Misplaced Pages

#9990

40-538: Willem "Wim" Sonneveld ( Dutch pronunciation: [ˌʋɪləm ʋɪm ˈsɔnəvɛlt] ; 28 June 1917 – 8 March 1974) was a Dutch cabaret artist and singer. Together with Toon Hermans and Wim Kan , he is considered to be one of the 'Great Three' of Dutch cabaret. Sonneveld is generally viewed as a Dutch cultural icon for his work and legacy in theatre, musicals and music. Wim Sonneveld was born in Utrecht, Netherlands, to Gerrit Sonneveld and Geertruida van den Berg. In 1922, at

80-604: A decor described as "A sort of Beirut with Chinese influences." The composer Eric Satie , after finishing his studies at the Conservatory, earned his living playing the piano at the Chat Noir . By 1896, there were 56 cabarets and cafes with music in Paris, along with a dozen music halls. The cabarets did not have a high reputation; one critic wrote in 1897 that "they sell drinks which are worth fifteen centimes along with verses which, for

120-463: A great deal of social commentary. When New York cabarets featured jazz, they tended to focus on famous vocalists like Nina Simone , Bette Midler , Eartha Kitt , Peggy Lee , and Hildegarde rather than instrumental musicians. Julius Monk 's annual revues established the standard for New York cabaret during the late 1950s and '60s. Cabaret in the United States began to decline in the 1960s, due to

160-624: A heart attack. Between 1943 and 1959 he staged with his own cabaret association Rim Ram a great number of shows: A famous creation of Wim Sonneveld was Willem Parel , son and grandson of a Dutch street organ grinder as well as chairman of the En-pé-gé , the Dutch Pearl Association (Nederlands ParelGenootschap). This brought him great success on the VARA -radio in the early fifties. Parel would expose movingly about ‘organ grinding in general and

200-504: A later the films Silk stockings (1957) and Wasp End (1957). After 702 performances of the musical My Fair Lady , since 1960, after his own club went bankrupt in 1959, with which he ‘wore out’ three Eliza Doolittles ( Margriet de Groot , Dorien Mijksenaar and Jasperina de Jong ) in his role as dr. Higgins, he went solo with television shows like Doe es wat, meneer Sonneveld (1962) and Blijf in Holland (1963). In 1964 he again took

240-570: A revival of American cabaret, particularly in New Orleans , Chicago , Seattle , Portland , Philadelphia , Orlando , Tulsa , Asheville, North Carolina , and Kansas City, Missouri , as new generations of performers reinterpret the old forms in both music and theater. Many contemporary cabaret groups in the United States and elsewhere feature a combination of original music, burlesque and political satire. In New York City, since 1985, successful, enduring or innovative cabaret acts have been honored by

280-571: A small room (12th century). The first printed use of the word kaberet is found in a document from 1275 in Tournai . The term was used since the 13th century in Middle Dutch to mean an inexpensive inn or restaurant ( caberet , cabret ). The word cambret , itself probably derived from an earlier form of chambrette , little room, or from the Norman French chamber meaning tavern, itself derived from

320-593: A very young age, he lost his mother. After his time at school, where he was the class clown, he had a few unsuccessful jobs. In 1932 he started singing in an amateur choir, the Keep Smiling Singers , after which he teamed up with Fons Goossens in 1934 to form a duo and perform at anniversaries of associations and institutions. Later that year he met reviewer Huub Janssen and after a journey through France in 1936 they started living together in Amsterdam, at first on

360-456: Is a 2002 Dutch comedy musical film written and directed by Pieter Kramer and co-written by Frank Houtappels, based on the 1966 television show by Annie M.G. Schmidt and Harry Bannink . The film was released in the Netherlands on 3 October 2002 by Warner Bros. Pictures . It received a Golden Film (75,000 visitors) and a Platinum Film (200,000 visitors). The film

400-528: Is the Kleinkunstacademie (English: Cabaret Academy). It is often a mixture of (stand-up) comedy, theatre, and music and often includes social themes and political satire. In the mid twentieth century, "the big three" were Wim Sonneveld , Wim Kan , and Toon Hermans . Nowadays, many cabaret shows of popular "cabaretiers" (performers of cabaret) are broadcast on national television, especially on New Year's Eve, when several special cabaret shows are aired where

