96-564: Sunghursh ("Struggle") is a 1968 Indian Hindi film directed and produced by Harnam Singh Rawail . It is based on Layli Asmaner Ayna ("Layli Does Not Go To Heaven"), a short story in Bengali language by Jnanpith Award -winning writer Mahasweta Devi , which presents a fictionalised account of a vendetta within a thuggee cult in the holy Indian town of Varanasi . It stars Dilip Kumar , Vyjayanthimala , Balraj Sahni , Sanjeev Kumar , Jayant , Deven Verma , Durga Khote and Iftekhar . The film
192-565: A parallel cinema movement. Although the movement (emphasising social realism ) was led by Bengali cinema , it also began gaining prominence in Hindi cinema. Early examples of parallel cinema include Dharti Ke Lal (1946), directed by Khwaja Ahmad Abbas and based on the Bengal famine of 1943 , Neecha Nagar (1946) directed by Chetan Anand and written by Khwaja Ahmad Abbas, and Bimal Roy's Do Bigha Zamin (1953). Their critical acclaim and
288-534: A vigilante or anti-hero whose suppressed rage voiced the anguish of the urban poor. Hindi films have been a significant form of soft power for India, increasing its influence and changing overseas perceptions of India. In Germany , Indian stereotypes included bullock carts , beggars, sacred cows, corrupt politicians, and catastrophes before Bollywood and the IT industry transformed global perceptions of India. According to author Roopa Swaminathan, "Bollywood cinema
384-523: A Hong Kong remake, The Brothers (1979), which inspired John Woo 's internationally acclaimed breakthrough A Better Tomorrow (1986); the latter was a template for Hong Kong action cinema 's heroic bloodshed genre. "Angry young man" 1970s epics such as Deewaar and Amar Akbar Anthony (1977) also resemble the heroic-bloodshed genre of 1980s Hong Kong action cinema. The influence of filmi may be seen in popular music worldwide. Technopop pioneers Haruomi Hosono and Ryuichi Sakamoto of
480-442: A colour version of Mother India . However, colour did not become a popular feature until the late 1950s. At this time, lavish romantic musicals and melodramas were cinematic staples. The decade of the 1940s saw an expansion of Bombay cinema's commercial market and its presence in the national consciousness. The year 1943 saw the arrival of Indian cinema's first 'blockbuster' offering, the movie Kismet , which grossed in excess of
576-497: A contemporary urban context and anguished urban poor. By the mid-1970s, romantic confections had given way to gritty, violent crime films and action films about gangsters (the Bombay underworld ) and bandits ( dacoits ). Salim-Javed's writing and Amitabh Bachchan's acting popularised the trend with films such as Zanjeer and (particularly) Deewaar , a crime film inspired by Gunga Jumna which pitted "a policeman against his brother,
672-897: A dangerous mission in Kashmir , delivering items to soldiers fighting there. Before leaving, he extracts a promise from Gopal, whom he trusts implicitly, never to let any man come between Radha and himself while he is away. Sundar subsequently completes his mission, but his aircraft is shot down and he is listed as killed in action and presumed dead. For his bravery, he is awarded the Param Vir Chakra . The news saddens Radha and Gopal, but they are nonetheless now free to profess their love for one another. Among other expressions of love, Gopal writes her an unsigned love letter that touches her and which she hides away. Just when they begin taking steps to be married, Sundar returns, safe and sound. The self-effacing Gopal sacrifices his love once more, stepping back into
768-575: A film of scenes from that show, The Flower of Persia (1898). The Wrestlers (1899) by H. S. Bhatavdekar showed a wrestling match at the Hanging Gardens in Bombay . Dadasaheb Phalke 's silent film Raja Harishchandra (1913) is the first feature-length film made in India. The film, being silent, had English , Marathi , and Hindi -language intertitles . By the 1930s, the Indian film industry as
864-497: A gang leader based on real-life smuggler Haji Mastan " (Bachchan); according to Danny Boyle , Deewaar was "absolutely key to Indian cinema". In addition to Bachchan, several other actors followed by riding the crest of the trend (which lasted into the early 1990s). Actresses from the era include Hema Malini , Jaya Bachchan , Raakhee , Shabana Azmi , Zeenat Aman , Parveen Babi , Rekha , Dimple Kapadia , Smita Patil , Jaya Prada and Padmini Kolhapure . The name "Bollywood"
960-546: A genre of dacoit films , in turn defined by Gunga Jumna (1961). Written and produced by Dilip Kumar, Gunga Jumna was a dacoit crime drama about two brothers on opposite sides of the law (a theme which became common in Indian films during the 1970s). Some of the best-known epic films of Hindi cinema were also produced at this time, such as K. Asif 's Mughal-e-Azam (1960). Other acclaimed mainstream Hindi filmmakers during this period included Kamal Amrohi and Vijay Bhatt . The three most popular male Indian actors of
1056-519: A global presence". Scholar Brigitte Schulze has written that Indian films, most notably Mehboob Khan 's Mother India (1957), played a key role in shaping the Republic of India 's national identity in the early years after independence from the British Raj ; the film conveyed a sense of Indian nationalism to urban and rural citizens alike. Bollywood has long influenced Indian society and culture as
