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Smash Records was an American record label founded in 1961 as a subsidiary of Mercury Records .

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76-564: Mercury Record Corporation president Irving Green announced the formation of the company’s new pop subsidiary label, Smash Records, in March 1961. Smash was seen as an opportunity for greater exposure and sales for both newly-signed talent and for independently cut masters. In the summer of 1961, the label achieved its first number one hit on the Billboard Hot 100 , " Wooden Heart ," by Joe Dowell . In November 1961, label head Charles Fach announced

152-580: A 21-acre (8.5 ha) estate in Bernardsville, New Jersey . They divorced in 1943 after Dorsey's affair with his former singer Edythe Wright . Dorsey's second wife was film actress Patricia Dane in 1943, and they were divorced in 1947, but not before he gained headlines for striking actor Jon Hall when Hall embraced her. Finally, Dorsey married Jane Carl New on March 27, 1948, in Atlanta, Georgia. She had been

228-473: A Hot 100 Top 40 hit in each of the four decades from the 1980s through the 2010s: Michael Jackson , Madonna , "Weird Al" Yankovic , U2 , and Kenny G . Mariah Carey is the first artist to have a number-one single in four different decades. SiriusXM Pop2K uses the Hot 100 charts for the 2000s for the "Pop2Kountdown", where radio personal Rich Davis plays the top 30 songs on the Hot 100 from that specific week in

304-748: A Sinatra vocal; it hit number one in January 1943, as did 'In the Blue of the Evening', another Dorsey record featuring Sinatra, in August, while a third Dorsey/Sinatra release, 'It's Always You,' hit the Top Five later in the year, and a fourth, 'I'll Be Seeing You', reached the Top Ten in 1944." It should be added that these 1943 and 1944 Sinatra hits were older recordings reissued because the 1942–44 musicians' strike prevented Sinatra, now

380-625: A dancer at the Copacabana nightclub in New York City. Tommy and Jane Dorsey had two children, Catherine Susan and Steve. Dorsey died on November 26, 1956, at his home in Greenwich, Connecticut , a week after his 51st birthday. He had begun taking sleeping pills regularly at this time, causing him to become heavily sedated; he choked to death in his sleep after eating a large meal. Jimmy Dorsey led his brother's band until his own death from throat cancer

456-556: A feature attraction. In 1953, the Dorseys focused their attention on television. On December 26, 1953, the brothers appeared with their orchestra on Jackie Gleason 's CBS television show, which was preserved on kinescope and later released on home video by Gleason. The brothers took the unit on tour and onto their own television show, Stage Show , from 1954 to 1956. In January 1956, The Dorseys made rock music history introducing Elvis Presley on his national television debut. Presley, then

532-460: A new single, featuring the former B-side as the A-side, along with a "new" B-side. The inclusion of album cuts on the Hot 100 put the double-sided hit issues to rest permanently. As many Hot 100 chart policies have been modified over the years, one rule always remained constant: songs were not eligible to enter the Hot 100 unless they were available to purchase as a single. However, on December 5, 1998,

608-593: A percentage of Miller's income. When Miller balked at this, the angry Dorsey got even by sponsoring a new band led by Bob Chester , and hiring arrangers who deliberately copied Miller's style and sound. Dorsey branched out in the mid-1940s and owned two music publishing companies, Sun and Embassy. After opening at the Los Angeles ballroom, the Hollywood Palladium on the Palladium's first night, Dorsey's relations with

684-577: A point system that typically gave sales (purchases) more weight than radio airplay. The first No. 1 in that chart was " Love Is a Many-Splendored Thing " by The Four Aces . The Best Sellers in Stores , Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart. On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as

760-504: A popular singer, from recording new material. The website "Tommy Dorsey A Songwriter's Friend" says, "the orchestra had over 200 top twenty recordings including the No. 1 hits 'The Music Goes Round and Round' (1935), 'Alone' (1936) 'You' (1936), ' Marie ' (1937), 'Satan Takes a Holiday' (1937), 'The Big Apple' (1937), 'Once in a While' (1937), 'The Dipsy Doodle' (1937), 'Music, Maestro, Please' (1938), 'Our Love' (1939), 'Indian Summer' (1939), 'All