440-529: The Croix de Lorraine on the modern rue Bourg-Tibourg. In 1773, French poets, painters, musicians and writers began to meet in a cabaret called Le Caveau on rue de Buci, where they composed and sang songs. The Caveau continued until 1816, when it was forced to close because its clients wrote songs mocking the royal government. In the 18th century, the café-concert or café-chantant appeared, which offered food along with music, singers, or magicians. The most famous

SECTION 10

#1733085593010

480-469: The Grateful Dead . A handful of music halls exist today in Paris, attended mostly by visitors to the city; and a number of more traditional cabarets, with music and satire, can be found. In the Netherlands, cabaret or kleinkunst (literally: "small art") is a popular form of entertainment, usually performed in theatres. The birth date of Dutch cabaret is usually set at August 19, 1895. In Amsterdam, there

520-520: The Alhambra Music Hall in 1902, and the Printania in 1903. The Printania, open only in summer, had a large music garden which seated twelve thousand spectators, and produced dinner shows which presented twenty-three different acts, including singers, acrobats, horses, mimes, jugglers, lions, bears and elephants, with two shows a day. In the 20th century, the competition from motion pictures forced

560-505: The Champs-Élysées opened in 1946, presenting Édith Piaf, Laurel and Hardy , Shirley MacLaine , Marlene Dietrich , Maurice Chevalier , and Noël Coward . The Crazy Horse Saloon , featuring striptease, dance, and magic, opened in 1951. The Olympia Paris went through a number of years as a movie theater before being revived as a music hall and concert stage in 1954. Performers there included Piaf, Dietrich, Miles Davis , Judy Garland , and

600-507: The Late Latin word camera meaning an arched roof. Cabarets had appeared in Paris by at least the late 15th century. They were distinguished from taverns because they served food as well as wine, the table was covered with a cloth, and the price was charged by the plate, not the mug. They were not particularly associated with entertainment even if musicians sometimes performed in both. Early on, cabarets were considered better than taverns; by

640-545: The Netherlands, where he acted in plays and in the revue of Loekie Bouwmeester . In 1940 he performed in the Theater der Prominenten and at Abraham van der Vies ' De Sprookjesspelers . Here he met Conny Stuart . In 1943 he formed his own association, consisting among others of Conny Stuart, Lia Dorana , Albert Mol , Joop Doderer , Hetty Blok and Emmy Arbous . Wim Sonneveld was gay, though not openly as it would have been unacceptable during that era. He died in 1974 due to

680-603: The Westermarkt, later on the Prinsengracht. In that same year he worked for Louis Davids . During the day he worked as an administrator and in evening he played small roles and sang chansons . In that same period he performed with his partner Huub in his own club De Rarekiek . In 1937 he sang in 'cabarets' (floor shows in nightclubs) with Suzy Solidor and Agnes Capri in France. After the declaration of war of 1940 he returned to

720-687: The annual Bistro Awards. The Cabaret Theatre Club, later known as The Cave of the Golden Calf , was opened by Frida Strindberg (modelled on the Kaberett Fledermaus in Strindberg's native Vienna) in a basement at 9 Heddon Street, London, in 1912. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Jacob Epstein , Eric Gill , and Wyndham Lewis , but it rapidly came to be seen as an amusing place for high society and went bankrupt in 1914. The Cave

760-555: The cabaretier usually reflects on large events of the past year. German Kabarett developed from 1901, with the creation of the Überbrettl ( Superstage ) venue, and by the Weimar era in the mid-1920s, the Kabarett performances were characterized by political satire and gallows humor . It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but

800-580: The character Nikkelen Nelis (Nickle Nelis) for him, a character, made from the well-known street singer from Rotterdam, named Koperen Ko  [ nl ] (Copper Ko). Every year since 1988 the Wim Sonneveld Award has been awarded to the most talented performer in cabaret and related arts on the Amsterdams kleinkunstfestival . Cabaret The term originally came from Picard language or Walloon language words camberete or cambret for

