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128-823: Die Hard with a Vengeance is a 1995 American action thriller film directed by John McTiernan and written by Jonathan Hensleigh , which is based on the screenplay Simon Says by Hensleigh and the characters created by Roderick Thorp for his 1979 novel Nothing Lasts Forever . Die Hard with a Vengeance is the third film in the Die Hard film series after Die Hard 2 and was later followed by Live Free or Die Hard and A Good Day to Die Hard . The film stars Bruce Willis as NYPD Lieutenant John McClane and Samuel L. Jackson as McClane's reluctant partner Zeus Carver. McClane and Carver team up to stop an East German terrorist group headed by "Simon" ( Jeremy Irons ), who have planted bombs across New York City and plot to steal

256-462: A cofferdam to flood the tunnel, but McClane escapes and reunites with Carver. Surviving a car chase with Simon's men, the pair find all the men were carrying exactly enough money to pay a bridge toll . The pair sneak aboard a tanker docked in the Long Island Sound , but Simon's associates capture them and tie them up next to a bomb. Simon explains that his school threat was fake and broadcasts

384-586: A "desperate attempt to mask the lack of content." Geoff King argued that the spectacle can also be a vehicle for narrative, opposed to interfering with it. Soberson stated that Harvey O'Brien had "perhaps the most convincing understanding of the genre", stating that the action film was "best understood as a fusion of form and content. It represents the idea and ethic of action through a form in which action, agitation and movement are paramount." O'Brien wrote further in his book Action Movies: The Cinema of Striking Back to suggest action films being unique and not just

512-505: A Global release status of Chinese-language martial arts films, most notably Zhang Yimou 's Hero (2002) and House of Flying Daggers (2004), Stephen Chow 's Kung Fu Hustle (2004) and Chen Kaige 's The Promise (2005). Most Hong Kong action films in the first quarter of the 21st century, such as those in Cold War (2012), Cold War 2 (2016) and The White Storm film series have their violence toned down, especially compared to

640-436: A fight sequence. In the 1980s, American martial arts films reflected the national move towards conservatism, reflected in films of Chuck Norris and other actors such as Sho Kosugi . The genre would shift from theatrical releases towards the end of the decade with the rise of home video, the lower box-office of American martial arts productions, and a significant portion of direct-to-video action films that first were made in

768-493: A global audience of these films in the United States and Europe, but was cut short on Lee's death in 1973 leading the phases popularity to decline. Following a period of stagnation, Chang Cheh and Lau Kar-leung revitalized the genre with shaolin kung fu films and Chor Yuen 's series of darker swordplay films based on the novels of Gu Long . Kung Fu comedies appeared featuring Jackie Chan as martial arts films flourished into

896-566: A hero overcoming enemies or obstacles and physical conflicts or challenge, usually battling other humans or alien opponents. By late 2010s studies of genre analysis, the term "genre" itself is often replaced or supplemented with the words "mode" and "narrative form" with all three terms often being used interchangeably. Johan Höglund and Agnieszka Soltysik Monnet said that the difference between these concepts are elusive, but stated that genre could be defined as belonging to specific historical and cultural moments while "mode" and "form" can refer to

1024-454: A larger pattern that operates across a wider historical and cultural field. In their book Action Cinema Since 2000 (2024), Tasker, Lisa Purse, and Chris Holmlund stated that thinking of action as a mode is more helpful than thinking of it as a genre. The three authors suggested that action frames a certain manner of filmmaking and viewing exceed genre without eclipsing it stating that websites such as IMDb and Misplaced Pages rarely label films by

1152-491: A man who killed for revenge rather than in self-defense. The studio was also displeased with the lack of action in the scene, feeling that it did not fit as a "climax" and therefore chose to reshoot the finale as an action sequence at a significant monetary cost. Hensleigh's intention was to show that the events in New York and the subsequent repercussions had tilted McClane psychologically. This alternative ending, set some time after

1280-575: A message claiming that he is planning on destroying the tanker filled with the bullion to destabilize the Western world 's economy. After he leaves, Carver and McClane free themselves and escape the tanker just before the bomb detonates. As McClane and Carver are debriefed by the NYPD, McClane informs them that none of the bullion Simon's men stole was in the tanker's cargo hold , having deduced that Simon had intended to keep all of it for himself, using his knowledge of

1408-655: A priority, and set a goal date of 2021. Commissioner Christopher O. Ward helped move this project along for the Mayor. A New York Times report in 2016 stated that mayor Bill de Blasio was postponing completion of the project indefinitely, but he subsequently stated that this was a miscommunication between his press office and the Times , and that the completion date was actually being pushed up to 2020. In 2017 De Blasio authorized city expenditures of $ 300 million for Tunnel No. 3, with an expected project completion date of 2025. Work on

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1536-543: A propensity for violent action, identified with the films of Chang Cheh . Violent female characters have been part of cinema since its early inception, with characters such as Kate Kelly brandishing a shotgun in The Story of the Kelly Gang (1906). Women traditionally appear in action films as romantic interests, tomboys , or sidekicks to male protagonists. Violent white women would appear in other genres as well such as

1664-501: A series of action sequences, stating that that the difference between Raiders of the Lost Ark (1981) and Die Hard (1988), that while both were mainstream Hollywood blockbusters with hero asserting masculinity and overcoming obstacles to a personal and social solution, John McClane in Die Hard repeatedly firing his automatic pistol while swinging from a high rise was not congruent with

1792-725: A significant portion. These films include Taxi 2 (2000), Kiss of the Dragon (2001), District 13 (2004) and Unleashed (2005). Whan asked about the Americanization of these French films, Christophe Gans , director of Brotherhood of the Wolf (2001) stated that "Hollywood ownership of certain elements [...] must be challenged, in order to show that these elements have also long been present in European culture." The most significant producers of French action films with international ambitions

1920-604: A similar level of popularity to that of the Western in the United States. The most internationally known films of this era were the films Kurosawa with Seven Samurai (1954), The Hidden Fortress (1958), and Yojimbo (1961). By at least the 1950s, Japanese films were looked upon as a model to be emulated by Hong Kong film production, and Hong Kong film companies began actively enlisting professionals from Japan, such as cinematographer Tadashi Nishimoto to contribute to color and widescreen cinematography. New literary sources also developed in martial arts films of this period, with