836-544: A regional country singer, made six guest appearances on Stage Show promoting his first releases for RCA Victor several months before his more familiar visits to the Milton Berle , Steve Allen , and Ed Sullivan variety programs. Dorsey was married three times. His first wife was 16-year-old Mildred "Toots" Kraft, with whom he eloped in 1922, when he was 17. The couple had two children, Patricia and Thomas F. Dorsey III (nicknamed "Skipper"). In 1935, they moved to "Tall Oaks",

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912-497: A run of 286 Billboard chart hits. The Dorsey band had seventeen number-one hits with his orchestra in the 1930s and 1940s including: "On Treasure Island", "The Music Goes 'Round and Around", "You", "Marie" (written by Irving Berlin ), "Satan Takes a Holiday", "The Big Apple", "Once in a While", "The Dipsy Doodle", "Our Love", "All the Things You Are", "Indian Summer", and "Dolores". He had two more number one hits in 1935 when he

988-434: A single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number-one debut. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot 100, make a high debut and then slowly decline in position as the one-time production of the retail single sold out. It was during this period that several popular mainstream hits never charted on

1064-629: A specific year from the 2000s. '90s on 9 also does a similar countdown show called the "Back in the Day Replay Countdown" hosted by Downtown Julie Brown ; however, this focuses on the Hot 100 charts from the 1990s. A new chart, the Pop 100 , was created by Billboard in February 2005 to answer criticism that the Hot 100 at the time was too dominated by hip hop and R&B. It was discontinued in June 2009 due to

1140-435: A trend they had started in the 1960s by putting the same song on both sides of the singles provided to radio. More complex issues began to arise as the typical A-and-B-side format of singles gave way to 12 inch singles and maxi-singles, many of which contained more than one B-side. Further problems arose when, in several cases, a B-side would eventually overtake the A-side in popularity, thus prompting record labels to release

1216-537: A very long time to gain mainstream success. These rare cases are handled on a case-by-case basis and ultimately determined by Billboard ' s chart managers and staff. Older songs are allowed to re-enter to the Hot 100 provided they chart higher than number 50. Christmas songs have been a regular presence on the Hot 100 each December since the relaxation of recurrent rules, culminating in Mariah Carey 's 1994 recording " All I Want for Christmas Is You " reaching No. 1 on

1292-502: A very straightforward cumulative total of yearlong sales, streaming, and airplay points. This gives a more accurate picture of any given year's most popular tracks, as the points accrued by one song during its week at number one in March might be less than those accrued by another song reaching number three in January. Songs at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked on

1368-403: A week spent at position 100, two points for a week spent at position 99 and so forth, up to 100 points for each week spent at number one). Other factors including the total weeks a song spent on the chart and at its peak position were calculated into its year-end total. After Billboard began obtaining sales and airplay information from Nielsen SoundScan, the year-end charts are now calculated by

1444-407: Is Jennifer Lopez 's " I'm Real ". Originally entering the Hot 100 in its album version, a "remix" was issued in the midst of its chart run that featured rapper Ja Rule . This new version proved to be more popular than the album version and the track was propelled to number one. To address this issue, Billboard now separates airplay points from a song's original version and its remix, if the remix

1520-471: Is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio

1596-452: Is determined to be a "new song". Since administering this new chart rule, several songs have charted twice, normally credited as "Part 1" and "Part 2". The remix rule is still in place. Billboard , in an effort to allow the chart to remain as current as possible and to give representation to new and developing artists and tracks, has (since 1991) removed titles that have reached certain criteria regarding its current rank and number of weeks on

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1672-433: Is post-dated with the "week-ending" issue date four days after the charts are refreshed online (i.e., the following Saturday). For example: The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history. Although the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia,

1748-522: Is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales (physical and digital ), online streaming , and radio airplay in the U.S. A new chart is compiled and released online to the public by Billboard' s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales

1824-523: The Billboard Hot 100 tracks paid digital downloads from such internet services as iTunes , Musicmatch , and Rhapsody . Billboard initially started tracking downloads in 2003 with the Hot Digital Tracks chart. However, these downloads did not count towards the Hot 100 and that chart (as opposed to Hot Digital Songs ) counted each version of a song separately. This was the first major overhaul of

