57-554: The Shubert Organization is a theatrical producing organization and a major owner of theatres based in Manhattan , New York City . It was founded by the three Shubert brothers — Lee , Sam , and Jacob J. Shubert — in the late 19th century. They steadily expanded, owning many theaters in New York and across the United States. Since then it has gone through changes of ownership, but it
114-628: A cavea and an architectural scenery, representing a city street. The oldest surviving examples of this style are the Teatro Olimpico in Vicenza (1580) and the Teatro all'antica in Sabbioneta (1590). At the beginning of 17th century theaters had moved indoors and began to resemble the arrangement we see most frequently today, with a stage separated from the audience by a proscenium arch. This coincided with
171-424: A central arena surrounded by perimeter seating tiers. The seating tiers were pierced by entrance-ways controlling access to the arena floor, and isolating it from the audience. Temporary wooden structures functioning as amphitheaters would have been erected for the funeral games held in honour of deceased Roman magnates by their heirs, featuring fights to the death by gladiators , usually armed prisoners of war, at
228-412: A courtyard which was open to the elements. A large portion of the audience would stand in the yard, directly in front of the stage. This layout is said to derive from the practice of holding plays in the yard of an inn. Archaeological excavations of The Rose theater at London's Bankside , built 1587, have shown that it had en external diameter of 72 feet (22 metres). The nearby Globe Theatre (1599)
285-470: A few more examples of the multitude of stages where plays can occur. A theatre used for opera performances is called an opera house . A theater is not required for performance (as in environmental theater or street theater ), this article is about structures used specifically for performance. Some theaters may have a fixed acting area (in most theaters this is known as the stage ), while some theaters, such as black box theaters have movable seating allowing
342-486: A foyer and ticketing. The second is called the stage door, and it is accessible from backstage. This is where the cast and crew enter and exit the theater, and there is a tradition called "stage dooring" that some fans participate in, in which fans wait outside of the stage door after the show in hopes of getting an autograph from the actors. The acting or performance space is the stage. In some theaters, such as proscenium theaters , arena theaters and amphitheaters, this area
399-502: A fully working and producing theater near its original site (largely thanks to the efforts of film director Sam Wanamaker ) to give modern audiences an idea of the environment for which Shakespeare and other playwrights of the period were writing. During the Renaissance , the first modern enclosed theaters were constructed in Italy. Their structure was similar to that of ancient theaters, with
456-474: A growing interest in scenic elements painted in perspective, such as those created by Inigo Jones , Nicola Sabbatini and the Galli da Bibiena family . The perspective of these elements could only be viewed properly from the center back of the auditorium, in the so-called "duke's chair." The higher one's status, the closer they would be seated to this vantage point, and the more the accurately they would be able to see
513-448: A hanamichi stage with her entourage. The stage is used not only as a walkway or path to get to and from the main stage, but important scenes are also played on the stage. Kabuki stages and theaters have steadily become more technologically sophisticated, and innovations including revolving stages and trap doors were introduced during the 18th century. A driving force has been the desire to manifest one frequent theme of kabuki theater, that of
570-425: A high-ceilinged interior. Within the large temple has a stage inside which is a large platform with its own pyramid roof. The stage area is separate from the audience area with the musician (a drummer on a high seat) behind the stage, and dressing rooms also at the rear with exit doors behind. The audience would be seated on a smooth, polished floor. Several Koothambalams exist within several Indian temples, and follow
627-502: A palace or house. Typically, there were two or three doors in the skene that led out onto orchestra, and from which actors could enter and exit. At first, the skene was literally a tent or hut, put up for the religious festival and taken down when it was finished. Later, the skene became a permanent stone structure. These structures were sometimes painted to serve as backdrops, hence the English word scenery . A temple nearby, especially on
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#1732876303638684-719: A particular rock formation naturally amplifies or echoes sound, making it ideal for musical and theatrical performances. An amphitheatre can be naturally occurring formations which would be ideal for this purpose, even if no theatre has been constructed there. Notable natural amphitheatres include the Drakensberg Amphitheatre in South Africa , Slane Castle in Ireland , the Supernatural Amphitheatre in Australia , and