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#17328728749591152-783: A good film is generally referred to as paisa vasool , (literally "money's worth"). Songs, dances, love triangles, comedy and dare-devil thrills are combined in a three-hour show (with an intermission). These are called masala films , after the Hindi word for a spice mixture. Like masalas , they are a mixture of action, comedy and romance; most have heroes who can fight off villains single-handedly. Bollywood plots have tended to be melodramatic , frequently using formulaic ingredients such as star-crossed lovers, angry parents, love triangles, family ties, sacrifice, political corruption, kidnapping, villains, kind-hearted courtesans , long-lost relatives and siblings, reversals of fortune and serendipity . Parallel cinema films tended to be less popular at
1248-441: A head. The overwrought Gopal admits his authorship of the infamous letter to Radha, an admission that almost destroys his friend. Sundar asks Gopal why he sacrificed his love for his sake, admitting that he would have happily done the same for him. Radha, meanwhile, chastises the two men for not ever taking her feelings into consideration through the whole situation, and only focussing on their friendship. Gopal, perceiving no exit from
1344-464: A major influence. During the early 20th century, Urdu was the lingua franca of popular cultural performance across northern India and established in popular performance art traditions such as nautch dancing, Urdu poetry , and Parsi theater. Urdu and related Hindi dialects were the most widely understood across northern India, and Hindustani became the standard language of early Indian talkies. Films based on " Persianate adventure-romances" led to
1440-402: A new generation of popular actors, including the three Khans : Aamir Khan , Shah Rukh Khan , and Salman Khan , who have starred in most of the top ten highest-grossing Bollywood films . The Khans and have had successful careers since the late 1980s and early 1990s, and have dominated the Indian box office for three decades. Shah Rukh Khan was the most successful Indian actor for most of
1536-742: A popular genre of " Arabian Nights cinema". Scholars Chaudhuri Diptakirti and Rachel Dwyer and screenwriter Javed Akhtar identify Urdu literature as a major influence on Hindi cinema. Most of the screenwriters and scriptwriters of classic Hindi cinema came from Urdu literary backgrounds, from Khwaja Ahmad Abbas and Akhtar ul Iman to Salim–Javed and Rahi Masoom Raza ; a handful came from other Indian literary traditions, such as Bengali and Hindi literature . Most of Hindi cinema's classic scriptwriters wrote primarily in Urdu, including Salim-Javed, Gulzar , Rajinder Singh Bedi , Inder Raj Anand , Rahi Masoom Raza and Wajahat Mirza . Urdu poetry and
1632-419: A practice to murder wealthy travelers who stay in his pilgrim guesthouse and offers them as a sacrifice to Kali. Prasad's son Shankar does not agree to such practices, opposes his father and decides to leave the village with his wife and their three children: Kundan, Yashoda and Gopal. Prasad forcibly takes Kundan with him to follow in his footsteps and forbids him from seeing the rest of the family. Young Kundan
1728-626: A renaissance of Western musical films such as Chicago , Rent , and Dreamgirls . Indian film composer A. R. Rahman wrote the music for Andrew Lloyd Webber 's Bombay Dreams , and a musical version of Hum Aapke Hain Koun was staged in London's West End. The sports film Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film , and two other Hindi films (2002's Devdas and 2006's Rang De Basanti ) were nominated for
1824-507: A romantic affair. The actors parted after Vyjayanthimala worked with Raj Kapoor in the 1964 Hindi film Sangam . Thus, most of the scenes between the two actors for Sungharsh were shot separately. When the film was near completion, it was rumoured that with the increasing conflicts between the two leading actors, Vyjayanthimala would be replaced by another actress, Waheeda Rehman . Rehman had already replaced Vyjayanthimala in another Hindi film starring Kumar, Ram Aur Shyam , (1967) which
1920-504: A similar influence on Amitabh Bachchan , Naseeruddin Shah , Shah Rukh Khan and Nawazuddin Siddiqui . Veteran actresses such as Suraiya , Nargis , Sumitra Devi , Madhubala , Meena Kumari , Waheeda Rehman , Nutan , Sadhana , Mala Sinha and Vyjayanthimala have had their share of influence on Hindi cinema. While commercial Hindi cinema was thriving, the 1950s also saw the emergence of
2016-453: A whole was producing over 200 films per year. The first Indian sound film, Ardeshir Irani 's Alam Ara (1931), made in Hindustani language, was commercially successful. With a great demand for talkies and musicals, Hindustani cinema (as Hindi cinema was then known as) and the other language film industries quickly switched to sound films. The 1930s and 1940s were tumultuous times; India
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#17328728749592112-465: A whole, only refers to Hindi-language films, with Indian cinema being an umbrella term that includes all the film industries in the country, each offering films in diverse languages and styles. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been in Hindi. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu and Tamil representing representing 20% and 16% respectively. Hindi cinema
2208-529: Is in love with Laila and wants to marry her as his second wife. Director Rawail had considered Sadhana to play the lead actress of the film. He had waited for months to sign her in his Mere Mehboob (1963). But now the actress had developed thyroid problems and took a break from acting for treatment in Boston . Eventually, Rawail signed Vyjayanthimala for the role. Dilip Kumar and Vyjayanthimala who had worked together for Naya Daur (1957) were then said to have
