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78-439: Talkative Man is a novel by R. K. Narayan first published in 1986 by Heinemann . Like his earlier novels, this one is also set in the fictional town of Malgudi . The novel is a bit short by Narayan's standards but provides the same level of enjoyment one experiences with his other writings. The main character is an ordinary man who is wealthy and works as a journalist. He has a regular routine in his life: posting articles in

156-709: A morpheme boundary, are written separately: All other vowel combinations are always written separately: In foreign loanwords , long vowels followed by a chōonpu (ー) are indicated with macrons: Adjacent vowels in loanwords are written separately: There are many variations on the Hepburn system for indicating long vowels with a macron. For example, 東京 ( とうきょう ) is properly romanized as Tōkyō , but can also be written as: In traditional and modified : In traditional Hepburn : In modified Hepburn : In traditional Hepburn : In modified Hepburn : Elongated (or " geminate ") consonant sounds are marked by doubling

234-516: A phoneme . However, the notation requires further explanation for accurate pronunciation by non-Japanese speakers: for example, the syllables [ɕi] and [tɕa] , which are written as shi and cha in Hepburn, are rendered as si and tya in Nihon-shiki. After Nihon-shiki was presented to the Rōmaji-kai in 1886, a dispute began between the supporters of

312-411: A form of entertainment. However, one of the earliest English novels, Daniel Defoe 's Robinson Crusoe (1719), has elements of the romance, unlike these novels, because of its exotic setting and story of survival in isolation. Crusoe lacks almost all of the elements found in these new novels: wit, a fast narration evolving around a group of young fashionable urban heroes, along with their intrigues,

390-464: A hero and his life. The adventures led to satirical encounters with the real world with the hero either becoming the pitiable victim or the rogue who exploited the vices of those he met. A second tradition of satirical romances can be traced back to Heinrich Wittenwiler 's Ring ( c.  1410 ) and to François Rabelais ' Gargantua and Pantagruel (1532–1564), which parodied and satirized heroic romances, and did this mostly by dragging them into

468-561: A nostalgia for the old romances with their heroism and professed virtue. Jane Barker explicitly advertised her Exilius as "A new Romance", "written after the Manner of Telemachus", in 1715. Robinson Crusoe spoke of his own story as a "romance", though in the preface to the third volume, published in 1720, Defoe attacks all who said "that [...] the Story is feign'd, that the Names are borrow'd, and that it

546-446: A philosophical and a theological novel, respectively. The tradition of works of fiction that were also philosophical texts continued with Thomas More 's Utopia (1516) and Tommaso Campanella 's City of the Sun (1602). However, the actual tradition of the philosophical novel came into being in the 1740s with new editions of More's work under the title Utopia: or the happy republic;

624-624: A philosophical romance (1743). Voltaire wrote in this genre in Micromegas: a comic romance, which is a biting satire on philosophy, ignorance, and the self-conceit of mankind (1752, English 1753). His Zadig (1747) and Candide (1759) became central texts of the French Enlightenment and of the modern novel. An example of the experimental novel is Laurence Sterne 's The Life and Opinions of Tristram Shandy, Gentleman (1759–1767), with its rejection of continuous narration. In it

702-406: A point in a conversation, and the exemplum a priest would insert in a sermon belong into this tradition. Written collections of such stories circulated in a wide range of products from practical compilations of examples designed for the use of clerics to compilations of various stories such as Boccaccio 's Decameron (1354) and Geoffrey Chaucer 's Canterbury Tales (1386–1400). The Decameron

780-560: A pseudo- bucolic form, and the celebrated L'Astrée , (1610) of Honore d'Urfe (1568–1625), which is the earliest French novel, is properly styled a pastoral . Although its action was, in the main, languid and sentimental, there was a side of the Astree which encouraged that extravagant love of glory, that spirit of " panache", which was now rising to its height in France. That spirit it was which animated Marin le Roy de Gomberville (1603–1674), who

858-570: A replacement of the Japanese script with a romanized system. Hepburn romanization, loosely based on the conventions of English orthography (spelling), stood in opposition to Nihon-shiki romanization , which had been developed in Japan in 1881 as a script replacement. Compared to Hepburn, Nihon-shiki is more systematic in its representation of the Japanese syllabary ( kana ), as each symbol corresponds to