2048-406: A single genre and that streaming services such as Amazon Prime and Netflix similarly dilutes what is marketed and received as action. In transnational cinema, there are two major trends in action films: Hollywood action films and their style being imitated around the globe and the other being Chinese-language martial arts films. The roots of action films extend into the beginning of film but it

2176-551: A step up from the previous film and praised Willis and Jackson's chemistry and the action scenes. Action thriller film While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films , crime films and Westerns . These genres were followed by what

2304-562: A supporting actor. Subsequently, Pulp Fiction premiered at the Cannes Film Festival during the same time as Fishburne's pay negotiations. Vajna also attended the event to support Willis who was appearing in the Quentin Tarantino film. Tarantino recalled that Vajna was so impressed by Jackson's performance that he offered him the part of Carver instead. Fishburne later filed a lawsuit against Vajna's company Cinergi for reneging on

2432-475: A taxi. They arrive at 1 Police Plaza , where Simon demands that the pair follow a timed challenge or he will set off more bombs. They agree and McClane eventually boards the 3 train heading towards the Wall Street station in order to defuse a bomb that Simon planted on it. Carver arrives at the station before McClane finds the bomb and throws it on the tracks just as it explodes. McClane and Carver regroup with

2560-701: A third water tunnel so that Tunnels 1 and 2 could be closed for inspection and repairs. Stage One construction of Tunnel 3 began in 1970 and completed in 1993. This portion was put into service in 1998 and cost about $ 1 billion. This first section was bored through bedrock between 250 and 800 feet (76 and 244 m) underground, using drilling and blasting techniques. Section one is 13 miles (21 km) long and starts at Hillview Reservoir in Yonkers, New York then crosses under Central Park in Manhattan , to reach Fifth Avenue at 78th Street. From there it runs under

2688-451: A three-act structure centered on survival, resistance and revenge with narratives where the physical body of the hero is tested, traumatized and ultimately triumphant. The third shift in action cinema, the postclassical, was defined by the predominance of Eastern cinema and its aesthetics, primarily the wire-work of Hong Kong action cinema from the classical era, through the convention of the increasingly computer generated effects. This saw

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2816-594: A tough police officer protects society by upholding the law against systematic corruption. This extended into films which O'Brien described as "knee-jerk responses" to perceived threats with rogue cop and vigilante films such as Dirty Harry (1971) and Death Wish (1974) where the restoration of order is only possible by force and antisocial characters prepared to act when society does not. The vigilantism reappears in other films that were exploitative of southern society such as Billy Jack (1971) and White Lightning (1973) and "good ol' boy" comedies like Smokey and

2944-564: A valve chamber in Central Park, runs south along the west side of Manhattan, and curves around the southern end of the island to come partway through the Lower East Side. A spur of the Manhattan tunnel begins on the west side at approximately 34th Street , goes to the east side and then turns north under Second Avenue to about 59th Street . The tunnel itself was completed in 2008, and after

3072-477: A verbal agreement. The lawsuit took two years and Fishburne received a settlement. Michael Kamen returned to score the third film, again incorporating other material into his score (most notably " When Johnny Comes Marching Home ", not included on the soundtrack album). Excerpts from his scores for Die Hard and Die Hard 2 were also included in the new film. The soundtrack was released by RCA Victor . In 2012, La-La Land Records released an expanded version of

3200-456: Is Luc Besson 's France-based EuropaCorp , who released films like Taxi (1998) and From Paris with Love (2010). EuropaCorp produced Transporter franchise starred British actor Jason Statham and made him an action film star, which led him to feature in The Expendables series by the end of the 2010s. The action film genre has been a staple of Bollywood cinema . In the 1970s,

3328-569: Is a generic term to refer to several types of films containing martial arts. The wuxia film is the oldest genre in Chinese cinema. Stephen Teo wrote in his book on Wuxia that there is no satisfactory English translation of the term, with it often being identified as "the swordplay film" in critical studies. It is derived from the Chinese words wu denoting militarist or martial qualities and xia denoting chivalry, gallantry, and qualities of knighthood. The term wuxia entered into popular culture in

3456-651: Is based on Twin Dragons (1992). Other films such as the martial arts film Bhadrachlam (2001), borrows from American cinema with the Jean-Claude Van Damme film Kickboxer (1989). SS Rajamouli 's RRR (2022) was among the highest budgeted films made in India, and became a rare hit film outside of Indian diaspora, where it broke box office records in Japan and performed exceptionally well in American box office. Japan

3584-442: Is itself empowering and, if not, whether a hypersexualized female character can still represent strength and autonomy. Hypersexualized female action leads had tight fitting or revealing costumes that Tasker identified as "exaggerated statements of sexuality" and in the tradition of "fetishistic figure of fantasy" derives from comic books and soft pornography . This originated in television with characters like Buffy Summers ( Buffy

3712-574: Is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks , a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films. Scott Higgins wrote in 2008 in Cinema Journal that action films are both one of

3840-451: Is which. McClane then asks Simon some riddles similar to the ones he played in New York. When Simon gets a riddle wrong, McClane forces him at gunpoint to fire the launcher, which fires the rocket through Simon, killing him. In the DVD audio commentary, screenwriter Jonathan Hensleigh claims that this version was dropped because the studio thought it showed a more cruel and menacing side to McClane,

3968-568: The femme fatales in film noir and horror films of the 1970s. Violent women were common in action films since the 1960s. These films featured working-class women exacting revenge. Films of the 1970s featured black women such as Pam Grier in films like Foxy Brown (1974). In the 1980s, a new symbolically transgressive character emerged in the form of Ellen Ripley in Aliens (1986) and Sarah Connor in Terminator 2: Judgment Day (1991) and

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4096-540: The Bollywood action film consolidated with two films starring Amitabh Bachchan : Prakash Mehra 's Zanjeer (1973) and Yash Chopra 's Deewaar (1975). The box office success of these films made Bachchan a star and spawned the "angry young man" film in Bollywood cinema. Throughout the 1980s and 1990s, the action genre film declined considerably with new films predominantly featuring former bodybuilders failing to reach

