97-658: Peter E. " Sneaky Pete " Kleinow (August 20, 1934 – January 6, 2007) was an American country-rock musician and animator. He was a member of the band the Flying Burrito Brothers , and worked extensively as a session musician , playing pedal steel guitar for Joan Baez , Jackson Browne , The Byrds , Leonard Cohen , Joe Cocker , Rita Coolidge , Eagles , The Everly Brothers , Ringo Starr , John Lennon , The Steve Miller Band , Joni Mitchell , The Rolling Stones , Stevie Wonder , Spencer Davis , Little Richard , Linda Ronstadt , Jimmie Spheeris and many others. He
194-507: A "form of art music which originated in the United States through the confrontation of the Negro with European music" and arguing that it differs from European music in that jazz has a "special relationship to time defined as 'swing ' ". Jazz involves "a spontaneity and vitality of musical production in which improvisation plays a role" and contains a "sonority and manner of phrasing which mirror
291-452: A Ladies' Man , 1977). In 1974, Kleinow was briefly part of a new band, Cold Steel, before co-founding the reconstituted Flying Burrito Brothers with original bassist Chris Ethridge later that year. He remained with the band (which also recorded and performed as Sierra) until 1981 before rejoining again from 1984 to 1997. The later iterations of the band enjoyed several minor country hits on Curb Records . His first solo album, Sneaky Pete ,
388-526: A coherent tradition". Duke Ellington , one of jazz's most famous figures, said, "It's all music." Although jazz is considered difficult to define, in part because it contains many subgenres, improvisation is one of its defining elements. The centrality of improvisation is attributed to the influence of earlier forms of music such as blues , a form of folk music which arose in part from the work songs and field hollers of African-American slaves on plantations. These work songs were commonly structured around
485-484: A decision that hastened Hillman and Parsons' departure from the band. After signing to A&M Records and briefly considering Lloyd Green (who, as per Hillman, "would have never left a lucrative career as a session man to go out with us"), Parsons and Hillman invited Kleinow to join their new project: the Flying Burrito Brothers . For Kleinow, the opportunity was the culmination of his desire to "finally make
582-467: A drum made by stretching skin over a flour-barrel. Lavish festivals with African-based dances to drums were organized on Sundays at Place Congo, or Congo Square, in New Orleans until 1843. There are historical accounts of other music and dance gatherings elsewhere in the southern United States. Robert Palmer said of percussive slave music: Usually such music was associated with annual festivals, when
679-410: A limited melodic range, sounding like a field holler, and the guitar accompaniment was slapped rather than strummed, like a small drum which responded in syncopated accents, functioning as another "voice". Handy and his band members were formally trained African-American musicians who had not grown up with the blues, yet he was able to adapt the blues to a larger band instrument format and arrange them in
776-456: A living with music," and he would work for much of the next decade as a professional musician. Never paragons of commercial success (the band's first album, The Gilded Palace of Sin , peaked at #164 on the Billboard album chart), the Flying Burrito Brothers would go on to influence generations of popular musicians. One of the first pedal steel players to work in a rock context, Kleinow favored
873-460: A multi- strain ragtime march with four parts that feature recurring themes and a bass line with copious seventh chords . Its structure was the basis for many other rags, and the syncopations in the right hand, especially in the transition between the first and second strain, were novel at the time. The last four measures of Scott Joplin's "Maple Leaf Rag" (1899) are shown below. African-based rhythmic patterns such as tresillo and its variants,
970-581: A part in the development of Southern rock . Rock and roll has usually been seen as a combination of rhythm and blues and country music, a fusion particularly evident in 1950s rockabilly . There has also been cross-pollination throughout the history of both genres; however, the term "country-rock" is used generally to refer to the wave of rock musicians of the late 1960s and early 1970s who began recording rock songs with country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars . John Einarson states that, "[f]rom
1067-652: A popular music form. Handy wrote about his adopting of the blues: The primitive southern Negro, as he sang, was sure to bear down on the third and seventh tone of the scale, slurring between major and minor. Whether in the cotton field of the Delta or on the Levee up St. Louis way, it was always the same. Till then, however, I had never heard this slur used by a more sophisticated Negro, or by any white man. I tried to convey this effect ... by introducing flat thirds and sevenths (now called blue notes) into my song, although its prevailing key
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#17330922953681164-547: A professional musician. In 2000, Kleinow formed a group called Burrito Deluxe (also the name of a 1970 Flying Burrito Brothers album ) with Garth Hudson , former organist of The Band , Carlton Moody of the Moody Brothers on lead vocals and guitars, bassist Jeff "Stick" Davis of Amazing Rhythm Aces and drummer Rick Lonow, a latter-day drummer for Poco since 1989 and session player. The group recorded three albums, Georgia Peach , The Whole Enchilada and 2007's Disciples of
