characterised by their low production values and camp appeal, often featuring vampires, wrestlers, and Aztec mummies. A key figure in
13795-464: The Left (1972). Following holiday-themed exploitation films Home for the Holidays (1972), All Through the House (1972) and Silent Night, Bloody Night (1973), Christmas horror film Black Christmas (1974) uses horror as a board to debate social topics of its time, including feminism , abortion, and alcoholism. Using the "killer calling from inside the house " gimmick , Black Christmas
13950-495: The Living Dead led to an increase of violence and erotic scenes within the genre. The 1970s would expand on these themes with films that would delve into gorier pictures, as well as films that were near or straight pornographic hybrids. Genre cycles in this era include the natural horror film , and the rise of slasher films which would expand in the early 1980s . Towards the 1990s, postmodernism entered horror, while some of
14105-535: The Mexican horror scene (particularly in Germán Robles -starred vampire films) was producer Abel Salazar . The late 1960s saw the advent of the prominence of Carlos Enrique Taboada as an standout Mexican horror filmmaker, with films such as Hasta el viento tiene miedo (1967), El libro de piedra (1968), Más negro que la noche (1975) or Veneno para las hadas (1984). Mexican horror cinema has been noted for
14260-469: The Scarecrow brought the genre to the small screen. Two sequels had bigger body counts and more gore than their predecessors, but not higher box office intakes. Friday the 13th Part 2 sold 7.8 million tickets and Halloween II sold 9.2 million. Both sequels sold under half of their original film's tickets, though they were still very popular ( Halloween II was the second highest-grossing horror film of
14415-567: The Window (1919) while stories featuring ghosts would appear in Guyra Ghost Mystery (1921). By 1913, the more prolific era of Australian cinema ended with production not returning with heavy input of government finance in the 1970s. It took until the 1970s for Australia to develop sound film with television films that eventually received theatrical release with Dead Easy (1970) and Night of Fear (1973). The Cars That Ate Paris (1974)
14570-593: The Window (1944), Dark Waters (1944), Laura and Phantom Lady (1944). Mark Jancovich wrote in The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media (2008) that the term was virtually synonymous with mystery as a generic term, not being limited to films concerned with the strange, eerie and uncanny. Various writings on genre from Altman, Lawrence Alloway ( Violent America: The Movies 1946-1964 (1971)) and Peter Hutchings ( Approaches to Popular Film (1995)) implied it
14725-718: The Witch , though part of the Halloween franchise , does not adhere to the slasher film formula). Alone in the Dark was New Line Cinema 's first feature film, released to little revenue and initially dismissed by critics, though the film has gained critical reappraisal. Director Amy Holden Jones and writer Rita Mae Brown gender-swapped to showcase exploitative violence against men in The Slumber Party Massacre , while Visiting Hours pitted liberal feminism against macho right-wing bigotry with exploitative results. Friday
14880-427: The atmosphere created in imagery and themes. Dissonance , atonality and experiments with timbre are typical characteristics used by composers in horror film music. In the book Dark Dreams , author Charles Derry conceived horror films as focusing on three broad themes : the horror of personality , horror of Armageddon and the horror of the demonic . The horror of personality derives from monsters being at
15035-556: The biblical account of the Massacre of the Innocents and more recently in works such as E. T. A. Hoffmann's " The Nutcracker and the Mouse King " (1816) and Charles Dickens' A Christmas Carol (1843). Although ghosts have largely been replaced by serial killers, Christmas horror creates an outlet through which to explore "a modern reinvention of the Christmas ghost story". Erotic horror
15190-560: The biggest hits of the decade included films from Japan with the success of Ring (1998). Horror is a malleable genre and often can be altered to accommodate other genre types such as science fiction , making some films difficult to categorize. A genre that emerged in the 1970s, body horror films focus on the process of a bodily transformation. In these films, the body is either engulfed by some larger process or heading towards fragmentation and collapse. The focus can be on apocalyptic implication of an entire society being overtaken, but
