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94-605: Sivandi is an Iranian language spoken in Fars Province , Iran , one of five listed in Ethnologue which together have 35,000 speakers. This Indo-European languages -related article is a stub . You can help Misplaced Pages by expanding it . Iranian language The Iranian languages are grouped in three stages: Old Iranian (until 400 BCE), Middle Iranian (400 BCE – 900 CE) and New Iranian (since 900 CE). The two directly-attested Old Iranian languages are Old Persian (from

188-564: A Geisha (2005) contains orientalist tropes and deep "cultural misrepresentations". She states that Memoirs of a Geisha "reinforces the idea of Japanese culture and geisha as exotic, backward, irrational, dirty, profane, promiscuous, bizarre, and enigmatic." During the Romantic period of the 19th century, ballet developed a preoccupation with the exotic. This exoticism ranged from ballets set in Scotland to those based on ethereal creatures. By

282-514: A derivative of Proto-Indo-European language *ar-yo- , meaning "one who assembles (skilfully)". In the Iranic languages spoken on the plateau, the gentilic is attested as a self-identifier, included in ancient inscriptions and the literature of the Avesta , and remains also in other Iranian ethnic names Alan ( Ossetian : Ир Ir ) and Iron ( Ирон ). When used as a linguistic term Iranian

376-420: A distinct national style of classical music . One hallmark of "The Five" composers was their reliance on orientalism. Many quintessentially "Russian" works were composed in orientalist style, such as Balakirev's Islamey , Borodin's Prince Igor and Rimsky-Korsakov's Scheherazade . As leader of "The Five", Balakirev encouraged the use of eastern themes and harmonies to set their "Russian" music apart from

470-467: A house to sketch what became Women of Algiers ; few later harem scenes had this claim to authenticity. When Ingres, the director of the French Académie de peinture , painted a highly colored vision of a hammam , he made his eroticized Orient publicly acceptable by his diffuse generalizing of the female forms (who might all have been the same model). More open sensuality was seen as acceptable in

564-631: A literary environment of colonial exploration from a distinctly European worldview. The current trend in analysis of this movement references a belief in this literature as a mode to justify European colonial endeavors with the expansion of territory. In his novel Salammbô , Gustave Flaubert used ancient Carthage in North Africa as a foil to ancient Rome . He portrayed its culture as morally corrupting and suffused with dangerously alluring eroticism. This novel proved hugely influential on later portrayals of ancient Semitic cultures . Said argues that

658-451: A magnificent Great Pagoda designed by William Chambers . The Wilhelma (1846) in Stuttgart is an example of Moorish Revival architecture . Leighton House , built for the artist Frederic Leighton , has a conventional facade but elaborate Arab-style interiors, including original Islamic tiles and other elements as well as Victorian Orientalizing work. After 1860, Japonism , sparked by

752-626: A nude", and his wife modelled for several of his harem scenes, which, with the rare examples by the classicist painter Lord Leighton , imagine "the harem as a place of almost English domesticity, ... [where]... women's fully clothed respectability suggests a moral healthiness to go with their natural good looks". Other artists concentrated on landscape painting , often of desert scenes, including Richard Dadd and Edward Lear . David Roberts (1796–1864) produced architectural and landscape views, many of antiquities , and published very successful books of lithographs from them. Russian Orientalist art

846-498: A number of major paintings of Biblical subjects drawing on his Middle Eastern travels, improvising variants of contemporary Arab costume and furnishings to avoid specifically Islamic styles, and also some landscapes and genre subjects. The biblical subjects included The Scapegoat (1856), The Finding of the Saviour in the Temple (1860), and The Shadow of Death (1871). The Miracle of

940-475: A pointed analogy with France's own absolute monarchy . Byron's poetry was highly influential in introducing Europe to the heady cocktail of Romanticism in exotic Oriental settings which was to dominate 19th century Oriental art. French Orientalist painting was transformed by Napoleon 's ultimately unsuccessful invasion of Egypt and Syria in 1798–1801, which stimulated great public interest in Egyptology , and

1034-764: A scholar who specialized in the languages and literatures of the Eastern world . Among such scholars were officials of the East India Company , who said that the Arab culture , the Indian culture , and the Islamic cultures should be studied as equal to the cultures of Europe . Among such scholars is the philologist William Jones , whose studies of Indo-European languages established modern philology . Company rule in India favored Orientalism as

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1128-582: A strain of Orientalism: "the East as a sign or metaphor, as imaginary geography, as historical fiction, as the reduced and totalized other against which we construct our (not less reduced and totalized) sense of ourselves." Taruskin conceded Russian composers, unlike those in France and Germany, felt an "ambivalence" to the theme since "Russia was a contiguous empire in which Europeans, living side by side with 'orientals', identified (and intermarried) with them far more than in