2304-409: Is invited to his younger sister, Yashodha's marriage, Kundan gets a chance to visit his mother and grandmother and his siblings after many years. One day, Kundan meets Laila-E-Aasmaan, a courtesan, in the temple who has come from Calcutta after her madam's death. Kundan falls in love with Laila only to realise that she was his childhood friend, Munni. Kundan proposes to Laila, but Prasad does not agree to
2400-478: Is linked to economic liberalization in India during the early 1990s. Early in the decade, the pendulum swung back toward family-centered romantic musicals. Qayamat Se Qayamat Tak (1988) was followed by blockbusters such as Maine Pyar Kiya (1989), Hum Aapke Hain Kaun (1994), Dilwale Dulhania Le Jayenge (1995), Raja Hindustani (1996), Dil To Pagal Hai (1997) and Kuch Kuch Hota Hai (1998), introducing
2496-502: Is now being raised by his grandfather Prasad, who desires to have Kundan as his successor, head of a temple and pilgrim guesthouse on the banks of the Ganges river. Prasad mysteriously kills his son and puts the blame on his enemy and nephew, Naubatlal. Prasad had earlier killed Naubatlal's father. When Naubatlal learns the truth, he decides to take revenge, but Prasad kills Naubatlal before he could do anything. Naubatlal's family decides to leave
2592-414: Is one of the largest centres for film production in the world. Hindi films sold an estimated 341 million tickets in India in 2019. Earlier Hindi films tended to use vernacular Hindustani , mutually intelligible by speakers of either Hindi or Urdu , while modern Hindi productions increasingly incorporate elements of Hinglish . The most popular commercial genre in Hindi cinema since the 1970s has been
2688-462: Is one of the strongest global cultural ambassadors of a new India." Its role in expanding India's global influence is comparable to Hollywood's similar role with American influence. Monroe Township , Middlesex County , New Jersey , in the New York metropolitan area , has been profoundly impacted by Bollywood; this U.S. township has displayed one of the fastest growth rates of its Indian population in
2784-468: Is the only woman in the world. However, Radha prefers Gopal, who is also in love with her, and systematically resists Sundar's advances. Matching Sundar's great love for Radha is his unswerving devotion to his friendship with Gopal. Sundar confides his feelings for Radha to Gopal, who decides to sacrifice his love for his friend's sake. Eventually, Sundar enlists in the Indian Air Force and is assigned
2880-665: The 16th Filmfare Awards , Dilip Kumar was nominated for the Best Actor for Sunghursh as well as for Aadmi . However, the award was presented to Shammi Kapoor for his performance in Brahmachari . Kumar received the Bengal Film Journalists' Association Awards for Best Actor in Hindi . The film won four more awards in various categories at 32nd Annual BFJA Awards . Bollywood Hindi cinema , popularly known as Bollywood and formerly as Bombay cinema , refers to
2976-545: The BAFTA Award for Best Film Not in the English Language . Danny Boyle 's Slumdog Millionaire (2008), which won four Golden Globes and eight Academy Awards , was inspired by mainstream Hindi films and is considered an "homage to Hindi commercial cinema". It was also inspired by Mumbai-underworld crime films, such as Deewaar (1975), Satya (1998), Company (2002) and Black Friday (2007). Deewaar had
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3072-543: The Western Hemisphere , increasing from 256 (0.9%) as of the 2000 Census to an estimated 5,943 (13.6%) as of 2017, representing a 2,221.5% (a multiple of 23) numerical increase over that period, including many affluent professionals and senior citizens as well as charitable benefactors to the COVID-19 relief efforts in India in official coordination with Monroe Township, as well as actors with second homes. During
3168-576: The Yellow Magic Orchestra produced a 1978 electronic album, Cochin Moon , based on an experimental fusion of electronic music and Bollywood-inspired Indian music. Truth Hurts ' 2002 song " Addictive ", produced by DJ Quik and Dr. Dre , was lifted from Lata Mangeshkar 's "Thoda Resham Lagta Hai" in Jyoti (1981). The Black Eyed Peas ' Grammy Award winning 2005 song " Don't Phunk with My Heart "
3264-722: The ghazal tradition strongly influenced filmi ( Bollywood lyrics ). Javed Akhtar was also greatly influenced by Urdu novels by Pakistani author Ibn-e-Safi , such as the Jasoosi Dunya and Imran series of detective novels; they inspired, for example, famous Bollywood characters such as Gabbar Singh in Sholay (1975) and Mogambo in Mr. India (1987). Todd Stadtman identifies several foreign influences on 1970s commercial Bollywood masala films , including New Hollywood , Italian exploitation films , and Hong Kong martial arts cinema . After
3360-727: The highest-grossing Hindi film of the year , and the second highest-grossing film of the decade behind Mughal-e-Azam (1960). Sangam is widely regarded as R. K. Films ’ magnum opus and the career-best performances of Raj Kapoor, Vyjayanthimala and Rajendra Kumar. Internationally, the film was released in the Soviet Union in 1964. Director Dasari Narayana Rao remade the film in Telugu , Kannada and Tamil languages as Swapna (1981). Sundar, Radha and Gopal have been friends since childhood. As they grow into adults, Sundar develops an obsessive romantic attraction to Radha; for him, she