4224-528: The East River and Roosevelt Island into Astoria, Queens . It is a concrete-lined tunnel that is 24 feet (7.3 m) in diameter and reduces to 20 feet (6.1 m) in diameter before connecting to 14 vertical shafts. Stage Two was built using tunnel boring machines and comprises two sections. The Brooklyn and Queens section runs 10 miles (16 km) and begins in Red Hook, Brooklyn , where it connects to

4352-508: The Hong Kong action cinema , such melodramatic male bonding and marginalized women characters, while the Korean films also have greater elements of tragedy and romance emphasized. Most martial arts films made before the mid-1960s were Cantonese-language productions. In comparison, Mandarin-language films were an integral part of Hong Kong cinema due to the influx of Shanghai film talent in

4480-643: The New York City water supply system . It is being built by the New York City Department of Environmental Protection (NYCDEP) to provide New York City with a third connection to its upstate water supply. The tunnel will serve as a backup to Water Tunnel No. 1 , completed in 1917, and Water Tunnel No. 2 , completed in 1936. Water Tunnel No. 3 is the largest capital construction project in New York City history. Construction began in 1970. Portions of

4608-629: The Richmond Tunnel for Staten Island . It passes through Park Slope , Bedford-Stuyvesant , and Bushwick before reaching Maspeth, Queens . From Maspeth it runs through Woodside and Astoria , where it connects to the end of the Stage One section. The Brooklyn section is 16 feet (4.9 m) in diameter, and the Queens section is 20 feet (6.1 m). The Manhattan section is 10 feet (3.0 m) in diameter and runs for 9 miles (14 km). It begins at

4736-503: The September 11 attacks in 2001, which suggested an end to fantastical elements that defined the action hero and genre. Following the release of Quentin Tarantino 's Kill Bill: Volume 1 (2003) and Kill Bill: Volume 2 (2004) revisited the tropes of 1970s action films leading a renaissance of vengeance narratives in films like The Brave One (2007) and Taken (2008). O'Brien found that Tarantino's films were post-modern takes on

4864-552: The gold bullion of the Federal Reserve Bank of New York . The film was released on May 19, 1995, to mixed reviews and became the highest-grossing film of the year . The Bonwit Teller department store in New York City is blown up by a bomb during the morning commute . A man identifying himself as "Simon" telephones the New York City Police Department (NYPD) and claims responsibility. Making demands in

4992-501: The xinpai wuxia xiaoshuo (or "new school martial arts fiction") coming into prominence with the success of Liang Yusheng 's Longhu Dou Jinghua (1954) and Jin Yong 's Shujian enchou lu (1956) which showed influence of the Shanghai martial arts films but also circulated from Hong Kong to Taiwan and Chinese communities overseas. This led to a growing demand in both local and regional markets in

5120-428: The 1960s with films like The Born Losers (1967) which was predominantly a drama, interspersed with martial arts scenes. American martial arts films predominantly came into production following the release of Enter the Dragon (1973), with the only higher-budgeted American film to follow in its wake being The Yakuza (1974). Lott noted the two films would lead to the two subsequent styles of martial arts films in

5248-593: The 1970s. James Monaco wrote in 1979 in American Film Now: The People, The Power, The Money, the Movies that "the lines that separate on genre from another have continued to disintegrate." Tasker said that most post-classical action films are hybrids, drawing from genres as varied as war films, science fiction , horror , crime, martial arts , and comedy films . In Chinese-language films, both wuxia and kung fu are genre-specific terms, while martial arts

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5376-768: The 1980s. Other films again modernized the form with gangster films of John Woo ( A Better Tomorrow (1986), The Killer (1989)) and the Wong Fei Hung saga returning in Tsui Hark 's Once Upon a Time in China featuring Jet Li which again revitalized the swordplay styled films. By the turn of the century Hollywood action films would look towards Hong Kong cinema and bringing some of their major actors and directors over to apply their style to their films, such as Chan, Woo, Li, Michelle Yeoh and Yuen Woo-Ping . The release of Ang Lee 's Crouching Tiger, Hidden Dragon (2000) led to

5504-702: The 21st century have been comic book adaptations, which commenced with the X-Men and is seen in other series such as Spider-Man , and Iron Man series. Tasker wrote that despite the central characters in superhero cinema being extraordinary, occasionally even God-like, they often followed the traces of the central character becoming powerful of which is fundamental to action films, often dealt with origin stories in superhero films. Action films often interface with other genres. Tasker wrote that films are often labelled action thrillers, action-fantasy and action-adventure films with different nuances. Tasker later discussed that

5632-513: The Bandit (1977). This era also emphasizes the car chase scenes as moments of spectacle in films like Bullitt and The French Connection (1971). O'Brien described these films as emphasizing "the fusion of man and machine" with the drivers and vehicles acting as one, concluding with what he described as "the ultimate in apocalyptic modernity and social erasure" in Mad Max 2 (1981). O'Brien described

5760-746: The Bollywood press who reported on him in the headlines of Bollywood magazines for his public brawls and affairs with leading actresses. In Dabangg (2010), Khan continued with this public persona, which was repeated in several of his later films such as Ready (2011), Bodyguard (2011), Ek Tha Tiger (2012) and Dabangg 2 (2012). From the 1980s, generations of actors in Telugu cinema have invoked Hong Kong action films, such as Srihari who stated he wanted to become an actor after watching his first Bruce Lee film. Several films in Telugu cinema were remakes of Hong Kong films, such as Hello Brother (1994) which

5888-593: The Dragon briefly allowed an influx of Hong Kong films to Japan, but the trend did not last, with 28 Hong Kong films, mostly kung fu films, being released in 1974, and the number decreasing to five in 1975, four in 1977 and only two in 1978. Ryuhei Kitamura , director of Versus (2000), said in 2004 that he grew frustrated with the Japanese film industry as producers felt they couldn't make action films in competition with Hong Kong or American productions. Versus grew to become popular outside of Japan, and Kitamura said he

6016-611: The Gruber family's modus operandi . While attempting to place a call to his estranged wife Holly, McClane glances at a bottle of aspirin given to him by Simon onboard the tanker and notices that it was purchased at a truck stop in Quebec on the Canada–United States border . McClane informs the NYPD of his discovery, and joins them and Carver as they rush towards a warehouse near the truck stop where Simon and his men are redistributing

