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70-519: STER was founded in 1965 as the Stichting tot Uitzenden van Reclame ("Foundation for the Broadcasting of Advertisements"); the name was changed to the present name that same year. STER is most famous for Loeki de Leeuw , an animated puppet which appeared at the beginning and ending of all of STER's commercials from 1972 until 2004, and again in 2019 and from 2021 onwards. STER may not use more than 10% of

140-576: A TV commercial, online at Facebook , as a car sticker and in a life-size form as part of the Orange "building wrap" on the Samsung headquarters in Delft. The various shapes of the famous multimedia advertising lion are provided by communication Quince. In 2016, an early Loeki de Leeuw short was featured in a commercial for ING Group . A pantomime comic strip was made about the character by Wil Raymakers . It ran in

210-663: A TV set with a VHS mechanism, were also once available for purchase. Combo units containing both a VHS mechanism and a DVD player were introduced in the late 1990s, and at least one combo unit, the Panasonic DMP-BD70V, included a Blu-ray player. VHS has been standardized in IEC 60774–1. The VHS cassette is a 187  mm wide, 103 mm deep, and 25 mm thick (7 3 ⁄ 8 × 4 1 ⁄ 16 × 1 inch) plastic shell held together with five Phillips-head screws . The flip-up cover, which allows players and recorders to access

280-571: A comeback in the summer during TV coverage of major sports-events, with a possible full-time return. Loeki returned on 9 May 2021, ahead of the Eurovision Song Contest in Rotterdam . In June 2021, Ster announced that Loeki would remain on screen after the conclusion of that summer's major events, with new spots being made for longer-term use. The new films are made in part using computers. Loeki himself continues to be animated in stop-motion,

350-497: A commercial for Edah . This was Loeki's first appearance on commercial channels. This appearance used 3D animation rather than the traditional stop-motion format. The European Football Championship 2008 used Loeki in an advertisement for supermarket chain C1000 . In June 2010, Loeki returned to Dutch TV for the World Cup 2010 promotional activities of Samsung . Loeki was featured in

420-491: A condition rights-holder Louise Geesink set as part of Loeki's return to television. Loeki is the mascot of the theme park Huis ten Bosch , in Nagasaki . His name also inspired three Dutch-language TV awards, namely "De Gouden Loeki" ("Golden Loeki") for "best TV commercial", its Flemish counterpart "De Gouden Welp" ("The Golden Lion Cub") and "De Loden Leeuw" ("The Lead Lion") for "worst TV commercial." On 16 March 2005, Loeki

490-557: A disadvantage. Matsushita's backing of JVC persuaded Hitachi , Mitsubishi , and Sharp to back the VHS standard as well. Sony's release of its Betamax unit to the Japanese market in 1975 placed further pressure on the MITI to side with the company. However, the collaboration of JVC and its partners was much stronger, which eventually led the MITI to drop its push for an industry standard. JVC released

560-427: A flying erase head for erasing individual video fields, and one was a dummy used for balancing the head drum. The high tape-to-head speed created by the rotating head results in a far higher bandwidth than could be practically achieved with a stationary head. VHS machines record up to 3  MHz of baseband video bandwidth and 300 kHz of baseband chroma bandwidth. The luminance (black and white) portion of

630-586: A functional prototype of the Betamax format, and was very close to releasing a finished product. With this prototype, Sony persuaded the MITI to adopt Betamax as the standard, and allow it to license the technology to other companies. JVC believed that an open standard , with the format shared among competitors without licensing the technology, was better for the consumer. To prevent the MITI from adopting Betamax, JVC worked to convince other companies, in particular Matsushita (Japan's largest electronics manufacturer at

700-459: A mascot for KLM in honor of the Netherlands national football team . In the early-1970s, new regulatory requirements for television advertising, originally introduced on Dutch public television in 1967, were drawn up so that the public could make a clear distinction between the series and the commercials, and the solution chosen was a short break bumper which would signal the beginning and end of