1222-603: A strong revival of interest in, and collecting of, 19th century Orientalist works since the 1970s, the latter was in large part led by Middle Eastern buyers. Authors and composers are not commonly referred to as "Orientalist" in the way that artists are, and relatively few specialized in Oriental topics or styles, or are even best known for their works including them. But many major figures, from Mozart to Flaubert, have produced significant works with Oriental subjects or treatments. Lord Byron with his four long "Turkish tales" in poetry,

1316-491: A technique for developing and maintaining positive relations with the Indians—until the 1820s, when the influence of "anglicists" such as Thomas Babington Macaulay and John Stuart Mill led to the promotion of a Western-style education. Additionally, Hebraism and Jewish studies gained popularity among British and German scholars in the 19th and 20th centuries. The academic field of Oriental studies , which comprehended

1410-503: A third-century inscription at Naqsh-e Rostam , with the accompanying Parthian inscription using the term Aryān , in reference to the Iranian peoples . The Middle-Iranian ērān and aryān are oblique plural forms of gentilic nouns ēr- (Middle Persian) and ary- (Parthian), both deriving from Proto-Iranian language *arya- (meaning " Aryan ", i.e. "of the Iranians"), recognized as

1504-454: A view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power . Implicit in this fabrication, writes Said, is the idea that Western society is developed, rational, flexible, and superior. This allows 'Western imagination' to see 'Eastern' cultures and people as both alluring and a threat to Western civilization. Journalist and art critic Jonathan Jones pushed back on Said’s claims, and suggested that

1598-510: Is a European adaptation of the Islamic arabesque that began in the late 15th century and was to be used in some types of work, such as bookbinding , until almost the present day. Early architectural use of motifs lifted from the Indian subcontinent is known as Indo-Saracenic Revival architecture . One of the earliest examples is the façade of Guildhall, London (1788–1789). The style gained momentum in

1692-734: Is a theatrical one: the Orient is the stage on which the whole East is confined", and that the subject of learned Orientalists "is not so much the East itself as the East made known, and therefore less fearsome, to the Western reading public". In the academy, the book Orientalism (1978) became a foundational text of post-colonial cultural studies . The analyses in Said's works are of Orientalism in European literature, especially French literature , and do not analyse visual art and Orientalist painting . In that vein,

1786-443: Is applied to any language which descends from the ancestral Proto-Iranian language . Some scholars such as John R. Perry prefer the term Iranic as the anthropological name for the linguistic family and ethnic groups of this category, and Iranian for anything about the modern country of Iran . He uses the same analogue as in differentiating German from Germanic or differentiating Turkish and Turkic . This use of

1880-458: Is best attested in one of the three languages of the Behistun inscription, composed c.  520 BCE , and which is the last inscription (and only inscription of significant length) in which Old Persian is still grammatically correct. Later inscriptions are comparatively brief, and typically simply copies of words and phrases from earlier ones, often with grammatical errors, which suggests that by

1974-408: Is indistinguishable from effects due to other causes). In addition to Old Persian and Avestan, which are the only directly attested Old Iranian languages, all Middle Iranian languages must have had a predecessor "Old Iranian" form of that language, and thus can all be said to have had an (at least hypothetical) "Old" form. Such hypothetical Old Iranian languages include Old Parthian . Additionally,

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2068-451: Is not known where that dialect (or dialects) was spoken either. Certain is only that Avestan (all forms) and Old Persian are distinct, and since Old Persian is "western", and Avestan was not Old Persian, Avestan acquired a default assignment to "eastern". Further confusing the issue is the introduction of a western Iranian substrate in later Avestan compositions and redactions undertaken at the centers of imperial power in western Iran (either in

2162-488: Is one of the most important writers to make exotic fantasy Oriental settings a significant theme in the literature of Romanticism . Giuseppe Verdi 's opera Aida (1871) is set in Egypt as portrayed through the content and the visual spectacle. "Aida" depicts a militaristic Egypt's tyranny over Ethiopia . Irish Orientalism had a particular character, drawing on various beliefs about early historical links between Ireland and

2256-564: Is only "Eastern Iranian" in the sense that it is not Western. The Iranian languages all descend from a common ancestor: Proto-Iranian , which itself evolved from Proto-Indo-Iranian . This ancestor language is speculated to have origins in Central Asia , and the Andronovo culture of the Bronze Age is suggested as a candidate for the common Indo-Iranian culture around 2000 BCE. The language