741-620: A thousand theaters nationwide. The company continued to produce stage productions in New York until the 1940s, returning to producing Broadway productions in the 1970s after a hiatus. The company was reorganized in 1973, and as of 2016 owned or operated seventeen Broadway theaters in New York City, two off-Broadway theaters — Stage 42 and New World Stages — and the Forrest Theatre in Philadelphia . It leases Boston's Shubert Theatre to
798-486: A vertical dimension. The Indian Koothambalam temple is a space used to perform Sanskrit drama . Called the koothambalam or kuttampalam, it is a large high-caste rectangular, temple in Kerala which represented a “visual sacrifice” to any deities or gods of the temple. They were built for kutiyattam or “combined acting” performances, which only two dramas are performed today. The temple has a pyramidal roof, with high walls, and
855-469: Is associated with the performers and their actions. The stage is made entirely of unfinished hinoki , a Japanese cypress, with almost no decorative elements. The poet and novelist Toson Shimazaki writes that "on the stage of the Noh theater there are no sets that change with each piece. Neither is there a curtain. There is only a simple panel ( kagami-ita ) with a painting of a green pine tree . This creates
912-404: Is considered symbolic and treated with reverence both by the performers and the audience. The stage includes a large square platform, devoid of walls or curtains on three sides, and traditionally with a painting of a pine tree at the back. The platform is elevated above the place where the audience sits, which is covered in white gravel soil. The four stage corners are marked by cedar pillars, and
969-469: Is now known as the CIBC Theatre . In 2016, it sold its longtime headquarters at 1700 Broadway to Ruben Cos for $ 280 million. Notes Further reading Theater (structure) A theater , or playhouse , is a structure where theatrical works, performing arts , and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually
1026-596: Is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place. There are as many types of theaters as there are types of performance. Theaters may be built specifically for certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral -like structures to simple, undecorated rooms or black box theaters . A thrust stage as well as an arena stage are just
1083-425: Is permanent part of the structure. In some theaters the stage area can be changed and adapted specifically to a production, often called a black box theater , due to the common practice of the walls being painted black and hung with black drapes. Usually in a building used specifically for performance there are offstage spaces used by the performers and crew. This is where props , sets , and scenery are stored, and
1140-497: Is still a major theater chain. The Shubert Organization was founded by the Shubert brothers , Sam S. Shubert , Lee Shubert , and Jacob J. Shubert of Syracuse, New York – colloquially and collectively known as "The Shuberts" – in the late 19th century in upstate New York , entering into New York City productions in 1900. The organization produced a large number of shows and began acquiring theaters. Sam Shubert died in 1905; by 1916
1197-520: Is still standing today and, with its amazing structural acoustics and having had its seating reconstructed, can be seen to be a marvel of Roman architecture. During the Elizabethan era in England , theaters were constructed of wooden framing, infilled with wattle and daub and roofed with thatch . Mostly the theaters were entirely open air. They consisted of several floors of covered galleries surrounding
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#17328763036381254-668: Is the modular theater, notably the Walt Disney Modular Theater . This large theater has floors and walls divided into small movable sections, with the floor sections on adjustable pneumatric piston, so that the space may be adjusted into any configuration for each individual play. As new styles of theater performance have evolved, so has the desire to improve or recreate performance venues. This applies equally to artistic and presentation techniques, such as stage lighting . Specific designs of contemporary live theaters include proscenium , thrust , black box theater , theater in
1311-673: The Citi Performing Arts Center . Shubert Ticketing, which includes Telecharge, handles tickets for 70 theaters. Several former Shubert-owned theaters across the United States are still referred to by the Shubert name. One of the most famous is the New Haven Shubert , the second theater ever built by the Shubert Organization. Until the 1970s, major Broadway producers often premiered shows there before opening in New York. It