1900-399: The 10 top selling records of three leading record companies, as reported by the companies themselves. In October 1938, a review list, "The Week's Best Records", was retitled "The Billboard Record Buying Guide" by incorporating airplay and sheet music sales, which would eventually become the first trade survey of record popularity. This led to the full-page "Billboard Music Popularity Chart" for

1976-473: The 1990s many record companies stopped releasing singles altogether (see Album Cuts , below). Eventually, a song's airplay points were weighted more so than its sales. Billboard has adjusted the sales/airplay ratio many times to more accurately reflect the true popularity of songs. Billboard has also changed its Hot 100 policy regarding "two-sided singles" several times. The pre-Hot 100 chart "Best Sellers in Stores" listed popular A- and-B-sides together, with

2052-640: The Dorsey Brothers band signed with Decca , having a hit with "I Believe in Miracles". Glenn Miller was a member of the Dorsey Brothers Orchestra in 1934 and 1935, composing " Annie's Cousin Fanny ", " Tomorrow's Another Day ", " Harlem Chapel Chimes ", and " Dese Dem Dose ", all recorded for Decca, for the band. Acrimony between the brothers led to Tommy Dorsey walking out to form his own band in 1935 as

2128-465: The Dorsey band. Two of those eighty songs are " In the Blue of Evening " and " This Love of Mine ". Sinatra achieved his first great success as a vocalist in the Dorsey band and claimed he learned breath control from watching Dorsey play trombone. Sy Oliver and Sinatra did a posthumous tribute album to Dorsey on Sinatra's Reprise records. I Remember Tommy appeared in 1961. Dorsey said his trombone style

2204-471: The Hot 100 (then called Top 40 Radio Monitor ). The ongoing splintering of Top 40 radio in the early 1990s led stations to lean into specific formats, meaning that practically no station would play the wide array of genres that typically composed each weekly Hot 100 chart. An artist or band's ability to have hits in the Hot 100 across multiple decades is recognized as a sign of longevity and being able to adapt to changing musical styles. Only five artists had

2280-416: The Hot 100 changed from being a "singles" chart to a "songs" chart. During the 1990s, a growing trend in the music industry was to promote songs to radio without ever releasing them as singles. It was claimed by major record labels that singles were cannibalizing album sales, so they were slowly phased out. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing

2356-401: The Hot 100's chart formula since December 1998. The change in methodology has shaken up the chart considerably, with some songs debuting on the chart strictly with robust online sales and others making drastic leaps. In recent years, several songs have been able to achieve 80-to-90 position jumps in a single week as their digital components were made available at online music stores. Since 2006,

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2432-420: The Hot 100's early history, singles were the leading way by which people bought music. At times, when singles sales were robust, more weight was given to a song's retail points than to its radio airplay. As the decades passed, the recording industry concentrated more on album sales than singles sales. Musicians eventually expressed their creative output in the form of full-length albums rather than singles, and by

2508-479: The Hot 100, or charted well after their airplay had declined. During the period that they were not released as singles, the songs were not eligible to chart. Many of these songs dominated the Hot 100 Airplay chart for extended periods of time: As debate and conflicts occurred more and more often, Billboard finally answered the requests of music industry artists and insiders to include airplay-only songs (or "album cuts") in

2584-476: The Hot 100, while the retail component was reduced from 40% to 25%. Extended play (EP) releases were listed by Billboard on the Hot 100 and in pre-Hot 100 charts (Top 100) until the mid-to-late 1960s. With the growing popularity of albums, it was decided to move EPs (which typically contain four to six tracks) from the Hot 100 to the Billboard 200 , where they are included to this day. Since February 12, 2005,

2660-576: The Pied Pipers , Dick Haymes , and Connie Haines . In 1944, Dorsey hired the Sentimentalists , name with which he renamed the already known vocal band The Clark Sisters asking them not to reveal their identity. They replaced the Pied Pipers. Dorsey also performed with singer Connee Boswell He hired ex-bandleader and drummer Gene Krupa after Krupa's arrest for marijuana possession in 1943. In 1942, Artie Shaw broke up his band, and Dorsey hired