3456-417: The highest-grossing Hindi film of the year . Box Office India reported the film had collected ₹ 80,000,000 and its net collection, ₹ 40,000,000. Furthermore, Sangam also ranked as the second highest-grossing film of the decade by Box Office India behind Mughal-e-Azam (1960), where its adjusted to inflation net reportedly was about ₹ 885,700,000 (US$ 11 million). This article about
3552-430: The longest runtime for an Indian film up to that time. The film explores themes of love, loyalty, sacrifice, and the consequences of choices made in relationships. It portrays the conflicts and emotional turmoil faced by the characters as they navigate their complicated circumstances. The film was considered bold and much ahead of its time due to its storyline and characterizations. All these things immensely contributed to
3648-535: The masala film , which freely mixes different genres including action , comedy , romance , drama and melodrama along with musical numbers . Masala films generally fall under the musical film genre, of which Indian cinema has been the largest producer since the 1960s when it exceeded the American film industry's total musical output after musical films declined in the West. The first Indian talkie , Alam Ara (1931),
3744-461: The overseas Indian diaspora , have also been inspired by Bollywood music. Hindi films are primarily musicals, and are expected to have catchy song-and-dance numbers woven into the script. A film's success often depends on the quality of such musical numbers. A film's music and song and dance portions are usually produced first and these are often released before the film itself, increasing its audience. Indian audiences expect value for money, and
3840-531: The socio-economic and socio-political realities of contemporary India. They channeled growing popular discontent and disillusionment and state failure to ensure welfare and well-being at a time of inflation, shortages, loss of confidence in public institutions, increasing crime and the unprecedented growth of slums . Salim-Javed and Bachchan's films dealt with urban poverty, corruption and organised crime; they were perceived by audiences as anti-establishment , often with an "angry young man" protagonist presented as
3936-547: The 1950s and 1960s were Dilip Kumar , Raj Kapoor , and Dev Anand , each with a unique acting style. Kapoor adopted Charlie Chaplin 's tramp persona; Anand modeled himself on suave Hollywood stars like Gregory Peck and Cary Grant , and Kumar pioneered a form of method acting which predated Hollywood method actors such as Marlon Brando . Kumar, who was described as "the ultimate method actor" by Satyajit Ray , inspired future generations of Indian actors. Much like Brando's influence on Robert De Niro and Al Pacino , Kumar had
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4032-465: The 1950s and early 1960s and some won major prizes at the festival. Guru Dutt , overlooked during his lifetime, received belated international recognition during the 1980s. Film critics polled by the British magazine Sight & Sound included several of Dutt's films in a 2002 list of greatest films , and Time's All-Time 100 Movies lists Pyaasa as one of the greatest films of all time. During
4128-483: The 1970s. Although the art film bent of the Film Finance Corporation was criticised during a 1976 Committee on Public Undertakings investigation which accused the corporation of not doing enough to encourage commercial cinema, the decade saw the rise of commercial cinema with films such as Sholay (1975) which consolidated Amitabh Bachchan 's position as a star. The devotional classic Jai Santoshi Ma
4224-453: The 1980s was Mira Nair 's Salaam Bombay! (1988), which won the Camera d'Or at the 1988 Cannes Film Festival and was nominated for the Academy Award for Best Foreign Language Film . Hindi cinema experienced another period of box-office decline during the late 1980s with due to concerns by audiences over increasing violence and a decline in musical quality, and a rise in video piracy. One of
4320-467: The 1990s and 2000s, and Aamir Khan has been the most successful Indian actor since the mid 2000s. Action and comedy films, starring such actors as Akshay Kumar and Govinda . The decade marked the entrance of new performers in art and independent films, some of which were commercially successful. The most influential example was Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap . Its critical and commercial success led to
4416-501: The 2000s, Hindi cinema began influencing musical films in the Western world and was instrumental role in reviving the American musical film. Baz Luhrmann said that his musical film, Moulin Rouge! (2001), was inspired by Bollywood musicals; the film incorporated a Bollywood-style dance scene with a song from the film China Gate . The critical and financial success of Moulin Rouge! began
4512-411: The 2010s, the industry saw established stars such as making big-budget masala films like Dabangg (2010), Singham (2011) , Ek Tha Tiger (2012), Son of Sardaar (2012), Rowdy Rathore (2012), Chennai Express (2013), Kick (2014) and Happy New Year (2014) with much-younger actresses. Although the films were often not praised by critics, they were commercially successful. Some of
4608-728: The Bombay film industry was closely linked to the Lahore film industry (known as "Lollywood"; now part of the Pakistani film industry ); both produced films in Hindustani (also known as Hindi-Urdu), the lingua franca of northern and central India. Another centre of Hindustani-language film production was the Bengal film industry in Calcutta , Bengal Presidency (now Kolkata, West Bengal ), which produced Hindustani-language films and local Bengali language films. Many actors, filmmakers and musicians from