1261-439: A repetitive call-and-response pattern, but early blues was also improvisational. Classical music performance is evaluated more by its fidelity to the musical score , with less attention given to interpretation, ornamentation, and accompaniment. The classical performer's goal is to play the composition as it was written. In contrast, jazz is often characterized by the product of interaction and collaboration, placing less value on
1358-492: A single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands , Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near
1455-416: A soloist is supported by a rhythm section of one or more chordal instruments (piano, guitar), double bass, and drums. The rhythm section plays chords and rhythms that outline the composition structure and complement the soloist. In avant-garde and free jazz , the separation of soloist and band is reduced, and there is license, or even a requirement, for the abandoning of chords, scales, and meters. Since
1552-588: A variety of perspectives and motivations, these musicians either played country with a rock & roll attitude, or added a country feel to rock, or folk, or bluegrass. There was no formula". The term country-rock had rarely been heard until the critic Richard Goldstein used it the June 6, 1968 issue of The Village Voice . In his piece, titled "Country Rock: Can Y'All Dig It?", Goldstein counted several artists as moving towards country-friendly material – including Moby Grape , Stone Poneys , Buffy Sainte-Marie ,
1649-492: Is a music genre that originated in the African-American communities of New Orleans , Louisiana , in the late 19th and early 20th centuries, with its roots in blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . Since the 1920s Jazz Age , it has been recognized as a major form of musical expression in traditional and popular music . Jazz
1746-519: Is a "white jazz" genre that expresses whiteness . White jazz musicians appeared in the Midwest and in other areas throughout the U.S. Papa Jack Laine , who ran the Reliance band in New Orleans in the 1910s, was called "the father of white jazz". The Original Dixieland Jazz Band , whose members were white, were the first jazz group to record, and Bix Beiderbecke was one of the most prominent jazz soloists of
1843-663: Is a fundamental rhythmic figure heard in many different slave musics of the Caribbean, as well as the Afro-Caribbean folk dances performed in New Orleans Congo Square and Gottschalk's compositions (for example "Souvenirs From Havana" (1859)). Tresillo (shown below) is the most basic and most prevalent duple-pulse rhythmic cell in sub-Saharan African music traditions and the music of the African Diaspora . Tresillo
1940-560: Is a member of the Steel Guitar Hall of Fame . Kleinow is also noteworthy for having composed the Gumby theme song as well as being an animator on the 1960s iteration of the show. Kleinow was born and raised in South Bend, Indiana ; inspired by Jerry Byrd , he took up the pedal steel guitar in high school. Following graduation, he was employed for over a decade as a maintenance worker at
2037-436: Is a music genre that fuses rock and country . It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars . Country rock began with artists like Buffalo Springfield , Michael Nesmith , Bob Dylan , Nitty Gritty Dirt Band ,
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#17330922953682134-469: Is characterized by swing and blue notes , complex chords , call and response vocals , polyrhythms and improvisation . As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles , biguine , ragtime and blues with collective polyphonic improvisation . However, jazz did not begin as
2231-486: Is heard prominently in New Orleans second line music and in other forms of popular music from that city from the turn of the 20th century to present. "By and large the simpler African rhythmic patterns survived in jazz ... because they could be adapted more readily to European rhythmic conceptions," jazz historian Gunther Schuller observed. "Some survived, others were discarded as the Europeanization progressed." In
2328-400: Is that jazz can absorb and transform diverse musical styles. By avoiding the creation of norms, jazz allows avant-garde styles to emerge. For some African Americans, jazz has drawn attention to African-American contributions to culture and history. For others, jazz is a reminder of "an oppressive and racist society and restrictions on their artistic visions". Amiri Baraka argues that there
2425-582: Is usually considered some of their finest work; John Fogerty , who left Creedence Clearwater Revival behind for the country sounds of the Blue Ridge Rangers (1972); Mike Nesmith , who had experimented with country sounds while with the Monkees , formed the First National Band ; and Neil Young who moved in and out of the genre throughout his career. One of the few acts to successfully move from
2522-468: Is well documented. It is believed to be related to jasm , a slang term dating back to 1860 meaning ' pep, energy ' . The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described a pitch which he called a 'jazz ball' "because it wobbles and you simply can't do anything with it". The use of the word in a musical context