6144-597: The Hong Kong film industry after the handover in 1997. Anglophone action film scholarship has tended to emphasize bigger budget American action films, with academics tending to find films that fall out of Hollywood productions as not quite fitting definitions of the genre. By 2024, many national and regional industries were known for action films. These include international films such as Hindi, Tamil, Telugu, Malayalam , South Korean, Japanese, Thai , Brazilian , Chinese , South African , French and Italian action titles. At

6272-510: The Jedi and ranking number one for five consecutive weeks, grossing over $ 81 million. Its opening in France set a summer record with a gross of $ 8.8 million in its first 8 days. The film went on to gross $ 100,012,499 in the United States and Canada, and $ 266,089,167 in other markets, giving it a total worldwide gross of $ 366,101,666 and making it the highest-grossing film of 1995 . On Rotten Tomatoes ,

6400-531: The NYPD and meet some FBI and CIA agents, who initially inform the pair that Simon is "Peter Krieg", a mercenary and former colonel in the National People's Army . They then reveal that Krieg's real name is Simon Peter Gruber, the brother of Hans Gruber , who McClane killed years earlier in Los Angeles . Simon then places another call to the NYPD, informing them that he has planted an explosive in one of

6528-802: The Red Lotus (1965) and King Hu 's Come Drink with Me (1966). In the 1970s, the Hong Kong martial arts films began to grow under the format of yanggang ("staunch masculinity") mostly through the films of Chang Cheh which were popular. This transition led to the kung fu film sub-genre at beginning of the decade and moved beyond the swordplay films with contemporary settings of late Qing or early Republican periods and had more hand-to-hand combat over supernatural swordplay and special effects. A new studio, Golden Harvest quickly became one of independent filmmakers to grant creative freedom and pay and attracted new directors and actors, including Bruce Lee . The popularity of kung fu films and Bruce Lee led to attract

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6656-480: The United States, Europe and Japan had during this period. Yip described Japanese cinema as the most advanced in Asia at the time. This was showcased by the international breakthrough of Akira Kurosawa 's films like Rashomon (1950). The film genre known as the chanbara was at its height in Japan. The style was a sub-genre to the jidai-geki , or period drama with an emphasis on sword fighting and action. It had

6784-406: The United States, with films like Enter the Dragon about people who reveled in combat, often in a tournament setting, and The Yakuza which had several genres attached to it, but featured several martial arts sequences. By the end of the 1970s, the style was an established genre in American cinema, often featuring tough heroic characters who would fight and not think about their actions until after

6912-584: The Vampire Slayer (1997–2003)) and Xena ( Xena: Warrior Princess (1995–2001)). These series popularity demonstrated a growing market for female action film heroes, in films of the 2000s like Lara Croft: Tomb Raider (2001), Charlie's Angels (2000), Ultraviolet (2006), Salt (2010) and series like Underworld and Resident Evil . These series like their television series earlier, had their leads eroticized as active and physically capable while also being scantily-clad, hyper-feminized similar to

7040-744: The Van Cortlandt Valve Chamber complex in the Bronx. Stage Four is a proposed tunnel that would start at the Hillview Reservoir in Yonkers, pass through the eastern Bronx and then through Queens, where it would eventually meet the Stage Two section. The largest valve chamber is in Van Cortlandt Park . It is built 250 feet (76 m) below the park surface. It controls the flow of water from

7168-583: The action film genre has been a subject of scholarly debate since the 1980s. Soberson wrote that repeated traits of the genre include chase sequences, fights, shootouts, explosions, and stunt work while other scholars asserted there were more underlying traits that define the genre. David Bordwell in The Way Hollywood Tells It wrote that audiences are "told that spectacle overrides narrative" in action cinema while Wheeler Winston Dixon echoed that these films were typified by "excessive spectacle" as

7296-553: The action heroine's dual status of an active subject and sexual object was overturning the traditional gender binary because the films "assume that women are powerful" without resorting to justify her physical aggression through narratives involving maternal drive, mental instability or trauma. Purse found that female leads in films like Elektra (2005), Kill Bill , Underworld , Charlie's Angels and Mr. & Mrs. Smith (2005) did showcase women having expensive cars, clothing, travel, homes and often high-paying jobs, but that this

7424-490: The best Action film of the decade, leaving imitators like Bad Boys , Executive Decision , The Rock and Chain Reaction in varying depths of shadow. Retrospective rankings have called the film the best sequel in the franchise. Empire considered it to be one of the 50 greatest film sequels in 2009. Ben Sherlock of Screen Rant regarded it as the best sequel of the franchise. Johnny Hoffman from Movieweb considered it

7552-431: The boat where the terrorists find the briefcase bomb they left in the park and which Carver gave back to them (in this version it was not used to blow up the dam). The film would end on a darkly comic note as Simon asks if anyone has a four-gallon jug. This draft of the script was rejected early on – possibly due to the similarity of the ending to Die Hard 2 , where all the villains board a plane that later explodes – so it

7680-435: The book Australian Genre Film , Amanda Howell suggested that this label was used to help distance Australian cinema from Hollywood films as it would be suggesting commerce over culture and that it would be "quite unacceptable to make Australian movies using conventions established in the U.S.A." Howell stated this to be the case with action films of the 1970s and 1980s with Brian Trenchard-Smith 's Turkey Shoot (1982) being

7808-454: The bullion and planning their escape. The rest of Simon's men are quickly apprehended by law enforcement personnel, though Simon and his girlfriend Katya attempt to escape in a helicopter, attacking McClane. McClane shoots at an overhead power line which falls onto the helicopter, causing it to crash and explode, killing Simon and Katya. While they are celebrating their triumph, Carver persuades McClane to place another call to Holly. Like most of

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7936-642: The city's Catskill and Delaware systems. These systems provide 90 percent of the city's current drinking water. The Van Cortlandt Park Valve Chamber is 620 feet (190 m) long, 43 feet (13 m) wide and 41 feet (12 m) high. The complex has nine vertical shafts; and two manifolds . Each manifold is 560 feet (170 m) long and 24 feet (7.3 m) in diameter and is currently in operation. Additional, though smaller, valve chambers are in use under Central Park at 79th Street, under Roosevelt Island, and in Jackson Heights. Since 1970, when construction on