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936-485: A revised version of Kunrei-shiki was reissued by cabinet ordinance on December 9, 1954, after the end of occupation. Although it lacks de jure status, Hepburn remains the de facto standard for multiple applications in Japan. As of 1977, many government organizations used Hepburn, including the Ministry of International Trade and Industry ; the Ministry of Foreign Affairs requires the use of Hepburn on passports, and

1014-413: A rising literacy rate among the growing population of townspeople, as well as the development of lending libraries. Ihara Saikaku (1642–1693) might be said to have given birth to the modern consciousness of the novel in Japan, mixing vernacular dialogue into his humorous and cautionary tales of the pleasure quarters, the so-called Ukiyozōshi (" floating world ") genre. Ihara 's Life of an Amorous Man

1092-508: A scandalous moral, gallant talk to be imitated, and a brief, concise plot. The new developments did, however, lead to Eliza Haywood 's epic length novel, Love in Excess (1719/20) and to Samuel Richardson 's Pamela, or Virtue Rewarded (1741). Some literary historians date the beginning of the English novel with Richardson's Pamela , rather than Crusoe. The idea of the "rise of the novel" in

1170-483: A separate key. The Mercure Gallant set the fashion in the 1670s. Collections of letters and memoirs appeared, and were filled with the intriguing new subject matter and the epistolary novel grew from this and led to the first full blown example of scandalous fiction in Aphra Behn 's Love-Letters Between a Nobleman and His Sister (1684/ 1685/ 1687). Before the rise of the literary novel, reading novels had only been

1248-672: A single sheet folded into books of 8, 12, 16 and 24 pages. They were often illustrated with crude woodcuts , which sometimes bore no relation to the text. When illustrations were included in chapbooks, they were considered popular prints . The tradition arose in the 16th century, as soon as printed books became affordable, and rose to its height during the 17th and 18th centuries. Many different kinds of ephemera and popular or folk literature were published as chapbooks, such as almanacs , children's literature , folk tales , nursery rhymes , pamphlets , poetry , and political and religious tracts . The term "chapbook" for this type of literature

1326-549: A slightly modified "compromise" version of Nihon-shiki, which was chosen for official use by cabinet ordinance on September 21, 1937; this system is known today as Kunrei-shiki romanization . On September 3, 1945, at the beginning of the occupation of Japan after World War II , Supreme Commander for the Allied Powers Douglas MacArthur issued a directive mandating the use of modified Hepburn by occupation forces. The directive had no legal force, however, and

1404-499: Is Simplicius Simplicissimus by Hans Jakob Christoffel von Grimmelshausen , published in 1668, Late 17th-century critics looked back on the history of prose fiction, proud of the generic shift that had taken place, leading towards the modern novel/novella. The first perfect works in French were those of Scarron and Madame de La Fayette 's "Spanish history" Zayde (1670). The development finally led to her Princesse de Clèves (1678),

1482-435: Is a stub . You can help Misplaced Pages by expanding it . This article about a 1980s novel is a stub . You can help Misplaced Pages by expanding it . See guidelines for writing about novels . Further suggestions might be found on the article's talk page . Novel Murasaki Shikibu 's Tale of Genji , an early 11th-century Japanese text, has sometimes been described as the world's first novel, because of its early use of

1560-690: Is a marked tendency to emphasize themes of courtly love . Originally, romance literature was written in Old French , Anglo-Norman and Occitan , later, in English , Italian and German . During the early 13th century, romances were increasingly written as prose. The shift from verse to prose dates from the early 13th century; for example, the Romance of Flamenca . The Prose Lancelot or Vulgate Cycle also includes passages from that period. This collection indirectly led to Thomas Malory 's Le Morte d'Arthur of

1638-473: Is a type of narrative in prose or verse popular in the aristocratic circles of High Medieval and Early Modern Europe . They were marvel-filled adventures , often of a knight-errant with heroic qualities, who undertakes a quest , yet it is "the emphasis on heterosexual love and courtly manners distinguishes it from the chanson de geste and other kinds of epic , which involve heroism." In later romances, particularly those of French origin, there