2619-620: The Atlantic slave trade had brought nearly 400,000 Africans to North America. The slaves came largely from West Africa and the greater Congo River basin and brought strong musical traditions with them. The African traditions primarily use a single-line melody and call-and-response pattern, and the rhythms have a counter-metric structure and reflect African speech patterns. An 1885 account says that they were making strange music (Creole) on an equally strange variety of 'instruments'—washboards, washtubs, jugs, boxes beaten with sticks or bones and
2716-622: The Bee Gees ( Life in a Tin Can , 1973), Yoko Ono ( Feeling the Space , 1973), John Lennon ( Mind Games , 1973), John Cale ( Paris 1919 , 1973), Linda Ronstadt ( Heart Like A Wheel , 1974), Harry Nilsson ( Pussy Cats , 1974), Stevie Wonder ( Fulfillingness' First Finale , 1974 and Songs in the Key of Life , 1976), Fleetwood Mac ( Heroes Are Hard to Find , 1974), and Leonard Cohen ( Death of
2813-598: The Michigan Department of Transportation . In 1963, he relocated to Los Angeles, where he began a career as a visual effects artist and stop motion animator in the film and television industry. After uncredited work on The Wonderful World of the Brothers Grimm (1962), The Outer Limits (1963–1965), and 7 Faces of Dr. Lao (1964), Kleinow became closely associated with the long-running children's series Gumby and Davey and Goliath while moonlighting in
2910-849: The fuzzbox , the Leslie speaker and the Echoplex into his style. His unorthodox style of playing would immediately influence a number of second-generation country rock pedal steel players, including Jerry Garcia , Buddy Cage of the New Riders of the Purple Sage and his eventual replacement in the Burrito Brothers, session musician Al Perkins . Favoring a relatively abstemious and reclusive lifestyle in comparison to some of his bandmates (nevertheless, according to bassist Chris Ethridge , he "loved to drink wine" and frequently exhibited science fiction films at
3007-471: The swing era of the 1920s–40s, big bands relied more on arrangements which were written or learned by ear and memorized. Soloists improvised within these arrangements. In the bebop era of the 1940s, big bands gave way to small groups and minimal arrangements in which the melody was stated briefly at the beginning and most of the piece was improvised. Modal jazz abandoned chord progressions to allow musicians to improvise even more. In many forms of jazz,
Sneaky Pete Kleinow - Misplaced Pages Continue
3104-456: The "Burrito Manor" shared by Parsons and Hillman in Reseda throughout 1968); intolerant of the group's infamously erratic live performances; and increasingly disenchanted by his exclusion from the creative process—including the diminution of his parts in released mixes and the summary rejection of his songwriting efforts—Kleinow eventually left the Flying Burrito Brothers in 1971. Despite this setback,
3201-493: The "queen of country-rock", creating a highly successful pop-oriented brand of the genre. Pure Prairie League , formed in Ohio in 1970 by Craig Fuller , had both critical and commercial success with five straight Top 40 LP releases, including Bustin' Out (1972), acclaimed by AllMusic critic Richard Foss as "an album that is unequaled in country-rock", and Two Lane Highway , described by Rolling Stone as "a worthy companion to
3298-943: The 1920s. The Chicago Style was developed by white musicians such as Eddie Condon , Bud Freeman , Jimmy McPartland , and Dave Tough . Others from Chicago such as Benny Goodman and Gene Krupa became leading members of swing during the 1930s. Many bands included both Black and white musicians. These musicians helped change attitudes toward race in the U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter , Ella Fitzgerald , Adelaide Hall , Billie Holiday , Peggy Lee , Abbey Lincoln , Anita O'Day , Dinah Washington , and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong , trumpeter Valaida Snow , and songwriters Irene Higginbotham and Dorothy Fields . Women began playing instruments in jazz in
3395-451: The 1950s, many women jazz instrumentalists were prominent, some sustaining long careers. Some of the most distinctive improvisers, composers, and bandleaders in jazz have been women. Trombonist Melba Liston is acknowledged as the first female horn player to work in major bands and to make a real impact on jazz, not only as a musician but also as a respected composer and arranger, particularly through her collaborations with Randy Weston from
3492-588: The 21st century. Japan even took influence in the 70s with country rock mainly in the kayokyoku genre. Artists such as Takuro Yoshida , Lily and Saori Minami have often dabbled with country rock in their music. Country rock has survived as a cult force in Texas, where acts including the Flatlanders , Joe Ely , Butch Hancock , Jimmie Dale Gilmore , and California-based Richard Brooker have collaborated and recorded. Other performers have produced occasional recordings in
3589-499: The Black middle-class. Blues is the name given to both a musical form and a music genre, which originated in African-American communities of primarily the Deep South of the United States at the end of the 19th century from their spirituals , work songs , field hollers , shouts and chants and rhymed simple narrative ballads . The African use of pentatonic scales contributed to
3686-672: The Byrds , the Flying Burrito Brothers , The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris , the Eagles , New Riders of the Purple Sage , Linda Ronstadt , Little Feat , Poco , Charlie Daniels Band , and Pure Prairie League . Country rock also influenced artists in other genres, including The Band , the Grateful Dead , Creedence Clearwater Revival , The Rolling Stones , and George Harrison 's solo work, as well as playing