2350-545: Is very archaic, and at roughly the same stage of development as Rigvedic Sanskrit . On the other hand, Younger Avestan is at about the same linguistic stage as Old Persian, but by virtue of its use as a sacred language retained its "old" characteristics long after the Old Iranian languages had yielded to their Middle Iranian stage. Unlike Old Persian, which has Middle Persian as its known successor, Avestan has no clearly identifiable Middle Iranian stage (the effect of Middle Iranian

2444-1160: The Achaemenid Empire ) and Old Avestan (the language of the Avesta ). Of the Middle Iranian languages, the better understood and recorded ones are Middle Persian (from the Sasanian Empire ), Parthian (from the Parthian Empire ), and Bactrian (from the Kushan and Hephthalite empires). As of 2000s , Ethnologue estimates that there are 86 languages in the group. Pontic Steppe Caucasus East Asia Eastern Europe Northern Europe Pontic Steppe Northern/Eastern Steppe Europe South Asia Steppe Europe Caucasus India Indo-Aryans Iranians East Asia Europe East Asia Europe Indo-Aryan Iranian Indo-Aryan Iranian Others European The term Iran derives directly from Middle Persian Ērān , first attested in

2538-591: The Ottoman Empire in painting and prints . Gentile Bellini, who travelled to Constantinople and painted the Sultan, and Vittore Carpaccio were the leading painters. By then the depictions were more accurate, with men typically dressed all in white. The depiction of Oriental carpets in Renaissance painting sometimes draws from Orientalist interest, but more often just reflects the prestige these expensive objects had in

2632-625: The Pre-Raphaelite William Holman Hunt and David Roberts (in The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia ) had similar motivations, giving an emphasis on realism in British Orientalist art from the start. The French artist James Tissot also used contemporary Middle Eastern landscape and decor for Biblical subjects, with little regard for historical costumes or other fittings. William Holman Hunt produced

2726-490: The 18th and 19th centuries. The thesis of Orientalism develops Antonio Gramsci 's theory of cultural hegemony , and Michel Foucault 's theorisation of discourse (the knowledge - power relation) to criticise the scholarly tradition of Oriental studies. Said criticised contemporary scholars who perpetuated the tradition of outsider-interpretation of Arabo -Islamic cultures, especially Bernard Lewis and Fouad Ajami . Furthermore, Said said that "The idea of representation

2820-532: The 19th century. At that time, artists and scholars were described as Orientalists, especially in France, where the dismissive use of the term "Orientalist" was made popular by the art critic Jules-Antoine Castagnary . Despite such social disdain for a style of representational art , the French Society of Orientalist Painters was founded in 1893, with Jean-Léon Gérôme as the honorary president; whereas in Britain,

2914-428: The 4th century BCE the transition from Old Persian to Middle Persian was already far advanced, but efforts were still being made to retain an "old" quality for official proclamations. The other directly attested Old Iranian dialects are the two forms of Avestan , which take their name from their use in the Avesta , the liturgical texts of indigenous Iranian religion that now goes by the name of Zoroastrianism but in

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3008-658: The American's image of Okinawa rather than about the Okinawan people ." The film characterizes the Okinawans as "merry but backward" and "de-politicized", which ignored the real-life Okinawan political protests over forceful land acquisition by the American military at the time. Kimiko Akita, in Orientalism and the Binary of Fact and Fiction in 'Memoirs of a Geisha' , argues that Memoirs of

3102-460: The Avesta itself is simply known as vohu daena (later: behdin ). The language of the Avesta is subdivided into two dialects, conventionally known as "Old (or 'Gathic') Avestan", and "Younger Avestan". These terms, which date to the 19th century, are slightly misleading since 'Younger Avestan' is not only much younger than 'Old Avestan', but also from a different geographic region. The Old Avestan dialect

3196-581: The Battle of the Pyramids (1810). Anne-Louis Girodet de Roussy-Trioson 's La Révolte du Caire (1810) was another large and prominent example. A well-illustrated Description de l'Égypte was published by the French Government in twenty volumes between 1809 and 1828, concentrating on antiquities . Eugène Delacroix 's first great success, The Massacre at Chios (1824) was painted before he visited Greece or

3290-636: The British involvement in successfully suppressed the slave trade in Egypt, but also for cruelty and "representing fleshiness for its own sake". But Rana Kabbani believes that "French Orientalist painting, as exemplified by the works of Gérôme, may appear more sensual, gaudy, gory and sexually explicit than its British counterpart, but this is a difference of style not substance ... Similar strains of fascination and repulsion convulsed their artists" Nonetheless, nudity and violence are more evident in British paintings set in