2736-623: The Scranton Sirens, a territory band in the 1920s. Tommy and Jimmy worked in bands led by Tal Henry , Rudy Vallee , Vincent Lopez , and Nathaniel Shilkret . In 1923, Dorsey followed Jimmy to Detroit to play in Jean Goldkette 's band and returned to New York in 1925 to play with the California Ramblers . In 1927, he joined Paul Whiteman . In 1929, the Dorsey Brothers had their first hit with "Coquette" for OKeh Records . In 1934,

2812-519: The Shaw string section. As George T. Simon in Metronome magazine observed at the time: "They're used in the foreground and background (note some of the lovely obbligatos) for vocal effects and for Tommy's trombone." Dorsey made further business decisions in the music industry. He loaned money to Glenn Miller enabling him to launch his band of 1938, but Dorsey saw the loan as an investment, entitling him to

2888-555: The Things You Are' (1939), 'I'll Never Smile Again' (1940), 'Dolores' (1941), 'There are Such Things' (1942), and 'In the Blue of the Evening' (1943)." Written with Fred Norman In 1982, the 1940 Victor recording " I'll Never Smile Again " was the first of a trio of Tommy Dorsey recordings to be inducted into the Grammy Hall of Fame . His theme song, " I'm Getting Sentimental Over You " was inducted in 1998, along with his recording of "Marie" written by Irving Berlin in 1928. In 1996,

2964-431: The U.S. Postal Service issued a Tommy Dorsey and Jimmy Dorsey commemorative postage stamp. Tommy Dorsey was posthumously inducted into the Grammy Hall of Fame , which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old and that have "qualitative or historical significance". Tommy Dorsey appeared in the following movies and film shorts Tommy Dorsey and his Orchestra appear in

3040-535: The all-time record for the biggest single-week upward movement was broken nine times. In the issue dated August 11, 2007, Billboard began incorporating weekly data from streaming media and on-demand services into the Hot 100. The first two major companies to provide their statistics to Nielsen BDS on a weekly basis were AOL Music and Yahoo! Music . On March 24, 2012, Billboard premiered its On-Demand Songs chart, which ranks web radio streams from services such as Spotify , as well as on-demand audio titles. Its data

3116-509: The ballroom soured and he opened a competing ballroom, the Casino Gardens circa 1944. Dorsey also owned for a short time a trade magazine called The Bandstand . Tommy Dorsey disbanded his own orchestra at the end of 1946. Dorsey might have broken up his own band permanently following World War II , as many big bands did due to the shift in music economics following the war, but Tommy Dorsey's album for RCA Victor , "All Time Hits" placed in

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3192-786: The band, tenor saxophonist Sam Donahue led it from 1961, continuing until 1966. Frank Sinatra Jr. made his professional singing debut with the band at Dallas Memorial Theater in Texas in 1963. Later, trombonist and bandleader Buddy Morrow led the Tommy Dorsey Orchestra from 1977 until his death on September 27, 2010. Jane Dorsey died of natural causes at the age of 79, in Miami, Florida, in 2003. Tommy and Jane Dorsey are interred together in Kensico Cemetery in Valhalla, New York. Tommy Dorsey had

3268-467: The chart in December 2019. Billboard altered its tracking-week for sales, streaming and radio airplay in order to conform to a new Global Release Date, which now falls on Fridays in all major-market territories (United States product was formerly released on Tuesdays before June 2015). This modified tracking schedule took effect in the issue dated July 25, 2015. Billboard ' s "chart year" runs from

3344-417: The chart. Recurrent criteria have been modified several times and currently (as of 2015 ), a song is permanently moved to "recurrent status" if it has spent 20 weeks on the Hot 100 and fallen below position number 50. Additionally, descending songs are removed from the chart if ranking below number 25 after 52 weeks. Exceptions are made to re-releases and sudden resurgence in popularity of tracks that have taken