3783-643: The Byrds into the genre, among them the Beau Brummels and the Nitty Gritty Dirt Band . A number of performers also enjoyed a renaissance by adopting country sounds, including: the Beatles, who re-explored elements of country in songs such as "Rocky Raccoon" and "Don't Pass Me By" from their 1968 self-titled double album (often referred to as the "White Album"), and "Octopus's Garden" from Abbey Road (1969); The Everly Brothers , whose Roots album (1968)
3880-460: The Caribbean. African-based rhythmic patterns were retained in the United States in large part through "body rhythms" such as stomping, clapping, and patting juba dancing . In the opinion of jazz historian Ernest Borneman , what preceded New Orleans jazz before 1890 was "Afro-Latin music", similar to what was played in the Caribbean at the time. A three-stroke pattern known in Cuban music as tresillo
3977-510: The Country Rock sound as the frontman for his Stone Canyon Band and recorded the 1966 album "Bright Lights & Country Music" and the 1967 album "Country Fever". Bassist Randy Meisner joined briefly in 1970 after leaving Poco and before joining Eagles . In 1966, as many rock artists moved increasingly towards expansive and experimental psychedelia , Bob Dylan spearheaded the back-to-basics roots revival when he went to Nashville to record
Sneaky Pete Kleinow - Misplaced Pages Continue
4074-636: The International Submarine Band and Bob Dylan – but he expected the Byrds ' forthcoming album, Sweetheart of the Rodeo , to represent the new genre. Before the Byrds' album was released in August 1968, Goldstein considered the Band 's debut album, Music From Big Pink , as the "first major album" of the country-rock movement when he reviewed it for The New York Times on August 4. Key to
4171-579: The Natives' country rock cover of John Lennon's " Tight A$ " was included on the Lennon Bermuda album. A revival of country music blended with rock features in the 2020s was titled "ronky tonk" in the music press, with acts such as Zach Bryan , Jackson Dean , and Bailey Zimmerman identified by Billboard . Jelly Roll is another crossover artist that blends a unique fashion of country and rock, sometimes with hip hop influences. Jazz Jazz
4268-605: The Old Guys with two American members, drummer Andy Newmark and acoustic guitarist Bob Rafkin . Rafkin had written "Lazy Waters" for The Byrds from the 1971 album Farther Along , and Andy Newmark had played on the 1973 Gene Parsons album Kindling . Canadian country rock band Blue Rodeo has found considerable success in Canada, selling multi-platinum albums throughout the 1980s and 1990s, and continues to receive frequent radio airplay on Canadian radio stations. Later in 2013 Rocky and
4365-631: The Rolling Stones "High and Dry" (1966), as well as Buffalo Springfield 's "Go and Say Goodbye" (1966) and "Kind Woman" (1968). According to The Encyclopedia of Country Music , the Beatles' "I Don't Want to Spoil the Party", their cover of the Buck Owens country hit " Act Naturally " and their 1965 album Rubber Soul can all be seen "with hindsight" as examples of country rock. Former TV teen idol and rockabilly recording artist Ricky Nelson pioneered
4462-423: The Rolling Stones , and George Harrison 's solo work. It also played a part in the development of Southern rock , which, although largely derived from blues rock , had a distinct southern lilt, and it paved the way for parts of the alternative country movement. The genre declined in popularity in the late-1970s, but some established artists, including Neil Young, have continued to record country-tinged rock into
4559-658: The Starlight Roof at the famed Waldorf-Astoria Hotel . He entertained audiences with a light elegant musical style which remained popular with audiences for nearly three decades from the 1930s until the late 1950s. Jazz originated in the late-19th to early-20th century. It developed out of many forms of music, including blues , ragtime , European harmony , African rhythmic rituals, spirituals , hymns , marches , vaudeville song, and dance music . It also incorporated interpretations of American and European classical music, entwined with African and slave folk songs and
4656-658: The Truth , which feature his last studio recordings. Kleinow's last performance was at a 2005 Gram Parsons tribute "Gram Fest" concert in Joshua Tree, California, the town in which Gram Parsons had died. Kleinow was married to Ernestine Kleinow for 54 years until his death. They had three sons and two daughters together. Kleinow died on January 6, 2007, at a convalescent home near the skilled nursing facility in Petaluma, California . Suffering from Alzheimer's disease , he had been living at
4753-556: The album Blonde on Blonde , playing with notable local musicians like Charlie McCoy . This, and the subsequent more clearly country-influenced albums, John Wesley Harding (1967) and Nashville Skyline (1969), have been seen as creating the genre of country folk , a route pursued by a number of, largely acoustic, folk musicians. Dylan's lead was also followed by the Byrds, who were joined by Gram Parsons in 1968. Parsons had mixed country with rock , blues and folk to create what he called "Cosmic American Music". Earlier in