15345-524: The centre of the plot, such Frankenstein's monster whose psychology makes them perform unspeakable horrific acts ranging from rapes , mutilations and sadistic killings. Other key works of this form are Alfred Hitchcock 's Psycho , which feature psychotic murderers without the make-up of a monster. The second 'Armageddon' group delves on the fear of large-scale destruction , which ranges from science fiction works but also of natural events , such as Hitchcock's The Birds (1963). The last group of
15500-494: The chapter "The American Nightmare: Horror in the 70s" from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between horror films is that "normality is threatened by the monster." This was further expanded upon by The Philosophy of Horror, or Parodoxes of the Heart by Noël Carroll who added that "repulsion must be pleasurable, as evidenced by
15655-495: The children?" Less successful were Ray Dennis Steckler 's burlesque slasher The Hollywood Strangler Meets the Skid Row Slasher and Abel Ferrara 's The Driller Killer , both of which featured gratuitous on-screen violence against vagrant people. The election of Ronald Reagan as the 40th president of the United States drew in a new age of conservatism that ushered concern of rising violence on film. The slasher film, at
15810-722: The classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013). Slasher films typically adhere to a specific formula: a past wrongful action causes severe trauma that is reinforced by a commemoration or anniversary that reactivates or re-inspires the killer. Built around stalk-and-murder sequences, the films draw upon the audience's feelings of catharsis , recreation , and displacement , as related to sexual pleasure. Paste magazine 's definition notes that, "slasher villains are human beings, or were human beings at some point ... Slasher villains are human killers whose actions are objectively evil, because they’re meant to be bound by human morality. That’s part of
15965-402: The depraved, using a "no press is bad press" mantra with The Flesh and Blood Show (1972), Frightmare (1974), House of Mortal Sin (1976), Schizo (1976) and The Comeback (1978). Other filmmakers followed Walker's lead, as posters dubbed Blood and Lace (1971) as "sickest PG-rated movie ever made!", while Scream Bloody Murder (1973) called itself "gore-nography." By 1974
16120-550: The early films of Peter Jackson who combined splatter films with comedy with Bad Taste (1988) and Braindead (1992) which has the largest following of the mentioned films. Film producer Ant Timpson had an influence curating New Zealand horror films, creating the Incredibly Strange Film Festival in the 1990s and producing his own horror films over the 2010s including The ABCs of Death (2012), Deathgasm (2015), and Housebound (2014). Timpson noted
16275-410: The emergence of sub-genres like splatter films and torture porn. In a study by Jacob Shelton, the many ways that audience members are manipulated through horror films was investigated in detail. Negative space is one such method that can play a part in inducing a reaction, causing one's eyes to remotely rest on anything in the frame – a wall, or the empty black void in the shadows. The jump scare
16430-433: The environment reminds them of particular scenes. A 2021 study suggested horror films that explore grief can provide psychological benefits to the bereaved, with the genre well suited to representing grief through its genre conventions. In a study by Medes et al., prolonged exposure to infrasound and low-frequency noise (<500 Hz) in long durations has an effect on vocal range (i.e. longer exposure tends to form
16585-523: The evolution of the horror genre through various cultural and historical contexts. He discusses the impact of socio-political factors on the genre , such as the influence of World War I and II, the Great Depression , and the Cold War , which shaped the themes and narratives of horror films. For instance, the anxieties of the post-war era manifested in horror films as fears of invasion , contamination, and
16740-435: The exploitation film battled political correctness and their popularity waned, and while films like The Love Butcher (1975) and The Redeemer: Son of Satan (1976) were accused of promoting bigotry, the low-budget independent film The Texas Chain Saw Massacre (1974) became a major hit and the most commercially successful horror film since The Exorcist . The story concerns a violent clash of cultures and ideals between