3420-507: The charts becoming increasingly similar. The Canadian Hot 100 was launched June 16, 2007. Like the Hot 100 chart, it uses sales and airplay tracking compiled by Nielsen SoundScan and BDS . The Billboard Japan Hot 100 was launched in the issue dated May 31, 2008, using the same methodologies as the Hot 100 charts for the U.S. and Canada, using sales and airplay data from SoundScan Japan and radio tracking service Plantech. The Vietnamese edition of Hot 100, Billboard Vietnam Hot 100 ,

3496-462: The first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Before Nielsen SoundScan, year-end singles charts were calculated by an inverse-point system based solely on a song's performance on the Hot 100 (for example, a song would be given one point for

3572-413: The following year's chart as well, as their cumulative points are split between the two chart-years, but often are ranked lower than they would have been had the peak occurred in a single year. The Hot 100 served for many years as the data source for the weekly radio countdown show American Top 40 . This relationship ended on November 30, 1991, as American Top 40 started using the airplay-only side of

3648-613: The following year. At that point, trombonist Warren Covington became leader of the band with Jane Dorsey's blessing as she owned the rights to her late husband's band and name. Billed as the Tommy Dorsey Orchestra Starring Warren Covington , they reached #7 on the Billboard charts and earned a gold record in the fall of 1958 with the hit single "Tea for Two Cha-Cha". The band was also fronted by Urbie Green after Dorsey's death in 1956. After Covington led

3724-746: The industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Hot 100 was created by journalists Tom Noonan, Paul Ackerman , and Seymour Stein ; Stein did not recall who chose the name. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan (both at retail and digitally) and streaming activity provided by online music sources. There are several component charts that contribute to

3800-470: The jazz era of one-nighters, the early days of radio in its infancy stages, and the onward march when both brothers ended up with Paul Whiteman before 1935 when The Dorsey Brothers' Orchestra split into two. In the early 1950s, Tommy Dorsey moved from RCA Victor back to Decca. He was promised $ 2,000 if he switched to their label. However, he was reported to have collected $ 2,500 instead. Jimmy Dorsey broke up his big band in 1953. Tommy invited him to join as

3876-936: The label would move into the "country and western" field, and announced the signing of two artists, Billy Deaton and Howard Crockett. Mercury A&R chief Shelby Singleton was tapped to head the C&;W production. Singleton was interested in Southern styles, and had recruited east Texas's Big Bopper and Johnny Preston to the parent label. Eventually, Smash Records' roster expanded to include artists from other music genres, such as Frankie Valli , James Brown , Bruce Channel , Roger Miller , The Left Banke , Bill Justis , and Jerry Lee Lewis . A dispute with King Records led James Brown to release all of his band's instrumental recordings between 1964 and 1967 on Smash. Smash also released three of Brown's vocal recordings, including his 1964 proto- funk single " Out of Sight ". Smash shared

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3952-413: The main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During

4028-500: The numbering system for its singles with other labels that the label distributed. The most significant of these was Fontana Records . Mercury discontinued the Smash label in 1970. After Smash parent Mercury was acquired by PolyGram in 1972, the Smash imprint was used for reissues in the 1980s. PolyGram revived Smash in 1991 as an R&B / dance label with its offices located in Chicago . It

4104-482: The orchestra was having a hit with "Every Little Moment". Dorsey's orchestra was known primarily for its renderings of ballads at dance tempos, frequently with singers such as Jack Leonard and Frank Sinatra . In 2009, Buddy De Franco recalled recording "Opus One" with Dorsey in the 1940s, commenting on Dorsey's desire to be precise and exact. Expanding on De Franco's opinions about Dorsey, writer Peter Levinson said, "He wanted things to be done his way." The band

4180-433: The overall calculation of the Hot 100. The most significant ones are: The tracking week for sales, streaming and airplay begins on Friday and ends on Thursday (airplay used to have a tracking week from Monday to Sunday, but effective with the chart dated July 17, 2021, the week was adjusted to align with the other two metrics ). A new chart is compiled and officially released to the public by Billboard on Tuesday. Each chart

4256-485: The popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week of July 28, 1958, had the final Most Played by Jockeys and Top 100 charts, both of which had Perez Prado 's instrumental version of " Patricia " ascending to the top. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100 , with " Poor Little Fool " by Ricky Nelson its first No. 1. The Hot 100 quickly became