770-555: A maximum of about 430 m (1,410 ft) of tape at the lowest acceptable tape thickness, giving a maximum playing time of about four hours in a T-240/DF480 for NTSC and five hours in an E-300 for PAL at "standard play" (SP) quality. More frequently, however, VHS tapes are thicker than the required minimum to avoid complications such as jams or tears in the tape. Other speeds include "long play" (LP), "extended play" (EP) or "super long play" (SLP) (standard on NTSC; rarely found on PAL machines ). For NTSC, LP and EP/SLP double and triple

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840-516: A number of series on themes (holidays, sports, transport, etc.). Puppets, props and films also formed part of the exhibition "100 years of advertising classics" in the Beurs van Berlage between 18 December 2010 and 6 March 2011. Loeki made a one-off return to Dutch television on 30 January 2019, after a petition started by a radio show a week earlier reached more than ten thousand signatures within 24 hours. A Loeki short produced in late 2016, featuring

910-486: A second VCR. The first version of Macrovision introduces high signal levels during the vertical blanking interval , which occurs between the video fields. These high levels confuse the automatic gain control circuit in most VHS VCRs, leading to varying brightness levels in an output video, but are ignored by the TV as they are out of the frame-display period. "Level II" Macrovision uses a process called "colorstriping", which inverts

980-559: Is 3.335  cm / s (1.313 ips) for NTSC , 2.339 cm/s (0.921 ips) for PAL —or just over 2.0 and 1.4 metres (6 ft 6.7 in and 4 ft 7.2 in) per minute respectively. The tape length for a T-120 VHS cassette is 247.5 metres (812 ft). As with almost all cassette-based videotape systems, VHS machines pull the tape out of the cassette shell and wrap it around the inclined head drum, which rotates at 1,800 rpm in NTSC machines and at 1,500  rpm for PAL , one complete rotation of

1050-545: Is a stub . You can help Misplaced Pages by expanding it . Loeki de Leeuw Loeki de Leeuw ( Loeki the Lion , also incorrectly spelled as Loekie de Leeuw ) is a Dutch stop-motion TV animation, broadcast on Dutch public television between 1972 and 2004, with revivals in 2019 and again since 2021. It features a puppet lion in short sketches usually not longer than five seconds, which appeared as bumpers between commercial breaks . These animated shorts reached iconic status in

1120-424: Is applied to over 550 million videocassettes annually and is used by every MPAA movie studio on some or all of their videocassette releases. Over 220 commercial duplication facilities around the world are equipped to supply Macrovision videocassette copy protection to rights owners...The study found that over 30% of VCR households admit to having unauthorized copies, and that the total annual revenue loss due to copying

1190-450: Is estimated at $ 370,000,000 annually. The system was first used in copyrighted movies beginning with the 1984 film The Cotton Club . Macrovision copy protection saw refinement throughout its years, but has always worked by essentially introducing deliberate errors into a protected VHS tape's output video stream. These errors in the output video stream are ignored by most televisions, but will interfere with re-recording of programming by

1260-419: Is extended/super long play ( 1 ⁄ 3 speed) which was primarily released into the NTSC market. As VHS was designed to facilitate recording from various sources, including television broadcasts or other VCR units, content producers quickly found that home users were able to use the devices to copy videos from one tape to another. Despite generation loss in quality when a tape was copied, this practice

1330-422: Is magnified by the narrower tracks. The heads for linear audio are not on the spinning drum, so for them, the tape speed from one reel to the other is the same as the speed of the heads across the tape. This speed is quite slow: for SP it is about 2/3s that of an audio cassette, and for EP it is slower than the slowest microcassette speed. This is widely considered inadequate for anything but basic voice playback, and