8064-448: The city's elementary schools which is set to explode once class ends and can be triggered by the same radio frequencies utilized by law enforcement. Simon offers to give the authorities the school's location if McClane and Carver follow another timed challenge, warning that he will detonate the explosive if any evacuation attempts are carried out. While the pair solve Simon's next challenge, the NYPD begin to search all elementary schools in

8192-437: The city. McClane realizes that Simon is attempting to distract the NYPD away from Wall Street , which has no schools, and travels to the Federal Reserve Bank of New York Building . He discovers that Simon's men have stolen $ 140 billion of gold bullion from its vault using dump trucks . He follows the trucks into the under-construction New York City Water Tunnel No. 3 while Carver continues Simon's challenges. Simon blows up

8320-550: The classical form of action cinema to be the 1980s. The decade continued the trends of formative period with heroes as avengers ( Lethal Weapon (1987)), rogue police officers ( Die Hard (1988)) and mercenary warriors ( Commando (1985)). Following the continuity of the car and man hybrid of the previous decade, the 1980s featured weaponized men with who were either also carrying weapons such as Sudden Impact (1983), trained to be weapons ( American Ninja (1985)) or imbued with technology ( RoboCop (1987)). O'Brien noted that

8448-538: The construction of seven riser shafts was completed, this section of the tunnel opened in 2013. Two additional riser shafts, each over 700 feet (210 m) deep, are under construction in Queens as of 2022. What used to be called Stage Three is now being referred to as a separate project, the "Kensico–City Tunnel". It will be 24 feet (7.3 m) in diameter, running from the Kensico Reservoir in Westchester to

8576-459: The decline of overt masculinity in the action film which corresponded with the end of the Cold War in 1991, while the rise of self-referential and parodies of this era grew in films like Last Action Hero (1993). O'Brien described this era as being soft where the hard bodies of the classical era were replaced with computer generated imagery such as that of Terminator 2: Judgment Day (1991). This

8704-546: The direct-to-video field, or in similarly low-budget theatrical releases such as Bulletproof Monk (2003). While the American styled-films were predominantly made in the United States, productions were also made in Australia, Canada, Hong Kong and South Africa, and were predominantly shot in the English-language. Heroic Bloodshed is a that originates with English-language Hong Kong action and crime film fan communities in

8832-487: The earlier work of directors like Woo and Johnnie To . Antong Chen, in his study on the Hong Kong action film, wrote that the influence of China and the amount of Chinese co-productions made with Hong Kong created a shift in these films, particularly following the release of Infernal Affairs (2002). Harvey O'Brien wrote in 2012 that the contemporary action film emerged through other genres, primarily Westerns , crime and war films and can be separated into four forms:

8960-432: The early 1960s and saw a surge in production of Hong Kong martial arts films that went beyond the stories about Wong Fei-hung which were declining in popularity. These new martial arts films featured magical swordplay and higher production values and more sophisticated special effects than the previous films with Shaw Brothers a campaign of "new school" ( xinpai ) martial arts swordplay films such as Xu Zenghong's Temple of

9088-484: The end of the 1990s. Films such as Chunhang (2000) and Memento Mori (2000) and action films Shiri (1999) and Nowhere to Hide (1999) received commercial releases in North America, Asia, and Europe. The success of the latter two films was unprecedented, and was followed by other South Korean action films in the early 2000s reaching the top of the local box office. These South Korean films mimic some traits of

9216-527: The female leads in implausible elements, such as in Charlie's Angels , Fantastic Four (2005) and My Super Ex-Girlfriend (2006). The fighting styles of women also tend towards more traditionally feminine fluid movements of martial arts, over using guns or directly punching. Purse wrote that the contemporary female action film lead's sexualized brand had her in close proximity of post-feminism discourse about choice, power and sexuality. Marc O'Day interprets

9344-506: The film a three out of five stars review, stating that " Die Hard with a Vengeance is better than Die Hard 2 , but not as good as the peerless original. Though it's breathless fun, the film runs out of steam in the last act. And Jeremy Irons' villain isn't fit to tie Alan Rickman 's shoelaces." In the Crime Time Filmbook , which archives various UK film reviews, the film was given a five out of five star review citing it as "...simply

9472-455: The film an average grade of "A−" on an A+ to F scale. Roger Ebert of Chicago Sun-Times gave the film three stars out of four, praising the action sequences and the performances of Willis, Jackson, and Irons, concluding: " Die Hard with a Vengeance is basically a wind-up action toy, cleverly made, and delivered with high energy. It delivers just what it advertises, with a vengeance." Entertainment Weekly ' s Owen Gleiberman disliked

9600-511: The film has an approval rating of 60% based on 80 reviews, with an average rating of 6.20/10. The site's critical consensus reads, " Die Hard with a Vengeance gets off to a fast start and benefits from Bruce Willis and Samuel L. Jackson's barbed interplay, but clatters to a bombastic finish in a vain effort to cover for an overall lack of fresh ideas." On Metacritic , the film has a score of 58 out of 100, based on 19 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave

9728-553: The film to Fox for $ 11.25 million. Laurence Fishburne was originally offered the co-starring role of Zeus Carver, a part also written for him, but wanted a higher fee. Producer Andy Vajna held out on the deal. Fishburne had earlier turned down the role of Jules Winnfield in Pulp Fiction , which was eventually played by Samuel L. Jackson. Fishburne was talked out of playing Jules by his representatives who wanted him to only accept leading parts, otherwise he would be stuck career-wise as

9856-434: The film's main events, would have marked a serious break from the Die Hard formula, in which the plot unfolds over a period of roughly 12 hours. According to the DVD audio commentary, a second alternative ending had McClane and Carver floating back to shore on a makeshift raft after the explosion at sea. Carver says it is a shame the bad guys are going to get away; McClane tells him not to be so sure. The scene then shifts to

9984-436: The film, stating that while " [John] McTiernan stages individual sequences with great finesse... they don't add up to a taut, dread-ridden whole". James Berardinelli thought that the explosions and fights were "filmed with consummate skill, and are thrilling in their own right". Samuel L. Jackson 's performance in the film was also praised by critics. Desson Howe of The Washington Post thought that "the best thing about