1368-525: The Edinburgh Fringe has seen performances in an taxi . The traditional stage used in Noh theater is based on a Chinese pattern. It is completely open, providing a shared experience between the performers and the audience throughout the play. Without any prosceniums or curtains to obstruct the view, the audience sees each actor at moments even before entering the primary platform of the stage. The theater itself
1425-494: The orchestra pit ) which focused the attention of audience on the stage, completely immersing them in the imaginary world of the music drama. These concepts were revolutionary at the time, but they have since come to be taken for granted in the modern operatic environment as well as many other types of theatrical endeavors. Contemporary theaters are often non-traditional, such as very adaptable spaces, or theaters where audience and performers are not separated. A major example of this
1482-431: The proskenion , but this is not certain. Rising from the circle of the orchestra was the audience. The audience sat on tiers of benches built up on the side of a hill. Greek theaters, then, could only be built on hills that were correctly shaped. A typical theater was enormous, able to seat around 15,000 viewers. Greek theaters were not enclosed; the audience could see each other and the surrounding countryside as well as
1539-404: The (by now demolished) Gibson Amphitheatre and Chicago International Amphitheatre . In other languages (like German ) an amphitheatre can only be a circular performance space. A performance space where the audience is not all around the stage can not be called an amphitheatre—by definition of the word. A natural amphitheatre is a performance space located in a spot where a steep mountain or
1596-592: The 5th century and of staged animal hunts in the 6th, most amphitheatres fell into disrepair. Their materials were mined or recycled. Some were razed, and others were converted into fortifications. A few continued as convenient open meeting places; in some of these, churches were sited. In modern english usage of the word, an amphitheatre is not only a circular, but can also be a semicircular or curved performance space, particularly one located outdoors. Contemporary amphitheatres often include standing structures, called bandshells , sometimes curved or bowl-shaped, both behind
1653-854: The Shuberts teamed with Isidore Herk and E. Thomas Beatty formed the Affiliated Theatres Corporation, which would book shows for the chain. Faced with fierce competition from the B. F. Keith Circuit , the Shuberts closed their vaudeville operation in February 1923. By 1929, the Shubert Theatre chain included Broadway's most important venues, the Winter Garden , the Sam S. Shubert , and the Imperial theaters, and owned, managed, operated, or booked nearly
1710-484: The acting. An altar was located in the middle of the orchestra; in Athens, the altar was dedicated to Dionysus , the god of wine and the theater. Behind the orchestra was a large rectangular building called the skene (meaning "tent" or "hut"). [1] It was used as a "backstage" area where actors could change their costumes and masks, but also served to represent the location of the plays, which were usually set in front of
1767-522: The actors and chorus. The Romans copied the Greek style of building, but tended not to be so concerned about the location, being prepared to build walls and terraces instead of looking for a naturally occurring site. The auditorium (literally "place for hearing" in Latin) was the area in which people gathered, and was sometimes constructed on a small hill or slope in which stacked seating could be easily made in
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1824-493: The area of the Roman Empire . Their typical shape, functions and name distinguish them from Roman theatres , which are more or less semicircular in shape; from the circuses (similar to hippodromes ) whose much longer circuits were designed mainly for horse or chariot racing events; and from the smaller stadia , which were primarily designed for athletics and footraces. Roman amphitheatres were circular or oval in plan, with
1881-444: The audience is often separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters , the proscenium arch, like the stage, is a permanent feature of the structure. This area is known as the auditorium or the house. The seating areas can include some or all of the following: Greek theater buildings were called a theatron ('seeing place'). The theaters were large, open-air structures constructed on
1938-505: The central performance area, like a modern open-air stadium . In contrast, both ancient Greek and ancient Roman theatres were built in a semicircle , with tiered seating rising on one side of the performance area. Modern english parlance uses "amphitheatre" for any structure with sloping seating, including theatre-style stages with spectator seating on only one side, theatres in the round , and stadia . They can be indoor or outdoor. About 230 Roman amphitheatres have been found across