840-1432: The club. . . . the question of the legality of these vouchers led to a famous visitation of the police. That was the night a certain Duke was got out by way of the kitchen lift . . . The visitation was a well-mannered affair' One of the main gathering centers of cabarets in Tehran (Iranian capital) was Laleh-Zar Street . Famous Persian cabarets were active in the city until 1979 . They also introduced many domestic artists. In common language, cabaret sometimes called by Iranians "home of dance" (In Persian : رقاص‌خانه ) or "dancing place". In Stockholm , an underground show called Fattighuskabarén ( Poor House Cabaret ) opened in 1974 and ran for 10 years. Performers of later celebrity and fame (in Sweden) such as Ted Åström , Örjan Ramberg , and Agneta Lindén began their careers there. Wild Side Story also had several runs in Stockholm, at Alexandra's (1976 with Ulla Jones and Christer Lindarw ), Camarillo (1997), Rosenlundsteatern/Teater Tre (2000), Wild Side Lounge at Bäckahästen (2003 with Helena Mattsson ) and Mango Bar (2004). Alexandra's had also hosted AlexCab in 1975, as had Compagniet in Gothenburg . In 2019

SECTION 20

#1733085593010

880-709: The dance halls to put on shows that were more spectacular and more complex. In 1911, the producer Jacques Charles of the Olympia Paris created the grand staircase as a setting for his shows, competing with its great rival, the Folies Bergère which had been founded in 1869. Its stars in the 1920s included the American singer and dancer Josephine Baker . The Casino de Paris , directed by Leon Volterra and then Henri Varna, presented many famous French singers, including Mistinguett, Maurice Chevalier , and Tino Rossi . Le Lido on

920-843: The end of the century, there were only a few cabarets of the old style remaining where artists and bohemians gathered. They included the Cabaret des noctambules on Rue Champollion on the Left Bank; the Lapin Agile at Montmartre; and Le Soleil d'or at the corner of the quai Saint-Michel and boulevard Saint-Michel, where poets including Guillaume Apollinaire and André Salmon met to share their work. The music hall , first invented in London, appeared in Paris in 1862. It offered more lavish musical and theatrical productions, with elaborate costumes, singing, and dancing. The theaters of Paris, fearing competition from

960-505: The end of the sixteenth century, they were the preferred place to dine out. In the 17th century, a clearer distinction emerged when taverns were limited to selling wine, and later to serving roast meats. Cabarets were frequently used as meeting places for writers, actors, friends and artists. Writers such as La Fontaine , Moliere and Jean Racine were known to frequent a cabaret called the Mouton Blanc on rue du Vieux-Colombier, and later

1000-507: The final years of the Partitions of Poland . In the interwar Poland there was a considerable number of Yiddish -language cabarets. This art form was called kleynkunst (lliterally "small art") in Yiddish. In post- war Poland, it is almost always associated with the troupe (often on tour ), not the venue ; pre-war revue shows (with female dancers) were long gone. American cabaret

1040-485: The first Serbian cabaret club Lafayette opened. Although Serbia and Belgrade had a rich nightlife and theater life there was no cabaret house until 2019. It retained the intimate atmosphere, entertainment platform, and improvisational character of the French cabaret but developed its own characteristic gallows humour. By the late 1920s the German cabaret gradually had come to feature mildly risque musical entertainment for

1080-506: The gallows humor was a distinct German aspect. The Polish kabaret is a popular form of live (often televised ) entertainment involving a comedy troupe, and consisting mostly of comedy sketches , monologues , stand up comedy , songs and political satire (often hidden behind double entendre to fool censors ). It traces its origins to Zielony Balonik , a famous literary cabaret founded in Kraków by local poets, writers and artists during

1120-471: The middle-class man, as well as biting political and social satire. It was also a centre for underground political and literary movements. [...] They were the centres of leftist of opposition to the rise of the German Nazi Party and often experienced Nazi retaliation for their criticism of the government. Ja zuster, nee zuster Yes Nurse! No Nurse! ( Dutch : Ja Zuster, Nee Zuster )

1160-542: The most part, are worth nothing." The traditional cabarets, with monologues and songs and little decor, were replaced by more specialized venues; some, like the Boite a Fursy (1899), specialized in current events, politics and satire. Some were purely theatrical, producing short scenes of plays. Some focused on the macabre or erotic. The Caberet de la fin du Monde had servers dressed as Greek and Roman gods and presented living tableaus that were between erotic and pornographic. By