4850-552: The blues are undocumented, though they can be seen as the secular counterpart of the spirituals. However, as Gerhard Kubik points out, whereas the spirituals are homophonic , rural blues and early jazz "was largely based on concepts of heterophony ". During the early 19th century an increasing number of black musicians learned to play European instruments, particularly the violin, which they used to parody European dance music in their own cakewalk dances. In turn, European American minstrel show performers in blackface popularized
4947-799: The city's country-oriented nightclubs as a member of Smokey Rogers & the Western Caravan (from which his distinctive nickname originated) and the Detours (often deputizing for bandleader Red Rhodes , then frequently employed as a session musician). Through this scene he became acquainted with Chris Hillman and Gram Parsons of the Byrds in 1968, helping the group to replicate their newly country-infused sound onstage with banjoist Doug Dillard on several local club dates. Guitarist Roger McGuinn later alleged that Hillman and Parsons intended to replace Dillard with Kleinow and did not countenance Kleinow's inclusion alongside Dillard in an upcoming European tour,
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#17330922953685044-473: The contribution of the composer, if there is one, and more on the performer. The jazz performer interprets a tune in individual ways, never playing the same composition twice. Depending on the performer's mood, experience, and interaction with band members or audience members, the performer may change melodies, harmonies, and time signatures. In early Dixieland , a.k.a. New Orleans jazz, performers took turns playing melodies and improvising countermelodies . In
5141-543: The country side towards rock were the bluegrass band the Dillards . Doug Dillard left the band to form the group Dillard & Clark with ex- Byrds member Gene Clark and Bernie Leadon . The greatest commercial success for country rock came in the 1970s, with the Doobie Brothers mixing in elements of R&B, Emmylou Harris (the former singer with Parsons) becoming a star on country radio, and Linda Ronstadt ,
5238-541: The development of blue notes in blues and jazz. As Kubik explains: Many of the rural blues of the Deep South are stylistically an extension and merger of basically two broad accompanied song-style traditions in the west central Sudanic belt: W. C. Handy became interested in folk blues of the Deep South while traveling through the Mississippi Delta. In this folk blues form, the singer would improvise freely within
5335-506: The early 1920s, drawing particular recognition on piano. When male jazz musicians were drafted during World War II, many all-female bands replaced them. The International Sweethearts of Rhythm , which was founded in 1937, was a popular band that became the first all-female integrated band in the U.S. and the first to travel with the USO , touring Europe in 1945. Women were members of the big bands of Woody Herman and Gerald Wilson . Beginning in
5432-480: The education of freed African Americans. Although strict segregation limited employment opportunities for most blacks, many were able to find work in entertainment. Black musicians were able to provide entertainment in dances, minstrel shows , and in vaudeville , during which time many marching bands were formed. Black pianists played in bars, clubs, and brothels, as ragtime developed. Ragtime appeared as sheet music, popularized by African-American musicians such as
5529-588: The emergence of bebop, forms of jazz that are commercially oriented or influenced by popular music have been criticized. According to Bruce Johnson, there has always been a "tension between jazz as a commercial music and an art form". Regarding the Dixieland jazz revival of the 1940s, Black musicians rejected it as being shallow nostalgia entertainment for white audiences. On the other hand, traditional jazz enthusiasts have dismissed bebop, free jazz, and jazz fusion as forms of debasement and betrayal. An alternative view
5626-525: The end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. The mid-1950s saw the emergence of hard bop , which introduced influences from rhythm and blues , gospel , and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode , or musical scale, as the basis of musical structure and improvisation, as did free jazz , which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in
5723-556: The entertainer Ernest Hogan , whose hit songs appeared in 1895. Two years later, Vess Ossman recorded a medley of these songs as a banjo solo known as "Rag Time Medley". Also in 1897, the white composer William Krell published his " Mississippi Rag " as the first written piano instrumental ragtime piece, and Tom Turpin published his "Harlem Rag", the first rag published by an African-American. Classically trained pianist Scott Joplin produced his " Original Rags " in 1898 and, in 1899, had an international hit with " Maple Leaf Rag ",
5820-509: The facility since 2006. Three months before his death, local singer songwriter Jan White and bassist Pat Campbell gave Kleinow a final private concert, performing several Gram Parsons songs for him, set in the nursing facility's garden. Kleinow was brought to tears and expressed his joy and gratitude for the special moment. For albums by the Flying Burrito Brothers see their discography . Kleinow appears on numerous rock and country-rock albums, including: Country rock Country rock