1995-400: The first place. Inside Rome, few theatres have survived the centuries following their construction, providing little evidence about the specific theatres. Arausio , the theatre in modern-day Orange, France , is a good example of a classic Roman theatre, with an indented scaenae frons , reminiscent of Western Roman theatre designs, however missing the more ornamental structure. The Arausio
2052-640: The funeral pyre or tomb of the deceased. These games are described in Roman histories as munera , gifts, entertainments or duties to honour deceased individuals, Rome's gods and the Roman community. Some Roman writers interpret the earliest attempts to provide permanent amphitheaters and seating for the lower classes as populist political graft, rightly blocked by the Senate as morally objectionable; too-frequent, excessively "luxurious" munera would corrode traditional Roman morals. The provision of permanent seating
2109-419: The impression that anything that could provide any shading has been banished. To break such monotony and make something happen is no easy thing." Another unique feature of the stage is the hashigakari , a narrow bridge at upstage right used by actors to enter the stage. Hashigakari means "suspension bridge", signifying something aerial that connects two separate worlds on a same level. The bridge symbolizes
2166-531: The mythic nature of Noh plays in which otherworldly ghosts and spirits frequently appear. In contrast, hanamichi in Kabuki theaters is literally a path ( michi ) that connects two spaces in a single world, thus has a completely different significance. The Japanese kabuki stage features a projection called a hanamichi (花道; literally, flower path), a walkway which extends into the audience and via which dramatic entrances and exits are made. Okuni also performed on
2223-412: The performers and other personnel. A booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets, props and costumes , as well as storage. All theaters provide a space for an audience. In a fixed seating theatre
2280-400: The performers standby before their entrance. These offstage spaces are called wings on either side of a proscenium stage. A prompter's box may be found backstage. In an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. Often a theater will incorporate other spaces intended for
2337-559: The perspective elements. The first enclosed theaters were court theaters, open only to the sovereigns and the nobility. The first opera house open to the public was the Teatro San Cassiano (1637) in Venice. The Italian opera houses were the model for the subsequent theaters throughout Europe. Richard Wagner placed great importance on "mood setting" elements, such as a darkened theater, sound effects, and seating arrangements (lowering
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2394-411: The production to create a performance area suitable for the production. A theater building or structure contains spaces for an event or performance to take place, usually called the stage , and also spaces for the audience, theater staff, performers and crew before and after the event. There are usually two main entrances of a theater building. One is at the front, used by the audience, and leads into
2451-409: The right side of the scene, is almost always part of the Greek theater complex, which could justify, as a transposition, the recurrence of the pediment with the later solidified stone scene. In front of the skene there may have been a raised acting area called the proskenion , the ancestor of the modern proscenium stage. It is believed that the actors (as opposed to the chorus) acted entirely on
2508-459: The round , amphitheater , and arena . In the classical Indian dance , Natya Shastra defines three stage types. In Australia and New Zealand a small and simple theater, particularly one contained within a larger venue, is called a theatrette . The word originated in 1920s London, for a small-scale music venue. Theatrical performances can also take place in venues adapted from other purposes, such as train carriages. For instance, in recent years
2565-656: The same rectangular plan and structure. Amphitheater An amphitheatre ( U.S. English : amphitheater ) is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ἀμφιθέατρον ( amphitheatron ), from ἀμφί ( amphi ), meaning "on both sides" or "around" and θέατρον ( théātron ), meaning "place for viewing". Ancient Greek theatres were typically built on hillsides and semi-circular in design. The first amphitheatre may have been built at Pompeii around 70 BC. Ancient Roman amphitheatres were oval or circular in plan, with seating tiers that surrounded
2622-483: The slopes of hills. The most famous open-air greek theater was the Globe Theater where many of Shakespeare's plays were performed. They consisted of three principal elements: the orchestra , the skene , and the audience. The centerpiece of the theater was the orchestra , or "dancing place", a large circular or rectangular area. The orchestra was the site of the choral performances, the religious rites, and, possibly,