16895-457: The fear that the genre is meant to prey upon, the idea that killers walk among us." Films with similar structures that have non-human antagonists lacking a conscience, such as Alien or The Terminator , are not traditionally considered slasher films (though many slasher antagonists are superhuman, have supernatural traits, or possess slightly warped or abstract anthropomorphic forms both physically and metaphysically). The final girl trope
17050-559: The feature film debuts of Brad Grey , Holly Hunter , Jason Alexander , Fisher Stevens , Bob Weinstein and Harvey Weinstein . Profits of Halloween and Friday the 13th drew studio interest, to varying success. Warner Bros. 's Eyes of a Stranger (402,386 admissions) and Night School (420,818 admission), Paramount Pictures ' The Fan (1.1 million admissions), Universal Pictures The Funhouse (2.8 million admissions), and Columbia Pictures Happy Birthday to Me (3.8 million admissions). CBS ' TV movie, Dark Night of
17205-609: The film unrated on American screens, sidestepping the MPAA to still sell 2.2 million tickets at the box office. Alfred Hitchcock's Psycho 's influence was felt two decades later in Cries in the Night and The Unseen . Joe D'Amato 's gruesome Italian horror film Antropophagus and the Australian slasher Nightmares showed that the genre was spreading internationally. Slasher films reached
17360-589: The films stated if you partook in such vices such as drugs or sex, your punishment of death would be handed out. Prior to Scream , there were no popular teen horror films in the early 1990s. After the financial success of Scream , teen horror films became increasingly reflexive and self-aware until the end of the 1990s with films like I Know What You Did Last Summer (1997) and non-slasher The Faculty (1998). The genre lost prominence as teen films dealt with threats with more realism in films like Donnie Darko (2001) and Crazy/Beautiful (2001). In her book on
17515-549: The focus is generally upon an individual and their sense of identity, primarily them watching their own body change. The earliest appearance of the sub-genre was the work of director David Cronenberg , specifically with early films like Shivers (1975). Mark Jancovich of the University of Manchester declared that the transformation scenes in the genre provoke fear and repulsion, but also pleasure and excitement such as in The Thing (1982) and The Fly (1986). Christmas horror
17670-521: The genre among viewers (ahead of South Korea), according to a 2016 research. In a study done by Uri Hasson et al., brain waves were observed via functional magnetic resonance imaging (fMRI). This study used the inter-subject correlation analysis (ISC) method of determining results. It was shown that audience members tend to focus on certain facets in a particular scene simultaneously and tend to sit as still as possible while watching horror films. In another study done by John Greene & Glenn Sparks, it
17825-431: The genre continuously evolves, incorporating elements from other genres and responding to contemporary societal fears and anxieties. This adaptability is evident in the various sub-genres that have emerged over the years, such as psychological horror, body horror, and found footage horror, each addressing different aspects of human fear and the unknown. Rhodes also explores the role of censorship and regulation in shaping
17980-597: The genre did not become a codified genre until the release of Dracula (1931). Dracula was a box office success, leading to Universal and several other American film studios to develop and popularise horror films well into the 1940s . By the 1950s , horror would often be made with science fiction themes, and towards the end of the decade horror was a more common genre of international productions. The 1960s saw further developments, with material based on contemporary works instead of classical literature. The release of films like Psycho , Black Sunday and Night of
18135-579: The genre's popularity." Prior to the release of Dracula (1931), historian Gary Don Rhodes explained that the idea and terminology of horror film did not exist yet as a codified genre , although critics used the term "horror" to describe films in reviews prior to Dracula ' s release. "Horror" was a term used to describe a variety of meanings. In 1913, Moving Picture World defined "horrors" as showcasing "striped convicts, murderous Indians, grinning 'black-handers', homicidal drunkards" Some titles that suggest horror such as The Hand of Horror (1914)