3384-549: The East, and followed his friend Théodore Géricault 's The Raft of the Medusa in showing a recent incident in distant parts that had aroused public opinion. Greece was still fighting for independence from the Ottomans, and was effectively as exotic as the more Near Eastern parts of the empire. Delacroix followed up with Greece on the Ruins of Missolonghi (1827), commemorating a siege of

3478-507: The East, few of which are now regarded as historically correct. The mythical Milesians are one example of this. The Irish were also conscious of the views of other nations seeing them as comparably backward to the East, and Europe's "backyard Orient." In music, Orientalism may be applied to styles occurring in different periods, such as the alla Turca , used by multiple composers including Mozart and Beethoven . The musicologist Richard Taruskin identified in 19th-century Russian music

3572-539: The Eastern category. The two languages of the Western group were linguistically very close to each other, but quite distinct from their eastern counterparts. On the other hand, the Eastern group was an areal entity whose languages retained some similarity to Avestan. They were inscribed in various Aramaic -derived alphabets which had ultimately evolved from the Achaemenid Imperial Aramaic script , though Bactrian

3666-497: The German symphonism of Anton Rubinstein and other Western-oriented composers. Edward Said originally wrote that Germany did not have a politically motivated Orientalism because its colonial empire did not expand in the same areas as France and Britain. Said later stated that Germany "had in common with Anglo-French and later American Orientalism [...] a kind of intellectual authority over the Orient". However, Said also wrote that "there

3760-567: The Haractas, Followed by his Escort (1846) before he first visited the East, but in later decades the steamship made travel much easier and increasing numbers of artists traveled to the Middle East and beyond, painting a wide range of Oriental scenes. In many of these works, artists portrayed the Orient as exotic, colorful and sensual, not to say stereotyped . Such works typically concentrated on Arab, Jewish, and other Semitic cultures, as those were

3854-510: The Holy Fire (1899) was intended as a picturesque satire on the local Eastern Christians, of whom, like most European visitors, Hunt took a very dim view. His A Street Scene in Cairo; The Lantern-Maker's Courtship (1854–61) is a rare contemporary narrative scene, as the young man feels his fiancé's face, which he is not allowed to see, through her veil, as a Westerner in the background beats his way up

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3948-640: The Netherlands (the Dutch East India Company ) and France (the French East India Company ). Tin-glazed pottery made at Delft and other Dutch towns adopted genuine Ming -era blue and white porcelain from the early 17th century. Early ceramic wares made at Meissen and other centers of true porcelain imitated Chinese shapes for dishes, vases and teawares (see Chinese export porcelain ). Pleasure pavilions in "Chinese taste" appeared in

4042-572: The Orient that comprehended East Asia : "the awakening of the Orient under the impact of Western ideas." Edward Said said that Orientalism "enables the political, economic, cultural and social domination of the West, not just during colonial times, but also in the present." In art history , the term Orientalism refers to the works of mostly 19th-century Western artists who specialized in Oriental subjects, produced from their travels in Western Asia , during

4136-751: The Paris Opera, with choreography by Joseph Mazilier . Marius Petipa re-choreographed the ballet for the Maryinsky Ballet in St. Petersburg, Russia in 1899. Its complex storyline, loosely based on Lord Byron's poem , takes place in Turkey and focuses on a love story between a pirate and a beautiful slave girl. Scenes include a bazaar where women are sold to men as slaves, and the Pasha's Palace, which features his harem of wives. In 1877, Marius Petipa choreographed La Bayadère ,

4230-432: The Ruins of Palmyra (1758, now Edinburgh) elevates tourism to the heroic, with the two travelers wearing what look very like togas . Many travelers had themselves painted in exotic Eastern dress on their return, including Lord Byron , as did many who had never left Europe, including Madame de Pompadour . The growing French interest in exotic Oriental luxury and lack of liberty in the 18th century to some extent reflected

4324-567: The Saidian sense of the term. Gérôme was the precursor, and often the master, of a number of French painters in the later part of the century whose works were often frankly salacious, frequently featuring scenes in harems, public baths and slave auctions (the last two also available with classical decor), and responsible, with others, for "the equation of Orientalism with the nude in pornographic mode"; ( Gallery, below ) Orientalist sculptors include Charles Cordier . Though British political interest in

4418-446: The ancient speakers of Iranian languages. Of that variety of languages/dialects, direct evidence of only two has survived. These are: Indirectly attested Old Iranian languages are discussed below . Old Persian was an Old Iranian dialect as it was spoken in southwestern Iran (the modern-day province of Fars ) by the inhabitants of Parsa , Persia, or Persis who also gave their name to their region and language. Genuine Old Persian