1400-647: Is responsible for the contents of the ads which have to be strictly separate from the programs on the public networks and not influence the programming. Complaints about ads can be made at the Reclame Code Commissie (in English: "Advertising Code Committee", comparable to the Advertising Standards Authority in the UK). STER contributes about 200 million euro to the total budget of 900 million euro (2013) of

1470-466: The "format war" against Betamax (backed by Sony ) and a number of other competing tape standards. The cassettes themselves use a 0.5-inch magnetic tape between two spools and typically offer a capacity of at least two hours. The popularity of VHS was intertwined with the rise of the video rental market, with films being released on pre-recorded videotapes for home viewing. Newer improved tape formats such as S-VHS were later developed, as well as

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1540-465: The NTSC television standard were able to record one hour of programming at their standard tape speed of 1.5  inches per second  (ips). The first VHS machines could record for two hours, due to both a slightly slower tape speed (1.31 ips) and significantly longer tape. Betamax's smaller cassette limited the size of the reel of tape, and could not compete with VHS's two-hour capability by extending

1610-533: The Netherlands , but were also broadcast in other countries including France, the United Kingdom, Austria, Italy, Japan and the United States. Loeki is a lion who usually encounters an absurd situation or does something clumsy in his films. Each short lasted only five seconds and was done almost entirely without dialogue, except for Loeki's catchphrase : " Asjemenou ?" ("Well, I ever?" or more informally "What

1680-450: The omega transport system) in a helical fashion, assisted by the slanted tape guides. The head rotates constantly at 1798.2 rpm in NTSC machines, exactly 1500 in PAL, each complete rotation corresponding to one frame of video. Two tape heads are mounted on the cylindrical surface of the drum, 180 degrees apart from each other, so that the two heads "take turns" in recording. The rotation of

1750-526: The 2000s. In 1956, after several attempts by other companies, the first commercially successful VTR, the Ampex VRX-1000 , was introduced by Ampex Corporation . At a price of US$ 50,000 in 1956 (equivalent to $ 560,343 in 2023) and US$ 300 (equivalent to $ 3,362 in 2023) for a 90-minute reel of tape, it was intended only for the professional market. Kenjiro Takayanagi , a television broadcasting pioneer then working for JVC as its vice president, saw

1820-595: The Dutch Public Broadcaster. On 8 November 2001, STER introduced a new logo for the first time of 36 years since its establishment in 1965. The 36-year-old four-blocked diamond-cube logo was confined to history after 36 years of legal competition, and was replaced by a blue-lined diamond that contains the "Ster" wordmark which uses the Franklin Gothic typeface. The new logo debuted on STER's website on 2 January 2002 This Dutch television–related article

1890-786: The HR-3300EK in the United Kingdom. The United States received its first VHS-based VCR, the RCA VBT200, on August 23, 1977. The RCA unit was designed by Matsushita and was the first VHS-based VCR manufactured by a company other than JVC. It was also capable of recording four hours in LP (long play) mode. The UK received its first VHS-based VCR, the Victor HR-3300EK, in 1978. Quasar and General Electric followed-up with VHS-based VCRs – all designed by Matsushita. By 1999, Matsushita alone produced just over half of all Japanese VCRs. TV/VCR combos , combining

1960-520: The U-matic format. In 1971, JVC engineers Yuma Shiraishi and Shizuo Takano put together a team to develop a VTR for consumers. By the end of 1971, they created an internal diagram, "VHS Development Matrix", which established twelve objectives for JVC's new VTR: In early 1972, the commercial video recording industry in Japan took a financial hit. JVC cut its budgets and restructured its video division, shelving

2030-483: The VHS project. However, despite the lack of funding, Takano and Shiraishi continued to work on the project in secret. By 1973, the two engineers had produced a functional prototype. In 1974, the Japanese Ministry of International Trade and Industry (MITI), desiring to avoid consumer confusion , attempted to force the Japanese video industry to standardize on just one home video recording format. Later, Sony had