18290-410: The height of its commercial power, also became the center of a political and cultural maelstrom. Sean S. Cunningham 's sleeper hit Friday the 13th was the year's most commercially successful slasher film, grossing more than $ 59.7 million and selling nearly 15 million tickets in North America. Despite a financial success, distributor Paramount Pictures was criticized for "lowering" itself to release
18445-500: The horror film have feelings similar to happiness or joy felt with friends, but intensified. Alternatively, audience members with negative feedback regarding the film would typically feel emotions they would normally associate with negative experiences in their life. Only about 10% of the American population enjoy the physiological rush felt immediately after watching horror films. The population that does not enjoy horror films could experience emotional fallout similar to that of PTSD if
18600-485: The horror films of Europe were often more erotic and "just plain stranger" than their British and American counter-parts. European horror films (generally referred to as Euro Horror) draw from distinctly European cultural sources, including surrealism , romanticism , decadent tradition , early 20th century pulp-literature , film serials , and erotic comics . In comparison to the narrative logic in American genre films, these films focused on imagery, excessiveness, and
18755-515: The horror genre" between both fans and critics of the genre. Jancovich found that disagreements existed from audiences who wanted to distinguish themselves. This ranged from fans of different genres who may view a film like Alien (1979) as belonging to science fiction , and horror fan bases dismissing it as being inauthentic to either genre. Further debates exist among fans of the genre with personal definitions of "true" horror films, such as fans who embrace cult figures like Freddy Kruger of
18910-516: The horror genre. The enforcement of the Hays Code in the 1930s and subsequent rating systems influenced the depiction of violence and sexuality in horror films. This regulation often pushed filmmakers to find creative ways to imply horror elements without explicit content, leading to a focus on atmosphere, suggestion, and psychological horror. The relaxation of censorship in the late 20th century allowed for more graphic and explicit horror, contributing to
19065-432: The innocent, virginal qualities ascribed to putative final girls - and that, in the 21st century, the trope has been filtered through the lens of parody, subversion, and self-aware humour (e.g. Final Girl ) rather than deployed sincerely. When slasher films become franchises, they typically take on villain protagonist characteristics, with the series following the continued efforts of their antagonists, rather than any of
19220-485: The irrational. Between the mid-1950s and the mid-1980s, European horror films emerged from countries like Italy, Spain and France, and were shown in the United States predominantly at drive-in theatre and grindhouse theaters. As producers and distributors all over the world were interested in horror films, regardless of their origin, changes started occurring in European low-budget filmmaking that allowed for productions in
19375-474: The killer in an isolated villa. Umberto Lenzi 's Eyeball (1975), which unfolds in an Agatha Christie manner, is noted by some as a slasher precursor, as American tourists are targeted by a killer wearing a red raincoat. The influence of Hitchcock's Psycho extended also to gialli , with films such as The Strange Vice of Mrs. Wardh (1971), The Case of the Scorpion's Tail (1971) and The Crimes of
19530-444: The killer's disposable victims, including any individual entry's heroes or final survivor(s) (who, in so far as they continue to appear within the series, are often killed off immediately after their next on-screen appearance, which has become its own trope). Examples of antiheroes around whom the respective series have become centered include Michael Myers , Freddy Krueger , Jason Voorhees , Chucky and Leatherface . The antagonist
19685-489: The latter horror entries from New Zealand are all humorous films like What We Do in the Shadows (2014) with Jonathan King , director of Black Sheep (2006) and The Tattooist (2007) stating "I'd love to see a genuinely scary New Zealand film but I don't know if New Zealand audiences – or the funding bodies – are keen." After the 1931 release of a US-produced Spanish-language version of Dracula by George Melford for