4512-875: The ancient world, and "the iconography of the odalisque ... the Oriental sex slave whose image is offered up to the viewer as freely as she herself supposedly was to her master – is almost entirely French in origin", though taken up with enthusiasm by Italian and other European painters. John Frederick Lewis , who lived for several years in a traditional mansion in Cairo , painted highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper class Egyptian interiors with no traces of Western cultural influence yet apparent. His careful and seemingly affectionate representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including Gérôme in his later works. He "never painted

4606-552: The art historian Linda Nochlin applied Said's methods of critical analysis to art, "with uneven results". Other scholars see Orientalist paintings as depicting a myth and a fantasy that did not often correlate with reality. There is also a critical trend within the Islamic world . In 2002, it was estimated that in Saudi Arabia alone some 200 books and 2,000 articles discussing Orientalism had been penned by local or foreign scholars. The Moresque style of Renaissance ornament

4700-462: The case of other colonial powers". Nonetheless, Taruskin characterized Orientalism in Romantic Russian music as having melodies "full of close little ornaments and melismas", chromatic accompanying lines, drone bass —characteristics which were used by Glinka , Balakirev , Borodin , Rimsky-Korsakov , Lyapunov , and Rachmaninov . These musical characteristics evoke: not just the East, but

4794-543: The clothes of the Near East . The Three Magi in Nativity scenes were an especial focus for this. In general art with Biblical settings would not be considered as Orientalist except where contemporary or historicist Middle Eastern detail or settings is a feature of works, as with some paintings by Gentile Bellini and others, and a number of 19th-century works. Renaissance Venice had a phase of particular interest in depictions of

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4888-560: The continuity of Orientalism into the present can be found in influential images, particularly through the Cinema of the United States , as the West has now grown to include the United States. Many blockbuster feature films, such as the Indiana Jones series, The Mummy films, and Disney's Aladdin film series demonstrate the imagined geographies of the East. The films usually portray

4982-468: The cultures of the Near East and the Far East , became the fields of Asian studies and Middle Eastern studies . In his book Orientalism (1978), cultural critic Edward Said redefines the term Orientalism to describe a pervasive Western tradition—academic and artistic—of prejudiced outsider-interpretations of the Eastern world , which was shaped by the cultural attitudes of European imperialism in

5076-409: The existence of unattested languages can sometimes be inferred from the impact they had on neighbouring languages. Such transfer is known to have occurred for Old Persian, which has (what is called) a " Median " substrate in some of its vocabulary. Also, foreign references to languages can also provide a hint to the existence of otherwise unattested languages, for example through toponyms/ethnonyms or in

5170-472: The exotic Orient. This imagery persisted in art into the early 20th century, as evidenced in Henri Matisse 's orientalist semi-nudes from his Nice period, and his use of Oriental costumes and patterns. Ingres' pupil Théodore Chassériau (1819–1856) had already achieved success with his nude The Toilette of Esther (1841, Louvre ) and equestrian portrait of Ali-Ben-Hamet, Caliph of Constantine and Chief of

5264-693: The far northwest; and the hypothetical "Old Parthian" (the Old Iranian ancestor of Parthian) in the near northwest, where original *dw > *b (paralleling the development of *ćw). What is known in Iranian linguistic history as the "Middle Iranian" era is thought to begin around the 4th century BCE lasting through the 9th century. Linguistically the Middle Iranian languages are conventionally classified into two main groups, Western and Eastern . The Western family includes Parthian ( Arsacid Pahlavi) and Middle Persian , while Bactrian , Sogdian , Khwarezmian , Saka , and Old Ossetic ( Scytho - Sarmatian ) fall under

5358-538: The finest works of the genre. California architects Greene and Greene were inspired by Japanese elements in their design of the Gamble House and other buildings. Egyptian Revival architecture became popular in the early and mid-19th century and continued as a minor style into the early 20th century. Moorish Revival architecture began in the early 19th century in the German states and was particularly popular for building synagogues. Indo-Saracenic Revival architecture

5452-453: The following branches: According to modern scholarship, the Avestan languages are not considered to fall under these categories, and are instead sometimes classified as Central Iranian, since they diverged from Proto-Iranian before the east-west division rose to prominence. It has traditionally been viewed as Eastern Iranian; however, it lacks a large number of Eastern Iranian features and thus

5546-832: The formal parterres of late Baroque and Rococo German palaces, and in tile panels at Aranjuez near Madrid . Thomas Chippendale 's mahogany tea tables and china cabinets, especially, were embellished with fretwork glazing and railings, c. 1753–1770. Sober homages to early Xing scholars' furnishings were also naturalized, as the tang evolved into a mid-Georgian side table and squared slat-back armchairs that suited English gentlemen as well as Chinese scholars. Not every adaptation of Chinese design principles falls within mainstream " chinoiserie ". Chinoiserie media included imitations of lacquer and painted tin ( tôle ) ware that imitated japanning, early painted wallpapers in sheets, and ceramic figurines and table ornaments. Small pagodas appeared on chimneypieces and full-sized ones in gardens. Kew has