2679-613: The stage and behind the audience, creating an area which echoes or amplifies sound, making the amphitheatre ideal for musical or theatrical performances. Small-scale amphitheatres can serve to host outdoor local community performances. Notable modern amphitheatres include the Shoreline Amphitheatre , the Hollywood Bowl and the Aula Magna at Stockholm University. The term "amphitheatre" is also used for some indoor venues, such as
2736-459: The sudden, dramatic revelation or transformation. A number of stage tricks, including actors' rapid appearance and disappearance, employ these innovations. The term keren (外連), often translated playing to the gallery , is sometimes used as a catch-all for these tricks. Hanamichi and several innovations including revolving stage, seri and chunori have all contributed to kabuki play. Hanamichi creates depth and both seri and chunori provide
2793-488: The tradition of the Greek Theatres. The central part of the auditorium was hollowed out of a hill or slope, while the outer radian seats required structural support and solid retaining walls. This was of course not always the case as Romans tended to build their theatres regardless of the availability of hillsides. All theatres built within the city of Rome were completely man-made without the use of earthworks. The auditorium
2850-691: The two remaining brothers had become powerful theater moguls with a nationwide presence. In 1907, the Shuberts tried to enter vaudeville with the United States Amusement Co. In the spring of 1920 they made another attempt, establishing the Shubert Advanced Vaudeville with Lee Shubert as President and playing two shows per day in Boston, Dayton, Detroit, Cleveland, Chicago, Philadelphia and in September 1921 opening in New York. In April 1922,
2907-442: The whole is topped by a roof, even when the Noh stage is erected indoors. A ceramic jar system under the stage amplifies the sounds of dancing during the performance. There is a small door to permit entry of the musicians and vocalists. The independent roof is one of the most recognizable characteristic of the Noh stage. Supported by four columns, the roof symbolizes the sanctity of the stage, with its architectural design derived from
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#17328763036382964-447: The worship pavilion ( haiden ) or sacred dance pavilion ( kaguraden ) of Shinto shrines. The roof also unifies the theater space and defines the stage as an architectural entity. The pillars supporting the roof are named shitebashira (principal character's pillar), metsukebashira (gazing pillar), wakibashira (secondary character's pillar), and fuebashira (flute pillar), clockwise from upstage right respectively. Each pillar
3021-660: Was immortalized in many mid-20th century films, such as All About Eve . Another important regional theater was the Shubert in Chicago, Illinois , located within the Majestic Building at 22 West Monroe Street. Originally known as the Majestic Theatre, the Shubert Organization purchased it in 1945 and rechristened it the "Sam Shubert Theatre". The Shuberts sold the theatre to the Nederlander Organization in 1991 and
3078-455: Was larger, at 100 feet (30 metres). Other evidence for the round shape is a line in Shakespeare's Henry V which calls the building "this wooden O ", and several rough woodcut illustrations of the city of London. Around this time, the green room , a place for actors to wait until required on stage, became common terminology in English theaters. The Globe has now been rebuilt as
3135-639: Was no standard size; the largest could accommodate 40,000–60,000 spectators. The most elaborate featured multi-storeyed, arcaded façades and were decorated with marble , stucco and statuary. The best-known and largest Roman amphitheatre is the Colosseum in Rome , also known as the Flavian Amphitheatre ( Amphitheatrum Flavium ), after the Flavian dynasty who had it built. After the ending of gladiatorial games in
3192-520: Was not roofed; rather, awnings ( vela ) could be pulled overhead to provide shelter from rain or sunlight. Some Roman theatres, constructed of wood, were torn down after the festival for which they were erected concluded. This practice was due to a moratorium on permanent theatre structures that lasted until 55 BC when the Theatre of Pompey was built with the addition of a temple to avoid the law. Some Roman theatres show signs of never having been completed in
3249-594: Was thought a particularly objectionable luxury. The earliest permanent, stone and timber Roman amphitheatre with perimeter seating was built in the Campus Martius in 29 BCE. Most were built under Imperial rule, from the Augustan period (27 BCE–14 CE) onwards. Imperial amphitheatres were built throughout the Roman Empire, especial in provincial capitals and major colonies, as an essential aspect of Romanitas . There
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