10112-415: The films in the series, the premise of this film was repurposed from a stand-alone project. Various scripts were written for Die Hard 3 ; a number of them were ultimately rejected by Bruce Willis on the grounds that they felt like retreads of the action movies that came in the wake of the first film. One script, originally titled Troubleshooter , had McClane fighting terrorists on a Caribbean cruise line, but

10240-414: The following films were voted the top ten best action films of all time. In Hong Kong, the "new school" of martial arts films that Shaw Brothers brought in 1965 featured what featured what Yip described as "strong, active female characters as protagonists." These female-centered films were challenged with the rise of a new male heroic prototype marked by a strong sense of youthful energy and defiance and by

10368-447: The form of a ' Simon Says ' game, he threatens to detonate another bomb unless Lt. John McClane is sent to Harlem wearing an intentionally provocative sandwich board . The NYPD comply and send McClane to Harlem, where he is confronted by an electrician and shop owner named Zeus Carver. McClane explains his situation before a group of gang members also confront McClane over his sign. Carver intervenes and saves McClane, and they escape in

10496-448: The formative trends at this point had become "identifiably generic" as film industries began to reproduced these films during the decade producers like Joel Silver and production companies like The Cannon Group, Inc. began to formulate production of these films with both high and low budgets. The action films of this era have roots in classical story telling, specifically rooted from martial arts films and Westerns, and are built around

10624-598: The formative, the classical, the post-classical and neoclassical phases. Yvonne Tasker reiterated this in her book on action and adventure films , saying that action films became a distinct genre during the New Hollywood period of the 1970s. The formative films would be from the 1960s to the early 1980s where the Anti-hero appears in cinema, featuring characters who act and transcend the law and social conventions. This appears initially in films like Bullitt (1968) where

10752-540: The former was one of the highest-grossing movies of the year in Japan. Following LoveDeath , Kitamura's next directing work was in the United States. The action cinema of South Korea mostly existed on the margins of the film industry in South Korea. The genre was initially called the Hwalkuk ("living theatre") was a term that indicated plays and films driven by action scenes, while this term has not been used regularly since

10880-430: The ground. While heroes in kung fu films often display chivalry, they generally hail from different fighting schools, namely wudang and shaolin . American martial arts films feature what author M. Ray Lott described as a more realistic style of violence over the Hong Kong wuxia films with more realism and are often low-budget productions. Martial arts began routinely appearing in fight scenes in American films in

11008-484: The image of Indiana Jones in Raiders swinging his whip to fend off villains in the backstreets of Cairo. British author and academic Yvonne Tasker expanded on this topic, stating that action films have no clear and constant iconography or settings. In her book The Hollywood Action and Adventure Film (2015), she found that the most broadly consistent themes tend to be a characters quest from freedom from oppression such as

11136-520: The late 1920s. These films were popular during the period, which comprised almost 60% of the total Chinese films. Man-Fung Yip stated that these film were "rather tame" by contemporary standards. He wrote that they lacked the kind of dazzling action choreography as expected today and had crude and rudimentary special effects. These films came under increasing attack by both government officials and cultural elites for their allegedly superstitious and anarchistic tendencies, leading them to be banned in 1932. It

11264-564: The late 1970s, with "action movie" becoming the more familiar term. The Korean action films came from Japanese cinema, James Bond series , and Hong Kong action cinema. As North Korea borders China, it block access to the continent from a South Korean perspective, the Cold War allowed South Koreans to substitute deferred travel beyond the border through films with locations shot in Hong Kong. While melodrama and comedy were staples in South Korean cinema, most action films were sporadic and tied to

11392-501: The late 1980s and early 1990s. In the Chinese language, the term used for these films is jinghungpin , literally meaning "hero films". Academic Laikwan Pang asserts that these gangster films appeared at a time when Hong Kong citizens felt particularly powerless with the handover of Hong Kong from the United Kingdom to China set for 1997. The key directors of the genre were John Woo and Ringo Lam , and producer Tsui Hark , with

11520-508: The late 1980s and early 1990s. Author Bey Logan stated that the term was coined by Rick Baker, in the British fanzine Eastern Heroes . The term is used broadly. Baker described the style as Hong Kong action films which feature gangsters and gunplay and martial arts that were more violent than kung fu films and academic Kristof Van Den Troost described it a term used to distinguish Hong Kong gun-heavy action films from period martial arts films from

11648-431: The late 1980s in the United States were martial arts films. Towards the end of the 1990s, production of low-budget martial arts films declined as no new stars in the genre developed and older actors such as Cynthia Rothrock and Steven Seagal started showing up in less and less films. Even internationally popular films like Crouching Tiger, Hidden Dragon (2000) had negligible effects in American productions in either

11776-545: The loot to a safe hiding place somewhere in Hungary, and has the gold turned into statuettes of the Empire State Building in order to smuggle it out of the country. McClane is keen to take his problems out on Simon, who he invites to play a game called "McClane Says". This involves a form of Russian roulette with a small Chinese rocket launcher that has had the sights removed, meaning it is impossible to determine which end

11904-617: The most notorious. Smith had previously released films like Deathcheaters (1976) and Stunt Rock (1979) when financial incentives were available for overtly commercial projects. She commented that action films did tell identifiably Australian stories such as the Sandy Harbutt 's biker film Stone (1974) and Miller's post-apocalyptic film Mad Max (1979) derived from Australia's social and cultural realities, as well as how George Miller 's later Mad Max: Fury Road (2015) derived from Australia's long-standing cinematic fascination with

12032-470: The most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that the reception to the genre as being "the emblem of what Hollywood does worst." In the Journal of Film and Video , Lennart Soberson stated that

12160-458: The movie is the relationship between McClane and Zeus," saying that Jackson was "almost as good as he was in Pulp Fiction ." For Variety , Brian Lowry wrote the film was the "least accomplished" of the Die Hard series, but "even a subpar adventure won't kill this series, as the pic's built-in audience will make it a major summer attraction, if perhaps one lacking quite the stamina of the first two movies". Empire magazine's Ian Nathan gave