5640-510: The ideas and culture that writers of the time reflected in their work. During this time, the culture and objects of the East began to have a profound effect on Europe. Extensive traveling by artists and members of the European elite brought travelogues and sensational tales back to the West creating a great interest in all things "foreign". Romantic Orientalism incorporates African and Asian geographic locations, well-known colonial and "native" personalities, folklore , and philosophies to create

5734-563: The importing of ukiyo-e , became an important influence in the western arts. In particular, many modern French artists such as Claude Monet and Edgar Degas were influenced by the Japanese style. Mary Cassatt , an American artist who worked in France, used elements of combined patterns, flat planes and shifting perspective of Japanese prints in her own images. The paintings of James Abbott McNeill Whistler 's The Peacock Room demonstrated how he used aspects of Japanese tradition and are some of

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5828-551: The late 17th century and peaking in waves, especially Rococo Chinoiserie, c. 1740–1770. From the Renaissance to the 18th century, Western designers attempted to imitate the technical sophistication of Chinese ceramics with only partial success. Early hints of Chinoiserie appeared in the 17th century in nations with active East India companies: England (the East India Company ), Denmark (the Danish East India Company ),

5922-425: The later part of the century, ballets were capturing the presumed essence of the mysterious East. These ballets often included sexual themes and tended to be based on assumptions of people rather than on concrete facts. Orientalism is apparent in numerous ballets. The Orient motivated several major ballets, which have survived since the late nineteenth and early twentieth centuries. Le Corsaire premiered in 1856 at

6016-513: The lead heroic characters as being from the Western world, while the villains often come from the East. The representation of the Orient has continued in film, although this representation does not necessarily have any truth to it. In The Tea House of the August Moon (1956), as argued by Pedro Iacobelli, there are tropes of orientalism. He notes, that the film "tells us more about the Americans and

6110-430: The love story of an Indian temple dancer and Indian warrior. This ballet was based on Kalidasa's play Sakuntala . La Bayadere used vaguely Indian costuming, and incorporated Indian inspired hand gestures into classical ballet. In addition, it included a 'Hindu Dance,' motivated by Kathak, an Indian dance form. Another ballet, Sheherazade , choreographed by Michel Fokine in 1910 to music by Nikolai Rimsky-Korsakov ,

6204-690: The majority of Orientalism was derived out of a genuine fascination and admiration of Eastern cultures, not prejudice or malice. Orientalism refers to the Orient , in reference and opposition to the Occident ; the East and the West, respectively. The word Orient entered the English language as the Middle French orient . The root word oriēns , from the Latin Oriēns , has synonymous denotations : The eastern part of

6298-508: The ones visited by artists as France became more engaged in North Africa. French artists such as Eugène Delacroix , Jean-Léon Gérôme and Jean-Auguste-Dominique Ingres painted many works depicting Islamic culture, often including lounging odalisques . They stressed both lassitude and visual spectacle. Other scenes, especially in genre painting , have been seen as either closely comparable to their equivalents set in modern-day or historical Europe, or as also reflecting an Orientalist mind-set in

6392-441: The outbreak of the Second World War, German dominance of Orientalism was practically unchallenged." Nationalist historical painting in Central Europe and the Balkans dwelt on oppression during the Ottoman Empire period, battles between Ottoman and Christian armies, as well as themes like the Ottoman Imperial Harem , although the latter was a less common theme than in French depictions. The Saidian analysis has not prevented

6486-545: The period. Jean-Étienne Liotard (1702–1789) visited Istanbul and painted numerous pastels of Turkish domestic scenes; he also continued to wear Turkish attire for much of the time when he was back in Europe. The ambitious Scottish 18th-century artist Gavin Hamilton found a solution to the problem of using modern dress, considered unheroic and inelegant, in history painting by using Middle Eastern settings with Europeans wearing local costume, as travelers were advised to do. His huge James Dawkins and Robert Wood Discovering

6580-422: The previous year, and The Death of Sardanapalus , inspired by Lord Byron , which although set in antiquity has been credited with beginning the mixture of sex, violence, lassitude and exoticism which runs through much French Orientalist painting. In 1832, Delacroix finally visited what is now Algeria , recently conquered by the French, and Morocco , as part of a diplomatic mission to the Sultan of Morocco . He