19840-1256: The long-running debate that his 1993 classic The Nightmare Before Christmas is a Halloween movie, not a Christmas movie. In 2018, the festival opened a brick and mortar horror merchandise store, Gargoyle's Gift Shop. 2019 Kelly Link , Pulitzer Prize finalist and MacArthur genius grant winner Joe Bob Briggs , film critic and performer Eli Craig , director of Tucker & Dale vs. Evil Joshua Hoffine, horror photographer Meredith Borders, managing editor of Fangoria Jeremy Robert Johnson, horror author 2018 Meredith Borders, managing editor of Fangoria Stephen Chiodo, writer/director of Killer Klowns from Outer Space Jeremy Robert Johnson, horror author Paul G. Tremblay , horror author and editor 2017 Meredith Borders Jon Davison , film producer Jeremy Robert Johnson Tyler MacIntyre, director of Tragedy Girls Greg McLean , film director Patrick Brice , film director 2016 Joe R. Lansdale , horror author Sam Suchmann and Mattie Zufelt, writers/stars of Spring Break Zombie Massacre 2015 Henry Selick, writer/producer/director John Carroll Lynch , actor/director Stephen Cognetti, writer/director of Hell House LLC Horror films Horror
19995-457: The mashup of classic gothic and romantic themes and characters with autochthonous features of the Mexican culture such as the Ranchería setting, the colonial past or the myth of La Llorona (shared with other Hispanic-American nations). Horror has proven to be a dependable genre at the Mexican box office in the 21st-century, with Mexico ranking as having the world's largest relative popularity of
20150-631: The mid-1970s as diminishing returns forced budget cuts. Films such as Play Motel (1979) and Giallo a Venezia (1979) exploited their low-budgets with shocking hardcore pornography . The early 1970s saw an increase in exploitation films that lured audiences to grindhouses and drive-ins by advertising of sex and violence. Robert Fuest 's And Soon the Darkness (1970) set off the '70s exploitation wave by maximizing its small budget and taking place in daylight. The Jekyll and Hyde Portfolio (1971) follows an insane killer who stalks and murders victims at
20305-407: The movie a sleeper hit that was selected to screen at the November 1978 Chicago Film Festival, where the country's major critics acclaimed it. Halloween grew into a major box office success, grossing over $ 70 million worldwide and selling over 20 million tickets in North America, becoming the most profitable independent film until being surpassed by Teenage Mutant Ninja Turtles (1990). Though
20460-427: The popularity of sites like YouTube in 2006 sparked a taste for amateur media, leading to the production of further films in the found footage horror genre later in the 2000s including the particularly financially successful Paranormal Activity (2007). In their book Gothic film , Richard J. McRoy and Richard J. Hand stated that "Gothic" can be argued as a very loose subgenre of horror, but argued that "Gothic" as
20615-543: The process of understanding issues by making use of their optical elements. The use of horror films can help audiences understand international prior historical events occurs, for example, to depict the horrors of the Vietnam War , the Holocaust , the worldwide AIDS epidemic or post-9/11 pessimism. In many occurrences, the manipulation of horror presents cultural definitions that are not accurate, yet set an example to which
20770-477: The protagonists of gialli are frequently (but not always) jet-setting adults sporting the most stylish Milan fashions . These protagonists are often outsiders reluctantly brought into the mystery through extenuating circumstances, like witnessing a murder or being suspected of the crimes themselves. Much like Krimi films, gialli plots tended to be outlandish and improbable, occasionally employing supernatural elements. Mario Bava 's A Bay of Blood (1971)
20925-678: The public of adult action thrillers that were popular in the 1980s, Sylvester Stallone 's cop-thriller Cobra (1986) is a thinly-veiled slasher film advertised as an action movie, and sold 13.2 million tickets. The home video market made stars out of character actors such as Terry O'Quinn and Bruce Campbell , whose respective independent horror-thrillers The Stepfather (1987) and Maniac Cop (1988) found more support on home video than in theaters. Quinn returned for Stepfather II (1989) but chose not to reprise his role in Stepfather III (1992), Destroyer (1988), while Campbell followed