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1716-540: Is all a Romance; that there never were any such Man or Place". The late 18th century brought an answer with the Romantic Movement's readiness to reclaim the word romance, with the gothic romance , and the historical novels of Walter Scott . Robinson Crusoe now became a "novel" in this period, that is a work of the new realistic fiction created in the 18th century. Sentimental novels relied on emotional responses, and feature scenes of distress and tenderness, and

1794-569: Is considered by some to be one of the earliest "romances" or "novels" of China, and it was influential on later works of fiction in East Asia. Urbanization and the spread of printed books in Song dynasty (960–1279) led China to the evolution of oral storytelling, chuanqi and huaben , into long-form multi-volume vernacular fictional novels by the Ming dynasty (1368–1644). The European developments of

1872-469: Is considered the first work in this genre. Although Ihara's works were not regarded as high literature at the time because it had been aimed towards and popularized by the chōnin (merchant classes), they became popular and were key to the development and spread of ukiyozōshi . A chapbook is an early type of popular literature printed in early modern Europe . Produced cheaply, chapbooks were commonly small, paper-covered booklets, usually printed on

1950-479: The Roman à clef . Other works could, conversely, claim to be factual histories, yet earn the suspicion that they were wholly invented. A further differentiation was made between private and public history: Daniel Defoe 's Robinson Crusoe was, within this pattern, neither a "romance" nor a "novel". It smelled of romance, yet the preface stated that it should most certainly be read as a true private history. The rise of

2028-541: The Ministry of Land, Infrastructure and Transport requires its use on transport signs, including road signs and railway station signs. According to a survey by the Japanese Agency for Cultural Affairs in 2022, the Japanese primarily use Hepburn to spell place names. Hepburn is also used by private organizations, including The Japan Times and the Japan Travel Bureau . American National Standard System for

2106-759: The invention of the printing press . Miguel de Cervantes , author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era . Literary historian Ian Watt , in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century. Recent technological developments have led to many novels also being published in non-print media: this includes audio books , web novels , and ebooks . Another non-traditional fiction format can be found in graphic novels . While these comic book versions of works of fiction have their origins in

2184-425: The "belongs to the commoners", "trivial daily talks" aspect in one of his work. The earliest novels include classical Greek and Latin prose narratives from the first century BC to the second century AD, such as Chariton 's Callirhoe (mid 1st century), which is "arguably the earliest surviving Western novel", as well as Petronius ' Satyricon , Lucian 's True Story , Apuleius ' The Golden Ass , and

2262-410: The 16th and 17th centuries two factors led to the separation of history and fiction. The invention of printing immediately created a new market of comparatively cheap entertainment and knowledge in the form of chapbooks . The more elegant production of this genre by 17th- and 18th-century authors were belles lettres — that is, a market that would be neither low nor academic. The second major development

2340-401: The 18th century is especially associated with Ian Watt 's influential study The Rise of the Novel (1957). In Watt's conception, a rise in fictional realism during the 18th century came to distinguish the novel from earlier prose narratives. The rising status of the novel in eighteenth century can be seen in the development of philosophical and experimental novels . Philosophical fiction

2418-459: The 1954 Cabinet ordinance to make Hepburn the standard romanization system of Japan. There are many variants of the Hepburn romanization. The two most common styles are as follows: In Japan itself, there are some variants officially mandated for various uses: Details of the variants can be found below. The romanizations set out in the first and second versions of Hepburn's dictionary are primarily of historical interest. Notable differences from

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2496-444: The 19th century, they have only become popular recently. A novel is a long, fictional narrative. The novel in the modern era usually makes use of a literary prose style . The development of the prose novel at this time was encouraged by innovations in printing , and the introduction of cheap paper in the 15th century. Several characteristics of a novel might include: East Asian countries, like China, Korea, Vietnam and Japan, use

2574-414: The 19th-century femmes fatales . Hepburn Romanization Hepburn romanization ( Japanese : ヘボン式ローマ字 , Hepburn : Hebon-shiki rōmaji , lit.   ' Hepburn-style Roman letters ' ) is the main system of romanization for the Japanese language . The system was originally published in 1867 by American Christian missionary and physician James Curtis Hepburn as the standard in