6674-424: The realists who carefully painted what they observed such as Gustav Bauernfeint; and those who imagined Orientalist scenes without ever leaving the studio. French painters such as Eugène Delacroix (1798–1863) and Jean-Léon Gérôme (1824–1904) are widely regarded as the leading luminaries of the Orientalist movement. In the late 18th century, 19th century and early 20th century, the term Orientalist identified

6768-566: The reconstructed linguistic relationships of common Indo-European. Proto-Iranian thus dates to some time after the Proto-Indo-Iranian breakup, or the early-2nd millennium BCE, as the Old Iranian languages began to break off and evolve separately as the various Iranian tribes migrated and settled in vast areas of southeastern Europe , the Iranian Plateau , and Central Asia. Proto-Iranian innovations compared to Proto-Indo-Iranian include:

6862-472: The recording of vocabulary, as Herodotus did for what he called " Scythian " and in one instance, Median ( σπάκα "dog"). Conventionally, Iranian languages are grouped into "western" and "eastern" branches. These terms have little meaning with respect to Old Avestan as that stage of the language may predate the settling of the Iranian peoples into western and eastern groups. The geographic terms also have little meaning when applied to Younger Avestan since it

6956-582: The return voyage. Though not noted as a religious painter, Wilkie made the trip with a Protestant agenda to reform religious painting, as he believed that: "a Martin Luther in painting is as much called for as in theology, to sweep away the abuses by which our divine pursuit is encumbered", by which he meant traditional Christian iconography . He hoped to find more authentic settings and decor for Biblical subjects at their original location, though his death prevented more than studies being made. Other artists including

7050-561: The seductive East that emasculates, enslaves, renders passive. In a word, it signifies the promise of the experience of nega , a prime attribute of the orient as imagined by the Russians.... In opera and song, nega often simply denotes S-E-X a la russe, desired or achieved. Orientalism is also traceable in music that is considered to have effects of exoticism , including the influence of Javanese gamelan in Claude Debussy 's piano music all

7144-540: The south-west in Persia, or in the north-west in Nisa/Parthia and Ecbatana/Media). Two of the earliest dialectal divisions among Iranian indeed happen to not follow the later division into Western and Eastern blocks. These concern the fate of the Proto-Indo-Iranian first-series palatal consonants, *ć and *dź: As a common intermediate stage, it is possible to reconstruct depalatalized affricates: *c, *dz. (This coincides with

7238-454: The state of affairs in the neighboring Nuristani languages .) A further complication however concerns the consonant clusters *ćw and *dźw: A division of Iranian languages in at least three groups during the Old Iranian period is thus implied: It is possible that other distinct dialect groups were already in existence during this period. Good candidates are the hypothetical ancestor languages of Alanian/Scytho-Sarmatian subgroup of Scythian in

7332-512: The street with his stick. This a rare intrusion of a clearly contemporary figure into an Orientalist scene; mostly they claim the picturesqueness of the historical painting so popular at the time, without the trouble of researching authentic costumes and settings. When Gérôme exhibited For Sale; Slaves at Cairo at the Royal Academy in London in 1871, it was "widely found offensive", partly because

7426-599: The term Orientalist identified "an artist". The formation of the French Orientalist Painters Society changed the consciousness of practitioners towards the end of the 19th century, since artists could now see themselves as part of a distinct art movement. As an art movement, Orientalist painting is generally treated as one of the many branches of 19th-century academic art ; however, many different styles of Orientalist art were in evidence. Art historians tend to identify two broad types of Orientalist artist:

7520-403: The term for the Iranian language family was introduced in 1836 by Christian Lassen . Robert Needham Cust used the term Irano-Aryan in 1878, and Orientalists such as George Abraham Grierson and Max Müller contrasted Irano-Aryan ( Iranian ) and Indo-Aryan ( Indic ). Some recent scholarship, primarily in German, has revived this convention. The Iranian languages are divided into

7614-423: The territories of the unravelling Ottoman Empire was as intense as in France, it was mostly more discreetly exercised. The origins of British Orientalist 19th-century painting owe more to religion than military conquest or the search for plausible locations for nude women. The leading British genre painter , Sir David Wilkie was 55 when he travelled to Istanbul and Jerusalem in 1840, dying off Gibraltar during

7708-506: The turning of sibilant fricative *s into non-sibilant fricative glottal *h; the voiced aspirated plosives *bʰ, *dʰ, *gʰ yielding to the voiced unaspirated plosives *b, *d, *g resp.; the voiceless unaspirated stops *p, *t, *k before another consonant changing into fricatives *f, *θ, *x resp.; voiceless aspirated stops *pʰ, *tʰ, *kʰ turning into fricatives *f, *θ, *x, resp. The multitude of Middle Iranian languages and peoples indicate that great linguistic diversity must have existed among