12288-604: The notion that traditional marks of masculinity are not exclusive to men and that musculature was not natural, but something to be achieved. Accusations of these muscular women of the era were levelled at that them by 1993 were that they were "men in drag" and that the films generally have to "explain" why their female leads displayed physical aggression and why they were "driven to do it." As the 1990s went on, Hollywood films began having more conventional looking women in their action films such as The Long Kiss Goodnight (1996). A vibrant debate exists about whether hypersexualization

12416-435: The physical effort required to completing a task and the abilities and skills acquired over time. Films from the period reflected on the cultural and social climate from the period, as seen in invoking Japanese or Western imperialist forces as foils. The kung fu film came out of the wuxia films. In comparison to the wuxia , film, the focus on the kung fu film is on the martial arts over chivalry, The martial arts films

12544-567: The popularity Bachan had. These films predominantly earned their revenue through longer runs at B-grade theatres. A cycle of action films came from these films in the 1980s and 1990s called the Avenging Woman film, where female protagonists seek justice for a rape victim, where the protagonist seeks revenge through violence. In 2009, the action genre was re-popularized with the box office success of Wanted (2009) starring Salman Khan . Khan reinvented his screen persona with that of his image in

12672-543: The postwar period. These films were targeted at the more educated and more refined middle-class audiences who saw themselves as above the contemporary martial arts films. Scott Higgins wrote in 2008 in Cinema Journal that Hollywood action films are both one of the most popular and popularly derided of contemporary cinema genres, stating that "in mainstream discourse, the genre is regularly lambasted for favoring spectacle over finely tuned narrative." Bordwell echoed this in his book, The Way Hollywood Tells It , writing that

12800-519: The previous month, the film was released as originally scheduled. Die Hard with a Vengeance was released on VHS on December 19, 1995, in the United States by Fox Video with a THX certified version, while it was released in international countries by Touchstone Home Entertainment and released in South Africa on VHS by Ster-Kinekor Home Video . It was then released on LaserDisc on January 17, 1996, and on DVD on March 9, 1999. A special edition

12928-402: The reception to the genre as being "the emblem of what Hollywood does worst." Tasker wrote that when action and adventure films secured awards, it is often in categories such as visual effects and sound editing. Time Out magazine conducted a poll with fifty experts in the field of action cinema, including actors, critics, filmmakers and stuntmen. Out of the 101 films ranked in the poll,

13056-441: The road and cars and a history of cultural anxiety towards a bleak and forbidding outback landscape opposed to the optimism of American action films. France is a major European country for film production and has made co-production commitments with 44 countries around the world. Around beginning of the 21st century, France began producing a series of films explicitly intended for international markets, with action films representing

13184-555: The script and rewrote it as a Lethal Weapon sequel. Warner Bros. later put the script in turnaround, only to be purchased by 20th Century Fox and rewritten as a Die Hard film. Andy Vajna replaced Joel Silver and Larry Gordon as the producer on the film due to a fall-out with Willis. As a result, Vajna's company, Cinergi , acquired foreign rights to the film. In most regions, the film rights were acquired by Disney and Summit Entertainment , while Fox retained domestic and Japan rights. In July 1997, Cinergi sold its 50% stake in

13312-516: The serialization of Jinaghu qixia zhuan (1922) ( transl.  Legend of the Strange Swordsmen ). In wuxia , the emphasis is on chivalry and righteousness and allows for phantasmagoric actions over the kung fu film 's more ground-based combat. The Kung fu film emerged in the 1970s from the swordplay films. Its name is derived from the Cantonese term gong fu which has two meanings:

13440-473: The soundtrack, containing music that Kamen had composed but went unused in the final film. Unlike its predecessors, Die Hard with a Vengeance did not take place during Christmas , instead being set during the late summer. It opened in theaters on May 19, 1995, five years after Die Hard 2 . Despite concerns about the film portraying bomb threats and terrorism with the Oklahoma City bombing having occurred

13568-479: The starting point of the genre being traced to Woo's A Better Tomorrow (1986) make a record-breaking HK$ 34.7 million at the Hong Kong box office. The style of these films would influence American productions, such as Michael Bay 's Bad Boys II (2003) and the Wachowskis ' The Matrix (1999). Korean media recognized the more fatalistic and pessimistic tone of these films, leading to Korean journalists to label

13696-433: The style as "Hong Kong noir ". The influence of these films was evident in early Korean films such as Im Kwon-taek 's General's Son (1990) and later films such Song Hae-sung 's A Better Tomorrow (2010), Cold Eyes (2013) and New World (2013). Postcolonial Hong Kong cinema has struggled to maintain its international identity as a provider of these types action films because the talents involved had abandoned

13824-450: The term action film genre and adventure are often used in hybrid, and are even used interchangeably. Along with Holmund and Purse, Tasker wrote that the action films expansiveness complicates easy categorization and though the genre is often spoken of as singular genre, it is rarely discussed as singular style. Screenwriter and academic Jule Selbo expanded on this, describing a film as " crime /action" or an "action/crime" or other hybrids

13952-445: The themes that rescinded irony to restore " cinephile re-actualization of the genre's conventions." The genre went into full circle resurrecting films from the classical period with Live Free or Die Hard (2007) and Rambo (2008) finding the characters navigating a contemporary world while also acknowledging their age, culminating into The Expendables (2010) film. The most commercially successful action films and franchise of

14080-525: The title character in China O'Brien (1990) who were physically muscular and or enacted more extreme violence that was usually reserve for male action leads. In her book Contemporary Action Cinema (2011), Lisa Purse described the media response to female leads in action films reveal a discomfort about their presence and are often described with hesitant terms of women moving into territories that are perceived as masculine. Revealing woman in this form deconstructs

14208-402: The tunnel began, twenty-four people have died in construction-related accidents. The deaths have included twenty-three workers and a 12-year-old boy, Don-re Carroll, who fell 500 feet (150 m) to his death down a riser shaft while exploring uncapped water pipes in the Bronx . No deaths have occurred since 1997. In 2002, New York City mayor Michael Bloomberg made completion of the tunnel

14336-460: The tunnel were placed into service in 1998 and 2013 and the remaining sections are expected to be complete by 2032. The complete tunnel will be more than 60 miles (97 km) long, travel 500 feet (150 m) below street level in sections, and will cost over $ 6 billion. The project was authorized in 1954 and imagined as "the greatest nondefense construction project in the history of Western Civilization". The city determined that it needed