21080-603: The real-life crimes of Richard Speck , promoted star Charles Bronson 's justice-for-all character above its horror themes. Robert Hiltzik 's Sleepaway Camp was a home video hit, being unique for its pubescent victims and themes of paedophilia and transvestism . Sleepaway Camp featured homosexual scenes, which were taboo at the time. In Canada, whodunit Curtains had a brief theatrical life before finding new life on VHS, while criticism toward American Nightmare ' s portrayal of prostitutes, drug addicts, and pornography addicts hurt its video rentals. Sledgehammer
21235-430: The release of Francis Ford Coppola 's Bram Stoker's Dracula (1992), a small wave of high-budgeted gothic horror romance films were released in the 1990s. Also described as "eco-horror", the natural horror film is a subgenre "featuring nature running amok in the form of mutated beasts, carnivorous insects, and normally harmless animals or plants turned into cold-blooded killers." In 1963, Alfred Hitchcock defined
21390-505: The same general plot as Prom Night (1980) with guilty teens stalked and punished for a terrible secret. The Final Terror borrows visual and thematic elements from Just Before Dawn (1981), as Sweet Sixteen borrows from Happy Birthday to Me (1981). The most successful slasher of the year was Psycho II , which sold over 11 million theatrical admissions. The film also reunited original Psycho (1960) cast members Anthony Perkins and Vera Miles . 10 to Midnight , inspired by
21545-894: The shot of a toilet flushing. The film featured an iconic score by Bernard Herrmann that has been frequently imitated in slasher and horror films. That same year, Michael Powell released Peeping Tom , showing the killer's perspective as he murders women to photograph their dying expressions. Psycho was nominated for four Academy Awards, including Best Supporting Actress for Janet Leigh and Anthony Perkins garnering universal acclaim for his role as Norman Bates . This notice drew bankable movie stars to horror films. Joan Crawford starred in William Castle 's Strait-Jacket (1964) and in Jim O'Connolly 's Berserk! (1967), while Albert Finney starred in MGM 's Night Must Fall (1964) (a remake of
21700-475: The silent film The Bat (1926), about guests in a remote mansion menaced by a killer in a grotesque mask. Its success led to a series of "old dark house" films including The Cat and the Canary (1927), based on John Willard 's 1922 stage play , and Universal Pictures ' The Old Dark House (1932), based on the novel by J.B. Priestley . In both films, the town dwellers are pitted against strange country folk,
21855-434: The slasher genre, and its popularity had declined substantially. The home video revolution, fueled by the popularity of VHS , provided a new outlet for low-budget filmmaking . Without major studio backing for theatrical release, slasher films became second only to pornography in the home video market. The drop in budgets to accommodate a more economic approach was usually met with a decline in quality. Holdovers filmed during
22010-541: The sub-genre sits within a trend of holiday-themed slasher films, alongside films such as My Bloody Valentine (1981) and April Fool's Day (1986). Others take a broader view that Christmas horror is not limited to the slasher genre, noting how it evolved from the English Christmas tradition of telling ghost stories. Christmas in literature has historically included elements of "darkness"—fright, misery, death and decay—tracing its literary antecedents as far back as
22165-466: The success of Friday the 13th Part III (1982), though the effect did not translate to the VHS format. Friday the 13th: The Final Chapter brought the saga of Jason Voorhees to a close, with his demise the main marketing tool. It worked, with The Final Chapter selling 10 million tickets in North America, hinting the series would continue even if Jason's demise marked a shift in the genre. This shift
22320-424: The turn of the millennium. Bill Gibron of PopMatters declared a mixed definition of the psychological horror film, ranging from definitions of anything that created a sense of disquiet or apprehension to a film where an audience's mind makes up what was not directly displayed visually. Gibron concluded it as a "clouded gray area between all out splatter and a trip through a cinematic dark ride." Religious horror
22475-408: The undead have nothing to do with the film. Distributors were aware of fading box office profits, and they were attempting to hoodwink audiences into thinking long-shelved releases like Mortuary were different. The public had largely lost interest in theatrically released slashers, drawing a close to the Golden Age. Production rates plummeted and major studios all but abandoned the genre that, only