2652-447: The 5th through 8th centuries. Vasavadatta by Subandhu , Daśakumāracarita and Avantisundarīkathā by Daṇḍin , and Kadambari by Banabhatta are among notable works. These narrative forms were influenced by much older classical Sanskrit plays and Indian classical drama literature, as well as by oral traditions and religious texts. The 7th-century Tang dynasty narrative prose work You Xian Ku written by Zhang Zhuo

2730-511: The Fatalist (1773, printed posthumously in 1796). A market of literature in the modern sense of the word, that is a separate market for fiction and poetry, did not exist until the late seventeenth century. All books were sold under the rubric of "History and politicks" in the early 18th century, including pamphlets , memoirs , travel literature , political analysis, serious histories, romances, poetry, and novels. That fictional histories shared

2808-586: The Principles of Virtue and Religion in the Minds of the Youth of Both Sexes", which focuses on a potential victim, a heroine that has all the modern virtues and who is vulnerable because her low social status and her occupation as servant of a libertine who falls in love with her. She, however, ends in reforming her antagonist. Male heroes adopted the new sentimental character traits in the 1760s. Laurence Sterne 's Yorick ,

2886-633: The Romanization of Japanese (ANSI Z39.11-1972), based on modified Hepburn, was approved in 1971 and published in 1972 by the American National Standards Institute . In 1989, it was proposed for International Organization for Standardization (ISO) standard 3602, but was rejected in favor of Kunrei-shiki. ANSI Z39.11-1972 was deprecated as a standard in 1994. In January 2024, the Cultural Affairs Agency proposed revising

2964-615: The ancient definition of "small talks" merely refers to trivial affairs, trivial facts, and can be different from the Western concept of novel. According to Lu Xun , the word "small talks" first appeared in the works of Zhuang Zhou , which coined such word. Later scholars also provided a similar definition, such as Han dynasty historian Ban Gu , who categorized all the trivial stories and gossips collected by local government magistrates as "small talks". Hồ Nguyên Trừng classified his memoir collection Nam Ông mộng lục as "small talks" clearly with

3042-535: The anonymous Aesop Romance and Alexander Romance . These works were often influenced by oral traditions, such as storytelling and myth-making, and reflected the cultural, social, and political contexts of their time. Afterwards, their style was adapted in later Byzantine novels such as Hysimine and Hysimines by Eustathios Makrembolites Narrative forms were also developed in Classical Sanskrit in India during

3120-546: The author not only addresses readers in his preface but speaks directly to them in his fictional narrative. In addition to Sterne's narrative experiments, there are visual experiments, such as a marbled page, a black page to express sorrow, and a page of lines to show the plot lines of the book. The novel as a whole focuses on the problems of language, with constant regard to John Locke 's theories in An Essay Concerning Human Understanding . The rise of

3198-462: The cities as traders. Cheap printed histories were, in the 17th and 18th centuries, especially popular among apprentices and younger urban readers of both sexes. The early modern market, from the 1530s and 1540s, divided into low chapbooks and high market expensive, fashionable, elegant belles lettres . The Amadis and Rabelais ' Gargantua and Pantagruel were important publications with respect to this divide. Both books specifically addressed

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3276-701: The concept of novel as it is understood in the Western world was (and still is) termed as "long length small talk" (長篇小說), novella as "medium length small talk" (中篇小說), and short stories as "short length small talk" (短篇小說). However, in Vietnamese culture, the term 小說 exclusively refers to 長篇小說 (long-length small talk), i.e. standard novel, while different terms are used to refer to novella and short stories. Such terms originated from ancient Chinese classification of literature works into "small talks" (tales of daily life and trivial matters) and "great talks" ("sacred" classic works of great thinkers like Confucius ). In other words,

3354-506: The consonant following a sokuon , っ ; for consonants that are digraphs in Hepburn ( sh , ch , ts ), only the first consonant of the set is doubled, except for ch , which is replaced by tch . These combinations are used mainly to represent the sounds in words in other languages. Digraphs with orange backgrounds are the general ones used for loanwords or foreign places or names, and those with blue backgrounds are used for more accurate transliterations of foreign sounds, suggested by

3432-553: The early 1470s. Prose became increasingly attractive because it enabled writers to associate popular stories with serious histories traditionally composed in prose, and could also be more easily translated. Popular literature also drew on themes of romance, but with ironic , satiric or burlesque intent. Romances reworked legends , fairy tales , and history, but by about 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in Don Quixote (1605). Still,