14464-533: The turn of the millennium, Australian genre films have gained increasing acceptance in the Australian feature film industry, while the action genre represented a small percentage of its output in the 21st century. Scholars of Australian genre film generally used the term "action-adventure" which allows them to apply it to various forms of narratives such as tongue in cheek heroic posturing stories like Crocodile Dundee (1986), road movies or bush/outback films. In

14592-422: The use of locations such as Hong Kong. These films often featured one-legged or otherwise handicapped action characters similar to those of Japanese films ( Zatoichi ) and Hong Kong films ( The One-Armed Swordsmen ). These included Im Kwon-taek's Returned Left-Handed Man (1968), Aekkunun Bak's One-Eyd Park (1970) and Lee Doo-yong's Returned One-Legged Man (1974). In the 1990s, the country's national cinema

14720-468: The woman of exploitation films of the 1970s such as Caged Heat (1974) and Big Bad Mama (1974). While characters like Frank in The Transporter series are permitted to visibly sweat, strain and be bloodied, Purse found a reluctance for filmmakers to have their female leads have any appearance warping injuries to ensure a perfectly made-up face. Comedy is often used in films of this period to place

14848-448: Was "only a semantic exercise" as both genres are important in the construction phase of the narrative. Mark Bould in A Companion to Film Noir (2013) said that categorization of multiple generic genre labels was common in film reviews who are rarely concerned with succinct descriptions that evoke elements of the film's form, content and make no claims beyond on how these elements combine. Film Studies began to engage generic hybridity in

14976-408: Was a difficult market for Hong Kong action cinema to break into. Prompted by the success of Enter the Dragon and the popularity of Bruce Lee, Toei made their own Bruce Lee-style martial arts films, with The Street Fighter and its two sequels starring Sonny Chiba as well as a spin-off with a female lead similar to Hong Kong's Angela Mao called Sister Street Fighter . The success of Enter

15104-466: Was aiming for the foreign audience, as he was disappointed with the current state of Japanese films. Kitamura's characters have been described as "a careful combination of the maverick independence of 1980s Hollywood action heroes and the calmness and acceptance of Japanese samurai, a consistent criticism of Japanese people today." Kitamura followed up Versus with two manga-inspired big-budget action films, Azumi and Sky High . Both released in 2003,

15232-417: Was displayed in corresponding with corresponded with millennial angst and apocalypticism showcased in films like Independence Day (1996) and Armageddon (1998). Action films of mass destruction began requiring more overtly super heroic characters with further comic book adaptations being made with increased non-realistic settings with films like The Matrix (1999). The fourth phase arrived following

15360-464: Was in decline by the mid-1970s in Hong Kong in relation to the stock market crash which went from over 150 films in 1972 to just over 80 in 1975, which led to a downfall in martial arts films produced. When the economy became to rebound, a new trend of martial arts films, the Shaolin kung fu films emerged and sparked a revival of the genre. Unlike the wuxia , the kung fu film primarily focuses on fighting on

15488-509: Was in decline leading to Hong Kong gangster films filled in this void leading to large commercial success at the national box office. Early Korean heirs to Hong Kong action films include Rules of The Game (1994), Beat (1997), and Green Fish (1997) involving men who gain confidence and achieve personal growth as they embark on journeys to protect national state and meet devastating ends. South Korean cinema only received international attention in both art film and blockbuster formats towards

15616-411: Was never actually filmed. The rocket-launcher sequence was the only alternative ending to be filmed. Die Hard with a Vengeance opened in the United States on May 19, 1995, and earned $ 22,162,245 in its opening weekend. The film ranked number one at the box office, beating Crimson Tide . In Japan, it set a record opening for 20th Century Fox with a five-day gross of $ 13.5 million, beating Return of

15744-599: Was not until the base of Chinese commercial filmmaking was relocated from Shanghai to Hong Kong in the late 1940s that martial arts cinema was revived. These films contained much of the characteristics of the previous era. During this period, over 100 films were based on the adventures of real life Cantonese folk hero Wong Fei-hung who first appeared in film in 1949. These films primarily on circuited within Hong Kong and Cantonese-speaking areas with Chinese diaspora . Yip continued that these Hong Kong films were still lagging behind in aesthetic and technical standards that films from

15872-504: Was only in the mid-20th century when action films developed into their own recognizable genre instead of being a collection of other types of films such as Westerns, swashbucklers or adventure films. Films have been described "action films" or "action-adventure film" as early as the 1910s. Only by the 1980s was the term action as its own unique genre used routinely in terms of promotion and reviewing practices. The first Chinese-language martial arts films can be traced to Shanghai cinema of

16000-522: Was only shown as being applicable to white middle-class women. Purse found that these women were empowered at the price of women of other ethnicities. This is seen in Aeon Flux (2005) where Sithandra dies protecting Aeon and Rain's death to make way for Alice in Resident Evil (2002). New York City Water Tunnel No. 3 New York City Water Tunnel No. 3 is a water-supply tunnel forming part of

16128-415: Was rejected for being too similar to Under Siege . Troubleshooter was later repurposed for Speed 2: Cruise Control . The script ultimately used was intended for a film entitled Simon Says , originally positioned as a Brandon Lee vehicle and the character of Zeus was written with an actress in mind, but the project was cancelled after Lee's death during filming of The Crow . Warner Bros. bought

16256-522: Was released on DVD on July 10, 2001, and then re-released in February 2005 and 2007. The film was released on Blu-ray in 2007 and 2013. An alternative ending to the one shown in the final movie was filmed with Jeremy Irons and Bruce Willis, set some time after the events in New York. It can be found on the Special Edition DVD. In this version, it is presumed that the robbery succeeds, and that McClane

16384-484: Was used as the scapegoat for everything that went wrong. He is fired from the NYPD after more than 20 years on the force and the FBI has even taken away his pension; it is also mentioned that McClane and his wife Holly have divorced. Nevertheless, he still manages to track Simon using the batch number on the bottle of aspirins and they meet in a bar in Hungary. In this version, Simon has double-crossed most of his accomplices, gotten

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