5917-415: The first written music which was rhythmically based on an African motif (1803). From the perspective of African-American music, the "habanera rhythm" (also known as "congo"), "tango-congo", or tango . can be thought of as a combination of tresillo and the backbeat . The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States and reinforced and inspired
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#17330922953686014-471: The genre, Goldstein wrote, was that the album had country music's "twang and ... tenacity", but it also "[made] you want to move" like rock music. Country influences can be heard on rock records through the 1960s, including the Beatles ' 1964 recordings " I'll Cry Instead ", " Baby's in Black ", " I Don't Want to Spoil the Party ", and their 1965 recording " I've Just Seen A Face ", the Byrds' 1965 cover version of Porter Wagoner 's "Satisfied Mind", or
6111-468: The genre, including Elvis Costello 's Almost Blue (1981) and the Robert Plant and Alison Krauss collaboration Raising Sand , which was one of the most commercially successful albums of 2007. Kid Rock , who broke through into mainstream success with a rap rock sound, gradually developed a country rock sound. In 2013, British country rock band Rocky and the Natives released Let's Hear It for
6208-441: The genre. The Byrds continued in the same vein, but Parsons left before the album was released to join another ex-Byrds member Chris Hillman in forming the Flying Burrito Brothers . The Byrds hired guitarist Clarence White and drummer Gene Parsons , both from the country band Nashville West . The Flying Burrito Brothers recorded the albums The Gilded Palace of Sin (1969) and Burrito Deluxe (1970), which helped establish
6305-532: The habanera rhythm and cinquillo , are heard in the ragtime compositions of Joplin and Turpin. Joplin's " Solace " (1909) is generally considered to be in the habanera genre: both of the pianist's hands play in a syncopated fashion, completely abandoning any sense of a march rhythm. Ned Sublette postulates that the tresillo/habanera rhythm "found its way into ragtime and the cakewalk," whilst Roberts suggests that "the habanera influence may have been part of what freed black music from ragtime's European bass". In
6402-486: The highly successful ABC miniseries The Winds of War . Although often uncredited, Kleinow contributed stop motion and other visual effects to a number of films and miniseries over the next three decades, including Cosmos: A Personal Voyage (1980), The Empire Strikes Back (1980), The Right Stuff (1983), Gremlins (1984), The Terminator (1984), Terminator 2 (1991), Starship Troopers (1997), and Holes (2003) while continuing to work sporadically as
6499-488: The hit "Let Your Love Flow"(1976). In 1979, the Southern rock Charlie Daniels Band moved to a more country direction, released a song with strong bluegrass influence, " The Devil Went Down to Georgia ", and the song crossed over and became a hit on the pop chart. Outside its handful of stars, country rock's greatest significance was on artists in other genres, including the Band, Grateful Dead , Creedence Clearwater Revival ,
6596-485: The imprimatur of the band allowed Kleinow to enjoy a lucrative career as a session musician throughout this period. He appeared on albums by Joe Cocker ( Joe Cocker! , 1969), Delaney, Bonnie and Friends ( To Bonnie from Delaney , 1970), Joni Mitchell ( Blue , 1971), Billy Joel ( Cold Spring Harbor , 1971), Little Feat ( Sailin' Shoes , 1972), Little Richard ( The Second Coming , 1972), Sandy Denny ( Sandy , 1972), Frank Zappa ( Waka/Jawaka , 1972),
6693-507: The individuality of the performing jazz musician". A broader definition that encompasses different eras of jazz has been proposed by Travis Jackson: "it is music that includes qualities such as swing, improvising, group interaction, developing an 'individual voice', and being open to different musical possibilities". Krin Gibbard argued that "jazz is a construct" which designates "a number of musics with enough in common to be understood as part of
6790-424: The influences of West African culture. Its composition and style have changed many times throughout the years with each performer's personal interpretation and improvisation, which is also one of the greatest appeals of the genre. By the 18th century, slaves in the New Orleans area gathered socially at a special market, in an area which later became known as Congo Square , famous for its African dances. By 1866,
6887-455: The instruments of jazz: brass, drums, and reeds tuned in the European 12-tone scale. Small bands contained a combination of self-taught and formally educated musicians, many from the funeral procession tradition. These bands traveled in black communities in the deep south. Beginning in 1914, Louisiana Creole and African-American musicians played in vaudeville shows which carried jazz to cities in
6984-567: The late 1950s into the 1990s. Jewish Americans played a significant role in jazz. As jazz spread, it developed to encompass many different cultures, and the work of Jewish composers in Tin Pan Alley helped shape the many different sounds that jazz came to incorporate. Jewish Americans were able to thrive in Jazz because of the probationary whiteness that they were allotted at the time. George Bornstein wrote that African Americans were sympathetic to
7081-455: The late 1960s and early 1970s, combining jazz improvisation with rock music 's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz . The origin of the word jazz has resulted in considerable research, and its history