22630-402: The unknown, reflecting the collective psyche of the time. Rhodes also highlights the significance of technological advancements, such as the advent of sound in cinema, which revolutionized the horror genre by enhancing its ability to evoke fear and suspense through auditory effects. Moreover, the horror genre's flexibility and adaptability are crucial to its enduring popularity. As Rhodes notes,
22785-584: The use of faith to defeat evil. The slasher film is a horror subgenre which involves a killer murdering a group of people (often teenagers), usually by use of bladed tools. In his book on the genre, author Adam Rockoff wrote that these villains represented a "rogue genre" of films that are "tough, problematic, and fiercely individualistic." Following the financial success of Friday the 13th (1980), at least 20 other slasher films appeared in 1980 alone. These films usually revolved around three properties: unique social settings (campgrounds, schools, holidays) and
22940-885: The year behind An American Werewolf in London ). Independent companies churned out slasher films Final Exam , Bloody Birthday , Hell Night , Don't Go in the Woods... Alone! , Wes Craven 's Deadly Blessing and Graduation Day . Fantasy and sci-fi genres continued to blend with the slasher film in Strange Behavior , Ghostkeeper and Evilspeak . The international market found Italy's Absurd and Madhouse and Germany's Bloody Moon . Straight-to-video productions cut costs to maximize profit. The independent horror film Madman opened in New York City's top 10, according to Variety , but soon fell out of theaters for
23095-400: Was a "bloody, senseless kill-for-kicks" flick that exploited unnecessary violence. Despite its modest initial box office run, the film has garnered critical reappraisal, with film historians noting its importance in the horror film genre and some even citing it as the original slasher film. Jumpstarted by the massive success of John Carpenter 's Halloween (1978), the era commonly cited as
23250-418: Was a melodrama about a thief who steals from his own sister. During the silent era, the term horror was used to describe everything from "battle scenes" in war films to tales of drug addiction. Rhodes concluded that the term "horror film" or "horror movie" was not used in early cinema. The mystery film genre was in vogue and early information on Dracula being promoted as a mystery film was common, despite
23405-431: Was embraced by fans or critics and took steep box office declines from their predecessors; still, Friday the 13th: A New Beginning was a modest hit opening at the top of the box office and finishing its run with 6.2 million admissions. Rushed into production, A Nightmare on Elm Street Part 2: Freddy's Revenge (1985) became the highest grossing horror film of 1985. The success of the first two Elm Street films inspired
23560-459: Was emphasized by the controversy from Silent Night, Deadly Night (1984): Unlike the recent appearance of other Christmas horror films, including the same year's Don't Open till Christmas , promotional material for Silent Night, Deadly Night pictured a killer Santa with the tagline: "He knows when you've been naughty!" According to Going to Pieces: The Rise and Fall of the Slasher Film ,
23715-445: Was found that the audience tends to experience the excitation transfer process (ETP) which causes a physiological arousal in audience members. The ETP refers to the feelings experienced immediately after an emotion-arousing experience, such as watching a horror film. In this case, audience members' heart rate, blood pressure and respiration all increased while watching films with violence. Audience members with positive feedback regarding
23870-414: Was shot-on-video for just $ 40,000, with a gender-reversal climax showing Playgirl model Ted Prior as a "final guy." Other home video slashers from the year include Blood Beat , Double Exposure , and Scalps , the latter claiming to be one of the most censored films in history. Releases began to distance from the genre. The poster for Mortuary features a hand bursting from the grave, though
24025-424: Was the first Australian horror production made for theatrical release. 1970s Australian art cinema was funded by state film corporations, who considered them more culturally acceptable than local exploitation films ( Ozploitation ), which was part of the Australian phenomenon called the cultural cringe . The greater success of genre films like Mad Max (1979), The Last Wave (1977) and Patrick (1978) led to
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