4332-697: The radio with comedian Jack Pearl, then became the host. By 1939, Dorsey was aware of criticism that his band lacked a jazz feeling. He hired arranger Sy Oliver away from the Jimmie Lunceford band. Sy Oliver's arrangements include " On the Sunny Side of the Street " and "T.D.'s Boogie Woogie"; Oliver also composed two of the new band's signature instrumentals, "Well, Git It" and " Opus One ". In 1940, Dorsey hired singer Frank Sinatra from bandleader Harry James . Sinatra made eighty recordings from 1940 to 1942 with

4408-506: The side that was played most often (based on its other charts) listed first. One of the most notable of these, but far from the only one, was Elvis Presley 's "Don't Be Cruel" / "Hound Dog". During the Presley single's chart run, top billing was switched back and forth between the two sides several times. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top 100",

4484-460: The top ten records in February 1947. In addition, " How Are Things in Glocca Morra? ", a single recorded by Dorsey, became a top-ten hit in March 1947. As a result, Dorsey was able to re-organize a big band in early 1947. The Dorsey brothers were also reconciling. The biographical film The Fabulous Dorseys (1947) describes sketchy details of how the brothers got their start from-the-bottom-up into

4560-626: The trombone gave him renown among other musicians. He was the younger brother of bandleader Jimmy Dorsey . After Dorsey broke with his brother in the mid-1930s, he led an extremely successful band from the late 1930s into the 1950s. He is best remembered for standards such as " Opus One ", " This Love of Mine " (no. 3 in 1941) featuring Frank Sinatra on vocals, " Song of India ", "Marie", "On Treasure Island", and his biggest hit single, " I'll Never Smile Again " (no. 1 for 12 weeks in 1940). Born in Mahanoy Plane, Pennsylvania , Thomas Francis Dorsey Jr.

4636-428: The two songs were listed separately, as was true of all songs. With the initiation of the Hot 100 in 1958, A- and-B-sides charted separately, as they had on the former Top 100. Starting with the Hot 100 chart for the week ending November 29, 1969, this rule was altered; if both sides received significant airplay, they were listed together. This started to become a moot point by 1972, as most major record labels solidified

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4712-410: The week ending July 20, 1940, and published in the July 27 issue, with lists covering jukebox play, retail sales, sheet music sales, and radio play. Listed were 10 songs of the national "Best Selling Retail Records", which was the fore-runner of today's pop chart, with " I'll Never Smile Again " by Tommy Dorsey its first number one. Starting on March 24, 1945, Billboard ' s lead popularity chart

4788-721: Was Paul Weston . Bill Finegan , an arranger who left Glenn Miller's civilian band, arranged for the Tommy Dorsey band from 1942 to 1950. The band featured a number of instrumentalists, singers, and arrangers in the 1930s and '40s, including trumpeters Zeke Zarchy , Bunny Berigan , Ziggy Elman , Doc Severinsen , and Charlie Shavers , pianists Milt Raskin , Jess Stacy , clarinetists Buddy DeFranco , Johnny Mince , and Peanuts Hucko . Others who played with Dorsey were drummers Buddy Rich , Louie Bellson , Dave Tough saxophonist Tommy Reed , and singers Sinatra, Ken Curtis , Jack Leonard, Edythe Wright , Jo Stafford with

4864-469: Was "Last Week's Ten Best Sellers Among the Popular Songs", a list of best-selling sheet music, in July 1913. Other charts listed popular song performances in theatres and recitals. In 1928, "Popular Numbers Featured by Famous Singers and Leaders" appeared, which added radio performances to in-person performances. On January 4, 1936, Billboard magazine published "Ten Best Records for Week Ending", which listed

4940-468: Was a member of the Dorsey Brothers Orchestra: "Lullaby of Broadway" (written by Harry Warren ), number one for two weeks, and "Chasing Shadows", number one for three weeks. His biggest hit was "I'll Never Smile Again", featuring Frank Sinatra on vocals, which was number one for twelve weeks on the Billboard pop singles chart in 1940. "RCA Victor ... scored with 'There Are Such Things', which had