4704-804: The Bombay film industry's position as the preeminent center for film production in India. The period from the late 1940s to the early 1960s, after India's independence , is regarded by film historians as the Golden Age of Hindi cinema. Some of the most critically acclaimed Hindi films of all time were produced during this time. Examples include Pyaasa (1957) and Kaagaz Ke Phool (1959), directed by Guru Dutt and written by Abrar Alvi ; Awaara (1951) and Shree 420 (1955), directed by Raj Kapoor and written by Khwaja Ahmad Abbas , and Aan (1952), directed by Mehboob Khan and starring Dilip Kumar . The films explored social themes, primarily dealing with working-class life in India (particularly urban life) in
4800-405: The Indian economy and a demand for quality entertainment in this era led the country's film industry to new heights in production values, cinematography and screenwriting as well as technical advances in areas such as special effects and animation. Some of the largest production houses, among them Yash Raj Films and Dharma Productions were the producers of new modern films. Some popular films of
4896-552: The Lahore industry migrated to the Bombay industry during the 1940s, including actors K. L. Saigal , Prithviraj Kapoor , Dilip Kumar and Dev Anand as well as playback singers Mohammed Rafi , Noorjahan and Shamshad Begum . Around the same time, filmmakers and actors from the Calcutta film industry began migrating to Bombay; as a result, Bombay became the center of Hindustani-language film production. The 1947 partition of India divided
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#17328728749594992-670: The biggest entertainment industry; many of the country's musical, dancing, wedding and fashion trends are Bollywood-inspired. Bollywood fashion trendsetters have included Madhubala in Mughal-e-Azam (1960) and Madhuri Dixit in Hum Aapke Hain Koun..! (1994). Hindi films have also had a socio-political impact on Indian society, reflecting Indian politics . In classic 1970s Bollywood films, Bombay underworld crime films written by Salim–Javed and starring Amitabh Bachchan such as Zanjeer (1973) and Deewaar (1975) reflected
5088-545: The blockbuster Sholay (1975), written by Salim-Javed and starring Amitabh Bachchan. It combined the dacoit film conventions of Mother India and Gunga Jumna with spaghetti Westerns , spawning the Dacoit Western (also known as the curry Western ) which was popular during the 1970s. Some Hindi filmmakers, such as Shyam Benegal , Mani Kaul , Kumar Shahani , Ketan Mehta , Govind Nihalani and Vijaya Mehta , continued to produce realistic parallel cinema throughout
5184-727: The box office. A large Indian diaspora in English-speaking countries and increased Western influence in India have nudged Bollywood films closer to Hollywood. Sangam (1964 Hindi film) Sangam ( transl. Confluence ) is a 1964 Indian musical romantic drama directed, produced and edited by Raj Kapoor at R. K. Studios , written by Inder Raj Anand , and distributed by R. K. Films with Mehboob Studio and Filmistan . It stars Raj Kapoor , Rajendra Kumar , Vyjayanthimala in lead roles, along with Iftekhar , Raj Mehra , Nana Palsikar , Lalita Pawar , Achala Sachdev , Hari Shivdasani in supporting roles. It tells
5280-494: The choice of either one of the male leads. Anand also declined the film, citing call sheet problems as the reason. Raj Kapoor then offered the role to Uttam Kumar , but he too declined the offer. The role was finally given to Rajendra Kumar . During filming, Raj Kapoor took the help of the Indian Air Force in the shooting of the Air Force scenes. This was also Raj Kapoor's first complete film in colour. Sangam 's soundtrack
5376-411: The commercial success of the film. Sangam released on 26 June 1964 to widespread critical acclaim, with high praise for its novel concept, direction, screenplay, dialogue, soundtrack, costumes, cinematography and performances of the cast, and was widely considered as Hindi cinema's greatest love triangle . It emerged as a major blockbuster at the box-office, grossing ₹ 8 crore worldwide, ranking as
5472-647: The conventions which were once strictly associated with parallel cinema. "Bollywood" is a portmanteau derived from Bombay (the former name of Mumbai ) and "Hollywood", a shorthand reference for the American film industry which is based in Hollywood , California . The term "Tollywood", for the Tollygunge -based cinema of West Bengal , predated "Bollywood". It was used in a 1932 American Cinematographer article by Wilford E. Deming, an American engineer who helped produce
5568-523: The country into the Republic of India and Pakistan , which precipitated the migration of filmmaking talent from film production centres like Lahore and Calcutta , which bore the brunt of the partition violence. This included actors, filmmakers and musicians from Bengal , Punjab (particularly the present-day Pakistani Punjab ), and the North-West Frontier Province (present-day Khyber Pakhtunkhwa ). These events further consolidated
5664-528: The creation of a national movement against colonial rule in India, while simultaneously leveraging the popular political movement to increase their own visibility and popularity. Themes from the Independence Movement deeply influenced Bombay film directors, screen-play writers, and lyricists, who saw their films in the context of social reform and the problems of the common people. Before the Partition,