3510-628: The experience of intimacy in a narrative form. There is considerable debate over this, however, as there were certainly long fictional prose works that preceded it. The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain . Later developments occurred after

3588-406: The first Japanese–English dictionary, in which he introduced a new system for the romanization of Japanese into Latin script . He published a second edition in 1872 and a third edition in 1886, which introduced minor changes. The third edition's system had been adopted in the previous year by the Rōmaji-kai ( 羅馬字会 , "Romanization Club") , a group of Japanese and foreign scholars who promoted

3666-480: The first edition of his Japanese–English dictionary. The system is distinct from other romanization methods in its use of English orthography to phonetically transcribe sounds: for example, the syllable [ɕi] ( し ) is written as shi and [tɕa] ( ちゃ ) is written as cha , reflecting their spellings in English (compare to si and tya in the more systematic Nihon-shiki and Kunrei-shiki systems). In 1886, Hepburn published

3744-470: The first novel with what would become characteristic French subject matter. Europe witnessed the generic shift in the titles of works in French published in Holland, which supplied the international market and English publishers exploited the novel/romance controversy in the 1670s and 1680s. Contemporary critics listed the advantages of the new genre: brevity, a lack of ambition to produce epic poetry in prose;

3822-575: The hero of the Sentimental Journey (1768) did so with an enormous amount of humour. Oliver Goldsmith 's Vicar of Wakefield (1766) and Henry Mackenzie 's Man of Feeling (1771) produced the far more serious role models. These works inspired a sub - and counterculture of pornographic novels, for which Greek and Latin authors in translations had provided elegant models from the last century. Pornography includes John Cleland 's Fanny Hill (1748), which offered an almost exact reversal of

3900-598: The heroes, it was always hinted that they were well-known public characters of the day in a romantic disguise. Stories of witty cheats were an integral part of the European novella with its tradition of fabliaux . Significant examples include Till Eulenspiegel (1510), Lazarillo de Tormes (1554), Grimmelshausen 's Simplicissimus Teutsch (1666–1668) and in England Richard Head 's The English Rogue (1665). The tradition that developed with these titles focused on

3978-519: The language, and is used within Japan for romanizing personal names, locations, and other information, such as train tables and road signs. Because the system's orthography is based on English phonology instead of a systematic transcription of the Japanese syllabary , individuals who do not speak Japanese will generally be more accurate when pronouncing unfamiliar words romanized in the Hepburn style compared to other systems. In 1867, American Presbyterian missionary doctor James Curtis Hepburn published

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4056-532: The low realm of the burlesque. Don Quixote modified the satire of romances: its hero lost contact with reality by reading too many romances in the Amadisian tradition. Other important works of the tradition are Paul Scarron 's Roman Comique (1651–57), the anonymous French Rozelli with its satire on Europe's religions, Alain-René Lesage 's Gil Blas (1715–1735), Henry Fielding 's Joseph Andrews (1742) and Tom Jones (1749), and Denis Diderot 's Jacques

4134-420: The meaning of "trivial facts" rather than the Western definition of novel. Such classification also left a strong legacy in several East Asian interpretations of the Western definition of “novel” at the time when Western literature was first introduced to East Asian countries. For example, Thanh Lãng and Nhất Linh classified the epic poems such as The Tale of Kiều as "novel", while Trần Chánh Chiếu emphasized

4212-417: The modern image of the medieval is more influenced by the romance than by any other medieval genre, and the word "medieval" evokes knights, distressed damsels, dragons, and such tropes. The term "novel" originates from the production of short stories, or novella that remained part of a European oral culture of storytelling into the late 19th century. Fairy tales, jokes, and humorous stories designed to make

4290-399: The modern novel as an alternative to the chivalric romance began with the publication of Miguel de Cervantes ' novel Don Quixote : "the first great novel of world literature". It continued with Scarron 's Roman Comique (the first part of which appeared in 1651), whose heroes noted the rivalry between French romances and the new Spanish genre. In Germany an early example of the novel