7178-490: The likes of the Byrds' Sweetheart of the Rodeo and other gems of the genre". Former Poco and Buffalo Springfield member Jim Messina joined Kenny Loggins in a very successful duo, while former members of Ronstadt's backing band went on to form the Eagles (two members of which were from the Flying Burrito Brothers and Poco), who emerged as one of the most successful rock acts of all time, producing albums that included Desperado (1973) and Hotel California (1976). However,
7275-924: The many top players he employed, such as George Brunies , Sharkey Bonano , and future members of the Original Dixieland Jass Band . During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws. Storyville brought jazz to a wider audience through tourists who visited the port city of New Orleans. Many jazz musicians from African-American communities were hired to perform in bars and brothels. These included Buddy Bolden and Jelly Roll Morton in addition to those from other communities, such as Lorenzo Tio and Alcide Nunez . Louis Armstrong started his career in Storyville and found success in Chicago. Storyville
7372-679: The music internationally, combining syncopation with European harmonic accompaniment. In the mid-1800s the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. New Orleans was the main nexus between the Afro-Caribbean and African American cultures. The Black Codes outlawed drumming by slaves, which meant that African drumming traditions were not preserved in North America, unlike in Cuba, Haiti, and elsewhere in
7469-578: The music of New Orleans with the music of Cuba, Wynton Marsalis observes that tresillo is the New Orleans "clavé", a Spanish word meaning "code" or "key", as in the key to a puzzle, or mystery. Although the pattern is only half a clave , Marsalis makes the point that the single-celled figure is the guide-pattern of New Orleans music. Jelly Roll Morton called the rhythmic figure the Spanish tinge and considered it an essential ingredient of jazz. The abolition of slavery in 1865 led to new opportunities for
7566-460: The northeastern United States, a "hot" style of playing ragtime had developed, notably James Reese Europe 's symphonic Clef Club orchestra in New York City, which played a benefit concert at Carnegie Hall in 1912. The Baltimore rag style of Eubie Blake influenced James P. Johnson 's development of stride piano playing, in which the right hand plays the melody, while the left hand provides
7663-596: The northern and western parts of the U.S. Jazz became international in 1914, when the Creole Band with cornettist Freddie Keppard performed the first ever jazz concert outside the United States, at the Pantages Playhouse Theatre in Winnipeg , Canada. In New Orleans, a white bandleader named Papa Jack Laine integrated blacks and whites in his marching band. He was known as "the father of white jazz" because of
7760-594: The outmoded Fender 400, a cable-operated eight-string model. According to bandmate Bernie Leadon , "Sneaky uniquely played an eight-string Fender cable pull steel tuned to B6 instead of the more common C6. He played a usually more jazz or swing tuning in a style that most other players use an E9 tuning for. His rationale was [that] B is the 'five chord,' or dominant chord, to the key of E. This resulted in absolutely-to-Pete steel licks. And no one else thinks like him anyway." In addition to favoring atypical tunings, Kleinow liberally incorporated such electronic accoutrements as
7857-495: The period 1820–1850. Some of the earliest [Mississippi] Delta settlers came from the vicinity of New Orleans, where drumming was never actively discouraged for very long and homemade drums were used to accompany public dancing until the outbreak of the Civil War. Another influence came from the harmonic style of hymns of the church, which black slaves had learned and incorporated into their own music as spirituals . The origins of
7954-487: The plight of the Jewish American and vice versa. As disenfranchised minorities themselves, Jewish composers of popular music saw themselves as natural allies with African Americans. The Jazz Singer with Al Jolson is one example of how Jewish Americans were able to bring jazz, music that African Americans developed, into popular culture. Benny Goodman was a vital Jewish American to the progression of Jazz. Goodman
8051-459: The post-Civil War period (after 1865), African Americans were able to obtain surplus military bass drums, snare drums and fifes, and an original African-American drum and fife music emerged, featuring tresillo and related syncopated rhythmic figures. This was a drumming tradition that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. "The snare and bass drummers played syncopated cross-rhythms ," observed
8148-672: The pre-jazz era and contributed to the codification of jazz through the publication of some of the first jazz sheet music. The music of New Orleans , Louisiana had a profound effect on the creation of early jazz. In New Orleans, slaves could practice elements of their culture such as voodoo and playing drums. Many early jazz musicians played in the bars and brothels of the red-light district around Basin Street called Storyville . In addition to dance bands, there were marching bands which played at lavish funerals (later called jazz funerals ). The instruments used by marching bands and dance bands became
8245-577: The principal country rock influence in the Eagles came from Bernie Leadon , formerly of the Flying Burrito Brothers, and the Eagles are perceived as shifting towards hard rock after he left the band in late 1975. The Ozark Mountain Daredevils had hit singles "If You Wanna Get To Heaven" (1974) and "Jackie Blue" (1975), the latter of which peaked at #3 on the Billboard Hot 100 in 1975. The Bellamy Brothers had