5760-405: The decade were Kaho Naa... Pyaar Hai (2000), Kabhi Khushi Kabhie Gham... (2001), Gadar: Ek Prem Katha (2001), Lagaan (2001), Koi... Mil Gaya (2003), Kal Ho Naa Ho (2003), Veer-Zaara (2004), Rang De Basanti (2006), Lage Raho Munna Bhai (2006), Dhoom 2 (2006), Krrish (2006), and Jab We Met (2007), among others, showing the rise of new movie stars. During
5856-672: The decade with films such as Zanjeer (1973) and Deewaar (1975). Salim-Javed reinterpreted the rural themes of Mehboob Khan 's Mother India (1957) and Dilip Kumar 's Gunga Jumna (1961) in a contemporary urban context, reflecting the socio-economic and socio-political climate of 1970s India and channeling mass discontent, disillusionment and the unprecedented growth of slums with anti-establishment themes and those involving urban poverty, corruption and crime. Their "angry young man", personified by Amitabh Bachchan , reinterpreted Dilip Kumar's performance in Gunga Jumna in
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#17328728749595952-409: The emergence of a genre known as Mumbai noir: urban films reflecting the city's social problems. This led to a resurgence of parallel cinema by the end of the decade. The films featured actors whose performances were often praised by critics. The 2000s saw increased Bollywood recognition worldwide due to growing (and prospering) NRI and South Asian diaspora communities overseas. The growth of
6048-503: The film industry based in Mumbai , engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood ". The industry is a part of the larger Indian cinema , which also includes South Indian cinema and other smaller film industries . The term 'Bollywood', often mistakenly used to refer to Indian cinema as
6144-452: The film was postponed for several reasons and was in development hell until 1962, when it was titled as Sangam , with new cast and crew. Initially, Kapoor approached Dilip Kumar to play the role of Gopal Verma. Kumar agreed to play either one of the two male roles, on the condition that he be given the right to edit the final copy of the film. Since Kapoor could not accept Kumar's condition, he then approached Dev Anand and offered him
6240-829: The films starring Aamir Khan, from Taare Zameen Par (2007) and 3 Idiots (2009) to Dangal (2016) and Secret Superstar (2018), have been credited with redefining and modernising the masala film with a distinct brand of socially conscious cinema. Most stars from the 2000s continued successful careers into the next decade, and the 2010s saw a new generation of popular actors in different films. Among new conventions, female-centred films such as The Dirty Picture (2011), Kahaani (2012), and Queen (2014), Pink (2016), Raazi (2018), Gangubai Kathiawadi (2022) started gaining wide financial success. Moti Gokulsing and Wimal Dissanayake identify six major influences which have shaped Indian popular cinema: Sharmistha Gooptu identifies Indo-Persian - Islamic culture as
6336-602: The first Indian sound picture. "Bollywood" was probably invented in Bombay-based film trade journals in the 1960s or 1970s, though the exact inventor varies by account. Film journalist Bevinda Collaco claims she coined the term for the title of her column in Screen magazine. Her column entitled "On the Bollywood Beat" covered studio news and celebrity gossip. Other sources state that lyricist, filmmaker and scholar Amit Khanna
6432-455: The first masala film and the first quintessentially "Bollywood" film. Salim-Javed wrote more successful masala films during the 1970s and 1980s. Masala films made Amitabh Bachchan the biggest star of the period. A landmark of the genre was Amar Akbar Anthony (1977), directed by Manmohan Desai and written by Kader Khan , and Desai continued successfully exploiting the genre. Both genres (masala and violent-crime films) are represented by
6528-414: The first two examples. Awaara presented the city as both nightmare and dream, and Pyaasa critiqued the unreality of urban life. Mehboob Khan 's Mother India (1957), a remake of his earlier Aurat (1940), was the first Indian film nominated for the Academy Award for Best Foreign Language Film ; it lost by a single vote. Mother India defined conventional Hindi cinema for decades. It spawned
6624-430: The impasse at which the three have arrived, kills himself with Sundar's pistol. Radha and Sundar are finally reunited but in mourning. In the late 1940s, Raj Kapoor planned to launch a film under the title of Gharonda with Dilip Kumar , Nargis and himself in the lead playing the central characters. The story was penned by Inder Raj Anand during the making of Kapoor's first directorial film, Aag (1948). However,
6720-464: The important barrier of one crore (10 million) rupees, made on a budget of only two lakh (200,000) rupees. The film tackled contemporary issues, especially those arising from the Indian Independence movement, and went on to become "the longest running hit of Indian cinema", a title it held till the 1970s. Film personalities like Bimal Roy, Sahir Ludhianvi and Prithviraj Kapoor participated in
6816-419: The late 1960s and early 1970s, the industry was dominated by musical romance films with romantic-hero leads. By 1970, Hindi cinema was thematically stagnant and dominated by musical romance films . The arrival of screenwriting duo Salim–Javed ( Salim Khan and Javed Akhtar ) was a paradigm shift, revitalising the industry. They began the genre of gritty, violent, Bombay underworld crime films early in