2100-511: The advertisement breaks, as well as bumpers that played between advertisements, which marked Loeki's move to television. These bumpers consisted of humorous animations of Loeki and his gang, and were such a success with the public that Loeki soon started appearing in between individual ads. Studio Geesink, who made the animated shorts, estimate that over 7,000 individual films were made, several of which survive on homemade VHS recordings which have been uploaded to YouTube . Since Loeki de Leeuw

2170-550: The airtime per year on advertisement and daily not more than 15% and also not air ads within programs (as happens on the Dutch commercial stations). For programming with long runtimes, like UEFA Champions League events, they consider the pregame (produced by NOS), each half of the game (first half produced by AVRO, second half produced by KRO), halftime (produced by NCRV), and the postgame (produced by VARA) as separate standalone programs in their programming guide and air ads between them. STER

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2240-454: The analog signal's colorburst period and causes off-color bands to appear in the picture. Level III protection added additional colorstriping techniques to further degrade the image. These protection methods worked well to defeat analog-to-analog copying by VCRs of the time. Consumer products capable of digital video recording are mandated by law to include features which detect Macrovision encoding of input analog streams, and disrupt copying of

2310-454: The bandwidth to over 5 megahertz, yielding 420 analog horizontal (560 pixels left-to-right). Most Super VHS recorders can play back standard VHS tapes, but not vice versa. S-VHS was designed for higher resolution, but failed to gain popularity outside Japan because of the high costs of the machines and tapes. Because of the limited user base, Super VHS was never picked up to any significant degree by manufacturers of pre-recorded tapes, although it

2380-409: The cassette through the circular hole in the center of the underside, and two photodiodes are on the left and right sides of where the tape exits the cassette. When the clear tape reaches one of these, enough light will pass through the tape to the photodiode to trigger the stop function; some VCRs automatically rewind the tape when the trailing end is detected. Early VCRs used an incandescent bulb as

2450-513: The children's magazine Okki from 1986 on. In 2016, he also inspired a one-shot magazine named Loeki . VHS The VHS ( Video Home System ) is a standard for consumer-level analog video recording on tape cassettes , introduced in 1976 by the Victor Company of Japan (JVC) . It was the dominant home video format throughout the tape media period in the late 1970s, 1980s, 1990s and early 2000s. Magnetic tape video recording

2520-399: The drum moving across the tape at (a writing speed of) 4.86 or 6.096 meters per second. To maximize the use of the tape, the video tracks are recorded very close together. To reduce crosstalk between adjacent tracks on playback, an azimuth recording method is used: The gaps of the two heads are not aligned exactly with the track path. Instead, one head is angled at plus six degrees from

2590-520: The earliest optical disc format, LaserDisc ; the lack of global adoption of these formats increased VHS's lifetime, which eventually peaked and started to decline in the late 1990s after the introduction of DVD , a digital optical disc format. VHS rentals were surpassed by DVD in the United States in 2003, which eventually became the preferred low-end method of movie distribution. For home recording purposes, VHS and VCRs were surpassed by (typically hard disk –based) digital video recorders (DVR) in

2660-456: The edge label. The tapes are made, pre-recorded, and inserted into the cassettes in cleanrooms , to ensure quality and to keep dust from getting embedded in the tape and interfering with recording (both of which could cause signal dropouts) There is a clear tape leader at both ends of the tape to provide an optical auto-stop for the VCR transport mechanism. In the VCR, a light source is inserted into

2730-415: The first VHS machines in Japan in late 1976, and in the United States in mid-1977. Sony's Betamax competed with VHS throughout the late 1970s and into the 1980s (see Videotape format war ). Betamax's major advantages were its smaller cassette size, theoretical higher video quality, and earlier availability, but its shorter recording time proved to be a major shortcoming. Originally, Beta I machines using