4368-501: The new customers of popular histories, rather than readers of belles lettres . The Amadis was a multi–volume fictional history of style, that aroused a debate about style and elegance as it became the first best-seller of popular fiction. On the other hand, Gargantua and Pantagruel , while it adopted the form of modern popular history, in fact satirized that genre's stylistic achievements. The division, between low and high literature, became especially visible with books that appeared on both

4446-469: The novel did not occur until after the invention of the printing press by Johannes Gutenberg around 1439, and the rise of the publishing industry over a century later. Long European works continued to be in poetry in the 16th century. The modern European novel is often said to have begun with Don Quixote in 1605. Another important early novel was the French pastoral novel L'Astrée by Honore d'Urfe , published in 1610. Romance or chivalric romance

4524-453: The plot is arranged to advance emotions rather than action. The result is a valorization of "fine feeling", displaying the characters as models of refined, sensitive emotional affect. The ability to display such feelings was thought at this time to show character and experience, and to help shape positive social life and relationships. An example of this genre is Samuel Richardson 's Pamela, or Virtue Rewarded (1740), composed "to cultivate

4602-467: The plot of novels that emphasise virtue. The prostitute Fanny Hill learns to enjoy her work and establishes herself as a free and economically independent individual, in editions one could only expect to buy under the counter. Less virtuous protagonists can also be found in satirical novels, like Richard Head 's English Rogue (1665), that feature brothels, while women authors like Aphra Behn had offered their heroines alternative careers as precursors of

4680-427: The popular and belles lettres markets in the course of the 17th and 18th centuries: low chapbooks included abridgments of books such as Don Quixote . The term "chapbook" is also in use for present-day publications, commonly short, inexpensive booklets. Heroic Romance is a genre of imaginative literature, which flourished in the 17th century, principally in France. The beginnings of modern fiction in France took

4758-500: The post box, having a talk with people at the tea shop, going to the library and the house. One day, he meets a man from an unknown land called "Timbuctoo", another of Narayan's creations, the land being similar to the US . The man seems to have come for an official duty for the UN and seeing the calmness of the place, decides to stay there for his work. This article about the literature of India

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4836-562: The publication of histories that dared not risk an unambiguous assertion of their truth. The literary market-place of the late 17th and early 18th century employed a simple pattern of options whereby fictions could reach out into the sphere of true histories. This permitted its authors to claim they had published fiction, not truth, if they ever faced allegations of libel. Prefaces and title pages of seventeenth and early eighteenth century fiction acknowledged this pattern: histories could claim to be romances, but threaten to relate true events, as in

4914-400: The real sound as an English-speaker would pronounce it. For example, し is written shi not si . This transcription is thus only partly phonological. Some linguists such as Harold E. Palmer , Daniel Jones and Otto Jespersen object to Hepburn since the pronunciation-based spellings can obscure the systematic origins of Japanese phonetic structures, inflections, and conjugations. Since

4992-473: The same space with academic histories and modern journalism had been criticized by historians since the end of the Middle Ages: fictions were "lies" and therefore hardly justifiable at all. The climate, however, changed in the 1670s. The romance format of the quasi–historical works of Madame d'Aulnoy , César Vichard de Saint-Réal , Gatien de Courtilz de Sandras , and Anne-Marguerite Petit du Noyer , allowed

5070-414: The style was fresh and plain; the focus was on modern life, and on heroes who were neither good nor bad. The novel's potential to become the medium of urban gossip and scandal fueled the rise of the novel/novella. Stories were offered as allegedly true recent histories, not for the sake of scandal but strictly for the moral lessons they gave. To prove this, fictionalized names were used with the true names in

5148-439: The third and later versions include: The following differences are in addition to those in the second version: The main feature of Hepburn is that its orthography is based on English phonology . More technically, when syllables that are constructed systematically according to the Japanese syllabary contain an "unstable" consonant in the modern spoken language, the orthography is changed to something that better matches

5226-409: The third edition of his dictionary, codifying a revised version of the system that is known today as "traditional Hepburn". A version with additional revisions, known as "modified Hepburn", was published in 1908. Although Kunrei-shiki romanization is the style favored by the Japanese government, Hepburn remains the most popular method of Japanese romanization. It is learned by most foreign students of