6912-608: The latter's commercial success paved the way for Indian neorealism and the Indian New Wave (synonymous with parallel cinema). Internationally acclaimed Hindi filmmakers involved in the movement included Mani Kaul , Kumar Shahani , Ketan Mehta , Govind Nihalani , Shyam Benegal , and Vijaya Mehta . After the social-realist film Neecha Nagar received the Palme d'Or at the inaugural 1946 Cannes Film Festival , Hindi films were frequently in competition for Cannes' top prize during
7008-480: The man, but she refuses. In the days that follow, Sundar becomes consumed with discovering the identity of the letter's author. Radha's life becomes miserable, lived out against the incessant drama of Sundar's jealousy, threats, anger, and fixation with the letter. Eventually unable to bear the wretchedness of her existence with Sundar any further, she flees to Gopal for help. Sundar takes the same route, unaware that Radha has gone to Gopal's house. There, matters come to
7104-414: The marriage, knowing that Laila was hired by Dwarka and Ganesh Prasad to seduce Kundan and bring him to them. Kundan decides to end the feud with Dwarka, but Dwarka does not co-operate. Dwarka attacks Kundan, but gets killed by him. As repentance for his grandfather's sins, Kundan decides to serve Ganeshi and takes another identity, that of Bajrangi to make peace with him, only to realise that Ganeshi Prasad
7200-473: The musical hit Mere Mehboob in 1963. The film's soundtrack has seven songs sung by Mohammad Rafi and Lata Mangeshkar with one song sung by Asha Bhosle. All are solo songs where Naushad used the music from the regions of Awadh and eastern Uttar Pradesh . But critics have considered these compositions "below par" as compared with Naushad's other work. Similar to his earlier work where Naushad had simplified Hindustani classical music to produce filmi songs,
7296-569: The period. The actor-director Rajesh Roshan had worked as an assistant director on the film. The music for all the songs was composed by Naushad and the lyrics were written by Shakeel Badayuni . Naushad and Badayuni had worked together on many films previously and were "the most sought after" composer-lyricist duo of the time in Bollywood. Their collaborations of Baiju Bawra (1952), Mother India (1957), Mughal-E-Azam (1960) and more are quite popular. They had worked with Rawail and had given
7392-404: The rest of Indian cinema) it has become part of the "Indian story". In India, Bollywood is often associated with India's national identity. According to economist and Bollywood biographer Meghnad Desai , "Cinema actually has been the most vibrant medium for telling India its own story, the story of its struggle for independence, its constant struggle to achieve national integration and to emerge as
7488-559: The shadows and watching as the reborn Sundar resumes his wooing of Radha. Before Sundar enlisted, Radha's parents did not like him, but after he was awarded the Param Vir Chakra, they happily marry their daughter to him. After the couple returns from an extended European honeymoon, Sundar is deliriously happy, as his life's dream has been realised. Radha is resolved to be faithful to her husband and to put Gopal out of her mind, privately asking him to stay away from her and Sundar because of
7584-495: The solo "Mere Paas Aao Nazar To Milao" rendered by Lata Mangeshkar was based on Bhairavi Raga . The song "Mere Pairon Mein Ghunghroo" by Rafi was included in " 101 Mohammad Rafi Hits by Shemaroo Entertainment on his 31st death anniversary. The singer died on 31 July 1980. The song was also used by former Chief Ministers of Bihar Lalu Prasad Yadav during the election campaign for 2010 Bihar Legislative Assembly election . At
7680-437: The story of a pilot Sundar ( Raj Kapoor ), who upon returning home from war after being assumed dead, weds the woman Radha ( Vyjayanthimala ) he had long loved, unaware that she had been planning to marry his best friend Gopal ( Rajendra Kumar ). Sangam was the first Indian film to be exclusively shot abroad on locations including London , Paris and Switzerland , and was also among the most expensive film of its time with
7776-570: The success of Bruce Lee films (such as Enter the Dragon ) in India, Deewaar (1975) and other Bollywood films incorporated fight scenes inspired by 1970s martial arts films from Hong Kong cinema until the 1990s. Bollywood action scenes emulated Hong Kong rather than Hollywood, emphasising acrobatics and stunts and combining kung fu (as perceived by Indians) with Indian martial arts such as pehlwani . Perhaps Hindi cinema's greatest influence has been on India's national identity, where (with
7872-431: The torture his presence causes her. Sundar's devotion to Gopal, however, is such that he constantly tries to draw him into their lives, much to Radha's chagrin. The perfection of their marital bliss is, however, shattered when Sundar accidentally discovers the unsigned love letter Gopal had written to Radha. An enraged Sundar pulls a pistol on his wife and demands she divulge the name of her supposed lover, threatening to kill
7968-414: The turning points came with such films as Qayamat Se Qayamat Tak (1988), presenting a blend of youthfulness, family entertainment, emotional intelligence and strong melodies, all of which lured audiences back to the big screen. It brought back the template for Bollywood musical romance films which went on to define 1990s Hindi cinema. Known since the 1990s as "New Bollywood", contemporary Bollywood