2800-419: The following steps, in this order: The erase head is fed by a high-level, high-frequency AC signal that overwrites any previous recording on the tape. Without this step, the new recording cannot be guaranteed to completely replace any old recording that might have been on the tape. The tape path then carries the tape around the spinning video-head drum, wrapping it around a little more than 180 degrees (called

2870-414: The head corresponding to one video frame. VHS uses an "M-loading" system, also known as M-lacing, where the tape is drawn out by two threading posts and wrapped around more than 180 degrees of the head drum (and also other tape transport components) in a shape roughly approximating the letter M . The heads in the rotating drum get their signal wirelessly using a rotary transformer . A VHS cassette holds

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2940-439: The heck?") which usually appeared as his closing statement to each film. When things turned out in his favor, he typically said: "Voilà!" ("There you go!"). Loeki was named after the famous Dutch football player Louis Biesbrouck (Loek). The series also has a group of side characters, but Loeki is the most well known. Loeki de Leeuw was originally created by animator Joop Geesink  [ nl ] (1913–1984) in 1952 as

3010-409: The inclined head drum, combined with the relatively slow movement of the tape, results in each head recording a track oriented at a diagonal with respect to the length of the tape, with the heads moving across the tape at speeds higher than what would otherwise be possible. This is referred to as helical scan recording. A tape speed of 1 + 5 ⁄ 16 inches per second corresponds to the heads on

3080-446: The light source: when the bulb failed, the VCR would act as if a tape were present when the machine was empty, or would detect the blown bulb and completely stop functioning. Later designs use an infrared LED , which has a much longer life. The recording medium is a Mylar magnetic tape , 12.7 mm ( 1 ⁄ 2 inch) wide, coated with metal oxide , and wound on two spools . The tape speed for "Standard Play" mode (see below)

3150-429: The lion as a DJ, was shown shortly before 8pm that night on NPO 1 ; the film reached an audience of 1.4 million people. STER stated that they were seriously considering proposals to bring the character back on a permanent basis, although the following month STER decided against reintroducing Loeki during its advertising blocks, again citing high production costs. On 1 March 2021, it was announced that Loeki would make

3220-497: The majority stockholder of JVC until 2011) to build a video recording standard for the Japanese consumer. The effort produced the U-matic format in 1971, which was the first cassette format to become a unified standard for different companies. It was preceded by the reel-to-reel 1 ⁄ 2 " EIAJ format. The U-matic format was successful in businesses and some broadcast television applications, such as electronic news-gathering, and

3290-414: The miniaturized drum required twice as many heads to complete any given task. This almost always meant four heads on the miniaturized drum with performance similar to a two head VCR with a full sized drum. No attempt was made to record Hi-Fi audio with such devices, as this would require an additional four heads to work. W-VHS decks could have up to 12 heads in the head drum, of which 11 were active including

3360-447: The need for his company to produce VTRs for the Japanese market at a more affordable price. In 1959, JVC developed a two-head video tape recorder and, by 1960, a color version for professional broadcasting. In 1964, JVC released the DV220, which would be the company's standard VTR until the mid-1970s. In 1969, JVC collaborated with Sony Corporation and Matsushita Electric (Matsushita was

3430-470: The playing time for an E-XXX tape in an NTSC machine, this formula is used: Since the recording/playback time for PAL/SECAM is roughly 1/3 longer than the recording/playback time for NTSC, some tape manufacturers label their cassettes with both T-XXX and E-XXX marks, like T60/E90, T90/E120 and T120/E180. SP is standard play, LP is long play ( 1 ⁄ 2 speed, equal to recording time in DVHS "HS" mode), EP/SLP

3500-419: The playing time for any given cassette will vary between the systems. To avoid confusion, manufacturers indicate the playing time in minutes that can be expected for the market the tape is sold in: E-XXX indicates playing time in minutes for PAL or SECAM. T-XXX indicates playing time in minutes for NTSC or PAL-M. To calculate the playing time for a T-XXX tape in a PAL machine, this formula is used: To calculate