5304-647: The two systems, which resulted in a standstill and an eventual halt to the organization's activities in 1892. After the Russo-Japanese War of 1904–1905, the two factions resurfaced as the Rōmaji Hirome-kai ( ローマ字ひろめ会 , "Society for the Spread of Romanization") , which supported Hepburn's style, and the Nihon no Rōmaji-sha ( 日本のローマ字社 , "Romanization Society of Japan") , which supported Nihon-shiki. In 1908, Hepburn

5382-514: The vowel sounds in Hepburn are similar to the vowel sounds in Italian, and the consonants similar to those of many other languages, in particular English, speakers unfamiliar with Japanese will generally be more accurate when pronouncing unfamiliar words romanized in the Hepburn style compared to other systems. In Hepburn, vowel combinations that form a long sound are usually indicated with a macron (◌̄). Other adjacent vowels, such as those separated by

5460-480: The word 小說 ( variant Traditional Chinese and Shinjitai : 小説 ; Simplified Chinese : 小说 ; Hangeul : 소설 ; Pinyin : xiǎoshuō ; Jyutping : siu syut ; Wugniu : siau-seq 7 ; Peh-oe-ji : sió-soat ; Hepburn : shōsetsu ; Revised : soseol ; Vietnamese : tiểu thuyết ), which literally means "small talks", to refer to works of fiction of whatever length. In Chinese, Japanese and Korean cultures,

5538-491: The word "novel" at the cost of its rival, the romance, remained a Spanish and English phenomenon, and though readers all over Western Europe had welcomed the novel(la) or short history as an alternative in the second half of the 17th century, only the English and the Spanish had openly discredited the romance. But the change of taste was brief and Fénelon's Telemachus [ Les Aventures de Télémaque ] (1699/1700) already exploited

5616-561: Was a compilation of one hundred novelle told by ten people—seven women and three men—fleeing the Black Death by escaping from Florence to the Fiesole hills, in 1348. The modern distinction between history and fiction did not exist in the early sixteenth century and the grossest improbabilities pervade many historical accounts found in the early modern print market. William Caxton 's 1485 edition of Thomas Malory 's Le Morte d'Arthur (1471)

5694-461: Was coined in the 19th century. The corresponding French and German terms are bibliothèque bleue (blue book) and Volksbuch , respectively. The principal historical subject matter of chapbooks was abridgements of ancient historians, popular medieval histories of knights, stories of comical heroes, religious legends, and collections of jests and fables. The new printed books reached the households of urban citizens and country merchants who visited

5772-405: Was not exactly new. Plato 's dialogues were embedded in fictional narratives and his Republic is an early example of a Utopia . Ibn Tufail 's 12th century Philosophus Autodidacticus with its story of a human outcast surviving on an island, and the 13th century response by Ibn al-Nafis , Theologus Autodidactus are both didactic narrative works that can be thought of as early examples of

5850-593: Was revised by educator Kanō Jigorō and others of the Rōmaji Hirome-kai , which began calling it the Shūsei Hebon-shiki ( 修正ヘボン式 , "modified Hepburn system") or Hyōjun-shiki ( 標準式 , "standard system") . In 1930, a Special Romanization Study Commission, headed by the Minister of Education, was appointed by the government to devise a standardized form of romanization. The Commission eventually decided on

5928-469: Was sold as a true history, though the story unfolded in a series of magical incidents and historical improbabilities. Sir John Mandeville 's Voyages , written in the 14th century, but circulated in printed editions throughout the 18th century, was filled with natural wonders, which were accepted as fact, like the one-footed Ethiopians who use their extremity as an umbrella against the desert sun. Both works eventually came to be viewed as works of fiction. In

6006-502: Was the first best-seller of modern fiction, the Spanish Amadis de Gaula , by García Montalvo. However, it was not accepted as an example of belles lettres . The Amadis eventually became the archetypical romance, in contrast with the modern novel which began to be developed in the 17th century. Many different genres of literature made their debut during the Edo period in Japan, helped by

6084-460: Was the inventor of what have since been known as the Heroical Romances. In these there was experienced a violent recrudescence of the old medieval elements of romance, the impossible valour devoted to a pursuit of the impossible beauty, but the whole clothed in the language and feeling and atmosphere of the age in which the books were written. In order to give point to the chivalrous actions of

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