8064-461: The village and settle down Calcutta where his two young sons, Dwarka (Sanjeev Kumar) and Ganeshi Prasad, work as merchants. They learn about their father's death from their mother (Mumtaz Begum) and swear to avenge their father's death by killing Prasad and his grandson Kundan (Dilip Kumar). Kundan continues to serve Prasad in the Banaras temple, but does not follow the practice of killing people. When he
8160-465: Was also released that year. By 1983, the Bombay film industry was generating an estimated annual revenue of ₹700 crore ( ₹ 7 billion, $ 693.14 million ), equivalent to $ 2.12 billion ( ₹12,667 crore , ₹ 111.33 billion) when adjusted for inflation. By 1986, India's annual film output had increased from 741 films produced annually to 833 films annually, making India the world's largest film producer. The most internationally acclaimed Hindi film of
8256-430: Was being shot simultaneously with Sunghursh . Vyjayanthimala readily declined the claim of her leaving the film when it was about to finish its shooting. Sungharsh was the last film where Kumar and Vyjayanthimala worked together. By then, both the actors had done the maximum number of films together and each was a commercial success. Sanjeev Kumar , who had previously acted in theatre and other smaller film productions,
8352-571: Was buffeted by the Great Depression , World War II , the Indian independence movement , and the violence of the Partition . Although most early Bombay films were unabashedly escapist , a number of filmmakers tackled tough social issues or used the struggle for Indian independence as a backdrop for their films. Irani made the first Hindi colour film, Kisan Kanya , in 1937. The following year, he made
8448-606: Was coined during the 1970s, when the conventions of commercial Hindi films were defined. Key to this was the masala film , which combines a number of genres ( action , comedy , romance , drama , melodrama , and musical ). The masala film was pioneered early in the decade by filmmaker Nasir Hussain , and the Salim-Javed screenwriting duo, pioneering the Bollywood- blockbuster format. Yaadon Ki Baarat (1973), directed by Hussain and written by Salim-Javed, has been identified as
8544-408: Was composed by Shankar–Jaikishan , with lyrics were penned by Shailendra and Hasrat Jaipuri . The soundtrack was listed by Planet Bollywood as number 8 on their list of 100 Greatest Bollywood Soundtracks. Lead actress Vyjayantimala made her debut as a singer by beautifully humming to the tunes of "Yeh Mera Prem Patra", along with Mohammed Rafi . Sangam grossed ₹ 8 crore worldwide, ranking as
8640-433: Was inspired by two 1970s Bollywood songs : "Ye Mera Dil Yaar Ka Diwana" from Don (1978) and "Ae Nujawan Hai Sub" from Apradh (1972). Both songs were composed by Kalyanji Anandji , sung by Asha Bhosle , and featured the dancer Helen . The Kronos Quartet re-recorded several R. D. Burman compositions sung by Asha Bhosle for their 2005 album, You've Stolen My Heart: Songs from R.D. Burman's Bollywood , which
8736-464: Was its creator. It is unknown if it was derived from "Hollywood" through "Tollywood", or was inspired directly by "Hollywood". The term has been criticised by some film journalists and critics, who believe it implies that the industry is a poor cousin of Hollywood. In 1897, a film presentation by Professor Stevenson featured a stage show at Calcutta 's Star Theatre. With Stevenson's encouragement and camera, Hiralal Sen , an Indian photographer, made
8832-584: Was nominated for Best Contemporary World Music Album at the 2006 Grammy Awards. Filmi music composed by A. R. Rahman (who received two Academy Awards for the Slumdog Millionaire soundtrack ) has frequently been sampled by other musicians, including the Singaporean artist Kelly Poon , the French rap group La Caution and the American artist Ciara . Many Asian Underground artists, particularly those among
8928-457: Was noticed through his performance of negative role through Sungharsh and he then shot to fame. He was commended for his role while a newcomer as compared with established actors like Dilip Kumar and Balraj Sahni . The film was popularly mistaken to be his debut. As Sungharsh was set in Varanasi during the 19th century, Rawail took special care about the costumes and sets to create the look for
9024-407: Was popularly mistaken to be a debut film of Sanjeev Kumar. The director Harnam Singh Rawail's son Rahul Rawail , who is also a director, paid a tribute to this film by titling one of his as Jeevan Ek Sanghursh (1990) starring Anil Kapoor and Madhuri Dixit . Bhavani Prasad is a powerful Shakta priest at Kashi. Prasad, a devotee of the black goddess Kali and a thuggee , religiously follows
9120-465: Was produced in the Hindustani language, four years after Hollywood's first sound film, The Jazz Singer (1927). Alongside commercial masala films, a distinctive genre of art films known as parallel cinema has also existed, presenting realistic content and avoidance of musical numbers. In more recent years, the distinction between commercial masala and parallel cinema has been gradually blurring, with an increasing number of mainstream films adopting
9216-414: Was the last one to see Dilip Kumar and Vyjayanthimala working together. Sunghursh was an "Average" grosser at box-office and was the tenth highest grossing film of the year. The music is by Naushad and lyrics for the songs are by Shakeel Badayuni . Naushad and Badayuni had worked together on many films previously and were "the most sought after" composer-lyricist duo of the time in Bollywood. Sunghursh
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