3570-526: The quality of the SP speed, and dramatically lowered the quality of freeze frame and high speed search. Later models implemented both wide and narrow heads, and could use all four during pause and shuttle modes to further improve quality although machines later combined both pairs into one. In machines supporting VHS HiFi (described later), yet another pair of heads was added to handle the VHS HiFi signal. Camcorders using

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3640-612: The recording time accordingly, but these speed reductions cause a reduction in horizontal resolution – from the normal equivalent of 250 vertical lines in SP, to the equivalent of 230 in LP and even less in EP/SLP. Due to the nature of recording diagonally from a spinning drum, the actual write speed of the video heads does not get slower when the tape speed is reduced. Instead, the video tracks become narrower and are packed closer together. This results in noisier playback that can be more difficult to track correctly: The effect of subtle misalignment

3710-509: The respective analog TV standard (625 for PAL or 525 for NTSC ; somewhat fewer scan lines are actually visible due to overscan and the VBI ). In modern-day digital terminology, NTSC VHS resolution is roughly equivalent to 333×480 pixels for luma and 40×480 pixels for chroma. 333×480=159,840 pixels or 0.16 MP (1/6 of a megapixel). PAL VHS resolution is roughly 333×576 pixels for luma and 40×576 pixels for chroma (although when decoded PAL and SECAM half

3780-449: The second tape head, is another 1 ⁄ 60 or 1 ⁄ 50 of a second TV picture field, and so on. Thus one complete head rotation records an entire NTSC or PAL frame of two fields. The original VHS specification had only two video heads. When the EP recording speed was introduced, the thickness of these heads was reduced to accommodate the narrower tracks. However, this subtly reduced

3850-517: The tape length. Instead, Sony had to slow the tape down to 0.787 ips (Beta II) in order to achieve two hours of recording in the same cassette size. Sony eventually created a Beta III speed of 0.524 ips, which allowed NTSC Betamax to break the two-hour limit, but by then VHS had already won the format battle. Additionally, VHS had a "far less complex tape transport mechanism" than Betamax, and VHS machines were faster at rewinding and fast-forwarding than their Sony counterparts. VHS eventually won

3920-441: The tape, has a latch on the right side, with a push-in toggle to release it (bottom view image). The cassette has an anti-despooling mechanism, consisting of several plastic parts between the spools, near the front of the cassette (white and black in the top view). The spool latches are released by a push-in lever within a 6.35 mm ( 1 ⁄ 4 inch) hole at the bottom of the cassette, 19 mm ( 3 ⁄ 4 inch) in from

3990-611: The time, marketing its products under the National brand in most territories and the Panasonic brand in North America, and JVC's majority stockholder), to accept VHS, and thereby work against Sony and the MITI. Matsushita agreed, primarily out of concern that Sony might become the leader in the field if its proprietary Betamax format was the only one allowed to be manufactured. Matsushita also regarded Betamax's one-hour recording time limit as

4060-409: The track, and the other at minus six degrees. This results, during playback, in destructive interference of the signal from the tracks on either side of the one being played. Each of the diagonal-angled tracks is a complete TV picture field , lasting 1 ⁄ 60 of a second ( 1 ⁄ 50 on PAL) on the display. One tape head records an entire picture field. The adjacent track, recorded by

4130-444: The vertical color resolution). JVC countered 1985's SuperBeta with VHS HQ, or High Quality. The frequency modulation of the VHS luminance signal is limited to 3 megahertz, which makes higher resolutions technically impossible even with the highest-quality recording heads and tape materials, but an HQ branded deck includes luminance noise reduction, chroma noise reduction, white clip extension, and improved sharpness circuitry. The effect

4200-404: The video is frequency modulated and combined with a down-converted " color under " chroma (color) signal that is encoded using quadrature amplitude modulation . Including side bands , the signal on a VHS tape can use up to 10 MHz of RF bandwidth. VHS horizontal resolution is 240 TVL , or about 320 lines across a scan line. The vertical resolution (number of scan lines) is the same as