8342-518: The respectability and parameters of the genre, before Parsons departed to pursue a solo career. Country rock was a particularly popular style in the California music scene of the late 1960s, and was adopted by bands including Hearts and Flowers, Poco (formed by Richie Furay and Jim Messina , formerly of the Buffalo Springfield) and New Riders of the Purple Sage . Some folk-rockers followed
8439-410: The rhythm and bassline. In Ohio and elsewhere in the mid-west the major influence was ragtime, until about 1919. Around 1912, when the four-string banjo and saxophone came in, musicians began to improvise the melody line, but the harmony and rhythm remained unchanged. A contemporary account states that blues could only be heard in jazz in the gut-bucket cabarets, which were generally looked down upon by
8536-500: The twice-daily ferry between both cities to perform, and the habanera quickly took root in the musically fertile Crescent City. John Storm Roberts states that the musical genre habanera "reached the U.S. twenty years before the first rag was published." For the more than quarter-century in which the cakewalk , ragtime , and proto-jazz were forming and developing, the habanera was a consistent part of African-American popular music. Habaneras were widely available as sheet music and were
8633-566: The use of tresillo-based rhythms in African-American music. New Orleans native Louis Moreau Gottschalk 's piano piece "Ojos Criollos (Danse Cubaine)" (1860) was influenced by the composer's studies in Cuba: the habanera rhythm is clearly heard in the left hand. In Gottschalk's symphonic work "A Night in the Tropics" (1859), the tresillo variant cinquillo appears extensively. The figure was later used by Scott Joplin and other ragtime composers. Comparing
8730-498: The writer Robert Palmer, speculating that "this tradition must have dated back to the latter half of the nineteenth century, and it could have not have developed in the first place if there hadn't been a reservoir of polyrhythmic sophistication in the culture it nurtured." African-American music began incorporating Afro-Cuban rhythmic motifs in the 19th century when the habanera (Cuban contradanza ) gained international popularity. Musicians from Havana and New Orleans would take
8827-424: The year Parsons had released Safe at Home (although the principal recording for the album had taken place in mid-1967) with the International Submarine Band, which made extensive use of pedal steel and is seen by some as the first true country-rock album. The result of Parsons' brief tenure in the Byrds was Sweetheart of the Rodeo (1968), generally considered one of the finest and most influential recordings in
8924-493: The year's crop was harvested and several days were set aside for celebration. As late as 1861, a traveler in North Carolina saw dancers dressed in costumes that included horned headdresses and cow tails and heard music provided by a sheepskin-covered "gumbo box", apparently a frame drum; triangles and jawbones furnished the auxiliary percussion. There are quite a few [accounts] from the southeastern states and Louisiana dating from
9021-488: Was documented as early as 1915 in the Chicago Daily Tribune . Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands". In an interview with National Public Radio , musician Eubie Blake offered his recollections of the slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It
9118-433: Was major ... , and I carried this device into my melody as well. The publication of his " Memphis Blues " sheet music in 1912 introduced the 12-bar blues to the world (although Gunther Schuller argues that it is not really a blues, but "more like a cakewalk"). This composition, as well as his later " St. Louis Blues " and others, included the habanera rhythm, and would become jazz standards . Handy's music career began in
9215-519: Was released in 1978 and The Legend and the Legacy followed in 1994. Following a second stint on Davey and Goliath in 1972, he returned to visual effects in earnest as an animator on Sid and Marty Krofft 's Land of the Lost (1974–1976) and created the dinosaurs for the comic film Caveman (1981). He was a co-recipient of the 1983 Primetime Emmy Award for Outstanding Special Visual Effects for his work on
9312-647: Was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies." The American Dialect Society named it the Word of the 20th Century . Jazz is difficult to define because it encompasses a wide range of music spanning a period of over 100 years, from ragtime to rock -infused fusion . Attempts have been made to define jazz from the perspective of other musical traditions, such as European music history or African music. But critic Joachim-Ernst Berendt argues that its terms of reference and its definition should be broader, defining jazz as
9409-529: Was the leader of a racially integrated band named King of Swing. His jazz concert in the Carnegie Hall in 1938 was the first ever to be played there. The concert was described by Bruce Eder as "the single most important jazz or popular music concert in history". Shep Fields also helped to popularize "Sweet" Jazz music through his appearances and Big band remote broadcasts from such landmark venues as Chicago's Palmer House , Broadway's Paramount Theater and
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