1200-592: The music halls, had a law passed by the National Assembly forbidding music hall performers to wear costumes, dance, wear wigs, or recite dialogue. The law was challenged by the owner of the music hall Eldorado in 1867, who put a former famous actress from the Comédie-Française on stage to recite verse from Corneille and Racine. The public took the side of the music halls, and the law was repealed. The Moulin Rouge

1240-494: The psychology of the penny cup in particular’. Over time Wim Sonneveld came to hate his creation, but he knew that Willem Parel drew a large audience and he couldn't live from just singing chansons. In 1955 a movie was shot called The Wondrous life of Willem Parel . Wim Sonneveld has played in some movies: the aforementioned The Wondrous life of Willem Parel as well has the Hollywood thriller The Pink Hippopotamus (1956) and

Wim Sonneveld - Misplaced Pages Continue

1280-453: The rising popularity of rock concert shows, television variety shows , and general comedy theaters. However, it remained in some Las Vegas-style dinner shows, such as the Tropicana , with fewer comedy segments. The art form still survives in various musical formats, as well as in the stand-up comedy format, and in popular drag show performances. The late 20th and early 21st century saw

1320-452: The stage with Een avond met Wim Sonneveld . Remarkable was his threefold guest role in episode 16 of the television series Ja zuster, nee zuster  [ nl ] by Annie M.G. Schmidt and Harry Bannink in 1967, as himself, Arie Pruijselaar junior and Arie Pruijselaar senior. In 1967 he performed alongside Ina van Faassen in a theater show and in 1971 with Willem Nijholt  [ nl ] and Corrie van Gorp . His last film

1360-612: Was Le Chat Noir in the bohemian neighborhood of Montmartre , created in 1881 by Rodolphe Salis , a theatrical agent and entrepreneur. It combined music and other entertainment with political commentary and satire. The Chat Noir brought together the wealthy and famous of Paris with the bohemians and artists of Montmartre and the Pigalle . Its clientele "was a mixture of writers and painters, of journalists and students, of employees and high-livers, as well as models, prostitutes and true grand dames searching for exotic experiences." The host

1400-648: Was Op de Hollandse toer (1973). He would have liked to end his career singing French chansons, because his heart lay in France, where he had a house in Roquefort-les-Pins . On 1974-03-08 Wim Sonneveld died at the age of 56 in the VU hospital in Amsterdam from his second heart attack. Even though Wim Sonneveld never publicly stated that he was homosexual, he shared his life only with men, first with Hubert Janssen, later with prop designer, text writer and painter Friso Wiegersma (1925–2006) whom he met in 1947 and who created

1440-399: Was Salis himself, calling himself a gentleman- cabaretier ; he began each show with a monologue mocking the wealthy, ridiculing the deputies of the National Assembly, and making jokes about the events of the day. The cabaret was too small for the crowds trying to get in; at midnight on June 10, 1885, Salis and his customers moved down the street to a larger new club at 12 rue de Laval, which had

1480-503: Was imported from French cabaret by Jesse Louis Lasky in 1911. In the United States, cabaret diverged into several different styles of performance mostly due to the influence of jazz music. Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties , under the Prohibition Era , where it was featured in the speakeasies and steakhouses . New York cabaret never developed to feature

1520-585: Was nevertheless an influential venture, which introduced the concept of cabaret to London. It provided a model for the generation of nightclubs that came after it. "The clubs that started the present vogue for dance clubs were the Cabaret Club in Heddon Street . . . . The Cabaret Club was the first club where members were expected to appear in evening clothes. . . . The Cabaret Club began a system of vouchers which friends of members could use to obtain admission to

1560-556: Was opened in 1889 by the Catalan Joseph Oller. It was greatly prominent because of the large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan . It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec , who made posters for the venue. The Olympia , also run by Oller, was the first to be called a music hall; it opened in 1893, followed by

1600-668: Was the Cafe des Aveugles in the cellars of the Palais-Royal , which had a small orchestra of blind musicians. In the early 19th century, many cafés-chantants appeared around the city; the most famous were the Café des Ambassadeurs (1843) on the Champs-Élysées and the Eldorado (1858) on boulevard Strasbourg. By 1900, there were more than 150 cafés-chantants in Paris. The first cabaret in the modern sense

#9990