7802-469: The use of "Turkish" styles in the decorative arts, the adoption of Turkish costume at times, and interest in art depicting the Ottoman Empire itself. Venice, the traditional trading partner of the Ottomans, was the earliest centre, with France becoming more prominent in the 18th century. Chinoiserie is the catch-all term for the fashion for Chinese themes in decoration in Western Europe, beginning in

7896-574: The way to the sitar being used in recordings by the Beatles . In the United Kingdom, Gustav Holst composed Beni Mora evoking a languid, heady Arabian atmosphere. Orientalism, in a more camp fashion also found its way into exotica music in the late 1950s, especially the works of Les Baxter , for example, his composition "City of Veils". The Romantic movement in literature began in 1785 and ended around 1830. The term Romantic references

7990-592: The west with the publication of views of India by William Hodges , and William and Thomas Daniell from about 1795. Examples of "Hindoo" architecture are Sezincote House ( c.  1805 ) in Gloucestershire , built for a nabob returned from Bengal , and the Royal Pavilion in Brighton . Turquerie , which began as early as the late 15th century, continued until at least the 18th century, and included both

8084-540: The world; the sky whence comes the sun; the east; the rising sun, etc.; yet the denotation changed as a term of geography. In the " Monk's Tale " (1375), Geoffrey Chaucer wrote: "That they conquered many regnes grete / In the orient, with many a fair citee." The term orient refers to countries east of the Mediterranean Sea and Southern Europe . In In Place of Fear (1952), Aneurin Bevan used an expanded denotation of

8178-960: Was a genre that arose in the late 19th century in the British Raj . Orientalist tendencies in Western art have a long history. Oriental scenes may be found in medieval and Renaissance art, and Islamic art has itself had a profound and formative influence on Western artistic output. Oriental subject matter further proliferated in the 19th century, in step with Western colonialism in Africa and Asia. Depictions of Islamic " Moors " and " Turks " (imprecisely named Muslim groups of southern Europe , North Africa and West Asia ) can be found in Medieval, Renaissance, and Baroque art. In Biblical scenes in Early Netherlandish painting , secondary figures, especially Romans, were given exotic costumes that distantly reflected

8272-590: Was also recorded in subsequent years by Napoleon's court painters, especially Antoine-Jean Gros , although the Middle Eastern campaign was not one on which he accompanied the army. Two of his most successful paintings, Bonaparte Visiting the Plague Victims of Jaffa (1804) and Battle of Abukir (1806) focus on the Emperor, as he was by then, but include many Egyptian figures, as does the less effective Napoleon at

8366-524: Was greatly struck by what he saw, comparing the North African way of life to that of the Ancient Romans, and continued to paint subjects from his trip on his return to France. Like many later Orientalist painters, he was frustrated by the difficulty of sketching women, and many of his scenes featured Jews or warriors on horses. However, he was apparently able to get into the women's quarters or harem of

8460-410: Was influenced by a similar interest in Oriental themes. Since the publication of Edward Said 's Orientalism in 1978, much academic discourse has begun to use the term 'Orientalism' to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, 'the West' essentializes these societies as static and undeveloped—thereby fabricating

8554-598: Was largely concerned with the areas of Central Asia that Russia was conquering during the century, and also in historical painting with the Mongols who had dominated Russia for much of the Middle Ages, who were rarely shown in a good light. The explorer Nikolai Przhevalsky played a major role in popularising an exotic view of "the Orient" and advocating imperial expansion. " The Five " Russian composers were prominent 19th-century Russian composers who worked together to create

8648-629: Was nothing in Germany to correspond to the Anglo-French presence in India, the Levant, North Africa. Moreover, the German Orient was almost exclusively a scholarly, or at least a classical, Orient: it was made the subject of lyrics, fantasies, and even novels, but it was never actual." According to Suzanne L. Marchand , German scholars were the "pace-setters" in oriental studies. Robert Irwin wrote that "until

8742-645: Was situated precisely in the western part of Central Asia that borders present-day Russia and Kazakhstan . It was thus in relative proximity to the other satem ethno-linguistic groups of the Indo-European family , such as Thracian , Balto-Slavic and others, and to common Indo-European's original homeland (more precisely, the Pontic-Caspian Steppe to the north of the Black Sea and the Caucasus ), according to

8836-524: Was written using an adapted Greek script . Orientalism In art history , literature and cultural studies , Orientalism is the imitation or depiction of aspects of the Eastern world (or " Orient ") by writers, designers, and artists from the Western world . Orientalist painting, particularly of the Middle East , was one of the many specialties of 19th-century academic art , and Western literature

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