5016-405: Was a tactic generally used by certain artists to boost their chart positions. Instead, such physical releases are now only counted when they are shipped to the consumer, rendering the tactic "ineffectual". A growing trend early in the first decade of the 21st century was to issue a song as a "remix" that was so drastically different in structure and lyrical content from its original version that it

5092-447: Was essentially a whole new song. Under normal circumstances, airplay points from a song's album version, "radio" mix and/or dance music remix, etc. were all combined and factored into the song's performance on the Hot 100, as the structure, lyrics and melody remained intact. Criticisms began when songs were being completely re-recorded to the point that they no longer resembled the original recording. The first such example of this scenario

5168-558: Was first under the PolyGram Label Group (PLG) umbrella, then under the Independent Label Sales (ILS) umbrella, then under Island Records until the imprint was retired in 1996. One of the hits Smash saw during this period was " People Are Still Having Sex " by house music producer LaTour . Another successful artist on the dance charts was Jamie Principle . Billboard Hot 100 The Billboard Hot 100

5244-463: Was heavily influenced by Jack Teagarden . Among Dorsey's staff of arrangers was Axel Stordahl who arranged for Sinatra in his Columbia and Capitol years. Another member of the Dorsey band was trombonist Nelson Riddle , who later had a partnership as one of Sinatra's arrangers and conductors in the 1950s and afterwards. Another noted Dorsey arranger, who, in the 1950s, married and was professionally associated with Dorsey veteran Jo Stafford ,

5320-403: Was launched on January 14, 2022. Tommy Dorsey Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist , composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. His theme song was " I'm Getting Sentimental Over You ". His technical skill on

5396-437: Was popular almost from the moment it signed with RCA Victor for "On Treasure Island", the first of four hits in 1935. After his 1935 recording, however, Dorsey's manager dropped the "hot jazz" that Dorsey had mixed with his own lyrical style, and instead had Dorsey play pop and vocal tunes. Dorsey kept his Clambake Seven as a Dixieland group that played during performances. Dorsey became the co-host of The Raleigh-Kool Program on

5472-456: Was the Best Sellers in Stores chart, and the magazine refers to that when discussing a song's performance before the creation of the Hot 100. In its issue of November 12, 1955, Billboard published The Top 100 for the first time (for the survey weeks ending October 26 and November 2). The Top 100 combined all aspects of a single's performance (sales, airplay and jukebox activity), based on

5548-506: Was the Honor Roll of Hits . This chart ranked the most popular songs regardless of performer (it combined different versions of the same song by different artists) based on record and sheet sales, disk jockey, and jukebox performances as determined by Billboard ' s weekly nationwide survey. At the start of the rock era in 1955, there were three charts that measured songs by individual metrics: Billboard ' s primary chart among these

5624-427: Was the second of four children born to Thomas Francis Dorsey Sr., a bandleader, and Theresa (née Langton) Dorsey. He and Jimmy, his older brother by slightly less than two years, became known as the Dorsey Brothers. The two younger siblings were Mary and Edward, who died young. Tommy Dorsey studied the trumpet with his father but later switched to trombone. At age 15, Jimmy recommended Tommy to replace Russ Morgan in

5700-602: Was then incorporated into the equation that compiles the Hot 100, and this was expanded to a broader Streaming Songs chart in January 2013. In February 2013, U.S. views for a song on YouTube were added to the Hot 100 formula. " Harlem Shake " was the first song to reach number one after the changes were made. In July 2020, Billboard announced that they would no longer allow sales of physical/digital bundles to be reported as digital sales. This refers to songs being bought along with merchandise , either from an artists website or through another vendor. The magazine stated that this

5776-440: Was tracked Monday–Sunday and, before July 2015, Wednesday–Tuesday. The first number-one song of the Billboard Hot 100 was " Poor Little Fool " by Ricky Nelson , on August 4, 1958. As of the issue for the week ending on November 30, 2024, the Billboard Hot 100 has had 1,175 different number-one entries. The current number-one song on the chart is " A Bar Song (Tipsy) " by Shaboozey . The first chart published by Billboard

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