4270-411: The video. Both intentional and false-positive detection of Macrovision protection has frustrated archivists who wish to copy now-fragile VHS tapes to a digital format for preservation. As of the 2020s, modern software decoding ignores Macrovison as software is not limited to the fixed standards that Macrovision was intended to disrupt in hardware based systems. The recording process in VHS consists of

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4340-718: The war, gaining 60% of the North American market by 1980. The first VCR to use VHS was the Victor HR-3300 , and was introduced by the president of JVC in Japan on September 9, 1976. JVC started selling the HR-3300 in Akihabara , Tokyo, Japan, on October 31, 1976. Region-specific versions of the JVC HR-3300 were also distributed later on, such as the HR-3300U in the United States, and

4410-509: Was a major liability for VHS-C camcorders that encouraged the use of the EP speed. Color depth deteriorates significantly at lower speeds in PAL: often, a color image on a PAL tape recorded at low speed is displayed only in monochrome, or with intermittent color, when playback is paused. VHS cassettes for NTSC and PAL/SECAM systems are physically identical, although the signals recorded on the tape are incompatible. The tape speeds are different too, so

4480-402: Was adopted by the television industry in the 1950s in the form of the first commercialized video tape recorders (VTRs), but the devices were expensive and used only in professional environments. In the 1970s, videotape technology became affordable for home use, and widespread adoption of videocassette recorders (VCRs) began; the VHS became the most popular media format for VCRs as it would win

4550-633: Was also aired by TF1 in France and in the USA WFLD . STER retired Loeki in late 2004, citing increasingly unaffordable production costs; the time saved by axing Loeki's appearances would instead be sold to advertisers. Original puppets and props from Loeki's films have been exhibited since December 2006 in a large display at the Netherlands Institute for Sound and Vision in Hilversum . They consist of

4620-512: Was produced by all three companies until the late 1980s, but because of cost and limited recording time, very few of the machines were sold for home use. Therefore, soon after the U-Matic release, all three companies started working on new consumer-grade video recording formats of their own. Sony started working on Betamax , Matsushita started working on VX , and JVC released the CR-6060 in 1975, based on

4690-582: Was purely visual comedy, it had no trouble being sold to other countries too. Some of his shorts have been broadcast in France, Austria, Italy, Japan and the United States. In its later years, Westward Television of the United Kingdom would occasionally use a short clip of Loeki at closedown . Some of these have been uploaded to YouTube. Also the regional German TV channel Nord-3 & N3 aired Loeki de Leeuw clips between 21 February 1973 and 2 December 2001 and later on Südwest 3 . Until 1998. Loeki de Leeuw

4760-523: Was regarded as a widespread problem, which members of the Motion Picture Association of America (MPAA) claimed caused them great financial losses. In response, several companies developed technologies to protect copyrighted VHS tapes from casual duplication by home users. The most popular method was Analog Protection System , better known simply as Macrovision , produced by a company of the same name. According to Macrovision: The technology

4830-597: Was supposedly kidnapped by a student from Utrecht, because they did not want him to wither away in a dusty archive. It turned out to be a publicity stunt , when Loeki moved to the Efteling amusement park. After 2005, Loeki was used there to supplement the Carnival Festival . This attraction was also designed in 1984 by Joop Geesink. Loeki was removed from Carnival Festival in 2012 and replaced by their original mascot, Jokie. On 21 August 2005, Loeki returned to television in

4900-528: Was to increase the apparent horizontal resolution of a VHS recording from 240 to 250 analog (equivalent to 333 pixels from left-to-right, in digital terminology). The major VHS OEMs resisted HQ due to cost concerns, eventually resulting in JVC reducing the requirements for the HQ brand to white clip extension plus one other improvement. In 1987, JVC introduced a new format called Super VHS (often known as S-VHS) which extended

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